9212 lines
2.7 MiB
Plaintext
9212 lines
2.7 MiB
Plaintext
{
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"source": "seedance",
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"revision": "487c166e2f09487016452b90fec5e19a470af883",
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"count": 767,
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"categories": {
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"handheld-ugc-vlog": "手持 UGC Vlog",
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"anime-style-lock": "动漫风格锁定",
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"meme-comedy": "梗图喜剧",
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"combat-choreography": "打斗编排",
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"storyboard-grid-to-video": "分镜表转视频",
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"character-reference-lock": "角色一致性",
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"time-freeze-rewind": "时间冻结与倒放",
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"cinematic-narrative-short": "电影感叙事短片",
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"car-vehicle": "汽车与载具",
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"sports-extreme": "运动极限",
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"travel-city-walk": "旅行城市漫步",
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"process-transformation-montage": "过程变身蒙太奇",
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"ugc-creator-review": "达人测评",
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"fashion-lookbook": "时尚造型册",
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"pet-animal": "宠物与动物",
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"3d-cartoon": "3D 卡通",
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"timeline-shot-script": "时间轴分镜脚本",
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"product-commercial-shotlist": "产品广告分镜",
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"stop-motion-cadence": "定格动画节奏",
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"epic-fantasy-scifi": "史诗奇幻科幻",
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"dialogue-performance-beats": "对白表演节拍",
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"music-beat-sync-mv": "音乐卡点 MV",
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"horror-suspense": "恐怖悬疑",
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"pov-continuous-take": "POV 长镜头",
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"game-ui-livestream": "游戏 UI 直播",
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"food-asmr": "美食 ASMR",
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"retro-found-footage": "复古伪纪录"
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},
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"entries": [
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{
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"id": "seedance:seedance-25-diner-frozen-time-rewind",
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"title": "复古餐厅时间冻结与倒放",
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"description": "一份 30 秒的时间冻结加倒放脚本:咖啡打翻的瞬间被锁死,镜头绕悬浮液带走完整圈,再让…",
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"image": "/inspiration-thumbs/seedance/seedance-25-diner-frozen-time-rewind.webp",
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"mode": "video",
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"prompt": "Photorealistic cinematic 1950s American diner, chrome stools, red vinyl, neon glow and checkerboard floor, shot with modern lived-in realism and soft natural window light. Subtle handheld texture, warm practicals, rich period detail, heavy film grain.\n\n0-4s: [Medium Wide] A striking young woman in her early 20s sits alone at the counter, calm and slightly amused, slowly sipping a tall thick milkshake through a straw. Behind her a young waitress in classic uniform approaches with a tray of eggs and bacon in one hand and a full glass coffee pot in the other. An older lady starts rising from a nearby booth.\n\n4-8s: [Dynamic Tracking] The older lady collides hard into the waitress. Tray, plate, eggs, bacon and coffee pot explode upward in chaotic slow motion. Coffee erupts into long liquid ribbons and perfect suspended droplets. Camera immediately begins a smooth continuous orbit around the impact. Time locks completely at the peak of the spill. Every face freezes in pure shock. Only the girl at the counter keeps moving, completely unfazed.\n\n8-17s: [Slow 360° Orbital] Camera glides in a full elegant orbit through the frozen diner. Coffee hangs in mid-air as glassy ribbons and spheres with perfect volume and surface tension. Bacon strips, eggs and the spinning tray float weightlessly. Patrons and waitress remain locked in startled expressions. The girl at the counter takes one slow, deliberate sip, eyes half-lidded, almost bored, while the entire frozen world (except her) begins an elegant reverse: every droplet, every piece of food and every person rewinds smoothly back to the exact starting positions.\n\n17-24s: [Medium Shot] Rewind lands perfectly. Waitress stands balanced again with tray and coffee pot. The girl lifts her eyes, raises two fingers in a small casual gesture and softly calls the waitress by name. The waitress turns toward her just before the older lady begins to stand, completely avoiding the collision. A tiny private smile crosses the girl’s face.\n\n24-30s: [Extreme Close-Up] Hard cut to her face as she takes one last slow sip. Soft knowing smile, eyes almost closed in quiet satisfaction, like she has done this a hundred times. Shallow depth of field, creamy bokeh of the neon diner behind her.\n\nPhotorealistic, ultra-detailed fluid physics, perfect motion blur only on moving elements, stable characters, cinematic lighting, heavy natural film grain, no artifacts, movie-level temporal coherence, high rewatch value.",
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"category": "time-freeze-rewind",
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"tags": ["Seedance 2.5", "human-reviewed"],
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"sourceId": "seedance",
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"credit": "@techhalla",
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"sourceUrl": "https://x.com/techhalla/status/2083389002552664385"
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},
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{
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"id": "seedance:ugc-15-1aec9fd3f3c1",
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"title": "护肤品自拍口播 UGC 广告",
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"description": "用 GPT Image 2 先定死人物形象,再配一张正面产品实拍,交给 Seedanc…",
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"image": "https://media.goodcase.ai/cases/c28b3bfa6a04.jpg",
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"mode": "video",
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"prompt": "A 15-second vertical (9:16) ultra-photorealistic close-up vlog clip, filmed on a phone held at arm's length. Not an ad. A girl talking to her own camera at the end of the day, the way people actually film themselves.\nTALENT —\nYoung woman, early-to-mid 20s. Long light-brown hair with soft caramel balayage, middle part, loose undone waves, a few strands stuck to her cheek. Fair-to-light-tan skin with visible freckles across the nose and cheeks, thick natural brows, blue-green eyes, bare face, small blue resin hoop earrings, thin gold chain with a small pearl pendant. Face, freckles, hair and eye color must 100% match the reference. Oversized white linen button-down over a fitted white ribbed top, fully covered, collar slightly crooked, sleeves pushed up.\nPRODUCT —\nLANEIGE Water Sleeping Mask_EX, 70 ml. Frosted translucent light-blue glass jar, smooth matte cobalt-blue screw lid. Front label reads, in this exact order: \"LANEIGE\" in wide-spaced capitals, \"WATER SLEEPING MASK_EX\" below it, then \"SLEEPING MICROBIOME\" and \"BRIGHTENING · HYDRATING · SOFTENING\" in smaller pale-yellow type, then \"70 ml\" at the base. Inside, thick pale mint-blue gel with a wet glossy surface that holds a soft peak. Shape, color, gel texture and all label text must 100% match the reference, correctly spelled, legible whenever in focus.\nLOCATION\nA villa bedroom at golden hour. Only fragments read in frame because the camera is so tight: white stucco wall, a corner of rumpled white linen bedding, blurred bougainvillea and olive leaves through an open door behind her. The background stays soft and mostly out of focus the entire time.\nLIGHTING\nOne condition, unchanged across all four beats. Low warm sun from frame-left through the open door, roughly 4800K, soft white-wall bounce filling the shadow side of her face. Warm rim on the left edge of her hair and jaw. Slight blown highlight where the sun clips her cheek. No ring light, no fill, no glam lighting.\nFRAMING\nClose-up throughout. Her face fills most of the frame in every beat, chin to just above the hairline, never wider than upper-chest. The jar enters frame close to her face, never held out toward the lens.\n0:00–0:04\nVisual: Tight front-camera close-up, slightly below eye level. She's mid-motion already, pushing hair off her face with the back of her wrist. She glances just off-lens, checking her own image, then back. The jar comes up beside her cheek, held low and casual, only the top half in frame, lid already off. A slow exhale through the nose.\nCamera: Selfie camera, arm's length, natural handheld drift, one quick autofocus hunt between her face and the jar.\nDialogue: \"Okay. Last thing, then bed.\"\n0:04–0:07\nVisual: She tips the jar slightly and drags two fingertips through the gel. Macro-tight: her fingertips, the wet mint-blue surface, a fine thread of gel stretching and snapping. The \"LANEIGE\" and \"WATER SLEEPING MASK_EX\" lines cross the frame in focus for a beat. Her face stays partly in frame at the edge, out of focus.\nCamera: Same front camera pushed in close, shallow focus, rack from the label to the gel on her fingers.\nDialogue: \"It's cold, by the way.\"\n0:07–0:11\nVisual: Back to her face, closer now. She taps the gel across one cheek, her forehead, her chin, then presses it in flat-palmed, working outward. The gel flashes milky over her skin, then settles clear with a faint sheen. She winces at the cold, blinks it off, keeps going. Freckles, pores and natural under-eye shadows stay visible right through the layer. She's talking while working, not pausing for the line.\nCamera: Selfie camera, very close, small handheld corrections, a slow drift as she turns her cheek toward the light.\nDialogue: \"Thin layer. You don't wash it off.\"\n0:11–0:15\nVisual: Closest framing of the clip. She presses two fingertips against her cheek and lets them lift, feeling the faint tack. Turns her head slowly through the low sun, checking the sheen along her cheekbone, eyes tracking her own reflection in the screen rather than the lens. A short nod. The corner of the blue jar sits soft-focus in the lower frame edge, label partly readable. She reaches to stop the recording and the frame tilts as her hand moves.\nCamera: Selfie camera, slow handheld orbit from three-quarter profile to straight-on, ending on her face filling the frame, then a small tilt as she reaches.\nDialogue: \"Morning me is gonna be so happy.\"\nPERFORMANCE\nEnd-of-day, low energy, unperformed. She talks the way someone talks while doing something else, lines half-thrown-away, not projected. Micro-behavior carries the beats: a slow blink, a genuine flinch at the cold, a half-smile that arrives late, eyes checking her own reflection instead of the lens, one natural swallow, visible breath, a small unconscious head tilt. No presenter voice, no bright delivery, no exaggerated reactions, no pointing at the product.\nVOICE\nSoft, slightly flat, close to the mic because the phone is at arm's length. Natural room tone around it. Unhurried, a little tired. Ordinary speaking volume with a touch of breath on the ends of words.\nREALISM\nPore-level skin realism: visible pores across the nose and cheeks, fine forehead texture, natural freckling, faint under-eye shadows, a small blemish near the jaw, stray flyaway hairs catching the backlight, vellus hair on the cheek edge. Wet living eyes with catch-lights and natural asymmetric blinking. The gel reads as a real cosmetic layer refracting light on top of her skin, never replacing its texture.\nPHYSICS\nGel holds a soft peak on her fingertip and slumps under pressure. Hair moves with real inertia and a few strands fall back across her face. Linen creases and drapes naturally. The jar has real weight and correct contact shadow against her hand. Camera weight shifts naturally with her arm.\nCAMERA CHARACTER\nAuthentic modern smartphone selfie footage. Natural handheld tremor throughout, small framing corrections, quick autofocus hunts, mild wide-angle distortion at close range, natural rolling shutter, real motion blur, slight sensor noise in the shadow side. Never feels stabilized or operated by anyone else.\nSTYLE\nReal personal vlog, iPhone-shot look, high-end photorealistic quality. Warm golden-hour daylight, real ambient evening atmosphere, no retouching, no skin smoothing, no product-hero framing, no before/after transformation, no commercial polish.\nOUTPUT SETTINGS\n9:16 vertical. 15 seconds. Real-time motion. High-detail photorealistic 8K intent. Natural smartphone motion blur and subtle sensor noise.\nPOSITIVE LOCKS\n keeps the same face, freckles, hair, earrings, necklace and white linen shirt over white ribbed top in every beat, fully covered throughout.\n stays the same frosted blue jar with matte cobalt lid, correct one-hand size, label text correctly spelled and legible whenever in focus, sharpest in the 0:04–0:07 beat.\nExactly two arms and two hands visible, anatomically correct with five fingers, one hand always holding the phone.\nSame room, same wardrobe, same golden-hour lighting from first frame to last.\nClose-up framing held throughout, her face dominant in every beat.\nSpoken dialogue exactly as written, in order, at the stated timings, with accurate natural lip-sync.\nNatural ambient audio only: faint breeze, distant birds, the small click of the lid, room tone. No music, no on-screen text, no captions, no subtitles, no logos other than the product's own packaging.",
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"sourceId": "seedance",
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"credit": "@abxxai",
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||
"sourceUrl": "https://x.com/abxxai/status/2095179656802844727"
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||
},
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{
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"id": "seedance:vlog-c8171f712492",
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"title": "首尔夏夜 Vlog",
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"description": "一份详尽的脚本式提示词,用于创作一段展现首尔夏夜怀旧家庭录像风格的视频。",
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"image": "https://media.goodcase.ai/media/poster/vlog-c8171f712492.jpg",
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"mode": "video",
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||
"prompt": "Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary summer evening in the life of a young Korean woman. No reference image. MAIN SUBJECT Young Korean woman in her early 20s, naturally pretty, realistic skin texture, minimal makeup, relaxed and approachable personality. Long black hair loosely tied into a messy side ponytail with a few loose strands around her face. Wearing a fitted pastel-blue short top, loose cream pajama-style pants, black sneakers and a simple silver necklace. Maintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video. SETTING A quiet older Seoul residential neighborhood during a warm summer evening. Narrow concrete lanes, small houses, potted plants, bicycles, old walls, utility poles, overhead wires, a tiny neighborhood bakery, a public water tap and large leafy trees casting shadows across the street. Everything should feel lived-in, ordinary and peaceful. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder. Strong handheld shake, imperfect framing, autofocus hunting, exposure shifts, occasional motion blur, faded colors, soft digital detail, mild noise, accidental zooms and natural camera imperfections. — OUTSIDE THE HOUSE She steps outside carrying a small reusable shopping bag. She locks the door, adjusts her messy ponytail and looks toward the camera with a relaxed smile. — BAKERY STOP She reaches a tiny neighborhood bakery and buys a warm pastry. She steps outside, takes her first bite and immediately smiles because it tastes good. She notices her friend filming and holds the pastry toward the camera playfully before taking another bite. — WALKING HOME She continues down the narrow street while eating. A neighborhood cat follows her for a few steps. She notices it, crouches down and gently pets it. — SMALL ACCIDENT She walks beneath a large tree when a few leaves fall onto her hair. She stops, looks confused, then realizes what happened and laughs. — QUIET MOMENT She reaches a low concrete wall beside the street and sits down for a moment. — FINAL MOMENT She stands up and continues walking home.",
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"category": "retro-found-footage",
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||
"tags": ["Seedance 2.5"],
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||
"sourceId": "seedance",
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||
"credit": "@AIwithkhan",
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||
"sourceUrl": "https://x.com/AIwithkhan/status/2092971211169100048"
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||
},
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||
{
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"id": "seedance:seedance-25-kpop-mv-dual-idol",
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"title": "双人 K-pop MV 逐镜分镜",
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"description": "把 30 秒切成十几段两到四秒的镜头,每段写死机位、景别、背景和动作,两个女生用粉发和…",
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||
"image": "https://media.goodcase.ai/media/poster/seedance-25-kpop-mv-dual-idol.jpg",
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"mode": "video",
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||
"prompt": "30-second ultra-realistic K-pop MV featuring two young East Asian women with flawless synchronization, cinematic lighting, glossy skin, realistic hair and fabric physics, natural body motion, and 4K live-action quality. Vibrant hot pink, electric blue, and silver color palette. 0–2s: Wide shot in a bright circular pink studio with reflective floor. Pink-haired woman (left) and black-haired woman (right) perform energetic opening pose and synchronized dance. 2–4s: Medium close-up of the black-haired woman on a blue spotlight stage, confidently pointing at the camera. 4–6s: Pink-haired woman dances before shimmering blue-silver tinsel curtains, dramatic hair flip and fluid arm movements. 6–8s: Back to the pink studio. Both perform synchronized choreography with sharp arm waves, hip sways, and strong formations. 8–10s: Extreme close-up of both faces against a blue background, glossy makeup, subtle smiles, and direct eye contact. 10–14s: Solo shots at the tinsel backdrop. Pink-haired woman mouths lyrics and gestures confidently, followed by the black-haired woman with relaxed jacket styling. 14–18s: Pink studio. Coordinated jacket choreography, hair flips, powerful synchronized dance, ending hands-on-hips. 18–22s: Glamour close-ups. Black-haired woman under glittering bokeh lights, then pink-haired woman with wind-blown hair against a soft pink background. 22–24s: Blue spotlight stage. Mirrored black-haired performer effect with synchronized spins and flowing hair. 24–26s: Both walk confidently toward the camera in front of shimmering tinsel curtains, reflections visible on the floor. 26–29s: Final synchronized dance and ending pose in the pink circular studio, standing together and looking into the camera. Style: Hyper-realistic live action, Seedance 2.5-quality motion realism, perfect lip sync, natural weight shifts, flowing hair, realistic fabric simulation, polished K-pop music video cinematography.",
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"category": "music-beat-sync-mv",
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"tags": ["Seedance 2.5", "human-reviewed"],
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||
"sourceId": "seedance",
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||
"credit": "@Just_sharon7",
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||
"sourceUrl": "https://x.com/Just_sharon7/status/2083422886686031982"
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||
},
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||
{
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"id": "seedance:seedance-25-minidv-coffee-asmr-vlog",
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"title": "mini DV 咖啡 ASMR vlog",
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"description": "用家用摄像机的缺陷反向做真实感:手抖、来回找焦、曝光漂移、磁带颗粒全写进提示词,再配一…",
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"image": "https://media.goodcase.ai/media/poster/seedance-25-minidv-coffee-asmr-vlog.jpg",
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"mode": "video",
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"prompt": "CAMERA / LOOK: Handheld mini DV camcorder footage filmed by the subject herself. Slight hand shake, occasional focus hunting, imperfect framing, natural zoom adjustments, soft tape-like image quality, subtle grain, realistic auto-exposure shifts from bright kitchen morning light. Natural skin tones, mild motion blur, authentic consumer camcorder aesthetic.\nSTYLE: Cozy coffee-prep vlog with gentle ASMR elements. Relaxed pacing, minimal dialogue, candid moments. Focus on satisfying sounds: bean grinder whirring, portafilter tamping, steam wand hissing, cup clinking, milk frothing.\nSUBJECT: Young man in his mid-20s, plain t-shirt, hair slightly tousled, minimal accessories. Calm, focused energy while making his morning coffee.\nSETTING: Small kitchen counter with an espresso machine on a bright morning. Natural daylight, coffee beans and a mug nearby, quiet atmosphere.\nSTORYBOARD:\n→ (3s, propped medium shot) Places camera on the counter, switches on the machine. \"Morning coffee, the proper way.\"\n→ (3s, overhead shot) Grinds fresh coffee beans, fine grounds falling into the portafilter.\n→ (3s, close-up) Tamps the grounds down firmly and evenly.\n→ (3s, handheld shot) Locks the portafilter into the machine. \"Here we go.\"\n→ (3s, detail shot) Espresso streams slowly into a small cup. No dialogue.\n→ (3s, medium shot) Pours cold milk into a small steel pitcher. \"Time for the milk.\"\n→ (3s, macro shot) Steam wand hissing as it froths the milk.\n→ (3s, propped shot) Pours frothed milk carefully over the espresso, forming light layers.\n→ (3s, warm ending shot) Holds the finished cup, takes a small sip, satisfied smile. \"That's exactly what I needed.\"\n→ (3s, final shot) Reaches toward camera, still holding the cup. \"See you later.\" Hand covers lens as recording ends.\nAUDIO NOTES: Natural kitchen ambience — grinder whirring, tamping, steam hissing, milk pouring should be clearly audible. Dialogue quiet and casual.\nREALISM NOTES: Authentic body language, natural blinking, genuine focused smiles, occasional careful pauses while pouring, imperfect framing, focus breathing, bright morning light shifts. Should resemble a genuine personal coffee vlog on a consumer camcorder, not a commercial or AI-generated production.",
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"category": "handheld-ugc-vlog",
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"tags": ["Seedance 2.5", "human-reviewed"],
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"sourceId": "seedance",
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||
"credit": "@Strength04_X",
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"sourceUrl": "https://x.com/Strength04_X/status/2083094742682787939"
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},
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||
{
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"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-live-action-university-vlog-of-a-europe-b1345e10d888",
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"title": "雨天清晨赶往大学的咖啡日常",
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"description": "手持 UGC Vlog",
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"image": "https://media.goodcase.ai/cases/3b0a648bcdee.jpg",
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"mode": "video",
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"prompt": "Create a 30-second ultra-photorealistic live-action university vlog of a European brunette in her mid-20s waking to a rainy morning, making coffee, getting ready, grabbing her umbrella, walking through a wet city, and arriving at university just before class.\n\nModern smartphone vlog style: natural handheld movement, subtle shake, autofocus changes, realistic rain, puddles, reflections, traffic, umbrellas, wet clothing, natural expressions and believable human movement.\n\nDialogue: “Good morning… apparently, it’s raining.” → “First coffee. Then lecture.” → “Two minutes early. I’m impressed.” → “Okay, made it.”\n\nNatural diegetic audio only. No music, narration, CGI look, artificial rain, face changes, distorted anatomy, impossible physics, subtitles, logos or watermark.\n\n16:9 • 24fps • 4K • Ultra-photorealistic live action",
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"category": "handheld-ugc-vlog",
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||
"sourceId": "seedance",
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||
"credit": "@nawalsehar",
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||
"sourceUrl": "https://x.com/nawalsehar/status/2103337966416621703"
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||
},
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||
{
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||
"id": "seedance:seedance-made-with-seedance-2-5-73b10f69e32a",
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||
"title": "幼儿开门学字母与单词",
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||
"description": "",
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||
"image": "/inspiration-thumbs/seedance/seedance-made-with-seedance-2-5-73b10f69e32a.webp",
|
||
"mode": "video",
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||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a high-quality vertical 9:16 3D animated educational kids video in a bright, colorful, cute nursery-rhyme style.\n\nMain character:\nA cute adorable toddler boy, around 2 years old, with chubby cheeks, big expressive eyes, short light-brown hair, wearing a bright blue T-shirt with a playful “LOL Kids” style graphic and matching diaper/shorts. Keep the child’s appearance consistent throughout the entire video.\n\nEnvironment:\nA clean, bright indoor children's learning room with a glossy white floor, colorful geometric shapes scattered around the background, playful decorations, and a series of colorful doors. Use vibrant red, blue, yellow and green doors. Soft studio lighting, cheerful atmosphere, polished 3D cartoon animation, smooth reflections, high-quality Pixar-like children's animation aesthetic.\n\nVIDEO SEQUENCE:\n\nScene 1 — A for Apple:\nThe toddler stands in front of a bright red door with a large bold yellow letter “A” on it. He reaches toward the door handle and opens the door with excitement. Behind the door is a colorful apple-themed environment with red apples. Show the text “A - APPLE” at the top. The child looks surprised and happy.\n\nScene 2 — B for Banana:\nCut to a bright blue door with a large yellow “B”. The toddler walks toward it, reaches for the handle and opens the door. Reveal a playful collection of bright yellow bananas behind the door. Display “B - BANANA” at the top.\n\nScene 3 — C for Cat:\nShow a yellow/orange door with a large red “C”. The toddler opens the door and a cute friendly cat appears behind it. The child reacts with excitement and curiosity. Display “C - CAT”.\n\nScene 4 — D for Dog:\nShow a red door with a large yellow “D”. The toddler opens it and reveal a cute friendly brown-and-white puppy standing behind the door. The puppy happily looks toward the child. Display “D - DOG”.\n\nScene 5 — E for Elephant:\nShow a blue door with a large yellow “E”. The toddler opens the door and a cute baby elephant appears. The elephant playfully raises its trunk while the child reacts happily. Display “E - ELEPHANT”.\n\nScene 6 — F for Fish:\nTransition to a bright underwater-themed aquarium area. Show colorful orange fish swimming inside a large glass aquarium. The toddler stands beside it and looks excitedly at the fish. Display “F - FISH”.\n\nScene 7 — G for Grapes:\nShow a green door with a large yellow “G”. The toddler opens the door and discovers a huge bunch of shiny purple grapes behind it. He points toward the grapes with excitement. Display “G - GRAPES”.\n\nScene 8 — I for Ice:\nShow a red door with a large yellow “I”. The toddler stands beside the closed door, reaches for the handle and opens it. Reveal a playful icy environment. Display “I - ICE”.\n\nScene 9 — J for Jelly:\nShow a blue door with a large yellow “J”. The toddler opens the door and reveal colorful jelly/jelly dessert behind it. The child points toward it happily. Display “J - JELLY”.\n\nScene 10 — K for Kite:\nShow a red door with a large yellow “K”. The toddler opens the door and reveal a colorful kite-themed scene. Display “K - KITE”.\n\nScene 11 — L for Lion:\nShow a green door with a large yellow “L”. The toddler opens the door and a cute friendly cartoon lion appears behind it. The lion looks gentle and playful, not scary. The toddler reacts with excitement. Display “L - LION”.\n\nFinal scene:\nShow a cute fluffy hamster waving goodbye to the camera in a bright pastel background. Add cheerful text:\n“Bye-Bye 👋”\nand a colorful kids-learning logo at the bottom.\n\nAnimation and camera:\nSmooth toddler walking and reaching movements, natural hand interaction with every door handle, realistic door opening motion, expressive facial reactions, playful character animation, gentle camera movements, medium full-body framing, occasional slow push-ins, clean transitions between alphabet scenes, consistent character proportions, bright cinematic lighting, glossy 3D rendering, vibrant colors, soft shadows, highly detailed children'",
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||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2104764823091490851"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-i-came-like-a-storm-d30f955b4248",
|
||
"title": "黑衣女子静立于同步人群中央",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/8ca97a85493c.jpg",
|
||
"mode": "video",
|
||
"prompt": "I came like a STORM \n\nSeedance 2.5\n\nPrompt 👇:\n\nCreate a ultra-realistic cinematic fashion video using the uploaded images as exact visual references for the woman, crowd, wardrobe, framing, and atmosphere.\nA young woman with the same short dark bob wears a fitted black turtleneck, black trousers, and black shoes, standing confidently at the center of a large crowd.\nStart with her walking slowly toward the middle of the crowd, calm and expressionless, with a lit cigarette naturally held between her lips.\nShe reaches the center, stops, and faces directly into the camera.\nShe takes one slow drag from the cigarette, then removes it from her mouth.\nShe slowly exhales a visible stream of smoke toward the camera, with the smoke naturally drifting across her face.\nShe lowers her hand and becomes completely still, staring directly into the lens.\nThe entire crowd behind her remains frozen for a brief moment.\nSuddenly, everyone behind her begins moving in perfect synchronization — sharp head turns, shoulder jerks, folding forward and snapping upright.\nThe movement should feel rhythmic, strange, powerful, and physically realistic.\nThe woman does not move at all while the entire crowd moves behind her.\nSlowly push the camera closer to her, keeping her sharply focused while the crowd has subtle depth-of-field blur.\nDark, cold, mysterious lighting with deep shadows, realistic skin, hair, clothing, cigarette ember, and physically accurate smoke.\nPhotorealistic live-action quality, cinematic composition, natural human movement; no animation, CGI look, duplicated woman, distorted bodies, excessive smoke, text, subtitles, or logos.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2099707375943066094"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-fast-paced-cinematic-japanese-anime-cooking-video-showing-th-236ad940a8f1",
|
||
"title": "夏日厨房里的日式猪排盖饭",
|
||
"description": "美食 ASMR",
|
||
"image": "https://media.goodcase.ai/cases/785fe38465cc.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second fast-paced cinematic Japanese anime cooking video showing the preparation of authentic katsudon, entirely from the text description below.\n\nIMPORTANT: Do not display, recreate, trace, reference, or imitate any storyboard, sketch, reference image, panel, annotation, or source material. Generate only original anime-style animation.\n\nSTYLE\n\nHigh-quality Japanese anime film style, cinematic summer lighting, ultra-detailed food textures, realistic cooking physics, visible steam and moisture, shallow depth of field, macro close-ups, smooth camera movement, warm Japanese kitchen atmosphere. Fast rhythmic editing with natural match cuts based on movement, shape, texture, and composition.\n\nTIMELINE\n\n0–2.5s — Prepare Pork\nClose-up of hands pounding a thick pork loin with a wooden mallet on a cutting board. The meat gradually flattens and its fibers loosen. Sprinkle salt and pepper evenly. Crisp rhythmic impacts.\n\n2.5–5s — Bread the Pork\nQuick match cuts: press the pork into flour, dip into beaten egg, then firmly coat with coarse panko breadcrumbs. Show realistic egg dripping and breadcrumbs adhering to the surface.\n\n5–7.5s — Fry\nLower the breaded pork into hot golden oil. Intense bubbling surrounds the cutlet as the crust turns golden brown and crispy. Warm cinematic lighting and detailed oil movement.\n\n7.5–9.5s — Slice\nPlace the fried tonkatsu on a wooden board. A sharp knife cuts it into even strips. The crispy crust cracks naturally, revealing juicy white pork with gentle steam escaping.\n\n9.5–12s — Simmer Dashi & Onion\nThinly sliced onions gently simmer in amber dashi inside a shallow pan. Small bubbles rise while the onions become translucent. Chopsticks gently move them through the broth.\n\n12–14s — Add Tonkatsu\nPlace the sliced tonkatsu carefully over the simmering onions using chopsticks. The broth begins soaking into the crispy edges while steam rises.\n\n14–16.5s — Pour Egg\nSlowly pour beaten golden egg over the tonkatsu and onions. The egg spreads naturally through the gaps and begins setting around the hot edges.\n\n16.5–19s — Set the Egg\nClose-up of the egg gently coagulating over low heat. Edges become soft and golden while the center remains glossy, slightly runny, and trembling. No stirring.\n\n19–21s — Prepare Rice\nA white ceramic donburi bowl receives a generous mound of steaming Japanese short-grain rice. The rice looks fluffy and slightly glossy.\n\n21–24s — Assemble\nCarefully slide the egg-and-tonkatsu mixture from the pan onto the rice. The egg settles naturally in a soft wave while dashi lightly absorbs into the rice.\n\n24–26s — Final Close-Up\nThe finished katsudon rests on the counter. Glossy egg slowly settles over the tonkatsu and rice, gently trembling. Slow cinematic push-in.\n\n26–30s — Hero Reveal\nPresent the finished katsudon in a traditional blue-and-white ceramic bowl on a wooden surface. Golden egg covers crispy tonkatsu over glossy rice, topped with fresh mitsuba. Steam rises as the camera slowly arcs around the bowl for a beautiful anime-food-film ending.\n\nAUDIO\n\nBright 1980s-inspired Japanese city-pop instrumental, 110–120 BPM, with subtle koto and light chime percussion. Synchronize realistic ASMR cooking sounds: mallet impacts, knife slicing, frying sizzle, bubbling dashi, chopsticks, egg pouring, steam, and a soft ceramic clink.\n\nEnd with one delicate wind-chime tone during the final reveal.\n\nNEGATIVE\n\nNo storyboard, reference image, sketch, panels, borders, numbers, arrows, annotations, subtitles, captions, UI, logos, or text overlays. No unrelated ingredients or dishes. Katsudon only. Keep the food, hands, utensils, lighting, and environment visually consistent throughout.",
|
||
"category": "food-asmr",
|
||
"sourceId": "seedance",
|
||
"credit": "@Goodmanprotocol",
|
||
"sourceUrl": "https://x.com/Goodmanprotocol/status/2098845134326808734"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-subject-preserve-exact-identity-face-skin-tone-body-proportions-hair-298f82f12f00",
|
||
"title": "庭院吊床与清洗摩托的午后",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/cases/d3f9b6377ec3.jpg",
|
||
"mode": "video",
|
||
"prompt": "Subject: “<<<image_1>>>” — preserve exact identity, face, skin tone, body proportions, hair, and outfit. Southeast Asian appearance with subtle Korean styling: olive-green faded sleeveless crop top, loose high-waist light-blue jeans, black canvas sneakers, black cord necklace, black wavy hair, side-swept bangs, messy ponytail.\n\nSetting: Quiet early-2000s Southeast Asian residential neighborhood—concrete alley, simple homes, terraces, trees, plants, parked motorcycles, tangled overhead cables. No shops.\n\nStyle: Raw early-2000s consumer DV/home-video footage. Heavy handheld shake, imperfect framing, autofocus hunting, lens breathing, exposure shifts, rolling shutter, natural motion blur, faded low-contrast colors, washed highlights, digital noise/compression. No stabilization, beauty filters, cinematic grading, glamour, or posing.\n\nTimeline:\n\n- 00–03: Relaxing in a hammock between trees, dappled sunlight.\n- 03–07: Uses an old Nokia phone, presses keypad, subtle smile; focus hunts.\n- 07–10: Lazily stretches in hammock, phone on stomach, looks at canopy.\n- 10–13: Gets up, pockets phone, walks across yard.\n- 13–16: Crouches beside motorcycle, picks up soapy water and rag.\n- 16–20: Slowly cleans helmet; water drips onto concrete.\n- 20–24: Cleans motorcycle seat, briefly smiles at camera.\n- 24–27: Rinses and wrings rag over bucket.\n- 27–30: Wipes hands on jeans, looks at camera and softly smiles; abrupt cut to black.\n\nAudio: Natural ambience only—birds, breeze, distant motorcycles, chatter, hammock creaks, Nokia keypad clicks, leaves, water, and rag sounds. No music or cinematic effects.\n\nFormat: 16:9.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2099836703729172540"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-made-with-seedance-2-5-d46c440165fa",
|
||
"title": "萌娃学爸爸剃须,泡沫胡子逗笑父母",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/e7b938f20d48.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a heartwarming and funny ultra-realistic 3D animated cinematic video in vertical 9:16 format.\n\nScene: A cute little toddler boy is sitting on the bathroom floor in front of a dark blue liquid soap dispenser. His father is standing behind him in front of a large bathroom mirror, shaving his own face with a razor.\n\nThe toddler curiously watches his father and decides to imitate him. He presses the soap dispenser and playfully covers his eyebrows, cheeks, upper lip, and chin with thick white shaving foam, creating a funny oversized Santa-style beard and eyebrows.\n\nThe father notices what the child has done and looks surprised and amused. The toddler proudly stands up, grabs a wooden floor broom, and walks toward the bathroom doorway as if he is going to help clean.\n\nThe mother appears at the doorway holding folded white towels. She looks at the toddler, realizes what happened, and starts laughing. The father also looks at his little son and bursts into laughter.\n\nEnd with the toddler standing proudly between his laughing parents, still covered in shaving foam, smiling innocently at the camera.\n\nStyle: high-quality 3D animated family comedy, adorable toddler expressions, realistic body movement, detailed facial animation, warm bathroom lighting, cinematic depth of field, soft shadows, realistic textures, natural camera movement, expressive reactions, wholesome family humor.\n\nKeep the characters consistent throughout the entire video. Preserve the toddler's hairstyle, clothing, facial features, and proportions. Smooth motion, believable hand movements, natural eye direction, cinematic composition, highly detailed animation, no text, no subtitles, no watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2106560621932384657"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-sci-fi-horror-action-short-film-set-in-a-research-laboratory-opens-w-9661cd7bd95d",
|
||
"title": "实验室寄生体感染突袭",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/5929c428cd08.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic sci-fi horror-action short film set in a research laboratory, opens with an immediate strong hook, natural realistic pacing, grounded practical-effects style. Lab filled with steel equipment, glass containment tubes, monitors, specimen tables, harsh fluorescent lighting. Five scientists in lab coats work at various stations. Natural handheld camera work, muted authentic color grading, all sound fully natural and diegetic — no music, no artificial sound design until the tension score kicks in.\n>\n> **[0-1s]** Hard cut: a containment tube shatters violently, glass exploding across the lab floor.\n>\n> **[1-2s]** A small dark parasite creature skitters out fast, latching instantly onto a scientist's neck.\n>\n> **[2-3s]** He screams, collapsing to his knees, the others recoiling in shock.\n>\n> **[3-4s]** Dark veins pulse rapidly beneath his skin, visible even through his collar, his body convulsing.\n>\n> **[4-5s]** His eyes turn a deep obsidian black — he rises, movements jerky and unnatural.\n>\n> **[5-6s]** He lunges at the nearest colleague, parasite tendrils extending from his mouth toward her.\n>\n> **[6-7s]** She's caught, tendrils latching onto her neck, her scream cutting short.\n>\n> **[7-8s]** Veins spread fast across her too, body convulsing against a lab table, equipment crashing down.\n>\n> **[8-9s]** She rises seconds later, eyes black, joining him, both turning toward the remaining three.\n>\n> **[9-10s]** The three scientists scramble back, one grabbing a fire axe from an emergency case on the wall.\n>\n> **[10-11s]** The two infected charge fast, jerky inhuman movements, tendrils whipping from their jaws.\n>\n> **[11-12s]** The lead scientist swings the axe hard into the first infected — a solid impact, it staggers into a specimen table, equipment shattering.\n>\n> **[12-13s]** A second scientist grabs a fire extinguisher, blasting the other infected in the face, it recoils, tendrils flailing.\n>\n> **[13-14s]** The third scientist shoves a steel cart into the staggering infected's path, sending it crashing down.\n>\n> **[14-15s]** Both infected collapse motionless, twitching, tendrils retracting slowly.\n>\n> **[15-16s]** The three survivors regroup, breathing hard, scanning the wrecked lab for more movement.\n>\n> **[16-17s]** Wide shot: broken glass and toppled equipment everywhere, alarm lights beginning to flash red.\n>\n> **[17-18s]** A third containment tube behind them starts cracking, unnoticed by the group.\n>\n> **[18-19s]** It shatters suddenly — another parasite creature launches out fast.\n>\n> **[19-20s]** The lead scientist spins just in time, swinging the axe and slicing it out of the air mid-leap.\n>\n> **[20-21s]** It hits the floor, motionless, dark fluid spreading slightly beneath it.\n>\n> **[21-23s]** The group presses their backs together, weapons raised, scanning every corner of the lab.\n>\n> **[23-25s]** Emergency lights flash steadily red, alarm klaxon blaring through the facility.\n>\n> **[25-27s]** The lead scientist gestures toward the exit; they move together cautiously, stepping over debris and fallen colleagues.\n>\n> **[27-29s]** They reach the heavy lab door, the lead scientist sealing it shut behind them with a hard mechanical clang.\n>\n> **[29-30s]** Final shot: the three survivors lean against the sealed door, breathing hard, alarm lights flashing red across their exhausted faces. Cut to black.\n>\n> Natural diegetic sound throughout — glass shattering, guttural convulsions, screaming, metal impacts, alarm klaxon, heavy breathing — layered with a tense instrumental score building through the fight and easing at the end. No text overlay, no watermark. Natural handheld camera with realistic shake during action, muted clinical color grading.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@auqibhabib",
|
||
"sourceUrl": "https://x.com/auqibhabib/status/2099725768310009982"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-seedance-2-5-prompt-drop-7b233ffed1d4",
|
||
"title": "蓝夹克双辫女剑士破框而出",
|
||
"description": "作者分享的 Seedance 2.5 破框特效:角色的剑、手、球鞋和衣摆反复越过上下固…",
|
||
"image": "https://media.goodcase.ai/cases/4e5f9347c75d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use @[char ref] as the exact character and style reference. Preserve her black hair and braids, oversized blue hooded jacket with cream graphics and orange trim, white cropped top, layered cream-and-orange pants, orange ribbons and white sneakers with black stripes and orange panels. Preserve her single sword with its black wrapped handle, gold guard and red tassel. Keep the same angular painterly anime rendering and blue background.\n\nMAIN VISUAL GOAL:\nAn unmistakable OUT-OF-FRAME, POP-OUT effect. The character repeatedly projects beyond the central picture window, with her sword, hands, sneakers, hair and loose clothing visibly moving OVER the black letterbox bars toward the viewer.\n\nCOMPOSITING ORDER, BACK TO FRONT:\n1. Background and scene.\n2. Two broad black letterbox bars at the top and bottom.\n3. The foreground character, including her sword, hands, sneakers and clothing.\n\nThe background is confined to the central picture window. The foreground character is NOT confined to that window. Her silhouette continues uninterrupted across its boundaries and onto the black bars. Blue sleeves, cream fabric, orange panels, sneakers and the silver blade remain fully visible when overlapping black.\n\nSTATIC BARS, MOVING CHARACTER:\nBoth bars are completely static screen graphics. Keep their equal thickness, full width and exact screen position unchanged throughout. Their inner boundaries remain perfectly straight and horizontal.\n\nThe character simply renders in front of them. Her movement temporarily hides portions of their black surface. The underlying bars never move or deform. Visible edge segments on either side of an overlap remain aligned on the same horizontal line. When she withdraws a limb, reveal the original unchanged black bar beneath it.\n\nKeep black visible beside the overlapping body parts. No bending, sliding, shaking, stretching, opening or impact reactions in the bars.\n\nThe camera stays stationary with a fixed wide-angle lens. One continuous shot. She stays close and large in the composition, using short forward approaches, lateral pivots and compact recoveries. Never retreat deep into the background.\n\nOPENING:\nAlready close to the viewer, she reaches toward the lens with her EMPTY hand while retaining the sword in her other hand.\n\nHer fingertips visibly overlap the upper black bar. She makes one brisk diagonal lens-wiping gesture with her open palm, passing across the center and over the lower black bar. The hand and sleeve appear in front of both bars during the gesture. The bars remain unchanged beneath them.\n\nThe instant her palm clears the lens, she snaps into fast action without a pause.\n\nCHOREOGRAPHY:\nA diagonal sword slash passes close to the lens and visibly extends over the upper black bar. Reverse immediately into a tight turning cut. Her blue sleeve and loose cream-and-orange fabric sweep across the lower black surface.\n\nShe chambers a knee and fires a sharp FRONT KICK toward the viewer. The sneaker sole becomes large in the foreground and clearly overlaps the lower black bar, with black still visible beside it. Her shin connects continuously back to her body inside the central window. Retract immediately.\n\nPlant the foot and pivot into a fast sword flourish crossing the upper bar. Continue into a compact SPINNING HEEL KICK. The sneaker sweeps close past the lens, its heel and sole projecting over the lower bar while her jacket and trouser fabric trail behind.\n\nKeep alternating clear close-range overlaps: sword above the upper bar, sneaker over the lower bar, empty hand across a border, blue sleeve and cream fabric sweeping across black. Use fast connected combinations with crisp readable extensions and immediate recoveries.\n\nHer clothing follows her body with strong momentum. Preserve the garment construction, patterned orange sections and cream folds. Fabric stays attached naturally and visibly covers the black surface without affecting its straight boundaries.\n\nFINISH:\nA final close-range sword extension crosses the upper black bar as her loose clothing flares over the lower bar. Resolve sharply into a confident martial-arts pose, retaining visible foreground overlap and quick natural follow-through.\n\nThe frame-break effect must come from the character visibly covering black areas outside the central picture window. Do not keep her entirely behind the bars. Do not simulate the effect by moving the bars or enlarging the window.\n\nFast real-time movement throughout, including the opening wipe. No slow motion, speed ramps, long windups or floating pauses. No camera movement, duplicated limbs or weapons, clothing morphing, text or background music. Sword whooshes, kick air bursts and fabric snaps only.",
|
||
"sourceId": "seedance",
|
||
"credit": "@aimikoda",
|
||
"sourceUrl": "https://x.com/aimikoda/status/2106044483863191748"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-seedance-2-5-on-5de3fbc4f714",
|
||
"title": "韩国女生的社区健身房晨练",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-seedance-2-5-on-5de3fbc4f714.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a **45-second ultra-realistic personal home-video** of a young Korean woman going to a small neighborhood gym for a casual morning workout. Use the **attached image as the absolute character reference** and keep her face, facial features, hairstyle, body proportions and overall appearance consistent throughout.\n\nThe video should feel like a friend casually followed her to the gym with an **early-2000s consumer DV camcorder**. It should feel spontaneous, slightly awkward, playful and real — **not like a fitness advertisement or influencer workout video**.\n\nCamera Settings: shot on 35mm film, anamorphic 2x squeeze, 2.39:1, oval bokeh, heavy grain,\nhalation on the bulbs. Focal length: 35mm. Aperture: f/2.0.\n \n### CHARACTER & OUTFIT\n\nShe begins with her **long blonde hair worn loose**.\n\nFor the walk to the gym, she wears a casual oversized zip-up hoodie over her workout clothes and carries a small dark gym bag.\n\nInside the gym, she removes the hoodie and ties her hair into a **slightly messy high ponytail**.\n\nHer workout outfit is:\n\n- muted sage-green fitted short-sleeve athletic top\n- loose black athletic track pants with a comfortable straight-leg fit\n- gray-and-white training sneakers\n- simple black fitness watch\n- no jewelry\n- minimal natural makeup\n\nKeep this exact workout outfit consistent throughout the gym sequence.\n\nShe carries:\n\n- dark gym bag\n- translucent reusable water bottle\n- small light-gray workout towel\n\n### 00:00–00:06 — WALKING TO THE GYM\n\nOpen outside her home in soft morning daylight.\n\nShe steps through the door carrying her gym bag and starts walking through a quiet residential neighborhood.\n\nThe friend filming walks slightly behind her.\n\nThe camera shakes naturally with every step.\n\nShe turns around while walking backward for a moment and smiles at the camera.\n\n**WOMAN, laughing:**\n“Why are you filming already?”\n\nThe person behind the camera quietly laughs.\n\nShe shakes her head, turns around and keeps walking.\n\nCut to her approaching a modest neighborhood gym.\n\nBefore entering, she puts her bag down for a second and ties her long black hair into a messy high ponytail.\n\nShe looks at the camera.\n\n**WOMAN:**\n“Okay. Now I’m ready.”\n\nShe immediately laughs at herself.\n\n### 00:06–00:12 — WARM-UP\n\nInside the gym, she removes her hoodie, revealing the **sage-green athletic top and loose black workout pants**.\n\nShe places her gym bag beside a bench, sets down her water bottle and towel and begins warming up.\n\nInstead of ordinary stretching, show:\n\n- shoulder rotations\n- arm swings\n- standing torso twists\n- alternating knee raises\n\nThe camera awkwardly zooms toward her face.\n\nShe notices.\n\n**WOMAN:**\n“Don’t zoom in!”\n\nShe laughs and briefly covers the lens with her hand.\n\nThe camera pulls back.\n\n### 00:12–00:20 — KETTLEBELL & STEP-UPS\n\nShe picks up a **light kettlebell** and performs slow, controlled kettlebell deadlifts.\n\nShow realistic posture, grip, weight and breathing.\n\nCut to her performing **alternating step-ups onto a low padded exercise box**.\n\nHer ponytail bounces naturally.\n\nAfter several repetitions, she stops with her hands on her hips and exhales.\n\n**WOMAN:**\n“Why is this harder than it looks?”\n\nShe smiles breathlessly.\n\nSmall beads of sweat are beginning to appear around her forehead and hairline.\n\n### 00:20–00:27 — RESISTANCE BAND\n\nShe places a resistance band around her thighs and performs **controlled lateral band walks** across the gym floor.\n\nThe friend filming follows her sideways.\n\nShe looks toward the camera while continuing.\n\n**WOMAN:**\n“My legs are already complaining.”\n\nShe laughs, loses her rhythm for a second, then continues.",
|
||
"sourceId": "seedance",
|
||
"credit": "@sipteaandcoffee",
|
||
"sourceUrl": "https://x.com/sipteaandcoffee/status/2104887547243774358"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-photorealistic-live-action-horror-short-film-set-inside-a-busy-modern-52b17b0d18ff",
|
||
"title": "商场丧尸爆发中的保安与幸存者",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/be466ebf5501.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a photorealistic live action horror short film set inside a busy modern shopping mall during normal operating hours. The scene must feel like a real emergency captured by a human handheld camera operator, not a choreographed action movie. Prioritize realistic human behavior, believable physics, natural body movement, consistent character appearance, spatial continuity, practical effects and authentic environmental detail.\n\nMAIN CHARACTER: A male mall security guard in his late 30s wearing a realistic dark security uniform and carrying a radio. Keep his face, clothing, body proportions and equipment identical throughout the entire video.\n\nSURVIVORS: A small group of ordinary shoppers with realistic clothing and consistent appearances. Their faces, clothing and body proportions must remain unchanged throughout the sequence.\n\n0–4 SECONDS:\nBegin immediately in the food court with shoppers eating and walking normally. Without warning, an infected man suddenly attacks a nearby shopper. The attack is chaotic and physically messy rather than theatrical. The victim falls against a table, knocking over food and drinks. Nearby shoppers freeze for a moment because they do not understand what is happening.\n\n4–8 SECONDS:\nSeveral shoppers back away. One person briefly tries to help before realizing the attacker is dangerous. Chairs scrape across the floor as people retreat. The security guard hears the disturbance and runs toward the food court. His reaction is confused and concerned, not heroic.\n\n8–12 SECONDS:\nThe infected attacker suddenly rushes toward another shopper. The crowd finally realizes something is seriously wrong. Panic spreads naturally. People run in different directions instead of moving together. Some hide behind storefronts while others run toward exits. Shopping bags and personal belongings fall naturally as people flee.\n\n12–16 SECONDS:\nThe security guard reaches the food court and sees two infected people approaching. He grabs a nearby metal crowd-control barrier for protection. He initially backs away while watching them. One infected suddenly charges. The guard swings the barrier defensively and knocks the attacker off balance. The movement must look heavy, awkward and physically difficult, never like professional choreography.\n\n16–20 SECONDS:\nA few shoppers help each other retreat behind a storefront entrance. One person pulls an injured shopper away from the food court. Nobody performs exaggerated combat moves. The guard keeps backing toward the survivors while maintaining distance from the infected.\n\n20–24 SECONDS:\nOne infected suddenly charges again. The guard sidesteps at the last moment. The infected crashes into the glass railing from its own momentum. The glass cracks realistically but does not explode into an unrealistic shower of fragments. The guard immediately moves the survivors farther away.\n\n24–27 SECONDS:\nThe survivors move together toward a partially closed storefront. The guard stays behind them and keeps watching the infected. Distant screaming comes from another section of the mall, suggesting the outbreak is larger than what the camera has witnessed without showing an unnecessary crowd of zombies.\n\n27–30 SECONDS:\nThe group reaches temporary safety behind the storefront. The guard slowly looks through the gap toward the food court. The mall has become eerily quiet. An escalator continues running in the background while abandoned shopping bags, overturned chairs and spilled food remain scattered across the floor. A distant infected figure briefly crosses the far end of the mall. The guard quietly raises one finger, signaling everyone to stay silent.Cut naturally to black.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@auqibhabib",
|
||
"sourceUrl": "https://x.com/auqibhabib/status/2104107269206237325"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-realistic-personal-home-video-of-a-young-korean-woman-b2425539d28a",
|
||
"title": "首尔老街买面包与棉花糖的一天",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/cases/f73ca1c9ee91.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-realistic personal home-video of a young Korean woman spending a simple, cheerful day in an older Seoul residential neighborhood. Use the attached image as the character reference and keep her face and overall appearance consistent throughout. She has long black hair tied in a casual ponytail and wears a pink fitted crop top, white casual shorts, simple slippers, and a small bracelet.\n\nShe steps out of her home with a small smile, closes the door behind her and walks casually through the quiet neighborhood. She enters a tiny local convenience store, picks up a fresh loaf of bread, pays the shopkeeper with coins, holds the bread in one hand and walks back outside.\n\nWhile walking down the lane, she suddenly spots her female friend approaching from the opposite direction. Her friend smiles, they greet each other warmly and share a natural friendly hug before saying goodbye. She continues walking with the bread in her hand.\n\nA little farther down the street, she notices a bicycle cotton-candy vendor parked beside the road. She stops, smiles, takes a few coins from her pocket and gives them to the vendor. He prepares a fluffy colorful cotton candy and hands it to her. She happily takes a bite while continuing her walk.\n\nShe reaches a nearby outdoor water tap, places the bread carefully on a clean ledge beside her, bends down and drinks fresh water directly from the tap. She wipes her mouth with the back of her hand, picks up the bread again and continues walking.\n\nNear the end, she walks slowly down the quiet residential lane with the bread in one hand and cotton candy in the other, takes another happy bite, then turns toward the camera, smiles naturally and says “Bye bye!” before walking away.\n\nUse raw early-2000s consumer DV-camera footage: handheld shake, imperfect framing, autofocus hunting, exposure shifts, soft digital detail, mild digital noise, natural motion blur, occasional awkward zooms, realistic skin texture and authentic home-video imperfections.\n\nNatural neighborhood ambience only — footsteps, shop sounds, bicycle wheels, vendor conversations, distant traffic, birds, water running from the tap, children playing and light wind through the trees. No music, no narration, no subtitles, no polished commercial cinematography, no beauty filter, no CGI look.",
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"category": "retro-found-footage",
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"sourceId": "seedance",
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"credit": "@AIwithkhan",
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"sourceUrl": "https://x.com/AIwithkhan/status/2104057858765791389"
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},
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{
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"id": "seedance:seedance-create-a-30-second-ultra-realistic-personal-home-video-of-a-young-korean-woman-0c54e55df8b9",
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"title": "首尔周五晨间散步",
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"description": "",
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"image": "https://media.goodcase.ai/cases/efc88aa19bcf.jpg",
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"mode": "video",
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"prompt": "Create a 30-second ultra-realistic personal home-video of a young Korean woman enjoying a relaxed Friday morning in an older Seoul residential neighborhood. Use the attached image as the character reference and keep her face, long black messy side ponytail, pastel-blue fitted top, loose cream pants, black sneakers, silver necklace, and overall appearance perfectly consistent.\n\nShe leaves her home with a cheerful expression and walks casually through the quiet neighborhood. She reaches a nearby outdoor water tap, stops, splashes cool water onto her face, wipes her face with her hands, smiles and continues walking.\n\nShe arrives at a small neighborhood shop and buys a colorful lollipop for herself. She unwraps it immediately, puts it in her mouth and happily enjoys the candy while walking through the street.\n\nA few school children pass by carrying their backpacks. She smiles, waves at them and casually says, “Hello!” as they walk past.\n\nShe then approaches a newspaper seller outside a small local shop, picks up a newspaper, gives him a few coins, thanks him with a smile and starts walking back toward home while holding the newspaper.\n\nNear the end, she looks toward the camera with a happy smile, still enjoying her lollipop, and says, “Happy Friday!” before continuing home.\n\nUse raw early-2000s consumer DV-camera footage: handheld shake, imperfect framing, autofocus hunting, exposure shifts, soft digital detail, mild digital noise, natural motion blur, occasional awkward zooms and authentic home-video imperfections. Natural Seoul neighborhood ambience only — footsteps, running water, children talking, shop sounds, newspaper rustling, distant traffic, birds and summer insects. No music, no narration, no subtitles, no polished commercial cinematography, no beauty-filter skin, no CGI look, no duplicate characters, no changing face, hairstyle or outfit.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2103329257149898940"
|
||
},
|
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{
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||
"id": "seedance:seedance-exploring-south-indian-commercial-cinema-not-just-the-action-but-the-hero-s-s-245243176858",
|
||
"title": "疾驰列车上的英雄决战",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/8d0e6b309e1d.jpg",
|
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"mode": "video",
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||
"prompt": "Exploring South Indian commercial cinema, not just the action, but the hero’s style, attitude & mannerisms. 🔥\n\nThen I thought… what if #Thalaivar @rajinikanth acted in a cartoon? 🎬😎\n\n🎥 Powered by Seedance 2.5 in @higgsfield\n #Superstar #Rajinikanth\n\nPROMPT 💥 \nPack 1/2\n\n【参考图使用规则】\n\nbasha 的外貌、发型、墨镜、黑衬衫与红色腰布严格参考角色资产图三;raghu 的外貌、发型、金框墨镜、紫红色花纹衬衫、金链与 R 字皮带扣严格参考角色资产图二;traincar 的车厢结构、色调、笔触与光感严格参考场景资产图一。\n\n只提取资产图中的视觉设计。严禁生成角色三视图、灰色或白色摄影棚背景、DETAILS 细节格、色卡条、RAGHU VARMA 字样、VILLAIN LEGEND ICON 字样、HAIRSTYLE / MUSTACHE / SUNGLASSES 等标签文字、FRONT VIEW / SIDE VIEW / BACK VIEW / TOP VIEW 字样与水印。\n\n【全局画风】\n\n顶级院线级 2D 风格化动画电影。这不是真人电影,也不是写实 3D。\n\n角色渲染:粗犷有力的手绘线稿,人物比例明显拉长与夸张——极长的四肢、极窄的腰、宽大的肩线、修长的脖颈。硬边分层阴影,高对比的色块,线条带有手绘的力度变化。\n\n环境渲染:严格参考场景资产图一的厚涂手绘质感——可见的笔触、暖褐与青绿的色调、阳光透过车窗形成的强烈明暗对比、空气中漂浮的尘埃颗粒。车厢的木质座椅、铁质栏杆、行李架、吊环、风扇全部为手绘质感。\n\n两者必须统一在同一部动画电影的视觉体系里。24fps 动画帧感,2.39:1 宽银幕,35mm 胶片颗粒 30%。\n\n【角色 A:basha】\n\n严格参考角色资产图三。南印度成年男性,极度修长夸张的体型,四肢细长,身形挺拔。浓密蓬乱的黑色中长发,向后与两侧炸开;浓密的黑色八字胡;戴一副黑色方形墨镜,全程不摘下。\n\n服装:敞开领口的黑色衬衫,袖口卷至小臂,肩部与侧缝有暗红色描边;颈挂一条金链;深色长裤配棕色皮带与金属扣;腰间系一条深红色的长腰布,末端撕裂成不规则的布条,垂在身体右侧,随动作剧烈甩动;左腕戴一只金色手表;脚穿黑色尖头皮鞋。\n\n他是这场戏的英雄。气场极其沉稳,动作经济、精准、致命。他几乎不做多余动作,但每一次出手都彻底解决问题。他从不慌张,从不喊叫,即使在最激烈的时刻也保持着一种近乎轻蔑的从容。\n\n【角色 B:raghu】\n\n严格参考角色资产图二。南印度成年男性,同样极度修长夸张的体型。浓密蓬乱的黑色中长发;浓密的黑色八字胡;戴一副金框飞行员墨镜,全程不摘下;嘴里始终叼着一支点燃的香烟,烟雾缭绕。\n\n服装:紫红色的花纹衬衫,布满金色菱形暗纹,领口极大且尖锐,敞开着;颈挂一条粗金链与圆形吊坠;黑色长裤配一条宽皮带,皮带扣是一个巨大的金色圆形 R 字;脚穿黑色尖头皮鞋。\n\n他是反派。动作张扬、夸张、带着表演性。他喜欢说话,喜欢炫耀,出手时带着挥霍的力道。他的自信在遭遇 basha 的第一次反击后开始出现裂缝。\n\n【场景:traincar·行驶中的火车车厢】\n\n严格参考场景资产图一。一节老旧的南印度长途列车车厢内部,正在高速行驶中。\n\n【结构】车厢中央是一条狭长的过道,两侧是成排的木质长椅座位与铁质栏杆隔断。头顶沿过道两侧垂下密集的金属吊环;天花板上装着数台老式的金属吊扇,正在转动;两侧上方是堆满行李的金属行李架——藤箱、铁皮箱、布包、铺盖卷。\n\n两侧是成排的车窗,部分开着,窗外的田野风景以极高的速度向后流动。车厢一端是敞开的车门,门外是飞驰而过的铁轨与旷野。车厢壁上贴着褪色的旧海报与手写涂鸦。\n\n【光】强烈的午后阳光从一侧车窗斜射进来,在过道地面与座椅上投下一道道快速移动的明暗条纹——列车行进时,光条不断地扫过人物的身体与面部。空气中漂浮着被光照亮的尘埃。\n\n【运动】整节车厢始终在晃动:地面有持续的纵向震颤,吊环随车身摆动,吊扇转动,行李架上的箱子轻微跳动。窗外的景物始终高速后移。列车绝不得停下。\n\n【可破坏结构】吊环、吊扇、行李架与上面的行李、木质座椅靠背、铁质栏杆、车窗玻璃、车壁海报、地上的铝制茶壶与茶杯托盘——全部可以被撞碎、扯断、踩踏、砸飞。已经损坏的物体永久保持损坏。\n\n【刚性空间锚点】过道的走向、两侧座椅的排列、头顶吊扇的位置与数量、车厢尽头敞开的车门,全片绝对不得漂移、消失或改变数量。\n\n【乘客设定】第 0 秒时车厢里坐满了乘客——穿衬衫围腰布的男人、穿纱丽的女人、老人、小孩、卖茶的小贩。他们只是环境资产:在 0—6 秒之间惊慌地退向车厢两端,此后一直挤在远处的两头围观,绝不加入战斗、绝不靠近过道中央。他们的作用是提供尺度参照与反应。\n\n【对白规则】\n\n本片共有四句台词,全部为英文,在下方时间码中以引号标出。只有引号内的文字是被说出来的。其余所有文字——包括动作描述、表情描述、运镜说明与语气说明——全部是画面说明,绝对不得念出、不得配音、不得作为旁白。\n\n全片台词不得超过四句,不得出现旁白与内心独白。乘客全程不说话。\n\n【运镜规格总纲·南印度商业动作片语法】\n\n全程一镜到底,绝对禁止硬切、剪辑、黑屏转场与定格。\n\n24mm 超广角为主,配合极低机位仰拍。这是南印度商业电影的动作语法:\n\n英雄镜头必须从极低的角度仰拍 basha,让他在画面中显得高大、压迫、不可撼动;他走动时,镜头贴着地面向后退,让他的身影逐渐充满画面。\n\n每一句台词的瞬间,镜头必须稳定下来、停止晃动,给足画面的重量,说完立刻恢复运动。\n\n速度必须有节奏变化:正常速度的连续打击 → 关键命中的瞬间明显减速(速度坡道,不是慢动作定格)→ 立刻恢复甚至加速。减速只允许出现在真正的重击命中与转身瞬间。\n\n大量使用:贴地仰拍、沿过道的高速轨道推拉、Whip Pan、绕人物半圈的环绕、撞击时的弹性后震。\n\n镜头只能穿过真实存在的空隙,不穿过人物、座椅、车壁或地面。\n\n【密度要求】\n\n6—26 秒之间,每秒必须呈现 3—5 次清晰的攻防状态变化。绝不允许一招一停、互相等待、轮流表演。速度快,但不是快进,不用模糊残影掩盖动作——每一拳每一脚都必须有支撑脚、腰胯旋转、重心交换、惯性与回收轨迹。车厢的狭窄必须被利用:所有动作都在一条窄过道里完成,双方不断利用座椅、栏杆、吊环、行李架借力与卸力。\n\n【第一幕:0—6 秒·车厢清场】\n\n0.0—2.5 秒\n车厢在午后阳光中高速行驶,光条扫过满车的乘客。过道尽头,raghu 缓步走来,嘴角叼着烟,金框墨镜反着光,身后跟着一路被他推开的乘客。他抬手弹了弹烟灰。\n\n过道的另一端,basha 坐在靠窗的位置上,一条腿翘着,手臂搭在椅背上,墨镜后看不出表情。阳光的光条一道道扫过他的脸。\n\n运镜:从 raghu 的背后沿过道低机位向前推进,越过他的肩膀,一直推到远处坐着的 basha,两人被同一条过道连在一起。\n\n2.5—6.0 秒\nraghu 停在过道中央,一脚踩上旁边的座椅扶手,居高临下地指着 basha,用夸张的语气开口。\n\nraghu: \"This train ends at my station.\"\n\n乘客们在这一瞬间同时反应过来,惊慌地朝车厢两端涌去,推搡着、抱着行李、拉着孩子,几秒内过道就空了。铝制茶壶被打翻在地,茶水洒出来,托盘滚到一边。\n\nbasha 没有立刻起身。他缓缓放下翘着的腿,一只手撑着椅背站起来,另一只手把垂在腰间的红色腰布一甩,甩到身后。他站直了——极长的身形在狭窄的过道里显得格外高。\n\n运镜:raghu 说话时镜头稳定不动;乘客涌动时快速后退拉开;basha 起身时切换到极低的贴地仰拍,随他站直而缓缓升高,让他的身影充满画面。\n\n【第二幕:6—16 秒·开打】\n\n6.0—9.0 秒\nraghu 率先冲上来,一记大幅度的摆拳。basha 只把头偏开三寸,摆拳砸在他身后的车窗上,玻璃炸出蛛网裂纹。\n\nbasha 反手一记极短的直拳正中 raghu 的胸口——raghu 整个人被打得倒飞出去,撞翻两排座椅靠背,木板碎裂。\n\n【速度坡道】这一记直拳命中的瞬间明显减速,拳头陷进胸口、身体开始后飞的那一帧被拉长,随后立刻恢复正常速度。\n\nraghu 从碎木中翻身起来,第一次收起了笑容。\n\n运镜:贴地仰拍 basha 的出拳,命中瞬间稳定锁定接触点,随后被冲击弹性后震,跟随 raghu 倒飞的轨迹。\n\n9.0—12.0 秒\nraghu 抓起地上的铝制茶壶砸向 basha;basha 侧身让过,茶壶砸在车壁上炸开。\n\n两人在狭窄的过道里贴身缠斗:raghu 连续出拳、肘击、踢腿;basha 依次用前臂格挡、偏头、沉肘、抬膝,每一次防守幅度都极小。basha 反击三下,raghu 被逼得连连后退,撞上头顶垂下的吊环,吊环被扯断了两只,金属环叮当落地。\n\nbasha 抓住 raghu 的衣领,把他整个人抡向一侧的座椅,raghu 的背重重砸在木质椅背上,靠背整块断裂。\n\n运镜:沿过道平行跟随两人的缠斗,Whip Pan 跟随抡出的轨迹。\n\n12.0—16.0 秒\nraghu 从断裂的座椅中窜起,双手抓住头顶的行李架借力荡起,双脚齐蹬 basha 的胸口。basha 双臂交叉硬接,被蹬得后滑两米,鞋底在过道地面上刮出两道痕。\n\n行李架承受不住,一整段从车壁上撕裂脱落,藤箱、铁皮箱与铺盖卷哗啦啦砸落一地。\n\nbasha 从翻滚的行李中踏步而出,一脚踢开挡路的铁皮箱,直线逼向 raghu。raghu 连续出拳想拦住他,basha 全部用小幅度的格挡卸开,一步都没有停,径直走到他面前。\n\n运镜:镜头在 basha 逼近时沿过道向后退行,保持他正面充满画面,脚下不断有行李被踢开。\n\n【第三幕:16—22 秒·英雄时刻】\n\n16.0—18.5 秒\nbasha 一把抓住 raghu 的衣领,把他按在车厢壁上。raghu 双脚离地,烟从嘴里掉下来。\n\n整个画面稳定下来。列车行进的光条一道一道扫过 basha 的墨镜与面孔。\n\nbasha 用极低沉、极平静的声音开口。\n\nbasha: \"You booked the wrong ticket.\"\n\n【速度坡道】说完这句话之后的半秒,画面保持稳定与安静,只有列车的节奏声与窗外掠过的风景。\n\n运镜:极低机位仰拍 basha 的背影与被按住的 raghu,说话时镜头完全稳定、不晃动。\n\n18.5—22.0 秒\nbasha 松手,raghu 落地的瞬间发狂般反扑——一记重拳砸中 basha 的下颌,basha 的头偏了过去,墨镜被打得歪斜。\n\n车厢里安静了半秒。\n\nbasha 缓缓把头转回来,抬手用一根手指把墨镜推正。他笑了一下。\n\n然后他动了:连续五记短促而沉重的打击,每一记都精准命中,raghu 被打得连连后退,撞碎栏杆、撞翻座椅、撞落一台吊扇——吊扇从天花板上扯落,扇叶砸在地上仍在转动。\n\n【速度坡道】第五记打击命中的瞬间明显减速,随后立刻恢复。\n\n运镜:basha 推正墨镜时镜头稳定特写;开打后沿过道高速后退跟随连续打击,每一记命中都有轻微的弹性后震。\n\n【第四幕:22—30 秒·车门】\n\n22.0—25.0 秒\nraghu 被打退到车厢尽头那扇敞开的车门旁。窗外的旷野与铁轨以极高的速度向后流动,狂风从门口灌进来,把两人的头发与 basha 的红色腰布吹得剧烈翻飞。\n\nraghu 抓住门框稳住身体,抹了一把嘴角,第一次露出真正的狼狈。他用尽最后的力气大喊。\n\nraghu: \"You think this ends here?\"\n\n运镜:低机位从 basha 身后越过肩膀拍向门口的 raghu,狂风与飞驰的背景同时入画。\n\n25.0—28.0 秒\nbasha 一步一步朝他走过去,脚步不快,但每一步都很沉。狂风把他的黑衬衫与红腰布向后吹成一条直线。阳光的光条一道道扫过他。\n\n他在 raghu 面前站定。\n\nbasha: \"It ends where I say.\"\n\n【速度坡道】说完这句话的瞬间,画面完全稳定。\n\n运镜:镜头沿过道在他前方持续后退,极低机位仰拍,他的身影在狂风中逐渐充满整个画面,说话时镜头完全静止。\n\n28.0—30.0 秒\nbasha 抬起一只脚,一记干净利落的侧踢正中 raghu 的胸口。\n\nraghu 整个人被踢出敞开的车门,身体在门外的气流中翻滚着向后飞去,迅速被列车甩在身后,缩成远处铁轨旁的一个小点。\n\n【速度坡道】侧踢命中的瞬间明显减速,raghu 的身体开始飞出门框的那一段被拉长,随后随着他被甩远而恢复正常速度。\n\nbasha 放下腿,站在敞开的车门前,背对着镜头,狂风把他的衬衫与红腰布吹得猎猎作响。他抬手最后一次把墨镜推正。\n\n最后一帧:basha 站在门口的逆光剪影中,身后是被破坏的车厢——断裂的座椅、散落一地的行李、扯落的吊扇、碎裂的车窗,远处两端挤满了目瞪口呆的乘客。窗外的旷野仍在高速掠过。画面自然收束。\n\n运镜:从门口向车厢内部快速后退拉开至广角,把 basha 的剪影与整节被摧毁的车厢同时纳入画面,不定格,不摆造型。\n\n【全局约束与防崩条件】\n\nmasterpiece, highest quality, 顶级院线级 2D 风格化动画电影。\n\nbasha 与 raghu 的面孔、发型、墨镜、服装配色与配件全程一致:basha 始终是黑衬衫、红色撕裂腰布、黑色方形墨镜;raghu 始终是紫红花纹衬衫、金链、R 字皮带扣、金框墨镜。两人换位后继续按标签区分身份,不得依赖左右位置。\n\n两人的墨镜全程不摘下、不碎裂。basha 的墨镜只在 18.5 秒被打歪一次,随即被他推正。\n\n严控手部结构,每只手固定五指。禁止肢体扭曲、身体穿模、腰布穿模、腰布缠住双腿。\n\n全片没有任何枪械、刀具或其他兵器,纯徒手格斗。\n\n破坏只能单向累积:碎裂的车窗、断裂的座椅、扯断的吊环、脱落的行李架与吊扇全部永久保持损坏状态,严禁任何结构复原。\n\n破坏必须由实际接触触发。禁止物体无缘无故碎裂,禁止破坏早于命中。\n\n列车全程高速行驶,绝不停下。窗外的景物必须始终高速后移,车厢必须始终有震颤与晃动。\n\n速度坡道只允许出现在指定的四个重击命中瞬间,其余全部为正常速度。绝不允许全片慢动作、绝不允许定格。\n\n台词全部为英文原声,成年男性嗓音。basha 为极低沉、平静、缓慢的声音;raghu 为高亢、张扬、带挑衅的声音。唇形自然同步。每句台词都极短。\n\n【负面提示词】\n\n台词超过四句,出现第五句台词,泰米尔语对白,印地语对白,旁白,内心独白,乘客说话,念出动作描述文字,念出运镜说明,字幕,Logo,UI,水印;\n\n角色三视图,灰色摄影棚背景,白色背景,DETAILS 细节格,色卡条,RAGHU VARMA 字样,VILLAIN LEGEND ICON 字样,HAIRSTYLE 字样,FRONT VIEW 字样,图片原有文字;\n\n写实照片风格,真人电影质感,3D 渲染,塑料质感,人物比例正常化,人物变矮变胖,失去线稿,失去笔触,背景变成照片;\n\n换脸,换装,墨镜摘下,墨镜碎裂,胡子消失,发型改变,服装配色漂移,黑衬衫变色,紫红衬衫变色,红腰布消失,金链消失,R 字皮带扣消失,人物复制,分身,第三名战斗者;\n\n乘客加入战斗,乘客靠近过道中央,乘客攻击,乘客消失得无影无踪,车厢完全空无一人;\n\n枪,刀,棍棒,任何兵器,超能力,能量特效,发光拳,火焰,雷电,飞行,彩色冲击波,游戏 UI;\n\n一招一停,互相等待,轮流表演,摆 pose 过久,长时间蓄力,全片慢动作,定格,快进感,跳帧加速,重复招式,原地乱挥,连续无回应命中,动作没有重量,布偶飞行;\n\n英雄慌张,英雄大喊大叫,英雄逃跑,英雄倒地不起,英雄落败,反派获胜;\n\n列车停下,窗外景物静止,车厢不晃动,车门关闭,车厢恢复完整,座椅复原,玻璃复原,吊扇回到天花板,行李架复位;\n\n夜景,雨天,雪地,森林,沙漠,城市街道,室内房间,现代高铁,空调车厢,明亮无阴影的照明;\n\n硬切,多机位剪辑,黑屏转场,镜头瞬移,持续晃动,过量滚转,人物出画,镜头穿过身体或座椅,低清晰度,卡顿,电子游戏过场感,过曝,过度锐化。\n\nPack 2/2 in comments 💥",
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"sourceId": "seedance",
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"credit": "@abulu8",
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"sourceUrl": "https://x.com/abulu8/status/2099790126629208401"
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},
|
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{
|
||
"id": "seedance:seedance-create-a-30-second-1080p-ultra-realistic-emotional-live-action-scene-about-a-y-8c4cbeb0026b",
|
||
"title": "雨夜咖啡馆撞见恋人背叛",
|
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"description": "电影感叙事短片",
|
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"image": "https://media.goodcase.ai/cases/4727d059893d.jpg",
|
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"mode": "video",
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"prompt": "Create a 30-second, 1080p ultra-realistic emotional live-action scene about a young woman discovering her boyfriend kissing another woman inside a quiet café. Focus entirely on authentic human emotion, natural crying, subtle facial expressions and believable body language. No melodrama or exaggerated acting.\nMAIN CHARACTER\nYoung Korean woman in her early 20s, naturally beautiful, realistic skin texture, minimal makeup, long black hair loosely styled, wearing a fitted pastel-pink top, casual denim shorts and simple sneakers.\nMaintain the exact same face, hairstyle, outfit, body proportions and appearance throughout the entire scene.\nLOCATION\nA cozy modern café on a rainy evening. Warm interior lighting, large windows covered with rain droplets, wooden tables, soft background chatter, cups and plates, a few customers quietly talking.\nSCENE\nShe enters the café carrying a small handbag, casually looking around for her boyfriend.\nShe suddenly notices him sitting at a table near the window.\nHe is kissing another young woman.\nShe immediately stops walking.\nHer expression changes from confusion to disbelief.\nShe slowly lowers her handbag.\nShe stares at them silently for a few seconds, struggling to process what she is seeing.\nHer eyes begin to fill with tears.\nShow realistic tears naturally forming along her lower eyelids, then slowly rolling down her cheeks. No exaggerated crying.\nShe takes a shaky breath.\nShe walks toward their table.\nHer boyfriend notices her.\nHis expression immediately changes to shock.\nThe other woman turns around and becomes uncomfortable.\nThe girlfriend looks directly at him with trembling eyes and quietly says:\n“How could you do this to me?”\nHer voice cracks naturally.\nShe wipes one tear from her cheek, but more tears continue falling.\nHer boyfriend stands up and tries to explain.\nShe shakes her head and takes a small step backward.\nShe says through tears:\n“I trusted you.”\nShe looks at him for one final moment.\nHer expression shows heartbreak, disappointment and disbelief rather than anger.\nShe turns around and walks toward the café door while quietly crying.\nHer boyfriend takes one step after her but stops.\nShe reaches the door, pauses briefly, wipes her face and leaves.\nThe camera remains inside the café as the door closes behind her.\nCAMERA / VISUAL STYLE\nHandheld cinematic camera with subtle natural movement. Start with a medium shot following her into the café, then slowly move closer when she notices the couple.\nUse realistic close-ups of her eyes, trembling lips, tears and subtle facial reactions.\nNatural shallow depth of field, realistic skin pores, authentic reflections in the café windows, soft rainy evening light, natural motion blur, 24fps, photorealistic live-action.\nDo not make her crying look beautiful or glamorous. It should look spontaneous, uncomfortable and emotionally real.\nAUDIO\nRain against the café windows, quiet conversations, cups being placed on tables, distant café ambience, footsteps and subtle breathing.\nNo background music.\nNo narration.\nDialogue should sound natural with slight pauses, trembling voice and emotional breathing.\nEMOTIONAL DIRECTION\nThe emotion should build gradually:\nconfusion → realization → shock → disbelief → tears → confrontation → heartbreak → quiet acceptance.\nAvoid screaming, physical aggression or exaggerated dramatic gestures.\nCONTINUITY / REALISM\nKeep tears physically consistent once they appear. Tears should remain visible on her cheeks and naturally accumulate as she continues crying.\nMaintain consistent clothing, hairstyle, jewelry and facial identity.\nNo sudden emotional changes, no disappearing tears, no duplicated people, no changing café layout, no unnatural body movements.\nNEGATIVE: plastic skin, fake tears, exaggerated crying, cartoon expressions, melodramatic acting, screaming, physical violence, distorted faces, extra fingers, identity drift, outfit changes, CGI",
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"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
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||
"sourceUrl": "https://x.com/AIwithSynthia/status/2096439253970395531"
|
||
},
|
||
{
|
||
"id": "seedance:juliaevee-seedance-ai-ae713e2e2dbc",
|
||
"title": "宝石蝎幻化为高跟鞋",
|
||
"description": "产品广告分镜",
|
||
"image": "/inspiration-thumbs/seedance/juliaevee-seedance-ai-ae713e2e2dbc.webp",
|
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"mode": "video",
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||
"prompt": "A close-up vertical shot in 4K resolution depicting a magical transformation. A woman's bare foot steps down onto a large, ornate scorpion made of polished black obsidian, dark red rubies, and gold metal accents resting on a polished marble floor. As her foot touches it, the metallic ruby scorpion seamlessly morphs, wraps around her foot, and transforms into a luxury high-heeled shoe and anklet. The scorpion's tail curves around her ankle into a gem-studded strap, its claws form the pointed toe box, and its body shapes into a sleek, jeweled stiletto heel. Cinematic lighting, photorealistic, 3D render, luxury fashion aesthetic, rich depth of field, bright sunlight filtering through a grand greenhouse palace in the background, 8k ultra-detailed.",
|
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"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@juliaevee",
|
||
"sourceUrl": "https://x.com/juliaevee/status/2092783528887083290"
|
||
},
|
||
{
|
||
"id": "seedance:mightyking-seedance-ai-7bbc1d4f9ad9",
|
||
"title": "Seedance 原生 UGC 竖屏手机跟拍短片",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/mightyking-seedance-ai-7bbc1d4f9ad9.jpg",
|
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"mode": "video",
|
||
"prompt": "Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus.\n\nCharacters: The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy.\n\nSetting: A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone.\n\n[0.0s–4.0s] — Wide tracking shot, eye level, camera moving backward. The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob.\n\n[4.0s–6.0s] — Medium shot, eye level, backward track + quick left pan. The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her.\n\n[6.0s–8.0s] — Medium-wide, camera tilts down-left to follow, whip motion. She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone.\n\n[8.0s–10.0s] — High-angle wide, looking down at the water, slight jolt. From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion.\n\n[10.0s–13.0s] — High-angle medium, looking down, small handheld drift. She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water.\n\n[13.0s–16.0s] — Handheld tilt up and back down, slight zoom. The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing.\n\n[16.0s–20.0s] — High-angle medium, tilting to follow her up. She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone.\n\n[20.0s–23.0s] — Low/close medium at the quay edge, static handheld. She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her.\n\n[23.0s–27.0s] — Medium shot, eye level, loose handheld reframe. Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her.\n\n[27.0s–30.0s] — Medium shot, eye level, camera settles. Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end.\n\nAudio: Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music.\n\nStyle: Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@mightyking",
|
||
"sourceUrl": "https://x.com/mightyking/status/2089299068514148655"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-ai-cabf3749d5b6",
|
||
"title": "Seedance 2.5 超真实 AI 动态桌面壁纸:换装互动女主一镜到底",
|
||
"description": "木马人(@cnyzgkc)揭晓一条引发 29 万次浏览的 AI 动态桌面壁纸视频由 S…",
|
||
"image": "https://media.goodcase.ai/cases/f16c9f956a8d.jpg",
|
||
"mode": "video",
|
||
"prompt": "时长29秒,比例16:9横屏,语言中文。\n人物参考:仅参考图片1锁定五官、发型、肤色和人物身份;服装严格按下文变化。人物要求:成年女主。全程同一人物,不换脸、不改变身材比例;提高权重,优先死死锁住五官、发型、肤色、身份。\n\n整体风格:超真实AI动态桌面互动视频,模拟电脑全屏桌面录屏。底部保留简洁任务栏,左上角少量桌面图标;画面主体是一张会实时互动的动态壁纸。黑色皮质沙发,冷色柔光,深色背景。固定机位,全程一镜连续,不切镜、不推拉。女主主要位于画面右侧,左侧留给语音字幕界面。\n\n字幕界面(保留,覆盖「禁止文字」约束):字幕必须出现于画面左侧中部,不能放在底部。纤细现代无衬线中文字体,中等字号,无底框,轻微柔光和阴影。女主说话:淡紫色文字,左侧显示扬声器图标。男声说话:白色文字,左侧显示麦克风图标。字幕下方始终有一条细小白色音频波形,随声音实时跳动。所有字幕跟随发音逐字输入,约每字0.08—0.12秒,像键盘正在手动打字;当前句说完后停留约0.4秒,再整体淡出。不能整句突然出现,不能提前显示后面的字。\n\n服装设计(三套造型统一只改领口:低圆领/浅V领,微露事业线,其余保持完整遮盖):\n初始造型:黑白横条纹修身短款七分袖上衣(低圆领/浅V领,微露事业线,其余完整遮盖),黑色低腰抽绳休闲长裤,银色细项链。\n第一套学院风:上衣为低圆领/浅V领、微露事业线、其余完整遮盖,蓝黑格纹百褶短裙,白色过膝袜,白色十字装饰袜带,整体清爽俏皮。\n第二套学院风:黑色修身西装外套、白色衬衫(衬衫低圆领/浅V领,微露事业线,其余完整遮盖)、酒红格纹领带、酒红黑色格纹百褶短裙、浅肤色薄丝袜、黑色乐福鞋,精致成熟。\n\nSINGLE CONTINUOUS SHOT(00:00-00:29)\n\n00:00-00:02.80\n女主穿初始造型坐在黑色皮沙发右侧,腿上抱着黑色靠枕。她双手轻轻整理头发,随后看向镜头,露出亲切、略带俏皮的微笑。\n女主自然开口:「说吧……今天想看什么?」\n字幕逐字显示:「说吧……\n今天想看什么?」\n\n00:03.00-00:03.80\n男主始终不露脸,仅有画外男声,语气直接而期待:「想看JK。」\n女主安静听着,笑容稍微加深,轻轻点头。\n字幕逐字显示:「想看JK」\n\n00:04.70-00:06.00\n女主爽快回答:「好,等我一下。」\n她把怀里的靠枕放到一旁,右手撑住沙发准备起身。\n字幕逐字显示:「好,等我一下。」\n\n00:06.00-00:08.80\n女主快速起身。由于机位固定且距离较近,她的腰部和腿部从镜头前向上掠过,脸部离开画面上沿;随后向右侧走出画面。动作带轻快的「嗖」声,但不能瞬移、不能直接变形。\n\n00:08.80-00:11.50\n换装完全在画外完成。沙发上多留约一秒空镜。伴随轻快的亮相音效,女主穿第一套蓝色学院风造型从右侧重新走入。她站得离镜头较近,画面主要呈现腰部、格纹裙摆和过膝袜,头部自然超出画面上沿。\n女主带着展示新造型的俏皮语气说:「当当……老公……怎么样?」\n字幕逐字显示:「当当……\n老公……怎么样?」\n\n00:11.70-00:12.50\n男主画外音稍作思考,满意地回答:「嗯……不错。」\n女主保持站姿,轻微左右转动腰身,让格纹裙摆自然摆动。\n字幕逐字显示:「嗯……不错」\n\n00:12.90-00:14.40\n女主突然想起另一套造型,轻快地说:「等等,还有一套。」\n说完立即转身向右侧离画,裙摆随动作摆动。\n字幕逐字显示:「等等,还有一套」\n\n00:14.40-00:17.40\n换装完全在画外完成。沙发上多留约一秒空镜。随后响起一次短促流畅的换装「嗖」声,女主穿第二套酒红学院风造型从右侧走入。固定镜头先看到黑色西装下摆、酒红格纹裙、丝袜和乐福鞋,服装必须真实完整,不能在行走中融化或改变。\n\n00:17.40-00:19.00\n女主停在镜头右侧,略微调整站姿,让西装下摆和裙褶自然落下,询问:「这套呢?」\n字幕逐字显示:「这套呢?」\n\n00:19.50-00:20.50\n男主画外音立即赞赏:「这套也好看。」\n女主听完轻轻笑一下,身体开始降低准备坐下。\n字幕逐字显示:「这套也好看」\n\n00:20.50-00:24.80\n伴随轻微衣料摩擦声,女主迅速而自然地坐回沙发。她将黑色靠枕重新放在腿上,整理两侧头发和领带,随后微微侧身靠住沙发。镜头重新完整拍到她的脸。她始终看着镜头,表情自信、亲近、略带捉弄感。\n\n00:25.00-00:28.20\n女主抱住靠枕,先露出得意的小笑容,然后对镜头说:「机会用完啦。老公想留哪套呢?」\n「机会用完啦」语气像宣布游戏规则;「老公想留哪套呢」稍微放慢,尾音上扬,带亲密询问感。\n字幕逐字显示:「机会用完啦。\n老公想留哪套呢?」\n\n00:28.20-00:29.00\n字幕完整停留。女主保持眼神交流,轻轻偏头,嘴角维持俏皮微笑。波形逐渐归于平静,画面自然结束。\n\n音频:女主真实现场人声,口型精确;男主为镜头外中文男声,不露脸。保留轻微电子氛围音乐(对白时自动降低,权重提高)、换装「嗖」声、亮相提示音、衣料摩擦声,所有对白清楚可辨。\n\n表演约束:女主不是夸张卖萌。微笑、点头、整理头发、展示服装均自然克制;开场亲切,第一次换装俏皮,第二次换装更自信,结尾带轻微捉弄感。男声说话时女主必须闭嘴并自然聆听。",
|
||
"category": "game-ui-livestream",
|
||
"tags": ["Seedance", "动态壁纸", "换装", "写实", "互动", "一镜到底"],
|
||
"sourceId": "seedance",
|
||
"credit": "木马人",
|
||
"sourceUrl": "https://x.com/cnyzgkc/status/2099029556434985065"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-birthday-worth-remembering-2f852147a691",
|
||
"title": "千禧年代韩国女孩生日聚会",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/4f746779db27.jpg",
|
||
"mode": "video",
|
||
"prompt": "A birthday worth remembering 🎂\n\nGenerated with seedance 2.5\n\nPrompt\nCreate a 30-second ultra-realistic Korean birthday vlog set in South Korea in the early 2000s, filmed casually by a friend on an authentic consumer DV camcorder. It must feel like genuine home-video footage, not a modern video with a retro filter.\n\nEXACT ORDER — 7 SCENES:\n\n0–4s — GETTING READY: The same young Korean birthday girl gets ready in her early-2000s bedroom, fixes her hair, adjusts makeup, picks up her handbag and smiles toward the camera.\n\n4–8s — MEETING FRIENDS: She walks through an authentic Korean neighborhood, meets the same 2–3 friends, they congratulate her and walk together toward a bakery.\n\n8–11s — BAKERY: They enter a small early-2000s Korean bakery, browse cakes and choose one birthday cake.\n\n11–14s — BUYING CAKE: A friend pays with cash. The worker puts the cake into a box and hands it over. The same cake box remains visible as they walk to the café.\n\n14–23s — CAFÉ CELEBRATION: They sit in a cozy early-2000s café. The cake is opened, a candle is lit, everyone sings Happy Birthday, the girl makes a wish and blows it out. They clap and laugh. She then cuts the cake, places pieces on plates, personally gives a piece to each friend, watches them eat, then takes a piece herself. Keep the entire sequence clearly visible and in order.\n\n23–26s — PHOTOS: After eating, they take group photos using a small early-2000s disposable film camera. No smartphones or modern digital cameras. They pose, the shutter clicks and they laugh afterward.\n\n26–30s — EVENING WALK: They leave the café and walk through the same neighborhood as it becomes evening. The girl carries her handbag, a friend carries the empty cake box/bag, and they chat and laugh while the camera follows from behind.\n\nCONTINUITY: Same girl, friends, outfits, hairstyles, handbag and cake throughout. No teleporting, identity drift, outfit changes, disappearing props or reordered actions.\n\nERA: Everything must look authentically early 2000s Korean—fashion, hair, bakery, café, cars, signs, furniture, cake packaging and technology. No smartphones, AirPods, modern cars, LED screens or contemporary interiors.\n\nCAMERA: Raw consumer DV footage with subtle handheld shake, imperfect framing, autofocus hunting, exposure shifts, soft digital detail, mild CCD/DV noise, motion blur, compression and occasional awkward zooms. Natural candid behavior, realistic skin and movement. No cinematic stabilization, 4K sharpness, beauty filters, VHS effects or professional filmmaking.\n\nFINAL FEEL: A genuine Korean birthday memory from the early 2000s, with every scene and action clearly shown in the exact requested order.",
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2105146792681832481"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-grandma-is-out-here-for-the-shopping-with-her-pet-sparrow-d6d07e610943",
|
||
"title": "奶奶与狸猫麻雀逛早市",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/8162eeaeac45.jpg",
|
||
"mode": "video",
|
||
"prompt": "Grandma is out here for the shopping with her pet sparrow.\n\nSeedance 2.5 on @Flovaai \n\nUse my referral link to get offer: https://t.co/l1lPYN3ENF\n\nSkill Used: GTA 6–Inspired Showcase: Play My Life\n\nhttps://t.co/O3E30erhvg\n\n#FlovaCpp #Flovaai @Flovaai_Japan \n\n50-SECOND VIDEO PROMPT — GTA / AAA CINEMATIC STYLE\n\nPhotorealistic AAA cinematic short, GTA-style urban energy: saturated colors, punchy contrast, dynamic camera (low heroic angles, smooth tracking, brief crane and push-ins), rich environmental detail, slightly larger-than-life character presence, filmic grain, sharp fur and fabric simulation. Duration exactly 50 seconds. Natural morning light mixed with colorful market stall canopies. Busy, funny, lively tone. English subtitles at the bottom. Japanese dialogue in a warm elderly Kansai-accented female voice for the grandmother. CAST (use these exact descriptions every time they appear): - An elderly Japanese grandmother (short gray hair in a loose bun, wrinkled kind face, purple-pink floral vest over a patterned blouse, dark pants) - A giant tanuki (raccoon-dog), about 6.5 feet tall standing on hind legs, thick brown-grey fur, round belly, mischievous dark-ringed eyes, wearing a slightly stained vendor apron, walking upright like a person - A tiny brown sparrow perched on the grandmother’s shoulder - A grumpy middle-aged Japanese fishmonger in a rubber apron --- 0:00–0:07 — ESTABLISHING Wide crane shot descending into a crowded Japanese open-air morning market. Fish stalls, vegetable crates, hanging flowers, steam, shouting vendors, bicycles, plastic bags. Camera finds an elderly Japanese grandmother (short gray hair in a loose bun, wrinkled kind face, purple-pink floral vest over a patterned blouse, dark pants) walking into the market carrying an empty basket. A tiny brown sparrow is already perched on her right shoulder. She looks delighted and a little overwhelmed. Dialogue (grandmother): 「今日は安うてええ日やわ。」 Subtitle: “Prices are good today. Dangerous for me.” --- 0:07–0:16 — FISH STALL** Medium tracking shot. An elderly Japanese grandmother (short gray hair in a loose bun, wrinkled kind face, purple-pink floral vest over a patterned blouse, dark pants) stops at a fish stall piled with ice and silver fish. The grumpy fishmonger slaps a huge fish onto the scale. The tiny sparrow hops down, pecks a piece of dried squid, and flies back to her shoulder. She notices and gently scolds it without real anger. Dialogue (grandmother): 「あんたまた盗んでるやないの。恥ずかしいわ。」 Subtitle: “You little thief. That’s embarrassing.” The fishmonger frowns. Fishmonger: 「ばあさん、そんなに持って帰れんやろ。」 Subtitle: “Grandma, you can’t carry all that.” --- **0:16–0:28 — TANUKI ARRIVES AND BARGAINS** Low heroic angle. The crowd parts. A giant tanuki in a vendor apron walks upright through the aisle, heavy and confident, GTA-style presence. He stops beside an elderly Japanese grandmother (short gray hair in a loose bun, wrinkled kind face, purple-pink floral vest over a patterned blouse, dark pants), looks at the fishmonger’s price, then slaps a paw on the counter. Tanuki (deep, playful male voice): 「その値段、冗談やろ。半分でええやろ。」 Subtitle: “That price? You’re joking. Half.” The fishmonger argues, then reluctantly nods. The giant tanuki grins. An elderly Japanese grandmother (short gray hair in a loose bun, wrinkled kind face, purple-pink floral vest over a patterned blouse, dark pants) covers her mouth, laughing. Dialogue (grandmother): 「もう、あんたまで出てこんでもええのに。」 Subtitle: “You didn’t have to jump in… but thank you.” --- 0:28–0:40 — CARRYING EVERYTHING Smooth side-tracking shot through the busy market. The giant tanuki now carries two overflowing wooden crates of fish, vegetables, and flowers on his shoulders like it’s nothing. An elderly Japanese grandmother (short gray hair in a loose bun, wrinkled kind face, purple-pink floral vest over a patterned blouse, dark pants) walks beside him, still holding her small basket. The tiny sparrow keeps darting down to steal small snacks from open stalls and returning to her shoulder. Shoppers stare and smile. Dynamic market chaos in the background: steam, shouting, hanging lanterns, wet pavement reflections. Dialogue (grandmother, amused): 「箱二つも買うんやったらええ加減にせな。肩の子も手伝いすぎや。」 Subtitle: “Two crates is too much. And you on my shoulder, stop helping so much.” --- 0:40–0:50 — FINAL BEAT The trio stops at the edge of the market near a narrow street. The giant tanuki sets the crates down carefully, then stands proud with paws on his hips. Close-up of an elderly Japanese grandmother (short gray hair in a loose bun, wrinkled kind face, purple-pink floral vest over a patterned blouse, dark pants) looking up at him, then at the tiny sparrow on her shoulder. She reaches up and gently taps the sparrow’s head, then pats the tanuki’s massive forearm. Dialogue (grandmother, soft and affectionate): 「ほんま、困った相棒やわ。けど…助かった。帰ろか。」 Subtitle: “What a pair of troublemakers. …Still, you saved me. Let’s go home.” Final shot: slow push-in. The giant tanuki picks the crates up again. An elderly Japanese grandmother (short gray hair in a loose bun, wrinkled kind face, purple-pink floral vest over a patterned blouse, dark pants) walks ahead. The tiny sparrow settles on her shoulder as they leave the colorful market toward the street. Hold 1.5 seconds, then cut to black. --- TECH / STYLE LOCKS GTA AAA cinematic look: vibrant market colors, strong sunlight shafts through stall roofs, wet ground reflections, dense extras, slightly exaggerated scale on the giant tanuki, ultra-detailed fur, realistic plastic bags and ice, handheld-feeling but stabilized tracking. No text except the English subtitles. Ambient sound: vendors shouting, ice being shoveled, sparrows, footsteps, distant traffic. Keep the grandmother’s appearance identical in every shot using the exact description above.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2103503970815930610"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithelisia-seedance-ai-b204cdfb3dac",
|
||
"title": "金发少女在高中走廊释放超能力",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithelisia-seedance-ai-b204cdfb3dac.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic, photorealistic 30-second live-action video set inside a modern American high school hallway lined with beige lockers. A beautiful young blonde female student with tied-back blonde hair, wearing a loose white long-sleeve top, black mini skirt, black backpack and casual shoes, walks through the crowded hallway while several students around her watch and interact with her.\n\nStart with a natural medium shot of the girl walking between other students. Use realistic handheld camera movement, shallow depth of field, soft cinematic lighting, natural skin texture, realistic facial expressions and authentic high-school atmosphere.\n\nAs she continues walking, tension suddenly builds. A female student in a dark varsity-style jacket approaches her. The blonde girl raises her hand and mysterious pink-red energy begins glowing around her hands. Small luminous particles and sparks appear in the air. The energy gradually becomes stronger, creating a supernatural aura around her body.\n\nTransition smoothly into an intense superhero-style action sequence in the same school corridor. The blonde girl suddenly moves with extraordinary speed and power, dodging an attacking male student and striking him with glowing pink-red energy. Show dynamic martial-arts-inspired movements, fast footwork, powerful kicks and punches, with energy trails following her movements.\n\nUse cinematic slow motion for the strongest attacks, followed by fast-paced cuts. Show students reacting and moving away in fear as the fight continues down the hallway. The glowing pink-red energy should illuminate the lockers, floor and characters realistically, with subtle volumetric light, sparks, smoke and motion blur.\n\nInclude a dramatic moment where the girl performs a powerful spinning kick while surrounded by bright pink-red energy, sending the opponent backward. Keep the choreography physically believable and visually grounded, avoiding cartoonish effects.\n\nNear the end, the hallway becomes quiet. The glowing energy disappears and the girl calmly continues walking toward the camera as if nothing happened. End with a close-up/medium close-up of her face with a confident, serious expression.\n\nVisual style: photorealistic Hollywood superhero movie, cinematic color grading, realistic teenage/high-school environment, detailed faces, natural skin, realistic clothing and hair physics, realistic lighting, subtle film grain, shallow depth of field, professional cinematography, dynamic camera movement, high-detail VFX, realistic particle effects, 4K cinematic quality.\n\nCamera: handheld tracking shots, medium shots, close-ups, low-angle action shots, smooth whip-pans, controlled motion blur, occasional slow motion during attacks.\n\nAspect ratio: 16:9.\nDuration: approximately 30 seconds.\nNo text, no subtitles, no logos, no watermark, no distorted faces, no extra fingers, no unnatural anatomy.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithElisia",
|
||
"sourceUrl": "https://x.com/AiwithElisia/status/2092119695201837059"
|
||
},
|
||
{
|
||
"id": "seedance:rishuavr-seedance-ai-ad4e6de3949d",
|
||
"title": "Seedance 2.5 印尼女生日常写实短片",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/rishuavr-seedance-ai-ad4e6de3949d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Main subject: young Indonesian woman, early 20s, natural everyday appearance, faded mustard-yellow oversized cotton t-shirt, brown high-waisted linen wrap skirt reaching just below the knee, simple brown leather slide sandals, thin gold stud earrings, dark wavy hair in a messy low bun with loose wispy strands framing her face. Realistic warm brown skin texture, minimal natural makeup, warm and approachable demeanor. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.\n\nLocation: Authentic Indonesian residential neighborhood (gang) during a calm late morning. Narrow paved alleys, low-rise houses with open front terraces, terracotta roof tiles, potted frangipani and bougainvillea, laundry on bamboo drying racks, parked motorbikes along plastered walls, overhead utility wires, banana and coconut trees casting dappled moving shadows, quiet tropical residential atmosphere. No modern stores, billboards, cafés, or crowds.\n\nVisual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion.\n\nCamera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between harsh tropical sun and deep alley shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, warm faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.\n\n00:00–00:02\nOutside a small house entrance with an open terrace. She sits on the low terrace step adjusting her loose hair bun with both hands raised. A light warm breeze moves loose strands of hair. She smiles naturally while the camera struggles to lock focus.\n\n00:02–00:05\nThe camera follows her into a narrow alley lined with potted plants and plastered walls. She notices a neighborhood cat resting on a warm concrete ledge, crouches down, and gently pets it. Framing drifts off-center as the operator tries to keep up. Morning sunlight flickers through banana leaves overhead.\n\n00:05–00:08\nSmall front terrace with a glass of sweet iced tea on a wooden stool. She sits relaxed on a plastic chair watching the quiet gang, casually brushing hair behind her ear. A motorbike passes slowly in the distant background. Handheld side angle with natural camera drift.\n\n00:08–00:10\nShe turns toward the camera with a warm, genuine smile, gives a gentle nod of acknowledgement, then turns to walk down the tree-lined alley holding her iced tea. Recording cuts abruptly to black mid-motion as if the camcorder was switched off.\n\nAudio: Hyper-detailed environmental ASMR binaural audio — crisp micro-sounds captured up close with high sensitivity. Crisp rustle of cotton fabric and linen as she moves, deep rhythmic cat purring vibrating close to the microphone, ice cubes gently clinking against the glass condensation, soft scuff of leather sandals on textured concrete pavement, dry banana leaves brushing together in the warm breeze, rhythmic faint sound of a sapu lidi broom sweeping fallen leaves nearby, water dripping into a terracotta gentong, distant gentle crowing rooster, faint muffled low-frequency hum of a passing motorbike down the alley. Pure natural foley textures, zero music, zero studio effects, zero narration, zero speech.\n\nGoal: Authentic Indonesian neighborhood life captured like a forgotten home video from the early 2000s — candid, imperfect, realistic, warm, and deeply believable, with immersive environmental ASMR soundscape.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@RishuaVR",
|
||
"sourceUrl": "https://x.com/RishuaVR/status/2089204108175741157"
|
||
},
|
||
{
|
||
"id": "seedance:smartphone-beach-day-memories",
|
||
"title": "智能手机拍摄的海滩一日游回忆",
|
||
"description": "一段关于阳光明媚海滩一日游的随性智能手机家庭录像提示词,包含跳剪效果和真实的手机手持晃…",
|
||
"image": "/inspiration-thumbs/seedance/smartphone-beach-day-memories.webp",
|
||
"mode": "video",
|
||
"prompt": "Super casual real smartphone home video footage of a sunny beach day outing with friends. Natural mobile phone camera recording with slight authentic handheld shake, normal frame rate with smooth natural motion, rapid-fire montage with constant quick jump cuts every 1–2 seconds like scrolling through phone memories. Unpolished authentic phone recording of a mixed group laughing, playing in the sand, snacking and clicking pictures. Pure raw home video feel with no cinematic polish or heavy effects.\n\nUse the provided reference photo as the STRICT ONLY visual reference for the main woman. Maintain her exact appearance with zero deviation: [her described features]. Generate a mixed group of friends of all ages around her on the beach.\n\n0–2.5s:\nShaky handheld rapid cuts of the main woman laughing with friends near the shoreline. Wind gently moves her hair. Quick flashes of feet in warm sand and waves washing over them.\n\n2.5–5s:\nAbrupt jump cuts showing a close-up of her smiling with sunglasses pushed up onto her head, followed by the group splashing water and taking casual selfies together.\n\n5–7.5s:\nFast handheld footage of her sitting on a beach towel chatting animatedly with friends. Snacks and cold drinks are scattered around. Natural sunlight creates subtle lens reflections and realistic exposure changes.\n\n7.5–10s:\nQuick cut to a close-up of her giving a big warm smile toward the camera and waving playfully. The footage immediately jumps to the group building a small sandcastle together while laughing naturally.\n\n10–12.5s:\nAbrupt edit showing everyone gathered beneath a beach umbrella, casually passing chips and cold drinks around. Friends cheerfully toast with cans while talking over one another.\n\n12.5–15s:\nFinal rapid transition showing the main woman relaxed and sitting among her friends, softly smiling while looking toward the ocean. The video ends naturally with a gentle phone sway as if someone simply stopped recording.\n\nVISUAL STYLE:\n\n- Natural smartphone video quality.\n- Slight realistic handheld shake.\n- Smooth normal frame-rate motion.\n- Authentic casual interactions and physics.\n- Realistic sunlight and exposure adaptation.\n- Stable main character consistency.\n- Unpolished home phone recording aesthetics.\n- No professional stabilization.\n- No cinematic color grading.\n- No beauty filters.\n- No artificial effects.\n- No AI artifacts or glitches.\n\nIMPORTANT GENERATION REQUIREMENTS:\n\n- Consistent identity throughout the video.\n- Realistic human anatomy and hand interactions.\n- Natural walking and body movement.\n- Authentic beach ambience and environmental audio.\n- Physically correct lighting and shadows.\n- Rapid memory-style jump cuts every 1–2 seconds.\n- No duplicated people or objects.\n- No facial distortions.\n- No impossible movements.\n- Preserve the casual smartphone home-video feeling from beginning to end.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Goodmanprotocol",
|
||
"sourceUrl": "https://x.com/Goodmanprotocol/status/2079189509586260101"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-60-second-ultra-realistic-cinematic-korean-action-thriller-scene-featu-f31c9f4b3fc8",
|
||
"title": "红围巾女特工决战暗黑教室",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/622f5c9aa42a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 60-second ultra-realistic cinematic Korean action-thriller scene featuring a young woman with straight black hair, a sharp, confident expression, and a distinctive outfit: a black oversized jacket, light-colored top, black pants, and a bright red scarf. She is inside a dimly lit classroom, facing an armed opponent. The scene combines intense gunfight choreography, acrobatic martial arts, dramatic close-ups, and stylish action-film cinematography.\n\nSCENE 1 — THE INTRODUCTION (0–6 seconds)\n\nOpen with a medium close-up of the young woman standing motionless in a dark classroom. She looks directly ahead with a calm, intimidating expression. Her black hair frames her face, and her red scarf contrasts with her dark clothing.\n\nCut to an extreme close-up of her face as she slightly tilts her head and purses her lips, maintaining a cool, fearless attitude. Insert a brief close-up of a handgun resting on a nearby desk to establish the danger.\n\nSCENE 2 — THE ATTACK BEGINS (6–12 seconds)\n\nCut to a wider classroom shot. An armed opponent suddenly approaches. The woman immediately lowers her body, shifts her weight, and prepares to evade.\n\nUse a fast tracking shot as she moves forward, followed by a sudden camera cut to her opponent. The choreography should feel fast, fluid, and physically convincing, with realistic body mechanics and clear spatial continuity.\n\nSCENE 3 — ACROBATIC FIGHT (12–22 seconds)\n\nThe woman launches into an explosive sequence of martial arts movements. She ducks beneath an attack, pivots, performs a high spinning kick, and uses rapid changes of direction to avoid her opponent.\n\nCapture the action with a combination of low-angle shots, wide shots, and close tracking movements. Her jacket and red scarf move naturally with her momentum.\n\nShow brief flashes of gunfire and bright muzzle flashes illuminating the dark classroom. The camera alternates between the woman's controlled movements and the opponent's reactions.\n\nSCENE 4 — THE GUNFIGHT (22–36 seconds)\n\nEscalate the confrontation with rapid exchanges of gunfire. The woman takes cover, changes position, and uses the classroom desks as obstacles.\n\nInclude dramatic low-angle shots of her moving across the room, quick close-ups of her focused eyes, and brief shots of the muzzle flashes lighting the windows and furniture.\n\nAt one point, use a dramatic ground-level perspective as she stands over the camera's viewpoint, holding her weapon with a determined expression.\n\nCut to a close-up of her hands holding a firearm, then return to a wider shot showing her movement through the classroom.\n\nSCENE 5 — THE FINAL EXCHANGE (36–48 seconds)\n\nThe action becomes more intense. The woman moves sideways while maintaining awareness of her opponent. Show a fast sequence of evasive movements, sharp turns, and acrobatic kicks.\n\nUse dynamic handheld cinematography, short whip pans, and occasional slow motion at the most dramatic moments. Include realistic motion blur without losing the clarity of the choreography.\n\nThe opponent attempts to regain control, but she continues moving confidently through the classroom.\n\nSCENE 6 — THE CINEMATIC FINISH (48–60 seconds)\n\nSlow the pacing briefly. Show the woman standing with a confident, almost playful expression. Her hair is slightly disheveled, and her red scarf hangs loosely around her neck.\n\nCut to a wide shot of the classroom as the confrontation resumes. The woman and her opponent exchange a final sequence of rapid movements, with one last dramatic dodge and counterattack.\n\nEnd with a close-up of her face as she looks toward the camera with a subtle, confident expression. Finish with a final cinematic action shot and a sharp cut to black.\n\nCINEMATOGRAPHY AND VISUAL STYLE\n\n- Photorealistic Korean action-film cinematography.\n- Cool blue-green color grading, dark shadows, and muted classroom colors.\n\nIMPORTANT CONSISTENCY INSTRUCTIONS",
|
||
"sourceId": "seedance",
|
||
"credit": "@Noor_ul_ain43",
|
||
"sourceUrl": "https://x.com/Noor_ul_ain43/status/2104793144743108833"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-horror-action-short-film-set-aboard-a-japanese-highway-bus-during-the-5bc85c0e13d8",
|
||
"title": "日本公路巴士感染者突袭",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/f5434503545d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic horror-action short film set aboard a Japanese highway bus during the day, opens with an immediate strong hook, maximum dynamic camera work, grounded practical-effects style. Bus interior filled with passengers in every seat, a conductor in a gray uniform with a money pouch at his waist, a driver focused on the road ahead. Muted authentic color grading, natural diegetic sound throughout, tension score entering immediately.\n>\n> **[0-1s]** Hard cut: a woman mid-row suddenly jolts violently in her seat, gasping sharply.\n>\n> **[1-2s]** Close-up: her veins turn a deep red, spreading rapidly up her neck and across her face.\n>\n> **[2-3s]** Her eyes snap open, now fully red — she lunges instantly, biting into her seatmate's shoulder.\n>\n> **[3-4s]** He cries out, nearby passengers recoiling in shock, seats creaking as people scramble back.\n>\n> **[4-5s]** The bitten man convulses hard, veins spreading fast across his own neck and arms.\n>\n> **[5-6s]** He rises seconds later, eyes red, joining her, both turning toward the passengers around them.\n>\n> **[6-7s]** Panic spreads through the bus, passengers screaming, climbing over seats to get away.\n>\n> **[7-8s]** The conductor spots the chaos from the front, shouting urgently in Japanese: \"バスを止めて!\" (\"Stop the bus!\")\n>\n> **[8-9s]** The driver slams the brakes hard, the bus lurching to a stop on the highway shoulder.\n>\n> **[9-10s]** The conductor grabs a metal tire iron from beneath his seat, moving fast down the aisle.\n>\n> **[10-11s]** The driver grabs a heavy steel wheel wrench, following close behind him.\n>\n> **[11-12s]** They reach the folding door, wrenching it open, ushering panicked passengers out fast.\n>\n> **[12-13s]** Passengers pour out onto the highway shoulder, some stumbling, others sprinting clear.\n>\n> **[13-14s]** The two infected push through the fleeing crowd, lunging toward the nearest passenger outside.\n>\n> **[14-15s]** The conductor swings the tire iron hard, striking the first infected across the shoulder, sending it stumbling.\n>\n> **[15-16s]** The driver swings the wrench into the second infected, knocking it back against the bus.\n>\n> **[16-17s]** SLOW MOTION insert: the first infected lunges again, conductor sidestepping and striking it down with a solid blow.\n>\n> **[17-18s]** It collapses onto the gravel shoulder, motionless.\n>\n> **[18-19s]** The second infected recovers, charging the driver; he braces and swings the wrench in a wide arc.\n>\n> **[19-20s]** The impact connects hard, sending it sprawling against the guardrail.\n>\n> **[20-21s]** It tries to rise again; the conductor rushes over, delivering one final strike alongside the driver.\n>\n> **[21-22s]** It goes still, both men breathing hard, weapons still raised.\n>\n> **[22-24s]** Wide shot: passengers huddled together on the highway shoulder, shaken but safe, cars slowing on the opposite lane.\n>\n> **[24-26s]** The conductor lowers the tire iron, scanning the group to confirm everyone's accounted for.\n>\n> **[26-28s]** The driver checks the two motionless infected on the ground, cautious but confirming they're down.\n>\n> **[28-30s]** Final shot: the conductor and driver exchange an exhausted nod, passengers slowly regrouping behind them under the open sky. Cut to black.\n\nNatural diegetic sound throughout — gasping, screaming, bus brakes screeching, metal impacts, heavy breathing, distant highway traffic — layered with a tense instrumental score building through the chaos and easing into relief at the end. No text overlay, no watermark. Maximum dynamic camera variety — close-ups, wide shots, tracking shots, slow motion reserved only for the final takedown blows. Realistic shake only during physical impacts, natural daylight highway color grading. \n\nMade with seedance 2.5 on @SocialSight",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@auqibhabib",
|
||
"sourceUrl": "https://x.com/auqibhabib/status/2102265619416768799"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-1080p-ultra-realistic-korean-subway-action-comedy-scene-usi-93b40e9db5b1",
|
||
"title": "女子破窗反将嘲笑者拉出地铁",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/cases/c07aff74d745.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic Korean subway action-comedy scene using the uploaded images as exact visual references; keep characters, faces, hair, outfits and environment consistent.\nYoung Korean woman, early 20s, long straight black hair, green cropped long-sleeve top, loose blue jeans, silver jewelry; confident and expressive.\nYoung Korean man, short black hair, gray button-up shirt, dark trousers and white sneakers; playful, then shocked and embarrassed.\nShe rushes down the subway stairs toward a waiting train, but the doors close just as she reaches them.\nThe man inside sees her through the glass and laughs at her; she stares at him angrily and says, “Are you seriously laughing?”\nHe laughs again, so she suddenly punches the glass beside the door, cracking and breaking the safety glass realistically with no injury or gore.\nShe reaches through the broken opening, grabs his shirt and pulls him safely out onto the platform; he lands awkwardly on the floor in shock.\nShe calmly climbs through the same broken opening into the train, straightens her clothes and walks inside as stunned passengers watch.\nThe man remains sitting outside, looking confused and humiliated while passengers stare at him through the windows.\nOne passenger starts laughing, then everyone bursts into laughter while the man looks around helplessly.\nShe looks at him through the window, gives a tiny satisfied smile, then casually turns away.\nUltra-realistic Korean subway lighting, gritty DV-inspired look, natural motion blur, realistic physics, handheld imperfections, authentic reactions and ambient subway audio; no music.\nNo gore, blood, serious injuries, identity drift, outfit changes, duplicated people, teleportation, regenerating glass, distorted hands, CGI look, subtitles, captions, text, logos or watermark.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2097168171367338428"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-photorealistic-live-action-zombie-horror-sequence-inside-a-modern-univ-8c8bb77e9ccd",
|
||
"title": "大学实验室感染失控,学生变成丧尸",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/17336ecf1069.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a photorealistic live-action zombie-horror sequence inside a modern university science laboratory during a normal college practical session. The central character is a young adult Korean female college student wearing a white laboratory coat over a simple shirt, blue jeans and white sneakers. Keep her face, hairstyle, clothing and body proportions identical throughout. Surround her with several college students, laboratory benches, microscopes, glass test tubes, chemical containers, computers and scientific equipment. Use realistic fluorescent lighting, practical effects, handheld camerawork and believable physics.\n\nThe students are quietly working on an experiment when a sealed glass specimen container suddenly cracks. A dark infected substance escapes and attaches itself to the young woman near her shoulder and neck. She stumbles backward in fear as dark veins slowly spread beneath her skin, traveling across her neck and face. Her fingers begin twitching, her body develops violent tremors and her skin becomes pale and clammy.\n\nHer frightened expression gradually disappears. She raises her head and her eyes slowly transform into deep cloudy-black eyes. She suddenly turns toward a nearby classmate and charges. He desperately backs away behind a laboratory table while she repeatedly slams against it, moving with unnatural strength.\n\nThe other students freeze before scrambling toward the laboratory exit. The infected woman suddenly becomes completely still, then slowly rotates her head toward them. Her dark veins pulse visibly across her face while her black eyes remain fixed on the students.\n\nAnother glass specimen container cracks in the background. A second infected student suddenly collapses onto the floor, convulsing violently as dark veins spread across his neck and face and his eyes turn black. Panic erupts throughout the laboratory.\n\nStudents grab backpacks, chairs and laboratory equipment while trying to escape. One student pulls another toward the emergency exit as the infected chase them through the narrow aisles. A heavy laboratory table is pushed against the door as a temporary barricade.\n\nThe survivors finally reach the hallway and slam the laboratory door shut. Red emergency lights begin flashing as they catch their breath.\n\nInside the laboratory, everything becomes silent.\n\nThe camera slowly approaches the small observation window in the door. The infected female student stands motionless in the darkness, still wearing her white lab coat and jeans. Her pale face, prominent dark veins and completely black eyes are clearly visible.\n\nShe slowly tilts her head toward the window.\n\nThen she suddenly smiles.\n\nCut to black.\n\nAUDIO: Realistic laboratory ambience, fluorescent hum, glass cracking, equipment falling, footsteps, frightened breathing, screams, alarms, convulsions, impacts and distant banging. No music or exaggerated sound effects.\n\nSTYLE: Ultra-realistic college laboratory horror, practical-effects infection, realistic skin texture, believable anatomy, natural handheld camera, grounded movement, realistic facial transformation, dark spreading veins, black/cloudy eyes, violent convulsions and unnatural infected movements, cold fluorescent lighting transitioning into red emergency lighting.\n\nNEGATIVE: Excessive gore, graphic dismemberment, graphic eye gore, anime, cartoon, illustration, plastic skin, fake CGI, duplicated students, face morphing, distorted anatomy, extra limbs, floating objects, impossible physics, changing clothes, inconsistent identities, subtitles, text, logos, watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2106955772395659431"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-realistic-fast-paced-comedy-skit-that-looks-like-a-ge-7bbf67fa75c5",
|
||
"title": "女友误夸男友拒绝诱惑",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/35483961abc5.jpg",
|
||
"mode": "video",
|
||
"prompt": "⬇️\n\nCreate a 30-second, ultra-realistic fast-paced comedy skit that looks like a genuine viral home video casually filmed on a smartphone.\n\nThe footage should feel spontaneous and imperfect rather than professionally staged: natural handheld shake, slightly crooked framing, quick reactive pans, occasional autofocus hunting, realistic motion blur, minor exposure changes, ordinary daylight inside a real home, realistic skin texture, natural hair movement, and believable room acoustics.\n\nCHARACTERS\n\nWOMAN 1 — THE TOWEL WOMAN:\n\nAn exceptionally beautiful 24-year-old platinum-blonde woman with long hair, a striking feminine face, expressive eyes, full lips, a slim waist, a very curvy figure, large full bust and rounded hips.\n\nShe begins wrapped securely in a large white bath towel.\n\nWOMAN 2 — HIS GIRLFRIEND:\n\nA clearly different-looking beautiful 23-year-old brunette woman with long dark-brown hair, a different face and hairstyle, fitted casual black top and olive shorts, slim waist and curvy figure.\n\nMAN:\n\nA handsome young man with short dark hair, fitted black T-shirt, gray pants and a simple chain necklace.\n\nKeep all three identities completely consistent. Woman 1 and Woman 2 must never look like the same person.\n\nLOCATION\n\nA bright modern suburban home during daytime:\n\n- open kitchen / living area\n\n- front door close to the kitchen\n\n- driveway immediately outside\n\n- parked car very close to the entrance\n\nACTION / TIMING\n\n00:00–00:04 — THE SURPRISE\n\nStart immediately inside the kitchen.\n\nWoman 1 stands wrapped in the white towel, holding it closed naturally against her chest.\n\nThe front door opens and the man walks inside.\n\nShe notices him, gives him a mischievous smile and a small friendly wave.\n\nHe stops, surprised and immediately distracted by her.\n\nNo shopping bag or unnecessary props.\n\n00:04–00:07 — THE REVEAL\n\nWoman 1 gives him a playful look and briefly opens the FRONT of the towel toward HIM.\n\nIMPORTANT CAMERA RULE:\n\nDuring the entire towel-opening moment, the camera moves BEHIND Woman 1 and stays behind her.\n\nThe viewer sees only:\n\n- her bare upper back\n\n- shoulders\n\n- long hair\n\n- the towel opening away from the camera\n\nThe camera NEVER sees her breasts, nipples, genitals or frontal nudity.\n\nThe MAN is visible beyond her, facing her.\n\nHis eyes go wide in stunned disbelief.\n\nHe suddenly turns and bolts out of the house.\n\n00:07–00:12 — THE CAR\n\nFast handheld cut to the driveway.\n\nThe man runs directly to his parked car.\n\nHe opens the car, leans across to the dashboard and opens the GLOVE COMPARTMENT.\n\nHe searches quickly and finds ONE small unopened condom packet.\n\nClose-up: the packet is clearly visible in his hand.\n\nHis expression changes to excited relief.\n\nHe immediately runs back toward the house holding the same packet.\n\n00:12–00:17 — TOO LATE\n\nCut back inside the kitchen.\n\nWhile he was outside, HIS GIRLFRIEND has arrived.\n\nWoman 1 is now fully wrapped in the SAME white towel again.\n\nThe girlfriend and Woman 1 are already standing together talking.\n\nThe man rushes back through the front door holding the unopened condom packet.\n\nHe sees his girlfriend standing beside Woman 1.\n\nHe instantly freezes.\n\nThe girlfriend turns toward him.\n\n00:17–00:21 — HIDE THE EVIDENCE\n\nThe man looks down and realizes the condom packet is still clearly visible in his hand.\n\nIn immediate panic, he quickly stuffs the unopened packet completely into his mouth and visibly swallows it to make the evidence disappear.\n\nHis eyes remain wide while he tries to act completely innocent.\n\nWoman 1 notices exactly what he did and suppresses an amused smile.\n\nThe girlfriend does not notice the packet.\n\n00:21–00:27 — THE MISUNDERSTANDING\n\nThe girlfriend happily walks toward him and says:\n\n“She told me you turned her down. You’re such a good boyfriend!”\n\nNow the reason for her praise is completely clear: Woman 1 has already told the girlfriend that the man rejected her.\n\nThe girlfriend enthusiastically jumps into his arms and wraps her arms and legs around him.\n\nHe catches her and hugs her back awkwardly.\n\nShe is genuinely proud and affectionate.\n\nHe forces an innocent smile while still looking slightly devastated by the situation.\n\n00:27–00:30 — FINAL PUNCHLINE\n\nWhile holding his happy girlfriend, the man slowly looks over her shoulder toward Woman 1.\n\nHe gives Woman 1 a tiny regretful look.\n\nWoman 1 immediately understands.\n\nStill wrapped in her towel, she gives him a knowing smirk and a small playful goodbye wave.\n\nHe watches her with disappointment while his girlfriend continues hugging him happily.\n\nEnd on his awkward expression.\n\nCAMERA / EDITING\n\nFast viral-sketch pacing with frequent natural handheld cuts every 1–3 seconds:\n\n- medium kitchen shots\n\n- close facial reactions\n\n- over-the-shoulder towel reveal\n\n- quick running shot outside\n\n- glove-compartment close-up\n\n- doorway reaction\n\n- condom-packet close-up\n\n- girlfriend hug\n\n- final exchanged look\n\nThe footage should feel like a casually edited real home video, not a movie.\n\nLIGHTING / REALISM\n\nBright natural daytime household lighting.\n\nWindow daylight mixed with ordinary indoor fixtures.\n\nRealistic skin pores, individual hairs, subtle facial redness, natural shadows, ordinary fabric textures and imperfect smartphone exposure.\n\nNo glossy AI skin.\n\nNo beauty-filter look.\n\nNo dramatic glamour lighting.\n\nNo cinematic color grading.\n\nAUDIO\n\nNatural synchronized English dialogue and household ambience.\n\nOnly one important spoken line is required:\n\nGirlfriend:\n\n“She told me you turned her down. You’re such a good boyfriend!”\n\nNatural footsteps, front-door sounds, car-door sound, glove-compartment click, fabric movement and room ambience.\n\nNo narration.\n\nNo subtitles.\n\nNo music.\n\nCONTINUITY / HARD RULES\n\n- Woman 1 begins in the white towel and is back in the SAME towel when the man returns.\n\n- The towel reveal is seen ONLY FROM BEHIND Woman 1.\n\n- No frontal nudity is visible.\n\n- The man runs specifically to the parked car.\n\n- He retrieves ONE unopened condom packet specifically from the GLOVE COMPARTMENT.\n\n- He returns holding that exact same packet.\n\n- His girlfriend is already inside talking to Woman 1 when he returns.\n\n- The girlfriend knows what happened because Woman 1 has already told her he rejected the offer.\n\n- The man panics and swallows the packet before his girlfriend notices it.\n\n- The girlfriend praises him because she genuinely believes he rejected Woman 1.\n\n- The girlfriend jumps into his arms and hugs him.\n\n- The final punchline is the regretful look between the man and Woman 1.\n\n- Woman 1 ends by giving him a small knowing goodbye wave.\n\n- No extra characters.\n\n- No duplicated women.\n\n- No random dialogue.\n\n- No disconnected actions.\n\n#AIVideo",
|
||
"sourceId": "seedance",
|
||
"credit": "@YourAlphaMom",
|
||
"sourceUrl": "https://x.com/YourAlphaMom/status/2098541423062548561"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-269d1fc95820",
|
||
"title": "Seedance:不会有人认为这是真的吧?😄",
|
||
"description": "不会有人认为这是真的吧?😄 Seedance 2.5 也过于逼真了啊🫠连影子都那么…",
|
||
"image": "/inspiration-thumbs/seedance/seedance-269d1fc95820.webp",
|
||
"mode": "video",
|
||
"prompt": "不会有人认为这是真的吧?😄\n\nSeedance 2.5 也过于逼真了啊🫠连影子都那么真实\n\n上传自己的图片,加上下面的提示词,你也能这么跳😂\n\nSeedance 2.5 prompt 👇\n\nDuration: 10秒\nAspect ratio: 9:16\nReference: @图片1,锁定主角面部、发型和人物造型,不额外描述或更换穿着\nAudio: 真实城市夜景环境声、助跑脚步、强风呼啸、弹性装置低频回弹声、落地闷响、朋友欢呼;无对白、无旁白、无字幕\nOverall style: 极限运动手机实拍,真实高空距离,强烈临场感,一镜到底,轻微手持与高速运动模糊,拒绝游戏CG感\n\nGLOBAL CONTINUITY\n\nSetting:\n夜晚城市高楼屋顶,绿色直升机停机坪,黄色圆形标线,低矮水泥护墙。两栋高楼之间形成垂直街道峡谷,地面可见车辆、路灯和十字路口。\n\nLower apparatus:\n街道中央设置一座巨大的圆形黑色弹性回弹装置,中心为深黑色弹性面,外圈环绕连续彩虹灯带。装置尺寸巨大,正对屋顶边缘,作为主角下落和反弹的准确落点。\n\nMain subject:\n@图片1为唯一主角。人物身份、面部和造型全程一致。\n\nBystanders:\n三至四名朋友站在屋顶左侧,用手机拍摄并等待主角返回。不能抢占主体。\n\nCAMERA CONTINUITY\n\n全片为屋顶朋友手持手机拍摄的一镜到底。\n\n摄影者先在主角身后跟拍助跑;主角跃下后,摄影者迅速冲到护墙边俯拍;随后镜头持续锁定主角,从垂直向下逐渐抬向天空;主角反弹回到屋顶后,镜头恢复平视。\n\n不切镜、不瞬移、不更换视角。\n\nSTUNT ENGINE\n\n动作闭环必须固定:\n\n屋顶助跑 → 飞越护墙 → 高空下落 → 命中圆形弹性面中心 → 装置深度下陷 → 强力回弹 → 主角高速升空 → 空中团身翻腾 → 展体定位 → 双脚返回同一屋顶 → 屈膝落地 → 欢呼庆祝。\n\nSHOT 1(00:00-00:10)高空反弹往返特技\n\nSubject:\n@图片1主角站在屋顶停机坪后方,正对远处护墙。朋友位于画面左侧拍摄。\n\nAction:\n\n00:00-00:01.50|快速助跑\n\n主角背对镜头,从停机坪中央快速冲向屋顶边缘。步幅逐渐加大,身体前倾,双臂自然摆动。\n\n摄影者手持手机紧跟主角向前跑,画面产生真实脚步震动。朋友站在左侧举起手机,紧张注视。\n\n00:01.50-00:02.30|跃出屋顶\n\n主角最后一步用力蹬地,身体越过低矮护墙。离开屋顶的瞬间,双臂向左右展开,身体稍微前倾,主动朝两栋高楼之间俯冲。\n\n摄影者冲到护墙边,镜头快速向下俯转,始终把主角保持在画面中央。\n\n00:02.30-00:04.80|高空下落\n\n镜头接近垂直俯拍。主角沿楼宇之间的空间快速下降,身体由前倾逐渐调整为面向下方,双臂保持展开以稳定方向。\n\n随着主角下降,街道、车辆和十字路口迅速显现。巨型黑色圆形弹性装置从画面下方出现,彩虹灯环照亮周围建筑。\n\n主角的下降轨迹必须准确对准黑色弹性面的圆心,不能偏向灯环或撞向建筑。\n\n00:04.80-00:05.50|命中中心\n\n主角身体落在黑色弹性面正中心。弹性面受到冲击后明显向下形成深凹,彩虹灯环保持固定,装置不能破裂。\n\n短暂压缩后,弹性面以巨大力量恢复原状,将主角垂直向上弹出。\n\n必须清楚表现“接触—下陷—压缩—回弹”四个阶段,不能在接触前提前反向飞行。\n\n00:05.50-00:08.20|高速反弹与空中翻腾\n\n摄影者仍站在屋顶护墙边。画面底部短暂出现摄影者的双脚,强化真实第一视角和高空距离。\n\n主角从圆形装置中心高速升起,沿原来的垂直路线返回屋顶。摄影机从垂直向下持续向上抬起,跟随主角穿过城市楼宇之间的空间。\n\n主角升空后收紧腰腹,双膝靠近胸口,双臂抱住小腿,形成紧凑团身,在空中完成连续快速翻腾。不要锁定具体翻转方向,以自然连续旋转为准。\n\n主角接近屋顶高度时开始打开身体:松开双腿、抬起头寻找屋顶、双脚转向下方,双臂向两侧展开保持平衡。\n\n00:08.20-00:09.40|返回屋顶\n\n主角高速接近镜头,从屋顶护墙外侧越回停机坪。双脚同时接触绿色地面,膝盖和髋部深度弯曲,以低位蹲姿吸收落地冲击。\n\n落地必须具有明显重量:鞋底或脚掌接触、腿部压缩、身体下沉、轻微反弹恢复。不能站直着轻飘落地。\n\n摄影者快速后退半步,避免主角撞上镜头,同时继续保持正面近景。\n\n00:09.40-00:10.00|真实庆祝\n\n主角从蹲姿快速站起,兴奋地看向镜头,张口欢呼。屋顶朋友冲进画面,举着手机围过来,拍肩、挥拳、大声庆祝。\n\n镜头因人群靠近产生轻微晃动,以真实手机自拍视频状态结束。\n\nEnvironment:\n高楼灯光、街道车辆和彩虹灯环保持空间位置稳定。下落和上升必须发生在同一条垂直路线,主角最后返回起跳的同一栋屋顶。\n\nCamera:\n24mm手机广角,一镜到底。开始为背后低位跟拍;跃下后变为越肩俯拍;回弹时由垂直俯拍连续抬升至仰拍;最后恢复平视近景。\n\nStyle:\n真实夜间手机曝光,高楼具有准确透视和尺度。下落阶段风声增强,城市灯光形成自然运动拖影;主角返回屋顶时速度极快,但人体轮廓仍然清晰。\n\nConstraints:\n这是经过专业布置的虚构极限运动场景。必须完整显示圆形弹性装置承接并反弹主角,不能表现为无保护自由坠落。\n\n主角下降和上升必须连续可追踪。回弹来自黑色弹性面的物理压缩,不是飞行、瞬移、绳索拖拽或超能力。\n\n---\nNegative:\n\n改变@图片1人物造型,重新设计服装,服装漂移,面部漂移,人物替换,\n中途切镜,机位瞬移,场景跳变,摄影者突然出现在地面,第三人称航拍,\n主角直接飞行,悬浮,隐形绳索拉升,反重力,瞬间返回屋顶,\n没有弹性装置,错误落点,落在彩虹灯环,撞击建筑,撞击护墙,\n接触前提前反弹,弹性面没有下陷,装置破裂,装置变形消失,\n下落方向改变,上升路线偏移,身体穿过弹性面,人物尺寸异常,\n翻腾时四肢扭曲,多余手臂,多余腿,关节反折,身体融化,复制人物,\n落地无重量,站直落地,脚部穿透地面,跌倒受伤,血液,严重伤害,\n朋友提前挡住镜头,群众冻结,手机变形,高楼弯曲,车辆漂浮,\n动漫渲染,游戏CG,塑料皮肤,廉价绿幕,过度光效,过度慢动作,\n字幕,屏幕文字,水印,品牌标志,旁白,额外对白",
|
||
"category": "sports-extreme",
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2095025524586193105"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-use-the-uploaded-reference-image-as-the-exact-character-reference-214303ebc4cf",
|
||
"title": "韩系情侣的街头约会日记",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-use-the-uploaded-reference-image-as-the-exact-character-reference-214303ebc4cf.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, skin tone, makeup, body proportions, \n\nStyle: Early-2000s MiniDV home-video aesthetic, photorealistic live-action, shaky handheld camera, slight autofocus hunting, natural exposure shifts, motion blur, imperfect framing, warm afternoon light, authentic everyday atmosphere.\n\nA young woman from Korea wearing a fitted pastel tshirt spends a casual afternoon with her boyfriend in a quiet neighborhood. She films herself walking down the street, smiling at the camera while her boyfriend walks beside her. They stop at a small street-food stall, share a snack, laugh together, and continue walking.\n\nShe playfully steals his sunglasses and puts them on, making him laugh. They sit together on a low wall, talk and tease each other, then walk through a small park while she records little moments on the handheld camera.\n\nAs the sun begins to set, they stop under a streetlight. She turns the camera toward him, they exchange a warm smile, move closer, and share a brief natural kiss on the lips.\n\nThe camera stays handheld and slightly imperfect as they laugh afterward and walk away together.\n\nAudio: Natural street ambience, footsteps, distant traffic, birds, casual conversation and laughter. No music.\n\nNegative prompt: No subtitles, text, logos, watermarks, identity changes, outfit changes, duplicate people, distorted hands, unnatural movements, or AI artifacts.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2094997895187673489"
|
||
},
|
||
{
|
||
"id": "seedance:mrdasonx-seedance-ai-ccaa50150259",
|
||
"title": "狐狸在森林溪流边自拍漫游",
|
||
"description": "宠物与动物",
|
||
"image": "https://media.goodcase.ai/media/poster/mrdasonx-seedance-ai-ccaa50150259.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a single continuous self-filmed vlog recorded on a handheld action camera in 16:9 aspect ratio. The camera is always held by the anthropomorphic fox, creating a natural first-person selfie perspective with light wind-induced shake, occasional soft lens flares from sunlight filtering through trees, realistic focus pulls, and dynamic walking/leaning motion. No cuts, transitions, or cinematic effects. Include a subtle realistic digital timestamp in the bottom-right corner that progresses naturally throughout the video.\nVisual Style: Bright modern 4K digital look with vibrant yet soft natural colors, warm late-afternoon golden sunlight mixed with dappled shade, gentle water reflections and soft mist rising from the stream, subtle water droplets or mist on the lens near the water, and crisp details on fur and leaves. Slight handheld energy but smooth enough for casual vlogging. Widescreen 16:9 framing.\nCharacter: Ember, a 24-year-old anthropomorphic red fox (bipedal, human-like proportions) with soft fluffy reddish-orange fur, white chest and muzzle, bright amber eyes, pointed ears, and a long bushy tail that sways naturally. He wears a simple light denim jacket with rolled sleeves over a soft cream t-shirt and comfortable cargo shorts. Personality: curious, warm, slightly playful and soft-spoken.\nLocation: Starts on a wooden footbridge over a clear mountain stream in a lush temperate forest, surrounded by mossy rocks, ferns, wildflowers, and overhanging maple and pine branches. Soft green and golden foliage, clear water with gentle ripples and small fish darting below.\nSequence (exactly 30 seconds, continuous take with timestamps):\n0:00 – 0:05\nEmber lifts the camera, smiles softly at the lens with his ears perking up, and says in a warm, slightly raspy voice:\n“Hey friends… you won’t believe this spot I found.”\n0:05 – 0:13\nHe walks slowly along the wooden bridge, lowering the camera slightly to show the clear stream and small fish swimming just below the surface while continuing:\n“The water is so clear… I can see every little fish moving around.”\n0:13 – 0:20\nHe crouches carefully at the edge, reaches one paw toward the water without touching it, and watches the fish dart past, laughing lightly:\n“They’re swimming right up to me. Hi little guys.”\n0:20 – 0:26\nHe turns the camera to capture both his face and the stream, then sits on a flat mossy rock at the water’s edge, letting his tail curl beside him. He gazes at the water for a few seconds and says quietly:\n“Moments like this make everything feel peaceful.”\n0:26 – 0:30\nHe stands up, waves one paw at the camera with a gentle smile, and says:\n“Thanks for exploring with me. See you next time.”\nThe camera naturally lowers a little as he walks further along the path beside the stream.",
|
||
"category": "pet-animal",
|
||
"sourceId": "seedance",
|
||
"credit": "@MrDasOnX",
|
||
"sourceUrl": "https://x.com/MrDasOnX/status/2089969922617266257"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-cinematic-photorealistic-30-second-vertical-video-using-the-provided-9668ab5250ad",
|
||
"title": "红裙女子提着食材登上云端山顶小屋",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/ae2aea3e33c4.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic, photorealistic 30-second vertical video using the provided girl reference image as the strict character reference.\n\nPreserve her exact facial identity, facial structure, skin tone, hairstyle, age, and natural proportions throughout the entire video. Do not change her identity or facial features.\n\nCharacter: The same woman from the reference image, wearing an elegant deep burgundy/red long-sleeve midi dress with a subtle vintage pattern, a matching belt, and elegant burgundy high heels. She carries a simple brown kraft-paper grocery bag containing a few visible groceries.\n\nShot 1 — 0–5 sec\n\nBegin with a breathtaking aerial establishing shot high above the clouds. A gigantic, extremely tall, narrow rocky mountain spire rises vertically through a sea of white clouds. The peak is covered with patches of green vegetation, with a tiny charming house perched impossibly at the very top.\n\nSlow cinematic drone movement toward the mountain. Bright blue sky, warm sunlight, soft atmospheric haze, realistic clouds, immense sense of scale.\n\nShot 2 — 5–10 sec\n\nCut to a close-up of the woman's feet as she carefully climbs uneven stone steps carved into the side of the mountain.\n\nHer burgundy high heels step naturally from one stone ledge to another. The hem of her dress moves gently in the wind. Far below, clouds and the distant landscape are visible.\n\nUse realistic foot movement, natural weight, physically accurate fabric motion, shallow depth of field, cinematic lens.\n\nShot 3 — 10–15 sec\n\nReveal the woman from a side/back angle as she continues climbing toward the summit.\n\nShe carries the brown grocery bag naturally in one hand. Her burgundy dress flows slightly in the strong mountain breeze.\n\nThe camera slowly tracks beside her, revealing the enormous drop and clouds stretching endlessly below. She remains calm and composed despite the surreal height.\n\nShot 4 — 15–20 sec\n\nThe woman reaches the tiny house at the summit and walks through its doorway while still holding the grocery bag.\n\nTransition from the bright outdoor environment into a warm, cozy interior. Golden sunlight enters through the doorway. She walks naturally through the small home and places the grocery bag inside.\n\nMaintain the exact same character appearance, dress, hairstyle, and proportions.\n\nShot 5 — 20–26 sec\n\nShow the woman standing inside the cozy house beside a huge floor-to-ceiling window overlooking the clouds.\n\nShe pauses with a cup in her hand and looks peacefully toward the breathtaking view. The camera slowly moves backward, revealing the warm interior, wooden furniture, soft curtains, and the enormous mountain landscape outside.\n\nGolden-hour lighting, subtle curtain movement, realistic shadows, cinematic atmosphere.\n\nShot 6 — 26–30 sec\n\nReturn to a spectacular wide aerial shot of the entire impossibly tall mountain spire rising above the clouds.\n\nThe tiny house is visible at the very top, emphasizing the incredible scale. Slowly pull the camera farther away until the mountain becomes surrounded by an endless sea of clouds.\n\nEnd on a beautiful cinematic wide shot.\n\nVisual style: ultra-realistic cinematic photography, premium film look, natural skin texture, realistic physics, realistic fabric and hair movement, volumetric sunlight, atmospheric perspective, detailed environments, subtle film grain, shallow depth of field where appropriate, high dynamic range, smooth camera motion, believable lighting.\n\nCamera: cinematic drone shots, slow tracking shots, low-angle detail shots, gentle push-ins, smooth aerial pullback, realistic handheld micro-movements only when appropriate.\n\nImportant: Keep the woman's identity perfectly consistent across every shot. No face morphing, no character changes, no extra fingers, no distorted hands, no warped feet, no duplicated objects, no floating objects, no unnatural body movement, no cartoon or CGI appearance, no text, no subtitles, no logos.",
|
||
"sourceId": "seedance",
|
||
"credit": "@sophiaparkerr_",
|
||
"sourceUrl": "https://x.com/sophiaparkerr_/status/2107096810783461509"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-1080p-ultra-realistic-early-2000s-consumer-dv-camcorder-hom-a3fa022a7b4e",
|
||
"title": "千禧年代首尔情侣午后兜风",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/64e9f9e3ac3b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic early-2000s consumer DV camcorder home video of a young Korean couple going for a casual afternoon drive through Seoul. The footage should feel like a genuine memory recorded by a friend, imperfect and spontaneous rather than a polished commercial.\n\n=== CHARACTERS ===\n\nGIRL: Young adult Korean woman in her early 20s, naturally beautiful, realistic skin, minimal makeup, long slightly wavy dark hair tied loosely with a few strands framing her face. Ll\n\nBOYFRIEND: Young adult Korean man in his early 20s, natural hairstyle, realistic skin, relaxed expression, wearing a loose white T-shirt, dark jeans and white sneakers. Keep his appearance consistent.\n\n=== STORY ===\n\nShe waits outside her apartment building with a small shoulder bag, checking her phone and looking down the street. Her boyfriend arrives in an older compact car and smiles when he sees her. She opens the passenger door, gets inside and playfully looks toward the camera as if embarrassed about being filmed.\n\nThey drive slowly through an older Seoul neighborhood. She sits in the passenger seat with the window slightly open, enjoying the breeze while her hair moves naturally. Her boyfriend occasionally glances at her and smiles while keeping his attention on the road.\n\nThey stop at a small neighborhood convenience store. She gets out, buys two cold drinks and returns to the car. She hands one to her boyfriend, keeps the other for herself, and they laugh together before continuing the drive.\n\nLater, they park near a quiet riverside road. They get out and walk beside the parked car, talking casually. She takes a sip of her drink, makes a playful expression at the taste, and he laughs. She lightly pushes his shoulder and they continue walking together.\n\nA gentle breeze moves through her hair. He notices a strand across her face and gently moves it aside. She smiles and looks at him for a moment. They stand close together beside the car, sharing a quiet romantic moment.\n\nNear the end, she looks toward the camera and laughs shyly, then turns back toward her boyfriend. He steps closer, she smiles, and they share a brief, natural kiss. They pull back, laugh softly and remain standing close together as the camera keeps recording.\n\nThe boyfriend looks toward the camera and jokingly shakes his head while she hides her face against his shoulder, laughing.\n\n=== CAMERA / DV FEEL ===\n\nRaw early-2000s consumer DV camcorder footage. Handheld camera operated by a friend sitting in the back seat and later walking with them. Imperfect framing, subtle handheld shake, autofocus hunting, occasional exposure shifts, faded summer colors, soft digital detail, mild sensor noise, natural motion blur and occasional accidental zooms. No stabilization and no polished cinematic movement.\n\n=== AUDIO ===\n\nBuilt-in camcorder microphone only. Car engine, road noise, turn signals, window breeze, distant Seoul traffic, convenience-store door chime, refrigerator hum, footsteps, birds, neighborhood voices, fabric movement and natural laughter. Their dialogue should feel casual and partially imperfect like a real home video. No music, no narration, no subtitles.\n\n=== REALISM / CONTINUITY ===\n\nKeep the same couple, faces, hairstyles, outfits, accessories and car throughout. Natural Korean facial features, realistic hands and fingers, believable walking, sitting, driving and kissing. Hair and clothing react naturally to the breeze and movement. Genuine expressions rather than exaggerated acting.\n\n=== NEGATIVE ===\n\nNo cinematic commercial look, no gimbal shots, no drone shots, no dramatic lighting, no beauty filters, no plastic skin, no CGI appearance, no anime, no cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2104776214066188611"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-photorealistic-sci-fi-action-sequence-moody-desaturated-color-grade-edfd133b78ea",
|
||
"title": "未来公路上的机车与超跑追逐",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/1917351d85cd.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic photorealistic sci-fi action sequence, moody desaturated color grade, dramatic lighting, hyper-detailed mechanical design, motion blur for speed, 4K film quality.\n\nScene 1: Wide low-angle tracking shot of a futuristic armored rider in black tactical exosuit on a black-gold angular sci-fi motorcycle, speeding on empty highway, overcast sky.\n\nScene 2: Close-up transformation shot — motorcycle's rear panels mechanically unfold like wings while riding at high speed, sparks of light on metal joints.\n\nScene 3: Low-angle hero reveal shot of a sleek black Batmobile-style supercar with scissor/wing doors opening, front LED light strip glowing.\n\nScene 4: Rear-tracking low-angle shot of two motorcycles riding side by side on the highway, wheels blurred with speed.\n\nScene 5: Rear pursuit shot of the black supercar driving with glowing taillights, a motorcycle catching up close behind.\n\nScene 6: Aerial drone top-down shot of a curving highway with the car and motorcycles racing, small flying drone visible above for scale.\n\nScene 7: Close-up action shot of the car's front wheel with sparks flying off the road surface, high-speed drift feel.\n\nScene 8: Interior POV shot from the car's dashboard, glowing speedometer, driving fast through a dark tunnel with lights streaking past.\n\nScene 9: Tunnel chase shot — motorcycle and car entering/exiting a concrete tunnel, wet road reflections, cinematic light contrast.\n\nNegative prompt: blurry, low quality, distorted proportions, extra limbs, deformed hands, warped motorcycle frame, flickering lights, inconsistent lighting, cartoonish, low-res textures, watermark, text, logo, oversaturated colors, daytime bright sun (unless overcast), shaky unstable camera, jerky motion, unrealistic physics, plastic look, glitch artifacts.\n\n#Ai #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️ #VisualStorytelling #CinematicAI\n#GenerativeAI #AICreator",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2104064261005709551"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-pov-your-crush-is-the-landscape-and-you-re-late-for-work-9cab76396089",
|
||
"title": "微型滑手穿越巨人暮色山丘",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/7b93f99dd303.jpg",
|
||
"mode": "video",
|
||
"prompt": "POV: your crush is the landscape and you’re late for work.\n\nSeedance 2.5 on @FishCreativeHQ \n\nPrompt\n\nA cinematic 10-second tracking shot at golden hour. A giant young East Asian woman with long wavy honey-blonde hair tied with black satin ribbons lies on her side on a grassy hill, filling most of the frame. She wears a black-and-white polka-dot halter crop top, a thin black choker with a silver chain, dark lipstick, and a long flowing black robe that drapes over her hips and legs like fabric hills. One arm is bent, hand near her cheek; the other rests on a long smooth wooden staff lying in the grass. Soft sunset light, peach-and-lavender clouds, distant city skyline on the horizon.\n\nA tiny man (normal human scale relative to her) skateboards along her body. He has short dark hair, a dark gray t-shirt, beige trousers, black sneakers, and a small olive-green crossbody bag. He starts on her pale, sunlit thigh and rides up the curve of her hip and the black fabric of her robe toward her midriff and chest.\n\nCamera is extremely low and close, starting at her legs and tracking forward and slightly upward with the skateboarder. Strong motion blur on the nearest skin and fabric in the foreground. Shallow depth of field, warm rim light on her face and hair, slight wind in her hair and the robe. Photorealistic, high-end commercial look, 9:16 vertical, smooth continuous camera move, no cuts.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2103420922376163808"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-dv-16mm-tape-camcorder-handheld-feel-dbd56441c7b6",
|
||
"title": "偶像腿日训练后的踉跄健身日记",
|
||
"description": "复古伪纪录",
|
||
"image": "/inspiration-thumbs/seedance/seedance-dv-16mm-tape-camcorder-handheld-feel-dbd56441c7b6.webp",
|
||
"mode": "video",
|
||
"prompt": "**CAMERA:**\nDV 16mm tape camcorder handheld feel. POV of CHASE holding the camera herself, occasionally propping it on a rack or bench. Hand shake, misaligned framing, delayed focus pulls, clumsy zooms, occasional face cut-off framing, imperfect shots. Camcorder never appears on screen.\n\n**LOOK:**\nSoft, slightly blurry tape quality, faint tape noise, bloomed highlights under gym lighting, flickering auto-exposure, muted contrast, realistic skin tones.\n\n**STYLE:**\nPlayful, self-deprecating gym-vlog tone — exaggerated complaining, genuine laughs, exhausted-but-amused energy. Quick handheld cuts, slightly wobbly camera movement matching her shaky legs.\n\n**Character**\n\nCHASE — Korean idol in her 20s. Long black hair in a high ponytail, glowing skin with a heavy post-workout sheen, big expressive eyes. Slim athletic build. Modest long-sleeve athletic top, loose joggers/leggings (arms and torso fully covered), sneakers, towel around neck, no jewelry.\n\n**Setting**\n\nA gym in the evening — squat rack, leg press machine, a water fountain across the room, mirror wall, soft overhead lighting.\n\n**Storyboard**\n\n1. *(~2s, propped camera at squat rack, medium shot)* She stands, hands on hips, catching her breath, dramatic exhale. CHASE: \"Okay... leg day is not it today.\"\n\n2. *(~2s, handheld, close on her face)* She winces, shaking out one leg, laughing at herself. CHASE: \"Why did I do that many reps—\"\n\n3. *(~2s, medium propped shot, leg press machine)* She sits down, pushes through a rep, face straining, then flops back with a groan. CHASE: \"Okay that's it, I'm done, I'm so done.\"\n\n4. *(~1.5s, macro insert, shallow DOF)* Close-up on her hand gripping the machine handle, knuckles slightly tense. No dialogue — ambient gym sound only.\n\n5. *(~2s, handheld, walking, camera wobbling)* She stands up and immediately wobbles, grabbing the rack for balance, bursting into laughter. CHASE: \"Wait— okay my legs are literally shaking—\"\n\n6. *(~2s, handheld, unsteady walk)* She takes exaggerated, wobbly steps toward the water fountain, camera bouncing with her uneven gait. CHASE (laughing): \"This is so embarrassing, someone help me—\"\n\n7. *(~1.5s, close handheld, at the fountain)* She leans down for a sip of water, sighs in relief, wipes her mouth with the back of her hand. CHASE: \"Okay... water is life right now.\"\n\n8. *(~2s, arm's-length selfie finish)* She leans against the wall, still catching her breath, grinning tiredly at the lens. CHASE: \"Never doing legs again — see you guys, I'm going to go lie down somewhere.\"",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@QAiStudio",
|
||
"sourceUrl": "https://x.com/QAiStudio/status/2102992059938587000"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-watch-venice-become-a-sphere-a2018a3e4d6b",
|
||
"title": "折叠成球的威尼斯送信之旅",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/cases/e5c7676644ab.jpg",
|
||
"mode": "video",
|
||
"prompt": "Watch Venice become a sphere\n\nSeedance 2.5 on @FishCreativeHQ \n\nPrompt\n\n[Image 1](image_1) is the face and identity reference. A young Korean woman in her early twenties with EXACTLY the face of @[Image 1](image_1) — same facial structure, same features, natural Korean skin, no glasses. Long pastel pink hair, wearing a 1940s teal-orange wool coat-dress with white collar, a brown leather satchel worn cross-body, grey knee socks, black leather shoes, holding a folded yellow envelope. Every shot of her matches @[Image 1](image_1).\n1940s Venice at golden hour. Amber and teal cinematic grade, anamorphic 35mm film look, shallow depth of field, volumetric god rays, fine film grain. Inception-style folding architecture — the Venetian city curls upward and hangs inverted overhead like a mirrored ceiling. The woman always stays under normal gravity while the world folds around her. Continuous camera motion, no hard cuts.\n[TIMELINE PROMPT]\n0–3s: Lateral tracking shot along a stone quay by the Grand Canal at sunset. The young woman @[Image 1](image_1) in a teal coat sprints past camera, clutching a yellow envelope. Above her the entire city hangs upside down, mirrored — a man in a bowler hat walks a dachshund across the inverted street. A red umbrella drifts weightlessly between the two worlds. Pigeons scatter through the amber light.\n3–6s: Camera follows behind her into a narrow Venetian alley, dry leaves swirling in her wake. At the far end the street peels upward into the sky, buildings stacking vertically like a wall of windows. Her footsteps echo between the stone walls.\n6–9s: The camera slowly rolls 90 degrees. The alley wall becomes the ground beneath her feet; she keeps running, unfazed. The roll continues into a wide orbit as she races up a floating spiral stone staircase suspended in mid-air, fragments of terracotta Venetian rooftops rotating around her like a kaleidoscope.\n9–12s: Extreme wide silhouette. She runs across the top of an arched stone bridge over a wide canal against the blazing setting sun. The mirrored city hangs both above and below the arch. On the inverted plane, a lone pedestrian walks the opposite direction. Birds burst across the frame in slow motion.\n12–15s: Low angle looking straight up between two towering building walls, the sky a thin bright strip. She leaps across the vertical chasm, arms spread wide, coat and hair flying, satchel swinging. Camera holds on her against the sky. Wind roars.\n15–18s: Handheld push-in through a crowded 1940s Rialto market street — vendors stacking crates of apples, laundry strung overhead between the buildings. She weaves between blurred foreground shoppers, running away from camera. An apple rolls loose across the cobblestones.\n18–21s: Camera tilts up a grand brick bell tower — a Venetian campanile — as the surrounding city folds and curls around it. The woman appears tiny on the tower ledge, pauses against the sun, then steps off toward the rooftops. Bells begin to ring.\n21–24s: Rooftop terrace garden framed by a rose-covered arbor. An elderly woman in a grey cardigan waters a bed of vivid flowers with a tin can. Behind her, Venice and the domes of St Mark's Basilica glow at sunset over the lagoon while the inverted city hangs overhead. The young woman balances along the stone balustrade, arms out, then jumps down onto the terrace.\n24–27s: She holds out the yellow envelope. The old woman turns, sets down the watering can, and takes it. Both smile warmly at each other. Rose petals drift upward past them, falling toward the inverted sky.\n27–30s: Camera pulls back and rises fast. The whole city folds and rotates until it becomes a top-down aerial of Venice's canals and streets curling into a sphere. The two tiny figures remain on the terrace. Slow fade to warm light.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2100541954685895043"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-an-ultra-realistic-cinematic-fashion-music-video-using-the-uploaded-refe-60dc2791a093",
|
||
"title": "人群同时转身凝视黑衣女子",
|
||
"description": "时间冻结与倒放",
|
||
"image": "https://media.goodcase.ai/cases/15e425fa8f93.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an ultra-realistic cinematic fashion/music video using the uploaded reference image as the exact visual reference for the woman, crowd, wardrobe, composition, lighting, and atmosphere.\n\nA young woman with a short sleek dark bob, realistic facial features, natural skin texture, and subtle makeup wears a fitted black turtleneck, black trousers, black shoes, and minimal jewelry. Keep her face, hairstyle, outfit, and proportions perfectly consistent.\n\nShe walks slowly and confidently toward a large, tightly packed crowd, maintaining a calm and emotionless expression while the camera smoothly tracks backward and keeps her centered.\n\nShe reaches the exact center of the crowd and stops completely, standing perfectly still with her arms naturally at her sides and looking directly into the camera.\n\nThe crowd remains completely frozen for a brief moment.\n\nThen, without the woman moving, the people behind her slowly begin turning toward her. The head turns start subtly and spread through the entire crowd until everyone is facing and looking directly at her.\n\nThe woman remains completely motionless and expressionless, never reacting to the crowd.\n\nThe camera slowly pushes closer while the crowd stays turned toward her, creating an unsettling synchronized effect. Their final movement is one sharp, simultaneous turn toward her while she continues staring into the lens.\n\nDark, mysterious, photorealistic live-action aesthetic, soft cinematic lighting, deep shadows, realistic skin, hair and clothing physics, shallow depth of field, natural human movement.\n\nNo animation, anime, cartoon, CGI look, duplicate woman, distorted faces, morphing, random crowd movement, text, subtitles, logos, watermark, excessive camera movement, artificial fog, glow, or exaggerated effects.",
|
||
"category": "time-freeze-rewind",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2100067816162636164"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-leaving-work-at-five-shouldn-t-require-stealth-mode-but-her-boss-made-it-a-mis-8495c8c9337e",
|
||
"title": "五点下班的办公室潜行",
|
||
"description": "游戏 UI 直播",
|
||
"image": "https://media.goodcase.ai/cases/199c37ba7f84.jpg",
|
||
"mode": "video",
|
||
"prompt": "Leaving work at five shouldn’t require stealth mode, but her boss made it a mission.\n\nSeedance 2.5 0n @SJinn_Agent \n\nPrompt\n\nSCENE CONTEXT\n\nA 30-second realistic AAA third-person stealth-action game sequence set in a Japanese corporate office at exactly 5:00 PM on a bright weekday afternoon. The player character, NAGI, has finished her work and must reach the elevator without being stopped by her boss and given another assignment.\n\nACTIVE REFERENCES\n\n[@Image1] = NAGI’s facial identity, if a character reference is supplied. Use only her facial appearance as the identity reference; replace any school clothing and background with the adult office character and environment specified below.\n\nNAGI: Japanese woman, 25, long straight black hair with blunt bangs, white short-sleeve office blouse, charcoal tailored trousers, black leather belt, white minimalist sneakers, employee ID clipped to her waistband, small black work tote held close to her body.\n\nVoice: light, breathy adult female voice, speaking Japanese in a hushed whisper. Keep her face, hairstyle, outfit, proportions, and accessories identical throughout.\n\nCAST SEPARATION\n\nFour distinct adult office characters appear, each with a different silhouette, age, and hairstyle so they read as separate people:\n\nTEAM LEADER: man in his 40s, 170 cm, average build, full head of short black hair parted at the side, thin metal-framed glasses, white dress shirt with a loosened navy tie. Appears only beside the first desk cluster, checking his watch.\nPAPERWORK COWORKER: woman in her 20s, 160 cm, slim, brown hair in a high ponytail, beige cardigan over a white blouse, carrying a thick stack of printouts. Appears only in the printer aisle.\nBOSS: man in his 60s, 160 cm, stout and round-shouldered, completely bald with a shiny scalp and a fringe of white hair above the ears, round gold-rimmed glasses, charcoal three-piece suit with a company lapel badge, carrying a blue assignment folder. Appears at the corridor T-junction and remains in that connected corridor during the whiteboard sequence.\nOFFICE ASSISTANT: man in his early 30s, 182 cm, lean and broad-shouldered, thick full black hair swept back, short beard, navy shirt with rolled sleeves, dark trousers, no glasses. Pushes the mobile whiteboard from the meeting-room alcove toward the elevator lobby.\n\nThe BOSS is the only bald character in the entire video. The OFFICE ASSISTANT keeps a full head of thick black hair and a beard, stands more than 20 cm taller than the BOSS, and is clearly a different, much younger man.\n\nLOCATION MAP\n\nOne unbroken spatial route the camera travels with her:\n\nHer workstation → low desk partition → printer aisle → corridor T-junction → meeting-room alcove with mobile whiteboard → elevator lobby → elevator interior.\n\nKeep the route compact and physically traversable within the 27-second continuous section.\n\nForeground: polished linoleum floor, office desks, steel filing cabinets, rolling chairs, and reflective glass meeting-room partitions.\n\nBackground: window wall on camera-right overlooking neighboring office buildings, dust suspended in the sunbeams. Light enters from camera-right along the office route.\n\nELEVATOR GEOMETRY\n\nThe elevator entrance is at the end of the office corridor. The call button is on the wall beside the entrance. The elevator is empty when NAGI enters.\n\nInside the elevator: brushed-metal rear wall, side handrails, softly illuminated ceiling, control panel beside the doorway. No rear exit and no mirror creating a second NAGI.\n\nNAGI enters facing the rear wall, then turns to face the open elevator doors.\n\nFor the final reverse shot, the camera is positioned INSIDE the elevator, immediately beside the doorway, looking inward at NAGI. The brushed-metal rear wall is behind her. The elevator doors close behind the camera, allowing her face to remain visible throughout the final shot.\n\nFIRST FRAME / BLOCKING\n\nFirst frame is already in motion: NAGI darts in from lower-left toward camera-right, work tote clutched to her chest, and drops into a crouch-slide behind a low desk partition beside her workstation.\n\nCamera behind her right shoulder. Game HUD fully visible from frame one.\n\nA small desk clock reads 17:00.\n\nFORMAT MODE\n\nOne continuous unbroken take from 0.0s to 27.0s with no cuts of any kind, then a single HARD CUT at 27.0s to one final locked reverse shot that runs to 30.0s.\n\nExactly one cut exists in the whole video, at 27.0s. The camera does not cut anywhere else.\n\nOPTICS\n\nOne lens for the continuous section: 47° third-person over-the-shoulder framing as the baseline, breathing in to 29° on reaction beats and out to 63° for the boss encounter and moving-whiteboard concealment.\n\nAll FOV changes in that section happen as smooth continuous zoom breathing, never as a jump.\n\nThe final shot after the cut is a fixed 29° frontal framing of NAGI, no drift.\n\nCAMERA\n\nFor the continuous section, the camera is a physical object flying with her.\n\nChest-height, 1.5 meters behind NAGI, slightly camera-right of her spine, swinging with a soft spring delay half a beat behind her turns like an analog-stick gameplay camera.\n\nIt dips to knee height when she crouches, rises when she stands, slides sideways along the filing cabinets with her, swings wide to corridor-left to reveal the boss encounter, drifts behind her for the moving whiteboard, and follows her through the open elevator doorway.\n\nThe camera travels through open space around desks and partitions. It never clips through furniture, walls, the whiteboard, or elevator doors.\n\nAfter the cut, the camera is repositioned inside the elevator beside the doorway, looking inward at NAGI — locked off, eye level, completely static, no movement.\n\nACTION\n\n[Beat 1 — 0.0s to 6.0s]\n\nNAGI crouch-slides behind the low desk partition, back flat against it, chest heaving. She leans out 20 cm to peek at the TEAM LEADER checking his watch beside the adjacent desk cluster, then pulls back.\n\nShe whispers in Japanese:\n\n{定時だ…捕まったら終わり。}\n\nHUD flashes 【5:00 PM — SHIFT OVER】 and the mission banner 【OBJECTIVE: REACH THE ELEVATOR UNDETECTED】.\n\nThe TEAM LEADER turns toward a ringing desk phone. NAGI slips behind his back, staying below the desk-partition line, and moves into the printer aisle.\n\nThe camera follows without stopping.\n\n[Beat 2 — 6.0s to 12.0s]\n\nThe camera stays with her beside the steel filing cabinets.\n\nNAGI presses her spine flat against the cabinets and shuffles sideways at 2 km/h, sneakers rolling heel-to-toe in silence. The camera tracks sideways with her at the same speed.\n\nThe PAPERWORK COWORKER walks past the end of the row carrying a thick stack of printouts, scanning the office for someone available to help.\n\nNAGI holds her breath, pupils tracking the coworker without moving her head, and whispers:\n\n{来ないで…こっち見ないで。}\n\nThe minimap vision cone sweeps past NAGI’s marker and turns away.\n\nHUD shows 【SNEAKING MODE】.\n\nThe PAPERWORK COWORKER exits frame-left. NAGI exhales, crouches beneath the edge of the last desk, and slips into the corridor with the camera still on her shoulder.\n\n[Beat 3 — 12.0s to 18.0s]\n\nThe BOSS steps around the T-junction two meters in front of her, blue assignment folder in hand.\n\nHe catches a brief glimpse of movement. A red exclamation marker snaps above his bald head with a sharp alert sting. The HUD edge pulses red: 【ALERT】.\n\nHe starts saying in Japanese:\n\n{なぎさん、追加の仕事が…}\n\nThe camera swings wide to corridor-left as NAGI reacts in one motion: hugs her tote tightly against her ribs, drops below his eye line, pivots around the corner of a tall filing cabinet, and slips into the adjacent meeting-room alcove.\n\nThe cabinet fully blocks his view before he can finish approaching her.\n\nShe whispers:\n\n{今だけは無理…!}\n\nHUD prints 【EVASIVE MANEUVER】 and 【BREAK LINE OF SIGHT】.\n\nThe BOSS takes a step toward the place where he last saw her, looking around the cabinet. NAGI has already moved to the far side of a mobile whiteboard in the alcove.\n\nThe camera falls in behind her again.\n\n[Beat 4 — 18.0s to 24.0s]\n\nThe OFFICE ASSISTANT starts pushing the mobile whiteboard out of the meeting-room alcove toward the elevator lobby.\n\nThe whiteboard is a tall, opaque rectangular board on a metal frame with four caster wheels. Its panel extends low enough to conceal NAGI’s crouched torso and head; only her white sneakers occasionally show below the frame.\n\nNAGI crouches on the side opposite the BOSS and shuffles with the board, matching its rolling speed exactly. She keeps her tote tucked close so it never protrudes beyond the board’s edge.\n\nThe camera tracks low on her concealed side, showing her careful steps and the BOSS intermittently visible beyond the board’s far edge.\n\nThe BOSS pauses, looks toward the moving whiteboard for a full beat, then turns back toward the office with his assignment folder.\n\nFrom behind the board, NAGI whispers:\n\n{ホワイトボード…最強。}\n\nHUD prints 【MOBILE COVER EQUIPPED】, then 【ENEMY LOST CONTACT】.\n\nThe alert bar drains to green.\n\nThe OFFICE ASSISTANT steers the board into a wall recess beside the elevator lobby. NAGI slips away from its concealed side as it stops.\n\n[Beat 5 — 24.0s to 27.0s]\n\nNAGI reaches the elevator call button and taps it once.\n\nA soft arrival chime sounds. The elevator is already waiting on this floor; its doors slide fully open.\n\nShe slips through the clear doorway. The camera follows her inside, staying behind her shoulder.\n\nShe turns to face the entrance and presses the door-close button once. Her shoulders remain tense, tote held tightly in both hands.\n\nThe doors remain open until the cut.\n\n27.0s HARD CUT\n\n[Beat 6 — 27.0s to 30.0s]\n\nLocked static reverse shot from inside the elevator beside the doorway, looking inward:\n\nNAGI stands facing camera, shoulders squared, work tote held in front of her, chest still rising fast. Behind her are the brushed-metal rear wall and a horizontal handrail.\n\nOff camera behind the lens, from the distant office corridor, the BOSS calls in Japanese:\n\n{なぎさん、ちょっといい?}\n\nThe elevator doors slide closed behind the camera. Their narrowing opening is registered by the shrinking patch of corridor light across NAGI’s face and the sliding-door sound.\n\nNAGI answers brightly, looking straight down the lens:\n\n{お先に失礼します!}\n\nThe doors finish closing. Her shoulders drop with relief.\n\nHUD prints 【MISSION COMPLETE】, 【STEALTH RANK: S】, 【ADRENALINE +150】, and the final notification:\n\n【AFTER-HOURS TASK EVADED】\n\nFinal frame: NAGI facing camera, a tiny triumphant smile pulling at one corner of her mouth.\n\nPERFORMANCE\n\nPhotographic human realism indistinguishable from live-action footage: skin with visible pores, fine vellus hair catching the light, subsurface scattering in the earlobes and fingertips, capillary flush across her cheeks and ears from running, individual flyaway strands lifting off her hair, wet living eyes with true window catchlights and a faint red inner rim, clean matte skin.\n\nVisible fast breathing at the collarbone, eyes darting a half-second before her head turns.\n\nTension shown by muscle: shoulders drawn up to her ears, fingers clamped white on the tote handles, jaw set, then a full-body shoulder drop on each escape.\n\nAll adults have equally real skin, real hair follicles, and natural asymmetric faces.\n\nPHYSICS\n\nHer blouse and tailored trousers crease naturally during crouches and turns. Hair lags and sweeps across her face on fast direction changes.\n\nThe work tote has real weight: its handles pull taut in her hands, and its body swings with inertia before settling against her torso.\n\nThe mobile whiteboard has real mass. Its caster wheels rotate against the floor, swivel when steered, and rattle lightly over a flooring seam. The board wobbles subtly when the OFFICE ASSISTANT starts and stops it.\n\nNAGI moves with her own visible footsteps; the board does not drag or transport her.\n\nThe coworker’s printouts flex slightly while walking. The BOSS’s folder stays in his hand.\n\nElevator doors slide smoothly on fixed tracks and close only after NAGI and the camera are fully inside.\n\nContact shadows stay glued under every foot, every knee, every furniture leg, and every caster wheel.\n\nLIGHTING\n\nOne continuous light logic across the office route: bright late-afternoon sun at 5600K entering from the window wall on camera-right, throwing long window-frame stripes across the floor.\n\nNAGI passes through light and shadow as she travels. Soft bounce fill off the pale linoleum lifts her face. Fine dust hangs suspended in the sunbeams.\n\nThe elevator lobby receives the same window light. Inside the elevator, neutral overhead illumination provides continuous soft fill.\n\nIn the final reverse shot, the same corridor daylight enters from camera-left through the open doorway, raking across her cheek. As the doors close behind the lens, this daylight narrows and disappears naturally, leaving the elevator’s established overhead light.\n\nExposure rolls smoothly as she moves between bright and shadowed stretches, and the color temperature matches exactly across the cut.\n\nHUD\n\nGTA-style real-time game HUD locked to fixed screen positions for the whole 30 seconds, with every on-screen word written in English:\n\nCircular minimap bottom-left with the player arrow and yellow vision cones for the office characters; health and stamina bars top-left; alert-state bar shifting green to amber to red; controller button prompts bottom-right; English mission objective text top-center; floating red exclamation markers over alerted characters; notification cards sliding in from screen-right.\n\nThe HUD stays in the same screen positions across the cut.\n\nNo subtitles or caption bars anywhere on screen.\n\nThe HUD is a clean flat graphic overlay composited on top of fully photographic live-action-grade footage.\n\nAUDIO\n\nTense minimalist stealth synth loop with a pulsing heartbeat underneath, running unbroken across the cut and resolving to a short bright victory fanfare at the end.\n\nAmbience carries continuously through the cut. Office sounds become naturally muffled as the elevator doors close.\nAll dialogue is spoken in Japanese.\nSTYLE\nPhotoreal live-action realism, real human beings and real fabric, natural skin tones with true-to-life color science, physically correct materials, realistic human proportions and anatomy, real optical depth of field, real floor reflections, subtle handheld gameplay motion blur, fine film grain at 5%, sharp detail intent.\nOUTPUT SETTINGS\n16:9, real-time speed throughout, one continuous 27-second take plus one 3-second locked shot after a single hard cut.\nPOSITIVE LOCKS\nExactly one cut in the entire video, at 27.0s — everything before it is a single unbroken take with the camera connected to NAGI.\nNAGI is consistently an adult office employee, 25, with the same face, long black hair with blunt bangs, white office blouse, charcoal tailored trousers, black belt, white sneakers, clipped employee ID, and black work tote throughout, with dry clean skin.\nThe work tote stays with her throughout.\nThe mobile whiteboard appears only from the meeting-room alcove onward and is physically pushed by the OFFICE ASSISTANT. It remains between NAGI and the BOSS during the concealment beat.\n\nThe bald BOSS in the charcoal suit and the tall bearded OFFICE ASSISTANT with thick black hair are unmistakably different men.\n\nThe office route remains spatially continuous. Characters do not teleport between locations.\n\nNAGI enters the elevator before turning toward its doors.\n\nIn the final shot, the camera is inside the elevator beside the doorway, with NAGI facing the lens and the brushed-metal rear wall behind her. The doors close behind the camera; they never pass between the lens and her face.\n\nAll on-screen text is English. The last 3 seconds hold a locked frontal eye-level shot of NAGI facing camera.\n\nHUD elements stay in the same screen corners throughout.\n\nOne single NAGI on screen at all times.\n\nAll spoken lines are in Japanese.\n\nSunlight direction stays consistent across the office route, with a physically motivated transition to elevator lighting as the doors close.\n\nFinal notification: 【AFTER-HOURS TASK EVADED】.",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2099440985872933199"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-use-the-visual-style-of-reference-image-to-generate-gray-model-video-fed9142bed66",
|
||
"title": "暖光穹顶壁画室内漫游",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/d851a1be0a8f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the visual style of @ reference image to generate @ gray-model video. Strictly preserve the gray-model video’s architecture, furniture positions, object count, framing, perspective, and camera movement. Only apply the realistic materials, dome murals, and warm interior lighting from the reference image. Keep every object stationary. Do not add people, furniture, doors, windows, or exhibits. Do not change the architecture or camera path. Avoid cuts, shaking, warping, flickering, or layout changes. Review every generated shot and regenerate only shots with clear problems. Combine the approved shots into one 15-second video and export the first frame of each shot. Deliver the editable Blender project, gray-model videos, three generated shots, final video, prompts, and first-frame screenshots.\n\nThe level of detail and camera movement here is wild. 👀",
|
||
"sourceId": "seedance",
|
||
"credit": "@nijokestu",
|
||
"sourceUrl": "https://x.com/nijokestu/status/2098459803777413432"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-30-second-cinematic-adventure-featuring-one-athletic-miniature-woman-a-f6c3d40e8edd",
|
||
"title": "微缩女子的便利店跑酷冒险",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/3b9300fbc51d.jpg",
|
||
"mode": "video",
|
||
"prompt": "STYLE: Photorealistic live-action miniature-person FX, cinematic macro photography, ultra-shallow depth of field, realistic convenience store, dynamic handheld camera, dramatic practical lighting, realistic physics, detailed textures, premium viral commercial aesthetic, 4K.\n\nCreate a 30-second cinematic adventure featuring one athletic miniature woman at approximately 1 : 5 scale. Maintain her exact face, hairstyle, outfit, body proportions, backpack, and scale throughout.\n\nShe races across towering snack shelves, jumping over oversized packages and gaps. A giant candy box falls, creating an avalanche of rolling candies that she uses as stepping stones before landing on a massive chocolate bar. She climbs a huge drink bottle, runs up its curved surface, jumps over the cap, and lands on a hanging promotional display. She then rides a moving shopping cart through checkout, dodging the scanner and jumping onto the conveyor belt. At the refrigerated section, she runs across frozen-food packages, slides beneath a closing freezer door, and swings onto the display using the handle. Finally, she climbs onto a giant store sign and looks across the enormous store filled with products and shoppers as the camera pulls back to reveal just how tiny she is.\n\nUse dynamic macro tracking, dramatic low angles, smooth aerial-style movements, strong foreground parallax, realistic reflections, shadows, depth of field, product packaging, natural human movement, believable physics, seamless transitions, and cinematic lighting.\n\nEnd with the cinematic title: “SMALL SCALE. BIG ADVENTURE.” followed by “EVERY AISLE IS A NEW WORLD.”\n\nSFX: Footsteps, packaging crinkles, candy rattles, plastic flexing, cart wheels, scanner beeps, conveyor hum, freezer sounds, rushing air, and cinematic impact.\n\nNEGATIVE: No cartoon, anime, toy-like appearance, animation, duplicated character, face or outfit changes, distorted anatomy, floating, scale changes, narration, or subtitles.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2106397932304191969"
|
||
},
|
||
{
|
||
"id": "seedance:2d-38a41133eab1",
|
||
"title": "手绘 2D 日本料理动画",
|
||
"description": "此高精细度提示词旨在创作一段 15 秒的动画风格烹饪短片,专注于制作可可巧克力面包的过…",
|
||
"image": "/inspiration-thumbs/seedance/2d-38a41133eab1.webp",
|
||
"mode": "video",
|
||
"prompt": "15초, 16:9, text-to-video only. 정확히 6개 장면, 장면당 2.5초. 모든 장면 전환은 효과 없는 clean hard cut. 참조 이미지·시작 프레임·스토리보드 입력 0장. 생성 자연음 포함.\n\n【화풍】\n오리지널 일본식 손그림 2D 요리 애니메이션. 완전히 손으로 그린 모습. 부드럽고 또렷한 연필 윤곽에 미세한 선 굵기 변화와 손그림 흔들림을 남긴다. 음식에는 가늘고 따뜻한 선, 손과 도구에는 한 단계 굵은 선. 따뜻한 중간색의 깨끗한 2–3단 풀컬러 셀 채색, 검게 뭉개지는 그림자 없음. 붓 결이 보이는 생활 주방, 얕은 대기 원근, 절제된 아날로그 필름 그레인과 셀 가장자리의 약한 색 번짐. 가나슈와 젖은 반죽에만 강한 스펙큘러 하이라이트. 기존 스튜디오·작가·영화·캐릭터의 고유한 모습을 모방하지 않는다.\n\n【주제와 규칙】\n주제: 코코아 초코 식빵. 다크 초콜릿과 생크림으로 차가운 가나슈 시트를 만들고, 코코아 반죽을 치대고 1차 발효까지 진행한다.\n화면에는 숙련된 성인 여성 한 명의 팔꿈치 아래와 두 손만 보인다. 아이보리 린넨 소매, 따뜻한 피치베이지 피부, 짧고 칠하지 않은 손톱, 각 손 다섯 손가락, 액세서리 없음. 얼굴·머리·몸통·전신·두 번째 사람 없음. 음식과 조리 과정만 주제다. 각 장면의 주 행동은 정확히 하나이고, 재료 상태는 앞으로만 진행한다. 완성 식빵·구운 빵·성형 로그·내부 초콜릿은 절대 보여주지 않는다.\n\n【장면 구성】\n장면1 — 0.00–2.50\n카메라: 마모된 오크 도마를 거의 수직으로 보는 높은 부감 클로즈업, 아주 느린 접근. 시작: 포장 없는 다크 커버춰 한 블록과 페일 오크 손잡이 칼 한 자루. 동작: 왼손이 고정하고 오른손이 네 번 따로 자르며 매번 칼날을 완전히 들어 올린다. 변화: 작고 고른 조각 한 무더기. 질감: 건조하고 날카로운 절단면과 작은 부스러기, 녹거나 번들거리지 않음. 연결: 같은 조각 전부가 장면2에 들어간다.\n\n장면2 — 2.50–5.00 ★ 질감의 견장면\n카메라: 볼 림 바로 위의 낮은 측면 매크로, 오른쪽으로 아주 느리게 이동. 시작: 장면1의 조각이 뜨거운 생크림 속에서 가장자리부터 녹는다. 동작: 짙은 갈색 실리콘 주걱이 중앙에서 바깥으로 세 번 원을 넓혀 젓는다. 변화: 조각이 사라지고 검고 균일한 가나슈가 되며 마지막 자국이 천천히 닫힌다. 질감: 물처럼 출렁이지 않는 무거운 점도와 좁고 밝은 하이라이트. 연결: 같은 가나슈에 버터와 박력분을 섞어 3mm로 펴고 냉장한다.\n\n장면3 — 5.00–7.50\n카메라: 작업대를 내려다보는 고정된 높은 45도 미디엄. 시작: 자연색 유산지 위 22×8cm, 두께 3mm의 냉장 가나슈 시트 한 장. 동작: 두 손이 유산지 양끝을 잡아 한 번 들어 올린다. 변화: 시트가 완만하게 휘지만 처지거나 깨지지 않는다. 질감: 차갑고 유연한 고형물, 좁고 단단한 광택. 연결: 같은 시트 한 장을 차갑게 보류한다.\n\n장면4 — 7.50–10.00\n카메라: 스테인리스 볼 입구에 가까운 고정 부감 클로즈업. 시작: 균일한 갈색 마른 가루와 중앙의 차가운 유제품 혼합액. 동작: 주걱이 바닥에서 위로 네 번 접는다. 변화: 날가루가 거의 없는 거칠고 찢어진 셔기 코코아 반죽 한 덩이. 질감: 어두운 젖은 부분, 울퉁불퉁한 표면, 가장자리의 작은 마른 가루. 연결: 같은 반죽과 버터 한 블록이 장면5로 간다.\n\n장면5 — 10.00–12.50 ★ 질감의 견장면\n카메라: 작업대 높이의 고정 낮은 측면 미디엄. 시작: 셔기 반죽 중앙에 버터 한 블록. 동작: 두 손이 앞으로 밀고 안쪽으로 접는 동작을 세 번 한다. 변화: 버터 자국과 균열이 사라지고 매끈하고 탄력 있는 짙은 코코아 반죽이 되며 얇은 가장자리 하나가 찢어지지 않고 빛을 통과시킨다. 질감: 젖은 광택이 아닌 탄성광과 글루텐 저항. 연결: 같은 반죽을 같은 볼에서 약 2배까지 발효한다.\n\n장면6 — 12.50–15.00\n카메라: 볼 중앙을 향한 높은 45도 매크로, 자국을 향해 아주 느린 접근. 시작: 같은 반죽이 약 2배로 부푼 매끈한 돔. 동작: 검지 하나가 중앙을 누르고 완전히 빠진다. 변화: 가장자리만 천천히 일부 돌아오고 중앙 자국은 얕게 남는다. 질감: 미세한 발효 기포와 부드러운 탄력, 구운 껍질 없음. 연결: 이 발효 완료 상태에서 끝낸다.\n\n【카메라】\n장면마다 거리·각도·높이 중 최소 두 가지를 바꾼다. 한 장면 안에서는 고정하거나 지정된 극히 느린 이동만 한다. 휩팬·손떨림·회전·급줌 없음. 무엇이 무엇에 닿는지 항상 읽혀야 한다. 가장 가까운 매크로는 장면2와 장면6에만 쓴다.\n\n【질감과 움직임】\n초콜릿 조각→무거운 유화액→차갑고 유연한 시트, 마른 가루→셔기 반죽→매끈한 글루텐→부푼 반죽의 변화가 단계적으로 보인다. 손에는 무게와 동작 뒤 여운이 있고 액체·반죽은 점도·탄성·중력을 따른다. 갑작스러운 모핑이나 상태 회귀 없음.\n\n【빛과 무대】\n깨끗한 따뜻한 아침의 생활 주방 한 곳. 흰 쿼츠 작업대와 마모 오크 도마. 프레임 좌상단 창의 부드러운 골드 키, 반대쪽의 약한 쿨 필, 모든 손·도구·재료 아래 같은 방향의 접지 그림자. 현재 장면에 이름이 있는 물체만 보인다.\n\n【물리적 연속성】\n같은 커버춰 전량, 같은 가나슈 한 배치와 시트 한 장, 같은 코코아 반죽 한 덩이, 같은 손·소매·볼·주방·광원을 유지한다. 도구와 재료의 개수·크기·재질이 변하지 않는다. 실제 조리 순서와 중력을 지킨다.\n\n【소리】\n낮은 생활 주방 룸톤과 화면 속 접촉음만: 마른 칼질, 젖은 주걱 마찰, 유산지 바스락임, 볼 울림, 반죽 점착음, 작은 손가락 점착음. BGM·대사·내레이션·사람이나 동물 음성 없음.\n\n【네거티브】\n화면 글자, 제목, 캡션, 자막, 숫자, 라벨, 로고,",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@riotboy2024",
|
||
"sourceUrl": "https://x.com/riotboy2024/status/2092217560788000816"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-seedance-2-5-on-983204b66ae5",
|
||
"title": "地铁疾驰中的夏夜时尚女孩",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/d6bbdc164e90.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 on @Flovaai \n\nUse my referral link to join Flova https://t.co/l1lPYN3ENF\n\nPrompt\n\nPhotoreal cinematic ~9 seconds, high-end fashion-film look. A young woman with long wavy blonde hair, olive-tan skin, sharp brows, and glossy lips. A pale pink flower is pinned behind her right ear. She wears a light blue spaghetti-strap mini dress with small black polka dots and carries a woven straw shoulder bag. Soft glam makeup, gold jewelry, warm skin highlights. Location: underground subway platform at night. Yellow safety strip on the platform edge, tiled walls, overhead fluorescent lights. A silver metro train streaks behind her in heavy motion blur — windows, doors, and at one moment an Japanese flag graphic on the passing car. Shot sequence, continuous energy: Medium close-up, she looks over her shoulder into camera while the train screams past behind her. Profile: she brings a lip wand or finger to her mouth, applying gloss as hair lifts in the train wind. She turns, hair swinging, eyes on camera, slight smirk. Wider on the platform: she touches her collarbone / strap, dress and bag readable, train still moving in the background. Head tipped back, hair flying, chin up, train with the flag ripping through frame. She looks back and smiles. Fast hair flip — hand rakes through hair, back partly to camera. Tight close-up: she blows a kiss to lens, fingers near lips, flower still in hair. Camera: mixed handheld fashion-cam and locked beauty close-ups. Shallow depth of field on her face, background train smeared into silver-and-light streaks. Practical station lighting plus a warm key on her skin. Color: creamy highlights, rich dark hair, the pink flower and red lips pop against cool subway metal. Motion: hair and dress always moving from train rush / her own turns. No extra people in focus. Mood: confident, flirty, summer-night city girl, music-video energy. Audio direction: upbeat dance-pop / Latin-pop, lyrics in the vein of “she got that vibe… dance all night… eyes on me.” Train rumble low under the track. Style keywords: photoreal fashion film, subway platform, motion-blur train, polka-dot sundress, pink hair flower, straw bag, glossy lips, hair flip, blow kiss, shallow focus, night metro lighting, 4K, no text overlay. Character lock (use with the reference still): Same woman 📷dp.jpg as the daylight field photo: long blonde center-parted waves, pink flower over the right ear, light blue black-polka-dot sundress, woven bag, warm skin, full lips. Keep identity consistent across every shot. #flovacpp",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2103032789910401038"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-dark-fantasy-wuxia-action-scene-low-angle-dynamic-tracking-shot-756b1234acd9",
|
||
"title": "黑衣剑客烈焰横扫暗影兽群",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/6304957c914f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic dark fantasy wuxia action scene, low angle dynamic tracking shot. A male warrior in black martial robes and arm guards stands in a tall grass field under an overcast gray sky. He spins dynamically, slashing a glowing fiery sword that leaves arc trails of bright orange fire and sparks. A massive swarm of black shadow beasts charges across the field. He triggers a powerful ground shockwave that blasts dirt, smoke, and embers into the air. A circular matrix of glowing red target reticles and energy lasers shoots outward into the monster swarm. The warrior then rests his blazing sword on his shoulder and walks forward in slow motion through floating embers, smoke, and dissolving black ash. Photorealistic VFX, motion blur, 8k resolution, hyper-detailed.\n\n#ai #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️\n#visualstorytelling #flovaai\n#aicreater\n#seedance25",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2099006619988459985"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-photorealistic-cinematic-fashion-sports-video-set-on-a-pink-tennis-cou-b27f2c8361f5",
|
||
"title": "女子在夜间粉色球场滑着滑板打网球",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/322498c2ac13.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a photorealistic cinematic fashion-sports video set on a pink tennis court at night. The woman is standing and riding on a skateboard while simultaneously playing tennis. \nShe wears the black-and-white tennis-inspired bodysuit, layered pearl necklaces, white leg warmers, sunglasses, and black high heels shown in the reference. \nShe pushes off and smoothly skates across the tennis court on the skateboard, maintaining believable balance. She holds a tennis racket in one hand and hits tennis balls coming toward her while continuing to roll forward. \nHer movements should feel confident, stylish, athletic, and controlled—not exaggerated or cartoonish. Her long dark-red hair moves naturally with the motion. \nShot sequence: \n0–3 sec: Low-angle close-up of the skateboard rolling across the pink court, wheels moving naturally as tennis balls bounce nearby. \n3–7 sec: Wide side-tracking shot showing her riding the skateboard across the court while returning a tennis ball with a clean forehand. \n7–11 sec: Smooth camera orbit around her as she continues skating and hits another incoming ball, with her hair and jewelry moving naturally. \n11–15 sec: Front-facing tracking shot as she rides toward the camera, performs one final stylish tennis swing, then smoothly passes the camera. \nVisual style: luxury fashion campaign meets futuristic tennis commercial, nighttime stadium lighting, glossy pink court, realistic shadows and reflections, cinematic depth of field, subtle slow motion during racket impacts, smooth stabilized camera movement, realistic human anatomy, realistic skateboard physics, natural facial expression, detailed skin and hair, high-end editorial photography, photorealistic. \nFormat: 15 seconds, 24 fps, high resolution. \nNegative prompt: distorted face, changing identity, extra fingers, extra limbs, duplicated tennis rackets, warped skateboard, floating wheels, impossible body positions, broken anatomy, jittery motion, unnatural hair, flickering clothing, changing outfit, cartoon appearance, CGI-looking skin, blurry face, camera shake.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithNatalia",
|
||
"sourceUrl": "https://x.com/AIwithNatalia/status/2107056982163402833"
|
||
},
|
||
{
|
||
"id": "seedance:youmind-paris-fashion-campaign-streetwear",
|
||
"title": "电影感巴黎时尚广告大片:五镜头街拍",
|
||
"description": "15 秒五个场景的巴黎街拍广告,每个场景固定 3 秒并写死机位和背景地标,用同一只粉色…",
|
||
"image": "https://media.goodcase.ai/media/poster/youmind-paris-fashion-campaign-streetwear.jpg",
|
||
"mode": "video",
|
||
"prompt": "A 15-second hyper-realistic cinematic fashion campaign video. European woman, fair glowing skin, sharp features, wavy blonde hair in sleek high ponytail, small dark rectangular sunglasses, pearl drop earring, oversized light blue black-red graphic streetwear jersey, sage green wide-leg trousers, black pointed-toe heels, babypink smooth leather hobo shoulder bag with gold dome studs hanging naturally on arm throughout all scenes.\n\nScene 1 · 3 sec Full body wide shot. She stands alone on Paris cobblestone street corner, adjusting sunglasses with one hand, babypink bag hanging naturally on arm, warm golden hour light, real people and city\nchaos blurring around her, classic Haussmann buildings background.\n\nScene 2 · 3 sec Full body shot. She strides boldly across Paris zebra crossing on Champs-Elysees, iced coffee cup in one hand, babypink bag with gold studs swinging on other arm, mouth slightly open as if singing,\nbold confident walk, cars and city blurring behind her.\n\nScene 3 · 3 sec Full cinematic wide establishing shot. She is tiny in center of frame walking down grand Paris\nboulevard, Arc de Triomphe massive in background, real crowd of people around her, babypink bag clearly visible as burgundy detail on her arm.\n\nScene 4 · 3 sec Medium shot. She stops on a sunlit Paris cobblestone street, spontaneous small carefree dance move, arms slightly out, babypink bag swinging naturally, street musician blurred in background, joyful open expression, warm golden light on face.\n\nScene 5 · 3 sec Medium close-up. She stands inside Paris Metro carriage holding pole, slowly pushes sunglasses up with one finger, slight smirk, babypink bag with gold dome studs clearly visible on arm, moody\nwarm metro overhead lighting, other passengers naturally blurred in background.\n\nSmooth seamless transitions between all 5 scenes. Overall mood: Candid chaotic Parisian city energy, luxury streetwear editorial, golden hour warmth, shot on Canon EOS R5 35mm f/1.4, Kodak Portra 400 film tone, natural film grain, handheld\ncamera movement, real people in background every scene, hyper-realistic photography feel, no plastic skin, no robotic movement, no stiff poses, no AI artifacts.\n\nAVOID: cartoon, CGI, plastic skin, robotic movement, stiff poses, blurry face, overexposed, watermark, text overlay, logo, AI generated look, jerky motion, empty streets, studio background, fake crowd, extra fingers, deformed",
|
||
"category": "fashion-lookbook",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2083793251132186998"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-this-is-how-it-feels-like-to-wake-up-on-monday-to-go-to-work-b0d56af4f909",
|
||
"title": "周一清晨的倒悬入水仪式",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/d86c8eb13364.jpg",
|
||
"mode": "video",
|
||
"prompt": "This is how it feels like to wake up on Monday to go to work.\n\nSeedance 2.5 on @FishCreativeHQ \n\nPrompt\n\nA cinematic indoor performance-art / fashion editorial video, shot in a single continuous take inside a slightly worn historic room with cracked plaster walls, dark wood floors, a vintage wooden bed with rumpled beige linens, beige curtains over a tall window, and a soft abstract pink painting on the wall.\n\nA large custom-built pale mint-green wooden seesaw / dunk-lever structure (thick beams, metal bolts, industrial-craft aesthetic) spans the room. On the high end, a woman hangs completely upside-down, knees hooked over the beam, wearing a short beige-and-black horizontal-striped dress. She clutches a dripping beige robe or cloth against her body. Long dark curly hair hangs toward a matching mint-green metal barrel filled with water.\n\nAn off-camera operator slowly pumps the opposite end of the lever, tilting the beam so her head and hair repeatedly dunk into the water then lift out, water streaming from her hair and the cloth. Her expression shifts between wide-eyed surprise, a slight smile, and composure as she looks toward camera. Water ripples and drips throughout.\n\nNatural window light, muted filmic color palette, shallow depth of field, slight handheld camera movement that stays locked on the woman and the barrel. Slow, rhythmic, slightly surreal and elegant rather than slapstick. No text, no logos.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2104544058471502330"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-dv-16mm-tape-camcorder-handheld-feel-23c133674a31",
|
||
"title": "韩流偶像的搞笑核心训练日",
|
||
"description": "复古伪纪录",
|
||
"image": "/inspiration-thumbs/seedance/seedance-dv-16mm-tape-camcorder-handheld-feel-23c133674a31.webp",
|
||
"mode": "video",
|
||
"prompt": "**CAMERA:**\nDV 16mm tape camcorder handheld feel. POV of CHASE holding the camera herself, occasionally propping it on the floor or a mat for hands-free core shots. Hand shake, misaligned framing, delayed focus pulls, clumsy zooms, occasional face cut-off framing, imperfect shots. Camcorder never appears on screen.\n\n**LOOK:**\nSoft, slightly blurry tape quality, faint tape noise, bloomed highlights under gym lighting, flickering auto-exposure, muted contrast, realistic skin tones.\n\n**STYLE:**\nPlayful, self-deprecating gym-vlog tone — genuine strain mixed with humor, complaining about core work while still pushing through it. Quick handheld cuts, energy staying light and funny throughout rather than fully exhausted.\n\n**Character**\n\nCHASE — Korean idol, 20s. Long black hair in a high ponytail, glowing skin with a light sweat sheen, big expressive eyes. Slim athletic build. Modest long-sleeve athletic top, loose joggers or fitted leggings (arms and torso fully covered), sneakers off or socks, no jewelry.\n\n**Setting**\n\nA gym mat area in the evening — mirror wall nearby, water bottle on the floor, soft overhead lighting, other equipment visible in the background.\n\n**Storyboard (15s, 6 cuts)**\n\n1. *(~2.5s, propped camera, medium shot)* She lies down on the mat, propping up on her elbows, already sighing dramatically. CHASE: \"Okay, core day — my least favorite day.\"\n\n2. *(~2.5s, propped camera, plank position)* She holds a plank, arms shaking slightly, talking through gritted teeth. CHASE (strained): \"Why does this get harder every single time—\"\n\n3. *(~2.5s, medium propped shot, crunches)* She moves into a set of crunches, breathing hard, complaining between reps. CHASE: \"Nobody warns you how much this actually burns.\"\n\n4. *(~2s, macro insert, shallow DOF)* Close-up on her hands gripping the mat edges during a leg raise, abs visibly working. No dialogue — ambient gym sound only.\n\n5. *(~2.5s, handheld, leg raises)* She finishes a slow leg raise set, flopping back onto the mat immediately after, laughing at herself. CHASE (breathless): \"Okay— that's it, I'm done—\"\n\n6. *(~3s, arm's-length selfie finish)* Still lying on the mat, she lifts the camera above her face, grinning tiredly. CHASE: \"Core day never gets easier — see you guys tomorrow, hopefully.\"",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2103476205760774263"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-27ee46690725",
|
||
"title": "沙发上嬉闹亲吻的兔子情侣",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/270ba8ecea3b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a cute, heartwarming, ultra-realistic 3D animated video featuring two adorable fluffy rabbits sitting together on a cozy beige sofa in a warm modern living room. One rabbit wears a blue shirt and a small golden bunny necklace, while the other is soft pink with a large pink bow and a heart-shaped necklace.\n\nThe pink rabbit applies lipstick while making funny, confident expressions. She then playfully interacts with the other rabbit, who has pink lipstick kiss marks all over its face and ears. They cuddle, laugh, and playfully tumble together on the sofa. At one point, they hide under a soft beige blanket decorated with pink lipstick kiss marks, then pop back out laughing and hugging each other.\n\nWarm golden lighting, cozy home interior, soft cushions, wooden furniture, plants and framed artwork in the background, expressive faces, detailed fluffy fur, cinematic camera movement, shallow depth of field, adorable comedic atmosphere, polished Pixar-style 3D animation, highly detailed, smooth natural motion, 4K quality.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2099683790717325390"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-this-is-what-happens-when-you-interrupt-her-smoke-break-ee04b3355712",
|
||
"title": "烟歇遇袭的庭院女侠",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/4ef9719a2fa7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic 30-second music-video sequence, widescreen 16:9, photorealistic film look with slight anamorphic flare and warm dusty color grade.\n\nA sunlit old East Asian courtyard apartment block: weathered grey concrete and wood buildings, wooden second-floor balconies, laundry hanging on lines across the sky, potted plants, stone-paved ground, wooden benches, corrugated roofs.\n\nCenter: a beautiful young East Asian woman, mid-20s, long wavy auburn-blonde hair with small black ribbon bows, peach makeup, hoop earrings, layered silver necklaces. She wears a black polka-dot halter crop top, tight black mini skirt, and black jeweled thong sandals. She stands casually in the middle of the courtyard smoking a cigarette, one hand on her hip, completely unbothered.\n\nFour to five men in black suits (white shirts, black ties, some in long black coats) charge her from all sides, leaping through the air while swinging wooden-handled hatchets/axes. Dynamic slow-motion jumps, coats flying, motion blur.\n\nShe barely moves at first, exhales smoke, then unleashes precise, elegant martial-arts kicks. Men fly backward and slam onto the stone ground, lying scattered and defeated. Close-up of her jeweled sandals stepping forward. Extreme close-up of her face as an axe blade passes just in front of her lips; she looks bored and pretty.\n\nOne remaining man charges; she high-kicks him so hard he flips backward over the hanging laundry lines into the sky. She turns, poses with hands on hips among the fallen bodies, flicks ash, then adjusts her top straps while looking at camera with cool confidence.\n\nCamera: wide establishing shot, circling tracking shots, low-angle foot close-up, slow-motion mid-air action, handheld energy mixed with locked-off beauty shots. Natural daylight, soft courtyard shadows, cinematic shallow depth of field.\n\nMood: stylish, effortless, slightly surreal, high-fashion action, “she doesn’t even try.” Subtle song lyric energy: “Can you do it?”",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2105196278217150537"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-for-a-moment-everything-stopped-aec7d1f285c4",
|
||
"title": "海滩救援后的俏皮喷水",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/29026eab0155.jpg",
|
||
"mode": "video",
|
||
"prompt": "For a moment, everything stopped. Then She opened her eyes and gave him something to remember. ❤️\n\nSeedance 2.5 \n\nPrompt \n\nPHOTOREALISTIC CINEMATIC VIDEO, 15 sec, 16:9, 35mm lens, shallow depth of field, warm golden-hour light, high-end film look.\n\nCHARACTERS (identical in every frame): Woman, mid-20s, curvy Indian/Latina, wavy shoulder-length brown hair (soaked, on sand), soft makeup, wet olive-green sleeveless bodycon midi dress, gold chain necklace, hoop earrings, watch on left wrist, small floral tattoo on right forearm. Realistic skin, water droplets, sand grains. Boyfriend: early-30s, athletic, wet white t-shirt, dark shorts, short wet hair.\n\nLOCATION: Quiet beach, wet sand, foaming waves behind, side sunlight with rim light on wet hair and skin, light sea breeze.\n\n0-5s: Wide-to-medium shot, slow push-in at sand level. She lies on her back, eyes closed. He drops to his knees, urgently tilts her head and performs rescue-style chest compressions, realistic and non-graphic. Worried, panicked face; water drips from his hair. A wave washes near her feet.\n\n5-10s: Close-up, slight handheld push-in on her hand and face. Her fingers twitch, hand curls, eyelids flutter, chest rises with a breath. He notices, freezes, panic turns to deep relief. Rack focus from her hand to his face.\n\n10-15s: Medium close-up at sand level, both in frame. Still lying down, she opens her eyes, smiles mischievously, and playfully spits a small burst of seawater at his face. Droplets arc slowly, catching sunlight. He recoils, blinks, then laughs in shock. She looks relieved and amused. End on a warm two-shot.\n\nCAMERA: smooth, slight handheld, slow push-ins, no sudden cuts.\nAUDIO: waves, seagulls, wind, her small cough, soft laughter, light emotional score.\nNEGATIVE: no blood, no gore, no distortion, no extra fingers, no face morphing, no outfit or jewelry change, no text, no watermark, no cartoon or plastic skin.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Harry_thingss",
|
||
"sourceUrl": "https://x.com/Harry_thingss/status/2104579594695409840"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-this-ai-is-just-cooking-it-755e0fc25962",
|
||
"title": "花天狂骨枯松心中决战",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/2b89a640f391.jpg",
|
||
"mode": "video",
|
||
"prompt": "This AI is just cooking it 🔥 \n\nSeedance 2.5 on @ImagineArt_X @imagineart_creo\n\nPrompt 👇🏻\n\nSCENE — KATEN KYŌKOTSU: KARAMATSU SHINJŪ\nDURATION: exactly 10 seconds\nFORMAT: 16:9\nSTYLE: ultra-photorealistic live-action cinematic fantasy action, grounded CGI, desaturated palette, high-contrast lighting, realistic anatomy and physics, dark supernatural atmosphere, cinematic Japanese tragedy, practical environmental interaction, no digital-art appearance.\nPACE: extremely fast continuous escalation, zero pause, zero dead frame.\n\nREFERENCES\nIMAGE 1 — PAKSHUN\nPreserve facial identity, hairstyle, costume, proportions, and appearance exactly.\n\nIMAGE 2 — OPPONENT\nPreserve facial identity, hairstyle, costume, proportions, and appearance exactly.\n\nACTION\n\n0.0–2.0 SECONDS — BANKAI\nTight rear three-quarter shot. Opponent charges. Pakshun lowers his sword and says: 「卍解……花天狂骨枯松心中。」\nA violent pressure wave tears across the ground. Dust, leaves, debris, and hundreds of dark petals rise. The environment rapidly desaturates into black, grey, and pale tones. Camera performs a fast 360° orbit as Opponent closes in.\n\n2.0–4.0 SECONDS — SHARED WOUND\nOpponent attacks. Pakshun pivots and cuts across his torso. An identical wound instantly appears on Pakshun. A thin crimson thread connects both wounds as Opponent retreats. The ground cracks beneath it and black water erupts upward.\n\n4.0–6.5 SECONDS — THE DROWNED STAGE\nA massive wave floods the battlefield. Camera dives underwater seamlessly. Both characters struggle violently against the current, with realistic movement of soaked clothing, hair, debris, and petals. Pakshun plants his feet and pulls one hand back. The entire current suddenly freezes in turbulent suspension.\n\n6.5–8.5 SECONDS — WHITE THREADS\nPakshun rises through the suspended water. Countless thin white threads spread behind him into a huge web. Opponent tries to escape, but threads catch his wrist, arms, torso, and legs, tightening and dragging him toward the center. Pakshun advances. Camera rapidly pulls back to reveal the full structure.\n\n8.5–10.0 SECONDS — HAKKA NO TOGAME\nPakshun grips one primary thread and pulls once. Every thread becomes violently taut. Water erupts outward and dark petals explode across the frame. Pakshun makes a minimal sword-draw motion. One sharp white cutting line tears across the composition.\n\nSMASH CUT TO BLACK. One sharp sword-slash sound. END.\n\nVISUAL RULES\n\n- Both characters remain active throughout.\n- No teleportation, transformations, NPC behavior, or static posing.\n- No glowing anime aura or excessive energy beams.\n- All water, debris, fabric, hair, petals, and threads obey believable physics.\n- Grounded CGI integrated into live-action photography.\n- Every action directly causes the next event.\n- Continuous movement, zero pauses, zero dead frames.\n- No unnecessary movement or ending hero pose. #ImagineArt",
|
||
"sourceId": "seedance",
|
||
"credit": "@itxabdullaa",
|
||
"sourceUrl": "https://x.com/itxabdullaa/status/2102609881677107243"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-police-chase-621254905333",
|
||
"title": "都市警车追逐与爆炸逃亡",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/dcc163d4e56d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Police chase. Explosion. A cinematic 3D world built with GPT-6 Astra.\n\nMade by @PixVerse. Available on PixVerse and in ChatGPT via the PixVerse Plugin.\n\nPrompt ↓\nCreate an original GTA-inspired cartoon car chase using this workflow: Design: Define one main driver, one getaway car, one pursuing car, and one urban environment. Keep their designs consistent. Plan three 4-second shots: rear tracking pursuit, side tracking through a sharp turn, and a wide exit shot. Build in Blender: Create clean gray models and functional character and vehicle rigs. No textures or UV unwrapping are required. Animate and test: Animate the driver, steering, wheel rotation, vehicles, and cameras. Maintain coherent travel direction and vehicle order. Fix clipping, floating wheels, sliding tires, broken poses, and hands losing contact with the steering wheel. Render in Blender: Render frames 1–288 at 1280×720, 24 fps. Assemble actual Blender-rendered frames into a complete 12-second gray-model master. Export each shot separately and render matching gray stills as shape and composition references. Finish with PixVerse Plugin: Use Seedance 2.5 at 720p, processing each shot separately. Use the Blender clips as motion references and the gray stills as shape references. Define a consistent cartoon color palette in the generation prompt. Preserve camera movement, action timing, character and vehicle designs, and vehicle count. Review and deliver: Inspect both complete videos for visual defects and continuity. Repair Blender issues and regenerate only failed Seedance shots, with at most two retries per shot. Deliver the editable .blend, the native 720p Blender gray-model video, the separately labeled 720p Seedance version, and a brief assessment of remaining limitations.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aria_Nawi",
|
||
"sourceUrl": "https://x.com/Aria_Nawi/status/2098461817555374451"
|
||
},
|
||
{
|
||
"id": "seedance:lianaalane-seedance-ai-d70d42733c55",
|
||
"title": "Seedance 双角色 2D 动漫:小风筝的十四秒冒险",
|
||
"description": "动漫风格锁定",
|
||
"image": "https://media.goodcase.ai/cases/34deb8da196d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cute cinematic 14-second 2D anime-style video featuring two completely new child characters in a sunny park: a girl with long dark-brown hair, expressive brown eyes, a pink dress, white socks and pink shoes, and a boy with messy black hair, dark eyes, a blue hoodie, black shorts and white sneakers. Keep their new faces, hairstyles, outfits and proportions consistent. They happily fly a bright orange-red kite through the colorful park until a strong breeze sends it into a tall tree. The boy uses a fallen branch to free the kite while the girl helps, and they catch it together with happy smiles before running through the park and flying it again in warm golden sunlight. Use beautiful Japanese anime-inspired 2D animation, clean line art, expressive eyes, soft cel shading, vibrant colors, detailed backgrounds, smooth movement, cinematic lighting and natural wind effects. No face changes, character redesign, extra characters, duplicates, distorted faces or hands, flickering, photorealism, 3D style, text, logo or watermark. smooth cinematic anime animation.",
|
||
"category": "anime-style-lock",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2089563357074559014"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithelisia-seedance-ai-e7e817c4c4b8",
|
||
"title": "Seedance 2.0 电影感东亚女性生活方式短片",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "/inspiration-thumbs/seedance/aiwithelisia-seedance-ai-e7e817c4c4b8.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic, photorealistic lifestyle video of a young East Asian woman in a cozy modern apartment by the sea. The video has a warm, natural morning atmosphere with soft daylight coming through large windows, realistic skin texture, subtle facial expressions, natural body movements, shallow depth of field, and smooth cinematic camera motion.\n\nScene 1 — Bedroom:\nA young woman with long straight dark hair, wearing a light beige/pink satin pajama set, sits on the edge of her bed looking sleepy. She gently yawns and rubs her eyes. The bedroom is minimal and modern, with a neatly made bed, wooden furniture, soft curtains, and large windows letting in diffused natural light.\n\nScene 2 — Bed:\nShe pulls and adjusts the duvet, then sits and stretches slightly on the bed. Capture her natural sleepy morning routine with realistic movements and a calm atmosphere.\n\nScene 3 — Leaving Bedroom:\nShe stands up and slowly walks toward the bedroom doorway. The camera remains cinematic and slightly distant, showing the warm wooden interior and softly illuminated bedroom in the background.\n\nScene 4 — Cooking:\nCut to the kitchen. Close-up of a black electric sandwich/waffle-style press on the kitchen counter. The woman pours smooth light-brown batter into the heated mold. Use detailed macro shots of the batter flowing into the appliance.\n\nScene 5 — Preparing Food:\nShe operates the sandwich maker on the kitchen counter and carefully checks the food while cooking. Show realistic hand movements, steam/heat details, kitchen reflections, and natural daylight coming through the nearby window.\n\nScene 6 — Eating:\nShe opens the appliance and removes a freshly cooked golden-brown waffle/pastry. She holds it with both hands, takes a bite, then smiles naturally with a satisfied expression.\n\nVisual style: photorealistic, cinematic lifestyle commercial, natural morning lighting, warm neutral color palette, realistic Asian facial features, authentic skin texture, detailed hair strands, realistic fabric physics, soft shadows, subtle film grain, shallow depth of field, professional cinematography, smooth transitions, realistic handheld camera movement, 4K quality.\n\nCamera: combination of medium shots, close-ups, macro food shots, slow push-ins, gentle tracking shots, and shallow-depth-of-field portrait shots.\n\nMood: cozy, peaceful, warm, relaxing morning routine, premium lifestyle advertisement.\n\nAspect ratio: 16:9\nDuration: approximately 20 seconds\nNo text, no subtitles, no watermark, no logo, no distorted hands, no extra fingers, no unnatural facial movements, no cartoon/anime appearance.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithElisia",
|
||
"sourceUrl": "https://x.com/AiwithElisia/status/2088846290130190784"
|
||
},
|
||
{
|
||
"id": "seedance:real-case-06-aimikoda",
|
||
"title": "梅林元素功夫表演",
|
||
"description": "来自 X / 𝕏 的真实 视频 案例,由 @aimikoda 发布。适合观察 Pro…",
|
||
"image": "https://goodcase.ai/media/goodcase/aimikoda-2054460932068200517-01.jpg",
|
||
"mode": "video",
|
||
"prompt": "GPT Image 2 Prompt:\n\nCreate a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character.\n\n16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs.\n\nStart directly in action. Do not begin with a calm stance, preparation shot or slow introduction.\n\nA solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses.\n\nEvery panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control.\n\nAction progression:\n1. begin mid-air with a flying diagonal kick already in motion\n2. handheld close-up palm sweep cutting through air\n3. orbiting wide shot of a full-body spin\n4. low-angle impact palm strike with shockwave\n5. long-lens side profile spinning kick\n6. top-down aerial turn with body, hair and fabric flaring outward\n7. hard floor stomp cracking the temple stone\n8. sliding low sweep across the floor\n9. aggressive close-up flurry of elbows, palms and backfist strikes\n10. extreme low monk-style beast stance with energy rising\n11. spinning elemental vortex around the body\n12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact\n\nAdd selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like:\nair bursts around spins and flying kicks,\ndust and stone fragments lifting from stomps,\nwater-like floor ripples during slides,\nfire-like trails around explosive strikes,\nheat distortion around high-intensity movement,\nelemental vortex near the climax.\n\nElement progression:\nearly panels: subtle wind, dust and pressure lines\nmiddle panels: stronger stone fragments, floor ripples and air shockwaves\nlate panels: controlled fire trails and energy spirals\nfinal panel: the strongest combined elemental surge while the performer is still airborne\n\nUse cinematic arthouse action camerawork:\nhandheld energy,\nwhip-pan feeling,\norbiting camera moves,\noverhead shots,\nside silhouettes,\naggressive close-ups,\nlong-lens compression,\nextreme low angles,\nwide negative space,\nstrong parallax.\n\nKeep the temple environment minimal and atmospheric:\ntowering stone columns,\nworn temple floor,\ndrifting incense smoke,\nhanging fabric,\nharsh light shafts,\nfaint dust in the air,\nsubtle wet floor reflections.\nDo not overcrowd the frames.\n\nAnnotation color system:\nred arrows = body movement\nblue arrows = camera movement\ngreen marks = framing / composition notes\norange marks = lighting direction\nyellow marks = elemental VFX / energy effects\nblack text = short lens notes and panel labels\n\nNo timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark.\n\n\nSeedance 2.0 Prompt:\n\nCreate a 15-second cinematic kung fu performance video.\n\nUse @[image1] as the fixed character sheet reference. The character must strictly match the character sheet.\nUse @[image2] as the storyboard reference.\n\nFollow the storyboard shot by shot as the main source for action order, camera rhythm, body movement, framing, movement direction, camera angles and visual progression. Treat each storyboard panel as a sequential keyframe. Preserve the shot order and make the video feel like the storyboard has been translated into continuous live-action motion. The sequence must end on a frozen final frame while the performer is still airborne.\n\nDo not add text, captions, storyboard labels, arrows, UI, logos or watermarks. Do not treat the storyboard as a single image. Do not redesign the character, change the costume or alter the face. Do not begin with a calm stance, preparation pose or slow introduction. Do not make the elemental effects look like superhero powers or excessive fantasy glow.\n\nVisual style:\nstylized cinematic realism, high-end 3D painterly animation quality, dynamic cloth simulation, expressive silhouette design, rich cinematic lighting, controlled color palette, natural motion blur, dramatic scale, beautiful but aggressive physicality, premium feature-animation aesthetic.\n\nEnvironment:\nvast ancient temple, towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections, high contrast shadows.\n\nThe performance is a solitary female kung fu routine inside a vast ancient temple. The routine starts immediately in action, with no calm stance, no preparation pose and no slow introduction. The movement should feel aggressive, ritualistic, disciplined, physically extreme and spiritually charged.\n\nThis is not a fight against an enemy. It is a solo performance of force, control, exhaustion, fury and release.\n\nFollow story board for choreography direction.\n\nElement progression:\nearly sequence: subtle wind, dust and pressure lines responding to movement.\nmiddle sequence: stronger air shockwaves, stone fragments, floor cracks and water-like ripples across the temple floor.\nlate sequence: controlled fire trails, heat distortion and energy spirals around explosive strikes and kicks.\nclimax: wind, dust, stone, water ripple and fire accents combine into a stronger elemental vortex.\nfinal beat: the performer is airborne above the temple floor in a powerful kung fu strike, body twisted mid-air, hair and fabric flaring outward, with all elements converging around her before impact.\n\nElemental VFX must feel spiritual, ritualistic and cinematic. The effects should be integrated with the choreography and motivated by physical movement. Keep the energy raw, elemental, atmospheric and grounded in the temple environment.\n\nUse Laban movement logic throughout:\nweight: strong, heavy, grounded during impacts, with brief lightness during jumps and aerial twists\ntime: quick during strikes, kicks, drops and turns, sustained during suspended holds and recovery transitions\nspace: direct during attacks, blocks and lunges, indirect during spinning turns and elemental vortex moments\nflow: bound during rooted stances and precise strikes, free during aerial motion, spinning fabric movement and elemental release",
|
||
"category": "storyboard-grid-to-video",
|
||
"sourceId": "seedance",
|
||
"credit": "@aimikoda",
|
||
"sourceUrl": "https://x.com/aimikoda/status/2054460932068200517"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-photorealistic-scene-inside-an-indoor-swimming-pool-206ad2eea8f1",
|
||
"title": "紫发少女跃过泳池巨浪",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/cases/5b534bd92cd2.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic photorealistic scene inside an indoor swimming pool. A young woman with short lavender-purple hair, wearing a light gray school-style blazer, white shirt with a blue bow tie, dark pleated skirt, white knee-high socks and black shoes, stands in the middle of a swimming pool surrounded by several young female swimmers wearing dark navy one-piece swimsuits.\n\nThe scene begins with the lavender-haired girl standing face-to-face with a group of swimmers in a large indoor aquatic center, with tiled walls, industrial ceiling lights and a dramatic cool blue-gray color palette. Suddenly she moves through the shallow swimming pool as a massive wave of water crashes around her. She runs and jumps through the water with energetic, playful movement while the other swimmers react with surprise and excitement.\n\nHuge realistic water splashes, powerful waves, water droplets flying through the air, realistic wet surfaces, dynamic motion, cinematic slow-motion moments, natural human movement, detailed facial expressions, realistic skin and wet clothing, atmospheric mist and water spray.\n\nWide-angle cinematic camera, low camera angle close to the water surface, smooth tracking shots, occasional slow motion, dramatic framing, shallow depth of field, realistic reflections on the pool water, volumetric indoor lighting, cool desaturated blue tones, high contrast, subtle film grain, professional movie cinematography, highly detailed, photorealistic, realistic physics, 4K, 24fps cinematic footage.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zoyavelle",
|
||
"sourceUrl": "https://x.com/Zoyavelle/status/2100089287345951159"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-1080p-ultra-realistic-korean-subway-action-comedy-scene-usi-7d2531af4b66",
|
||
"title": "地铁关门嘲笑引发的爆笑反击",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/cases/101f63c774b7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic Korean subway action-comedy scene using the uploaded images as exact visual references; keep characters, faces, hair, outfits and environment consistent.\nYoung Korean woman, early 20s, long straight black hair, fitted pastel-blue cropped top, loose pajama-style pants, simple silver jewelry; confident, expressive and slightly mischievous.\nYoung Korean man, short black hair, gray button-up shirt, dark trousers and white sneakers; playful at first, then shocked and embarrassed.\nShe rushes down the subway stairs toward a waiting train, but the doors close just as she reaches them.\nThe man inside sees her through the glass and laughs at her; she stares at him angrily and says, “Are you seriously laughing?”\nHe laughs again, so she suddenly punches the glass beside the door, cracking and breaking the safety glass realistically with no injury or gore.\nShe reaches through the broken opening, grabs his shirt and pulls him safely out onto the platform; he lands awkwardly on the floor in shock.\nShe calmly climbs through the same broken opening into the train, straightens her pastel top and pajama pants, and walks inside as stunned passengers watch.\nThe man remains sitting outside, looking confused and humiliated while passengers stare at him through the windows.\nOne passenger starts laughing, then everyone bursts into laughter while the man looks around helplessly.\nShe looks at him through the window, gives a tiny satisfied smile, then casually turns away.\nUltra-realistic Korean subway lighting, gritty DV-inspired look, natural motion blur, realistic physics, handheld imperfections, authentic reactions and ambient subway audio; no music.\nNo gore, blood, serious injuries, identity drift, outfit changes, duplicated people, teleportation, regenerating glass, distorted hands, CGI look, subtitles, captions, text, logos or watermark.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2098988104418050349"
|
||
},
|
||
{
|
||
"id": "seedance:zarairahh-seedance-ai-f89372941867",
|
||
"title": "猫咪自拍记录温馨的一天",
|
||
"description": "宠物与动物",
|
||
"image": "https://media.goodcase.ai/media/poster/zarairahh-seedance-ai-f89372941867.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 60-second realistic day-in-the-life cat vlog, following the same cute cat from waking up in the morning until falling asleep at night.\n\nCritical Requirement\n\nNO HUMAN SPEECH AND NO DIALOGUE.\n\nThe cat must not speak any words at any point. Do not use narration, voice-over, human voices, subtitles, captions, or text.\n\nThe story must be communicated entirely through the cat’s actions, facial expressions, body language, meows, purrs, chirps, yawns, and natural environmental sounds.\n\nOverall Visual Style\n\nOne continuous handheld front-facing smartphone selfie-vlog perspective. The cat holds the phone itself with its paw and films its own day.\n\n- Realistic modern smartphone footage\n- Natural handheld shake\n- Slight framing imperfections\n- Occasional autofocus hunting\n- Natural front-camera lens distortion\n- Realistic unfiltered smartphone colors\n- Soft natural morning, afternoon, and evening lighting\n- Same cat, face, fur pattern, eyes, and body throughout\n- Cute but believable cat behavior\n- Natural expressions and movements\n- No cinematic camera movements\n- No third-person camera\n- No tripod or external camera\n- No beauty filter or cinematic color grading\n- No logos, watermarks, subtitles, captions, or on-screen text\n- No background music\n\n0–10 sec — Wake Up\n\nThe cat wakes up in a cozy bed.\n\nIt picks up the phone with its paw and starts filming itself selfie-style.\n\nIt looks sleepy, yawns, stretches, rubs its face with its paws, and looks into the camera with sleepy eyes.\n\nIt gives a tiny “meow”, then climbs out of bed.\n\n10–20 sec — Breakfast\n\nThe cat walks into the kitchen while filming itself.\n\nIt sees its food bowl and immediately becomes excited.\n\nIt prepares or receives its breakfast, eagerly eats, then drinks water.\n\nIt looks happily into the camera and gives a couple of excited little meows.\n\nInclude realistic food-bowl sounds, chewing, drinking, and kitchen ambience.\n\n20–30 sec — Playtime\n\nThe cat grabs its favorite toy.\n\nIt runs around the house, chases the toy, jumps onto the couch, bats at it with its paws, and playfully rolls around.\n\nThe phone shakes naturally during the energetic movement.\n\nThe cat stops for a moment, looks directly into the camera, gives a playful chirp/meow, then immediately runs off again.\n\n30–40 sec — Exploring\n\nThe cat explores the house.\n\nIt looks through a window, watches birds outside, investigates a strange sound, walks into another room, and sniffs interesting objects.\n\nIt notices something outside and becomes curious.\n\nThe cat makes a soft “mrrp” sound and continues exploring.\n\nKeep the behavior authentically feline rather than human-like.\n\n40–50 sec — Afternoon Adventure\n\nThe cat safely goes outside into a garden or quiet courtyard.\n\nIt walks around while filming itself, sniffs flowers and plants, watches birds, investigates leaves, and explores its surroundings.\n\nThe cat pauses, looks excitedly at something off-camera, then gives a small curious meow.\n\nUse natural outdoor sounds such as birds, wind, leaves, distant traffic, and footsteps.\n\n50–60 sec — Evening & Bedtime\n\nThe cat returns home as the light becomes warm and soft.\n\nIt has its evening meal, drinks some water, then climbs onto the couch or back into its bed.\n\nIt grooms itself, yawns, becomes sleepy, and curls into a comfortable position.\n\nIt looks into the phone one last time, gives a tiny sleepy meow, slowly closes its eyes, and lowers the phone naturally.\n\nEnd with quiet nighttime home ambience.\n\nFinal Audio Requirements\n\nAbsolutely no dialogue. No words. No narration. No human voice. No talking cat.\n\nUse only natural diegetic sounds:\n\n- Cat meows\n- Purring\n- Chirping\n- Yawning\n- Footsteps\n- Food and water sounds\n- Toy sounds\n- Household ambience\n- Birds and outdoor sounds\n- Wind and leaves\n- Natural nighttime ambience\n\nThe finished video should feel like a realistic, cozy smartphone vlog from a cat’s perspective, showing what the cat naturally does throughout an entire day without saying a single word.",
|
||
"category": "pet-animal",
|
||
"sourceId": "seedance",
|
||
"credit": "@ZaraIrahh",
|
||
"sourceUrl": "https://x.com/ZaraIrahh/status/2091385137133219971"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithnatalia-seedance-ai-7597faa7285f",
|
||
"title": "十秒自救的女巫把自己变成了鸭子",
|
||
"description": "按秒拆成钩子、施法、倒数、魔法爆发、反转、反应、包袱七段,30 秒讲完女巫为躲怪物把自…",
|
||
"image": "https://media.goodcase.ai/cases/15792e0fa5ef.jpg",
|
||
"mode": "video",
|
||
"prompt": "0–3 sec — Hook\nA young wizard stands frozen in a dark forest as a massive monster charges toward her.\nWizard: “Ten seconds… that’s all I need!”\n\n3–8 sec — The Spell\nShe raises her glowing staff and rapidly chants a magical spell. The monster gets closer and closer.\n\n8–12 sec — Countdown\nMonster: “YOU’RE TOO LATE!”\nThe wizard finishes the final word: “TRANSFORMUS!”\n\n12–16 sec — Magic Burst\nA huge explosion of purple light fills the screen. Everything goes silent.\n\n16–21 sec — Twist\nThe smoke clears. The monster looks confused.\nInstead of the wizard… there’s a tiny, adorable duck standing in her robes.\n\n21–26 sec — Reaction\nThe duck looks down at herself, quacks angrily, and smacks the staff with her wing.\n\n26–30 sec — Punchline\nThe monster slowly backs away.\nMonster: “...Honestly, I’m scared of her.”\nThe duck suddenly starts chasing him.\nSFX: Quack! Quack! Quack!\nEnd text:\n✨ Never rush a spell. 🦆",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithNatalia",
|
||
"sourceUrl": "https://x.com/AIwithNatalia/status/2089170554725265625"
|
||
},
|
||
{
|
||
"id": "seedance:yesandyou-seedance-ai-d92a0a788b85",
|
||
"title": "Seedance 2.5 超写实微距延时:种子发芽十秒",
|
||
"description": "过程变身蒙太奇",
|
||
"image": "/inspiration-thumbs/seedance/yesandyou-seedance-ai-d92a0a788b85.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 10-second ultra-realistic cinematic macro time-lapse video 🌱🎥, using the provided reference image as the exact visual starting point. Begin with the same tiny green seedling 🌱 emerging from dark, rich, slightly moist soil. Keep the camera completely locked and stationary 📷, preserving the same composition, camera angle, depth of field, warm natural sunlight ☀️, soft background bokeh, and realistic soil texture throughout the entire video.\n\n0–2 seconds 🌱: The tiny seedling slowly pushes upward from beneath the soil. Small cracks and subtle soil movement appear naturally around its base as the plant emerges. The thin green stem gradually becomes taller while the two young leaves slowly unfold and expand 🍃.\n\n2–4 seconds 🌿: The seedling continues growing into a young tomato plant. The stem becomes thicker and taller, while additional green leaves and small branches gradually emerge. Each leaf unfolds naturally with visible veins and realistic botanical detail 🍃✨. Gentle sunlight passes through the leaves ☀️, creating beautiful natural highlights.\n\n4–6 seconds 🌼: The plant grows fuller and stronger. Small yellow tomato flowers 🌼 begin appearing on the branches. The flowers gradually develop and bloom one by one, with delicate petals opening naturally. The plant continues extending upward and outward in a smooth time-lapse 🌿.\n\n6–8 seconds 🍅: After flowering 🌼, tiny green tomatoes 🍅 begin forming beneath the flowers. The fruits slowly enlarge from tiny green buds into recognizable round tomatoes. More tomatoes develop across the branches while fresh leaves continue growing around them 🌿🍃.\n\n8–10 seconds 🍅❤️: The green tomatoes gradually mature and transform into large, ripe, vibrant red tomatoes 🍅❤️. End with a healthy, fully grown tomato plant 🌿 surrounded by several beautiful ripe tomatoes hanging naturally from its branches.\n\nMake the entire transformation smooth, continuous, organic, and biologically believable 🌱➡️🌿➡️🌼➡️🍅. Use photorealistic textures, realistic plant anatomy, detailed leaves and veins, natural soil particles, subtle wind movement 🍃, warm golden-hour sunlight ☀️, cinematic depth of field 🎥, soft background bokeh ✨, realistic shadows, macro photography quality, and highly detailed 4K visuals.\n\nImportant: No cuts ❌, no transitions ❌, no camera movement ❌, no zoom ❌, no camera shake ❌, no text ❌, no people ❌, no hands ❌, and no artificial-looking morphing ❌. The plant must grow progressively from the exact location of the original seedling, with every stage naturally connected to the previous stage. The final result should look like a real professional botanical time-lapse 🌱🎥🍅, showing the complete journey from a tiny seedling to a mature tomato plant full of ripe red tomatoes. 🍅✨",
|
||
"category": "process-transformation-montage",
|
||
"sourceId": "seedance",
|
||
"credit": "@Yesandyou_",
|
||
"sourceUrl": "https://x.com/Yesandyou_/status/2088998841395921185"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-made-with-seedance-2-5-7b0d25662f25",
|
||
"title": "宝宝模仿妈妈晨间瑜伽,最后温暖相拥",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/9f5595620b50.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a 20-second heartwarming, cinematic 3D animated video in a high-quality Pixar-inspired animation style.\n\nScene: A beautiful, modern, cozy living room filled with warm morning sunlight. A young, beautiful mother with dark brown hair tied in a neat bun is wearing a fitted black yoga outfit. Her adorable baby has big expressive brown eyes, chubby cheeks, tiny brown hair tied in a little ponytail, and a white onesie.\n\nAction Sequence:\n\nThe mother begins her morning yoga routine on a purple yoga mat. Her adorable baby watches her curiously while standing nearby with a blue pacifier.\n\nAs the mother bends forward into a yoga pose, the baby crawls toward her and tries to imitate her movements.\n\nThe mother performs different yoga exercises, including standing balance poses and an impressive handstand. The baby adorably attempts to copy every movement, creating funny and heartwarming moments.\n\nShow cinematic close-ups of the baby's innocent, surprised facial expressions and exaggerated cute reactions.\n\nFinal Scene: The mother finishes her yoga routine, lovingly picks up her baby, and gives the baby a warm hug. Both smile and laugh together.\n\nVisual Style: Premium 3D animated family film, ultra-detailed character design, expressive facial animation, realistic fabric textures, soft natural sunlight, warm pastel colors, cinematic depth of field, smooth camera movements, realistic shadows, adorable comedy, emotional storytelling, and fluid character animation.\n\nCamera: Dynamic wide shots, smooth tracking shots, medium shots, and expressive close-ups.\n\nDuration: 20 seconds.\n\nAspect Ratio: 16:9.\n\nImportant: Maintain identical character appearances, clothing, facial features, room design, lighting, and yoga mat throughout the entire video. No dialogue, no subtitles, no text, and no watermarks.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2106347953711661482"
|
||
},
|
||
{
|
||
"id": "seedance:youmind-travel-vlog-city-to-beach",
|
||
"title": "手持感旅行 Vlog:从公寓到海滩",
|
||
"description": "把 30 秒切成五个连续的生活场景,用同一张参考图锁定女主角的脸和身材,从公寓出门写到…",
|
||
"image": "https://media.goodcase.ai/media/poster/youmind-travel-vlog-city-to-beach.jpg",
|
||
"mode": "video",
|
||
"prompt": "A realistic handheld travel vlog filmed by a friend following the main character throughout the day. Use the woman from the reference image as the main subject. Maintain her exact facial identity, hairstyle, facial features, and body proportions throughout the entire video. The camera feels like a real personal vlog camera, not a commercial production. Natural handheld movement, casual framing, imperfect human camera motion, authentic everyday atmosphere. No scripted acting. The woman behaves naturally, interacting with the environment like a real travel vlog. 0-5s: Morning departure. The woman leaves a cozy apartment with a small backpack. She checks her phone, smiles at the camera, adjusts her hair, and starts walking outside. The camera follows her from behind, slightly shaky like a friend filming. Morning sunlight, quiet neighborhood streets, people starting their day. 5-12s: Exploring the city. The camera follows her walking through local streets. She visits a small cafe, buys a drink, briefly talks to the camera, laughs naturally. She walks through a street market, looks at small shops, takes casual photos. The camera stays close, capturing spontaneous moments. 12-20s: Arriving at the beach. She takes public transportation or walks toward the coast. The environment gradually changes from city streets to a seaside town. Ocean breeze moves her hair. She looks excited when she sees the ocean. The camera follows her walking along the beach. She picks up a seashell, watches waves, and interacts naturally with people nearby. 20-27s: Summer beach afternoon. She meets friends at the beach. Everyone chats, laughs, plays near the water. The camera moves naturally between people, capturing real candid moments. She looks back at the camera and smiles. 27-30s: Ending moment. Golden hour sunset. She sits near the ocean, holding a drink, watching the sunset. The camera slowly moves backward, revealing the beach, waves, and the peaceful evening. A feeling of a real personal travel memory. Visual style: Authentic travel vlog footage. Realistic smartphone or mirrorless camera look. Natural daylight. Casual handheld movement. Slight camera shake. Real human reactions. Documentary realism. No cinematic commercial look. No dramatic posing. No artificial transitions. No text overlays. No logos. No face changes. No identity changes.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.5", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@BubbleBrain",
|
||
"sourceUrl": "https://x.com/BubbleBrain/status/2083659648108990925"
|
||
},
|
||
{
|
||
"id": "seedance:erling-haaland-525acabe78da",
|
||
"title": "Erling Haaland 黏土动画园艺",
|
||
"description": "一个关于足球明星 Erling Haaland 种植韭菜的幽默 3D 黏土动画提示词,…",
|
||
"image": "https://media.goodcase.ai/media/poster/erling-haaland-525acabe78da.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 3D claymation-style animation of a cute caricature of Erling Haaland wearing Norway's red number 9 football kit, white shorts, red socks, and red boots, with his signature blonde ponytail, walking across a simple muted green background while carrying a giant leek on his shoulder and a bucket of harvested leeks. He stops at a dirt mound, digs a deep hole with a hand trowel, plants the giant leek firmly into the soil, pats it down, then takes out his smartphone, flashes a peace sign with a playful wink, and captures a celebratory selfie. Smooth, expressive character animation with whimsical, humorous, cinematic lighting.",
|
||
"category": "stop-motion-cadence",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@noorwithwifi",
|
||
"sourceUrl": "https://x.com/noorwithwifi/status/2079818537137475762"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-this-is-not-the-ending-you-think-it-is-4b817978c02e",
|
||
"title": "枪口下闪回的金色恋歌",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/ce27afa4b3de.jpg",
|
||
"mode": "video",
|
||
"prompt": "This is not the ending you think it is.\n\nSeedance 2.5 on @FishCreativeHQ \n\nPrompt\n\nOpening (dark, tense, 0–10s)\nDimly lit rustic wooden cabin interior, moody low-key lighting, shadows, cool color grade. Close-up of a handsome man in his late 20s/early 30s: messy medium-length brown hair, light stubble/beard, striking blue-green eyes, tears streaming down his face, raw anguish. He wears a dark charcoal oversized hoodie with metallic jewelry/charms on the chest. He holds a black pistol pointed directly toward camera (first-person feel from the woman’s perspective), hand trembling, face crumpled in grief.\n\nCut to medium shot: a beautiful young woman with long wavy blonde hair standing in the cabin kitchen (wooden shelves, metal pots, rustic counters). She wears a slightly unbuttoned cream silk blouse and flowing white skirt. Her expression flips to fierce rage — brows furrowed, teeth bared, intense blue eyes locked on him.\nBack to the man: he keeps the gun raised, crying harder, then slowly lowers it, arms opening wide in surrender/offering himself, hoodie stretching as he stands exposed. Extreme close-up of his wet face, eyes squeezed shut, tears falling.\nTransition & second half (warm, romantic, 11–26s)\nSudden smash-cut to golden-hour sunlight. The same couple tumbling into tall grass and wildflowers, embracing tightly, leaves and petals flying. Warm, sun-drenched color grade, lens flares, shallow depth of field, dreamy filmic look.\nThey roll laughing in a sunlit meadow filled with yellow wildflowers. Close-ups: her radiant smile, eyes crinkled, his hand gently cupping her cheek; his peaceful closed-eye smile as she leans over him. Soft golden light wrapping their faces.\n\nThey run hand-in-hand away from camera through rolling green hills at sunset, her white dress and his light blue shirt catching the wind. Wide tracking shot.\nThey sit together on a grassy hilltop overlooking valleys, his arm around her, watching a massive orange sun. He kisses the top of her head. Final wide shot: the couple as small silhouettes against a vast pink-orange dusk sky, hills stretching into the distance, wildflowers in the foreground.\nStyle notes\nCinematic 2.35:1 or 16:9, filmic grain, dramatic contrast in first half, warm anamorphic flares and soft bloom in second half. Emotional, intimate, high-production drama. Slow-motion on key emotional beats (tears, embrace, running). No dialogue, only ambient sound implied (breathing, wind, distant birds). Mood: heartbreak → fierce confrontation → tender memory/fantasy of love.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2103857991917433061"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-what-if-every-beautiful-moment-disappears-before-we-even-realize-it-was-happeni-e781d14cb692",
|
||
"title": "粉发女子漫步流逝的欧洲城",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/78da937a2c39.jpg",
|
||
"mode": "video",
|
||
"prompt": "What if every beautiful moment disappears before we even realize it was happening?\n\nSeedance 2.5 on @TapNow_AI \n\nPrompt\n\nA cinematic fashion short film, ~20 seconds, 24fps, anamorphic widescreen, filmic grain, teal-and-warm color grade with slightly crushed blacks and lifted highlights. Subject is a pale young woman @[Image 1](image_1) with a short pastel pink bob and blunt bangs, cool blue eyes, wearing an oversized soft green T-shirt layered over a thin white long-sleeve, a flowing brown-orange-grey plaid skirt, and slouchy babypink knee-high boots. Mood is poetic, solitary, and slightly melancholic — time passing through a historic European city (Haussmann stone facades, colonnades, courtyards, waterfront, ornate interiors). Heavy use of motion blur, whip pans, low-angle tracking, shallow depth of field, and mixed slow/fast motion.\n**Shot sequence / visual language**\n- Opening whip-pan across a row of pale stone arches and columns, interiors glowing warm behind glass, strong horizontal motion blur.\n- Low-angle medium of the woman new version.jpeg walking toward camera through a historic courtyard; face slightly soft/out of focus at first, green shirt filling the frame, stone palace architecture behind her.\n- She @[Image 1](image_1) looks upward, profile against a pale sky and ornate upper stories; contemplative, wind in her hair.\n- Cut to a flock of pigeons exploding off a blue-shuttered historic facade, heavy motion blur, birds streaking across the frame.\n- She sits on a stone balustrade between tall columns, one black boot kicked up, plaid skirt fanned, looking directly at camera with a still, distant expression.\n- Close low-angle as she leans her head on her shoulder against a large arched window; warm interior light in the glass.\n- Fast blurred street shot: a cyan pedestrian light, traffic, reflections on glass.\n- Close tracking of her legs and slouchy black boots walking on grey stone pavement, skirt swinging.\n- Overexposed high-key medium of her walking toward camera in a bright square, buildings and flags washed almost white.\n- Profile/three-quarter as she walks along a waterfront or bridge at golden hour, city buildings and water lights behind her.\n- Interior: ornate stained-glass lunette with a helmeted warrior, zodiac/animal motifs, sun flare through the panes, hanging lantern.\n- Motion-blurred spin/whip of her turning in front of a colonnaded palace facade.\n- Low tracking of her standing on a stone pedestal/balustrade, only boots and skirt visible at first.\n- Low-angle walking shot looking up at her against grand columns and windows.\n- She sits on the dark sculpted rim of a fountain, knees drawn up, looking off-camera.\n- Extreme close-up of her hand trailing fingers through fountain water, ripples and reflections.\n- Tight frontal portrait against a dark carved wooden door with iron scrollwork; intense eye contact, almost still.\n- Abstract whip-pan of stone and sky.\n- Final aerial of a dense European city (Paris-like rooftops, a pedestrian bridge over a cut, autumn trees, traffic).\n**Voiceover (calm, slightly distant female voice, sparse, over ambient city + soft score)** \nEverything is already leaving.\n\"The dark holds what daylight drops.\nA step is a promise the ground won’t keep.\nTime doesn’t wait. It only looks back.\"\n**Technical / style keywords** \nCinematic fashion film, editorial movement, motion blur, anamorphic flares, golden-hour mixed with overcast stone, shallow DOF, low angles, tracking and whip pans, film grain, teal-orange grade, contemplative pacing, no dialogue except VO, high-end commercial look (think luxury fashion campaign meets short art film).",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2102013620066636225"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-walked-past-him-like-the-backflip-was-the-easy-part-of-lunch-b79fce6dfd39",
|
||
"title": "粉发女生食堂后空翻稳接餐盘",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/f622ac95ca08.jpg",
|
||
"mode": "video",
|
||
"prompt": "Walked past him like the backflip was the easy part of lunch.\n\nSeedance 2.5 on @FishCreativeHQ \n\nPrompt\n\nCinematic Korean high-school drama, 22-second continuous shot sequence, photoreal live-action, 24fps, shallow-to-medium depth of field, natural fluorescent cafeteria lighting mixed with window daylight, slightly warm color grade.\nCrowded Korean high-school cafeteria: long wooden tables, metal benches, tiled floor with a faint sheen, white waffle-grid ceiling, hanging fluorescent lights. Dozens of students in pastel blue short-sleeve summer uniforms with purple ties (boys) and pink ribbon bows (girls) eating from stainless-steel compartment trays.\nHeroine: early-20s Korean woman @[Image 1](image_1) styled as a high-school senior — long straight pastel pink hair with center part and face-framing layers, pale makeup, glossy lips, pastel pink short-sleeve school blouse, navy ribbon bow, pastel pink mini skirt, white crew socks, chunky white sneakers, small blue name tag on her chest. She walks the center aisle carrying a stainless 5-compartment lunch tray in both hands. Tray contents: mound of white rice, spicy red tteokbokki cylinders, a pile of kimchi, seasoned green namul, and a small metal soup bowl of red stew. Spoon and chopsticks rest on the tray.\nShot 1 (0–1s): Medium-wide tracking shot. She walks straight toward camera down the aisle, calm expression, tray held level at waist height. Background students laugh and eat.\nShot 2 (1s): Tight low insert of her feet. She scuffs the heel of her left white sneaker against the polished floor, then plants both feet.\nShot 3 (2s): Medium close-up of her face as she looks up, slightly startled, hair swinging.\nShot 4–6 (3–6s): Slow-motion VFX food sequence. She tosses the tray upward. The tray and utensils hang in mid-air. Tteokbokki pieces, kimchi, and namul lift off the compartments and float in a neat horizontal line above the tray, as if gravity paused. Cut to overhead: food settles perfectly back into each compartment; soup bowl stays upright, nothing spills.\nShot 7 (7s): Wide. She drops into a fast back handspring / cartwheel on the cafeteria floor, skirt flipping, one sneaker kicking high. Students at nearby tables freeze and stare.\nShot 8 (8s): She lands spinning, hair whipping, and catches the falling tray and utensils in one fluid motion without dropping food.\nShot 9–11 (9–11s): Close-ups of hands catching chopsticks and spoon, then a hero beauty shot of the completed tray held out toward camera — rice, tteokbokki, kimchi, namul, and stew all perfectly arranged.\nShot 12 (12s): Cut to a table of boys. Handsome dark-haired boy in white shirt and navy tie turns, mouth open in shock; friends around him gape.\nShot 13–14 (13–14s): Tight beauty close-up of the heroine’s face, staring into camera, then a tiny knowing smirk.\nShot 15–20 (15–20s): She walks past the shocked boy’s table, tray in her left hand, glancing down at him. Soft line of dialogue in Korean, subtitled: “Let’s eat and see.” He looks down, embarrassed. She keeps walking.\nShot 21 (21s): Rear tracking shot as she walks away down the aisle, long hair and navy skirt, cafeteria buzzing again behind her.\nStyle notes: high-end K-drama cinematography (something like a glossy teen romance / school fantasy), practical cafeteria set, subtle slow-motion only on the floating-food and flip beats, clean VFX so the food never smears or looks cartoonish, no logos, no on-screen text except optional Korean subtitle on the one line.\nNegative: messy spills, broken tray, Western cafeteria, adult office clothes, exaggerated anime faces, shaky phone footage, watermarks.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2100836177821483349"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-use-the-uploaded-reference-video-as-the-exact-motion-choreography-camera-fra-33097e57d4dc",
|
||
"title": "青柠西装女子静立躁动人群",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-use-the-uploaded-reference-video-as-the-exact-motion-choreography-camera-fra-3309.webp",
|
||
"mode": "video",
|
||
"prompt": "Use the uploaded reference VIDEO as the exact motion, choreography, camera, framing, timing, pacing, shot duration and cut-point reference.\n\nUse <image_1> as the STRICT identity reference for the MAIN WOMAN.\n\nThe final video should feel like the SAME original video, but with the original central man completely replaced by the woman from <image_1>.\n\nDo NOT recreate or preserve the original man's face or identity.\n\nIDENTITY <image_1>\n\nThe central character is the exact same woman shown in <image_1>.\n\nPreserve her:\n\n- exact face\n- facial structure\n- jawline\n- cheekbones\n- nose\n- eyes\n- eyebrows\n- lips\n- ears\n- skin tone\n- natural facial proportions\n- hairstyle\n- hair length, volume and texture\n- any facial features visible in the reference\n- natural body proportions\n\nMaximum identity preservation throughout the entire video.\n\nShe must remain recognizably the same person from the uploaded photograph in every shot and every angle.\n\nNO face morphing.\nNO identity drift.\nNO changing facial structure.\nNO different hairstyle.\nNO unwanted hair changes.\nNO beautification or artificial facial retouching.\nNO age changes.\nNO facial distortion.\n\nCHARACTER REPLACEMENT\n\nReplace ONLY the original central man with the woman from <image_1>.\n\nKeep the exact position, scale, body movement, gestures, walking path, head movements, smoking actions and timing from the reference video.\n\nEverything the original central character does in the reference video should be performed by the <image_1> woman at the same moment and with the same choreography.\n\nDo not reinterpret or redesign the choreography simply because the replacement character is female.\n\nWARDROBE\n\nDress <image_1> in the same character-reference outfit, adapted naturally for the woman:\n\nAcid lime green single-breasted blazer, notch lapels, two buttons, buttoned closed, slightly oversized shoulders.\n\nPlain white cotton shirt underneath.\n\nNarrow black knitted tie, neatly knotted.\n\nStraight black trousers.\n\nPlain black leather ankle boots, low heel.\n\nNo jewellery.\nNo watch.\nNo belt.\nNo bag.\nNo phone.\nNo logos or patterns.\n\nThe lime blazer must remain exactly throughout the entire video.\n\nIMPORTANT:\nDo not let the wardrobe replacement change the original choreography, body positioning, composition or pacing.\n\nSMOKING ACTION\n\nPreserve the smoking sequence from the reference video exactly.\n\nAt the beginning, the main woman holds a cigarette naturally between her fingers and brings it to her mouth.\n\nShe lights the cigarette using the same hand movements, timing and body positioning as the reference video.\n\nShe takes a drag and naturally exhales smoke.\n\nPreserve the original:\n\n- hand position\n- cigarette position\n- lighter movement\n- timing\n- head movement\n- facial expression\n- smoke timing\n- arm movement\n\nThe smoking action should look physically natural and cinematic.\n\nDo not exaggerate the smoke.\nDo not create excessive smoke.\nNo smoking action should occur from any other character.\n\nAll other characters remain unchanged.\n\nEXACT ORIGINAL ACTION / TIMING\n\n0–4 SECONDS:\n\nMatch the reference video exactly.\n\nThe central woman is shown smoking.\n\nShe brings the cigarette toward her mouth, lights it, takes a drag and exhales.\n\nMatch the original close framing, facial positioning, hand movements and timing.\n\n4–11 SECONDS:\n\nMatch the reference video exactly.\n\nThe woman turns away from camera and moves forward into the crowd using the exact same movement and timing as the original central character.\n\nPreserve her body position, walking speed, direction and camera framing.\n\n11–17 SECONDS:\n\nMatch the original choreography exactly.\n\nThe woman moves back toward the central position and performs the same gestures and movements as the original central character.\n\nDo not invent new actions.\n\n17–22 SECONDS:\n\nThe woman reaches and holds the same central position as the reference.\n\nShe becomes calm and composed.\n\nMaintain the exact same camera composition.\n\n22–30 SECONDS:\n\nThe crowd begins the same synchronized chaotic movement from the reference.\n\nThe central woman remains calm and controlled in the center while the surrounding crowd moves violently and rhythmically around her.\n\nMatch the exact timing, intensity and choreography of the original crowd movement.\n\nThe central woman must remain clearly identifiable and visually separated from the crowd.\n\nCAMERA\n\nCOPY THE REFERENCE VIDEO'S CAMERA LANGUAGE EXACTLY.\n\nPreserve:\n\n- camera position\n- camera height\n- camera distance\n- lens perspective\n- focal length feel\n- framing\n- depth of field\n- camera movement\n- push/pull movement\n- tracking\n- camera shake if present\n- zoom\n- subject scale\n- transitions\n- shot duration\n- exact cut points\n\nDo NOT create new shots.\n\nDo NOT add new camera movements.\n\nDo NOT change the original video's pacing.\n\nThe output should have the same visual rhythm and edit structure as the reference video.\n\nCROWD\n\nKeep the original crowd concept and choreography from the reference video.\n\nLarge group of young men surrounding the central woman.\n\nPreserve their:\n\n- positions\n- density\n- formation\n- movements\n- synchronized choreography\n- timing\n- background behavior\n\nDo not replace the crowd with women.\n\nDo not introduce new characters.\n\nDo not allow anyone else to become visually dominant over the main woman.\n\nOnly the central character is replaced.\n\nLOCATION\n\nPreserve the same environment and architecture as the reference video.\n\nKeep the same:\n\n- concrete/architectural setting\n- stairs\n- background structure\n- crowd arrangement\n- environmental depth\n- overall composition\n\nDo not redesign the location.\n\nDo not introduce new buildings or props.\n\nLIGHTING / COLOR\n\nPreserve the reference video's overall cinematic lighting and color grading.\n\nKeep the dark, moody atmosphere.\n\nThe acid lime blazer should be the distinctive color of the central character.\n\nKeep natural skin tones.\n\nRealistic shadows and highlights.\n\nNo artificial glow.\nNo haze.\nNo bloom.\nNo excessive smoke.\nNo fantasy lighting.\n\nVISUAL STYLE\n\nPhotorealistic cinematic live-action footage.\n\nNatural human motion.\nNatural body physics.\nRealistic fabric.\nRealistic hair.\nRealistic skin.\nRealistic cigarette smoke.\nRealistic lighting.\n\nNo CGI appearance.\nNo animation.\nNo cartoon.\nNo plastic skin.\nNo face distortion.\nNo duplicated main character.\n\nCRITICAL INSTRUCTION\n\nREFERENCE VIDEO = controls EVERYTHING about the original video's motion.\n\n<image_1> = controls ONLY the identity and appearance of the replacement central woman.\n\nReplace the original central man with the woman from <image_1> while preserving the original video's actions, choreography, camera, timing, pacing, framing and cuts as closely as possible.\n\nThe result should look like the original video was filmed with <image_1> instead of the original actor.\n\nONE MAIN CHARACTER ONLY.\nNO IDENTITY DRIFT.\nNO EXTRA VERSION OF <image_1>.",
|
||
"sourceId": "seedance",
|
||
"credit": "@john_my07",
|
||
"sourceUrl": "https://x.com/john_my07/status/2100115896111161691"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-seedance-2-5-via-made-this-farm-day-look-way-too-real-37f7dfec4b6c",
|
||
"title": "韩国女孩的夏日农场体验",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/38369ab7e574.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 via @openart_ai made this farm day look way too real 😯\n\nPrompt \n\nCreate a 30-second, 1080p ultra-realistic personal home-video showing an ordinary summer afternoon in the life of a young Korean woman visiting a small traditional farm and helping with the animals. No reference image.\n\nA naturally pretty beautiful Korean woman in her early 20s, realistic natural skin texture, minimal makeup, relaxed and cheerful personality. Long black hair tied in a loose low ponytail. She wears a loose white cotton T-shirt, light olive-green cargo pants, brown ankle boots, and a beige canvas crossbody bag. Keep the same face, hairstyle, clothing, body proportions, and overall appearance throughout the entire video.\n\nA small traditional countryside farm outside Seoul during a warm summer afternoon. Wooden fences, green fields, an old farmhouse, barn, hay bales, vegetable patches, chickens, cows, buckets, farming tools, trees and natural countryside surroundings. The farm feels ordinary and lived-in, not like a tourist attraction.\n\nThe camera is ALWAYS positioned IN FRONT OF THE GIRL, never behind her. A friend stands or walks in front of her, casually filming her with a handheld consumer DV camcorder/smartphone. Her front face must remain clearly visible during the important moments. The camera naturally moves backward while she walks toward it. Use imperfect handheld movement, small shakes, slightly uneven framing, autofocus hunting, occasional exposure changes, natural motion blur, soft digital detail, mild image noise, faded early-2000s home-video colors, and occasional accidental zooms.\n\nAbsolutely NO rear-view shots, NO filming from behind, NO drone, NO gimbal, NO cinematic tracking shots, NO polished commercial look, NO beauty filter. It should genuinely feel like a friend casually recorded this afternoon.\n\nTIMELINE\n\n0:00–0:05 — Arriving at the Farm\n\nThe girl walks toward the farm entrance while the friend walks backward in front of her filming. She smiles naturally and looks around at the animals and fields. She says casually in Korean:\n\n“오늘 농장에 왔어요.”\n\nNatural footsteps, birds, insects and distant farm sounds.\n\n0:05–0:10 — Feeding the Cow\n\nStill filmed from the front, the girl approaches a calm cow and holds out fresh vegetables. The cow gently eats from her hand. She laughs naturally and looks at the camera, then back at the cow.\n\n0:10–0:15 — Helping With Vegetables\n\nHard cut. The camera remains in front of her as she walks through a vegetable patch and picks fresh vegetables. She holds them up toward the camera with a happy smile.\n\n0:15–0:20 — Chickens\n\nHard cut. Several chickens suddenly walk across the path in front of her. The camera stays facing her from the front as she laughs and carefully steps around them. One chicken comes close to her boots.\n\n0:20–0:25 — Farmhouse Break\n\nShe sits outside the farmhouse with a basket of freshly picked vegetables and eats a piece of fresh fruit. She looks relaxed and slightly tired from working. She smiles at the camera and says:\n\n“생각보다 재밌어요.”\n\n0:25–0:30 — Walking Away / Goodbye\nShe gets up and walks toward the camera, then stops near the farm entrance. The friend keeps filming from directly in front of her. She gives a small wave and says:\n\n“다음에 또 올게요. 안녕!”\n\nShe walks past the camera as the recording ends naturally.\n\nAUDIO:\nOnly authentic location sound: birds, chickens, cows, insects, footsteps, leaves, distant farm activity and natural conversation. No background music, no narration, no artificial sound effects.\n\nFINAL LOOK:\nCompletely believable real-life home-video footage. Slightly imperfect, spontaneous, unpolished and human. Front-facing camera coverage throughout the story, with the girl's face clearly visible.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2098742251472261330"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-30-second-tropical-travel-vlog-montage-featuring-a-beautiful-20-yea-6af38a792806",
|
||
"title": "巴厘岛梦幻夏日旅行日记",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/39b33ab9f88e.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic 30-second tropical travel vlog montage featuring a beautiful 20-year-old East Asian woman with dark hair exploring Bali during a dreamy summer getaway. Shot like an authentic luxury travel diary with handheld camera movement, candid moments, soft golden-hour sunlight, dreamy 35mm film aesthetics, warm vintage color grading, shallow depth of field, natural skin texture, atmospheric lighting, and cinematic storytelling. Maintain the same woman throughout every scene: dark hair, youthful appearance, natural makeup, elegant summer outfits, relaxed happy expression. Format: 4K cinematic video, 24fps, 35mm film grain, realistic handheld camera, soft focus, warm color palette, travel documentary style.\n\nScene 1 (0-4s) — Arrival & Village Street: A warm Balinese morning. The woman strolls down a narrow street lined with frangipani trees and stone shrines, wearing a linen wrap dress, sunglasses pushed up into her hair. Motorbikes pass softly blurred in the background, incense smoke drifts from a doorway offering. Camera trails her from behind, then swings into a close-up as she glances back over her shoulder and laughs, saying softly, \"Okay, I think I already love it here.\"\n\nScene 2 (4-8s) — Cliffside Beach Discovery: She descends stone steps onto a narrow cliffside beach, turquoise water crashing against limestone cliffs behind her. She walks barefoot at the tideline, dress hem lifted slightly, waves curling over her feet. Low-angle shots of her footprints filling with foam, sunlight scattering across the water, jagged cliffs framing the horizon.\n\nScene 3 (8-12s) — Rice Terrace & Jungle Moments: A worm's-eye view looking up through banana leaves and bamboo, sunlight cutting through in warm shafts with soft lens flares. Cut to a close-up of her standing at the edge of an emerald rice terrace, wind lifting loose strands of hair as she looks out, quietly murmuring, \"It's so green it doesn't look real.\"\n\nScene 4 (12-16s) — Warung Cafe & Slow Living: She sits alone at a small open-air warung overlooking the jungle, sipping fresh coconut water through a paper straw. Sunlight filters through woven bamboo shades. Close-up shots of her hands wrapped around the coconut, condensation beading on the shell, her contented half-smile as she watches the trees sway.\n\nScene 5 (16-20s) — Ocean Adventure: She paddles a wooden longboard through a calm turquoise lagoon, sunlight sparkling across the surface. Camera circles her at water level, capturing gentle ripples and distant green cliffs. She loses balance slightly, laughs out loud, and calls toward the camera, \"Don't film this part — actually, keep filming it.\"\n\nScene 6 (20-24s) — Night Market Exploration: A glowing Balinese night market strung with paper lanterns, satay smoke curling into the air, vendors calling out prices. She weaves through the crowd sampling grilled skewers and mango sticky rice, her face lit by warm string lights and passing motorbike headlights. Cinematic close-ups of her eyes widening at the taste, lanterns blurred into soft bokeh behind her.\n\nScene 7 (24-27s) — Golden Sunset Ending: A wide silhouette shot of her standing at the shoreline as the sun sinks into the sea, sky burning orange and violet, reflections rippling across the wet sand. Waves wash gently around her ankles as she tilts her face toward the last light, one hand shielding her eyes.\n\nScene 8 (27-30s) — Hotel Night Reflection: A rooftop pool bar overlooking a glittering coastal skyline at night. She leans against the railing in a simple white dress, curtain of hair moving in the breeze, city lights reflected in her eyes. Final intimate close-up of her curled up on the hotel bed, propped on one elbow, looking directly into the lens with a soft, warm smile as she says, \"Goodnight from Bali.\"\n\nCamera Style: Authentic travel vlog cinematography, handheld camera shake, smooth cinematic transitions, slow push-ins, natural drifting movement, occasional POV shots, realistic autofocus hunting, subtle motion blur.\n\nVisual Style: Dreamy Bali vacation film, boutique travel-brand aesthetic, soft golden sunlight, realistic skin texture, cinematic shallow depth of field, nostalgic 35mm film look, warm atmospheric tones, natural unscripted expressions, emotional storytelling.\n\nAvoid: cartoon style, CGI look, plastic skin, unrealistic face, inconsistent character appearance, changing hairstyle, extra fingers, distorted body, artificial lighting, oversaturated colors, blurry face, unnatural movements, duplicate people.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@eshal__ai",
|
||
"sourceUrl": "https://x.com/eshal__ai/status/2096840505355370629"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-part-1-0-30s-0e5b77e47efa",
|
||
"title": "一口汽水飞入果味天空",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/bf73c9360c92.jpg",
|
||
"mode": "video",
|
||
"prompt": "PART 1 (0–30s)\n— 16:9, 4K, seedance 2.5 render quality\n— 6 cuts, handheld reality / weightless dreamworld, one graphic match cut\n\nCAMERA BEHAVIOR CONTRACT: in the REAL WORLD the camera is HANDHELD — organic micro-shake, human weight, drift and correction. CRITICAL: during the ascent (CUT 3) the handheld camera is PLANTED ON THE GROUND — the operator does not fly, does not crane, does not dolly; they stand on the kitchen floor and TILT UP, tracking her from below as she rises away, hands trembling slightly with the effort of craning back. In the DREAMWORLD the handheld dies: weightless, silk-smooth flight cam.\n\nDREAMWORLD RULE — PHOTOREAL SURREAL: top-tier CGI rendered with physical realism — true atmospheric haze, aerial perspective, realistic cloud volumes, physically correct liquid. The surrealism is in WHAT exists: an endless glowing turquoise sky over a luminous sparkling-water ocean; slow-motion FRUIT MOUNTAINS — mountain-scale formations of giant glossy limes, cherries and pineapple wedges fused with erupting cyan-liquid peaks; balloon-sized carbonation bubbles rising with real refraction.\n\nCharacter: woman from @Image 1 — same facial features, same long dark layered waves, unchanged — wearing a flowing pale-turquoise linen sundress, barefoot, morning stillness turning to wonder. The Aqua Lagoon can stays in her hand through the entire sequence.\n\n[0–3s] CUT 1 — THE SIP. Handheld medium, kitchen morning light: she pops the tab — crack and hiss → raises the can → tilts back → one gulp. Her eyes widen mid-swallow.\n\n[3–6s] CUT 2 — THE BUBBLES. Handheld tight on the can at her lips: a stream of glowing, oversized carbonation bubbles escapes the can's mouth → they multiply → swirl around her arms and shoulders → and as they gather beneath her, her bare feet peel off the kitchen floor. Contact, lift, weightlessness — in that order. She gasps a laugh.\n\n[6–15s] CUT 3 — THE ASCENT (one continuous ground-locked shot, into the match). Camera PLANTED on the kitchen floor, low wide angle, tilting up to follow her: she rises through the room wrapped in the bubble stream, hair floating, cream walls and soft aqua cabinets sliding down past frame edges → above her the ceiling BREAKS OPEN — plaster and beams parting outward in slow motion, dust drifting weightless, morning light flooding down → she passes through → keeps rising into open blue sky → grows smaller against the sky, bubbles trailing beneath her. Frame trembles slightly with the strain of the tilt. FREEZE THE GEOMETRY of the final frame: her small silhouette centered high in frame against open sky, still rising, arms slightly out, bubble trail below.\n\n[15–19s] CUT 4 — THE OTHER SKY (MATCH CUT). GRAPHIC MATCH: first frame mirrors the previous final frame exactly — same silhouette, same position, same scale, same bubble trail — but the sky is now the luminous TURQUOISE of the dreamworld and the handheld shake is gone: weightless smooth cam. Hold the matched composition 0.5s → she decelerates at the apex, levels out, takes in the view: vast turquoise sky, glowing sparkling-water ocean far below, fruit mountains on the horizon. The bubble stream disperses around her like released balloons.\n\n[19–27s] CUT 5 — AROUND THE MOUNTAINS. She flies happily, banking in a wide arc AROUND the fruit mountains — skimming past a mountain-scale lime ridge, weaving along a pineapple-slice cliff face with cyan liquid cascading off it in slow motion, cherries tumbling past like giant red planets. Camera ORBITS her as she flies, closing in gradually — wide orbit → tightening — turquoise dress vivid against the deeper turquoise sky.\n\n[27–30s] CUT 6 — THE STILLNESS. Orbit tightens fully onto her face, filling frame: cyan light from the fruit playing across her cheekbones, hair drifting weightless, eyes slowly closing, a soft blissful smile forming. FREEZE THE GEOMETRY of this final frame at exactly 30s: extreme close-up, centered, eyes closed, soft smile, hair suspended mid-drift, deep turquoise dreamworld light on her skin.\n\nAUDIO: [MUSIC] light, airy tropical-pop score begins under Cut 1 — soft marimba and glassy synth pads, building gently through the ascent into a wide, uplifting swell through the flight sequence, still playing softly at the freeze. [SFX] tab crack and hiss, one gulp; rising bubble fizz growing into a deep glassy hum; long cinematic RISER under the ascent — layered whooshes, sub-bass pressure swelling; plaster cracking and beams parting (soft, dreamlike); on the match cut (15s) a single deep SUB DROP followed by a wide airy BLOOM, kitchen acoustics opening into vast open-sky reverb; distant fruit-mountain rumbles, glassy bubble hums, wind of banking flight. [AMBIENT] kitchen quiet + fridge hum in real world; vast open-sky airiness with layered distant cascades in dreamworld.\n\nPART 2 (30–60s)\n\nCOMMERCIAL FILM — \"AQUA LAGOON DAYDREAM — THE LIFT\" — PART 2 OF 2\n— 16:9, 4K, seedance 2.5 render quality\n— 5 cuts, weightless dreamworld / handheld reality, one graphic match cut\n— OPENING FRAME MUST EXACTLY MATCH THE FINAL FROZEN FRAME OF PART 1: extreme close-up on her face, centered in frame, eyes closed, soft blissful smile, hair suspended mid-drift, deep turquoise dreamworld light washing her skin, weightless smooth cam, no handheld shake. Hold this exact matched frame for 0.5s before continuing motion.\n\nCAMERA BEHAVIOR CONTRACT: in the DREAMWORLD the camera is weightless, silk-smooth flight cam — no shake. In the REAL WORLD (from CUT 9 onward) the camera is HANDHELD — organic micro-shake, human weight, drift and correction. On the return match cut (CUT 9) the handheld shake snaps back on frame one.\n\nDREAMWORLD RULE — PHOTOREAL SURREAL: top-tier CGI rendered with physical realism — true atmospheric haze, aerial perspective, realistic cloud volumes, physically correct liquid. Glowing turquoise sky over a luminous sparkling-water ocean; mountain-scale lime, cherry and pineapple formations with cyan-liquid peaks; floating ice-crystal islands catching prismatic light; balloon-sized carbonation bubbles with real refraction.\n\nCharacter: woman from @Image 1 — same facial features, same long dark layered waves, unchanged — wearing the flowing pale-turquoise linen sundress, barefoot. The Aqua Lagoon can stays in her hand through the entire sequence.\n\n[30–34s] CUT 7 — THE DIVE. Continuing from the matched close-up, her eyes open, still smiling — she banks downward, arcing toward the glowing ocean surface far below — skimming low, fingertips trailing through luminous sparkling water, a spray of oversized bubbles kicking up behind her in slow motion, droplets catching the light like glass. She laughs, weightless, alive.\n\n[34–38s] CUT 8 — THE ICE ISLANDS. She rises again, gliding past floating ice-crystal islands, sunlight refracting through them in prismatic shards; she reaches out and lets a small burst of bubbles scatter from her palm like fireworks. Wide, dreamy, unhurried. The camera slowly tightens back toward her face as the sequence winds down, ending on a tight close-up, eyes closed once more, peaceful. FREEZE THE GEOMETRY of this frame: tight face close-up, centered, eyes closed, soft smile, hair drifting.\n\n[38–42s] CUT 9 — HOME (MATCH CUT). GRAPHIC MATCH: same tight face close-up, same scale, same centered framing — but the handheld shake returns on frame one and warm kitchen light replaces the dream sun: her eyes OPEN in the kitchen. She stands exactly where she lifted off, feet planted, hair settling as if a wind just died. The camera eases back a step to a medium: the ceiling is intact — untouched, whole. She looks up at it once, then breaks into a slow, delighted smile.\n\n[42–50s] CUT 10 — THE POUR. Handheld, kitchen light: she walks to the counter, pours the Aqua Lagoon over ice into a clear glass — a slow-motion cascade, bubbles catching morning light, a lime wedge dropping in with a soft splash. She lifts the glass, takes a small sip, smiles to herself.\n\n[50–60s] CUT 11 — THE LOGO. Still handheld, gently breathing: she turns, looks into the lens, smiling, and RAISES the can toward camera — holding it out at chest-to-shoulder height, FRONT FACE of the label squared to the lens (exactly as in @Image 2), the white \"AQUA LAGOON\" wordmark and swirl logo centered, sharp and legible at frame center, one long horizontal cyan flare streaking off the aluminum rim, the deep-blue label glowing against the warm cream kitchen. Camera eases in a breath closer and settles. Final frame: her smile behind the can, logo to camera, lime and cherry garnish visible on the counter beside her.\n\nAUDIO: [MUSIC] uplifting swell from Part 1 continues softly under the dive and ice islands, dropping out completely on the return match cut (38s) for total silence, then re-entering warm and soft under the pour and logo shots, resolving on a clean, bright final chord as she raises the can. [SFX] slow-motion water splashes on the dive, glassy bubble hums, wind of flight; on the match cut (38s) all dreamworld sound CUTS DEAD in one frame to sudden dry kitchen silence + fridge hum, bare feet settling, her soft delighted exhale; ice clinking and liquid pouring on Cut 10; under the final logo shot, music plus one soft airy shimmer as the flare crosses the lens. [AMBIENT] vast open-sky airiness with distant cascades in dreamworld; kitchen quiet + fridge hum in real world.",
|
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"sourceId": "seedance",
|
||
"credit": "@ShamiWeb3",
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||
"sourceUrl": "https://x.com/ShamiWeb3/status/2096388928416919829"
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||
},
|
||
{
|
||
"id": "seedance:seedance-realism-that-makes-ordinary-life-feel-special-aa5751af1eff",
|
||
"title": "京都女孩的平凡一日",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-realism-that-makes-ordinary-life-feel-special-aa5751af1eff.jpg",
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"mode": "video",
|
||
"prompt": "Realism that makes ordinary life feel special\n\nSeedance 2.5 \n\nPrompt\n\nCreate a 30-second, 16:9 ultra-realistic handheld lifestyle vlog following the young Japanese woman in her 20s through an ordinary day in Kyoto. Keep her face, identity, hairstyle, body, outfit, accessories, and proportions perfectly consistent.\n\nShe wears a fitted pastel yellow short top, straight-leg light denim jeans, yellow canvas sneakers, a small tan tote bag, and thin gold hoop earrings throughout.\n\nStyle: Genuine footage filmed casually by a close friend on a smartphone/compact camera. Handheld shake, imperfect framing, autofocus/exposure shifts, natural motion blur, mild digital noise, realistic skin texture, occasional late camera reactions. No gimbal, drone, cinematic choreography, slow motion, beauty filter, or commercial look.\n\n0–5s: Quiet residential Kyoto street, narrow lane with wooden facades. She steps out of her apartment, glances at her phone, notices the camera, smiles softly, tucks her hair behind her ear and says naturally: \"今日も一緒に行こう。\"\n\n5–11s: Enters a small neighborhood bakery/konbini-style shop, notices a fresh melon pan and says: \"これ、いい匂いがする。\" Buys it, takes a bite outside, and smiles at the camera.\n\n11–17s: Boards a local city bus and sits by the window. Kyoto streets and old buildings pass outside with realistic reflections and sunlight. She quietly says: \"こういう日は、歩きたくなるな。\"\n\n17–23s: Gets off near a canal-side walking path. Buys a drink from a small vending machine or cart. A cyclist passes unexpectedly close; she steps aside, laughs, and says: \"今、ちょっとびっくりした。\"\n\n23–27s: Golden-hour canal-side scene. She sits on a low stone ledge or bench, places her drink beside her, removes one earbud, watches the water, and gives a small genuine smile as the wind moves her hair.\n\n27–30s: She stands and walks away. After a few steps, looks back and says: \"次は一緒に来てね。\" She continues walking as the camera follows behind. Recording naturally ends around 29.5s.\n\nREALISM: Accurate human biomechanics, grounded feet, continuous objects, realistic bus movement, natural walking/eating/sitting, consistent architecture and wardrobe. No teleportation, morphing, identity drift, duplicated/disappearing objects, distorted hands or limbs.\n\nAUDIO: Natural Japanese dialogue with accurate lip-sync, phone-mic quality, footsteps, traffic, birds, bakery sounds, bus engine, bicycle bell, wind and city ambience. No music, narrator, or cinematic SFX.\n\nAbsolutely no subtitles, captions, on-screen text, logos, watermarks, or UI.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2096109540924141746"
|
||
},
|
||
{
|
||
"id": "seedance:yesandyou-seedance-ai-2a9dc20c947d",
|
||
"title": "泥土中诞生的罐中小鸟",
|
||
"description": "过程变身蒙太奇",
|
||
"image": "https://media.goodcase.ai/media/poster/yesandyou-seedance-ai-2a9dc20c947d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with Seedance 2.5 on @HighSignal_AI \n\n🎬 MAIN VIDEO PROMPT\n\nUse the uploaded image as the exact visual reference. Create a highly detailed, cinematic 10-second magical transformation video. Keep the overall composition, character appearance, lighting, camera quality, and environment consistent with the reference.\n\n⏱️ 0–2 seconds — Jar & Mud\nThe subject is holding a small transparent glass jar/container carefully in both hands. Inside the jar is thick, dark, moist magical mud/soil with realistic texture. The camera slowly pushes toward the jar, focusing on the mud. Tiny particles of soil begin to move naturally.\n\n🌱 2–5 seconds — Mud Comes Alive\nThe mud inside the jar starts gently swirling and rising as if something is forming underneath it. Small cracks appear across the surface of the mud. Tiny pieces of soil lift into the air and fall naturally. A subtle magical glow begins to emerge from inside the mud, while keeping the scene photorealistic rather than cartoonish.\n\n🐣 5–8 seconds — Bird Emerges\nA small realistic bird slowly emerges from the mud inside the jar. First, its tiny head appears, followed by its neck, wings, and body. Wet mud naturally falls away from its feathers as it comes out. The bird gradually becomes fully formed, with extremely detailed feathers, realistic eyes, tiny beak, and natural movements. The emergence should feel magical but physically believable.\n\n🐦 8–10 seconds — Final Moment\nThe bird completely emerges from the mud and gently spreads its wings. A few tiny pieces of mud fall back into the jar. The bird looks around naturally and gives a subtle wing movement. The camera finishes with a beautiful close-up of the bird sitting on/above the mud inside the jar, creating a mysterious and magical final shot.\n\n🎥 CAMERA & VISUAL STYLE\n\nDuration: 10 seconds\nFormat: 9:16 vertical\nUltra-photorealistic\nCinematic fantasy realism\nSmooth slow camera movement\nMacro-style detail on mud and feathers\nRealistic depth of field\nNatural lighting and shadows\nDetailed glass reflections\nRealistic mud physics\nSmooth motion with strong temporal consistency\nNo sudden camera movements\nNo cuts\nNo transitions\nNo camera shake\n\n🪶 BIRD DETAILS\n\nThe bird should look completely realistic:\n\nExtremely detailed individual feathers\nNatural feather movement\nRealistic eyes and beak\nCorrect bird anatomy\nNatural wing structure\nRealistic proportions\nWet mud sticking temporarily to feathers\nMud naturally falling away as the bird emerges\nSubtle breathing and head movement\nNatural wing movement\n\n🚫 NEGATIVE PROMPT\n\ncartoon, anime, CGI-looking bird, fake feathers, deformed bird, malformed wings, extra wings, extra legs, extra eyes, multiple birds, duplicate bird, bird suddenly appearing, bird teleportation, unnatural bird anatomy, giant bird, oversized bird, disappearing bird, distorted mud, floating mud, unrealistic mud physics, excessive magic effects, cartoon magic, excessive glowing particles, explosions, smoke, fire, distorted jar, broken glass, melting glass, changing jar shape, extra hands, deformed fingers, missing fingers, distorted hands, face distortion, blurry, low resolution, pixelated, oversaturated, excessive bloom, excessive lens flare, camera shake, fast zoom, sudden movement, flickering, ghosting, frame interpolation artifacts, object morphing, inconsistent lighting, watermark, logo, text, subtitles, UI elements.\n\n✨ FINAL QUALITY\n\nPhotorealistic cinematic fantasy, highly detailed wet mud, realistic glass, physically accurate lighting, natural bird anatomy, extremely detailed feathers, believable mud-to-bird transformation, smooth 10-second animation, consistent objects and environment, premium cinematic quality, realistic depth of field, 4K-quality detail.",
|
||
"category": "process-transformation-montage",
|
||
"sourceId": "seedance",
|
||
"credit": "@Yesandyou_",
|
||
"sourceUrl": "https://x.com/Yesandyou_/status/2090075447195480403"
|
||
},
|
||
{
|
||
"id": "seedance:just-sharon7-seedance-ai-9c64e481a51d",
|
||
"title": "Seedance 灾难现场拍还是跑:第一视角短片",
|
||
"description": "电影感叙事短片",
|
||
"image": "/inspiration-thumbs/seedance/just-sharon7-seedance-ai-9c64e481a51d.webp",
|
||
"mode": "video",
|
||
"prompt": "Would you take out your phone to make videos or run first?\n\nSeedance 2.5 on @DomoAI_ \n\nprompt\n\nLIVE-ACTION CINEMATIC REALISM. Every frame is photographed as real live-action footage: a real adult woman, real city, real pedestrians, real domestic pets, and a real enormous mascot plush statue. Real skin with pores, real wavy blonde hair with individual strands, real cotton, nylon, leather, metal, wet asphalt, glass, concrete and plush fibers. No illustration, painting, anime, CGI, 3D render, or artificial surface.\n\nCHARACTER LOCK:\n\nThe same clearly adult street-fashion archer from @[Image 1](image_1) in every shot. Preserve her exact face, natural facial geometry, dark eyes, skin tone, expression, extremely long straight wavy blonde hair, thick blunt bangs, and royal-blue backward baseball cap with small decorative details but no readable text. She is 178 cm tall, XS size, very slim elongated runway-model proportions. Her outfit never changes: oversized white-to-light-grey graphic cotton T-shirt with a deep plunging neckline that that accentuates her large cleavage., faint doodle motifs but no readable lettering, dusty rose-pink wide cargo trousers with dimensional pockets and heavy folds, black belt with silver hardware, colorful keychain charms, layered bead necklaces, and red low-top sneakers with white soles.\nARCHERY GEAR:\nShe carries a long dark laminated-wood recurve bow with a leather-wrapped grip, visible taut string, realistic curved limbs and subtle wear. A dark-brown leather quiver crosses diagonally over her back, holding six to eight arrows with natural wood shafts and cream-white feather fletching. She wears matching brown leather archery gloves with stitched palms, reinforced knuckles and wrist straps, plus a fitted leather forearm bracer on the bow arm and a slim finger tab or draw glove. The archery equipment is integrated into her street-fashion styling, not a historical costume.\nLOCATION:\nA dense urban shopping district and pedestrian plaza at blue hour, wet asphalt reflecting storefront light, concrete towers, glass façades, crosswalk signals, street lamps, overhead transit lines, narrow side streets, urban haze, and a large original unbranded mascot plush statue installed in the center of the plaza. The mascot is enormous, approximately three stories tall, with a soft cream-and-pastel plush body, oversized rounded head, expressive embroidered eyes, visible seams, padded limbs and tactile fabric. No copyrighted character, logo or readable text.\nSTORY — 12 SHOTS, ONE CONTINUOUS EVENT:\n1. 0–1.5s, LOW WIDE. Camera whips right past two foreground pedestrians and a street barrier. She bursts through the wet plaza at a low run, bow held low, red sneakers splashing lightly, dusty rose cargo fabric and extremely long hair streaming behind her.\n2. 1.5–3s, EXTREME CLOSE, LOCKED. A commuter’s eyes appear above a scarf behind a transparent umbrella. The eyes snap toward the plaza as nearby city lights reflect across the wet plastic.\n3. 3–4.5s, CLOSE, FAST PUSH-IN. Two pedestrians and their leashed pets in the distance suddenly turn toward the giant mascot statue. A small dog raises its ears while a cat inside a carrier shifts and looks outward.\n4. 4.5–6s, TRACKING MEDIUM. Camera runs beside her through the moving crowd at shoulder height. People step aside, coats and shopping bags sway, her long black hair, oversized T-shirt and cargo trousers carry real momentum as she reaches toward the quiver.\n5. 6–7.5s, LOW ANGLE CLOSE. Her red sneaker plants on the wet pavement. She straightens hard and raises the dark recurve bow into frame. The giant mascot statue is visible far behind her between buildings.\n6. 7.5–9s, MEDIUM FROM HER LEFT. Camera orbits behind her as she draws an arrow from the quiver, nocks it and pulls the string to full draw. The bow limbs flex visibly; pedestrians freeze at a safe distance, watching.\n7. 9–10.5s, MACRO, LOCKED, razor-shallow focus. Her leather-gloved fingers grip the string, stitched glove texture, finger tab and arrow shaft sharply resolved. Her eye, blue cap and city lights remain soft behind. The string creeps back the last centimetre. The crowd noise drops for one hard beat.\n8. 10.5–12s, WIDE FROM BEHIND AND ABOVE THE ARROW, LOCKED. She releases. The string snaps and blurs. The arrow tears forward between streetlights and glass buildings toward the giant mascot statue.\n9. 12–14s, MEDIUM CLOSE TRACKING THE ARROW. The arrow breaks apart in mid-air: its front half dissolves into millions of bright rose-pink glitter particles streaming behind it, each particle catching the city light separately while the feathered tail remains intact. The arrow has no point.\n10. 14–16s, WIDE LOW ANGLE. The glitter stream strikes the plush mascot’s chest and races through its seams as a bright rose-pink wave. Plush fibers ripple outward from the impact point. Pink reflections pulse across the wet pavement and nearby windows.\n11. 16–18s, WIDE LOW ANGLE, FAST PULLBACK. The enormous mascot plush statue activates and rises into a fully living presence. Its padded head lifts, embroidered eyes illuminate softly, oversized arms move, seams flex, and rose-pink glowing fabric appliqués spread across its plush surface from the impact point. It remains clearly soft, textile-based and physically heavy, not a CGI monster.\n12. 18–20s, FINALE, WIDE FROM BEHIND. Camera rises behind her as she lowers the bow and lets her weight settle naturally onto one hip. She looks up at the awakened mascot with a small confident smile. Pedestrians gather and react, some stepping backward, others pointing or raising phones. Dogs tug lightly at their leashes, a small pet in a carrier shifts, and the giant mascot waves slowly above the plaza. Glitter continues to fall through the city light.\nVary the framing aggressively: extreme close-up, macro, close, medium, tracking, low wide and overhead. Never repeat the same shot type twice consecutively. Shots 2, 7 and 8 are locked; all others use clear camera movement. Every action must be instantly readable.\nLOOK:\nPhotorealistic live-action large-format colour film with a refined three-strip Technicolor response. Concrete, glass, asphalt and distant architecture remain cool blue-grey and slightly desaturated. Saturated colours are the royal-blue cap, dusty rose cargo trousers, red sneakers, colorful keychain charms, rose-pink glitter, and the cream-and-pastel mascot plush. Fine photochemical grain, subtle halation on streetlights and glitter, realistic wet reflections, tactile cotton, nylon, leather, metal and plush fibers. Photographed reality, never drawn.\nLIGHTING:\nBlue-hour city light mixed with warm street lamps and storefront spill at approximately 4200K. Cooler sky fill at 4:1. Streetlights rim her long black hair, cap, bow and quiver. Thin urban mist and steam rise from vents and wet pavement. The glitter emits separate rose-pink specular points and casts soft pink reflections onto the mascot, asphalt, glass and her face.\nCAUSE AND EFFECT:\nPedestrians and pets notice the strange event before the transformation, so their final reactions read as consequences. The glitter must visibly travel in sequence: arrow releases, arrow breaks apart, particles stream through the city, glitter strikes the mascot chest, light travels through the seams, the plush statue activates, then the crowd and pets react. Never cut directly to an already-animated mascot.\nPHYSICS:\nReal mass, real air and believable momentum. Bow limbs flex, string snaps, arrow flight has directional force, glitter behaves as millions of separate solid particles carried by fast air, and plush fabric compresses, ripples and rebounds with weight. Cargo fabric, T-shirt, hair, quiver strap and keychains respond to acceleration. Wet pavement reflects movement without becoming a mirror. The giant mascot moves slowly because of its padded mass. No slow motion; all shots run at real-time speed.\nAUDIO:\nWet footsteps, light splashes, distant traffic, pedestrian chatter, shopping bags and coats moving, dog tags and leash tension, a faint pet sound, bowstring creak, sharp release snap, arrow hiss, crystalline glitter shimmer, plush fabric shifting, soft mechanical-like seam tension, crowd gasps and footsteps. No music.\nON-SCREEN TEXT:\nNone. No readable text, subtitles, numbers, captions, UI, logos, brand marks or watermark anywhere.\nOUTPUT:\n20 seconds, horizontal 16:9, 4K, continuous cinematic live-action realism. #DomoAi #DomoAiCPP",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2089578815219785888"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-a-young-man-is-taking-a-normal-shower-in-a-modern-apartment-when-his-phone-sudd-af3385936722",
|
||
"title": "洗澡时快递上门,男子裹毛巾赶到门口",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/18d636c8a022.jpg",
|
||
"mode": "video",
|
||
"prompt": "A young man is taking a normal shower in a modern apartment when his phone suddenly shows a delivery notification.\n\nHe hears the doorbell and quickly turns off the shower, grabs a towel, and rushes toward the entrance. His wet feet leave small realistic footprints as he carefully runs across the floor.\n\nHe finally opens the door, but the delivery driver is already walking away. The package is sitting safely on the doormat.\n\nHe looks at the package, then at the driver, completely exhausted.\n\nPhotorealistic cinematic comedy, realistic water behavior, natural human movement, believable gravity and friction, consistent character appearance, realistic wet hair and fabric, natural facial expressions, smooth camera tracking, accurate shadows, realistic apartment lighting, and physically believable interactions throughout.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithZeeshi",
|
||
"sourceUrl": "https://x.com/AIwithZeeshi/status/2107317166995546481"
|
||
},
|
||
{
|
||
"id": "seedance:real-case-07-techiebysa",
|
||
"title": "法式牛角包制作过程",
|
||
"description": "来自 X / 𝕏 的真实 视频 案例,由 @TechieBySA 发布。适合观察 P…",
|
||
"image": "https://media.goodcase.ai/media/poster/real-case-07-techiebysa.jpg",
|
||
"mode": "video",
|
||
"prompt": "GPT Image 2 Storyboard prompt:\n\n“Create a crisp, clean infographic storyboard poster for THE CROISSANT BAKER. Wide 16:9 layout, white background, black borders, bold black typography, premium Pixar 3D stylized rendering, bright vivid colors — warm golden yellows, rich buttery creams, flaky browns, soft pastry whites, warm French bakery morning light.\nTop header:\n\nTHE CROISSANT BAKER\nTOTAL VIDEO TIME: 12 SECONDS\n8 SHOTS · WARM · FLAKY · IRRESISTIBLE\nLegend icons: ACTION, HEAT, TIME HINT, INGREDIENT\nThin warm golden accent line running full width beneath header\n\nSame Pixar-style young French male baker throughout: white baker's jacket, flour-dusted hands, warm authentic French boulangerie setting, marble countertop, warm morning light streaming through windows, bread racks in background. Bright, warm, delicious. Every panel a completely different composition and color.\n8 panels:\n\nTHE OPENER — Wide shot of baker arriving at the boulangerie before dawn, tying apron, switching on the warm kitchen lights, marble counter visible, bread racks behind, flour dusting the air, full world established, bright and cinematic\nTHE BUTTER BLOCK — Baker slams a massive cold block of European butter onto the marble counter with both hands, dramatic impact, flour cloud puffing up, close-up on hands, this is the bones moment — the start of everything\nTHE LAMINATION — Baker folding the dough over the butter block precisely, rolling pin pressing down hard, layers building, side angle shot showing the beautiful layering beginning, confident and skilled\nTHE ROLL — Dough rolled out into a large thin sheet, baker leaning into the rolling pin with full body weight, marble counter, flour dusting everywhere, wide shot showing the scale of the dough\nTHE SHAPE — Triangles cut from the dough, baker rolling each one from the wide end into a tight crescent, hands moving fast and confident, close-up on the shaping, beautiful and precise\nTHE EGG WASH — Baker brushing golden egg wash over each shaped croissant with a pastry brush, each one glistening beautifully, close-up overhead angle, warm golden color, stunning composition\nTHE OVEN — Croissants slid into the blazing hot oven on a tray, oven door closed, through the oven glass croissants visibly puffing and turning deep golden, layers separating dramatically, warm orange glow\nTHE TEAR — Baker pulls a perfect golden croissant from the rack, holds it up, tears it open slowly revealing hundreds of impossibly flaky buttery layers inside, steam escaping, butter glistening — this is the cheese pull moment, the hero shot of the entire video\n\nFooter:\n\nVIDEO FLOW: 8 shots × 1.5s = 12 seconds. Butter block to the tear.\nCAMERA TIPS: wide on opener, close-up on butter slam and shaping, side angle on lamination, overhead on egg wash, oven glass for panel 7, extreme close-up on the tear reveal\nLIGHT & STYLE: warm golden French bakery morning light, buttery cream tones, flour dust in the air, bright vivid Pixar colors, shallow depth of field on close-ups\nBAKER NOTES: one baker, one perfect croissant, one irresistible tear. The lamination layers and the final tear are everything — make them stunning.”\n\nSeedance 2.0 prompt:\n\n“Use the attached THE CROISSANT BAKER storyboard image as the exact reference.\nCreate a 12-second 16:9 animated croissant-making sequence that follows the 8-shot storyboard exactly. Preserve the same Pixar-style young French male baker, white jacket, flour-dusted hands, warm authentic French boulangerie, marble counter, and bright golden color aesthetic throughout.\nRules:\n•Follow the sequence exactly from 1 to 8\n•One shot per panel, approximately 1.5 seconds each\n•No skipped steps, no extra steps beyond the storyboard\n•Maintain character and bakery continuity throughout\n•Emphasize the butter slam, lamination layers, crescent shaping, egg wash glisten, oven puff, and final flaky tear reveal\nShot sequence:\n1.Baker arrives before dawn, ties apron, switches on warm kitchen lights — wide establishing shot, full boulangerie world visible\n2.Massive cold butter block slammed onto marble counter — dramatic impact, flour cloud explosion, close-up hands only\n3.Dough folded precisely over butter, rolling pin pressing down hard — side angle, beautiful layers building\n4.Dough rolled into large thin sheet — baker leaning into rolling pin with full body weight, flour dusting everywhere\n5.Triangles cut and rolled into tight crescents — hands moving fast and confident, close-up on shaping\n6.Golden egg wash brushed over each croissant — pastry brush close-up, each one glistening, overhead angle\n7.Croissants in blazing oven — through oven glass puffing dramatically, turning deep golden, layers separating, warm orange glow\n8.Baker tears open a perfect golden croissant — hundreds of flaky buttery layers revealed, steam escaping, butter glistening, pure satisfaction\nCamera:\n•Wide establishing shot for the opener\n•Close-up hands only for butter slam and crescent shaping\n•Side angle for the lamination\n•Wide shot for the dough roll\n•Overhead for the egg wash\n•Oven glass shot for panel 7\n•Extreme close-up hero shot for the final tear\nStyle:\n•Warm golden French bakery morning light throughout\n•Buttery cream tones, flour dust particles in the air, marble counter\n•Pixar CGI vivid expressive animation\n•Shallow depth of field on close-up shots\n•Smooth satisfying cuts, warm and joyful energy throughout\nGoal: A mouth-watering 12-second croissant journey from butter block to flaky tear — warm, golden, layered, and impossible to scroll past.“",
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"category": "storyboard-grid-to-video",
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||
"sourceId": "seedance",
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||
"credit": "@TechieBySA",
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||
"sourceUrl": "https://x.com/TechieBySA/status/2053523775702925768"
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||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-realistic-personal-home-video-of-a-young-korean-woman-f67935b7ad16",
|
||
"title": "韩国女孩的社区健身房日常",
|
||
"description": "",
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||
"image": "https://media.goodcase.ai/cases/11e9d6612c78.jpg",
|
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"mode": "video",
|
||
"prompt": "Create a 30-second ultra-realistic personal home-video of a young Korean woman going to a local gym for a simple workout. Use the attached image as the character reference and keep her face, hairstyle and overall appearance consistent throughout.\n\nShe leaves her home carrying a small gym bag and walks through the quiet neighborhood toward a nearby local gym. Before entering, she ties her long black hair into a neat ponytail and adjusts her gym bag.\n\nInside the gym, she changes into realistic workout clothes: a fitted black athletic crop top, high-waisted charcoal leggings, clean white training shoes, and a small fitness watch. She places her bag and water bottle beside a workout bench and begins stretching.\n\nShe starts with light dumbbell exercises, then does bodyweight squats, lunges and jumping-jack exercises. Show realistic movement, controlled breathing and natural effort. Her face gradually becomes slightly sweaty as the workout continues.\n\nShe pauses, grabs her water bottle and drinks several times, then wipes sweat from her forehead and neck with a small white towel. She looks at herself in the gym mirror, laughs at how sweaty she has become and smiles.\n\nShe continues with a short treadmill run, breathing naturally and occasionally laughing when she gets tired. She slows down, steps off carefully, grabs her towel and wipes her face again.\n\nNear the end, she sits on the bench catching her breath, drinks water, smiles toward the camera and says, “That was a good workout!” She gives a small laugh, picks up her gym bag and walks out.\n\nCamera: Raw early-2000s consumer DV-camera footage — handheld shake, imperfect framing, autofocus hunting, exposure shifts, soft digital detail, mild digital noise, natural motion blur, occasional awkward zooms and authentic home-video imperfections. Casual friend-filmed feeling, not a polished fitness commercial.\n\nAudio: Natural gym ambience only — footsteps, treadmill motor, weights gently hitting the floor, breathing, water bottle opening, towel movement, distant conversations, occasional laughter and air-conditioning hum. No music, no narration, no subtitles.\n\nConsistency & realism: Keep the same woman, face, hairstyle, body proportions, gym outfit, shoes, towel, water bottle and gym bag consistent. Realistic sweat, skin texture, hair movement, breathing, exercise form and clothing physics. Natural expressions and genuine laughter.\n\nNegative: CGI look, plastic skin, beauty filters, exaggerated muscles, impossible exercise movements, distorted hands, extra fingers, duplicated people, identity drift, outfit changes, floating objects, teleportation, unrealistic sweat, subtitles, logos, watermark, polished commercial cinematography.",
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||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2104408252670939438"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-21-second-vertical-9-16-cinematic-stop-motion-animation-557fa2797476",
|
||
"title": "潮池石头人的笨拙舞蹈",
|
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"description": "定格动画节奏",
|
||
"image": "https://media.goodcase.ai/cases/89da8d0df670.jpg",
|
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"mode": "video",
|
||
"prompt": "-\n\nCreate a 21-second vertical 9:16 cinematic stop-motion animation. A tiny humanoid figure made entirely from naturally shaped smooth beach stones comes to life in a shallow tidal pool on a rocky seashore. Each body part is constructed from individual stones—large oval stone as the head, stacked rounded stones for the torso, smaller stones forming arms and legs.\n\nThe scene is filmed through a slightly out-of-focus chain-link fence, creating a natural foreground frame. Behind the character is a calm shoreline, shallow seawater, barnacle-covered rocks, seaweed, and a softly blurred forest under an overcast sky. Photorealistic textures, natural muted colors, shallow depth of field, realistic water reflections.\n\nAnimation: The stone figure slowly balances itself and begins moving like a playful little human. It shifts its weight, raises one leg, bends its knees, swings its stone arms, and performs a quirky little dance while carefully maintaining balance on the wet surface. Tiny ripples form beneath every footstep, and its reflection moves naturally in the water. The movements should feel hand-crafted stop-motion, slightly imperfect but believable, with realistic stone physics and weight.\n\nToward the final seconds, the figure loses its balance, stumbles, and collapses naturally, with the individual stones separating and tumbling onto the shallow wet ground. The character completely disassembles into ordinary stones. End with the camera holding on the scattered stones and their reflections.\n\nCamera: locked-off smartphone-style vertical composition, subtle natural camera movement, medium-full shot, low angle close to water level, strong foreground bokeh from the fence, cinematic depth of field.\n\nLighting: soft diffused daylight, overcast coastal atmosphere, realistic reflections and wet stone highlights.\n\nStyle: ultra-realistic live-action environment + whimsical photorealistic stone stop-motion character, tactile stone textures, physically believable movement, cinematic macro photography, no CGI-looking surfaces, no text, no humans.\n\nNegative prompt: cartoon, plastic-looking stones, exaggerated facial features, smooth CGI character, floating objects, unrealistic physics, extra limbs, changing environment, camera cuts, text, watermark, oversaturated colors.",
|
||
"category": "stop-motion-cadence",
|
||
"sourceId": "seedance",
|
||
"credit": "@arsalannazir07",
|
||
"sourceUrl": "https://x.com/arsalannazir07/status/2096791786807275583"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithkhan-seedance-ai-9a5c5cbd518b",
|
||
"title": "韩巷夏日骑行的女孩",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithkhan-seedance-ai-9a5c5cbd518b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Main subject: Young Korean woman, early 20s, wearing a soft pink short top, loose cream pajama-style pants, black sneakers and a delicate necklace. Messy black side ponytail, natural makeup, realistic skin and completely consistent appearance.\nLocation: Older Korean residential neighborhood on a hot summer afternoon. Narrow alleys, concrete walls, tiny gardens, bicycles leaning against houses, colorful laundry, utility poles and leafy trees creating patches of shade.\nShot entirely like an early-2000s home video filmed by her friend. Strong handheld shake, accidental framing, autofocus hunting, blown-out highlights, faded colors, digital noise, occasional zoom mistakes and realistic motion blur.\nShe leaves her house carrying a small basket and walks barefoot toward a bicycle. She slips on her sneakers, hops onto the bicycle and starts riding through the lane.\nShe passes a friend sitting outside a small house. The friend calls her name and she immediately stops.\nThey chat casually for a moment, laughing about something. She steals a sip from her friend's iced drink, laughs and continues cycling.\nShe stops beneath a giant tree and parks the bicycle. She looks upward as the leaves move in the warm breeze.\nA basketball rolls into the lane from nearby children. She kicks it gently back toward them and waves.\nShe gets back on the bicycle and rides away while the camera remains behind, slowly losing sight of her around the corner.\nAudio: Summer insects, birds, bicycle chain, distant children, wind through leaves, casual conversation and neighborhood ambience. No music.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2091175465037746522"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-cinematic-horror-action-short-film-opens-with-an-instant-attack-no-slow-build-f8ebf859523e",
|
||
"title": "黄昏郊区街头的感染突袭与邻里反击",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/c3e3f99fd4c6.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic horror-action short film, opens with an instant attack, no slow build, grounded practical-effects style, maximum dynamic camera work. Setting: a quiet suburban street at dusk, a small group of neighbors gathered outside their homes. Muted authentic color grading, natural diegetic sound throughout, tension score entering immediately.\n>\n> **[0-1s]** Hard cut: a man stumbles out from between two houses, collapsing onto the street, convulsing violently.\n>\n> **[1-2s]** Nearby neighbors rush toward him to help, unaware of the danger.\n>\n> **[2-3s]** He suddenly lunges up, grabbing the nearest person by the arm.\n>\n> **[3-4s]** She screams, pulling back as his grip holds firm, veins darkening rapidly across his skin.\n>\n> **[4-5s]** He pulls her down, the group scattering in fear and confusion.\n>\n> **[5-6s]** She convulses hard on the pavement, veins spreading fast across her neck.\n>\n> **[6-7s]** She rises seconds later, eyes clouded, joining him, both turning toward the others.\n>\n> **[7-8s]** Loud cries of fear erupt through the street as neighbors scramble for their homes.\n>\n> **[8-9s]** The two infected move fast, catching a third neighbor near his front gate.\n>\n> **[9-10s]** He goes down, convulsing, rising moments later as one of them.\n>\n> **[10-11s]** Wide shot: panic spreads further down the street, people slamming doors and windows shut.\n>\n> **[11-12s]** A man grabs a baseball bat from his garage, stepping out cautiously.\n>\n> **[12-13s]** The three infected turn toward him, moving fast across the street.\n>\n> **[13-14s]** He swings hard at the first, a solid impact knocking it back into a parked car.\n>\n> **[14-15s]** A neighbor joins him, grabbing a shovel from a nearby yard.\n>\n> **[15-16s]** SLOW MOTION insert: she swings it into the second infected, striking it down.\n>\n> **[16-17s]** The third lunges at the man with the bat; he sidesteps and strikes again.\n>\n> **[17-18s]** It staggers, falling against a mailbox, still trying to rise.\n>\n> **[18-19s]** More neighbors emerge cautiously, grabbing garden tools and makeshift weapons.\n>\n> **[19-20s]** They surround the remaining infected, striking together in a coordinated effort.\n>\n> **[20-21s]** SLOW MOTION: the final blow connects, all three collapsing motionless on the street.\n>\n> **[21-23s]** Wide shot: the group stands over them, breathing hard, weapons still raised.\n>\n> **[23-25s]** Cries of fear slowly settle into exhausted relief among the neighbors.\n>\n> **[25-27s]** The man with the bat lowers it slowly, scanning the quiet street for any more movement.\n>\n> **[27-29s]** Neighbors check on each other, some embracing, others sitting down on the curb in shock.\n>\n> **[29-30s]** Final shot: the street falls silent under the dusk sky, the group standing together, exhausted but safe. Cut to black.\n>\n> Natural diegetic sound throughout — convulsing, screaming, crying, metal impacts, heavy breathing — layered with a tense instrumental score building through the chaos and easing into relief at the end. No text overlay, no watermark. Maximum dynamic camera variety — close-ups, wide shots, tracking shots, slow motion reserved for the final takedowns. Realistic shake only during physical impacts, natural dusk color grading.\n\nMade with seedance 2.5 on @SocialSight",
|
||
"sourceId": "seedance",
|
||
"credit": "@auqibhabib",
|
||
"sourceUrl": "https://x.com/auqibhabib/status/2107346452494381298"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-pace-extremely-fast-continuous-combat-zero-pauses-zero-idle-moments-action-f9513a8db08a",
|
||
"title": "丛林神庙水御伏击战",
|
||
"description": "打斗编排",
|
||
"image": "/inspiration-thumbs/seedance/seedance-pace-extremely-fast-continuous-combat-zero-pauses-zero-idle-moments-action-f9513a.webp",
|
||
"mode": "video",
|
||
"prompt": "SCENE — WATERBENDING AMBUSH\nDURATION: exactly 10 seconds\nFORMAT: 16:9\nSTYLE: ultra-photorealistic live-action fantasy action, grounded CGI, realistic water physics, Hollywood stunt choreography, practical jungle-temple location, handheld cinematography, seamless VFX integration, no digital-art appearance.\nPACE: extremely fast continuous combat, zero pauses, zero idle moments, action already in progress.\n\nREFERENCES\n\nIMAGE 1 — ARMAN\nPreserve facial identity, hairstyle, body proportions, costume, and appearance exactly.\n\nIMAGE 2 — MASTER ENVIRONMENT SHEET\nPreserve environment, architecture, vegetation, atmosphere, and location identity exactly.\n\nIMAGE 3 — ENEMY REFERENCE\nPreserve enemy armor, silhouette, proportions, and visual identity exactly.\n\nACTION\n\n0.0–2.5 SECONDS — SURROUNDED\nFight begins mid-combat. Five armored enemies attack from multiple directions. Arman pivots beneath a frontal strike while a large mass of water is already orbiting around him. He redirects the flow to deflect Enemy A. Several sections split from the moving water, instantly freeze into sharp ice shards, and fire toward attacking enemies. Camera performs fast handheld lateral tracking.\n\n2.5–5.0 SECONDS — ROTATING PRESSURE\nEnemy C closes from behind. Arman ducks beneath an attack and transitions into a continuous spinning movement. The main water mass whips around him with believable inertia, striking, deflecting, and creating openings. Multiple ice shards separate from the flowing water and launch toward different attackers, forcing evasions and interrupting attacks. Camera reacts with quick pans and target switching.\n\n5.0–7.5 SECONDS — WATER IMPACT\nEnemy A attacks again. Arman redirects the entire water mass into a powerful lateral strike. Water impact throws the enemy sideways onto wet stone. While the enemy falls, additional ice shards fire toward advancing attackers. Arman immediately turns toward the next threat without stopping.\n\n7.5–10.0 SECONDS — COMBO CONTINUES\nEnemies close from opposite directions. Arman performs rapid circular footwork while continuously controlling the moving water flow. Fresh ice shards split from the leading edge and fire toward multiple enemies. Enemy C charges directly into range. Arman pivots and accelerates the main water mass toward him.\n\nEND BEFORE IMPACT.\n\nSMASH CUT. ACTION INTERRUPTED MID-COMBO. END.\n\nVISUAL RULES\n\n- Five active enemies remain engaged throughout.\n- No enemy stands and watches.\n- Combat never slows down.\n- Water remains a single continuous moving mass.\n- Ice shards separate from the moving water, instantly freeze, and launch as sharp translucent projectiles.\n- No glowing effects, energy beams, neon trails, or anime aura.\n- Grounded CGI integrated into live-action photography.\n- Every action directly causes the next event.\n- Continuous movement, zero pauses, zero dead frames.\n- Final frame preserves active combat momentum for Scene 02.\n\nCAMERA\n\nReactive handheld Hollywood action camera. Fast but readable movement, medium-wide coverage, brief wider shots for major impacts, natural motion blur, occasional water spray crossing lens. No floating virtual camera.\n\nENVIRONMENT\n\nAncient jungle temple ruins. Wet stone, moss, roots, ferns, waterfalls, dense tropical vegetation, humid atmosphere, realistic live-action location photography.\n\nSOUND\n\nRaw action only. Footsteps, armor movement, weapons cutting air, rushing water, splashes, ice projectiles, impact sounds, bodies hitting wet ground, distant waterfalls and jungle ambience.\n\nNO MUSIC.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@itxsarmadd",
|
||
"sourceUrl": "https://x.com/itxsarmadd/status/2103694941260222603"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-mark-antony-as-basketball-players-in-an-epic-cartoon-showdown-with-bgm-eb4a6e19a56e",
|
||
"title": "街头篮球场的宿敌对决",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/79cd10f39ed3.jpg",
|
||
"mode": "video",
|
||
"prompt": "#Thalaivar & Mark Antony as basketball players in an epic cartoon showdown with #Jailer2 BGM. 🏀🔥 \n\nThe style. The mannerisms. That iconic smile. 😎\n\n🎥 Powered by Seedance 2.5 in @higgsfield\n#Superstar #Rajinikanth @rajinikanth\n\nPrompt 👇\nPack 1/2\n\n【参考图使用规则】\n\nmanik 的外貌、发型、八字胡、金框飞行员墨镜、黑色 786 球衣、红色腕带与红黑高帮球鞋严格参考角色资产图一;antony 的外貌、发型、无胡须的脸、黑框墨镜、黑色 ANTONY 1 号球衣、黑色腕带与红黑高帮球鞋严格参考角色资产图二;court 的球场结构、铁丝网、涂鸦墙、篮架、树影、远处城市天际线与光感严格参考场景资产图三。\n\n只提取资产图中的视觉设计。严禁生成角色三视图、灰色或白色摄影棚背景、DETAILS & SWATCHES 细节格、色卡条、尺寸标注线、6ft 183cm 字样、7FT 213CM 字样、BAASHA 字样、HEIGHT / BUILD / STYLE / SPECIALTY 等表格文字、FRONT VIEW / SIDE VIEW / BACK VIEW / TOP-DOWN VIEW 字样与水印。\n\n【全局画风】\n\n顶级院线级 2D 风格化动画电影。这不是真人电影,也不是写实 3D。\n\n角色渲染:清晰有力的手绘线稿,人物比例极度夸张拉长——细长的四肢、极窄的腰身、修长的脖颈、偏大的头部。硬边分层阴影,高饱和的黑、红、橙色块,线条带有手绘的力度变化。\n\n环境渲染:严格参考场景资产图三的手绘动画质感——明亮的钴蓝色天空、蓬松的白云、树叶间洒下的斑驳阳光、水泥地上被拉长的树影、铁丝网与涂鸦墙的笔触肌理、空气中被阳光照亮的细小尘埃。\n\n24fps 动画帧感,2.39:1 宽银幕,明亮的午后阳光,35mm 胶片颗粒 25%。\n\n【体型比例·必须严格遵守】\n\nmanik 身高 6 英尺(183cm),身形精瘦修长。\nantony 身高 7 英尺(213cm),比 manik 高出整整一个头,四肢更长、更瘦削。\n\nantony 必须始终明显高于 manik。两人站在一起时,manik 的头顶只到 antony 的下巴附近。antony 用身高俯视 manik,manik 必须略微抬头才能看着他的脸。\n\n这个身高差全片严格保持,绝不允许反转或消失。\n\n【角色 A:manik·英雄】\n\n严格参考角色资产图一。南印度成年男性,6 英尺,精瘦修长。浓密蓬乱的黑色卷发向两侧与后方炸开;浓密的黑色八字胡;戴一副金框飞行员墨镜,全程不摘下。\n\n服装:黑色无袖球衣,胸前印着红色描金的大号数字 786,领口与侧边有红色描边,左胸有一颗金色星星;黑色球裤配红色侧条;右腕戴一只红色毛巾腕带;脚穿红黑白配色的高帮球鞋;白色中筒袜。\n\n【manik 的举止·超级巨星语汇·必须严格遵守】\n\n他的一切都建立在\"不着急\"上。周围越乱,他越慢。\n\n站姿:重心完全压在一条腿上,另一条腿随意前伸,一只手插在球裤口袋里或搭在腰侧,肩膀放松下沉。他站着的时候几乎不动,只有头发在风里飘。\n\n头部:他从不猛地转头。要看什么,先是眼睛在墨镜后面转过去,然后下巴跟着慢慢转,最后整个头才到位,带着一种懒洋洋的迟滞感。\n\n招牌小动作:用拇指与食指捻一下八字胡的尾端;用一根手指把墨镜往鼻梁上推正;不看也能接住抛来的东西;笑起来是先嘴角一侧上扬,然后才扩散到整张脸。\n\n出手:他的动作幅度极小但绝对精准。不摆架势、不蓄力、不做多余的预备动作——上一秒还站着不动,下一秒事情已经结束了。\n\n他从不喊叫,从不慌张,从不露出愤怒。即使被挑衅到脸上,他的第一反应也是笑。\n\n【角色 B:antony·反派】\n\n严格参考角色资产图二。南印度成年男性,7 英尺,极度瘦高。浓密蓬乱的黑色中长发;面部干净,绝对没有胡子;戴一副黑色方框墨镜,全程不摘下直到被打飞。\n\n服装:黑色无袖球衣,胸前印着红色的 ANTONY 字样与大号数字 1,衣身有黑红几何切面纹理;黑色球裤;颈挂一串浅色珠链;左腕戴一只黑色腕带,上有红色 A 字标;脚穿红黑白配色的高帮球鞋。\n\n【antony 的举止·反派语汇·必须严格遵守】\n\n他的威胁感来自懒散,不是咆哮。\n\n姿态:肩膀微微塌着,长手长脚松垮地垂着,像是全身没有一处用力。他走路时上身微微前倾,步子拖沓但覆盖距离很大。\n\n头部:他喜欢把下巴抬高、用鼻孔的角度俯视别人,或者把头歪向一侧打量对方,眼皮半垂。\n\n招牌小动作:手指不停地小幅度动作——转球、弹指、无意识地敲击;说话或挑衅时手掌摊开做夸张的、慢半拍的表演性手势;笑的时候嘴角咧开但眼睛完全不参与,是一种冷的、假的笑。\n\n他享受表演,享受被注视。他的每一个炫技动作都是做给 manik 看的。当 manik 完全不给反应时,他的笑容会一点一点僵掉。\n\n【场景:court·城市街头球场】\n\n严格参考场景资产图三。明亮午后的城市户外水泥篮球场。\n\n【结构】开裂的浅灰色水泥地面,白色的场地线已经磨损褪色。画面一侧立着一座旧篮架:磨白的透明篮板上布满涂鸦与贴纸,橙色篮圈挂着白色的网。场地四周围着高大的绿色铁丝网,网上挂着手绘的旧横幅与标语牌。铁丝网下方是布满彩色涂鸦的矮墙。\n\n【环境】球场一侧有一棵枝叶茂盛的大树,阳光从树叶间穿过,在水泥地上投下大片斑驳晃动的树影。另一侧立着一根旧灯柱与一块告示牌。篮架柱子下靠着一台老式手提音响,旁边滚着一颗备用的篮球。\n\n【远景】铁丝网之外是低矮的红砖楼房、水塔、更远处是蓝天下的城市天际线与高楼剪影。天空是明亮的钴蓝色,飘着蓬松的白云,有几道飞机拉出的白线。\n\n【光】强烈的午后阳光从画面一侧斜射进来,在水泥地上拉出长长的影子。逆光处产生明显的光晕与镜头眩光。空气中漂浮着被阳光照亮的细小尘埃与飞扬的落叶。\n\n【围观者】球场边缘散布着十几名围观的年轻人——靠在铁丝网上、坐在矮墙上、站在场边。他们只是环境资产与尺度参照:全程待在场地边缘,绝不进入球场中央、绝不加入冲突。他们的作用是提供反应:惊呼、起身、后退、张大嘴。\n\n【刚性空间锚点】篮架的位置、大树的位置、铁丝网的走向、远处城市天际线,全片绝对不得漂移、消失或改变数量。\n\n【风格融合规则·南印度商业动作片 + 武侠】\n\n本片是两种电影语汇的融合,两者分工明确:\n\n【运镜与节奏来自南印度商业动作片】极低机位仰拍英雄;台词瞬间镜头完全停止晃动;速度坡道只出现在关键命中的瞬间;英雄的每一次出场与转身都带着压迫性的画面重量。\n\n【物理与动作来自武侠】篮球在空中的滞空时间明显超出现实;被接住的球在掌心瞬间彻底静止;冲刺时距离在一瞬间被跨越;每一次重击的落点都炸开一圈贴地的尘环;头发与衣物遵循夸张的惯性。\n\n严禁彩色能量、发光特效、火焰、雷电或任何超自然光效。所有的夸张都必须表现为空气、尘土、气浪与惯性——纯物理。\n\n【对白规则】\n\n本片只有一句台词,为英文,在下方时间码中以引号标出。只有引号内的文字是被说出来的。其余所有文字——包括动作描述、表情描述、举止说明与运镜说明——全部是画面说明,绝对不得念出、不得配音、不得作为旁白。\n\n全片台词不得超过一句。antony 全程不说话。围观者全程不说话。不得出现旁白与内心独白。\n\n【运镜规格总纲】\n\n全程一镜到底,绝对禁止硬切、剪辑、黑屏转场与定格。\n\n24mm 超广角为主,配合极低机位仰拍。镜头在球场上流畅地绕行、推拉、横移,始终跟随动作。\n\n拍 manik 时必须从极低的角度仰拍,让他在画面中显得高大、沉稳、不可撼动;拍 antony 的炫技时镜头贴着地面跟随球的运动。\n\n速度坡道只允许出现在两个瞬间:7 秒接球的瞬间、14 秒出拳命中的瞬间。其余全部为正常速度。绝不允许全片慢动作、绝不允许定格。\n\n镜头只能穿过真实存在的空隙,不穿过人物、篮架、铁丝网或地面。\n\n【密度要求】\n\n0—6 秒之间,antony 的运球必须每秒呈现 3—5 次清晰的动作变化——绝不允许单调重复地原地拍球。11.5—15 秒之间达到每秒 5—7 次的动作密度。速度快,但不是快进,不用模糊残影掩盖动作。\n\n【0.0—3.0 秒·炫技】\n\n明亮的午后阳光下,antony 在球场中央运球。他的动作又快又花:胯下运球、背后换手、转身拉球、高低交替的快速拍打。篮球砸在开裂的水泥地上,每一次都溅起一小蓬尘土,声音清脆响亮。他的长手长脚甩出夸张的弧线,蓬乱的头发跟着甩动。\n\n他一边运球一边斜眼看向场边,下巴抬高,嘴角咧开一个不达眼底的笑,摊开一只手做了个夸张的、慢半拍的邀请手势。\n\n场边的围观者跟着他的动作发出惊呼,有人拍手,有人站了起来。\n\n运镜:贴地低机位跟随篮球的弹跳,随后升起环绕 antony 半圈,最后顺着他的视线方向摇向场边。\n\n【3.0—5.0 秒·无动于衷】\n\n镜头摇到球场边缘:manik 靠在铁丝网旁站着。\n\n他的重心完全压在一条腿上,另一条腿随意前伸,一只手插在球裤口袋里。他一动不动。阳光透过树叶在他身上洒下晃动的斑驳光点,风把他蓬乱的黑色卷发轻轻吹起。金框墨镜后面看不出任何表情。\n\n他抬起另一只手,用拇指和食指慢慢捻了一下八字胡的尾端。仅此而已。\n\n场边的欢呼声与球场中央的炫技,他一点反应都没有。\n\n运镜:从极低的角度仰拍 manik,镜头缓缓从他的球鞋升到面部,把他在树影与铁丝网前的身影完整纳入画面。\n\n【5.0—6.5 秒·变脸】\n\nantony 看见这个反应——或者说,看见了没有反应。他的笑容一点一点僵掉了。\n\n他猛地发力,三次极快的胯下变向后直线突进,运球压低、步幅拉大,笔直杀向篮架。他高高跃起,长长的手臂举球过顶,做出上篮的姿势。\n\n就在最高点,他的头转向了场边的 manik。墨镜后的脸上,那个假笑彻底消失。\n\n运镜:沿他的突进路线快速倒飞,随他的起跳急速抬升,在最高点稳定锁定他转头的那一刻。\n\n【6.5—7.5 秒·投掷与接球】\n\n以下三步必须严格按先后顺序发生,绝对不得同时发生:\n\n第一步:antony 在半空中改变动作——他没有把球投向篮筐,而是双手抡圆,用尽全力把篮球笔直砸向场边 manik 的面门。篮球以极高的速度撕开空气飞出,球后拖出一道被扰动的尘埃与热浪扭曲的轨迹。\n\n第二步:manik 的双脚一步都没有移动,身体一寸都没有偏转。只有他的右手抬了起来,掌心朝前,迎向飞来的球。\n\n第三步:篮球重重砸进他的掌心,在那一刻彻底静止——球完全停在他张开的手掌里,正好悬在他的脸前方,把他整张脸严严实实地挡住。他的手臂只被冲力压得向后退了不到一寸。他的脚下炸开一圈贴地的尘环,向四周扩散。\n\n【速度坡道】篮球砸进掌心、彻底静止的那一瞬间明显减速,球面在掌心压出形变、尘环开始向外扩散的那一段被拉长,随后立刻恢复正常速度。\n\n场边的围观者集体僵住,有人捂住了嘴。antony 落回地面,脸上第一次出现了不确定。\n\n运镜:与篮球并排同速跟随其飞行轨迹,在球砸进掌心的瞬间稳定锁定接触点,随后被尘环推得轻微后退。\n\n【7.5—10.5 秒·揭示与台词】\n\nmanik 的手臂缓缓落下,篮球随着手掌一起下移——他的脸从球后一点一点显露出来:先是蓬乱的头发,然后是金框墨镜,然后是八字胡。\n\n他的嘴角先在一侧扬起,然后慢慢扩散成一个完整的笑。\n\n整个画面稳定下来,只有风吹过铁丝网的声音与树叶的沙沙声。\n\nmanik: \"This is how you want to play?\"\n\n【构图】说这句话时镜头完全稳定、不晃动,从极低的角度仰拍 manik,让他在蓝天与树影的背景前显得高大。\n\n运镜:随球下移缓缓上摇至他的面部,台词期间镜头完全静止。\n\n【10.5—12.5 秒·抛球】\n\nmanik 用手腕轻轻一弹,把篮球笔直地抛向天空。\n\n球垂直上升,越升越高,在钴蓝色的天空与白云之间变成一个越来越小的橙色圆点。它的滞空时间明显超出现实——它就那样一直在升。\n\nmanik 仰头看着它。antony 也仰头看着它。两个人同时仰着头,整个球场安静了下来,只有球在空气中翻滚的细微声音。\n\n运镜:随球垂直上摇,一路升到天空中的球与白云,短暂停留,随后急速下摇回到两人身上。\n\n【12.5—15.0 秒·出拳】\n\nmanik 的头猛地从天空转回来,正对 antony。\n\n他动了。\n\n他站过的地方只留下一圈炸开的尘土——他已经跨过了整个球场的距离。他压低身体直线冲刺,树影一道道从他身上刷过,球鞋在水泥地上蹬出连续的尘痕,蓬乱的头发被气流整个向后压平。\n\nantony 还仰着头看天。等他把头低下来时,manik 已经到了他面前。\n\nmanik 的右拳从下方轰出,正中 antony 的下颌。\n\n【速度坡道】拳头命中面部的那一瞬间明显减速:antony 的头被打得整个向后甩去,黑色方框墨镜从他脸上飞脱出去,在空中翻转,口水与汗珠被震成一片飞沫,他的双脚离开地面。落点处炸开一圈贴地的尘环。随后立刻恢复正常速度。\n\n场边的围观者集体跳了起来。\n\n最后一帧:manik 的拳头仍抵在 antony 的脸上,antony 双脚离地、身体向后飞起、墨镜在空中翻转;而在他们两人的正上方,那颗橙色的篮球仍然停在高高的蓝天上。画面自然收束。\n\n运镜:沿 manik 的冲刺路线贴地倒飞,在出拳命中的瞬间稳定锁定接触点,随后被冲击弹性后退并轻微抬升,把两人与天空中那颗小小的篮球同时纳入画面。不定格,不摆造型。\n\n【全局约束与防崩条件】\n\nmasterpiece, highest quality, 顶级院线级 2D 风格化动画电影。\n\nmanik 与 antony 的面孔、发型、墨镜、球衣配色与配件全程一致:manik 始终有浓密的八字胡、金框飞行员墨镜、786 号球衣;antony 始终没有胡子、戴黑色方框墨镜、ANTONY 1 号球衣。两人换位后继续按标签区分身份,不得依赖左右位置。\n\nmanik 的墨镜全程不摘下、不脱落、不碎裂。antony 的墨镜只在 14 秒被打飞这一次。\n\n7 英尺对 6 英尺的身高差全程严格保持,antony 始终明显更高。\n\n严控手部结构,每只手固定五指。禁止肢体扭曲、身体穿模、头发穿过身体。\n\n全场只允许存在一颗正在使用的篮球(篮架柱子下靠着的那颗备用球全程不动,不得被拿起)。严禁篮球复制、凭空消失或在错误的位置出现。\n\n篮球的位置必须全程逻辑自洽:0—6.5 秒在 antony 手中;6.5—7.5 秒飞向 manik;7.5—10.5 秒在 manik 掌中;10.5 秒之后一直在天空中,直到最后一帧仍未落地。\n\n速度坡道只允许出现在 7 秒的接球与 14 秒的出拳这两个瞬间。绝不允许全片慢动作、绝不允许定格帧。\n\n破坏与尘土必须由实际接触触发。禁止尘环脱离落点,禁止尘土早于动作出现。\n\n台词为英文原声,成年男性嗓音,极低沉、平静、缓慢,带着一丝笑意。唇形自然同步。\n\n【负面提示词】\n\n台词超过一句,出现第二句台词,泰米尔语对白,印地语对白,反派说话,围观者说话,旁白,内心独白,念出动作描述文字,念出举止说明,念出运镜说明,字幕,Logo,UI,水印;\n\n角色三视图,灰色摄影棚背景,白色背景,DETAILS & SWATCHES 细节格,色卡条,尺寸标注线,6ft 字样,7FT 字样,BAASHA 字样,HEIGHT 表格,FRONT VIEW 字样,图片原有文字;\n\n写实照片风格,真人电影质感,3D 渲染,塑料质感,人物比例正常化,人物变矮变胖,失去线稿,失去手绘笔触,背景变成照片;\n\n换脸,换装,manik 失去八字胡,manik 失去墨镜,antony 长出胡子,antony 有八字胡,墨镜提前脱落,球衣号码改变,786 变成其他数字,球衣配色漂移,人物复制,分身,第三名球员参战;\n\n身高差消失,manik 比 antony 高,antony 变矮,两人等高;\n\n英雄慌张,英雄躲闪,英雄后退,英雄大喊大叫,英雄愤怒,英雄用双手接球,英雄被球砸中脸,英雄移动脚步接球,接球失败,球从手中弹开;\n\n反派大笑出声,反派咆哮,反派提前低头,反派躲开拳头,反派反击,反派获胜;\n\n围观者进入球场,围观者加入冲突,围观者攻击,围观者消失得无影无踪,球场空无一人;\n\n两颗篮球,篮球复制,篮球凭空消失,篮球在 10.5 秒后落地,篮球投进篮筐,篮球滚在地上,备用球被拿起;\n\n彩色能量,发光特效,气功,火焰,雷电,激光,冲击波光效,游戏技能 UI,廉价粒子,速度线特效;\n\n一招一停,互相等待,轮流表演,长时间蓄力,全片慢动作,定格帧,快进感,跳帧加速,原地单调拍球,动作没有重量,布偶飞行;\n\n夜景,日落,雨天,雪地,室内体育馆,木地板球场,封闭场馆,明亮无阴影的照明,天空变阴,云消失,城市天际线消失;\n\n硬切,多机位剪辑,黑屏转场,镜头瞬移,持续晃动,过量滚转,人物出画,镜头穿过身体或篮架,低清晰度,卡顿,电子游戏过场感,过曝,过度锐化。\n\nPack 2 in comments ✨",
|
||
"sourceId": "seedance",
|
||
"credit": "@abulu8",
|
||
"sourceUrl": "https://x.com/abulu8/status/2101679333022851346"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-cinematic-supernatural-fantasy-sequence-photorealisti-6d87ff7834d3",
|
||
"title": "废墟卧室中的白发女子与巨型黑猫",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/cases/70fd0a62397d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-cinematic supernatural fantasy sequence, photorealistic, high-end Hollywood VFX quality.A young woman with long straight black hair and bangs sits in a warm, dimly lit bedroom at night, wearing elegant white pajamas. Start with an intimate close-up of her looking down, then slowly push the camera toward her face. She suddenly senses something strange and looks directly toward the camera.She raises both hands as if controlling an invisible supernatural force. The atmosphere becomes intense, subtle particles and dark energy begin swirling around her. Suddenly, a mysterious white-haired female character appears in the room at incredible speed. She has pale skin, short silver-white hair, sharp expressive eyes, and wears a white outfit. She moves with supernatural agility, rushing toward the camera while reaching forward.The room begins shaking violently. Furniture and objects vibrate, dust and debris float through the air. The ceiling suddenly cracks open with a powerful burst of brilliant white-blue supernatural light. Walls fracture dramatically, creating a huge opening that reveals the dark night sky https://t.co/WPqc9zA0ZI the dust settles, the white-haired character stands in the destroyed room, illuminated by the strange light. Cut to an extreme close-up of her face as she looks shocked and breathes heavily.Then slowly reveal a gigantic mysterious black cat standing in the darkness behind her. The cat is unnaturally large, extremely fluffy, with glowing yellow eyes and an intimidating supernatural presence.End on a dramatic close-up of the giant black cat staring directly into the camera.\nSmooth cinematic camera movement, realistic facial expressions, detailed hair physics, realistic cloth movement, volumetric lighting, floating dust particles, dynamic debris, dramatic shadows, shallow depth of field, realistic VFX, film-quality color grading, seamless transitions, highly detailed environment, photorealistic, 4K, cinematic masterpiece.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2097594855946113177"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-it-s-the-little-moments-that-make-ai-feel-this-real-57c748edf467",
|
||
"title": "首尔夏夜的树叶小插曲",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/cases/276528e2bcc8.jpg",
|
||
"mode": "video",
|
||
"prompt": "It’s the little moments that make AI feel this real.\n\nMade with Seedance 2.5\n\nPROMPT\n\nCreate a 30-second, 1080p, 16:9 ultra-realistic early-2000s DV home video of a young Korean woman having an ordinary but unexpectedly memorable summer evening in an older Seoul neighborhood.\n\nA naturally pretty Korean woman in her early 20s, realistic skin, minimal makeup, long black slightly wavy hair, pale-blue knit top, loose cream trousers, white sneakers, brown crossbody bag, and silver watch. Keep her identity, face, outfit, hairstyle, and proportions perfectly consistent.\n\nSETTING\n\nA quiet older Seoul residential street with concrete lanes, apartment buildings, potted plants, bicycles, utility poles, leafy trees, and a tiny neighborhood convenience shop. Lived-in and authentic. No brands, logos, advertisements, or tourist locations.\n\nCAMERA STYLE\n\nRaw footage from a cheap early-2000s DV camcorder: shaky handheld movement, imperfect framing, autofocus hunting, exposure shifts, faded colors, soft detail, mild tape noise, accidental zooms, and natural camera mistakes. No stabilization or cinematic shots.\n\n00:00–00:06 — THE MYSTERY\n\nShe walks down the street holding a small plastic bag when she suddenly hears a faint jingling sound behind her.\n\nShe stops and looks around.\n\nThe camera quickly zooms toward her confused face.\n\nShe says:\n\n“Did you hear that?”\n\n00:06–00:12 — THE LITTLE DISCOVERY\n\nShe follows the sound and finds a small old bicycle with a tiny bell stuck slightly open.\n\nShe gently taps the bell.\n\nDing.\n\nShe looks at the camera and laughs.\n\nThen she notices a small handwritten-looking paper tag hanging from the bicycle, but the writing is too unclear to read.\n\n00:12–00:18 — THE WIND\n\nA sudden breeze blows several dry leaves across the street.\n\nOne lands directly on her head.\n\nShe doesn't notice.\n\nThe camera operator laughs.\n\nShe looks confused, then realizes and removes the leaf.\n\nShe gives the camera an embarrassed stare.\n\n00:18–00:24 — THE SMALL CHALLENGE\n\nShe places the leaf on the bicycle seat and tries to balance it there.\n\nThe wind immediately blows it away.\n\nShe tries again.\n\nIt falls again.\n\nShe laughs and finally gives up.\n\n00:24–00:30 — THE MEMORY\n\nShe picks up the leaf, puts it into her small bag, and starts walking home.\n\nAfter a few steps, she turns toward the camera and says:\n\n“Okay, that was pointless.”\n\nShe smiles and keeps walking.\n\nThe camera follows her for a few seconds before abruptly cutting to black.\n\nAUDIO\n\nNatural location sound only: footsteps, distant traffic, bicycle bell, summer insects, leaves, wind, neighborhood ambience, and natural laughter.\n\nNo music, narration, subtitles, captions, logos, watermarks, or on-screen text.\n\nREALISM\n\nNatural human reactions, imperfect timing, realistic physics, consistent objects, authentic Korean neighborhood details, and believable DV-camera imperfections. No CGI look, distorted hands, extra fingers, duplicated people, identity drift, or outfit changes.\n\n16:9 aspect ratio.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@SimplyAnnisa",
|
||
"sourceUrl": "https://x.com/SimplyAnnisa/status/2096931238460178592"
|
||
},
|
||
{
|
||
"id": "seedance:just-sharon7-seedance-ai-20d2026d6f58",
|
||
"title": "母亲抢走男孩的可丽饼座位",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/cases/670618f587b7.jpg",
|
||
"mode": "video",
|
||
"prompt": "That's how I would be as a mother\n\nGPT Image 2 + Seedance 2.0 on @DomoAI_ \n\nprompt\n\nA realistic, cinematic short video (about 20 seconds) set in a bright modern kitchen with glossy white cabinets, black granite countertop, stainless steel appliances, a black coffee machine, and a red blender in the background. Natural daylight fills the space.\n\nA young boy @Image (around 8–10 years old, brown hair, wearing a bright green Pokémon T-shirt) sits at the kitchen island, focused on a black tablet propped in front of him.\n\nA fit, tattooed mother @Image generation (long wavy blonde hair, babypink T-shirt with a square neckline and ruched bodice., light blue denim shorts, checkered kitchen towel draped over one shoulder) approaches from behind, carrying a white square plate stacked with golden-brown crepes/pancakes. He places the plate gently on the counter in front of the boy.\n\nThe boy looks up from the tablet, eyes lighting up with excitement. He quickly closes the tablet, sets it aside, and starts clapping his hands happily while smiling and bouncing slightly in his chair.\n\nThe mother @Image generation turns, grabs a jar of Nutella from the counter, and places it next to the plate of crepes. she @Image generation then walks behind the boy, she @Image generation aggressively pulls the chair back as the boy @Image falls down from the chair, mother @Image generation then steps around, sits down in the chair, leans forward over the counter toward the plate of crepes and Nutella, looking down at the food with a calm, content expression.\n\nWarm, wholesome mother-son atmosphere, natural movements, soft kitchen lighting, slight handheld camera feel, high detail, photorealistic style.\n\n#DomoAi #DomoAiCPP",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2091529113425297759"
|
||
},
|
||
{
|
||
"id": "seedance:zarairahh-seedance-ai-3f362e9e352b",
|
||
"title": "Seedance 六十秒健身日常 day-in-life vlog",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/zarairahh-seedance-ai-3f362e9e352b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 60-second realistic day-in-the-life gym vlog following the same young Korean woman in her early twenties from waking up at home, getting ready, going to the gym, working out, and returning home.\n\nOverall visual style\n\nOne continuous handheld front-facing smartphone selfie vlog perspective. She always films herself with the phone in her own hand at arm’s length. No third-person camera, tripod, cinematic camera movements, drones, or external filming.\n\nMake everything look like authentic modern smartphone footage:\n\n- Natural handheld shake and small framing imperfections\n- Realistic walking movement and occasional autofocus hunting\n- Minor exposure changes\n- Natural front-camera lens distortion\n- Soft natural morning light indoors and outdoors\n- Realistic, unfiltered smartphone colors\n- No beauty filter, skin smoothing, or cinematic color grading\n- Same face and hair throughout the entire vlog\n- Natural expressions, movements, and body language\n- No subtitles, captions, logos, watermarks, or on-screen text\n- No background music; use only natural diegetic sound\n\n0–10 sec — Waking up\n\nShe wakes up in her cozy bedroom wearing a cute, loose casual night suit. She grabs her phone from beside the bed and immediately starts filming herself selfie-style. She looks sleepy, messy-haired, and slightly tired, gives a small yawn, stretches, and smiles at the camera.\n\nShe quietly says:\n\n“Good morning… I really don’t feel like going to the gym today.”\n\nShe gets out of bed and walks toward the bathroom while holding the phone herself.\n\n10–18 sec — Brushing teeth\n\nIn the bathroom, she films herself in the mirror/selfie view while brushing her teeth. Keep it casual and imperfect, with realistic bathroom ambience and running-water sounds.\n\nShe briefly looks into the camera with a sleepy expression, then rinses her mouth and smiles.\n\nShe says:\n\n“But I promised myself I’d go, so… let’s do it.”\n\n18–27 sec — Getting ready\n\nQuick natural transition back to her bedroom. She changes from her night suit into a stylish but realistic gym outfit: fitted athletic top, high-waisted leggings or comfortable athletic bottoms, clean sneakers, and minimal accessories.\n\nShow short selfie moments of her fixing her hair, adjusting her gym outfit, grabbing a water bottle and gym bag.\n\nShe looks into the phone and says:\n\n“Okay, now I actually look ready.”\n\n27–35 sec — Going to the gym\n\nShe leaves home with the phone in her hand. Film brief selfie moments while walking outside and naturally bouncing with her steps. Show quick glimpses of the street, morning traffic, buildings, and her gym bag.\n\nShe arrives at the gym and turns the phone slightly to show the entrance before bringing it back to her face.\n\nNatural street and gym ambience only.\n\n35–52 sec — Workout\n\nInside the gym, she starts with a short warm-up on a treadmill, then moves through a few exercises such as light strength training, squats, dumbbell exercises, and stretching.\n\nKeep the camera mostly front-facing and handheld, occasionally tilting naturally toward the equipment before returning to her face.\n\nShe becomes slightly sweaty and out of breath but stays cheerful. She laughs and says:\n\n“Okay… this is harder than I remembered.”\n\nShe takes a quick drink of water, catches her breath, then gives the camera a satisfied smile and continues her workout.\n\nInclude realistic sounds of footsteps, treadmill movement, weights clanking, machines, distant conversations, and gym room tone.\n\n52–60 sec — Returning home\n\nAfter finishing her workout, she leaves the gym and walks home. She looks pleasantly exhausted but happy.\n\nCut naturally to her back at home, still holding the phone. She drops her gym bag down, takes a drink of water, relaxes on the couch or bed, and looks into the camera with a tired smile.\n\nShe gives a small wave and says:\n\n“Workout done. I’m exhausted… but I’m glad I went.”\n\nShe smiles, gives one final sleepy wave, and lowers the phone for a natural ending.\n\nFinal requirements\n\nKeep the entire vlog fast, spontaneous, cozy, and realistic, with natural transitions between locations. The woman must remain visually consistent throughout: same facial identity, same hair, and realistic appearance. Her outfit changes only once, from the casual night suit to the gym outfit.\n\nAll dialogue must be naturally spoken with visible lip movement. Use only diegetic audio—bedroom ambience, bathroom sounds, footsteps, street noise, gym sounds, water bottle sounds, and home ambience. No music, captions, subtitles, logos, watermarks, or cinematic effects.\n#Flovaai #Flovacpp",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ZaraIrahh",
|
||
"sourceUrl": "https://x.com/ZaraIrahh/status/2089569072526823464"
|
||
},
|
||
{
|
||
"id": "seedance:ayzalnooor24521-seedance-ai-4a336f514777",
|
||
"title": "Seedance 双角色 3D 卡通:小蝴蝶的十四秒",
|
||
"description": "3D 卡通",
|
||
"image": "/inspiration-thumbs/seedance/ayzalnooor24521-seedance-ai-4a336f514777.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a cute cinematic 14-second 3D cartoon using the two reference characters, keeping their faces, hairstyles, clothes and appearance consistent. A young woman in a pink outfit walks through a sunny green park with a cute blonde little boy in a dinosaur T-shirt. The boy notices a colorful butterfly, points excitedly, and they happily follow it through the flowers. The boy picks a small flower and gives it to the woman, and she smiles and gently hugs him. Use smooth expressive animation, soft cinematic lighting, vibrant colors, detailed park scenery, natural camera movement and a warm family-friendly atmosphere. No character changes, face distortion, extra characters, outfit changes, flickering, deformed hands, text or watermark. 16:9 vertical, high-quality cinematic 3D animation.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2089559741718548578"
|
||
},
|
||
{
|
||
"id": "seedance:caden-flux-seedance-ai-8ffb5f062951",
|
||
"title": "Nano Banana + Seedance 2.5 六十秒高中初恋微电影",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/media/poster/caden-flux-seedance-ai-8ffb5f062951.jpg",
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"mode": "video",
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"prompt": "Create a 60-second cinematic high-school first-love story using SEEDANCE 2.5.\n\nIMPORTANT:\nGenerate the video as EXACTLY TWO CONTINUOUS SHOTS:\nSHOT 1 = 0–30 seconds\nSHOT 2 = 30–60 seconds\nThe two shots must connect seamlessly and feel like ONE continuous short film, not two unrelated clips.\nFORMAT:\n16:9 widescreen\nCinematic photorealism\nPremium coming-of-age romance film\nFast-paced but emotionally natural\nSmooth transitions and motivated camera movement\nRealistic teenage body proportions and expressions\nNatural English dialogue only\nNo subtitles unless dialogue is naturally spoken\nNo text overlays\nNo character redesign\nCHARACTER CONSISTENCY — EXTREMELY IMPORTANT:\nUse the provided character reference sheets for BOTH characters.\n\nBOY:\nPreserve exact face, hairstyle, clothing, body proportions, accessories and identity from the character sheet.\n\nGIRL:\nPreserve exact face, hairstyle, clothing, body proportions, accessories and identity from the character sheet.\nTheir faces, hairstyles and outfits must remain IDENTICAL throughout both shots.\nThe boy and girl are both 17–18-year-old high-school students. Keep the romance completely innocent, wholesome and age-appropriate.\nVISUAL LANGUAGE:\nWarm nostalgic coming-of-age movie aesthetic, realistic school environment, natural skin texture, subtle film grain, cinematic depth of field, soft lens bloom, realistic physics, natural hair movement, expressive eyes, believable teenage body language.\nUse a dynamic combination of:\nwide establishing shots,\nmedium tracking shots,\nover-the-shoulder shots,\nclose-ups,\nhandheld intimate moments,\nsmooth push-ins,\nwhip-pan transitions,\nshallow-focus inserts,\nand brief slow-motion accents.\nAvoid excessive slow motion. The pacing should feel energetic and modern.\n━━━━━━━━━━━━━━━━━━━━\nSHOT 1 — 0:00–0:30\n“THE ROUTINE”\n━━━━━━━━━━━━━━━━━━━━\n0:00–0:03\nOPEN on a cinematic wide shot of a lively high-school hallway immediately after the final bell.\nStudents rush past the camera.\nThe boy exits his classroom with his backpack over one shoulder.\nHe looks across the hallway.\n\nThe girl is already there.\nTheir eyes meet.\n\nShe gives him a tiny smile.\nHe smiles back.\n\nCAMERA:\nFast lateral tracking shot through the crowd, then smoothly pushes toward the boy as he notices her.\n0:03–0:07\nShe walks toward him.\n\nHe casually falls into step beside her.\n\nGIRL:\n“You're late.”\n\nBOY:\n“By two minutes.”\nShe laughs.\n\nThey continue walking.\nCAMERA:\nSmooth backward tracking shot in front of them as students pass naturally around them.\n0:07–0:11\nQUICK MONTAGE.\nThey sit together in class.\nShe steals one of his fries during lunch.\nHe looks offended.\nShe laughs.\nHe secretly smiles.\nCUT TO:\nTheir notebooks side by side.\nShe draws a tiny smiley face in the margin of his notebook.\n\nHe notices.\n\nCAMERA:\nFast close-up inserts and match cuts, keeping the rhythm playful and energetic.\n0:11–0:15\nThey leave school together.\nGolden afternoon light floods the corridor.\nHe holds the door open for her.\n\nShe playfully bumps his shoulder as she walks past.\nHe laughs.\n\nCAMERA:\nLow-angle tracking shot transitioning into a warm side-profile shot.\n\n0:15–0:20\nOutside school.\n\nThey walk down the sidewalk.\n\nShe talks animatedly while he listens.\n\nA light breeze moves her hair.\n\nHe looks at her for a moment longer than he should.\n\nShe catches him staring.\n\nGIRL:\n“What?”\nBOY:\n“Nothing.”\n\nShe smiles knowingly.\nCAMERA:\nOver-the-shoulder close-up from behind her, revealing his shy smile.\n\n0:20–0:25\nThe sky suddenly darkens.\n\nFirst drops of rain hit the pavement.\nShe looks upward.\n\nBOY:\n“Uh-oh.”\nShe laughs and quickly pulls her cardigan closer.\n\nThe boy opens his small umbrella.\n\nCAMERA:\nQuick tilt from the darkening sky down to them.\n\n0:25–0:30\nThey squeeze underneath the tiny umbrella together.\nTheir shoulders bump.\n\nThey laugh.\nThe camera slowly circles around them as they begin walking through the rain.\n\nThe boy looks at her.\n\nShe looks back.\n\nA brief quiet moment.\n\nMATCH CUT:\nCamera passes behind the umbrella fabric.\n\nUse the movement of the umbrella to create a seamless transition into SHOT 2.\n\n━━━━━━━━━━━━━━━━━━━━\nSHOT 2 — 0:30–1:00\n“FIVE MORE MINUTES”\n━━━━━━━━━━━━━━━━━━━━\nIMPORTANT:\nSHOT 2 begins from the EXACT SAME MOMENT as Shot 1 ends.\n\nSame characters.\nSame clothing.\nSame umbrella.\nSame rainy street.\nSame lighting.\nSame environment.\n\nNo visual reset.\n\n0:30–0:35\nContinue the walking shot.\nThey move through the rain beneath the tiny umbrella.\n\nTheir hands accidentally touch.\nBoth notice.\n\nNeither pulls away immediately.\n\nCAMERA:\nSlow subtle push-in toward their hands, then rack focus to their faces.\n\n0:35–0:40\nThey reach the girl's house.\n\nShe steps out from beneath the umbrella.\n\nShe turns toward him.\nGIRL:\n“See you tomorrow?”\n\nBOY:\n“Yeah.”\nShe starts walking toward her front door.\n\nThe boy watches her.\n\nShe takes a few steps.\n\n0:40–0:44\nHe suddenly gathers courage.\n\nBOY:\n“Hey!”\n\nShe turns around.\n\nCAMERA:\nQuick handheld push toward the boy as he runs a few steps back toward her.\n0:44–0:49\nHe smiles nervously.\n\nBOY:\n“Can I have five more minutes?”\nShe looks at him, amused.\n\nGIRL:\n“You already had an hour.”\n\nHe laughs.\nBOY:\n“I know.”\n\nA small pause.\nShe smiles.\n\nGIRL:\n“Okay. Five more minutes.”\n\n0:49–0:54\nShe steps back underneath the umbrella.\n\nThey begin walking together again.\nThe rain becomes softer.\n\nThe street lights begin glowing as evening approaches.\n\nCAMERA:\nWide cinematic tracking shot from the front, slowly moving backward as they walk toward camera.\n\n0:54–0:58\nQUICK NOSTALGIC MONTAGE:\nTheir sneakers splashing through puddles.\n\nTheir hands almost touching.\nHer laughing.\n\nHis nervous smile.\n\nThe tiny umbrella tilting as they walk closer together.\n\nA final glance between them.\n\nUse rhythmic match cuts synced to the emotional music.\n\n0:58–1:00\nFINAL WIDE SHOT.\n\nThe camera pulls slowly upward and backward.\n\nThe two teenagers walk away together beneath the tiny umbrella, becoming smaller against the glowing evening street.\nThe rain sparkles under the streetlights.\n\nThey continue talking and laughing as they disappear farther down the road.\n\nFADE OUT.\nFINAL EMOTIONAL FEELING:\nFirst love.\nYouth.\nNervous butterflies.\nThe feeling of not wanting the day to end.\nDo NOT make the ending sad.\nDo NOT introduce a breakup.\nDo NOT introduce a twist.\nDo NOT introduce additional characters who become romantically relevant.\nThe entire story should feel like one precious memory from the beginning of a first love.\n\n━━━━━━━━━━━━━━━━━━━━\nCAMERA & MOTION REQUIREMENTS\n━━━━━━━━━━━━━━━━━━━━\nKeep camera movement fluid and cinematic throughout.\n\nUse motivated transitions rather than random cuts.\nMix fast-paced montage editing with slower intimate close-ups.\nPrioritize:\n• smooth tracking shots\n• natural handheld movement\n• cinematic push-ins\n• over-the-shoulder compositions\n• expressive close-ups\n• realistic rack focus\n• wide environmental shots\n• subtle slow-motion only for emotional beats\nMaintain realistic physics for:\nrain,\numbrella movement,\nhair,\nclothing,\nwalking,\nrunning,\nhand gestures,\nand interactions with the environment.\n━━━━━━━━━━━━━━━━━━━━\nAUDIO & DIALOGUE\n━━━━━━━━━━━━━━━━━━━━\nNatural English dialogue only.\n\nDialogue should sound spontaneous and age-appropriate.\n\nAmbient sound:\nschool hallway chatter,\nfootsteps,\ndistant laughter,\nbirds,\ncity ambience,\nrain,\numbrella fabric,\nwet pavement.\nMusic:\nsoft modern coming-of-age instrumental soundtrack that gradually builds from playful and light to warm and emotional.\n\nMusic must never overpower dialogue.\n\n━━━━━━━━━━━━━━━━━━━━\nNEGATIVE PROMPT\n━━━━━━━━━━━━━━━━━━━━\n\nNo character identity changes.\nNo face changes.\nNo hairstyle changes.\nNo outfit changes.\nNo age changes.\nNo adult appearance.\nNo sexualized content.\nNo exaggerated body proportions.\nNo random wardrobe changes.\nNo duplicated characters.\nNo extra limbs or fingers.\nNo distorted hands.\nNo unnatural walking.\nNo floating objects.\nNo impossible rain physics.\nNo inconsistent umbrella.\nNo teleporting.\nNo location jumps that break continuity.\nNo random camera cuts.\nNo excessive slow motion.\nNo cartoon appearance.\nNo anime style.\nNo plastic skin.\nNo overprocessed faces.\nNo text overlays.\nNo subtitles.\nNo logos.\nNo watermark.\nNo visual glitches.\nNo abrupt ending.\n\nFINAL REQUIREMENT:\nSEEDANCE 2.5 MUST PRIORITIZE CHARACTER CONSISTENCY, FACIAL IDENTITY, TEMPORAL CONTINUITY, NATURAL MOTION AND SEAMLESS TRANSITION BETWEEN THE TWO 30-SECOND SHOTS.\n\nThe final result should look like a polished 60-second scene from a premium cinematic coming-of-age romance film.",
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"category": "cinematic-narrative-short",
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"sourceId": "seedance",
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"credit": "@Caden_Flux",
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"sourceUrl": "https://x.com/Caden_Flux/status/2089154775829074074"
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},
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{
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"id": "seedance:seedance-25-kpop-mv-zero-to-pop",
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"title": "单人 K-POP MV · Y2K 糖果世界逐秒分镜",
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"description": "一份 30 秒逐秒 K-POP MV 脚本:用音频时间码把舞蹈、口型、剪辑和场景全钉死…",
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"image": "https://media.goodcase.ai/cases/seedance-25-kpop-mv-zero-to-pop/poster.jpg",
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"mode": "video",
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"prompt": "使用@音频1《Zero to Pop》作为唯一音乐、节拍和口型依据,生成一支30秒、16:9、24fps的原创单人K-POP MV。\n\n视频必须完整覆盖音频的0.00–30.00秒,不得截断、延长、变速或自动淡出。不要重新生成背景音乐,不要加入另一首歌曲。\n\n全片只有@图1是主角和主唱。允许出现2—6名伴舞,但伴舞不能获得面部特写、不能对口型、不能遮挡主角或成为第二视觉中心。\n\n主角的脸、发型、发色、身材比例、服装和饰品全程锁定。只有主角按照@音频1中的实际人声精确对口型;没有人声的段落保持闭唇表演。\n\n【整体视觉】\n\n高预算真人K-POP MV,结合Y2K未来主义、怪诞糖果世界和千禧年数字文化:\n\nCRT电子宠物、透明翻盖手机、像素图标、果冻便利店、充气卧室、镭射洗车通道、巨型CD舞台、镀铬金属、透明塑料和CD彩虹衍射。\n\n色彩以泡泡糖粉、电光蓝、蓝莓紫、酸性绿和镀铬银为主。\n\n怪诞元素必须像真正搭建的实景、机械装置和高级视觉特效,不能像廉价AI拼贴、普通夜店或传统赛博朋克城市。\n\n【主角造型】\n\n主角穿原创Y2K未来女团服装:\n\n银白色不对称短夹克、糖果粉亮片内搭、蓝紫渐变低腰工装裤、透明树脂腰带、镀铬圆环饰品、银白厚底运动鞋,以及一个迷你透明翻盖手机挂饰。\n\n服装全程不变。金属、塑料、布料、头发和饰品必须表现真实重量、反光、惯性和自然摆动。\n\n【音频同步原则】\n\n歌曲约128 BPM,每个主节拍间隔约0.469秒。\n\n最重要的画面锁点:\n\n2.78秒:第一个强重拍,正式进入舞蹈。\n6.06秒:第一次换景。\n9.82秒:进入翻盖手机表演镜头。\n12.63秒:进入第一段收束动作。\n14.02秒:音乐明显降能量,切入失重卧室。\n17.78秒:节奏重新启动。\n21.07秒:高潮副歌和巨型CD舞台出现。\n24.82秒:音乐突然抽空,伴舞冻结。\n28.95秒:最后一句和最终特写。\n29.90—30.00秒:翻盖手机合上,画面硬停。\n\n所有剪辑、甩发、转身、手势、踩地、队形变化和摄影机冲击都必须落在@音频1的真实重拍上。\n\n【逐秒镜头时间线】\n\n0.00–0.47秒:\n\n黑暗中出现一条细窄的CRT扫描线,随歌曲第一个电子启动声闪亮。\n\n不要出现人物,不要添加片名或文字。\n\n0.47–1.88秒:\n\n扫描线展开为一台圆角CRT显示器。\n\n屏幕内出现一只原创像素电子宠物。它随着音频中的电子声睁开眼睛,头顶依次跳出像素爱心、电池和小星星。\n\n所有图标只使用抽象像素图形,不要出现品牌、角色或乱码文字。\n\n1.88–2.78秒:\n\n摄影机快速从CRT屏幕中后退,揭示完整的半透明粉色街机房。\n\n主角已经站在CRT前,侧身背对镜头。摄影机停稳时,她缓慢回头,眼神锁定镜头。\n\n她必须在2.78秒第一个强重拍准确击中开场姿势。\n\n2.78–6.06秒:\n\n低机位鱼眼单人中近景。\n\n主角进入第一段独舞:按键式手指动作、肩部弹动、手臂波浪、髋部重心切换和一次快速半转。\n\n所有动作根据@音频1逐拍执行,不要机械地平均分配动作。\n\n主角按照实际人声自然对口型。背景CRT里的像素宠物同步模仿她的节奏,但不能变成人类或复制她的脸。\n\n摄影机围绕主角移动约45度,同时缓慢推进。\n\n6.06秒,主角手掌拍向镜头,形成遮挡式硬切。\n\n6.06–9.82秒:\n\n进入外星果冻便利店。\n\n主角站在粉色自动传送带中央,4名伴舞从两侧货架后滑入,形成主角在最前方的V形队列。\n\n五人完成连续行进编舞:两步滑行、交叉手臂、肩部撞击、一次同步下沉和快速回弹。\n\n主角距离摄影机最近,服装颜色最鲜明,面部始终清晰。伴舞动作统一但幅度略小。\n\n摄影机正面后退,与传送带保持相同速度。\n\n9.82–12.63秒:\n\n中长焦主角单人镜头。\n\n伴舞退到背景并失焦。主角从货架上拿起一只巨大的透明果冻翻盖手机。\n\n她对着手机完成歌曲中这一段的实际对口型,通过眼神和嘴角表现出俏皮、略带嫌弃的态度。\n\n手机按键根据音乐节拍发光。摄影机在强音上做两次短促punch zoom,但不改变主角身份或面部结构。\n\n12.63–14.02秒:\n\n切回全身镜头。\n\n主角把果冻手机抛向空中,4名伴舞重新进入队形。\n\n全员在三个主要节拍上依次完成:\n\n第一拍:双臂向外展开;\n第二拍:快速转身并甩发;\n第三拍:身体下沉后锐利定格。\n\n主角踩亮地面上的圆形像素按钮。一道蓝紫色扫描光从脚底向上扫过所有人物。\n\n14.02秒,音乐降能量的瞬间完成场景转换。\n\n14.02–15.55秒:\n\n进入淡紫色失重充气卧室。\n\n画面由快速舞蹈突然转为稳定、梦幻的长镜头。主角坐在充气床边,房间和家具开始缓慢旋转,但主角仍保持正常垂直方向。\n\n不出现伴舞。\n\n摄影机缓慢靠近。主角根据实际音频进行克制、贴近耳语感的对口型,不做大幅度舞蹈。\n\n透明枕头、小型CD和银色耳机线缓慢漂浮。\n\n15.55–17.78秒:\n\n主角从床边站起,向摄影机走来。\n\n两名伴舞出现在旋转房间的左右墙面,制造重力方向错乱的视觉效果,但不能抢夺主角注意力。\n\n主角伸手触碰一张漂浮的小型CD。CD逐渐膨胀为彩虹色圆形入口。\n\n17.78秒节奏重新出现时,主角迈步穿过CD入口,摄影机紧随她穿过,形成无缝转场。\n\n17.78–21.07秒:\n\n进入镭射泡泡洗车隧道。\n\n节奏重新启动,主角带领4名伴舞向前完成行进式编舞:强力踏步、交叉手臂、头部转向、肩部重击和左右展开队形。\n\n镀铬拱门、粉蓝旋转软刷和彩灯按照真实节拍运动。透明泡泡从人物之间经过,但不得遮挡主角面部。\n\n摄影机在主角正前方快速后退,主角始终位于中心。\n\n20.60–21.07秒之间,主角踢向一个巨大的透明泡泡。泡泡表面转化为CD彩虹纹理。\n\n21.07秒高潮重拍时,泡泡爆开并完成换景。\n\n21.07–24.82秒:\n\n进入巨型CD终章舞台,这是全片能量最高的段落。\n\n主角站在直径12米的旋转CD中心,6名伴舞组成对称半圆。摄影机从高位快速下降至略低于腰部的英雄角度。\n\n主角按照歌曲高潮段落精确对口型,全员完成副歌核心编舞:\n\n两拍快速手臂切换;\n一次髋部重击;\n一次同步旋转;\n一次全身下沉;\n最后伴舞向两侧打开,把舞台中心完全让给主角。\n\n摄影机在主角旋转时绕行半圈,但不能越过轴线或造成左右翻转。\n\nCD表面产生真实彩虹衍射,像素星空和镀铬行星随节奏闪动。\n\n24.82秒音乐突然抽空时,所有伴舞立刻冻结。\n\n24.82–27.00秒:\n\n主角继续保持运动,伴舞像卡顿的电子游戏角色一样定格在背景。\n\n主角独自向摄影机走两步。画面根据音频中的断奏出现克制的数字卡顿效果:同一个动作短暂重复1—2帧,但主角面部保持稳定。\n\n随着音乐继续变空,冻结的伴舞依次化为方形像素颗粒并消失。\n\n主角不得消失、复制或变形。\n\n27.00–28.95秒:\n\n舞台上只剩主角。\n\n巨型CD停止旋转,背景灯光大部分熄灭。摄影机缓慢推近主角面部。\n\n主角取下腰间的迷你透明翻盖手机,将它举到脸旁。她保持闭唇,直到@音频1最后一句人声真正开始。\n\n画面运动变得极简,把注意力完全留给最后一句和主角表情。\n\n28.95–29.90秒:\n\n主角精确对口型歌曲最后一句。\n\n她直视镜头,从冷静表情逐渐变成带有恶作剧感的轻微笑容。摄影机继续推进至面部特写。\n\n只保留银粉色轮廓光和眼睛里的小型方形反光。\n\n29.90–30.00秒:\n\n主角\"啪\"地合上翻盖手机。\n\n合盖动作必须与歌曲最终收尾音完全同步。背景灯光瞬间熄灭,画面硬切为黑色。\n\n不要淡出,不要延长尾音,不要字幕、Logo或额外结束镜头。\n\n【表演与口型】\n\n只允许主角对口型。口型必须依据@音频1中的真实语音和节奏生成,不要根据文字自行猜测,不要在纯器乐段随机张嘴。\n\n主角在快速舞蹈时仍保持自然呼吸、面部肌肉运动和稳定身份。表情变化需要与音乐能量一致:\n\n前半段俏皮、自信;\n14.02秒后变得梦幻、克制;\n17.78秒重新充满力量;\n21.07秒进入主打歌级舞台状态;\n24.82秒后变得冷静、带恶作剧感。\n\n【硬性限制】\n\n不得改变@音频1的速度、结构或长度。\n不得加入新的背景音乐、对白或无关人声。\n音效只能作为非常轻微的视觉反馈,不能覆盖原曲。\n主角从第一帧到最后一帧必须保持同一张脸。\n不得生成主角克隆体或第二名主唱。\n伴舞最多6名,面孔必须互不相同。\n禁止人物融合、额外肢体、畸形手指、脚底漂移、错误倒影、服装突变和随机换景。\n禁止乱码文字、品牌、商标、字幕和水印。",
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"category": "music-beat-sync-mv",
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"tags": ["Seedance 2.5", "human-reviewed"],
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"sourceId": "seedance",
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"credit": "@aiwarts",
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"sourceUrl": "https://x.com/aiwarts/status/2085736621685764503"
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},
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{
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"id": "seedance:seedance-create-a-cinematic-ultra-realistic-9-16-school-classroom-scene-758330c6bd34",
|
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"title": "背包烈焰爆发的电影感特效镜头",
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"description": "",
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"image": "https://media.goodcase.ai/cases/916888513d76.jpg",
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"mode": "video",
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"prompt": "Create a cinematic, ultra-realistic 9:16 school classroom scene. A young male student with styled red hair suddenly reacts dramatically as a large burst of flames erupts from a backpack in front of him. Another student in a school uniform sits at a desk in the background, shocked and watching. Warm classroom lighting, realistic fire and smoke effects, dynamic movement, natural facial expressions, detailed environment, cinematic camera motion, shallow depth of field, realistic textures, dramatic atmosphere, high detail, 4K, photorealistic.",
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"sourceId": "seedance",
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"credit": "@AIwithMinal",
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"sourceUrl": "https://x.com/AIwithMinal/status/2105518415201083496"
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},
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{
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||
"id": "seedance:seedance-this-ai-video-made-me-question-what-ai-looking-even-means-anymore-c3cc664055dd",
|
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"title": "首尔清晨小馆的泡菜汤时光",
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"description": "",
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"image": "https://media.goodcase.ai/cases/89ff10c2393b.jpg",
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"mode": "video",
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"prompt": "This AI video made me question what “AI-looking” even means anymore.\n\nSeedance 2.5 on @TapNow_AI \n\nCreate a 15-second ultra-realistic early-2000s Sony MiniDV home-video of a young Korean woman stopping at a small neighborhood Korean restaurant during a quiet morning in Seoul.\n\nMAIN SUBJECT\n\nYoung Korean woman, 24 years old, naturally attractive with realistic skin texture, minimal makeup, expressive dark-brown eyes and long dark hair worn loosely down.\n\nPreserve her exact identity, facial features, hairstyle, body proportions and appearance throughout the entire video.\n\nOUTFIT\n\nReplace the maroon hoodie with a cozy casual early-2000s outfit:\n\nsoft cream cable-knit cardigan\nmuted dusty-blue fitted T-shirt underneath\nloose dark-brown straight-leg trousers\nworn white canvas sneakers\nsmall dark-brown canvas shoulder bag\nsimple silver wristwatch\n\nHer clothing should look ordinary, comfortable and naturally lived-in rather than styled for a fashion shoot.\n\nLOCATION — SMALL KOREAN RESTAURANT\n\nA tiny family-run Korean restaurant tucked into an older residential neighborhood in Seoul.\n\nThe restaurant feels authentic and modest rather than trendy.\n\nOutside are an aged Korean signboard, slightly faded menu posters, a small standing menu board, plastic beverage crates, potted plants, an old bicycle leaning against the wall and a glass entrance door covered with a few small Korean stickers.\n\nInside, show glimpses of:\n\ncompact wooden tables\nmetal chopstick containers\nstainless-steel cups\ntissue boxes\ncondiment bottles\nhandwritten Korean menu sheets\nan old wall clock\nsmall refrigerator filled with drinks\nsteaming pots behind the counter\nan older Korean woman preparing food\n\nWarm steam occasionally drifts from the kitchen.\n\nThe restaurant should feel like a genuine neighborhood place that local residents have visited for years.\n\nLIGHTING & ATMOSPHERE\n\nQuiet early morning in Seoul.\n\nSoft overcast daylight outside has a cool blue-gray tone, while the restaurant interior glows with warm yellow fluorescent and tungsten light.\n\nThis creates a cozy contrast between the cool street and warm restaurant.\n\nMuted colors, slightly underexposed shadows, soft highlights and imperfect white balance.\n\nA gentle breeze moves her loose hair and cardigan when she is outside.\n\nThe atmosphere is peaceful, nostalgic, comfortable and slightly sleepy.\n\nCAMERA STYLE\n\nUltra-realistic early-2000s Sony MiniDV home video, filmed casually by another person accompanying her.\n\nCompletely candid and unstaged.\n\nNatural handheld operation with:\n\nsubtle hand shake\nimperfect framing\noccasional crooked composition\ngentle accidental reframing\nslight autofocus hunting\nsmall exposure adjustments\nimperfect automatic white balance\nfaded MiniDV colors\nsoft contrast\nmild highlight blooming\nauthentic DV compression\nsubtle digital noise\nslight microphone hiss\noccasional autofocus breathing\n\nNo stabilization. No cinematic gimbal movement. No modern commercial color grading.\n\nMotion remains fluid and natural at normal real-time speed.\n\n00:00–00:03 — ARRIVING\n\nThe camcorder follows slightly behind her as she approaches the tiny neighborhood restaurant.\n\nShe notices the faded menu displayed beside the entrance and slows down.\n\nShe leans slightly toward it, reading the Korean dishes.\n\nA little steam escapes when another customer opens the restaurant door.\n\nShe smiles and quietly says:\n\nWOMAN:\n“아… 배고프다.”\n\nShe lightly touches her stomach and looks through the restaurant window.\n00:03–00:06 — LOOKING AT THE MENU\n\nShe steps closer to the handwritten menu board.\n\nHer canvas bag slips slightly down her shoulder while she reads.\n\nShe casually pushes it back up without looking.\n\nThe person filming asks from behind the camcorder:\n\nCAMERA PERSON:\n“뭐 먹을래?”\n\nWithout turning around, she continues studying the menu.\n\nWOMAN:\n“잠깐만…”\n\nShe points at one item with her finger.\n00:06–00:09 — INSIDE\n\nNatural handheld cut as she pushes open the glass restaurant door.\n\nA small bell above the door jingles.\nThe warm restaurant interior contrasts with the cool morning outside.\n\nAn older woman behind the counter looks up.\n\nRESTAURANT OWNER:\n“어서 오세요.”\n\nThe young woman gives a small polite bow.\n\nWOMAN:\n“안녕하세요.”\n\nShe walks toward an empty table.\n\n00:09–00:12 — THE LITTLE ACCIDENT\n\nShe sits at the small wooden table and begins removing her shoulder bag.\n\nWithout noticing, her elbow lightly bumps the stainless-steel chopstick container.\nIt tilts.\n\nShe reacts quickly and catches it with both hands just before it falls over.\n\nHer eyes widen for a second.\nShe freezes.\n\nThen she slowly looks directly toward the camcorder.\n\nThe person filming quietly laughs.\n\nCAMERA PERSON:\n“야…”\n\nShe immediately starts laughing too.\n\nWOMAN:\n“안 떨어졌잖아.”\n\nHer expression is playfully defensive and slightly embarrassed.\n\n00:12–00:15 — FOOD ARRIVES\n\nA steaming bowl of kimchi-jjigae is placed in front of her with rice and several small banchan dishes.\n\nSteam rises naturally toward her face.\n\nHer embarrassed expression immediately changes into a delighted smile.\n\nShe leans slightly toward the bowl and inhales the aroma.\n\nWOMAN:\n“와… 맛있겠다.”\nShe picks up her metal spoon, then briefly looks toward the camcorder with an excited little smile.\n\nThe camera accidentally drifts downward toward the steaming stew before casually reframing her face.\n\nEnd naturally as she begins eating.\nAUDIO\n\nNatural location audio only.\n\nInclude:\n\nsoft neighborhood traffic, distant bicycle bell, footsteps, restaurant door bell, quiet Korean conversation in the background, kitchen utensils, bubbling stew, plates touching tables, metal chopsticks, refrigerator hum, ventilation fan, chair movement, fabric rustling and subtle MiniDV microphone hiss.\n\nNo music. No narration. No artificial sound effects.\n\nMOTION & REALISM\n\nAll movement must remain continuous, physically believable and real-time.\n\nThe cardigan, hair and shoulder bag should have realistic secondary motion.\n\nSteam from the food should rise irregularly and naturally.\nWhen she accidentally knocks the chopstick container, it should only tilt slightly and she should realistically catch it—no exaggerated slapstick reaction.\n\nHer expressions should transition naturally:\n\nsleepy curiosity → hunger → concentration → surprise → embarrassment → laughter → excitement when the food arrives.\n\nThe humor should come from an extremely ordinary human moment rather than staged comedy.\n\nIMPORTANT\n\nThe video should feel like someone found an old MiniDV tape from a casual morning in Seoul around 2003–2005.\n\nDo not make the restaurant luxurious, modern, minimalist or Instagram-style.\n\nAvoid perfect compositions, dramatic cinematic lighting, beauty filters, overly clean skin, exaggerated acting, artificial slow motion, speed ramps, frame skipping, duplicated frames, stop-motion movement or excessive motion blur.\n\nThe final glance at the camcorder should feel spontaneous and familiar, as though she is comfortable with the person filming her.\n\nThe vintage appearance must come from realistic MiniDV camera behavior, autofocus, automatic exposure, white-balance imperfections, compression and casual handheld operation, not from choppy or artificially degraded motion.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2104819017655648545"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-30-second-1080p-ultra-realistic-early-2000s-consumer-dv-home-video-in-rural-we-6b3c6132a462",
|
||
"title": "西爪哇乡村恋人的夏日漫步",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/2967965aebb4.jpg",
|
||
"mode": "video",
|
||
"prompt": "30-second, 1080p ultra-realistic early-2000s consumer DV home video in rural West Java, warm afternoon in Indonesia.\n\nREFERENCE 1: female character. Preserve face, ponytail, proportions, pink crop top, white shorts, white sneakers, bracelet and earrings.\nREFERENCE 2: raised Sundanese house. Preserve woven bamboo bilik walls, timber, tiled roof, veranda and stairs.\n\nSundanese Indonesian woman, long dark ponytail, Male friend in simple early-2000s clothes. Keep both consistent.\n\n00–05 — She exits the bilik house, closes the door, sees him and greets him.\n05–10 — At a warung, she picks up a bottled drink, shows it and says, “I want this one.” He laughs as she pays.\n10–15 — she opens and drinks it. The sour taste makes her react, then she laughs with him.\n15–21 — They sit on the veranda. He moves her loose hair. She smiles: “Thank you.”\n21–26 — They walk a village lane among banana trees and houses. She steps into sunlight, feels the heat, moves into shade and laughs.\n26–30 — They return to the bilik house. On the veranda they share a brief natural kiss, smile, and she turns toward the house. She looks back once. Camera keeps recording; autofocus loses focus, sunlight washes frame, then hard-cuts to black.\n\nRaw early-2000s DV: handheld shake, imperfect framing, accidental zooms, autofocus hunting, exposure shifts, faded colors, soft detail, noise and motion blur. No stabilization or polished cinematography.\n\nRural Sundanese atmosphere: bamboo walls, raised houses, tiled roofs, dirt paths, tropical trees and rice fields.\n\nAmbience: footsteps, birds, insects, leaves, distant motorcycles, voices, warung sounds, bottle opening laughter. No music, narration, subtitles, captions, watermark.\n\nUltra-realistic skin, hair, hands, clothing and movement; tropical light, shadows, sweat and fabric physics. No CGI, distorted faces, extra fingers, duplicated people or artificial acting.!",
|
||
"sourceId": "seedance",
|
||
"credit": "@bozzxyz",
|
||
"sourceUrl": "https://x.com/bozzxyz/status/2104217955521482833"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-why-did-i-think-this-workout-would-be-easier-dea31b0d7735",
|
||
"title": "粉发女孩的夜间体能训练挑战",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/1bc672678b32.jpg",
|
||
"mode": "video",
|
||
"prompt": "Why did I think this workout would be easier?\n\nSeedance 2.5 on @TapNow_AI \n\nPrompt\n\nCamera Settings: shot on 35mm film, anamorphic 2x squeeze, 2.39:1, oval bokeh, heavy grain, halation on the bulbs. Focal length: 35mm. Aperture: f/2.0. Camera Style: handheld \n\nNatural hand shake, slightly crooked horizons, delayed autofocus, accidental micro-zooms, imperfect reframing, occasional clipped forehead or shoes, brief exposure hunting when she moves beneath overhead lights. \nLOOK\n\nSoft, slightly blurry analog-tape quality, faint video noise, subtle motion smearing, muted contrast, realistic skin tones, blooming fluorescent highlights and occasional auto-exposure flicker. Nothing polished or commercial.\n\nSTYLE\n\nCasual evening functional-training vlog. More energetic and playful than a traditional weights session. CHASE alternates between balance, bodyweight and cardio movements, becoming progressively more out of breath while joking with the camera.\n\nCHARACTER\n\nCHASE — Korean idol new version 20s. Long pastel pink hair tied in a high ponytail, glowing natural skin with a light workout sweat sheen, large expressive eyes and slim athletic build.\n\nShe wears a modest oversized light green long-sleeve performance top, loose white track pants and white training sneakers. Arms and torso remain fully covered. No jewelry.\n\nSETTING\n\nA smaller industrial-style functional training gym at night.\n\nBlack rubber flooring, exposed concrete walls, warm fluorescent ceiling strips, wooden plyometric boxes, battle ropes, medicine balls, rowing machines and a turf training lane. Large windows reveal scattered city lights outside.\n\nA half-full water bottle and small towel sit beside a plyometric box.\n\nBackground gym members occasionally pass naturally without acknowledging the camera.\n\nSTORYBOARD — 15 SECONDS / 6 CUTS\n\nCUT 1 — 0:00–0:01.8 | HANDHELD SELFIE\n\nCHASE walks backward onto the turf while filming herself. The framing wobbles and briefly cuts off the top of her ponytail.\n\nShe points behind herself toward a wooden plyometric box.\n\nCHASE:\n“Trying something different tonight.”\n\nShe turns the camera too quickly, creating a messy whip-pan.\n\nCUT 2 — 0:01.8–0:04.5 | PROPPED CAMERA — BOX STEP-UPS\n\nCamera sits slightly crooked on a low bench.\n\nCHASE performs alternating step-ups onto a wooden plyometric box — controlled but quick, driving one knee upward at the top of each repetition.\n\nHer ponytail bounces naturally.\n\nCHASE:\n“Why are step-ups already humbling me?”\n\nShe laughs quietly while continuing.\n\nCUT 3 — 0:04.5–0:06.3 | LOW CLOSE-UP\n\nCamera has been repositioned near floor level.\n\nClose-up of her sneakers landing on the rubber flooring as she performs quick alternating toe taps against the box.\n\nAutofocus briefly locks onto the box instead of her shoes.\n\nNo dialogue.\n\nNatural sneaker impacts, distant equipment sounds and her breathing.\n\nCUT 4 — 0:06.3–0:09.4 | PROPPED WIDE — BATTLE ROPES\n\nA slightly badly framed wide shot catches CHASE performing alternating battle-rope waves.\n\nThe ropes ripple heavily across the floor while her shoulders and knees absorb the movement naturally.\n\nAfter several waves she looks toward the camera with a surprised expression.\n\nCHASE:\n“Okay—this escalated fast.”\n\nHer voice carries a small laugh between breaths.\n\nCUT 5 — 0:09.4–0:12.1 | HANDHELD RECOVERY\n\nCHASE grabs the camera immediately after stopping.\n\nThe image shakes noticeably while autofocus searches for her sweaty face.\n\nShe leans against the plyometric box, catching her breath.\n\nCHASE:\n“I said different. Not easier.”\n\nShe gives the camera an exhausted little grin.\n\nCUT 6 — 0:12.1–0:15.0 | FLOOR-LEVEL PROPPED ENDING\n\nCamera sits casually beside her water bottle.\n\nCHASE drops onto the turf, sitting cross-legged and taking a drink of water.\n\nShe looks sideways toward the camera.\n\nCHASE:\n“That’s enough character development for tonight.”\n\nShe laughs, reaches toward the lens—\n\nThe frame shakes as her hand accidentally bumps the camera.\n\nCUT.\n\nAUDIO\n\nKeep authentic gym ambience throughout: distant footsteps, machines, soft conversations, rope impacts, sneaker squeaks, CHASE's breathing and slight room echo. No polished voice recording. Her dialogue should sound naturally captured through a consumer camcorder microphone.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2104153857542553754"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-short-ultra-realistic-japanese-high-school-horror-action-sequence-fea-5cf4a965e81a",
|
||
"title": "日本教室里的丧尸突袭",
|
||
"description": "恐怖悬疑",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-short-ultra-realistic-japanese-high-school-horror-action-sequence-fea-5c.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a short, ultra-realistic Japanese high-school horror-action sequence featuring the female teacher from the reference image. She is teaching normally when a single drop of blood falls onto a student’s notebook. Everyone looks up as the ceiling suddenly cracks and a zombie crashes into the classroom, sending students into panic. As they rush for the exit, another student suddenly reveals he is already infected, turning the classroom into chaos. The teacher grabs a heavy wooden bench and fights back while several students use chairs and desks to defend themselves. They eventually knock down the attackers and barricade the door. Just as the room becomes silent, a deep zombie groan echoes from the hallway. The teacher slowly turns toward the blocked door as the handle begins to move.\n\nPhotorealistic live-action, practical-effects horror, realistic Japanese classroom, natural handheld camera, authentic reactions, realistic physics, muted cinematic grading, diegetic sound only. No music, narration, excessive gore, graphic injuries, animation, anime, cartoon, CGI look, distorted anatomy, subtitles, text, or watermark.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2100575957451153626"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-gta-6-simulation-414a3b385a58",
|
||
"title": "霓虹海岸城市枪战追车直播",
|
||
"description": "游戏 UI 直播",
|
||
"image": "https://media.goodcase.ai/cases/f81388cc5f57.jpg",
|
||
"mode": "video",
|
||
"prompt": "GTA 6 Simulation\n\nMade with Seedance 2.5 on @Flovaai @Flovaai_Japan \n\nprompt \nPhotorealistic fictional open-world coastal crime-action gameplay livestream, 16:9, one continuous 45-second take split into a 30-second opening plus a seamless 15-second continuation. Fixed full-screen game HUD throughout: bottom-right square pink-blue neon facecam of HANEUL only, matching the supplied reference image exactly; fixed HUD, English-only scrolling live chat on the left, Korean streamer speech only with no subtitles, third-person chase camera, no cuts, no transitions, no scene changes, no duplicate characters.\n\n0–8s: Player drives a dark muscle car through a neon coastal city at dusk toward a GPS destination; HANEUL is calm and focused in facecam, with engine, city ambience, faint radio, and keyboard/mouse sounds.\n\n8–15s: At a warehouse, exactly two dark-red-jacket gang enemies emerge from cover, draw pistols, and ambush the player. The player dives behind a car, is visibly grazed, health drops, and wanted level rises to two stars. HANEUL reacts in shocked Korean.\n\n15–24s: Intense reckless firefight. Player uses one compact SMG; enemies use pistols only. A flanking enemy shatters a nearby car window, bullets dent the car and pop a tire, ammo falls from 38/120 toward 24/120, wanted level reaches three stars, and distant police cruisers appear only in the background.\n\n24–30s: Player fires five deliberate SMG shots with visible sequential hit reactions; both enemies fall only after being hit. Ammo drops exactly from 24/120 to 14/120. HANEUL remains wide-eyed and tense; police sirens close in.\n\n30–38s: With both enemies down, the player limps into the damaged muscle car with a shredded tire. Two police cruisers pursue in the background as the car lurches forward on its rim. Health remains critically low and flashing red; wanted level stays at three stars.\n\n38–45s: Player scrapes through a narrow alley, knocks off both mirrors, and reaches a side street where traffic briefly blocks the police. The wanted level remains flashing at three stars, police lights remain visible in the rearview, and the ending stays unresolved.\n\nStrict rules: HANEUL appears only in the bottom-right fixed facecam; exactly one player and two gang enemies; no extra armed characters; no full-screen facecam; no subtitles; English-only HUD/chat text; no weapon swaps; no gore; no victory, clean escape, black screen, or end card.\n#flovacpp #flovaai",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@QAiStudio",
|
||
"sourceUrl": "https://x.com/QAiStudio/status/2099363620325048805"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-bedroom-chaos-turns-into-midnight-confidence-with-a-seamless-transition-that-hi-641d5d0012fa",
|
||
"title": "飞踢转场奔向午夜机车",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/819f00fac5a1.jpg",
|
||
"mode": "video",
|
||
"prompt": "FORMAT\n10 seconds, 2 shots.\nShot 1: Indoor bedroom, 0.0–5.0s.\nShot 2: Outdoor night street, 5.0–10.0s.\nTransition: seamless hard cut exactly on shoe impact.\nStyle: photorealistic live-action, premium cinematic commercial, realistic movement/physics, authentic handheld cinematography.\n\nSHOT 1 — INDOOR BEDROOM | 0.0–5.0s\n\nENVIRONMENT\nMinimalist young woman's @[Image 1](image_1) private bedroom in daylight; clean, modern, intimate, naturally lived-in. Large curtain several meters behind Sharon, simple desk/console farther behind, minimal personal objects and subtle decoration. Enough depth for subject separation. Background softly out of focus; Sharon remains sharp and readable.\n\nCAMERA / LIGHTING\nEye-level handheld, medium-wide/full-body framing with room for lateral movement and shoe actions, moderate shallow depth of field. Soft natural daylight, natural skin tones, soft highlights, gentle realistic shadows, warm clean atmosphere.\nCamera is operated physically with Sharon: lateral tracking, short push-in, reactive pull-back, quick pans, tilts and reframing. Never perfectly smooth or automated; movement is quick, light, imperfect and physically motivated by her actions.\n\nACTION + CAMERA\n0.0–1.1s — Sharon enters from RIGHT holding TWO SHOES, one in each hand, and walks toward center.\nCamera: handheld lateral tracking LEFT, physically stepping sideways while keeping medium-wide framing.\n\n1.1–1.8s — Sharon @[Image 1](image_1) stops near center, raises one shoe toward camera as if showing it, then brings it toward her nose.\nCamera: short handheld push-in; keep face and shoe sharp.\n\n1.8–2.4s — Sharon smells the shoe, immediately recoils with surprised disgust, pulls her face away and gives a short head shake.\nCamera: small reactive pull-back, then immediately settle toward her face.\n\n2.4–3.0s — Sharon casually throws the first shoe toward the side of the room.\nCamera: quick reactive pan following the shoe briefly, then fast pan back to Sinta; believable handheld imperfection.\n\n3.0–3.8s — Sharon shifts sideways, focuses on the second shoe, and throws it vertically upward.\nCamera: tilt up following the shoe; as it reaches the top of its trajectory, quickly tilt back down toward Sinta while keeping awareness of her and the descending shoe.\n\n3.8–4.4s — Sharon tracks the descending shoe with her eyes, adjusts footing, rotates slightly sideways and prepares a high side kick.\nCamera: short lateral handheld adjustment keeping body and falling shoe in frame; subtle natural Dutch tilt may develop.\n\n4.4–5.0s — Shoe descends into kicking range. Sharon performs a fast, precise HIGH SIDE KICK: leg extends sharply sideways, torso rotates slightly, supporting leg grounded, arms naturally counterbalance, eyes locked on the shoe. Full real-time.\nCamera: quick handheld lateral reposition and reactive pan following the kick; frame momentarily shifts with the force.\n\nEXACT MATCH CUT — 5.0s\nHard cut at the exact moment Sharons extended foot contacts the airborne shoe. The kick is still at full speed and the cut happens DURING the action. Outdoor shot continues the same body direction, leg extension, torso rotation and momentum.\n\nSHOT 2 — NIGHT / QUIET CITY STREET | 5.0–10.0s\n\nENVIRONMENT\nRelatively quiet modern urban street at night with broad paved roadway, streetlights, scattered storefronts, illuminated windows, trees, signage and distant buildings creating layered practical lighting. Sparse distant traffic. Spacious, cinematic, quiet.\nA WHITE SPORT MOTORCYCLE is behind Sinta and slightly toward one SIDE of frame, not centered directly behind her. Open street creates a clear diagonal path from Sharon to the motorcycle.\n\nLIGHTING / OUTFIT\nNaturalistic night lighting: warm streetlights mixed with cooler ambient city illumination, realistic highlights on black riding outfit, natural reflections on white motorcycle and asphalt, cinematic contrast with realistic exposure.\nSharon wears a coordinated black-and-white motorcycle riding set: fitted black racing jacket with clean white shoulder/sleeve panels; fitted black short riding pants with subtle white detailing; compact black knee/shin protection; black motorcycle gloves with small white accents; clean white low-top sport sneakers; white crew socks to mid-calf; loose natural hair; no helmet.\nMotorcycle: white sport motorcycle.\n\nCAMERA\nHandheld kinetic cinematography. Operator physically follows Sharon using diagonal tracking, short arc movement, reactive panning, slight push-in and quick reframing. Never a perfectly programmed path; camera reacts to her changing body direction.\n\nACTION + CAMERA\n5.0–5.5s — HARD CUT. Sharon appears outdoors continuing the indoor side kick: kicking leg extended, torso rotated, momentum continuing. White sport motorcycle partially visible behind her toward one side. Camera immediately reacts.\nCamera: quick handheld pan/reframe catching the continuing kick trajectory.\n\n5.5–6.3s — Sharon lowers her kicking leg naturally and does not stop. She moves DIAGONALLY across frame toward the motorcycle, forward-diagonal rather than straight backward/sideways, gradually turning torso and hips toward it while moving.\nCamera: handheld diagonal tracking with slight forward tracking plus lateral shift; keep Sharon dominant while motorcycle remains visible near the side.\n\n6.3–7.2s — Sharon continues diagonally; body progressively rotates toward motorcycle. This is a traveling diagonal turn, NOT a stationary turn-in-place. Feet keep carrying her forward while torso rotates.\nCamera: short handheld arc around Sharon while continuing diagonal tracking; slight angle change and subtle pan to keep her centered; motorcycle remains partially visible at the side.\n\n7.2–8.0s — SLOW MOTION BEGINS. Sharon is already mid-diagonal movement toward motorcycle. Body continues diagonal rotation; loose hair swings naturally; jacket moves with rotation; movement becomes elegant and cinematic.\nCamera: slightly smoother handheld character, subtle handheld push-in combined with short arc; stay physically close; motorcycle remains visible toward the side.\n\n8.0–8.4s — Gradually return to normal speed. Sharon completes diagonal rotation and now faces motorcycle more directly.\nCamera: normal handheld movement; quick reframing keeps Sharon and motorcycle visually connected.\n\n8.4–10.0s — Sharon moves confidently toward the white sport motorcycle, purposeful and energetic. Motorcycle stays slightly off-center. Camera: handheld forward tracking, maintaining medium-wide framing, subtle push-in, then small reactive pan toward motorcycle as Sharon reaches it. End with Sharon immediately beside the motorcycle.\n\nSPEED PRIORITY\n0.0–5.0s: full real-time; shoe throw and high side kick are fast; match cut at full-speed impact.\n5.0–7.2s: full real-time immediately after cut.\n7.2–8.0s: subtle slow motion only during diagonal body rotation toward motorcycle.\n8.0–10.0s: normal real-time.\n\nMATCH CUT PRIORITY\nCut exactly on impact. Preserve across the cut: leg extension, torso rotation, body orientation, movement direction, screen position and continuous physical momentum. Location, time of day, lighting, wardrobe and motorcycle may change entirely through the hard cut. The transition must feel instantaneous, physical, stylish and seamless.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2099332819768291755"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-girl-main-character-young-korean-woman-in-her-early-20s-natural-makeup-bla-99a309189863",
|
||
"title": "风中追逐飞走的衣服",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-girl-main-character-young-korean-woman-in-her-early-20s-natural-makeup-bla-99a309189863.jpg",
|
||
"mode": "video",
|
||
"prompt": "GIRL = MAIN CHARACTER: Young Korean woman in her early 20s, natural makeup, black wavy hair tied into a messy side ponytail, loose peach T-shirt, white pajama pants, black sneakers and simple necklace. Maintain exact identity and appearance.\n\nLOCATION: Small Korean apartment courtyard during a warm windy afternoon. Concrete walls, laundry lines, potted plants, bicycles and neighboring homes.\n\nCAMERA / LOOK: Early-2000s consumer DV camcorder. Strong handheld shake, autofocus hunting, exposure pumping, faded colors, soft contrast, motion blur and imperfect zooms.\n\nSEQUENCE:\nShe hangs freshly washed clothes on a long outdoor clothesline. Everything looks calm until a sudden strong gust sends one shirt flying off the line. She runs after it while laughing. The camera operator follows shakily. The shirt lands on a parked bicycle. She grabs it, tries to hang it again, and another piece of laundry immediately blows away. She looks toward the camera in disbelief before chasing it down the lane.\n\nAUDIO: Wind, fabric flapping, birds, footsteps, distant scooters and neighborhood voices. No music.\n\nCandid domestic humor, realistic fabric movement, nostalgic DV imperfections and believable everyday chaos.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2095485437821464808"
|
||
},
|
||
{
|
||
"id": "seedance:just-sharon7-seedance-ai-0109d7f993a1",
|
||
"title": "像素穿梭中的连续换装",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/1245b6f5602a.jpg",
|
||
"mode": "video",
|
||
"prompt": "AI finally gets outfit transformations right.\n\nMade by using GPT Image 2 + Seedance 2.0 on @FishCreativeHQ \n\nprompt\n\nImage 1 SHARON'S REAL FACE — sole source of her features, 100% match, zero drift: soft rounded oval face, warm light-beige skin with tiny freckles and beauty marks, GREEN eyes, dense straight feathered brows, small neat nose, full pink lips, small silver drop earring.\n\nUse the uploaded REFERENCE VIDEO Video 1 as the absolute master for timing, camera movement, body motion, pose, facial-expression timing, interaction, transition rhythm, pixel effects, outfit-change effects, framing, and overall choreography.\n\nReplace the original woman with Image 2 as the ONLY replacement human identity.\n\nFrom this point onward, refer to her only as THE FEMALE CHARACTER Image 1.\n\nCRITICAL REFERENCE PRIORITY:\n\nREFERENCE VIDEO controls:\n\nexact motion\n\nexact timing\n\nexact camera movement\n\nbody choreography\n\npose changes\n\nhead movement\n\nhand movement\n\nfacial-expression timing\n\ninteraction with the other man\n\ntransition timing\n\noutfit-change timing\n\npixel effects\n\ndigital clothing-change effects\n\nframing\n\nspeed ramps\n\nmovement through the pixels\n\noverall visual rhythm\n\nTHE FEMALE CHARACTER controls:\n\nidentity @Image 2\n\nface\n\nhairstyle\n\nhead shape\n\nskin tone\n\nbody proportions\n\ngender presentation\n\nThe original woman is NOT an identity reference.\n\nShe controls motion only.\n\nThe generated video must follow the reference video as closely as possible, but the woman must be completely replaced by the same female character @Image 1 throughout the entire sequence.\n\n==================================================\n\nABSOLUTE IDENTITY LOCK\n\nThere is only ONE replacement identity throughout the video:\n\nTHE SAME FEMALE CHARACTER.\n\nHer identity must remain completely stable in EVERY FRAME.\n\nThis includes:\n\nnormal frames\n\nfast-motion frames\n\nmotion blur\n\ntransition frames\n\npixel transformation frames\n\nclothing-change frames\n\npartially occluded frames\n\nclose-ups\n\nprofile angles\n\nextreme angles\n\nframes where another person crosses in front of her\n\nNever restore the original woman's identity.\n\nNever reveal the woman's face.\n\nNever reveal the woman's body.\n\nNever blend the reference video female character with the woman of reference pictures.\n\nNever create a temporary female version.\n\nNever morph from male to female and back.\n\nEven if the transformation lasts only a few frames, those frames must still contain the SAME female character. @Image 2\n\n==================================================\n\nMOST IMPORTANT OUTFIT CHANGE RULE\n\nTHE CLOTHING TRANSFORMS.\n\nTHE HUMAN DOES NOT.\n\nEvery pixel transformation, digital breakup, clothing replacement, color change, texture change, or outfit transition applies ONLY to the clothes.\n\nThe female character underneath remains physically identical.\n\nCorrect visual logic:\n\nSAME female character wearing Outfit A\n\n→ pixel effect begins across clothing\n\n→ clothing breaks into / passes through digital pixels\n\n→ SAME female character @Image 1 remains underneath\n\n→ Outfit B forms on the SAME body\n\n→ SAME female character @Image 2 continues moving\n\nNever:\n\nfemale character\n\n→ pixels\n\n→ original woman\n\n→ clothing changes\n\n→ female character returns.\n\nThe pixel effect must never act as an identity-change transition.\n\n==================================================\n\nPIXEL EFFECT BEHAVIOR\n\nRecreate the original reference video's pixel effect as closely as possible.\n\nMatch:\n\ndirection\n\ndensity\n\nspeed\n\nsize\n\ntiming\n\nbreakup behavior\n\ndigital fragmentation\n\nreassembly\n\ninteraction with the body\n\ninteraction with the other man\n\nmoment when clothing changes\n\nThe pixels should feel integrated into the physical scene.\n\nWhen the other woman passes through the pixel field, preserve that original interaction exactly.\n\nHer body should visibly move through / be partially occluded by the pixels in the same way as the reference video.\n\nDo not replace this with:\n\nsmoke\n\nmagic\n\nparticles unrelated to the reference\n\nlight beams\n\nportals\n\ngeneric dissolves\n\nmorphing bodies\n\nKeep the distinctive pixel clothing-change effect from the source.\n\n==================================================\n\nFACE LOCK DURING PIXEL TRANSITIONS\n\nThe female character's FACE @Image 2 is permanently locked.\n\nIf pixels move across the face or temporarily obscure part of it, the visible portions of the face must remain the same identity.\n\nWhen the pixels pass away, the exact same face must be underneath.\n\nNever reconstruct hidden facial areas using the original woman.\n\nThe face before, during, and after every transformation is the same person.\n\n==================================================\n\nBODY LOCK DURING OUTFIT CHANGES\n\nKeep the female character's body proportions stable continuously.\n\nThe clothes adapt to her @Image 2 body.\n\nDo not reshape her body to match the woman from the source video.\n\nMaintain:\n\nfemale shoulder width\n\ntorso proportions\n\nwaist proportions\n\narms\n\nlegs\n\nheight\n\nposture\n\nhand size\n\noverall silhouette\n\nThe original woman's body is motion guidance only.\n\nThe female character performs her movement while remaining physically herself. @Image 1\n\n==================================================\n\nMOTION MATCHING\n\nFollow the reference video's @Video 1 movement as closely as possible.\n\nDo not reinterpret the choreography.\n\nMatch:\n\nexact body direction\n\nexact turns\n\nexact head movement\n\nexact timing\n\nexact pauses\n\nexact walking movement\n\nexact hand placement\n\nexact interaction\n\nexact acceleration\n\nexact deceleration\n\nexact movement through the pixel effect\n\nThe character replacement should feel like the same footage was filmed with a different actor.\n\nDo not invent new gestures.\n\nDo not simplify the original performance.\n\nDo not change the rhythm.\n\n==================================================\n\nFACIAL EXPRESSION\n\nCopy the original woman's facial-expression TIMING and emotional beats while keeping the replacement female identity @Image 2\n\nMatch:\n\ngaze direction\n\neyebrow movement\n\nsmiles\n\nattitude\n\nreactions\n\nhead tilts\n\ntiming of expression changes\n\nThe expression may follow the source, but the actual facial anatomy must always remain the female character.\n\n==================================================\n\nOTHER WOMAN IN THE VIDEO\n\nKeep the other woman from the original reference video unchanged.\n\nDo not replace her.\n\nDo not modify her identity.\n\nDo not alter her expression.\n\nDo not change her clothing unless the original reference itself changes it.\n\nPreserve her:\n\nexact facial expression\n\nbody motion\n\ntiming\n\nposition\n\ninteraction\n\nmovement through the pixels\n\nreaction to the transformation\n\nshe should behave exactly as she does in the reference footage.\n\nOnly the original woman is replaced.\n\n==================================================\n\nCAMERA\n\nFollow the reference camera movement exactly.\n\nPreserve:\n\ncamera direction\n\ncamera speed\n\nframing\n\ntracking\n\nrotation\n\nzoom\n\ndistance\n\nperspective\n\nmovement timing\n\ntransition timing\n\nDo not redesign the shot.\n\nDo not make the camera more cinematic.\n\nDo not add extra camera movement.\n\nDo not remove original camera movement.\n\nThe goal is maximum motion fidelity to the reference video.\n\n==================================================\n\nTIMING\n\nThe reference video's timeline is absolute.\n\nEvery major action must happen at the same relative moment as the reference:\n\ncharacter movement\n\ninteraction\n\npixel activation\n\nclothing transformation\n\nother woman's movement through the pixels\n\nexpression changes\n\ncamera movement\n\ntransition completion\n\nDo not stretch the sequence.\n\nDo not shorten the sequence.\n\nDo not insert extra pauses.\n\nDo not move outfit changes earlier or later.\n\n==================================================\n\nTRANSFORMATION CONTINUITY\n\nDuring every outfit transformation:\n\nFrame before:\n\nfemale character wearing current outfit.\n\nTransformation frames:\n\nSAME female character remains present while pixels modify ONLY the clothing.\n\nFrame after:\n\nSAME female character wearing the new outfit.\n\nThere must be continuous identity across all three stages.\n\nImagine tracking the character's skull, face, skin, hands, arms, body and silhouette through every transformation frame.\n\nThose physical features must remain locked.\n\nOnly fabric, clothing color, clothing shape and clothing texture are allowed to change.\n\n==================================================\n\nOCCLUSION RULE\n\nWhen pixels or another person cover part of the female character, do not use that occlusion as an opportunity to regenerate the original woman.\n\nHidden areas must remain mentally anchored to the same male body underneath.\n\nWhen the occlusion clears:\n\nreveal the SAME female character @Image 2.\n\nNot the reference woman.\n\nThis applies especially when:\n\nthe other woman crosses in front\n\nthe pixel cloud becomes dense\n\nclothing changes rapidly\n\nmotion blur increases\n\nthe camera changes angle\n\n==================================================\n\nREALISM\n\nKeep everything photorealistic and physically believable.\n\nUse:\n\nrealistic skin texture\n\nnatural hair\n\nrealistic clothing fabric\n\nbelievable fabric folds\n\nrealistic shadows\n\nproper contact between clothing and body\n\nnatural motion blur\n\ncorrect lighting interaction\n\nconsistent depth\n\nrealistic pixel occlusion\n\nDo not make the character look:\n\ncartoon\n\nanime\n\nplastic\n\nover-sharpened\n\ngame-rendered\n\nwaxy\n\n==================================================\n\nDO NOT CHANGE THE ORIGINAL EFFECT\n\nPreserve the visual concept of the reference exactly.\n\nDo not replace the pixel effect with a different transformation style.\n\nThe important visual moment where the other man passes through / interacts with the pixel clothing-change effect must remain.\n\nMaintain the same sense that the digital pixels are occupying physical space and the other man is moving through them.\n\n==================================================\n\nFINAL PRIORITY ORDER\n\nIf Seedance encounters conflicting reference information, follow this order:\n\nFEMALE @Image 2 CHARACTER IDENTITY\n\nREFERENCE VIDEO MOTION + TIMING\n\nREFERENCE VIDEO CAMERA MOVEMENT\n\nREFERENCE VIDEO PIXEL / OUTFIT EFFECT\n\nREFERENCE VIDEO EXPRESSIONS\n\nOUTFIT DETAILS\n\nIdentity must NEVER be sacrificed to recreate the transformation.\n\nIf reproducing the source effect perfectly would cause the original woman to reappear, slightly simplify the effect instead.\n\nNEVER sacrifice identity continuity.\n\n==================================================\n\nFINAL FAILURE PREVENTION\n\nDO NOT bring the original woman back during outfit changes.\n\nDO NOT use the woman as an intermediate transformation frame.\n\nDO NOT switch gender during pixel effects.\n\nDO NOT change face when clothes change.\n\nDO NOT change body when clothes change.\n\nDO NOT let pixels transform the person's identity.\n\nDO NOT alter the other WOman's expression or movement.\n\nDO NOT change the original camera choreography.\n\nDO NOT change the timing.\n\nDO NOT replace the source pixel effect with generic magic.\n\nThe FEmale character is permanently locked from the first frame to the final frame.\n\nOUTFIT CHANGES.\n\nPIXELS CHANGE.\n\nCLOTHING CHANGES.\n\nTHE PERSON NEVER CHANGES.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2093171913698988151"
|
||
},
|
||
{
|
||
"id": "seedance:zyrellix-seedance-ai-5fa856d9472a",
|
||
"title": "女武士与白龙击碎熔岩天体",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/media/poster/zyrellix-seedance-ai-5fa856d9472a.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic dark fantasy epic video in 8K resolution. Extreme macro close-up of a female warrior's eye, iris reflecting a burning molten celestial orb swirling inside dark storm clouds. Low-angle tracking shot as an East Asian female warrior clad in sleek black leather-and-steel armor walks through shallow water carrying an ornate key. She steps onto a circular stone platform engraved with glowing golden runes, surrounded by mist, cascading waterfalls, and ancient temple ruins. Above, a colossal magma-veined celestial sphere looms within a vortex of swirling clouds. She inserts the key into a moss-covered stone altar, triggering a massive circular runic array that launches vertical high-pressure water geysers into the sky. A giant, majestic white serpentine dragon with fiery orange eyes emerges from the mist. The warrior extends her hand as her eyes glow bright golden, establishing a powerful magical bond. The dragon turns upwards, soaring into the sky and unleashing a beam of pure radiant white energy directly into the celestial orb, causing it to shatter into shockwaves of blinding light. Epic cinematic scale, volumetric fog, photorealistic visual effects, Unreal Engine 5 render style, dark gray and golden color grading, hyper-detailed.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2092121112746287527"
|
||
},
|
||
{
|
||
"id": "seedance:just-sharon7-seedance-ai-0a85559bbf5e",
|
||
"title": "酒店房间深夜关东煮试吃",
|
||
"description": "美食 ASMR",
|
||
"image": "/inspiration-thumbs/seedance/just-sharon7-seedance-ai-0a85559bbf5e.webp",
|
||
"mode": "video",
|
||
"prompt": "Have you ever tasted this broth?\n\nNano Banana 2 + Seedance 2.5 on @DomoAI_ \n\nprompt\n\nImage1 : SHARON'S REAL FACE — sole source of her features, 100% match, zero drift: soft rounded oval face, warm light-beige skin with tiny freckles and beauty marks, GREEN eyes, dense straight feathered brows, small neat nose, full pink lips, small silver drop earring.\n\nA photorealistic 30-second handheld selfie vlog featuring a cute young woman Image2 in her early 20s with long, straight blonde hair. She wears a black-sleeved white raglan crop top, Layered delicate gold chain necklaces (one longer with a small circular pendant) rest on her chest., with a black graphic print and light-wash denim shorts. The setting is a bright, modern hotel room with a white bed, gray furniture, sheer curtains, and large windows. Natural daylight, casual handheld camera movement, authentic social-media vlog feel, realistic facial expressions, and natural eating sounds.\n\n0–5 sec: She holds the camera at arm's length, smiling excitedly and sitting on the edge of the bed. She gestures toward a paper cup of steaming oden on a small table.\n\nDialogue: “Okay, look what I found! I got oden for a little midnight snack.”\nSubtitle: [Okay, look what I found! I got oden for a little midnight snack.]\n\n5–10 sec: She brings the camera closer to the cup, showing spiral fish cake, rolled fish cake, daikon, and other ingredients soaking in dark savory broth. Steam rises naturally from the food.\n\nDialogue: “This smells so good. And it’s still super hot.”\nSubtitle: [This smells so good. And it’s still super hot.]\n\n10–16 sec: She picks up a piece of fish cake with a wooden skewer, blows on it gently, then takes a bite. She chews happily and looks into the camera with an approving smile.\n\nDialogue: “Mmm… oh wow. That’s really good.”\nSubtitle: [Mmm… oh wow. That’s really good.]\n\n16–21 sec: She tries another piece, casually chatting while eating. She gestures toward the cup and laughs softly.\n\nDialogue: “I could honestly eat this every day. The broth is so comforting.”\nSubtitle: [I could honestly eat this every day. The broth is so comforting.]\n\n21–26 sec: She moves to a nearby table where two cups and an iced drink are visible. She sets the oden down, takes a sip of the iced drink, and smiles at the camera.\n\nDialogue: “Okay, I think I’m officially full now.”\nSubtitle: [Okay, I think I’m officially full now.]\n\n26–30 sec: She picks up the camera again for a final close-up, smiles warmly, gives a small wave toward the lens, and ends the vlog naturally.\n\nDialogue: “Thanks for eating with me. See you next time, bye!”\nSubtitle: [Thanks for eating with me. See you next time, bye!]\n\nMaintain consistent facial features, hairstyle, outfit, body proportions, and environment throughout. Keep the performance spontaneous rather than overly scripted. Natural blinking, subtle head movements, realistic chewing, authentic hand gestures, visible steam, realistic food textures, soft room ambience, and handheld smartphone camera motion. No voice-over; all dialogue is spoken directly to the camera. Subtitles remain bracketed in English exactly as shown.",
|
||
"category": "food-asmr",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2089919950161113353"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-made-with-seedance-2-5-91d794271aa6",
|
||
"title": "童话草地上的八种萌趣动物与英文名称",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/f8ef714634dd.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a 50-second vertical 9:16 educational children's animal video in a bright, colorful, high-quality 3D cartoon animation style.\n\nSCENE & BACKGROUND:\nA beautiful cheerful meadow in a magical children's storybook world. Lush green grass, colorful wildflowers in the foreground, rounded green trees, a few pink and orange trees, distant rolling hills and mountains, bright blue sky with fluffy white clouds. Warm sunny daylight, soft shadows, vibrant colors, clean polished 3D rendering.\n\nSTYLE:\nCute premium 3D animated children's content, friendly and adorable animal designs, large expressive eyes, soft rounded shapes, colorful cinematic lighting, playful educational atmosphere, high detail but simple enough for young children.\n\nCAMERA:\nVertical composition, mostly static front-facing camera at children's eye level. Medium/full-body framing of each animal. Smooth subtle camera movement only. Keep the environment consistent throughout the video.\n\nSEQUENCE:\nStart with an empty beautiful meadow for a moment.\n\nThen introduce animals one by one, each appearing clearly in the center of the frame:\n\n1. TIGER — a cute orange tiger with black stripes, big expressive eyes and a friendly smile.\nDisplay the word \"TIGER\" above the animal in large colorful playful children's typography.\n\n2. ELEPHANT — a cute friendly gray elephant with large ears, short trunk and adorable expressive eyes.\nDisplay \"ELEPHANT\" above it.\n\n3. RHINOCEROS — a cute gray baby rhinoceros with a small horn, big eyes and friendly expression.\nDisplay \"RHINOCEROS\" above it.\n\n4. HIPPOPOTAMUS — a cute chubby purple-gray hippopotamus with a big smile and playful expression.\nDisplay \"HIPPOPOTAMUS\" above it.\n\n5. LEOPARD — an adorable golden-yellow leopard covered with dark spots, big expressive eyes and a friendly smile.\nDisplay \"LEOPARD\" above it.\n\n6. WOLF — a cute fluffy gray-and-white wolf with large expressive eyes and a friendly appearance.\nDisplay \"WOLF\" above it.\n\n7. GIRAFFE — a cute tall giraffe with a warm orange-yellow coat and brown patches, smiling gently.\nDisplay \"GIRAFFE\" above it.\n\n8. CROCODILE — a cute green crocodile with a rounded friendly body, big eyes and a playful smile.\nDisplay \"CROCODILE\" above it.\n\nFor every animal:\nThe animal should enter or appear naturally, look toward the camera, make a small cute movement such as blinking, smiling, waving, walking a few steps or moving its head, then remain clearly visible for children to recognize.\n\nTEXT:\nUse large bold rounded children's lettering above each animal.\nLetters should be colorful, playful, highly readable and visually exciting.\nAdd small colorful celebratory shapes such as stars or confetti when an animal appears.\n\nTRANSITIONS:\nSmooth playful transitions between animals while keeping the same meadow environment.\nNo scary movements, no aggressive behavior, no dark scenes.\n\nFINAL SHOT:\nReturn to the empty colorful meadow for a short moment.\n\nOverall feeling: cheerful, wholesome, educational, playful, colorful preschool animal-learning video, premium 3D cartoon quality.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2107293811714191628"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-15-second-high-quality-cinematic-3d-animated-restaurant-sequence-with-92b216cb0d21",
|
||
"title": "意式餐厅里的番茄酱意面风波",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/620edbf4016f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second high-quality cinematic 3D animated restaurant sequence with expressive stylized characters, warm lighting, detailed environments, smooth character animation, natural comedic reactions, and consistent character appearance throughout.\n\nBegin with a wide establishing shot inside a cozy Italian restaurant filled with wooden tables, red-and-white checkered tablecloths, framed food artwork, warm pendant lights, brick arches, and customers enjoying their meals → reveal a young man with messy brown hair sitting at a table with a young brunette woman, both waiting for their food while the busy restaurant continues around them → transition into a close-up as the young man gives an enthusiastic thumbs-up while a red ketchup bottle is squeezed dramatically over a plate of spaghetti, creating a playful food moment → cut to the chef in his white chef uniform and tall chef hat standing in the kitchen, reacting with a concerned and confused expression while holding a wooden spoon → transition to a medium shot of a waiter carrying plates through the restaurant as several customers suddenly look toward the commotion with surprised expressions → cut back to the young couple at their table as the chef approaches them holding a ketchup bottle, gesturing animatedly and trying to explain something → show the chef and the young man exchanging confused but humorous expressions while the woman watches curiously → transition into a dramatic close-up of the chef carefully presenting a beautifully plated spaghetti dish topped with tomato sauce, grated parmesan, and fresh basil → cut to an extreme close-up of a fork lifting a large portion of spaghetti, long noodles stretching upward with rich tomato sauce and steam rising from the freshly prepared food → transition back to the table as the young man and woman happily react while the chef proudly stands behind the dish → final shot becomes a warm cinematic wide shot of the restaurant, with the chef smiling proudly between the young couple as they enjoy their spaghetti, surrounding customers laughing and smiling, warm golden restaurant lighting creating a cozy happy ending.\n\nStyle: polished cinematic 3D animation, expressive facial animation, charming family-friendly comedy, detailed character models, realistic food textures, warm Italian restaurant atmosphere, soft depth of field, smooth camera movement, cinematic composition, natural motion, high-quality animated-film rendering, consistent characters and environment throughout, no flickering, no character deformation, no identity drift, no text, no watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Elvorya",
|
||
"sourceUrl": "https://x.com/Elvorya/status/2106974836887318797"
|
||
},
|
||
{
|
||
"id": "seedance:case-142119be6421",
|
||
"title": "超现实酒店泳池比例失调场景",
|
||
"description": "一个荒诞的超现实喜剧场景提示词,描绘了比例失调的画面:一名普通男子进入泳池,踩在了一位…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-142119be6421.jpg",
|
||
"mode": "video",
|
||
"prompt": "Photorealistic absurd surreal comedy scene in a small indoor hotel pool. Low-budget real-world environment: tiled pool, metal ladders, fluorescent lighting, depth markers on the wall, white plastic chairs, a vending machine in the background, and a few casually dressed people in swimwear watching.\n\nA giant beautiful young woman is submerged in the pool up to her neck and upper chest, as if her body is enormous and fills most of the pool. She has wet slicked-back dark hair, expressive eyes, realistic wet skin, and a slightly amused then surprised expression. Her face and shoulders are huge compared to the rest of the environment.\n\nA normal-sized adult man in swim trunks carefully walks down the pool ladder as if he is just entering the water. He holds a white cup in one hand. As he steps down, it becomes clear that because of the bizarre scale mismatch, he is stepping directly onto the giant woman’s face. He awkwardly steps on her nose and cheek while trying to keep balance.\n\nThe woman looks confused and cross-eyed toward him. The man slips, grabs at her nose for balance, and then slides toward her open mouth. By the end of the shot, he accidentally tumbles into her mouth in a ridiculous surreal way. She looks shocked. The people in the background react with surprise and laughter.\n\nCamera style:\nRecorded like a viral smartphone clip. Slight handheld movement, but mostly stable from the poolside. Realistic phone-video look, mild compression, indoor echo, natural pool reflections, believable lighting, not cinematic. The scene should feel like a bizarre real video someone captured by accident.\n\nTone:\nAbsurd, funny, surreal, and visually shocking — not gory, not violent, not horror. The humor comes from the impossible scale and the dead-serious realism.\n\nAction timing:\n0–3s: Show the indoor pool and the giant woman occupying most of it. The man starts climbing down the ladder.\n3–7s: He continues stepping down and accidentally plants a foot on her face/nose.\n7–11s: He loses balance, grabs at her nose, and slips toward her mouth.\n11–15s: Her mouth opens in surprise, he tumbles into it, and the bystanders react.\n\nImportant details:\nKeep the scale relationship very clear: giant woman, tiny man, normal-size background people. Keep the environment realistic and grounded. Preserve believable water interaction and reflections. No gore, no body horror, no extra limbs, no broken anatomy, no glitchy transitions.",
|
||
"category": "meme-comedy",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@YourAlphaMom",
|
||
"sourceUrl": "https://x.com/YourAlphaMom/status/2088749172543410403"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-cf82b3d398ba",
|
||
"title": "女儿背包引发的睡衣家庭喜剧",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/d9dce07d0659.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a heartwarming cinematic 3D animated family scene in a high-quality Pixar-style aesthetic, with expressive characters, soft realistic lighting, detailed facial expressions, and smooth natural animation.\n\nScene 1: A cute little girl with big expressive eyes, short dark brown hair tied into small pigtails, wearing adorable cream-colored pajamas, stands beside a small pink children's backpack in a cozy modern living room. She looks worried and emotional.\n\nScene 2: A young father with short dark brown hair, wearing blue checkered pajamas, is sitting and then getting down to the little girl's level. He looks at her with a caring and slightly concerned expression. The little girl stays close to him while holding her pink backpack.\n\nScene 3: The father sits on the floor beside his daughter. They look at each other emotionally. Use gentle camera movement and close-up shots to emphasize their facial expressions and their loving father-daughter relationship.\n\nScene 4: Cut to an extreme close-up of the father's face. His expression becomes emotional and exaggerated in a cute animated style. His eyes appear watery and tired, with colorful makeup-like details around his eyes and cheeks, creating a humorous emotional moment.\n\nScene 5: The father sits on the floor looking exhausted and emotional while the little girl stands beside him, looking up at him innocently.\n\nScene 6: A young mother enters the room. She has dark brown hair, warm facial features, and wears soft pink pajamas. She looks surprised and concerned after seeing the situation.\n\nScene 7: Close-up of the little girl's face. Her huge expressive eyes brighten and she gives a sweet innocent smile.\n\nScene 8: Close-up of the mother as her expression suddenly changes into a big joyful laugh. She closes her eyes and laughs warmly, creating a funny and heartwarming ending.\n\nStyle: high-end cinematic 3D animation, adorable family characters, exaggerated expressive faces, realistic skin and hair details, soft warm indoor lighting, cozy modern home interior, smooth character animation, natural body movements, emotional storytelling, shallow depth of field, cinematic camera angles, detailed textures, vibrant but soft colors, professional animated movie quality, 4K, polished rendering.\n\nKeep the characters' identities, clothing, hairstyle, proportions, and facial features consistent throughout the entire video. Focus strongly on facial expressions, emotional reactions, family chemistry, and comedic timing.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2105120880926019827"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-celem-jest-wykonanie-maksymalnie-90-sekundowego-klipu-promocyjnego-pod-tytu-11f2fef80247",
|
||
"title": "波兰自然风光与文化之旅",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/f9e8f51d5d01.jpg",
|
||
"mode": "video",
|
||
"prompt": "```Celem jest wykonanie maksymalnie 90 sekundowego klipu promocyjnego pod tytułem \"Poland is so beautiful\". Ma to być film promujący Polskę jej najpiękniejsze miejsca, obyczaje kulturowe, spokój, bezpieczeństwo, dorobek historyczny. Używaj rzeczywistych scen i obrazów. Przy generowaniu filmu użyj Higgsfield plugin lub serwera MCP do tej aplikacji. Realistyczny film, cinematic, ujęcia obiektywem anamorficznym.```\n\nHarness: Codex i Higgsfield\nZadanie: Model ma wykonać zadanie bzez pomoicy ze strony człowieka.",
|
||
"sourceId": "seedance",
|
||
"credit": "@KinasRemek",
|
||
"sourceUrl": "https://x.com/KinasRemek/status/2102728913579327722"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-15-second-cinematic-video-prompt-a-realistic-young-korean-schoolgirl-stands-in-b889578e95db",
|
||
"title": "混乱教室中走向镜头的少女",
|
||
"description": "电影感叙事短片",
|
||
"image": "/inspiration-thumbs/seedance/seedance-15-second-cinematic-video-prompt-a-realistic-young-korean-schoolgirl-stands-in-b8.webp",
|
||
"mode": "video",
|
||
"prompt": "15-second cinematic video prompt: A realistic young Korean schoolgirl stands in the center of a messy classroom, wearing a white short-sleeve school uniform shirt with a red ribbon tie and a dark gray pleated skirt, while several students sit and move around behind her. Books, papers, notebooks, and classroom objects are scattered and flying through the air, creating a chaotic but realistic atmosphere. She slowly walks forward toward the camera with a serious, calm expression while the background students react naturally to the sudden chaos. The camera tracks backward smoothly, keeping her centered in a vertical 9:16 composition with realistic handheld movement. Papers and objects continue falling around her with believable gravity, motion blur, and natural physics. Around the middle of the video, she raises one hand slightly while continuing to approach the camera, maintaining the same face, hairstyle, uniform, and body proportions. In the final seconds, the camera moves closer to her face as she gently brushes her hair away from her eyes, looking directly into the lens with a subtle emotional expression. Use natural classroom lighting, realistic skin texture, detailed fabric, authentic shadows, cinematic depth of field, and photorealistic visuals throughout, with smooth continuous motion and no cuts.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2100787710424416603"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-the-goal-isn-t-to-make-ai-look-perfect-1afdf422cbe7",
|
||
"title": "整理厨房时找回旧耳机",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/fd35d97ac629.jpg",
|
||
"mode": "video",
|
||
"prompt": "The goal isn’t to make AI look perfect. It’s to make you forget you’re watching AI in the first place.\n\nSeedance 2.5 on @DomoAI_ \n\nPrompt\n\nA young Korean woman @[Image 1](image_1) is casually organizing her small apartment kitchen and dining area alone. (Image) provides only her face and hairstyle; She is the only person who appears throughout. @[Image 1](image_1)\nThe environment is a compact, lived-in apartment kitchen connected to a small dining space. The room feels naturally cluttered but comfortable: a few grocery bags near the counter, dishes drying beside the sink, a half-open cabinet, a small wooden dining table with a ceramic mug and unopened mail, a dish towel hanging unevenly from the oven handle, a refrigerator covered with a few small magnets and handwritten notes, and a couple of reusable shopping bags resting near the doorway. Warm orange evening sunlight enters through partially open blinds, creating realistic patches of light across the floor and countertops.\nHer behavior is quiet, casual, and completely unperformed. She is simply doing ordinary household chores when she unexpectedly notices something behind the refrigerator.\nThe sequence should feel like an authentic personal phone recording rather than a professionally produced commercial or cinematic scene.\nSHOT 1 — 0–2s:\nShe wipes down the kitchen counter with a slightly damp cloth while casually moving a few everyday objects out of the way. The camera is handheld from a slightly low side angle, as if someone casually holding a phone while standing nearby. The framing is imperfect and slightly tilted. She quietly hums under her breath while cleaning.\nAudio: cloth rubbing against the countertop, faint refrigerator hum, distant neighborhood ambience.\nSHOT 2 — 2–4s:\nAs she reaches toward the floor to pick up a reusable shopping bag, she notices something small wedged behind the refrigerator. She pauses and leans down to see it better. The camera quickly tilts downward and moves closer with a natural handheld wobble.\nShe quietly says:\n\"어? 저게 뭐야?\"\n(\"Huh? What's that?\")\nAudio remains completely live and imperfect.\nSHOT 3 — 4–6s:\nShe crouches beside the refrigerator and reaches one hand into the narrow gap behind it. She struggles slightly to reach the object, shifting her body and pulling the shopping bag out of the way. Her sweatshirt naturally wrinkles and moves with her body.\nThe camera moves closer from above her shoulder, briefly losing focus before refocusing on her hand.\nShe murmurs:\n\"잠깐만…\"\n(\"Wait a second…\")\nSHOT 4 — 6–8s:\nShe finally manages to pull the object free. It is an old pair of wired earphones tangled into a small knot, clearly something she had forgotten months ago. She holds them in front of her and looks genuinely confused for a moment.\nShe turns the earphones over in her fingers, inspecting them naturally.\nShe says softly:\n\"이게 왜 여기 있어?\"\n(\"Why is this here?\")\nNo exaggerated reaction.\nSHOT 5 — 8–10s:\nClose handheld shot from slightly below eye level. She suddenly recognizes the earphones and gives a small, genuine laugh. Her expression changes from confusion to amused realization.\nShe says:\n\"아… 예전에 쓰던 거네.\"\n(\"Ah… these are the ones I used to use.\")\nThe camera gently drifts closer, with realistic smartphone autofocus briefly shifting between her face and the earphones.\nSHOT 6 — 10–13s:\nShe looks around the messy kitchen and realizes there are still several things left to organize. She gives a tiny tired sigh, places the old earphones on the dining table beside the mug, then picks up the cloth again.\nShe quietly mutters with a faint smile:\n\"정리할 게 왜 이렇게 많아…\"\n(\"Why is there so much to clean up…\")\nShe immediately continues wiping the counter.\nSHOT 7 — 13–15s:\nThe camera slowly backs away toward the entrance of the apartment, still handheld and slightly shaky. She continues casually cleaning the kitchen without acknowledging the camera. The warm evening sunlight remains visible through the blinds while the apartment feels naturally quiet and lived-in.\nThe final moment should feel completely ordinary, as though the recording simply happened to capture a tiny unexpected discovery during a normal evening.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2098681428280279512"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-pov-korean-couple-spends-a-lazy-summer-morning-wandering-their-neighborhood-0d246cd8363d",
|
||
"title": "韩国情侣的慵懒夏日街区漫步",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/c39ee14f9f1b.jpg",
|
||
"mode": "video",
|
||
"prompt": "POV: Korean couple spends a lazy summer morning wandering their neighborhood 🇰🇷 Create a 30-second, 16:9 ultra-realistic live-action POV vlog using the uploaded reference images as the exact character references. Girl: preserve her face, long straight dark hair, eye color, skin tone, soft natural makeup, delicate drop earrings, and body proportions exactly as in reference image 2, wearing her sage-green sleeveless ribbed knit vest and white wide-leg trousers throughout. Boy: preserve his face, tousled dark wavy hair, earrings, layered silver chain necklace, chain bracelet and wristwatch exactly as in reference image 1, wearing his oversized dusty-pink smiley-face tee and white sweatshorts throughout.\n\nStyle: Authentic Korean lifestyle vlog, early-2000s MiniDV/home-video aesthetic, handheld POV, imperfect framing, slight autofocus breathing, natural motion blur and exposure changes, soft overcast morning light. Spontaneous, unstaged chemistry.\n\n0–3s: She leans against a textured green courtyard wall, laughing as she films him approaching down the lane with two iced coffees.\n\n3–6s: They walk side by side down the narrow concrete alley, camera swinging naturally; he hands her a coffee and she takes a sip, smiling at the lens.\n\n6–9s: She spins slowly in front of an old wall covered in dappled tree-shadow, showing off her outfit; he claps and whistles playfully off-camera.\n\n9–12s: They pause by a row of parked bicycles; he pretends to ride one and she films, giggling, telling him to stop.\n\n12–15s: Inside the small convenience store, she picks a snack from the shelf while he sneaks a second item into her basket; she catches him and narrows her eyes.\n\n15–18s: Outside the store, they sit on a low step sharing the snack, passing it back and forth, natural laughter between bites.\n\n18–21s: Walking again, she films their shadows stretching across the pavement; he reaches over and gently tucks a strand of her hair back.\n\n21–24s: They stop by a wall of hanging laundry and potted plants; she pretends to interview him with the coffee cup as a microphone.\n\n24–27s: He points out something off-camera; she turns to look, laughing, then bumps his shoulder with hers.\n\n27–30s: They continue walking down the sunlit lane, hand in hand, camera trailing behind as they shrink into the distance; she glances back once, smiling, before the frame settles into a soft handheld sway.\n\nAudio: Natural location sound only—quiet residential ambience, birds, distant traffic, footsteps, rustling laundry, convenience store door chime, soft conversation and laughter. No music, narration or artificial SFX.\n\nContinuity/realism: Same woman and boyfriend throughout; consistent wardrobe and appearance matching the reference images exactly, believable Korean neighborhood environment, realistic physics and movement, natural couple chemistry. No teleportation, duplicates, distorted faces/hands, exaggerated acting, subtitles, captions, logos or watermarks.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithJessica",
|
||
"sourceUrl": "https://x.com/AIwithJessica/status/2096779054720639258"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-shot-1-0-0-1-2s-image-1-face-and-outfit-matching-reference-lying-in-b6d9ef0e370e",
|
||
"title": "夜行卧铺列车感染爆发",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-shot-1-0-0-1-2s-image-1-face-and-outfit-matching-reference-lying-in-b6d9ef0e370e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Shot 1 (0.0–1.2s): <<<image_1>>>, face and outfit matching reference, lying in upper bunk of a dim sleeper cabin, feverish and sweating, eyes fluttering open, curtain half-drawn.\nShot 2 (1.2–2.2s): Close-up of her hand gripping the bunk edge, dark veins emerging beneath the skin, shallow breathing, blue nightlight.\nShot 3 (2.2–3.3s): Her eyes cloud milky white as her head stiffly tilts toward the bunk edge, eerie stillness.\nShot 4 (3.3–4.3s): Dark blood drips from her lips onto the curtain below, extreme close-up, slow motion.\nShot 5 (4.3–5.3s): A sleeping passenger stirs as another blood drop lands on his forehead.\nShot 6 (5.3–6.3s): Wide view of the stacked bunks, her silhouette slowly leaning over the edge above the sleeping passenger.\nShot 7 (6.3–7.5s): She drops silently onto the lower bunk, straddling him; curtain sways as her feral bloodshot eyes fill the frame.\nShot 8 (7.5–8.7s): She bites deeply into his neck; his eyes snap open in shock and pain, slow-motion impact.\nShot 9 (8.7–9.8s): Close-up of the wound as dark veins rapidly branch across his skin.\nShot 10 (9.8–10.8s): His body convulses violently, curtain thrashing as the cabin light flickers.\nShot 11 (10.8–11.8s): His eyes turn milky white, jaw twitching as dark veins spread across his face.\nShot 12 (11.8–12.8s): He throws his head back with an inhuman scream, ripping the curtain open.\nShot 13 (12.8–13.8s): A nearby passenger wakes and cautiously peers from his bunk into the corridor.\nShot 14 (13.8–14.8s): The infected passenger suddenly lunges into the corridor and attacks him.\nShot 15 (14.8–15.8s): Chaos erupts; curtains rip open as passengers wake to screams, handheld frantic camera.\nShot 16 (15.8–16.8s): A newly bitten passenger convulses against the wall as dark veins spread, others retreat in panic.\nShot 17 (16.8–17.8s): The infected turns and lunges at nearby passengers, spreading chaos through the narrow corridor.\nShot 18 (17.8–18.8s): Passengers scramble over each other to escape, luggage and curtains tumbling around them.\nShot 19 (18.8–19.8s): A conductor grabs a fire extinguisher, bracing himself as infected rush toward him.\nShot 20 (19.8–21.0s): He blasts an infected passenger with white extinguisher foam, filling the corridor as it recoils.\nShot 21 (21.0–22.5s): Survivors rush to the connecting door and slam it shut as infected hands claw through.\nShot 22 (22.5–24.0s): They wedge luggage and a fold-down seat against the door, breathing hard as pounding continues.\nShot 23 (24.0–25.5s): Close-up of infected faces pressing against the door window, cracks spreading across the glass.\nShot 24 (25.5–27.0s): A survivor pulls two children close, shielding them as the pounding grows louder.\nShot 25 (27.0–28.5s): Wide shot of survivors huddled in the next car, sealed door shuddering behind them under red emergency lights.\nShot 26 (28.5–30.0s): Exterior wide shot of the train speeding through the night, sleeper windows flickering with chaos inside, ominous ending.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2095373753983369666"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-30-second-ultra-photorealistic-early-2000s-korean-dv-camcorder-home-vi-af75581b34cc",
|
||
"title": "韩国女孩在首尔老街迎接冬日初雪",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/6996e38a6eb3.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic early-2000s Korean DV-camcorder home video of a young Korean woman experiencing Seoul’s first snowfall of winter. Use the attached image as the character reference and keep her face, hairstyle, body proportions, outfit and identity consistent throughout.\n\nShe notices the first snow from her window, excitedly grabs her coat and scarf, rushes outside and catches snowflakes in her hand. She runs briefly through the residential lane, crouches to make a tiny snowball, shows it proudly to the camera and tosses it. The snowball follows realistic gravity and breaks apart naturally on impact.\n\nShe continues walking through the snowy older Seoul neighborhood, leaving believable footprints as snow gradually settles on bicycles, cars, rooftops and bushes. Her hair, scarf and coat move naturally in the winter breeze, with subtle visible breath in the cold air.\n\nAt the end, she stops beneath a streetlight, looks into the camera, catches a snowflake in her palm and softly says, “First snow.” She smiles and walks away as the handheld camera follows.\n\nAuthentic early-2000s consumer DV look: shaky handheld framing, autofocus hunting, slight exposure/white-balance shifts, soft digital detail, CCD noise, subtle interlacing, cool white balance, natural motion blur, limited dynamic range and occasional awkward zooms. The camera operator reacts imperfectly like a real home-video recording.\n\nNatural diegetic audio only: wind, footsteps crunching snow, breathing, doors, fabric movement, distant traffic, birds and neighborhood ambience. No music, narration, subtitles, CGI, beauty filters, cinematic grading, slow motion or polished camera movement.\n\nNegative prompt: inconsistent face, changing clothes, morphing, distorted hands, extra fingers, unnatural physics, floating snow, instant snowballs, impossible trajectories, teleportation, clipping, plastic skin, cinematic camera, excessive stabilization, commercial look, logos, watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2106251329085874184"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-9decd38e99a4",
|
||
"title": "韩国女生户外泳池 Vlog",
|
||
"description": "一段充满 2000 年代怀旧 DV 摄像机风格的 Vlog,记录了一位年轻韩国女生在安…",
|
||
"image": "https://media.goodcase.ai/cases/68ae69f99fe4.jpg",
|
||
"mode": "video",
|
||
"prompt": "Young Korean woman, early 20s, navy one-piece swimsuit with a loose oversized shirt worn open over it, hair tied up in a high bun, swim goggles around her neck, playful cheerful energy.\nLocation: Quiet outdoor community pool, sunny midday. Blue tiled edges, pool floats scattered nearby, lounge chairs, a few potted palms. No crowds, no commercial branding.\nVisual Style: Ultra-realistic documentary realism, playful candid feeling, bright natural sunlight.\nCamera Style: Early 2000s DV camcorder, handheld with water-splash blur on lens occasionally, exposure blown out in bright sun, soft grain. No stabilization.\nTimeline (15 sec, each slot = 2 compressed beats):\n00:00–00:03 → She sits at the pool edge, feet dangling in the water, kicking gently.\n00:03–00:06 → She says to camera \"물이 시원해서 좋다\" (\"The water feels nice and cool\"), smiling.\n00:06–00:09 → She slides into the pool, then pushes off, swimming a short stretch.\n00:09–00:12 → She surfaces laughing, wiping water from her face.\n00:12–00:15 → She waves at camera saying \"너도 들어와!\" (\"Come in too!\"), splashing playfully as it fades.\nAudio:\nWater splashing, faint distant chatter, wind, birds. Her dialogue as noted above. No music.\nGoal: A playful, refreshing pool afternoon cheerful, light, authentic.",
|
||
"category": "retro-found-footage",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2091737661061095648"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-gopro-94a73eef1dbf",
|
||
"title": "Seedance 2.5 生成 GoPro 钓鱼到烤鱼全流程",
|
||
"description": "作者用 Seedance 2.5 生成 30 秒胸挂 GoPro 第一人称短片,以四段…",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-2-5-gopro-94a73eef1dbf.jpg",
|
||
"mode": "video",
|
||
"prompt": "SCENE CONTEXT\nPOV river-to-campfire sequence at a jade-green alpine river through birch/cedar forest, late-afternoon light. A trout is caught, cleaned, seasoned, grilled over an open fire, then eaten, with one sip from a glass bottle while it cooks. 30s, four continuous segments, three hard cuts, real chest-mounted action camera.\n\nACTIVE REFERENCES\n\n@location1\n: jade-green river, granite boulders, gravel bar, stone fire-ring, tree-stump table, birch/cedar tree line, faint peaks. 100% matches reference.\n\n@hands1\n: sun-tanned forearms, light-blond arm hair, olive sleeve rolled to elbow, braided wrist cord. Same fly rod, folding knife, wood board, wire grill basket, plain glass bottle, brown fizzy liquid, no label. 100% matches reference.\n\nLOCATION MAP\nSegment A: river foreground, tree line behind. Segments B-D: gravel bar foreground, fire-ring and stump table midground, tree line and peaks background. POV chest-to-eye height, moving only with the body. Key light low, behind camera-left.\n\nFIRST FRAME / BLOCKING\nNon-empty opening frame: already mid-cast, rod raised, line already peeling off the reel. Water fills the lower two-thirds, forest/sky the top third.\n\nFORMAT MODE\nControlled multi-shot, three HARD CUTs, camera does not cut anywhere else:\nA (0-9s) river, one continuous take. HARD CUT.\nB (9-21s) board, one continuous take. HARD CUT.\nC (21-27s) fire, one continuous take. HARD CUT.\nD (27-30s) eating, one continuous take.\n\nOPTICS\n84° in A easing to 63° through the fight. 63° easing to 18° across B. 63° opening to 29° in C. 29° held in D. No drift within any segment.\n\nCAMERA\nChest-height POV, moving only with body motion — forward stroke on the cast, downward tilt on the knife and grate, forward lean when hands work close. Soft highlight roll-off on bright water and hot metal.\n\nACTION\nA: rod arcs, line whistles; tip snaps down as the trout strikes; rod pumps, reel clicking, fish surfacing closer each pump; hand closes behind the gills, lifts the fish clear, holds it still one beat as water streams off. B: boots cross the gravel, fish set on the board, knife meets scales, scrapes tail to head; one clean line opens the belly, organs lift free; fish rinses in the shallows, pink cloud drifting off; salt, pepper, herbs scatter over the flesh; fish folds into the basket, latch clacks. C: kindling catches from a breath, flame licks up; basket lowers onto the grate, skin bubbles and browns, smoke lifts. D: bottle tips up for one swallow; fork pauses a half-second at the flesh before splitting it open, steam lifting as a piece rises toward camera, one quiet exhale closing the shot.\n\nPERFORMANCE\nHands stay continuously busy with real working tasks, never idle. Pore-level realism: vellus arm hair in the breeze, capillary flush from cold water. Movements read practiced, unhurried, one deliberate pause at the fish-lift and one at the first bite, restrained and human, never cartoonish.\n\nPHYSICS\nNo floating props. Correct contact shadows under every prop, every segment. Water carries real weight and splash. Fire holds true flicker, heat-shimmer, smoke on a light breeze. Mass and inertia carry through the rod bend, the fish's thrashing and the latch.\n\nLIGHTING\nWB locked 5600K, warm low sun behind camera-left as key, cool sky fill through A-B. From C onward, ember-orange fire light adds a low rim on hands and fish alongside the same key.\n\nCOLOR GRADE\nCool jade-green river/forest in A, warm honey wood and pale gravel in B, ember-orange fire glow and seared skin in C-D. Color tied to source and surface, not a flat list.\n\nAUDIO\nWarm acoustic guitar bed under everything, mixed low, sitting quietly beneath the natural sound. Diegetic: river current and line-whistle opening A, splash and reel-drag through the fight; gravel footsteps opening B, knife-on-wood, one clean cut sound, rinse-splash, hinge-click closing it; twig-snap opening C, crackle into sizzle; glass clink and swallow opening D, fork scrape, steam hiss, one quiet chuckle closing the shot. No subtitles.\n\nSTYLE\n8K photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Naturalistic master cinematography, fine film grain, true action-camera color science.\n\nOUTPUT SETTINGS\nReal-time throughout, no speed ramping, FOV holds exactly as stated per segment with no drift across any hard cut.\n\nPOSITIVE LOCKS\nSame hands, sleeve and wrist cord across all four segments. Same rod, knife, board, basket and bottle, no substitutions across any cut. Same river, gravel bar and fire-ring geometry held across every segment. Fish skin and flesh stay anatomically real. Eyes stay natural — no eye glow. Contact shadows read clearly every segment. No logos, no UI, no subtitles anywhere in frame.",
|
||
"category": "pov-continuous-take",
|
||
"tags": ["第一人称", "GoPro", "多镜头叙事", "户外烹饪"],
|
||
"sourceId": "seedance",
|
||
"credit": "@abxxai",
|
||
"sourceUrl": "https://x.com/abxxai/status/2087189194720657649"
|
||
},
|
||
{
|
||
"id": "seedance:youmind-rollercoaster-wig-time-freeze",
|
||
"title": "过山车假发闹剧:冻结与倒放的第二次演练",
|
||
"description": "同一个作者对时间冻结手法的第二次演练:假发被风吹飞、冻结、再精确倒放回起飞前一瞬间,用…",
|
||
"image": "/inspiration-thumbs/seedance/youmind-rollercoaster-wig-time-freeze.webp",
|
||
"mode": "video",
|
||
"prompt": "Photorealistic cinematic daytime amusement park roller coaster, bright hard sunlight, strong wind, realistic motion blur on tracks and background, subtle handheld camera energy, rich skin detail, heavy natural film grain.\n\n0-5s: [Medium Shot] A young woman in her early 20s sits in the front seat of a moving roller coaster car, calm and slightly bored, hair whipping in the wind. Beside her sits a middle-aged man wearing what looks like a normal full head of hair. Behind them, another car with a woman is visible. The coaster drops and banks hard.\n\n5-9s: [Dynamic Tracking] The force of the turn rips the man's wig free. It peels off his bald head in a chaotic upward arc, spinning and flying backward through the air. The wig lands messily on the head of the woman in the car behind. Everyone's faces freeze in pure shock and confusion at the peak of the chaos. Time locks completely. Only the young woman in the front keeps moving.\n\n9-15s: [Slow Orbital + Detail] Camera slowly orbits the frozen cars. The wig hangs mid-air in a twisted shape with individual hairs suspended. The bald man's scalp is fully exposed, mouth open. The woman behind is frozen mid-scream with the wig draped over her face. The young woman looks sideways, rolls her eyes and mouths \"joder, otra vez\". She reaches into her pocket, pulls out a stick of chewing gum, unwraps it and calmly puts it in her mouth, starting to chew while the entire frozen scene (except her) begins a precise reverse.\n\n15-20s: [Medium Close-up] The rewind is controlled and elegant: the wig lifts off the woman behind, flies backward through the air in reverse, and returns exactly to the moment it is only beginning to peel off the bald man's head. Time freezes again at that precise instant — the front edge of the wig just lifting, a few strands already loose.\n\n20-26s: [Tight Medium] Still frozen for everyone else, the young woman takes the chewed gum out of her mouth, reaches over and firmly presses it onto the center of the bald man's scalp, right under the lifting wig. With the same hand she smooths and presses the wig back down into perfect place, locking it with the gum. She sits back, looks straight ahead with a tiny private smile, completely unbothered.\n\n26-30s: [Medium Shot] Time suddenly resumes at full real-time speed. The coaster continues its drop. The man touches his head, feels the wig still firmly in place, looks confused for a second, then breaks into a relieved, happy smile. The young woman stares forward, already chewing a new piece of gum, expression of quiet satisfaction.\n\nPhotorealistic, ultra-detailed wind and hair physics, perfect motion blur only on moving elements, stable characters, cinematic lighting, heavy natural film grain, no artifacts, movie-level temporal coherence, high rewatch value.",
|
||
"category": "time-freeze-rewind",
|
||
"tags": ["Seedance 2.5", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@techhalla",
|
||
"sourceUrl": "https://x.com/techhalla/status/2083585132917579834"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-520bc125cb28",
|
||
"title": "幼童帮兔子寻找三种水果",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/89f1e48bc9f5.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a high-quality 15-second vertical 9:16 3D animated educational kids video in a bright, colorful, cute nursery-rhyme style.\n\nMain character:\nA cute 2-year-old toddler boy with chubby cheeks, big expressive brown eyes, short light-brown hair, a bright blue T-shirt, yellow shorts, and colorful sneakers. Keep his appearance perfectly consistent throughout the entire video.\n\nStory concept:\nThe toddler discovers a glowing magical map and follows it on a very short learning adventure to help a cute rabbit find three missing fruits.\n\n0–3 sec — The Discovery\n\nThe toddler is playing in a colorful room when a glowing rainbow map suddenly appears.\n\nThe map shows three missing fruits:\n\n🍎 Apple\n🍌 Banana\n🍊 Orange\n\nA cute rabbit appears looking worried.\n\nThe toddler points toward the map and excitedly begins the adventure.\n\n3–6 sec — Find the Apple\n\nFast magical transition into a colorful fruit garden.\n\nA shiny red apple falls gently from a tree.\n\nThe toddler catches it and smiles.\n\nDisplay large clear text:\n\n“APPLE 🍎”\n\n6–9 sec — Find the Banana\n\nThe toddler runs a few steps and notices a bright yellow banana.\n\nHe picks it up happily.\n\nDisplay:\n\n“BANANA 🍌”\n\n9–12 sec — Find the Orange\n\nA bright orange rolls across the grass toward the toddler.\n\nHe stops it with both hands and laughs.\n\nDisplay:\n\n“ORANGE 🍊”\n\n12–15 sec — Happy Ending\n\nThe toddler places all three fruits into the rabbit’s basket.\n\nThe rabbit jumps happily.\n\nA colorful rainbow appears behind them.\n\nThe toddler and rabbit wave toward the camera.\n\nDisplay:\n\n“Great Job! 🌈”\n\nAnimation:\nFast but smooth storytelling, natural toddler movements, expressive reactions, accurate hand-object interaction, playful running, picking up fruit, smiling, pointing, and waving.\n\nCamera:\nVertical 9:16, quick child-height tracking shots, gentle push-ins, clear close-ups of each fruit, smooth magical transitions, no confusing cuts.\n\nVisual style:\nPremium polished 3D children’s animation, vibrant colors, soft cinematic lighting, glossy surfaces, cute rounded shapes, cheerful preschool atmosphere, clean backgrounds, expressive character animation.\n\nImportant:\nKeep the entire video within 15 seconds.\nUse only one main action per shot.\nKeep text large and readable.\nDo not overcrowd scenes.\nNo character morphing, extra fingers, duplicated objects, inconsistent clothing, flickering, warped fruit, or sudden background changes.",
|
||
"sourceId": "seedance",
|
||
"credit": "@abs_uiux",
|
||
"sourceUrl": "https://x.com/abs_uiux/status/2105238474387234897"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-that-s-me-all-the-time-at-home-lazy-ass-214920102dc4",
|
||
"title": "粉发女孩的慵懒游乐场漫游",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/d031a8c7bd1d.jpg",
|
||
"mode": "video",
|
||
"prompt": "That's me all the time at home, lazy ass\n\nSeedance 2.5 on @TapNow_AI \n\nPrompt\n\nCinematic 30-second vertical or 16:9 music-video style sequence, photorealistic, high detail, natural outdoor lighting, slightly melancholic and dreamy atmosphere, soft color grade with muted greens, concrete greys, and pastel pinks. Consistent single female character throughout every shot. \nCharacter (lock this identity):\nYoung East-Asian woman @[Image 1](image_1), mid-20s, long straight pastel-pink hair with darker roots and lighter tips, fair skin, delicate makeup with reddish lips, slightly tired or distant expression. Wearing a light-green denim baseball cap decorated with a row of white pearls along the brim. Light-green cropped ribbed knit sweater with black ribbon bows tied along both sleeves. pink-and-white plaid flannel shirt tied around her waist. Baggy light-wash distressed jeans. Small silver necklace. Occasional black backpack in later shots. Same face, hair length, outfit, and body proportions in every scene.\nShot sequence (smooth cuts, slow camera moves, 2–4 seconds each):\nMedium-wide: She lies on her side on weathered grey concrete stadium steps, head resting against the riser, one arm along the step, looking softly at camera. Background: empty sandy sports field and distant people.\nMedium: She hangs from the top white crossbar of a soccer goal, both hands gripping the bar, body dangling in front of the net, looking straight at camera. Green hills and a second goal in the background.\nMedium: She is inside a stainless-steel cage packed with orange basketballs, eyes closed, cheek resting on a basketball as if sleeping. Soft natural light.\nMedium: She reclines against a colorful red-yellow-green playground tube slide, eyes half-closed or looking down, same outfit, playground equipment and trees behind.\nMedium-wide: She sits still on a chain swing in a playground, looking down, legs hanging, empty swing beside her. Blue rubber flooring, red and blue poles.\nMedium-wide: She sits on a low concrete wall in the playground, an orange traffic cone placed on her head like a hat, staring forward with a blank expression. Colorful play structures and trees behind.\nMedium: Outdoor ping-pong table. She stands holding a red-and-black paddle, then leans forward and rests her head and arms on the blue table surface, paddle still in hand, looking sideways at camera.\nMedium close: She stands at a stainless-steel outdoor drinking fountain, presses the button, water arcs up; she leans in as if to drink, then looks down at the basin.\nWide then medium: Large concrete stadium steps with metal railings and trees. She walks slowly past a black backpack on a step, stops, looks up at the sky, then sits and leans back against the steps, eyes closed or looking upward, legs extended.\nCamera & motion:\nSlow pans and gentle dollies, shallow-to-medium depth of field, natural handheld-but-stable feel. Soft overcast or late-afternoon light. Subtle wind in hair and clothes. No fast cuts, no zooms that break character consistency.\nMood & audio suggestion:\nQuiet, introspective, slightly surreal “lost in thought” feeling. Pair with the Indonesian song snippet “Pikiranku tak dapat ku mengerti / kaki di kepala kepala di kaki…” (Peterpan / Noah – Di Atas Normal) or a similar melancholic indie track. Soft ambient outdoor sound (distant voices, wind, faint playground noise).\nQuality tags:\nPhotorealistic, 4K, cinematic lighting, consistent character, natural skin texture, fabric detail on sweater and jeans, realistic physics on hanging/sitting/leaning poses.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2100983315381829840"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-an-old-wooden-japanese-school-corridor-during-festival-prep-week-c86f23f6acfa",
|
||
"title": "女高中生走廊反击恶作剧学长",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/8eb2b56f694a.jpg",
|
||
"mode": "video",
|
||
"prompt": "SCENE CONTEXT\nAn old wooden Japanese school corridor during festival-prep week. Yuki stands on a low wooden stepladder, tying paper crane streamers along an overhead beam. Three upperclassmen — led by Ren — approach from the corridor's far end and shove the ladder to startle her.\n\nACTIVE REFERENCES\n@yuki: 17-year-old Japanese high school girl, black hair to shoulder blades, navy seifuku uniform, red neck tie, calm composed expression. 100% matches the reference.\n@ren: 18-year-old Japanese upperclassman, short messy black hair, loosened uniform blazer, smug expression. 100% matches the reference. Two additional upperclassmen share his uniform and build, faces unremarkable and non-distinct.\n\nLOCATION MAP\nForeground: worn wooden floorboards, paper crane streamers hanging overhead. Midground: Yuki on the stepladder, corridor stretching back toward sliding shoji-style windows. Background: soft-focus students passing at the far end of the hall. Warm light spills in from the windows on camera-left; camera holds on the shadow side.\n\nFIRST FRAME / BLOCKING\nYuki stands mid-step on the ladder, one hand raised tying a streamer, weight balanced, facing the beam — not the camera. Ren and the two upperclassmen enter frame from the right background, walking casually.\n\nFORMAT MODE\nTimed multishot. Hard cuts only at the stated seconds; the camera does not cut on its own between them.\n\nOPTICS\n0:00–0:04 — 63° wide observational FOV. 0:04–0:09 — 47° neutral FOV, tightening to 29° on close reactions. 0:09–0:15 — 47° neutral FOV. No drift mid-segment.\n\nCAMERA\n0:00–0:02: Static low 63° wide shot from floor height, holding Yuki on the ladder mid-corridor.\n0:02–0:04: Sharp handheld push-in as the ladder tips, camera drops slightly with her fall.\n0:04–0:06: Rapid tracking shot alongside her cartwheel, whip-pan into a 29° close-up on her face as she lands.\n0:06–0:09: 360-degree combat orbit around the group as she trades blows with two attackers.\n0:09–0:12: Static 47° medium shot, holding the throw and final takedown.\n0:12–0:15: Slow 47° push-in on Yuki's face as she finishes tying the streamer.\n\nACTION\n0:00–0:02 — Yuki calmly loops a paper crane streamer around a nail on the beam, humming lightly, unaware of the group approaching.\n0:02–0:04 — Ren kicks the base of the stepladder. It skids and tips sideways under real weight and momentum. Yuki loses footing but stays composed — she pushes off the falling ladder into a controlled aerial cartwheel, hair trailing with the rotation, and lands the rotation directly into a spinning back kick that catches the nearest attacker in the shoulder, pushing him back two steps. Slow-motion only through the cartwheel and kick transition, then snap to real-time on impact.\n0:04–0:06 — She lands lightly, weight absorbed through bent knees. A second attacker lunges; Yuki sidesteps by centimeters, pivots, and drives a palm-block into his forearm, redirecting his momentum past her.\n0:06–0:09 — Ren and the remaining attacker close in from both sides. Yuki ducks one swing, catches the other attacker's arm, and executes a hip throw that drops him to the floorboards with a controlled, realistic fall. She rotates to block Ren's incoming punch with a forearm cross-block.\n0:09–0:12 — Yuki catches Ren's wrist mid-swing, steps into him, and uses his own momentum to sweep his leg out, dropping him to sit hard on the floor, winded but unharmed. All three attackers are down, sitting or kneeling, defeated without gore.\n0:12–0:15 — Yuki exhales, straightens her uniform collar, and picks the fallen streamer up off the floor. She climbs back onto the ladder and resumes tying it to the beam as if nothing happened, glancing once over her shoulder at Ren with a small knowing smile. She says: \"Do try to help next time, senpai.\"\n\nPERFORMANCE\nYuki's expression stays unhurried throughout — no panic, no strain, breath steady even mid-fight. Micro-details: a small controlled inhale before the cartwheel, a relaxed jaw during the throw, genuine amusement (not mockery) in the closing smile.\n\nPHYSICS\nFull gravity and inertia: the ladder skids and tips before she leaves it, her landings absorb through the knees, thrown attackers hit the floor with real contact weight and a puff of dust from the boards. No floating, no weightless movement.\n\nLIGHTING\nWarm natural window light from camera-left at a low afternoon angle, soft haze in the corridor air. Camera stays on the shadow side throughout for contrast. White balance 4500K.\n\nCOLOR GRADE\nWarm wood tones and cream uniform whites as the dominant palette, deep navy from the uniforms as the secondary, and the red of Yuki's neck tie as the only accent color. No cool or saturated artificial lighting anywhere in the scene — grade stays warm and naturalistic.\n\nWARDROBE\nYuki's seifuku and Ren's blazer stay clean, no tears or damage — this is a schoolyard scuffle, not a brawl. Fabric moves naturally with each motion.\n\nAUDIO\nFootsteps on wood, fabric rustle, controlled impact thuds, one soft laugh from Yuki before her line. No music.\n\nSTYLE\nUltra-photorealistic live-action, naturalistic Japanese school setting, realistic hair and fabric physics, natural skin texture, physically accurate contact shadows, subtle motion blur on fast moves, 8K detail, shallow depth of field.\n\nOUTPUT SETTINGS\n16:9. Real-time throughout except the controlled slow-motion window specified in the 0:02–0:04 beat, which snaps back to real-time on impact.\n\nPOSITIVE LOCKS\n@yuki keeps the same face, hairstyle, uniform, and tie throughout. @ren and the two other upperclassmen keep consistent uniforms and builds across every cut. The stepladder remains a stepladder — no prop transformation. No teleportation between beats; every position change follows visible, continuous motion. No blood, no visible injury, no exaggerated magic effects.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Chaemate_",
|
||
"sourceUrl": "https://x.com/Chaemate_/status/2100489249665740964"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-mission-the-great-diamond-escape-39fea191a6da",
|
||
"title": "女高中生盗取钻石项链逃上列车",
|
||
"description": "游戏 UI 直播",
|
||
"image": "https://media.goodcase.ai/cases/381369ef731a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Mission: The Great Diamond Escape\n\nSeedance 2.5 on @openart_ai\n\nPrompt\n\n16:9 landscape, ultra-realistic AAA third-person gameplay, bright afternoon at a luxurious Japanese train station. Realistic game-engine visuals, natural human animation, believable physics, detailed skin and hair, realistic clothing movement, marble reflections and cinematic daylight. Clearly a GAME, not anime or cartoon.\n\nNAGI: Use @ Image1 as exact face and identity reference. Japanese high-school girl, 17, long straight black hair with blunt bangs, white sailor blouse with pink collar stripes and pink ribbon, grey pleated skirt, black knee-high socks, white sneakers and school bag. Same face, hair and outfit throughout.\n\nMISSION: Steal a priceless diamond necklace from a VIP passenger's luxury suitcase and escape onto the departing train.\n\nCAMERA: One physical third-person camera, 1.5m behind NAGI, slightly camera-right. Natural gameplay spring movement, smooth FOV breathing 30°–60°. Camera follows her continuously.\n\n0–6s — INFILTRATION\n\nNAGI moves through the crowded luxury station toward a VIP waiting area. A wealthy passenger sits beside a black suitcase guarded by two security guards. She hides briefly behind a luggage cart as a guard passes.\n\nHUD:\nMISSION: STEAL VIP NECKLACE\nSTEALTH MODE\n\n6–12s — THEFT\n\nNAGI reaches the suitcase while the VIP looks away. She opens it and finds a velvet jewelry case containing a stunning diamond necklace. She grabs it and hides it inside her bag.\n\nHUD:\nTARGET ACQUIRED\n\nSuddenly a guard notices her.\n\nALERT\n\n12–19s — FIGHT\n\nThe guard grabs NAGI's arm. She struggles hard to escape. He pulls her backward and she nearly falls. She pushes free and runs.\n\nA second guard intercepts her. They struggle physically in a realistic, difficult fight. NAGI finally breaks away, visibly exhausted.\n\nHUD:\nNECKLACE ACQUIRED\nALERT LEVEL: CRITICAL\n\n19–25s — CHASE\n\nNAGI sprints toward the platform while two guards chase her. She jumps over luggage, turns sharply through a narrow passage and runs toward the departing luxury train.\n\nHer hair, skirt and bag move naturally with her speed.\n\nStation announcement:\n\n“Train departing shortly.”\n\nHUD:\nESCAPE ROUTE: PLATFORM 4\n\n25–27s — LAST SECOND\n\nThe train doors begin closing.\n\nA guard grabs NAGI's shoulder.\n\nShe struggles free and runs the final few meters.\n\nShe jumps into the train.\n\nThe doors close immediately behind her.\n\nHUD:\nESCAPE SUCCESSFUL\n\n27.0s HARD CUT\n\n27–30s — FINAL SHOT\n\nLocked frontal camera inside the moving luxury train, eye-level, 29° FOV, completely static.\n\nNAGI stands in the aisle facing camera, breathing heavily, hair slightly messy.\n\nShe opens her bag and reveals the stolen diamond necklace.\n\nBright afternoon sunlight enters through the train windows.\n\nHUD:\n\nMISSION COMPLETE\nDIAMOND SECURED\nESCAPE RANK: S\n\nNAGI looks directly at camera and gives a tiny victorious smile.\n\nAUDIO: tense stealth music, station ambience, footsteps, luggage wheels, security radio, realistic struggle sounds, fast breathing, train warning chime and a short victory sting.\n\nABSOLUTE LOCKS: Exactly one hard cut at 27s. First 27 seconds completely continuous. Same NAGI, same outfit, same necklace and same environment continuity. Realistic physics and difficult physical struggles. No superhuman movements, no cartoon animation, no face changes, no teleportation. Daytime only. HUD fixed in the same screen positions. All HUD text English; dialogue/announcements natural Japanese.",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2099700182388801793"
|
||
},
|
||
{
|
||
"id": "seedance:weeleey6-seedance-ai-b03a5481e168",
|
||
"title": "GPT Image 2 + Seedance 深海惊魂战机飞行员短片",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/media/poster/weeleey6-seedance-ai-b03a5481e168.jpg",
|
||
"mode": "video",
|
||
"prompt": "Pilot = a fighter pilot around 35, rugged focused face with light stubble, sharp determined eyes, wearing a helmet with visor and oxygen mask, full flight suit. Intense and battle-focused. Face per reference. Appearance only.\n\nSeabaycity = a modern coastal city on a sea bay, skyline of skyscrapers along a waterfront bordering the open sea, harbor, bridges, dramatic overcast sky, buildings smoking and crumbling, fires and dust clouds rising, a city under attack. Moody desaturated blue-grey palette with orange fire glow. Environment only.\n\nMonster = a colossal towering lizard-like kaiju, skyscraper-sized reptilian creature with dark grey-green armored scales, huge clawed limbs, a long heavy tail, a fanged head with glowing eyes, spines down its back, standing in the sea bay smashing buildings. Terrifying and destructive. Appearance only.\n\nJet = a modern military fighter jet, sleek grey afterburners glowing, missiles mounted, screaming through the sky at high speed. Vehicle only.\n\nSCENE: a cinematic kaiju action sequence. A colossal lizard monster rampages through a coastal city's sea bay, destroying skyscrapers along the waterfront. A lone fighter jet approaches from the distance across the sea, the pilot locking on with fierce focus, and fires missiles that strike the monster, driving it crashing down into the bay. Epic, intense, blockbuster disaster-film scale.\n\nTECHNICAL: 16:9, cinematic anamorphic-style lens, epic blockbuster scale, dynamic camera — sweeping aerial shots, fast jet tracking, dramatic low angles on the monster — moody desaturated blue-grey grade with orange explosion glow, heavy atmosphere, smoke, dust, lens flare, motion blur, fine film grain, photorealistic disaster-film quality.\n\nCUTS:\nCUT 1 (0-4s): Establishing shot — the colossal lizard monster towering over the sea-bay city, roaring and smashing a skyscraper along the waterfront, buildings crumbling and smoking, debris raining into the bay. Dramatic low angle conveying its massive scale.\nCUT 2 (4-7s): Wide shot across the sea — a lone fighter jet screams into frame from the distant horizon, low over the water, approaching the city and the monster at high speed. Fast tracking shot conveying speed and purpose.\nCUT 3 (7-10s): COCKPIT FACE ZOOM — cut inside the cockpit, camera pushes in on the pilot's intense focused face behind his visor and mask, glowing instruments around him, his eyes locked on the target. He grips the controls and fires.\nCUT 4 (10-13s): Missiles streak from the jet toward the monster and slam into it in a burst of fire and explosions, the creature reeling from the impact, staggering amid smoke and flame.\nCUT 5 (13-15s): The monster crashes down into the sea bay in an enormous explosion of water and debris, defeated, as the jet roars past overhead. Epic final beat, huge splash and spray. Camera holds on the aftermath.\n\nRULES: References are appearance only, do not recreate. The monster is a stylized fictional kaiju — scaled, non-human, skyscraper-sized. Keep the pilot's face consistent in the cockpit shot. Epic blockbuster scale throughout — sell the size of the monster with low angles and the city for scale. Moody desaturated blue-grey grade with orange fire glow, never fully desaturate. Sound design — cinematic and immersive: the monster's deep roar, crumbling buildings, the scream of the jet engines, missile launches, huge explosions, a driving epic orchestral score. Final frame on the monster crashing into the bay, stable and clean.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@Weeleey6",
|
||
"sourceUrl": "https://x.com/Weeleey6/status/2089244905960821226"
|
||
},
|
||
{
|
||
"id": "seedance:just-sharon7-seedance-ai-594c65776c1c",
|
||
"title": "Nano Banana 2 + Seedance 镜中拉人入水创意短片",
|
||
"description": "电影感叙事短片",
|
||
"image": "/inspiration-thumbs/seedance/just-sharon7-seedance-ai-594c65776c1c.webp",
|
||
"mode": "video",
|
||
"prompt": "What would you do if this mirror pulled you underwater?\n\nNano Banana 2 + Seedance 2.5 on @TapNow_AI \n\nprompt\n\nSCENE CONTEXT A girl Image flees something unseen through a glowing forest, trips, falls — and finds an antique mirror that yanks her through into an underwater city. There, mid-float before the great shell palace, she turns her head — a flash of POV shows a colossal mouth opening onto her — and back in the wide frame the whale is already closing its jaw and gliding calmly away. 24 seconds, full realism. ACTIVE REFERENCES — STRICT ROLE HIERARCHY Image HER EXACT FACE — sole source of her identity and features, 100% match, zero drift: a 20-year-old , 163 cm, slim and lightly built. Soft rounded oval face; warm light-beige skin with a golden undertone and real photographic texture — visible pores, small freckles and tiny beauty marks across the cheeks and nose bridge; dark blue almond eyes with a shallow partially hidden upper-lid crease and soft under-eye fullness; thick dark straight brows with individual hairs brushed upward; a small neat nose with narrow straight bridge and softly rounded tip; full lips with a defined cupid's bow, the lower lip fuller, natural rosy tone; softly rounded jaw tapering to a small chin; small silver hoop earrings. Ignore this reference's hair, clothing, car interior and lighting. Face identity comes from this reference in every single frame. Image : CHARACTER SHEET — controls everything: long voluminous wavy blonde hair past the shoulders; neat elven ears with slender pointed tips; a white billowy medieval linen shirt deep plunging scoop neckline that reveals significant cleavage., with puffed sleeves; a brown leather underbust corset; fitted sage-green trousers; tall brown leather boots; brown leather gloves; a forest-green wool hooded cloak clasped at the collar. Does NOT control the face. Image FOREST LOCATION — a misty magical forest: narrow dirt path, giant glowing red mushrooms casting warm orange light, pink flowers, mossy trunks, drifting fog. 100% matches the reference. Image : UNDERWATER CITY LOCATION — the plaza: a colossal ribbed nautilus-shell palace with glowing golden seams, pearl shell houses with warm windows, god rays from above, jellyfish and drifting sea life. 100% matches the reference. FORMAT MODE One continuous shot from 0:00 to 0:19, then TWO HARD CUTS in the finale: a fast POV insert and a return to the previous framing. No fades, no dissolves. Full realism. HER BACKWARD GLANCE — HOW IT MUST LOOK, STRICT Whenever she checks behind her, she does NOT turn toward the camera and does NOT look into the lens. She rotates her head roughly 45° to ONE SIDE and her EYES GO THE SAME WAY her head goes — looking off toward that side of frame, into the fog, then snapping forward again. BANS: no over-the-shoulder look at the lens, no eye contact with the camera, no 180° head turn. SHOT 1 — 0:00–0:01.5 — HER FEET, LOW AND CANTED LOW, near ground level, canted hard — Dutch tilt ~20–25° — framing her BOOTS and lower legs sprinting along the path: soil bursting, cloak hem cracking, mushroom stalks brushing aside, path streaking in motion blur. Handheld, jolting with her rhythm; the pursuer heard far behind in the fog. SHOT 2 — 0:01.5–0:03 — HER FACE, FRIGHTENED Unbroken move: the frame rises and pushes in to her FACE — a tight running close-up travelling with her, still canted, hair whipping. Raw fear: wide eyes, brows drawn, mouth gasping, dirt on her cheek. Twice she performs the 45° glance as specified, eyes going the same way as her head, searching the fog off to that side; then forward again. SHOT 3 — 0:03–0:05 — THE TRIP, WIDE Unbroken: the frame swings out to a WIDE shot of the path — full figure, mushrooms towering, fog closing the depth. Mid-glance her leading boot CATCHES a root — the foot stops dead, momentum throws her forward, and she goes down hard in full view: knees, then hands and shoulder into the dirt, dust and leaf litter bursting up, cloak flying over her. She lands sprawled, chest heaving. SHOT 4 — 0:05–0:09 — THE MIRROR SHE ALMOST IGNORES Unbroken: the camera drifts in from the front, then around to her side, settling into profile with her and the mirror in frame. Fear first, curiosity second: sprawled, she checks behind with the 45° head-and-eyes turn; the crashing is closer. She scrambles up, barely looking ahead — then registers an ornate antique MIRROR against a mossy trunk, filled with cold blue glow unlike the warm mushroom light. Brushing dirt off her sleeve with ONE hand, her eyes stay on the glass. THE MIRROR DOES NOT REFLECT: her reflection NEVER appears, no mirror image of her, no reflection of the forest — the glass is a window filled with its own inner light: fog thinning into deep watery blue, faint caustics, vague luminous silhouettes far in the depth, no sharp image. The blue washes her face. ACTING TASK — HER CHOICE (the work happens in her eyes): glass → a 45° glance into the fog behind → glass again; she registers that nothing of HER answers her movement in it; no time to solve it. She extends ONE FINGER toward the surface. (Safety: gaze always engaged; natural blink cadence.) SHOT 5 — 0:09–0:11 — THE YANK: UNDER A SECOND Her fingertip nears the glass. The light FLARES — the surface SNAPS outward like a whip and SEIZES her hand. INSTANT: she is RIPPED off her feet, jerked forward along her outstretched arm, body whipping horizontal in a single frame, head-first through the glass, boots torn off the ground last, cloak cracking behind her. No build-up, no float — limp as a ragdoll, the mirror doing ALL of it, vector purely FORWARD through the glass plane. Camera: caught off guard WITH her — it WHIPS sideways-and-forward, slings around behind her flying body and punches through the rippling surface on her heels; water and bubbles SLAM across the lens, forest colors ripped into deep blue. NOT her POV. SHOT 6 — 0:11–0:16 — ARRIVAL IN THE PLAZA Same shot, no cut — camera behind her. THE FIRST UNDERWATER FRAME IS THE ARRIVAL FRAME: the portal exits DIRECTLY INTO the plaza of <<<image_4>>>; the colossal nautilus palace is ALREADY in frame, its ribbed pearl wall with glowing golden seams filling the background, sharp and close; shell houses with warm windows border both sides. NO TRAVEL, no approach — the water BRAKES her within a meter or two. HER BODY: horizontal, HEAD-FIRST, back toward the surface, fully passive — arms loose, LEGS STILL AND MOTIONLESS, no kicking, no strokes; thrown cargo, not a swimmer. UNDERWATER PHYSICS, HIGHEST PRIORITY: hair streaming backward in rippling seaweed-like strands, cloak dragging in a heavy water-loaded wave; on stopping, hair and cloak drift forward past her shoulders by inertia. She pivots from horizontal to upright — feet swinging down, legs hanging relaxed — settling into weightless float facing the palace wall. HER HAIR AT REST, STRICT: no parting, no combed order — a loose free-floating mass fanning outward and upward from her whole head, strands crossing over her crown in constant slow chaotic motion, never symmetrical, never still. The cloak billows wide, breathing with the water. SHE CANNOT BREATHE UNDERWATER: cheeks slightly puffed, lips pressed, holding her breath. Bubbles rise from her mouth in small silver clusters climbing upward past her face. ACTING TASK: to ORIENT beneath something impossibly huge — her attention pulls UPWARD: head climbing the glowing houses, up the palace wall, chin lifting, trying to find where the spiral ends. Jellyfish pulse between the houses. SHOT 7 — 0:16–0:19 — SETTLE INTO THE MEDIUM PROFILE FRAME Same shot, no cut. The camera drifts smoothly from behind her around to her side and settles into the framing that holds for the rest of the film: FRAMING LOCK — MEDIUM PROFILE: she is seen from her LEFT SIDE in a medium shot, CHEST-UP ONLY — never full-body, never small in frame; her head and shoulders occupy the lower-left third, elven ear tip clear, hair a floating dark halo, white puffed sleeve and green cloak reading in the frame's bottom, one gloved hand extended forward. Behind and above her, filling the whole background, the giant glowing spiral nautilus palace; pearl shell houses along the lower edge; god rays raking down from the surface; a jellyfish drifting at frame-left; her bubbles rising past her face. She hangs weightless with the faintest sway. SHOT 8 — 0:19–0:21 — SHE TURNS HER HEAD (SAME FRAME) No cut, camera locked in the FRAMING LOCK. She turns her head sharply to look off toward frame-LEFT — a fast, alarmed head turn, eyes going the same direction, brows snapping up, a startled burst of bubbles ripping from her mouth. Her shoulder tenses; nothing else of her moves. She is still only chest-up in frame; the whale is NOT visible yet. HARD CUT. SHOT 9 — 0:21–0:22.5 — POV: THE MOUTH OPENS ON US FIRST-PERSON POV FROM HER EYES — fast and brutal: filling the entire frame, the colossal whale's head rushes in from the left, and the vast baleen MOUTH OPENS WIDE — grooved pale throat pleats stretching, a dark glowing cavern spreading until it swallows the frame edge to edge; water and bubbles ripping past the lens; the scale absolute, the opening several times larger than a human body. Quick — a second and a half, no lingering. The frame goes to the mouth's darkness. HARD CUT. SHOT 10 — 0:22.5–0:24 — BACK TO THE SAME FRAME: THE WHALE MOVES ON Return to the EXACT FRAMING LOCK of Shot 7–8 — same camera position, same background: the glowing spiral palace, the shell houses, the god rays. The girl is no longer there; only her last scattered bubbles rising where she floated. The colossal whale is already in frame with its JAW CLOSED, gliding calmly from LEFT to RIGHT across the plaza — placid, unhurried, indifferent, as if it simply fed on the way past. Its enormous flank sweeps close past the lens: dark iridescent mother-of-pearl skin shifting purple-green-blue like oil on water, scattered glowing teal rings and dotted bioluminescent lines, a tall webbed translucent dorsal fin with visible veining, pectoral and tail fins extending into long flowing translucent ribbon-streamers rippling like silk. TRUE WHALE LOCOMOTION: all thrust from the TAIL — deep lateral sweeps bending the rear third of the body, an S-wave of muscle rolling down the flanks head-to-tail on every beat, mass shifting under the skin, head steady on course, ribbon-fins streaming back like wings. Living muscle, never a rigid sculpture on rails. Its wake rocks the jellyfish and scatters her bubbles. It exits frame-RIGHT. Final beat: the empty plaza, the palace glowing, bubbles dispersing, water settling. END. Exactly ONE creature in the finale, the same individual in the POV and in the return frame — no second creature, no duplicate. No grabbing, no chewing, no thrashing, no blood, no gore — the horror is entirely scale. PHYSICS Forest: real running biomechanics, the head-turns costing her balance, the trip stopping the foot dead while momentum carries her over, a genuine three-point fall, real bodyweight in the scramble up. The yank: whip-crack acceleration, body limp, purely forward. Underwater: everything obeys water — drag on limbs and fabric, slow rebound, no dry-hair or dry-cloth behavior in any frame; the whale moves with true mass and inertia, its bow wave visibly displacing water, bubbles and jellyfish; the jaw opens and closes with weight, not like a trap. LIGHTING Forest: warm orange mushroom glow against cool misty air; the mirror's cold blue the only competing source. Underwater: cool blue depth light with god rays, warm golden light from the shell houses and the palace's glowing seams; caustic ripples crawling over her skin, the white sleeve and the whale's flank; the open mouth in the POV reading as a deep shadowed cavern with faint light only on the throat pleats. Natural exposure, no stylization. MATERIALS Real skin with pores and freckles; individual hair strands, dry and flying in the forest, water-loaded and undulating below; real linen weave, leather grain, heavy wool cloak with true water weight; real soil, moss and mushroom flesh; pearl shell with subsurface glow; the whale's iridescent hide with subsurface shift, skin folds and grooved throat pleats, translucent fin membranes. No plastic skin, no CG sheen. AUDIO — SFX ONLY, NO MUSIC 0:00–0:05: pounding footsteps, ragged breathing, cloak snapping, DISTANT crashing branches and a low guttural monster call rolling through the fog; the trip — scuff, body impact, gasp. 0:05–0:09: panicked breathing, scrambling in dirt, forest ambience, a rising crystalline hum near the glass. 0:09–0:11: a sharp liquid CRACK, one violent water-rush WHOOSH, bubbles slamming the lens; forest sound cutting off dead. 0:11–0:19: muffled underwater ambience, soft bubble streams, distant whale-like calls, faint clicks, a deep resonant hum from the palace. 0:19–0:22.5: a startled bubble burst; a deep swelling RUMBLE from the left; in the POV a roaring water-rush and the wet groan of the opening jaw. 0:22.5–0:24: one soft heavy WHOMP settling, then calm rhythmic tail SWISH, the flank's water-rush passing the lens, fading right into churning wake and settling ambience. No score, no melody anywhere. POSITIVE CONSTRAINTS Continuous shot 0:00–0:19; then exactly TWO HARD CUTS: into the POV insert and back out to the identical framing. No other cuts anywhere. FRAMING LOCK: from 0:16 to the end (except the POV insert) the camera holds the same medium profile framing — she is CHEST-UP, seen from her left side, lower-left of frame, with the glowing spiral palace filling the background. She is never shown full-body in this section, never small in frame, and the camera never moves. The finale order is exact: she turns her head left (chest-up, whale not visible) → HARD CUT to her POV of the mouth opening wide, fast → HARD CUT back to the same framing where the jaw is already closed and the whale glides calmly left to right and exits. Her glances in the forest: ~45° head turns with eyes going the same direction; never toward the lens. The forest pursuer is NEVER shown — distant sound only. The mirror NEVER reflects her or the forest — a lit window, not a reflective surface. Underwater she never swims — legs still and motionless throughout; the palace fills the background from the first underwater frame, no travel. Her hair underwater is a chaotic free-floating mass — never parted, never neat, never still. Face 100% <<<image_1>>> every frame, zero drift; hair, elven ears, wardrobe 100% <<<image_2>>>; forest 100% <<<image_3>>>; plaza and palace 100% <<<image_4>>>. No grabbing, chewing, blood or gore; exactly ONE creature; she is not visible after the POV cut, only her bubbles. Full realism — no animated look, no illustration, no CG gloss, no plastic surfaces. Clean image: no grain, no vignette. She is the only person. No text, no logos, no watermarks. OPTICS STRONG anamorphic lens character: horizontal squeeze and compression, oval elliptical bokeh, horizontally stretched highlights, curved barrel edge distortion, chromatic aberration toward the edges. NO lens flares, NO light streaks, NO floating bokeh circles. Shot 1: canted 20–25°, low on boots. Shot 2: focus locked on her face. Shot 3: wide, deep focus. Shots 4–5: her face and the mirror's glow. Shots 6–8: her in medium profile against the palace, caustics softening the depth. Shot 9 (POV): ultra-wide immersive perspective, the mouth filling the frame. Shot 10: the flank sharp as it sweeps past the lens.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2088970274075246774"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-a-dark-fantasy-warrior-with-long-disheveled-black-hair-cold-expression-tatter-7dd307108140",
|
||
"title": "荒废战场上的雷霆武者与空间崩裂",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/0e7af393b7ea.jpg",
|
||
"mode": "video",
|
||
"prompt": "16:9 • RAW DOCUMENTARY PHOTOREALISM • LIVE-ACTION IMAX/HDR • REALISTIC PHYSICS\n\nA dark-fantasy warrior with long disheveled black hair, cold expression, tattered gray-white scarf, shattered dark cloak and white-gray outfit awakens an abandoned battlefield.\n\n0–5s: A tiny white-blue spark triggers the entire environment. Stones vibrate, cracks spread, invisible pressure bends the air, and a colossal thunderstorm ring forms overhead.\n\n5–10s: Shadow distortions hunt him. He explodes into motion—wall runs, aerial redirects, lightning-charged impacts and massive shockwaves destroy the ruins. Black smoke afterimages trail every movement.\n\n10–15s: He moves across falling debris at impossible speed. Multiple motion afterimages surround the battlefield before collapsing back into him, compressing into one devastating lightning strike.\n\n15–20s: The battlefield transforms into a rotating storm cage. Debris, dust, fabric and lightning orbit him. Everything suddenly compresses inward as a giant spatial crack opens behind him.\n\n20–27s: He launches into the fractured dimension, moving through floating ruins with punches, elbows and aerial strikes. All accumulated energy converges into a tiny, hyper-dense white-blue thunderstorm sphere.\n\n27–30s: Absolute silence. One spark. His eyes open. He unleashes the WORLD-SPLITTING STRIKE—a colossal white-blue shockwave tears through reality, followed by a black-and-white spatial implosion.\n\nCut back to the ruined battlefield. He stands alone, dust falling, scarf moving in the residual wind. One final spark crosses his cheek.\n\nSTYLE: Extremely fast, agile, physically grounded combat. Dense semi-transparent lightning, black smoke/shattered-shadow afterimages, air distortion, debris interaction and violent wind pressure. No anime, no superhero CGI, no modern tech, no guns, no armor, no dialogue, no text, no subtitles, no logos, no face/hairstyle/costume changes. Continuous escalation from mystery → pursuit → impossible movement → environmental destruction → spatial rupture → silence.",
|
||
"sourceId": "seedance",
|
||
"credit": "@itxabdullaa",
|
||
"sourceUrl": "https://x.com/itxabdullaa/status/2106702315239686628"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-vs-19b2bf262500",
|
||
"title": "Seedance:缘一 VS 百鬼 ⚔️💥",
|
||
"description": "无限城 BGM 一响, 缘一 VS 百鬼 ⚔️💥 纯粹的战斗爽感! Seedance…",
|
||
"image": "https://media.goodcase.ai/cases/80224e5015e7.jpg",
|
||
"mode": "video",
|
||
"prompt": "无限城 BGM 一响,\n缘一 VS 百鬼 ⚔️💥\n纯粹的战斗爽感!\n\nSeedance 2.5 \nPrompt 🔽\n\n【基础设定】\n\n30秒,16:9。暗色幻想绘画动画风格,粗粝厚涂笔触、硬边明暗、概括色块、清晰人物剪影。\n\n人物、敌群、建筑、武器统一为具有立体空间感的绘画动画。\n\n高速运动中保持人物、刀锋、命中位置清楚。\n\n头发、衣摆、碎木、灰烬具有真实惯性与重量。\n\n整体色调以墨黑、灰青、旧木褐为主,人物暗红服装作为主要识别色。\n\n【参考图绑定】\n图片1= 战场建筑与空间结构参考。\n仅采用悬空木平台、栏杆、回廊、阶梯、大殿及上下交错建筑关系。\n图片2 = 敌群外观参考。\n提取不同体型、皮肤、眼睛、獠牙、长爪、破旧衣物与异化轮廓,扩展为高密度敌潮。\n图片3= 主角唯一身份与服装参考。\n锁定脸型、长发、暗红外衣、敞领、腰带、宽裤、绑腿与鞋履。\n\n【角色规则】\n\n全片始终只有一名主角。\n始终使用同一把实体刀,刀鞘固定腰侧。\n\n右手主握,重斩时左手辅助同一刀柄。\n\n人物面部克制,视线始终寻找下一处敌阵缺口。\n\n所有攻击必须由真实身体动作驱动:\n\n蹬地 → 转髋 → 挥刀 → 回腕 → 连续落步。\n\n高速移动过程中人物本体始终连续可追踪。\n\n禁止瞬移。\n\n禁止实体分身。\n\n禁止第二把刀。\n\n【敌群规则】\n\n敌人数百只。\n\n中央平台、两侧回廊、远端阶梯与建筑阴影始终存在大量敌人。\n\n前景使用肩背、头部、爪子压住画面边缘。\n\n中景多排敌人包围人物移动路线。\n\n背景敌群一直延伸至建筑深处。\n\n敌人必须持续:\n\n扑入、夹击、绕侧、封路、补位。\n\n人物移动到哪里,新的敌群就从前方与侧翼压入。\n\n人物经过之后才允许留下局部缺口。\n\n24秒之前禁止大面积清空战场。\n\n【核心战斗逻辑】\n\n模式:\n\n流光割草 + 极限连招密度。\n\n全片以:\n\n高速穿群\n移动旋斩\n横扫\n反手斩\n斜劈\n短跃下劈\n\n作为主要动作。\n\n目标约26组短连招。\n\n每组动作必须:\n\n起手 → 接招 → 收招,无缝连接。\n\n上一刀的收刀方向,直接成为下一组攻击的起始方向。\n\n禁止攻击后站住重新摆姿势。\n\n禁止三刀打一组然后停顿。\n\n人物始终边打边移动。\n【空间规则】\n主平台远端阶梯 = 北。\n入口 = 南。\n左右两侧分别为东、西。\n人物移动路线:\n\n南部\n→ 东侧\n→ 中央\n→ 西侧\n→ 北部。\n\n摄影机始终朝向尚未清除的敌群推进。\n\n人物身前必须持续存在新的敌阵。\n\n身后逐渐形成已经战斗过的路径。\n\n空间、建筑地标、人物方向必须保持连续。\n\n【镜头结构】\n\n全片10个镜头段。\n\n每段约3秒。\n\nShot 1|0–3s\n\nWide,高位斜俯视追踪。\n\n人物直接高速切入右侧敌群。\n\n突入横斩\n→ 反手回切\n→ 移动回旋\n→ 再次斜切进入下一排。\n\n没有登场。\n\n没有拔刀。\n\n没有蓄力。\n第一秒直接进入战斗。\nShot 2|3–6s\nFS,贴地侧前跟拍。\n人物沿东侧战区高速向北推进。\n\n连续横扫、反手斩、斜劈。\n\n敌人从正面和侧面不断补入。\n\n摄影机倒退跟拍,同时保留前方大量敌群。\n\nShot 3|6–9s\n\nWide,升高斜俯视追踪。\n\n人物从东侧切向平台中央。\n\n连续三组移动旋斩。\n\n每一次旋转都改变人物所在位置。\n\n禁止原地转圈。\n\n镜头展示人物身后逐渐形成的战斗路线。\n\nShot 4|9–12s\n\nFS,低位跟进。\n人物进入中央最密集敌阵。\n横扫\n→ 反撩\n→ 斜切\n→ 上挑\n→ 踏进压斩\n→ 短跃下劈。\n上层回廊与地面敌人同时压入。\n\n人物必须同时应对上下两个方向。\n\nShot 5|12–15s\n\nFS,侧面短弧环绕。\n\n人物折向西侧。\n\n移动旋斩\n→ 短跃\n→ 下劈\n→ 落地反手横扫。\n\n完成后立即进入下一群敌人。\n\n禁止落地停顿。\n\nShot 6|15–18s\n\nWide,斜俯视折返追踪。\n\n人物切进西侧敌阵后向北折返。\n\n连续横斩、反斩、回旋压斩。\n\n新的敌群从西侧回廊持续补入。\n\n北侧阶梯始终作为远处空间地标。\n\nShot 7|18–21s\n\nMS → FS。\n\n先短暂靠近人物。\n\n展示一次真实的近距离攻防:\n\n敌人双爪封路。\n\n人物低身闪开攻击,同时转髋反切。\n\n随后镜头立即拉开。\n\n继续展示范围穿群动作。\n\n禁止变成单挑。\n\nShot 8|21–24s\n\nWide。\n人物进入北部中央区域。\n沿敌潮内部连续折线移动。\n斜切进入\n→ 回旋扫开\n→ 反手穿出\n→ 再改变方向。\n东西两侧残余敌群继续向中心补位。\nShot 9|24–27s\n\nFS → Wide。\n\n人物切入最后的大规模密集敌阵。\n\n横扫\n→ 反手斩\n→ 压斩\n→ 回旋\n→ 反撩\n→ 前冲斜劈。\n\n镜头逐渐拉开。\n\n明确展示人物已经打通的路线,与前方最后敌阵的位置。\n\nShot 10|27–30s\n\nFS → Wide。\n人物冲入北阶前最后一批敌人。\n27–28秒完成最后一组连续攻击。\n28秒后停止攻击。\n\n刀尖自然随收势垂下。\n\n镜头缓慢后拉。\n\n展示整个已经清理完成的平台。\n\n主角成为画面中唯一站立的人物。\n\n衣摆、长发、灰烬、碎屑继续自然运动。\n\n【摄影规则】\n\n摄影机必须跟随:\n\n人物移动路线\n攻击方向\n敌群变化\n空间地标。\n\n远景与全景负责展示敌潮规模。\n\n中近景只用于短暂展示身体动作与刀锋。\n\n禁止长期贴脸。\n\n禁止把范围战斗拍成逐个单挑。\n\n禁止依靠疯狂切镜制造速度。\n\n速度必须来自:\n\n人物移动\n敌群运动\n身体动作\n前景掠过\n摄影机追踪。\n\n【声音】\n\nNo dialogue.\n\nNo battle cries.\n\nNo subtitles.\n\nNo background music.\n\n保留:\n脚步声\n挥刀声\n撞击声\n木构破裂声\n环境空间回响。",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@Chengzilhy",
|
||
"sourceUrl": "https://x.com/Chengzilhy/status/2102586866302345657"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-clean-premium-4-second-fashion-lookbook-animation-starting-from-the-first-fr-a7de463708af",
|
||
"title": "模特与单品同步360度旋转",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/04e386463d97.jpg",
|
||
"mode": "video",
|
||
"prompt": "A clean, premium 4-second fashion lookbook animation starting from the first frame. The entire layout stays exactly as shown: same background, same cream item panel, same captions, same crown icons, same wordmark, same framing.\n\nThe model on the right turns a full 360° on the spot the way a real fashion model does on set: she steps her feet around naturally, shifting her weight from one leg to the other as she turns, her arms moving freely and her shoulders relaxed. As she comes around to the back she glances over her shoulder, and as she returns to face the camera she settles into a new, different confident model pose. Natural posture, realistic cloth physics; hair, hems and accessories swing and settle with the motion. She stays in the same spot and at the same size in frame throughout.\n\nAt the same time, every product cutout inside the item panel rotates in place on its own vertical axis, like a luxury product display render, revealing front, side and back. Each item stays centered in its own slot, keeps its size, and completes exactly one full rotation in sync with the model's turn, ending in its original orientation.\n\nThe panel, divider lines, captions, crown icons and wordmark stay perfectly fixed; only the model moves and the products rotate. Camera locked off, no zoom, no pan. Soft studio lighting with realistic shadows under the model and the products. Smooth, natural motion, clean commercial fashion-ad aesthetic, ultra-sharp details, luxury catalog presentation.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@AI__TSUBAKI",
|
||
"sourceUrl": "https://x.com/AI__TSUBAKI/status/2102459655700287648"
|
||
},
|
||
{
|
||
"id": "seedance:ayzalnooor24521-seedance-ai-db77eb406bfb",
|
||
"title": "高山雪场女子单板腾跃",
|
||
"description": "运动极限",
|
||
"image": "https://media.goodcase.ai/media/poster/ayzalnooor24521-seedance-ai-db77eb406bfb.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic vertical video of a young East Asian woman with long straight black hair snowboarding at a high-alpine ski resort on a bright sunny day. She wears a vibrant turquoise-blue ski jacket, black snow pants, white helmet, reflective orange-tinted goggles, and black gloves. \nOpening shot: medium close-up of her standing on a groomed snow slope with dramatic snow-capped mountain peaks and a clear blue sky behind her. She smiles brightly, adjusts her white helmet and goggles with both gloved hands, then clasps her hands excitedly in front of her chest while saying “I’m so excited!” \nSmooth transition into dynamic action: first-person and tracking shots of her carving down wide, groomed powder runs with visible ski tracks. She approaches a long yellow-and-black rail, grinds it with perfect balance, arms out for style. \nShe then hits a large snow jump, launching into a high aerial with a stylish mid-air grab and rotation, snowboard visible against the deep blue sky and distant mountain ranges. Snow particles and powder spray trail behind her as she flies. Bright sunlight creates lens flares and sharp shadows on the pristine white snow. \nHigh-energy, professional ski-film aesthetic, smooth camera movement, crisp details, vibrant colors, 15-second duration.",
|
||
"category": "sports-extreme",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2094243156225315270"
|
||
},
|
||
{
|
||
"id": "seedance:caden-flux-seedance-ai-473fedbbc75f",
|
||
"title": "月光池塘里的迷你青蛙大厨",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/media/poster/caden-flux-seedance-ai-473fedbbc75f.jpg",
|
||
"mode": "video",
|
||
"prompt": "The Tiny Frog Michelin Chef — 30-Second Animated Short\n\nCreate a 30-second premium cinematic 3D animated short film about a tiny frog who takes cooking extremely seriously.\n\nThe animation should feel like a high-end theatrical 3D animated feature film: charming, whimsical, expressive, funny, visually rich, and cinematic.\n\nMAIN CHARACTER\n\nA tiny adorable emerald-green frog with smooth slightly textured skin, huge expressive golden-brown eyes, a tiny rounded mouth, soft rounded cheeks, and little webbed feet.\n\nHe wears an oversized pristine white chef jacket, a tiny black neckerchief, and a miniature white chef hat that is slightly too large for him.\n\nDespite being tiny and adorable, he behaves like an extremely serious professional chef.\n\nHis personality is dramatic, perfectionist, ambitious, passionate, and hilariously serious about food.\n\nKeep the exact same frog appearance, outfit, proportions, face, colors, and animation style throughout the entire video.\n\n0–5 SEC — THE RESTAURANT\n\nOpen on a beautiful moonlit pond transformed into a tiny luxury restaurant.\n\nFireflies glow like miniature chandeliers.\n\nLily pads become elegant dining tables.\n\nTiny candles illuminate the water.\n\nThe frog chef stands inside his miniature outdoor kitchen.\n\nHe adjusts his chef hat with complete seriousness.\n\nHe looks directly at the dish he is about to prepare.\n\nDramatic cinematic push-in toward his determined face.\n\n5–10 SEC — THE PREPARATION\n\nRapid cinematic cooking montage.\n\nThe tiny frog dramatically chops miniature vegetables.\n\nHe slices mushrooms with incredible precision.\n\nHe tosses herbs into a tiny copper pan.\n\nButter melts.\n\nSteam rises.\n\nHe tastes the sauce with a tiny spoon.\n\nHis eyes narrow.\n\nHe adds exactly one more tiny pinch of seasoning.\n\nHe tastes it again.\n\nHis expression finally shows approval.\n\nUse exaggerated but believable animated physical comedy.\n\n10–17 SEC — THE MASTERPIECE\n\nThe frog chef begins assembling his signature dish.\n\nHe carefully places tiny colorful vegetables onto a miniature white porcelain plate.\n\nHe uses tweezers to position a single delicate herb.\n\nHe steps back.\n\nSomething looks wrong.\n\nHis eyes widen.\n\nHe rushes back to the plate.\n\nHe moves one tiny vegetable approximately one millimeter.\n\nHe steps back again.\n\nPerfect.\n\nHis face lights up with pride.\n\n17–22 SEC — THE BIG PRESENTATION\n\nThe frog dramatically carries the tiny plate across a lily-pad dining area.\n\nSeveral adorable woodland animals sit at tiny tables watching him.\n\nA rabbit.\n\nA hedgehog.\n\nA duckling.\n\nA small turtle.\n\nThey all stare at the dish with exaggerated anticipation.\n\nThe frog carefully places the plate in the center.\n\nEveryone leans forward.\n\n22–27 SEC — THE TASTE\n\nThe animals take one bite.\n\nSilence.\n\nTheir eyes suddenly become enormous.\n\nThe rabbit gasps.\n\nThe hedgehog's ears shoot upward.\n\nThe duckling freezes in amazement.\n\nThe turtle slowly raises both tiny flippers.\n\nThen everyone starts happily celebrating.\n\nThe frog chef stands completely still, trying desperately to maintain his serious professional expression.\n\nA tiny smile slowly appears.\n\n27–30 SEC — THE PAYOFF\n\nSuddenly, the frog's miniature restaurant becomes completely chaotic.\n\nThe animals cheer.\n\nFireflies swirl around the restaurant like sparkling lights.\n\nThe frog chef jumps onto a tiny wooden crate and proudly raises his cooking spoon like a trophy.\n\nCamera pulls back to reveal the entire magical pond restaurant glowing under the moonlight.\n\nFinal shot:\n\nThe tiny frog chef stands proudly beneath his oversized chef hat.\n\nAdorable. Dramatic. Completely ridiculous.\n\nVISUAL & ANIMATION STYLE\n\nPremium cinematic 3D animated feature-film quality.\n\nExtremely expressive character animation.\n\nCute stylized proportions.\n\nDetailed frog skin.\n\nSoft natural reflections in the eyes.\n\nRealistic miniature food textures.\n\nTiny believable kitchen props.\n\nBeautiful moonlit pond environment.\n\nWarm candlelight contrasting with cool nighttime atmosphere.\n\nDetailed lily pads, flowers, fireflies, water reflections, and vegetation.\n\nPlayful cartoon physics.\n\nSubtle squash-and-stretch.\n\nExcellent comedic timing.\n\nSmooth cinematic camera movements.\n\nDynamic food close-ups.\n\nMacro photography feeling for the tiny world.\n\nShallow depth of field.\n\nSoft volumetric lighting.\n\nNatural motion blur.\n\nPolished theatrical rendering.\n\nThe entire sequence should feel like one continuous animated movie scene, with consistent character design, environment, lighting, proportions, and animation quality.\n\n16:9 LANDSCAPE — 4K — premium cinematic 3D animation.\n\nNo text, no subtitles, no logos, no watermark.",
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"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Caden_Flux",
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||
"sourceUrl": "https://x.com/Caden_Flux/status/2091396961329131999"
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},
|
||
{
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||
"id": "seedance:doctorwasif-seedance-ai-8a78efcb37f9",
|
||
"title": "静电觉醒少女的体育馆反击",
|
||
"description": "打斗编排",
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||
"image": "https://media.goodcase.ai/cases/330ec609dd7e.jpg",
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"mode": "video",
|
||
"prompt": "30s | 16:9 | one continuous generation | ultra-photorealistic live-action AAA martial-arts VFX\n\nSO-YEON is the exact same real human throughout, 160cm small frame, messy black hair, black hoodie/sweats/Converse, natural pores/eyes/hair/biomechanics. Never CGI/digital double. Empty Korean high-school gym, late afternoon, sunbeams/dust, bleachers, scoreboard, basketballs, badminton rackets. 5 unarmed delinquent male classmates in dark untidy uniforms. Korean dialogue, no BGM/subtitles; only diegetic ambience, voices, impacts, static hiss.\n\n00–03: So-Yeon cowers by bleachers, surrounded. Leader smacks her head: “어쭈? 이 년 봐라? 많이 컸다?” She glares coldly through bangs, then fear returns: “아…! 미안…”\n\n03–06: He swings again.\n\n06–09: 0.3s micro-slow-mo: awakened body autonomously slips fist → Silat parry → pivot → body punch. THUMP + sharp white-blue static flash. Hair rises, dust scatters. Snap back to real-time; leader crashes/slides away.\n\n09–12: She stares at trembling hand, tiny static crawling between fingers, terrified/disbelieving. “저 년이?!” Four rush simultaneously.\n\n12–17: Extreme physical dash: PARRY → wrist redirect → elbow → low sweep; side-kick second attacker. 0.2s impact slow-mo with branching static flash, hair/uniform fibers rising, papers/shuttlecocks scattering. Snap back; never stops.\n\n17–22: Two attack together. Diagonal dash → duck hook → redirect momentum → high roundhouse. Static arc-flash at impact; hair stands up, shuttlecocks fly, scoreboard flickers.\n\n22–27: Final attacker from behind. Maximum real-body acceleration; camera lags/overshoots, violent whip-pan reacquires. Evade → parry → redirect → jab → body punch → low kick → spinning Taekwondo back kick. 0.25s slow-mo: dense branching static at heel impact, uniform puffs, dust/paper pulled inward then blasted outward.\n\n27–30: Violent physical discharge: KRA-KRACKLE! Static-white ring races across floor; dust/paper explode outward, fluorescent lights flicker, basketball rolls off cart. Enemy slides far away. Flash hits lens: flare/interference/dust, then rapid stabilization. So-Yeon lands, sees fading sparks on her hands, half fear/half wonder, exhales, straightens and walks calmly through dust, hair falling over eyes. Never looks back. CUT.\n\nCOMBAT: Awakened So-Yeon fights completely unarmed, calm/precise/extremely fast, fluid Taekwondo × Karate × Pencak Silat: punch → kick → evade → parry → redirect → dash → counter → sweep → palm/elbow → angle change. No reset poses; momentum continuously flows. Bullies attack simultaneously, never take turns.\n\nSTATIC BLOOM RULE: White-blue friction discharge ONLY. Real-time → physical dash burst → 0.15–0.35s impact slow-mo → snap back. Sparks crawl along skin/hair/hoodie; hair/threads lift; filaments jump between fingers/joints; dust follows slipstream. No teleportation, aura, projectile, beam, plasma, fireball, petals, or magic. Every discharge must originate from visible physical contact and extreme velocity. Impact → charge build → branching arc → dust/paper scatter. Static never causes the initial impact.\n\nCAMERA: close, kinetic handheld pursuit, tracking, low angles, OTS/facial inserts, rapid focus shifts, whip-pans; follows but cannot perfectly anticipate acceleration. Shake only from real impacts/discharges. Action readability > chaos.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2091388398153994395"
|
||
},
|
||
{
|
||
"id": "seedance:ruzainameer-seedance-ai-e6073ec318f1",
|
||
"title": "Seedance 2.5 1080P 三十秒超写实奇幻大片",
|
||
"description": "汽车与载具",
|
||
"image": "/inspiration-thumbs/seedance/ruzainameer-seedance-ai-e6073ec318f1.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic cinematic fantasy sequence with high-budget Hollywood film quality. A strong, fearless young woman rides a small rugged black motorcycle through a dense tropical jungle at sunrise. Maintain realistic skin, hair, physics, lighting, atmosphere, detailed environments, natural motion, and cinematic depth throughout.\n\n0–5s — The Ride: Wide cinematic tracking shot of the woman riding along a narrow muddy rainforest trail. Sun rays through the canopy, ground mist, moving leaves, water droplets from tires. She wears a practical dark leather riding outfit, protective boots and gloves. Calm, confident expression. Realistic engine vibration and body movement.\n\n5–10s — Transformation: In an open clearing, the motorcycle slows and the ground trembles. Its metal frame seamlessly transforms into a gigantic creature through a believable mechanical-organic fusion: wheels become huge clawed limbs, frame expands into an armored body, metal flows into dark realistic scales, handlebars become horns. Dust, leaves, rocks, and debris react naturally. No cuts or jumps.\n\n10–15s — Dragon Awakens: The motorcycle becomes a gigantic realistic black-and-dark-red dragon with muscular wings, detailed scales, powerful claws, curved horns, and integrated glowing amber eyes. The woman remains safely on its back. The dragon raises its head, exhales warm vapor, spreads its wings, and roars, shaking nearby foliage. Low-angle shot emphasizes scale.\n\n15–23s — Flight: The dragon launches powerfully from the jungle, bending trees and scattering leaves. The woman grips its armored neck. Aerial tracking shot reveals rivers, waterfalls, cliffs, mist, and dense rainforest below. Realistic wing aerodynamics, turbulence, mist movement, and sunlight reflecting across scales.\n\n23–27s — River: The dragon dives toward a massive turquoise river, flying extremely low above the water. Its wings create waves and spray. The woman's hair and clothing whip in the wind while she remains focused. High-speed side camera captures her expression and the dragon's detailed face.\n\n27–30s — Epic Ending: The dragon pulls upward toward the golden sky. Camera pulls far back to reveal endless jungle, rivers, mountains, and clouds. Golden light illuminates its wings from behind. End with a powerful silhouette disappearing toward the horizon.\n\nVisual Style: Ultra-photorealistic live-action fantasy, cinematic 8K appearance, believable anatomy, realistic skin/scales, atmospheric perspective, volumetric sunlight, detailed foliage, realistic water and wind simulation, cinematic DOF, subtle anamorphic lens characteristics, dramatic camera movement, HDR, realistic motion blur, natural shadows, film-quality grading.\n\nCharacter Consistency: Same woman throughout; preserve facial identity, hairstyle, body proportions, clothing, and appearance.\n\nTransformation: Continuous and coherent motorcycle-to-dragon transformation. Motorcycle and dragon must clearly be the same entity. No sudden cuts, teleportation, disappearing objects, duplicated limbs, malformed anatomy, or inconsistent scale.\n\nCamera: Cinematic tracking, low-angle hero shots, close-ups, dynamic aerial/drone-style shots, smooth high-speed movement, realistic parallax, motivated transitions.\n\nNegative: No cartoon, anime, plastic CGI textures, rubbery movement, extra characters, duplicate woman, deformed hands, distorted face, floating motorcycle parts, random scene changes, text, subtitles, logos, or watermark.",
|
||
"category": "car-vehicle",
|
||
"sourceId": "seedance",
|
||
"credit": "@RuzainaMeer",
|
||
"sourceUrl": "https://x.com/RuzainaMeer/status/2089595902818398461"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-pace-continuous-tension-and-escalation-zero-pauses-maximum-buildup-into-cata-4f6c927ebd3f",
|
||
"title": "废墟街头火焰术引爆全城",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/cases/5e41917cd901.jpg",
|
||
"mode": "video",
|
||
"prompt": "SUZUKA — FUGA\nDURATION: exactly 10 seconds\nFORMAT: 16:9\nSTYLE: ultra-photorealistic live-action dark fantasy, grounded supernatural fire VFX, realistic flame physics, cinematic destruction, natural lens behavior, practical lighting, realistic human actors, no digital-art appearance.\nPACE: continuous tension and escalation, zero pauses, maximum buildup into catastrophic release.\n\nREFERENCES\n\nIMAGE 1 — EXECUTOR\nPreserve facial identity, hairstyle, costume, body proportions, and appearance exactly.\n\nIMAGE 2 — TARGET\nPreserve facial identity, hairstyle, costume, body proportions, and appearance exactly.\n\nACTION\n\n0.0–3.5 SECONDS — INVOCATION\nExecutor stands alone on a destroyed city street. Faint fire flickers around both hands. He calmly looks toward the off-screen target and says, “Fuga.” Fire intensifies as he naturally transitions into a firing stance. Camera slowly pushes closer.\n\n3.5–6.5 SECONDS — FUGA RITUAL\nExtreme front three-quarter hand-dominant perspective. Flame wraps tightly around the extended fingers and forms a sharp arrowhead-like tip while remaining physically attached to the hand. A continuous flame line stretches from the rear hand to the forward fingers. The rear hand performs a subtle pinch, draw, and hold motion. The flame compresses and becomes intensely concentrated and white-hot.\n\n6.5–7.2 SECONDS — RELEASE\nMaximum tension. The rear fingers release. The finger-wrapped flame tears free and launches forward as a single concentrated fire projectile along the exact attack axis. Forward hand remains in the aiming position. Hard cut.\n\n7.2–7.7 SECONDS — TARGET REACTION\nTarget only. Medium close-up three-quarter view. The incoming attack reflects in the eyes. Firelight rapidly intensifies across the face. Brief realization, tension, and alarm.\n\n7.7–8.3 SECONDS — IMPACT\nTarget-side rear three-quarter view. The concentrated flame projectile races down the street, rapidly expands in perspective, and impacts the target position. Brief hit-stop. Instant white-hot flash. Hard cut.\n\n8.3–10.0 SECONDS — CITY-SCALE DETONATION\nExtreme aerial ultra-wide. The impact expands into an enormous white-hot fireball, rolling black smoke, and a massive spherical shockwave. Destruction propagates realistically across city blocks. Buildings rupture, debris launches, dust swallows the streets, and the delayed pressure wave violently shakes the camera.\n\nSMASH CUT TO BLACK. END.\n\nVISUAL RULES\n\n- Executor and Target never appear in the same shot.\n- During Executor shots, Target remains completely off-screen.\n- During Target shots, Executor remains completely off-screen.\n- Fire behaves with realistic heat, smoke, embers, illumination, and pressure.\n- Projectile is concentrated flame, not a physical arrow.\n- No bow, bowstring, energy beam, detached arrowhead, or glowing anime effects.\n- Grounded VFX integrated into live-action photography.\n- Every action directly causes the next event.\n- Continuous escalation, zero dead frames.\n\nCAMERA\n\nCinematic live-action camera. Medium shots, aggressive push-ins, target close-ups, and aerial disaster coverage. Natural motion blur, realistic shake, and physical camera reactions. No floating virtual camera.\n\nENVIRONMENT\n\nDestroyed urban city street with realistic debris, smoke, dust, damaged structures, and large-scale destruction. Photorealistic live-action environment.\n\nAUDIO\n\nRaw cinematic ambience only. Fire, wind pressure, debris, structural collapse, shockwave, impact, and destruction sounds.\n\nNO MUSIC. #higgsfield",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@itxabdullaa",
|
||
"sourceUrl": "https://x.com/itxabdullaa/status/2103698890516308313"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-cinematic-fashion-transformation-video-featuring-a-beautiful-young-wo-c7588dbea707",
|
||
"title": "巴黎街头红裙幻变",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/6fd799c4ee96.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a cinematic fashion transformation video featuring a beautiful young woman walking through elegant Parisian streets. She begins in a clean white summer dress, walking naturally along a stylish city sidewalk surrounded by classic architecture, cafés, shops, and pedestrians. The camera smoothly follows her with realistic cinematic movement and shallow depth of field. As she passes a storefront, glowing red light trails swirl around her body, creating a magical fashion-transition effect. Her outfit transforms seamlessly from white into a sophisticated red sleeveless dress. Continue with dynamic street-level shots as she confidently walks through a busy Paris intersection. Finish with a beautiful close-up of her in the red dress, gently holding and eating an ice cream while looking naturally toward the camera. Photorealistic details, elegant fashion-film aesthetic, natural daylight, smooth transitions, realistic skin texture, cinematic lens, subtle background motion, premium commercial look.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2100456445900710158"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-mysterious-train-station-is-buried-beneath-the-snow-and-three-friends-are-de-118e70d4e33e",
|
||
"title": "三个孩子寻找雪下的神秘车站",
|
||
"description": "游戏 UI 直播",
|
||
"image": "https://media.goodcase.ai/cases/79e519115cd2.jpg",
|
||
"mode": "video",
|
||
"prompt": "A mysterious train station is buried beneath the snow, and three friends are determined to find it before sunrise.\n\nSeedance 2.5 on @SJinn_Agent \n\nPrompt\n\nA 30-second cinematic third-person open-world game trailer in a photorealistic Japanese animated-film aesthetic, blending hand-painted winter fantasy, luminous skies, and modern AAA game presentation.\n\nA snowbound mountain village in late January. Three elementary-school children: a boy in a red knit cap, cream winter jacket, navy snow pants, and blue backpack as the player character; a boy in a green puffer vest and wool scarf; and a girl with a ponytail, lavender coat, pink backpack, and knitted mittens.\n\nSoft blue winter light, sparkling snow crystals, visible breath, drifting powder, warm window glow, distant mountain peaks, frozen streams, and quiet snowfall. Always keep a GTA-style HUD: top-left snowflake icon + green/blue stamina and warmth bars, top-center objective banner in Japanese, top-right date/time (1月27日), bottom-left circular mini-map with player arrow, bottom-right context button prompts (走る / 調べる / のぼる / ライト). Smooth tracking camera behind the player, slight handheld game-feel, 24fps cinematic motion, high-fidelity skin, wool, snow, ice, wood, and foliage.\n\nSequence:\n\n0–4s: Snow-covered mountain village street between wooden houses, glowing paper windows, stacked firewood, snow-covered roofs, and tall cedar trees. The player boy races downhill on a wooden sled while another child speeds ahead, kicking up powder. The girl waves from the roadside. They pass a small shrine gate half-buried in snow as the camera sweeps toward a vast frozen valley. Objective: 「雪山のてっぺんまで競争!」 Time 10:24.\n\n5–8s: Cut to a frozen waterfall deep in a cedar forest. Massive blue ice columns hang over a crystal-clear pool, with tiny trapped bubbles beneath the surface. The player stands on slippery rocks, peering into the ice. A strange warm glow moves behind the frozen waterfall, and a question-mark prompt appears. Objective: 「凍った滝の秘密を探せ」 Time 14:10. Camera glides close to the ice, briefly dipping beneath the translucent frozen pool as a mysterious shadow passes below.\n\n9–12s: Secret treehouse base built inside an enormous snow-covered cedar overlooking the village and mountain slopes. Inside, a glowing kotatsu, steaming mugs of cocoa, folded blankets, paper snow maps, and small lanterns create a cozy refuge. The player climbs a wooden ladder while the two friends sit around a hand-drawn map. A glowing red “?” marks an impossible railway line leading to a station that does not appear on any village map. Objective: 「秘密基地をあたためよう」 Time 16:32.\n\n13–17s: Blue-hour winter festival in the village square. Snow lanterns line the paths, children carry warm taiyaki, a small yakiimo stall sends smoke into the cold air, and distant taiko drums echo between the mountains. The three children race through the falling snow, then stop at an old wooden sign reading 「この先、存在しない駅」 pointing toward a closed mountain trail. Far above, a faint train whistle sounds through the clouds. Objective: 「存在しない駅への道を探そう」 Time 19:15.\n\n18–23s: Night. Abandoned railway platform hidden in a narrow mountain pass. Rusted rails disappear beneath snowdrifts, a broken sign reads 「立入禁止」, and the moon shines over silent pine trees. The three children approach cautiously. The player switches on a flashlight; its beam cuts through falling snow and mist. At the end of the tracks, a warm amber platform light flickers where no station should be. A distant train bell rings once. Objective: 「夜の線路を追え」 Time 20:08. Quiet, mysterious, and slightly eerie, but wholesome and magical rather than frightening.\n\n24–27s: Dawn at a high mountain overlook. The children stand beside a snow-covered signal tower as golden sunlight breaks across the peaks. The snow suddenly shifts, revealing the roof of an entire buried railway station beneath the mountain. An old station clock begins ticking. A notification appears: 「雪の下の駅を発見!」 Time 05:12. Location: 雪見ヶ峰.\n\n28–30s: Title card over the same sunrise mountain valley, with the newly revealed station glowing beneath the snow:\n\nぼくらの冬休み\n\n— 雪の下の駅 —\n\n小さな字幕: 冬休みは、まだ終わらない。\n\nMood: nostalgic Japanese childhood winter, friendship, warmth, discovery, and an impossible railway mystery that never becomes horror. Audio: excited Japanese children’s chatter, sled runners scraping over snow, wind through cedar trees, distant taiko drums, soft train bells, crackling firewood, gentle piano and strings swelling during the buried-station reveal. No violence, no adult characters in focus.",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2099820658880548879"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-real-life-has-never-looked-this-ai-64d1dedc739f",
|
||
"title": "首尔夏夜市场的DV漫步",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/cases/db97afc7f01a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Real life has never looked this AI.\n\nSeedance 2.5 on @DomoAI_ \n\nPrompt\n\nCreate a 30-second, 1080p, 16:9 ultra-realistic early-2000s DV home video of a young Korean woman having a spontaneous summer evening around a quiet neighborhood market in Seoul.\n\nSUBJECT\n\nYoung Korean woman, early 20s, naturally pretty, realistic skin, minimal makeup, relaxed expressions. Straight dark-brown shoulder-length hair, loose with a black headband and a few messy strands.\n\nOutfit: dusty-rose fitted T-shirt, dark-indigo jeans, white canvas sneakers, cream canvas shoulder bag, thin silver necklace.\n\nKeep her face, hair, outfit, body proportions, and accessories identical throughout the entire video.\n\nSETTING\n\nAn older Seoul neighborhood during a warm summer evening. Narrow streets connected to a small local market, aging low-rise buildings, faded painted walls, metal shutters, parked scooters, bicycles, potted plants, handwritten-looking shop signs without readable branding, utility poles, overhead wires, plastic stools, small street vendors, and residential entrances.\n\nThe area feels lived-in and ordinary rather than picturesque. A few local residents move naturally through the background. Warm sunlight is beginning to fade into early evening.\n\nNo brands, logos, advertisements, tourist landmarks, modern luxury buildings, polished streets, or commercial-looking locations.\n\nCAMERA STYLE\n\nCheap early-2000s consumer DV camcorder footage recorded casually by a friend.\n\nStrong handheld shake, imperfect framing, occasional focus hunting, exposure shifts when moving between sunlight and shadow, soft digital detail, slightly faded colors, mild tape noise, subtle compression artifacts, motion blur, accidental zooms, awkward reframing, and natural camera movement.\n\nThe camera should feel like a friend casually recording the moment rather than a professional filming a scene.\n\nNo stabilization, gimbal movement, drone shots, cinematic camera choreography, cinematic lighting, shallow-depth-of-field commercial shots, or polished color grading.\n\nTIMELINE\n\n00:00–00:06 — LEAVING THE BUILDING\n\nShe steps out through an old residential entrance carrying her cream canvas shoulder bag.\n\nShe pauses beside a parked bicycle and checks the time on a small wristwatch. She notices the camera pointing at her and gives the camera operator an amused look.\n\nShe says:\n\n“Are you filming me again?”\n\nThe camera moves closer slightly. She shakes her head with a small laugh and starts walking toward the neighborhood market.\n\n00:06–00:12 — SMALL MARKET\n\nShe walks past a tiny neighborhood fruit stand and notices a colorful pile of peaches.\n\nShe stops, picks up one peach, looks at it, then looks directly at the camera.\n\nShe says:\n\n“Should I get this?”\n\nThe camera operator responds naturally from behind the camera:\n\n“Definitely.”\n\nShe laughs quietly, buys one, and takes a bite while continuing down the street.\n\n00:12–00:18 — SUMMER MOMENT\n\nShe reaches a small side street lined with old apartment walls and potted plants.\n\nA sudden warm breeze moves the leaves and pushes loose strands of her hair across her face.\n\nShe tries to fix her hair while still holding the peach.\n\nA bicycle passes behind her.\n\nShe looks toward the bicycle, then back at the camera and says jokingly:\n\n“Okay, that was almost dangerous.”\n\nShe laughs naturally.\n\n00:18–00:24 — STREET CORNER\n\nShe reaches a small neighborhood corner with a public bench beside an old concrete wall.\n\nShe sits down for a moment and drinks water from a bottle taken from her shoulder bag.\n\nIn the background, an older resident slowly sweeps the pavement while another person carries groceries toward an apartment entrance.\n\nShe watches the street quietly for a few seconds.\n\nThe camera operator asks:\n\n“Tired?”\n\nShe looks toward the camera with a relaxed smile and replies:\n\n“A little.”\n\nShe takes another sip of water and smiles.\n\n00:24–00:30 — HEADING BACK\n\nShe stands up, brushes a small piece of dust from her jeans, adjusts the cream canvas shoulder bag across her shoulder, and starts walking back toward the residential buildings.\n\nThe camera follows from behind with imperfect handheld movement.\n\nAfter a few steps, she turns around while walking backward and looks directly into the camera.\n\nShe smiles and says:\n\n“Hurry up.”\n\nShe turns forward and continues walking.\n\nThe camera follows her for another moment before the footage abruptly cuts to black.\n\nAUDIO\n\nNatural location sound only.\n\nFootsteps on concrete, distant traffic, bicycle wheels, birds, summer insects, leaves moving in the breeze, neighborhood market ambience, faint conversations, a distant scooter, plastic bags rustling, street sweeping, water bottle sounds, natural laughter, and subtle camcorder handling noise.\n\nDialogue should sound spontaneous and conversational, with natural pauses and imperfect timing.\n\nNo music, narration, subtitles, captions, translations, logos, watermarks, or on-screen text.\n\nREALISM & CONTINUITY\n\nMaintain strict character continuity throughout all shots.\n\nHer face, hairstyle, black headband, dusty-rose T-shirt, dark-indigo jeans, white canvas sneakers, cream canvas shoulder bag, silver necklace, body proportions, and overall appearance must remain identical from beginning to end.\n\nNatural human reactions and imperfect timing.\n\nBackground pedestrians should move naturally and remain physically consistent.\n\nObjects must not disappear, duplicate, teleport, or change position unnaturally.\n\nNo duplicated people, disappearing objects, distorted faces, warped bodies, broken hands, extra fingers, plastic skin, CGI appearance, identity drift, hairstyle changes, outfit changes, accessory changes, exaggerated acting, unrealistic facial expressions, or overly cinematic footage.\n\nThe final result should feel like a genuine forgotten home-video recording from the early 2000s rather than a modern cinematic recreation.\n\n16:9 aspect ratio, 1080p, 30 seconds. #DomoAI #DomoAICPP",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2098373444010443011"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-fashion-film-still-low-angle-shot-of-a-beautiful-young-woman-with-wa-fac7693b54a0",
|
||
"title": "金色雪山上的白衣滑雪女郎",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/9084b0f25038.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic fashion film still, low-angle shot of a beautiful young woman with wavy dirty-blonde hair and brown eyes walking toward camera on a sunlit snowy alpine mountain slope at golden hour. She wears an oversized cream faux-fur coat over a white ribbed crop top and matching white shorts, white fuzzy ski boots and white gloves. She carries a pair of sleek white skis with black bindings slung over one shoulder. Sparkling crystalline snow in extreme foreground with shallow depth of field and bokeh, snow-capped peaks and clear blue-to-dusk sky in background, dramatic rim lighting, high-fashion editorial photography, 35mm film grain, ultra-realistic, photorealistic, 8k",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2096826123330138410"
|
||
},
|
||
{
|
||
"id": "seedance:lexers-seedance-ai-7040e9b2e90e",
|
||
"title": "Seedance 2.5 视频续写实验:首帧之后生成有意义新内容",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/lexers-seedance-ai-7040e9b2e90e.webp",
|
||
"mode": "video",
|
||
"prompt": "Making a video file longer is easy. Creating meaningful new content after the final frame is the difficult part.\n\nCapCut Seedance 2.5 1080p is now live.\n\nStart with AI Image for batch-generated references and AI Video for the core scene. A loop only repeats information, and interpolation only creates frames between existing moments. AI Extend in CapCut PC can generate what happens next—or what should have happened before—with prompt control.\n\nUse AI Edit for a local flaw, Edit Pilot for repeated adjustments, and the multi-track timeline for dialogue, captions, music and export.\n\n#CapCutPC #AIVideoEditor #CapCutSeedance25 #Seedance251080p",
|
||
"sourceId": "seedance",
|
||
"credit": "@_lexers",
|
||
"sourceUrl": "https://x.com/_lexers/status/2089734616890360165"
|
||
},
|
||
{
|
||
"id": "seedance:just-sharon7-seedance-ai-8085c03efbb0",
|
||
"title": "Seedance 2.5 同人对打:Sharon 大战 Sharon",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/8ca3ebd21bfe.jpg",
|
||
"mode": "video",
|
||
"prompt": "Sharon fighting other Sharon \n\nSeedance 2.5 on @DomoAI_ \n\nprompt\n\nImage : SHARON'S REAL FACE — sole source of her features, 100% match, zero drift: soft rounded oval face, warm light-beige skin with tiny freckles and beauty marks, GREEN eyes, dense straight feathered brows, small neat nose, full pink lips, small silver drop earring. \n\nimage Image \nSTYLE / PRIORITY\n\nUltra-photorealistic live-action AAA Hollywood action film, ARRI ALEXA 65, IMAX, Panavision anamorphic, premium restrained semi-CGI VFX. Realistic anatomy, weight, gravity, momentum, and authentic Taekwondo biomechanics. One continuous uninterrupted 10-second combat shot, 16:9.\n\n**CHARACTERS**\n\nImage = FIGHTER. @Image2 = ENEMY. Preserve both references exactly: face, facial anatomy, eyes, hairstyle, physique, proportions, clothing, accessories, silhouette, identity. If references are sketches, use only as design blueprints; render as fully realistic live-action humans. Maintain consistency throughout.\n\n**COMBAT**\n\nHand-to-hand only, no weapons. Both fighters remain aggressive and reactive. No passive waiting, idle stance, reset, teleportation, or position jumps.\n\n**00:00–00:02 — OPENING EXCHANGE**\n\nStart mid-fight. Image2 attacks: straight punch → hook → low kick. Image parries → slips under hook → checks low kick → immediately counters with fast body kick. Image2 blocks and is pushed backward. Both instantly reposition. Low-angle camera rapidly circles them.\n\n**00:02–00:03 — OPENING**\n\nshe attacks again. Image1 narrowly sidesteps, pivots outside the attack angle, and @Image2 turns toward him, briefly exposing the torso. @Image1 explosively accelerates forward. Camera drops toward the feet. Supporting foot plants and hip rotation begins.\n\n**00:03–00:04.5 — CYCLONE 1**\n\n**DOLLYO CHAGI:** natural supporting-foot pivot, hip and torso rotation, kicking leg extends into Image2's torso. Realistic displacement, clothing compression and dust. 0.20s hyper slow motion only at impact, then instantly full speed. Landing immediately feeds the next rotation—NO RESET.\n\n**00:04.5–00:06 — CYCLONE 2**\n\n**TORNADO KICK:** landing momentum converts directly into explosive pivot and airborne rotation. Full-body rotation, kicking leg strikes Image2, driving him sideways. Camera rapidly orbits the airborne Fighter. Natural landing preserves rotational momentum. NO RESET.\n\n**00:06–00:07.5 — CYCLONE 3**\n\n**DWI HURRYEO CHAGI:** immediate continuous rotation. Hips and shoulders rotate together; heel/back of foot follows a clean circular trajectory and connects. Image2 is redirected sideways. 0.20s hyper slow motion at impact, dust/debris briefly suspended, heavy THOOM, then full speed. Rotation continues.\n\n**00:07.5–00:08.5 — CYCLONE 4**\n\n**SPINNING HEEL KICK:** no stance reset. Supporting foot establishes axis, rapid hip/torso rotation, heel travels circularly through Image2's raised guard and connects. Image2 is driven backward. Camera performs a fast 270° orbit. Image1 keeps rotating after impact.\n\n**00:08.5–00:10 — FINAL CYCLONE**\n\n**FINAL TORNADO KICK — STRONGEST IMPACT.** Maximum rotational acceleration, explosive ground push, vertical lift, rapid airborne rotation. Camera drops low then rises with Image Final kick connects with maximum physical force. 0.25s hyper slow motion, extreme close-up showing foot contact, clothing compression, natural facial reaction, dust/debris and camera recoil, then THOOOOOM and immediate full speed. Image2 is violently displaced backward across the arena. Image lands naturally and continues moving forward. No hero pose, no victory pose, no freeze.\n\n**ROTATIONAL MOMENTUM LOCK**\n\nThe five techniques must function as ONE connected sequence:\n\n**DOLLYO CHAGI → LAND → TORNADO KICK → LAND → DWI HURRYEO CHAGI → SPINNING HEEL KICK → FINAL TORNADO KICK.**\n\nNever kick → stop → stance → kick. Always kick → momentum → rotation → kick → momentum → rotation → kick.\n\n**PHYSICS / CAMERA**\n\nEvery movement is physically traveled through: footwork, pivots, hip rotation, torso rotation, leg acceleration, jump force and rotational momentum. Image2 reacts naturally according to impact direction; no exaggerated ragdoll or floating. Camera constantly chases the fighters using low-angle tracking, ground pursuit, lateral/reverse tracking, fast orbit, whip-pans, snap-reframes, impact jolts, rapid push-ins and low-angle aerial follow. Aggressive movement but each kick remains clearly readable. No excessive motion blur or camera shake.\n\n**ENVIRONMENT / VFX / AUDIO**\n\nLarge cinematic outdoor combat arena with realistic ground, dust, small debris and detailed environmental depth; never an empty studio. Restrained photorealistic VFX: dust, debris, air displacement, natural motion streaks only. No aura, energy, glow or magic. No music. Realistic footsteps, shoe friction, punches, kicks, cloth movement, air whooshes, dust, body impacts and heavy final THOOM.\n\n**NEGATIVE**\n\nTeleportation, clones, duplicates, extra/missing limbs, malformed anatomy, broken joints, rubber/stretching limbs, disconnected body parts, impossible spine rotation, floating, weightless movement, random position jumps, kick-stop-kick, attack-wait-attack, idle pose, static/locked/gameplay camera, excessive shake, excessive motion blur, prolonged slow motion, unreadable action, looping animation, repeated identical kicks, giant aura, energy beams, magical powers, glowing body, cartoon, cel shading, videogame graphics, gore, blood, subtitles, text, logo, watermark, freeze frame, hero pose, victory pose, fade-out.\n\n**HIGHEST PRIORITY:** Hand-to-hand Taekwondo combat. Image = Fighter, Image2 = Enemy. Continuous realistic biomechanics. DOLLYO CHAGI → TORNADO KICK → DWI HURRYEO CHAGI → SPINNING HEEL KICK → FINAL TORNADO KICK, with zero idle, zero reset, zero teleportation, continuous rotational momentum, realistic enemy reactions, constantly moving camera, micro slow-motion only on decisive impacts, strongest final impact, and no hero pose.16:9.16:9.16:9.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2088878042034868640"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-made-with-seedance-2-5-d7d437c4a8b9",
|
||
"title": "彩色教室里的萌娃身体部位英语教学",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/8bfe3ae61e07.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a cute, colorful, highly detailed 3D animated educational video featuring an adorable toddler boy with big expressive eyes, soft curly brown hair, rosy cheeks, and a sweet innocent expression.\n\nThe toddler wears a cream-colored long-sleeve shirt underneath blue denim overalls and white socks. Keep the character's appearance consistent throughout the entire video.\n\nSet the video inside a bright, playful children's nursery/classroom filled with colorful toys, alphabet blocks, bookshelves, soft pastel walls, rainbows, balloons, stars, clouds, bunting decorations, and a colorful puzzle mat. Use a cheerful pastel color palette with soft cinematic lighting.\n\nThe child stands in the center of the frame and happily teaches basic body-part names through simple gestures. He looks directly at the camera, points to or touches each body part when its name appears on screen, and uses cute natural movements and facial expressions.\n\nShow different body parts one by one, including:\nHEAD, NOSE, CHIN, EYEBROW, PALM, WRIST, WAIST, STOMACH, and SOLE.\n\nFor every body part, display a large, bold, colorful English word near the child, synchronized with his gesture. Use playful children's educational typography with bright colors, a dark outline, and a fun cartoon-style pop-in animation.\n\nScene progression:\n\n1. The toddler waves and raises both hands toward the camera.\n2. He points to his NOSE.\n3. He smiles and gestures toward his CHIN.\n4. He points to his EYEBROW.\n5. He opens his hand and shows his PALM.\n6. He points toward his WRIST.\n7. He gestures around his WAIST.\n8. He touches his STOMACH.\n9. He sits down and shows the bottom of his foot while introducing SOLE.\n10. End with the toddler happily waving at the camera.\n\nCamera style: vertical 9:16 composition, medium full-body framing, smooth gentle camera movement, occasional subtle push-ins, centered character, eye-level perspective.\n\nVisual style: high-quality 3D children's animation, adorable Pixar-inspired aesthetic, soft rounded features, realistic fabric textures, expressive eyes, smooth character animation, vibrant pastel colors, soft global illumination, shallow depth of field, polished cinematic rendering.\n\nMood: cheerful, wholesome, educational, playful, and engaging for young children.\n\nKeep the character's face, hairstyle, clothing, proportions, nursery environment, lighting, and overall visual style consistent across every scene.\n\nAdd a final educational message:\n“LEARN BODY PARTS NAMES!”\n“FOLLOW FOR MORE!”\n\nFormat: 9:16 vertical, high resolution, smooth animation, clean composition, no watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2107066879038857330"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-preserve-the-exact-face-hairstyle-golden-cream-dress-tattoos-necklace-and-8ff953bfc56e",
|
||
"title": "夜行卧铺列车感染惊魂",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/86a341e46f5f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Preserve the exact face, hairstyle, golden-cream dress, tattoos, necklace, and overall appearance. She lies feverish and restless in the upper bunk of a dark sleeper train, slowly waking as her fingers tremble and dark veins appear. Her eyes turn cloudy white, her expression becomes unnaturally blank, and a dark drop falls onto the passenger below. She suddenly leans over, drops onto the lower bunk, and attacks the sleeping passenger non-graphically. Dark veins spread across him as he convulses, his eyes turn white, and he releases an inhuman scream.\n\nThe infected passenger rushes into the corridor, awakening others and triggering chaos throughout the carriage. Curtains fly open, luggage falls, passengers scramble to escape, and more people become infected. A conductor grabs a fire extinguisher and blasts the approaching infected with white foam, giving survivors time to reach the connecting door. They slam it shut and barricade it with luggage and a fold-down seat as infected hands pound against the glass. Cracks begin spreading while terrified passengers retreat.\n\nEnd with survivors huddled together beneath flashing red emergency lights, protecting two children as the sealed door violently shakes behind them. Cut to an exterior wide shot of the train speeding through the dark countryside, sleeper-car windows flickering with red emergency light and chaotic silhouettes inside. Ultra-realistic cinematic zombie horror, authentic sleeper-train interior, blue night lighting, red emergency lights, realistic characters, handheld camera during chaos, practical effects, atmospheric shadows, tense sound design, no background music, no excessive gore, no subtitles, no watermark, no anime or cartoon style.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2100803982197502368"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-magic-pen-street-transport-vlog-28d80bd05eda",
|
||
"title": "魔法画笔将城市交通变成动漫",
|
||
"description": "POV 长镜头",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-magic-pen-street-transport-vlog-28d80bd05eda.jpg",
|
||
"mode": "video",
|
||
"prompt": "Magic Pen Street Transport Vlog \n\nSeedance 2.5 on lovart_ai \n\nPrompt ↓\n\nMagic Pen Street Transport Vlog · 15 Seconds · Vertical 9:16\n\n[STYLE]\nLive-action + flat 2D anime sticker compositing, first-person street transport magic vlog. 8K photorealistic detail with the authentic look of a real smartphone rear-camera recording. Strong visual contrast between the photorealistic city and flat cartoon vehicles. One continuous handheld smartphone shot. No cuts. No scene transitions.\n\n[CAMERA]\nRaw, unstabilized handheld smartphone footage throughout: natural walking shake, subtle arm movement, occasional autofocus hunting, realistic exposure shifts between bright sky and building shadows, and slight rolling-shutter jelly during fast pans. Natural smartphone HDR colors with soft, realistic tones. The camera quickly whip-pans to follow the marker and each target.\n\n[LIGHTING]\nLate-afternoon sunlight coming consistently from one direction. Every real object and every animated character casts a soft contact shadow matching the direction of the sunlight.\n\n[SETTING]\nOne continuous walk through a Korean city neighborhood. A wide urban road with a pedestrian sidewalk, bicycle lane, city buses, parked scooters, and a crosswalk. Everyday street life, with background pedestrians and vehicles moving naturally.\n\n[PEN — MAGIC RULES]\nThe vlogger's real hand, with photorealistic skin and visible pores, holds a black marker and remains visible throughout the entire video, serving as the visual guide connecting every beat.\n\nEvery transformation follows the exact same sequence:\n\nMarker points → Vlogger says “Biu!” → blue hand-drawn sketch lines wrap around the target → ink spreads → the target transforms into a lively flat 2D cel-shaded anime character with bold cartoon outlines.\n\nThe transformed character must preserve the original object's exact size, position, speed, direction, and perspective, remaining perfectly anchored to the real street environment. Characters retain flat sticker-style shading and are never relit by the real-world lighting. Anything they touch reacts with realistic physical interaction.\n\n[00:00–00:03]\n\nFirst-person view while walking beside a busy road. The vlogger raises the black marker into frame and points at a passing city bus.\n\n“Biu!”\n\nBlue sketch lines wrap around the bus. The bus transforms into a giant flat 2D cartoon vehicle with bold anime outlines while maintaining its exact size, speed, direction, and perspective.\n\nIt continues driving normally through traffic.\n\nSFX: Bus engine + marker whoosh + soft cartoon movement sound.\n\n[00:03–00:06]\n\nThe marker quickly swings downward toward a bicycle passing along the bicycle lane.\n\n“Biu!”\n\nThe bicycle transforms into a cute hand-drawn cartoon bicycle. It continues moving at the same speed, its wheels spinning rapidly, with small sketch particles appearing behind it.\n\nSFX: Bicycle wheel sound + light sketch rustling.\n\n[00:06–00:10]\n\nThe marker follows the bicycle toward a parked scooter near the sidewalk.\n\n“Biu!”\n\nA rapid blue sketch outline covers the scooter. It transforms into a flat 2D cartoon scooter while preserving its exact position, proportions, and perspective.\n\nIts wheels spin once and its small cartoon headlight blinks twice.\n\nSFX: Soft engine hum + tiny mechanical click.\n\n[00:10–00:12]\n\nThe marker quickly swings toward a pedestrian crossing the road.\n\n“Biu!”\n\nBlue sketch lines trace around the person. The same person, in the exact same pose, proportions, and position, becomes a vibrant anime cel-shaded illustration.\n\nThey continue walking naturally and briefly wave once.\n\nSFX: Fast doodling sound + soft sparkle chime.\n\n[00:12–00:15]\n\nThe vlogger stops walking and gives one final, louder:\n\n“Biu—!”\n\nThe marker spins upward toward the road. A swirling blue ink trail spreads across the vehicles and pavement, transforming the entire road surface into a hand-drawn anime street while the surrounding buildings remain completely photorealistic.\n\nA small handwritten “THE END!” doodle — the only text appearing anywhere in the video — pops up above the road.\n\nFreeze frame.\n\nSFX: Sharp throwing whoosh + spreading watercolor-ink bloom + felt-tip marker squeaking as it writes “THE END!”",
|
||
"category": "pov-continuous-take",
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2095748874942263601"
|
||
},
|
||
{
|
||
"id": "seedance:zarairahh-seedance-ai-b7601661378a",
|
||
"title": "Seedance 三十秒健身房日常 vlog",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/zarairahh-seedance-ai-b7601661378a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second casual gym vlog featuring the same young woman in her early twenties. She has natural everyday beauty, and her face and hair remain identical throughout the entire video.\n\nCamera & visual style\n\nOne continuous handheld front-facing smartphone selfie vlog, always filmed from her own point of view with the phone held in her own hand at arm’s length. No third-person camera, external camera, tripod, cinematic camera movement, or professional filming.\n\nMake it look like a real modern smartphone recording:\n\n- Mild handheld shake and natural walking bounce\n- Occasional autofocus hunting\n- Small exposure shifts and minor framing imperfections\n- Natural front-camera lens distortion\n- Soft warm natural daylight transitioning toward early evening\n- Natural, uncorrected smartphone color\n- No color grading, beauty filter, or skin smoothing\n- Same woman, same face and hair throughout\n- She holds the phone herself in every shot\n- No subtitles, captions, logos, watermarks, or on-screen text\n- No brand or character names\n- Never show a reference sheet or duplicate subject\n\nOutfit\n\nShe is wearing a cute, trendy, realistic gym outfit appropriate for a casual workout vlog: fitted athletic top, comfortable high-waisted leggings or shorts, clean sneakers, and minimal accessories. The styling should feel fashionable but natural and practical for the gym.\n\nScene\n\nShe is spending a casual day at the gym and filming herself throughout her workout.\n\nShe enters the gym while holding her phone at arm’s length, smiling into the front camera. She briefly sweeps the phone toward the workout area, showing treadmills, weights, machines, and other gym-goers in the background, then brings it back to her face. She grins and says upbeat:\n\n“Okay, gym day! Let’s get this workout started!”\n\nShe walks toward the workout area, naturally bouncing the phone with her steps. She glances at the equipment, smiles at the camera, and starts a light warm-up. Keep the movements natural and unscripted, with brief moments of her adjusting her hair, checking her form, and laughing at herself.\n\nShe moves into a short workout sequence while still filming herself handheld: a few casual gym exercises, light cardio, and a quick strength-training moment. Keep the camera mostly selfie-facing, occasionally tilting naturally toward the equipment before returning to her face. She looks slightly out of breath but happy and says with a playful laugh:\n\n“Why did I think this was gonna be easy?”\n\nShe takes a quick water break, holding her bottle near the selfie camera before taking a sip. She smiles and catches her breath while natural gym ambience continues around her.\n\nLater, after finishing the workout, she walks toward the gym exit with the phone still in her hand. Her hair is slightly messier and she looks pleasantly tired. She gives the camera a satisfied smile, lightly wipes her forehead, and says:\n\n“Okay… I’m actually proud of myself.”\n\nShe gives a small tired laugh, waves at the camera, and lowers the phone slightly for a relaxed ending.\n\nAudio\n\nDiegetic sound only, no background music. Include realistic gym ambience: treadmill hum, weights clanking, machine sounds, footsteps, distant conversations, subtle ventilation, water bottle sounds, and natural room tone. Every spoken line should be delivered frontally with clearly visible lip movement and natural timing.\n\nKeep the entire sequence fast, casual, spontaneous, and realistic, with natural transitions and enough brief visual moments to fill approximately 30 seconds without making the dialogue feel rushed. The final result should feel like an authentic personal gym vlog recorded casually on a modern smartphone.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ZaraIrahh",
|
||
"sourceUrl": "https://x.com/ZaraIrahh/status/2089195912119943367"
|
||
},
|
||
{
|
||
"id": "seedance:case-44b9dbf5729c",
|
||
"title": "末日幸存者与感染犬",
|
||
"description": "一段感人至深的多镜头电影化序列,描绘了一名幸存者在废弃豪宅中与一只感染犬的相遇,随后发…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-44b9dbf5729c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Multi-shot sequence with hard cuts between shots. Keep the same characters and visual style throughout. No music or score — only natural diegetic sound.\\n\\nSHOT 1 \\nA dirty, exhausted 18-year-old girl with dark auburn-brown hair in a messy low ponytail, warm brown eyes, faded olive-green military jacket, backpack and gloves, aims a bolt-action rifle inside an abandoned ornate mansion. Sweat, dirt, a cheek scrape and tears cover her face. Her hands tremble. She closes her eyes as a tear rolls down, then hears something and lowers the rifle, visibly heartbroken.\\n\\nSHOT 2\\nOver her shoulder, an infected golden-coated Golden Retriever sits on the debris-covered parquet floor. Matted fur, cloudy white eyes, wounds and dark veins. He trembles while softly whimpering and growling.\\n\\nSHOT 3 \\nShe slowly crouches, places the rifle on the floor, wipes her tears and gives the dog a small broken smile. She quietly speaks to him, pulls a worn yellow-green tennis ball from her jacket and gently rolls it toward him.\\n\\nSHOT 4\\nExtreme low-angle close-up of the tennis ball rolling through dust across the cracked parquet floor. It stops directly in front of the dog's paws. Hold on the still ball.\\n\\nHARD CUT / TRANSFORMATION\\n\\nSHOT 5\\nSame low camera angle and ball position, but now on a clean sunny residential basketball court. A healthy golden-coated Golden Retriever suddenly grabs the ball. His eyes are clear and warm brown, fur clean, playful and energetic. He shakes and plays with the ball.\\n\\nSHOT 6\\nWide shot of the basketball court. The woman throws the ball and the happy dog sprints after it, catches it, runs back and drops it at her feet, ready to play.\\n\\nSHOT 7\\nClose-up of the clean, unharmed woman laughing while affectionately ruffling the dog's neck and chest. The dog happily pants beside her.\\n\\nSHOT 8\\nWide peaceful shot. The woman and dog sit together in a pristine dark-green vintage convertible beside the court. She shares food from a tin can with him. He gently takes it and licks her fingers.\\n\\nCONSISTENCY\\nSame woman throughout: dark auburn-brown hair, loose low ponytail, warm brown eyes, olive-green military jacket, khaki cargo pants and brown boots.\\nSame Golden Retriever: infected and injured in the mansion, healthy and playful after the transformation.\\n\\nMansion: abandoned ornate interior, tall arched windows, torn dark-red curtains, peeling damask wallpaper, shattered gilt mirror, broken furniture, debris, ceiling hole and strong sunlight beams.\\n\\nCourt: clean residential basketball court, white lines, iron fence, flowering shrubs, stone townhouses, warm late-afternoon sunlight and soft shadows. Dark-green vintage convertible with chrome trim.\\n\\nVisual style: ultra-realistic, photorealistic, natural human and animal movement, handheld camera, shallow depth of field, ARRI Alexa 35 look, warm cinematic grade, subtle grain.\\n\\nAudio: ONLY natural breathing, house ambience, dog sounds, foots",
|
||
"category": "cinematic-narrative-short",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2095351192054595892"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-10-second-cinematic-action-sequence-set-inside-a-gritty-modern-subway-82a998c1a0e0",
|
||
"title": "湿冷地铁站台格斗",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-10-second-cinematic-action-sequence-set-inside-a-gritty-modern-subway-82.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 10-second cinematic action sequence set inside a gritty modern subway station, featuring a determined young woman confronting a larger male attacker on a wet underground platform. Maintain the same character appearance, facial features, body proportions, hairstyle, clothing, and accessories throughout the entire sequence.\n\nBegin with a cinematic medium shot of the woman standing on the subway platform beside a stopped silver train, looking alert and focused as the male opponent approaches her from the side → transition into a sudden close-range confrontation as the man attempts to attack, while she quickly reacts and raises her arms defensively → cut into a dynamic action sequence as the woman delivers a powerful side kick toward the man's torso, with realistic body mechanics and believable impact → transition to fast handheld-style camera movement as both characters exchange rapid punches, blocks, dodges, and defensive movements across the platform → capture the woman's controlled fighting technique as she remains balanced and focused while the larger man struggles to keep up → cut to a dramatic low-angle shot as she delivers a final powerful strike, causing the man to lose his balance and fall heavily onto the wet platform → show him lying on the ground while the woman stands above him, breathing steadily and watching him cautiously → transition to a wider cinematic shot as she turns away and begins walking down the subway platform while the defeated man remains motionless in the foreground → final shot follows behind the woman as she walks away beside the stationary train, creating a stylish action-movie ending.\n\nVisual style: high-end cinematic action filmmaking, realistic human movement, gritty underground subway atmosphere, wet reflective floor, dramatic overhead fluorescent lighting, realistic train details, natural clothing movement, subtle motion blur, dynamic handheld camera, low-angle action shots, fast cinematic cuts, believable martial-arts choreography, realistic impact physics, strong facial expressions, shallow depth of field, atmospheric urban tension, polished color grading, intense but grounded action tone.\n\nCharacter consistency: preserve the woman's exact facial identity, hairstyle, body proportions, black outfit, and overall appearance throughout every shot. Preserve the man's appearance, clothing, hairstyle, and body proportions throughout the entire sequence. No character morphing or identity drift.\n\nNegative prompt: distorted faces, changing faces, character morphing, extra limbs, missing limbs, extra fingers, broken hands, unnatural anatomy, floating bodies, unrealistic physics, cartoon movement, exaggerated CGI, duplicated characters, clothing changes, hairstyle changes, inconsistent characters, warped train, flickering background, excessive motion blur, text, subtitles, logos, watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Elvorya",
|
||
"sourceUrl": "https://x.com/Elvorya/status/2104450675656835476"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-clean-premium-8-second-fashion-infographic-animation-based-on-the-out-e90669bb477e",
|
||
"title": "模特与穿搭单品同步旋转展示",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/725dd3117245.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a clean, premium 8-second fashion infographic animation based on the outfit-board layout. The entire composition remains visible on a white minimalist background.The female model on the right begins a smooth 360° rotation on her vertical axis, like a fashion showcase turntable. Her movement is elegant and continuous, maintaining natural posture and realistic cloth physics. Hair, skirt straps, and accessories react subtly to motion. At the exact same time, every item displayed inside the numbered boxes rotates synchronously:Necklace rotates slowly in 3D, revealing chain depth and pendant details. Hair bow spins gracefully around its center.Handhel d gaming console rotates on its vertical axis like a product commercial.Cargo mini skirt rotates 360° to showcase front, side, and back views.Platform boots rotate together like luxury product display renders. Black off-shoulder top rotates smoothly to reveal full garment shape.All items complete their rotations in perfect sync with the model's rotation speed. The boxes, numbers, typography, and layout remain fixed in position while only the products rotate inside their frames. Camera remains mostly static with a subtle cinematic push-in. Soft studio lighting, realistic shadows, clean commercial fashion-ad aesthetic, ultra-sharp details, premium motion graphics, smooth easing, luxury catalog presentation, 4K, 60fps.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2101148067458347258"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-20-year-old-east-asian-woman-spends-an-autumn-day-moving-through-a-big-city-b085b8a1bb11",
|
||
"title": "她的秋日都市漫游",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/b3972f1a8b26.jpg",
|
||
"mode": "video",
|
||
"prompt": "SCENE CONTEXT\nA 20-year-old East Asian woman spends an autumn day moving through a big city — leaving her apartment, riding the subway, grabbing coffee from a cart, cutting through a park in falling leaves, browsing a bookstore, catching golden hour on a rooftop, and riding home at night — filmed as a candid, mixed-format day-in-the-city vlog, 30 seconds total.\n\nACTIVE REFERENCES\n@image1: 20-year-old East Asian woman, soft round face, warm ivory skin, dark brown hair in a loose high bun with face-framing strands, natural dewy makeup, gentle expressive eyes, wearing a wine-burgundy ribbed knit off-shoulder sweater and a small silver flower pendant necklace. 100% matches the reference throughout every shot.\n\nFORMAT MODE\nTimed multishot. HARD CUTs only at the stated seconds; camera does not cut on its own between them. Mixed scene styles — not every shot has dialogue; some are silent candid b-roll.\n\n0.0s–4.0s — HARD CUT\n4.0s–8.0s — HARD CUT\n8.0s–12.0s — HARD CUT\n12.0s–17.0s — HARD CUT\n17.0s–21.0s — HARD CUT\n21.0s–26.0s — HARD CUT\n26.0s–30.0s — end\n\nOPTICS\nShot 1: 63° wide, POV-adjacent handheld. Shot 2: 47° neutral, static-ish lean. Shot 3: 29° portrait-compression, quick transactional. Shot 4: 18° natural-portrait, slow-mo detail. Shot 5: 29° portrait-compression, candid unaware angle. Shot 6: 47° neutral, two-shot-adjacent solo toast. Shot 7: 18° natural-portrait, close reflective. No drift mid-segment.\n\nCAMERA\nHandheld throughout with natural 1–2cm tremor. Shot 1: phone-height POV-style, walking at 4 km/h. Shot 2: camera rests low against a pole, minimal movement, observational. Shot 3: quick whip from hand to face and back. Shot 4: slowed to half real-time, camera drifts sideways at 1 km/h following falling leaves. Shot 5: camera appears to catch her off-guard, slight delay before she notices it. Shot 6: static-ish, propped, she moves into frame. Shot 7: static through car window glass, reflections passing over her face.\n\nACTION\n0.0s–4.0s: She steps out of an apartment building onto a leaf-scattered sidewalk, adjusting her bag strap, glancing at her phone, morning light low and warm through bare branches. She looks up at the camera briefly, half-smiles: \"Okay — let's do this.\"\n\n4.0s–8.0s: Inside a subway car, she leans against a pole, earbuds in, watching the platform lights blur past the window, city sounds muffled and rhythmic. No dialogue — just her quiet, unbothered expression, occasional sway with the train's motion.\n\n8.0s–12.0s: At a small street coffee cart, steam rising from the machine, she hands over cash, receives a paper cup, wraps both hands around it immediately for warmth. Brief exchange, she says only: \"Thanks, you're the best.\"\n\n12.0s–17.0s: Slow-motion through a park path thick with falling amber leaves, she tips her head back mid-step and turns once, leaves catching in her hair and sweater, genuine unguarded laugh, no spoken line — just breath and laughter audible.\n\n17.0s–21.0s: Inside a small bookstore, she runs a finger along a shelf, pulls a book halfway out, flips a few pages, unaware of the camera, soft window light across her face, ambient store quiet. No dialogue.\n\n21.0s–26.0s: On a rooftop at golden hour, city skyline hazy behind her, she raises a takeaway coffee cup slightly toward the lens like a small toast, warm low sun rim-lighting her hair, says only: \"To days like this.\"\n\n26.0s–30.0s: Inside a taxi at night, warm amber streetlights sliding across the window glass and over her face in soft passing bands, she rests her head against the seat, tired contented smile, looks toward the lens and says: \"Best day, hands down.\"\n\nPERFORMANCE\nRestrained, natural reactions — no performed excitement. Shots 2 and 5 specifically read as candid/unaware of the camera. Living eyes with catch-light in every close shot, visible breath in shot 1, natural skin and fabric texture throughout.\n\nPHYSICS\nLeaves fall and scatter with real weight and drift, catching briefly in hair and sweater fibers before falling away. Coffee steam rises and dissipates naturally. Streetlight bands move across her face and the window glass with correct parallax as the car moves. Train sway shifts her weight subtly and believably.\n\nLIGHTING\nShot 1: low warm morning sun through bare branches, soft shadow lines. Shot 2: cool fluorescent subway light with warm practicals flickering past outside. Shot 3: overcast daylight, soft even key. Shot 4: dappled warm sun through park canopy, backlit leaf edges. Shot 5: soft window-diffused daylight, low contrast. Shot 6: warm low-angle golden hour key, strong rim light, soft haze. Shot 7: warm amber sodium streetlight passing bands only, otherwise dark interior.\n\nCOLOR GRADE\nWarm autumn palette — amber, rust, and soft gold tones with muted city grays. Warm amber streetlight at night, never neon or saturated colored signage anywhere in frame. No cool-cyan or magenta tint.\n\nWARDROBE\nWine-burgundy ribbed knit off-shoulder sweater and silver flower pendant necklace, unchanged and clearly visible in every shot. A loosely draped scarf or open coat may sit over it in the subway and taxi shots without covering it.\n\nAUDIO\nShot 1: quiet street ambience, rustling leaves. Shot 2: muffled train rumble, distant announcement, no dialogue. Shot 3: espresso machine hiss, brief exchange. Shot 4: crunch of leaves, natural laughter, no line. Shot 5: quiet store ambience, page-turning, no dialogue. Shot 6: distant city hum, wind. Shot 7: engine hum, soft radio murmur under her line.\n\nSTYLE\nAuthentic day-in-the-life vlog cinematography, dreamy 35mm film aesthetic, fine natural grain, realistic autofocus hunting, mix of talking and silent candid shots for a lived-in, unscripted feel.\n\nOUTPUT SETTINGS\n4K, 24fps, 35mm grain, real-time except shot 4 (half real-time slow motion), realistic handheld motion, no neon or saturated signage in the color palette anywhere.\n\nPOSITIVE LOCKS\nSame woman's face and build in every shot, matching @image1 exactly. Wine-burgundy sweater and silver necklace stay visible in every shot. Hair stays in the same loose high bun throughout. Cuts only at stated seconds, camera does not cut on its own. Shots 2 and 5 stay dialogue-free and candid. Warm amber tones hold throughout — no neon, no cool-cyan tint anywhere.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@Chaemate_",
|
||
"sourceUrl": "https://x.com/Chaemate_/status/2100103235566797039"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-cinematic-fashion-film-featuring-alexa-6ffd42d43119",
|
||
"title": "艾莉克莎穿行五重时尚世界",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/fc58dd11e312.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic cinematic fashion film featuring Alexa Grey as the exact same recurring character throughout the entire video.\n\nCHARACTER CONSISTENCY IS CRITICAL.\n\nMaintain Alexa Grey's exact recognizable face, warm brown skin tone, facial proportions, eyes, nose, lips, body proportions and overall identity throughout every scene.\n\nAlexa is confident, elegant, natural and effortlessly fashionable.\n\nCreate a continuous fashion walk where the environment, hairstyle, outfit and fashion mood change FIVE TIMES while Alexa remains unmistakably the same person.\n\nLOOK 01 — MINIMAL / Y2K STREET\n00:00–00:06\n\nEnvironment: minimal white industrial wall with subtle horizontal panel lines.\n\nHair: large, voluminous halo of tight dark-brown curls with natural individual ringlets.\n\nOutfit: fitted black short-sleeve cropped T-shirt layered over a fitted white long-sleeve shirt, relaxed low-rise medium-wash blue jeans, chunky gold rings.\n\nAlexa walks directly toward camera with a relaxed runway-inspired stride.\n\nAdd elegant editorial typography:\n\"ALEXA GREY\"\n\"CHARACTER STUDY 01\"\n\"Y2K / CASUAL / CONFIDENT\"\n\nAdd realistic fashion-photographer camera flashes from both sides.\n\nLOOK 02 — MODERN CITY / BUSINESS CHIC\n00:06–00:12\n\nTransform the environment seamlessly into a sophisticated modern city street with glass architecture and concrete.\n\nHair changes into a sleek high ponytail.\n\nOutfit changes to a cream oversized tailored blazer, fitted black top, high-waisted black wide-leg trousers, pointed black heels and structured black handbag.\n\nAlexa continues walking without breaking stride.\n\nTypography:\n\"LOOK 02\"\n\"CITY / TAILORED / POWER\"\n\nUse rapid paparazzi-style camera flashes and a low-angle tracking shot followed by a side tracking shot.\n\nLOOK 03 — CASUAL LUXURY / SUNSET\n00:12–00:18\n\nTransform the city into a luxury rooftop overlooking a modern skyline during golden hour.\n\nHair changes into long loose natural beach waves.\n\nOutfit changes to a fitted white sleeveless crop top, relaxed light-blue denim jeans, white sneakers and small black shoulder bag.\n\nWind naturally moves her hair and clothing.\n\nTypography:\n\"LOOK 03\"\n\"CASUAL LUXURY\"\n\"EFFORTLESS. NATURAL. FREE.\"\n\nUse a wide establishing shot, lateral tracking shot and close three-quarter portrait.\n\nAdd one strong realistic camera flash as Alexa turns toward camera.\n\nLOOK 04 — EVENING GLAM\n00:18–00:24\n\nTransform the rooftop into an elegant luxury hotel entrance at night with warm architectural lighting and polished stone floors.\n\nHair changes into a sleek low bun with soft face-framing strands.\n\nOutfit changes into an elegant deep-red satin evening gown with sophisticated thigh-high slit, delicate gold jewelry and metallic clutch.\n\nAlexa walks toward camera like she is entering a major fashion event.\n\nTypography:\n\"LOOK 04\"\n\"EVENING GLAM\"\n\"AFTER DARK\"\n\nUse multiple paparazzi flashes from different directions. Flashes should realistically illuminate Alexa, the satin fabric and surrounding surfaces.\n\nLOOK 05 — FUTURE FASHION\n00:24–00:30\n\nTransform the hotel into a futuristic minimalist architectural environment with geometric structures, reflective black flooring and soft vertical lights.\n\nHair changes into long sleek straight hair.\n\nOutfit changes into a high-fashion structured black-and-white outfit with sculpted black blazer, fitted white top, tailored black trousers and futuristic pointed heels.\n\nAlexa walks directly toward camera and stops.\n\nTypography:\n\"LOOK 05\"\n\"FUTURE FORM\"\n\"ALEXA GREY / FASHION STUDY\"\n\nCamera slowly pushes toward her face.\n\nFinal flash.\n\nThe frame briefly becomes almost completely white.\n\nAs the exposure returns, reveal:\n\n\"ONE CHARACTER.\"\n\"FIVE WORLDS.\"\n\nThen:\n\n\"ALEXA GREY\"\n\"SAME IDENTITY. ENDLESS STORIES.\"\n\nCAMERA & CINEMATOGRAPHY:\n\nUse premium fashion-film cinematography throughout: low-angle tracking shots, side tracking, three-quarter portraits, smooth camera orbits, wide establishing shots, slow push-ins and dramatic close-ups.\n\nThe camera should always be moving with purpose.\n\nAlexa must be walking throughout the film.\n\nUse match cuts, whip transitions, environmental morphing, hair movement and fabric movement to make every transformation feel like one continuous fashion walk.\n\nTYPOGRAPHY:\n\nUse sophisticated luxury-fashion typography combining high-contrast serif, minimalist sans-serif and elegant editorial script.\n\nTypography should animate with the camera using subtle slides, tracking expansion, kinetic scaling, fades and sharp editorial cuts.\n\nAll typography must be spelled correctly and remain readable.\n\nFLASH PHOTOGRAPHY:\n\nMake the flashes look like real professional fashion photographers surrounding Alexa.\n\nUse flashes from different directions, varying intensity, brief exposure changes, realistic reflections on skin, hair and clothing, subtle lens flare and occasional rapid 2–3 flash bursts.\n\nThe flashes should physically affect the scene rather than appearing as random white overlays.\n\nVISUAL STYLE:\n\nUltra-photorealistic luxury fashion editorial.\n\nNatural skin texture.\nRealistic hair physics.\nRealistic fabric movement.\nNatural facial expressions.\nRealistic walking mechanics.\nSubtle film grain.\nSophisticated color grading.\nPremium commercial photography.\n\nAvoid plastic skin, facial morphing, identity drift, CGI appearance, exaggerated body proportions, excessive retouching, random accessories or static posing.\n\nCORE CONCEPT:\n\nONE ALEXA.\nFIVE LOOKS.\nFIVE WORLDSrt AI.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@MonetizationDon",
|
||
"sourceUrl": "https://x.com/MonetizationDon/status/2099864906392559847"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-20-second-cinematic-video-in-a-realistic-korean-action-drama-style-f-121140156df1",
|
||
"title": "地铁站破墙现身的武打女主",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/dbaeaa827232.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a 20-second cinematic video in a realistic Korean action-drama style, featuring a stylish young Korean woman with long black hair, a white sleeveless top, and relaxed blue jeans. The scene begins inside a quiet underground Korean subway station with tiled walls, bright fluorescent lights, advertising panels, and a realistic urban atmosphere. She suddenly emerges through a damaged tiled pillar, creating a dramatic entrance with dust and broken debris around her. The camera slowly pushes toward her as she stands confidently and looks intensely ahead. She then moves through the station with fast, powerful martial-arts-inspired movements, confronting a man approaching her. Use dynamic handheld camera motion, close-ups, wide shots, natural body movement, and cinematic motion blur. Keep her face, hairstyle, outfit, and body proportions consistent throughout the entire video, with realistic Korean drama cinematography, detailed lighting, shadows, reflections, and atmospheric depth. The final moments show her turning away and walking deeper into the subway station, creating a mysterious, high-impact ending with no subtitles, logos, or watermarks.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2099725642736845113"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-photorealistic-30-second-personal-travel-vlog-featuring-the-exact-same-d5ee016defda",
|
||
"title": "京都秋日慢游旅行日志",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/587b89f01743.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a photorealistic 30-second personal travel vlog featuring the exact same woman from the reference image. Keep her face, hairstyle, physical appearance, makeup, outfit and necklace consistent throughout the entire video.\n\nMake it feel like a real young woman casually documenting her autumn trip to Kyoto with a friend behind the camera. No commercial travel-ad look, no fast montage and no overly cinematic movements.\n\nKeep the pacing slow and natural. Each scene should focus on one simple action. Let shots breathe and allow natural pauses. She should walk, look around and react at normal human speed. Never speed up her movement or speech to fit more into the scene.\n\nShow quiet everyday moments around Kyoto: riding a local train in the morning, walking through a residential street, discovering a small bakery, sitting by the river, browsing a tiny stationery shop, getting caught in light rain and grabbing a warm drink from a vending machine at night.\n\nKeep the dialogue extremely short and casual, with natural pauses. Things like “Cute…”, “So pretty”, “Mmm… good”, “Look…”, “This one?”, “Oh… rain”, “Nice…” and “One more stop.” She should never sound like she's reading a script or rushing through lines.\n\nUse realistic handheld camera movement, subtle autofocus, natural exposure changes, real ambient sounds, natural skin texture, realistic lighting and subtle 35mm film grain. Some moments should have no dialogue at all.\n\nThe goal is simple: make it feel like an actual travel vlog someone happened to capture during a real day in Kyoto, not an AI-generated commercial.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@Chaemate_",
|
||
"sourceUrl": "https://x.com/Chaemate_/status/2099439262106083704"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-71bc731fe900",
|
||
"title": "沙发上相拥亲吻的萌兔",
|
||
"description": "3D 卡通",
|
||
"image": "/inspiration-thumbs/seedance/seedance-made-with-seedance-2-5-71bc731fe900.webp",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a cute, heartwarming 9:16 vertical animated video featuring two adorable anthropomorphic baby bunnies sitting side by side on a cozy beige sofa in a warm, elegant living room.\n\nCHARACTERS:\nA fluffy cream-colored bunny wearing a simple blue T-shirt and a small gold necklace with a bunny-shaped pendant.\nA fluffy pastel-pink bunny wearing a delicate gold necklace and a cute pink bow on her head.\nBoth bunnies have large expressive brown eyes, soft fluffy fur, tiny noses, chubby cheeks with a natural rosy blush, and charming childlike expressions.\n\nSCENE & ACTION:\nStart with both bunnies sitting on separate sofa cushions, facing each other and exchanging sweet, slightly shy glances. Their expressions gradually become playful and affectionate.\n\nThe cream bunny leans closer toward the pink bunny. The pink bunny also moves closer until their noses gently touch, followed by a sweet little kiss. They briefly close their eyes and smile affectionately.\n\nThen show them becoming extra fluffy and excited, with their fur puffing up softly in a cute exaggerated animation. They remain close together, eyes closed, enjoying the affectionate moment.\n\nEnd with both bunnies happily hugging each other tightly on the sofa, laughing with their eyes closed and mouths open in pure joy. Their little paws wrap around each other naturally, creating a warm, adorable friendship/romantic moment.\n\nVISUAL STYLE:\nUltra-cute high-end 3D animated film style, soft realistic fluffy fur, detailed facial expressions, expressive eyes, smooth natural character animation, soft rounded anatomy, cinematic depth of field, warm cozy interior, gentle golden lighting, premium Pixar-like quality without copying any specific existing character.\n\nCAMERA:\nVertical 9:16 composition. Medium two-shot at first, followed by a gentle slow push-in as they move closer. Use subtle camera movement and close-up framing during the kiss and final hug. Keep both characters centered and clearly visible.\n\nLIGHTING & ATMOSPHERE:\nWarm, soft indoor lighting with cozy beige and wooden tones. Elegant home interior in the background with a wooden cabinet, plants, and soft decor. Shallow depth of field, creamy bokeh, soft shadows, polished cinematic rendering.\n\nMOTION:\nSmooth, natural, playful animation with believable bunny movements, subtle ear movements, blinking, facial expressions, gentle body movement, and realistic fluffy fur physics. No sudden camera cuts.\n\nMOOD:\nSweet, innocent, playful, adorable, affectionate, wholesome and heartwarming.\n\nHIGH QUALITY:\nPhotorealistic fur detail combined with stylized 3D animation, cinematic composition, high detail, soft textures, clean rendering, natural motion, professional animated-film quality.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2098728793703899603"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-single-page-premium-hollywood-disaster-action-storyboard-in-16-9-wide-7cc2f22eaa0c",
|
||
"title": "吉隆坡崩塌都市极限逃生",
|
||
"description": "分镜表转视频",
|
||
"image": "https://media.goodcase.ai/cases/a4fc7d20210a.jpg",
|
||
"mode": "video",
|
||
"prompt": "TITLE: THE SURVIVAL RUN\n\nCreate a single-page, premium Hollywood disaster-action storyboard in 16:9 widescreen format with 12 cinematic panels covering one continuous 30-second survival sequence.\n\nREFERENCE IMAGE 1 (Image1):\nUse as the EXACT main character reference. Maintain the same facial identity, hairstyle, beard, body proportions, black shirt, black pants and overall appearance consistently in every panel. No character, face, hairstyle or clothing changes. Dust and debris may gradually appear as the disaster progresses.\n\nREFERENCE IMAGE 2 (Image2):\nUse as the EXACT storyboard design and layout reference. Match its premium cinematic panel arrangement, numbering, timecodes, black caption strips, typography hierarchy, borders and professional Hollywood storyboard presentation.\n\nSTYLE:\nPhotorealistic live-action Hollywood disaster film, ARRI Alexa 35, anamorphic cinematic lens, realistic Kuala Lumpur, Malaysia, practical stunt realism, believable destruction physics, handheld tracking, cinematic lighting, motion blur, dust, shattered glass, sparks and realistic debris.\n\nCORE RULE:\nONE CONTINUOUS SURVIVAL SHOT. Every movement must logically connect. No teleportation or unexplained location changes. The same man constantly runs, stumbles, recovers, jumps, slides and changes direction while the collapsing city becomes the antagonist.\n\nSTORYBOARD PANELS:\n\n1. 00:00–00:03 — EARTHQUAKE\nLow-angle behind his feet as he runs through Kuala Lumpur. The ground shakes, buildings tremble, glass explodes and concrete crashes behind him. He looks back and accelerates.\n\n2. 00:03–00:06 — COLLAPSE\nFront tracking shot. A building façade collapses behind him. He changes direction and jumps over a metal barrier as debris destroys his original path.\n\n3. 00:06–00:09 — CAR IMPACT\nAt an intersection, vehicles slide toward him. He dives at the last second, a car passes overhead, he rolls, recovers and keeps running.\n\n4. 00:09–00:12 — ROAD CRACK\nA huge fissure tears across the road. He runs onto a damaged car as a springboard and leaps across collapsing pavement.\n\n5. 00:12–00:15 — FALLING GLASS\nSide tracking shot. High-rise windows explode above him. Glass rains down as he shields his face and ducks beneath a falling sign.\n\n6. 00:15–00:18 — COLLAPSE\nA building collapses ahead. He spots a narrow gap, drops low and slides beneath falling debris, then emerges dusty and runs.\n\n7. 00:18–00:21 — VEHICLE CHAOS\nA bus crashes into cars. A spinning vehicle approaches. He jumps onto its hood, springs over the roof and lands on the opposite sidewalk.\n\n8. 00:21–00:24 — ELEVATED ROAD FAILURE\nAn elevated road collapses ahead. He performs a desperate full-body gap jump, lands hard, rolls, recovers and runs.\n\n9. 00:24–00:27 — DEBRIS CHASE\nHeavy dust reduces visibility. Falling streetlights and concrete force sudden direction changes. He stumbles against a wall and pushes forward.\n\n10. 00:27–00:30 — FINAL COLLAPSE\nCamera faces him as he runs toward it. Massive buildings collapse behind him. He jumps a concrete barrier as a gigantic slab crashes down.\n\n11. FINAL SHOT — STILL RUNNING\nHe emerges through a huge dust cloud, exhausted and covered in debris but clearly recognizable as Reference Image 1, still running toward camera.\n\n12. CUT TO BLACK\nBlack screen with:\n“THE SURVIVAL RUN”\n“SOME DISASTERS YOU CAN’T OUTRUN”\n\nCAMERA:\nLow tracking, front pursuit, side tracking, shoulder-mounted chase, whip-pans and ground-level movement. Camera always follows his momentum. No drones, floating cameras or impossible rotations.",
|
||
"category": "storyboard-grid-to-video",
|
||
"sourceId": "seedance",
|
||
"credit": "@Xaroon_x",
|
||
"sourceUrl": "https://x.com/Xaroon_x/status/2097267405399396457"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithnatalia-seedance-ai-12c56e79550f",
|
||
"title": "东京街头粉色手袋时尚大片",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithnatalia-seedance-ai-12c56e79550f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Format: 9:16 vertical | Duration: Exactly 30 seconds | Style: Vogue editorial × Tokyo street fashion × cinematic luxury | Pacing: Fast, energetic, sharp cuts\nCharacter & Product Continuity:\nOne consistent young female fashion model throughout. Preserve the same face, hairstyle, body proportions, and identity in every shot. She carries one identical glossy pastel-pink Prada handbag throughout the video, with the Prada logo clearly visible and consistent.\n\n0–4 sec — ICONIC OPENING\n\nStart with an extreme low-angle shot directly from street level, matching the reference image. The model walks toward camera through a busy Tokyo crossing, towering skyscrapers and giant digital billboards behind her. Her metallic silver platform boots dominate the foreground while the pink Prada bag swings beside her.\n\nTypography:\nTOKYO\nLuxury moves differently.\nQuick whip-pan upward from boots → bag → model.\n\n4–8 sec — THE BAG\n\nRapid macro cuts:\n\nGlossy pink Prada bag catching sunlight\nClose-up of the Prada triangle logo\nSilver hardware sparkling\n\nHer hand gripping the handle\n\nBag swinging as she crosses the street\n\nTypography:\nPRADA\nTHE NEW ICON\n\n8–13 sec — TOKYO ENERGY\nFast tracking shot as she walks through Shibuya-style Tokyo streets, surrounded by crowds, neon signs and massive screens. Camera circles her while she confidently looks toward the lens.\nUse speed ramps, whip transitions, motion blur and flash-frame cuts.\nTypography:\nBOLD.\nMODERN.\nUNMISSABLE.\n\n13–18 sec — EDITORIAL MOMENT\n\nCut to a dramatic low-angle street shot. She stops at a crosswalk, lifts the Prada bag slightly toward camera, then turns sharply as her hair moves in the wind.\nCamera pushes rapidly toward the bag.\nTypography:\nMADE TO BE SEEN\n\n18–24 sec — VOGUE MONTAGE\n\nUltra-fast fashion-editorial sequence:\n\nModel walking between Tokyo taxis\n\nClose-up of sunglasses\nBag against her metallic outfit\nLow-angle boots stepping across the crosswalk\nSide profile against neon architecture\n\nOverhead shot as she moves through the crowd\n\nUse hard cuts synchronized to the beat.\n\nTypography flashes between shots:\n\nTOKYO → FASHION → PRADA\n\n24–27 sec — HERO SHOT\n\nEverything suddenly slows down. She stands in the middle of the Tokyo street while the crowd moves around her in subtle motion blur. She holds the pink Prada bag prominently toward camera.\n\nCamera performs a smooth 360° orbit.\n\nTypography:\nOWN THE MOMENT\n\n27–30 sec — FINAL BRAND FRAME\n\nExtreme close-up of the Prada bag. She places it beside her, camera tilts upward from the logo to her face.\nCut to a clean black/white editorial-style end card.\nTypography:\nPRADA\nTOKYO EDITION\nThe city is your runway.\nVisual direction: glossy luxury lighting, deep contrast, realistic Tokyo atmosphere, premium fashion photography, fisheye low-angle perspective, dynamic handheld camera, cinematic lens flares, subtle film grain, Vogue editorial aesthetic, sophisticated typography, no cheesy commercial look.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithNatalia",
|
||
"sourceUrl": "https://x.com/AIwithNatalia/status/2094277759547875413"
|
||
},
|
||
{
|
||
"id": "seedance:shamiweb3-seedance-ai-5620b354e47d",
|
||
"title": "加州落日海滨香水广告",
|
||
"description": "产品广告分镜",
|
||
"image": "https://media.goodcase.ai/media/poster/shamiweb3-seedance-ai-5620b354e47d.jpg",
|
||
"mode": "video",
|
||
"prompt": "LOUIS VUITTON \"CALIFORNIA DREAM\" EDP 100ML — 30-Second Commercial Video Prompt\nPhase 1: Visual & Sensory Asset Definition\nProduct: Louis Vuitton California Dream flacon. Clear heavy-base glass bottle with a signature ombré fragrance liquid — aqua-teal at the shoulder melting into soft blush-pink at the base. Glossy black stepped cylindrical stopper. Crisp black debossed/printed lettering \"CALIFORNIA DREAM\" above \"LOUIS VUITTON.\" Packaging box in matching teal-to-coral-pink gradient with pink \"CALIFORNIA DREAM\" script and black \"LOUIS VUITTON\" wordmark.\nSubject (Heroine): A tall, slim, high-fashion model with an editorial runway physique. Sun-kissed, dewy, luminous skin — fresh and glowing, never matte. Sparkling emerald-green eyes that catch and hold the light in every close-up. Soft waved hair loose and wind-swept. She wears a flowing, silk sunset-coral/burnt-orange halter gown — a color chosen to sit in warm contrast against the bottle's cool blue-to-pink palette — with delicate gold ring hardware at the waist.\nEnvironment: California pier/boardwalk at golden hour into dusk — weathered wood planks, a pale wooden cross-beam silhouette in the background, soft lavender-peach sky, distant hazy shoreline, gentle sea breeze.\nPacing: 30-second fluid runtime, continuous camera glides, soft cross-blur transitions, zero jitter, rhythmic build to a hero close on the final beat.\nPhase 2: Shot-by-Shot Timeline\n\n@sheet is the visual truth for product and subject in every shot: [PRODUCT LOCK — clear glass flacon, thick base, teal-to-pink ombré liquid, glossy black stepped stopper, black lettering \"CALIFORNIA DREAM\" above \"LOUIS VUITTON\"]. [SUBJECT LOCK — tall, slim, fashion-model heroine, glowing fresh skin, sparkling emerald-green eyes, wind-swept waved hair, flowing coral-orange silk halter gown with gold ring hardware]. Keep flacon and subject identical across all shots.\n\n[00:00.0] Wide establishing shot, low angle from the boardwalk planks. Golden-pink sunset sky, silhouette of the wooden pier cross-beam. Camera glides slowly forward along the weathered wood toward a soft focal point in the distance.\n\n[00:02.5] Medium shot, eye-level. The @sheet heroine walks barefoot along the sun-warmed boardwalk, coral gown catching the breeze, her emerald eyes glinting as she glances toward camera. Camera tracks alongside her in a smooth lateral glide.\n\n[00:05.0] Close-up, eye-level. Her face in profile, dewy skin lit by warm rim light, green eyes sparkling as she closes them briefly, a small content smile. Loose hair drifts across her cheek. Camera holds with a gentle micro push-in.\n\n[00:07.5] Extreme close-up, flat-on. The @sheet flacon cradled in her hand, sunlight refracting through the teal-to-pink ombré liquid, \"CALIFORNIA DREAM\" lettering crisp and legible. Camera drifts in a slow arc around the glass.\n\n[00:10.0] Medium-wide, three-quarter angle. The heroine lifts the bottle toward the horizon, coral fabric billowing against the blue-pink sky — a striking color contrast between gown and bottle. Camera pulls back with continuous fluid motion.\n\n[00:12.5] Macro shot, high angle looking down. Sea mist droplets and a scatter of citrus slices and pink sand grains resting beside the flacon on wet wooden planks. Soft golden side light. Camera glides right to left.\n\n[00:14.5] Ultra-macro, flat-on. A slow-motion burst of the ombré liquid — teal swirling into blush-pink with fine suspended micro-bubbles, fully backlit and glowing. Camera holds with a subtle rotating drift.\n\n[00:17.0] Close-up, eye-level. The heroine's green eyes open directly to camera, sparkling with warm sunset catchlight, a soft exhale of confidence. Camera tilts up slowly from her collarbone to her gaze.\n\n[00:19.5] Medium shot. She spritzes the @sheet perfume into the golden air, fine mist catching the light like scattered gold dust, coral gown swaying. Camera circles smoothly around her.\n\n[00:22.0] Wide shot, horizon at eye-level. The heroine stands tall and poised on the reflective wet boardwalk as dusk deepens, sky shifting into lavender and deep ocean blue, her silhouette elegant and slim. Camera holds a slow cinematic push-in.\n\n[00:24.5] Abstract transitional shot. Coral silk fabric flutters in slow motion intercut with liquid-glass light refractions, streaking softly into blue and pink. Camera whips gently sideways.\n\n[00:26.0] Medium hero shot, centered, eye-level. The full @sheet flacon held in sharp focus in the foreground, heroine soft-focus behind it, emerald eyes still catching light, radiant sunset halo behind her. \"CALIFORNIA DREAM\" and \"LOUIS VUITTON\" lettering perfectly crisp and legible. Camera glides slowly forward.\n\n[00:28.5–00:30.0] Final settle. Glow builds gently around the bottle, light flare blooms softly across frame, then fades to warm black. No text overlay, no end card — clean cinematic fade.\n\nPhase 3: Audio & Sound Design\nBackground Music: Warm, airy ambient pop-electronic score — soft piano arpeggios layered over a mellow analog synth pad, gentle four-on-the-floor pulse building from :00 to :22, then a light emotional swell with a soft string layer into the hero shot, resolving on a warm sustained chord at :30.\nSound Effects:\nGentle ocean waves and boardwalk creak ambience throughout\nSoft breeze/fabric flutter sound synced to gown movement (:02.5, :10.0, :24.5)\nCrisp glass-chime \"ting\" as the bottle catches light (:07.5)\nLight citrus-fizz/bubble sound layered under the liquid macro shot (:14.5)\nAiry perfume mist spray sound, crisp and high-fidelity (:19.5)\nSoft ambient hush and gentle low sub-swell on the final glow (:28.5–:30.0)\n\nAspect Ratio: 16:9\nTotal Duration: 30 seconds\nStyle: Continuous fluid camera glides, seamless cross-blur transitions, cinematic warm-golden color grade, no jitter cuts.",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@ShamiWeb3",
|
||
"sourceUrl": "https://x.com/ShamiWeb3/status/2093133619883913232"
|
||
},
|
||
{
|
||
"id": "seedance:zyrellix-seedance-ai-987c5819beca",
|
||
"title": "末日龙背跃斩巨甲战士",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/media/poster/zyrellix-seedance-ai-987c5819beca.jpg",
|
||
"mode": "video",
|
||
"prompt": "A low-angle dynamic action tracking shot in a apocalyptic, ruined city modern urban setting at night with smoke, fire, and glowing searchlights. A massive dark dragon with glowing neon blue dorsal spines flies low over city streets. A giant armor-clad giant warrior stands amidst burning skyscrapers. A young man dressed in black leaps along the spine of the flying dragon, wielding a glowing red energy blade and a giant curved glowing blue magic scythe. The man leaps high off the dragon's back into mid-air, spinning dramatically and striking down onto the giant enemy with a massive glowing electric slash, resulting in an explosive fiery blast over the burning city skyline filled with military helicopters. Cinematic 3D animation, hyper-realistic lighting, intense VFX, dark fantasy anime style, fast-paced cinematic camera motion, 8K resolution.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2092828997662978051"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-fast-paced-smooth-luxury-fashion-editorial-video-using-the-86b7f97bc9d3",
|
||
"title": "通缉美貌的时尚嫌疑人",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/b0f02d1854e3.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second fast-paced, smooth luxury fashion editorial video using the character sheet as the visual reference.\n\nKeep the same woman, face, brunette hair, fur jacket, red crop top, distressed denim, chains, makeup, and overall styling consistent throughout. Preserve her playful, confident, slightly mischievous personality.\n\nThe video should feel like a fashion mugshot mixed with a playful “wanted for beauty” campaign.\n\n0–3s — THE MUGSHOT\n\nStart with a sharp full-body mugshot composition in front of the height chart.\n\nShe looks directly into camera.\n\nQuick smooth push-in → she gives a playful wink → instantly cuts to her holding the “WANTED FOR BEAUTY” board.\n\nShe slowly tilts the board toward camera with attitude.\n\n3–6s — BEAUTY DETAILS\n\nMove into a rapid but smooth beauty montage:\n\nwink → glossy lips → red nails → lollipop → fur jacket texture → chain details → sunglasses → playful smile.\n\nUse smooth snap zooms and seamless whip transitions.\n\nEach shot should be very short, around 0.3–0.6 seconds, but transitions should remain fluid and polished.\n\n6–9s — PLAYFUL TROUBLEMAKER\n\nReturn to the full mugshot.\n\nShe casually leans toward one side while maintaining her confident stance.\n\nQuick smooth camera orbit around her → she puts on sunglasses → looks over the sunglasses directly at camera → gives a mischievous smile.\n\nAdd subtle camera flash bursts like paparazzi photographers are surrounding her.\n\n9–12s — FAST FASHION MONTAGE\n\nRapidly showcase:\n\nfur coat → red top → belt and chains → distressed jeans → lollipop → lips → eyes → sunglasses.\n\nUse smooth continuous camera movement between each detail, with quick editorial cuts.\n\nNewspaper pages briefly fly across the frame, creating transitions.\n\n12–15s — FINAL SHOT\n\nReturn to the mugshot setup.\n\nShe holds the board toward camera.\n\nThe board now reads:\n\n“WANTED\nFOR BEING TOO BEAUTIFUL”\nShe raises one eyebrow and smiles.\n\nCamera rapidly pushes toward her face.\n\nA newspaper suddenly sweeps across the lens.\n\nCUT TO BLACK.\n\nMotion & Editing\n\nFAST-PACED but SMOOTH.\n\nUse:\n\n0.3–0.6 second cuts\n\nsmooth snap zooms\nseamless whip transitions\ncontrolled camera orbit\nquick push-ins and pullbacks\nsubtle speed ramps\nfashion-editorial motion blur\npaparazzi flash effects\nflowing newspaper transitions\nbeat-synced editing\nDo NOT make it slow, dreamy, jittery, or chaotic.\n\nThe camera should always feel controlled and fluid, while the editing stays fast.\n\nOverall feeling: playful troublemaker + luxury fashion campaign + cinematic mugshot + glossy magazine editorial.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@Caden_Flux",
|
||
"sourceUrl": "https://x.com/Caden_Flux/status/2103788406392213575"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-global-continuity-photorealistic-cinematic-16-9-834ae3f7de05",
|
||
"title": "少女以异能摧毁坦克军团",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "/inspiration-thumbs/seedance/seedance-global-continuity-photorealistic-cinematic-16-9-834ae3f7de05.webp",
|
||
"mode": "video",
|
||
"prompt": "GLOBAL CONTINUITY: Photorealistic cinematic 16:9. Keep the EXACT same schoolgirl, identical face, black bob haircut, navy school uniform, red ribbon, blue plaid skirt, same highway, mountains, skyline, lighting and visual style. Every scene must directly continue from the previous scene using the exact previous last frame as the next Start/Reference Frame. No changes in identity, clothing, environment, direction, scale or lighting.\n\nSCENE 1 — 0:00–0:02.5\nGirl stands exactly in the center of a huge highway, facing distant military tanks. Wide cinematic shot, mountains and city skyline behind them.\n\nSCENE 2 — 0:02.5–0:04.5\nThe same tanks fire toward the girl. Powerful muzzle flashes, smoke and realistic military details. Camera moves slightly alongside the tanks.\n\nSCENE 3 — 0:04.5–0:07\nCut to the exact same girl, standing calmly and facing the camera. Slow cinematic push-in toward her face.\n\nSCENE 4 — 0:07–0:09.5\nMultiple tank shells rapidly fly toward and around the girl. She remains completely still. Projectiles must keep their forward direction and never disappear or reverse.\n\nSCENE 5 — 0:09.5–0:11.5\nThe girl's eyes glow neon green. She raises one hand and creates powerful green energy around her hand and body.\n\nSCENE 6 — 0:11.5–0:14\nA massive explosion erupts on the highway around the attacking forces. Huge fire, smoke, dust and debris.\n\nSCENE 7 — 0:14–0:16.5\nLow tracking shot of the same military tanks aggressively moving forward. Realistic tracks, armor, weight, dust and smoke.\n\nSCENE 8 — 0:16.5–0:19\nMultiple tanks suddenly rise and float above the highway under a powerful supernatural force. Same environment and daylight.\n\nSCENE 9 — 0:19–0:21.5\nThe floating tanks violently explode in mid-air. Large fireballs, smoke, metal fragments and debris fall downward.\n\nSCENE 10 — 0:21.5–0:24\nA gigantic explosion completely fills the center of the highway with fire, smoke and debris. Wide cinematic shot.\n\nSCENE 11 — 0:24–0:26\nCut back to the EXACT same girl, unchanged and unharmed, standing calmly in the center of the now-empty highway. Slow push-in.\n\nSCENE 12 — 0:26–0:27.5\nCamera moves behind the girl as she calmly walks forward down the highway. End with a wide cinematic shot of her walking toward the distant mountains.\n\nNEGATIVE: No character change, face change, hairstyle change, outfit change, age change, background change, lighting change, weather change, duplicated character, distorted face, deformed hands, extra fingers, disappearing objects, reversed movement, U-turns, camera flips, inconsistent tanks, unrealistic physics, text, subtitles, logos, watermark, UI or continuity errors.\n\n#Ai #darkfantisy #visaul #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️ #visualstorytelling #seedance25\n@Flovaai @itsPolloAI",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2101205826895827053"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-photorealistic-korean-countryside-lifestyle-vlog-following-a-bfe06d409d66",
|
||
"title": "韩国乡村女子的农场晨间日常",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/12a504af8dee.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second photorealistic Korean countryside lifestyle vlog following a woman through her peaceful morning routine. Show her opening the chicken coop → feeding the chickens → collecting fresh eggs → cleaning the coop → preparing a homemade breakfast → sitting outside and enjoying the quiet farmhouse morning.\n\nAuthentic 2026 Korean rural life, natural human movement, realistic chicken behavior, fresh farm-to-table details, morning mist, soft sunlight, natural wind and environmental sounds, and documentary-style handheld cinematography. No background music, subtitles, logos or watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2097556131623432569"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-preserve-the-exact-facial-features-identity-skin-tone-and-natural-facial-pro-1c752f954b52",
|
||
"title": "韩国海港一日手持旅行日志",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-preserve-the-exact-facial-features-identity-skin-tone-and-natural-facial-pro-1c752f954b52.jpg",
|
||
"mode": "video",
|
||
"prompt": "Preserve the exact facial features, identity, skin tone, and natural facial proportions from @image1 throughout. Do not copy the reference hairstyle or outfit. Outfit: lightweight cream sleeveless blouse, high-waisted faded blue jeans, white canvas sneakers, small gold hoop earrings, loose natural wavy hair. Authentic Korean woman. Late-2000s personal vlog aesthetic. Extremely raw handheld flip-camera footage with heavy camera shake, spontaneous reframing, partial face crops, focus hunting, exposure shifts, warm faded colors, mild digital noise, and authentic home-video imperfections. No posing, no cinematic glamour, no stabilization, no modern color grading.\n\n00:00–00:04 Walking quickly down a narrow seaside alley while holding the camera, suddenly spotting the ocean at the end of the street. She turns the camera toward it and excitedly says in Korean, \"잠깐, 바다가 보여요!\"\n\n00:04–00:08 Runs toward a small harbor, laughing as the camera shakes heavily. She reaches the railing, leans over carefully, and watches fishing boats moving across the water.\n\n00:08–00:12 Spots a fisherman pulling in a small fishing net and asks if she can help. She grabs one end of the net, struggles with the weight, laughs, and says in Korean, \"생각보다 훨씬 무거운데요?\"\n\n00:12–00:16 The fisherman shows her a freshly caught fish. She reacts with wide-eyed surprise, steps backward laughing, then cautiously reaches out to touch it while saying, \"우와, 진짜 크다!\"\n\n00:16–00:20 Walks into a tiny harbor-side snack shop, discovers a bowl of freshly made fish cake soup, sits at the counter, takes a sip, and smiles with satisfaction.\n\n00:20–00:24 Steps outside holding the warm cup, notices a group of neighborhood grandmothers playing a casual Korean card game at a plastic table. She joins them briefly, laughs at their playful reactions, and gestures toward the camera.\n\n00:24–00:27 Walks along the harbor promenade eating a small ice cream, filming boats and seagulls before accidentally getting a little ice cream on her nose. She notices it and laughs.\n\n00:27–00:30 Stops beside the harbor railing as the wind moves her hair, turns the camera toward herself, smiles naturally, and says in Korean, \"오늘 진짜 재밌었다. 다음에 또 올게요. 안녕!\" She waves and the recording ends abruptly.\n\nNatural ambience only: ocean waves, seagulls, fishing boats, harbor conversations, footsteps, wind, net ropes, shop sounds, card-table laughter, distant scooters, and neighborhood activity. No background music, subtitles, logos, or watermarks. The footage should feel exactly like a genuine late-2000s handheld flip-camera Korean vacation vlog with spontaneous actions, imperfect framing, authentic Korean dialogue, realistic human movement, and natural interactions. Aspect ratio: 16:9.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@ShamiWeb3",
|
||
"sourceUrl": "https://x.com/ShamiWeb3/status/2096101448090267992"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-cinematic-commercial-for-nike-air-max-c205a472781d",
|
||
"title": "创意总监极速完成耐克跑鞋广告",
|
||
"description": "产品广告分镜",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-create-a-30-second-ultra-photorealistic-cinematic-commercial-for-nike-air-max-c205a472781d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic cinematic commercial for Nike Air Max, combining premium sports advertising, creativity, subtle comedy, and a surprising twist.\n\nKeep the female creative director’s face, hairstyle, clothing, body proportions, and appearance perfectly consistent throughout.\n\n0–4s — THE DEADLINE\nLate-night creative studio. A stylish young female creative director sits surrounded by monitors and unfinished projects. Nike Air Max sneakers sit on her desk. Notifications appear rapidly. She says:\n“Five projects. One deadline.”\n\n4–8s — THE IDEA\nShe looks at the Nike Air Max, gets an idea, rapidly creates a campaign on her computer, and hits ENTER. The screen flashes.\n\n8–16s — THE CAMPAIGN\nA powerful athlete wearing the same Nike Air Max runs through multiple cinematic environments: a futuristic city at sunrise, rain-soaked streets, and mountains. Show extreme close-ups of the sneakers, realistic Air Max cushioning compression, pavement impacts, water splashes, and seamless match cuts between locations.\n\n16–21s — DONE\nBack in the studio, her monitors display polished Nike Air Max campaign visuals. Only seconds have passed. Shocked, she says:\n“Wait… that's it?”\n\n21–26s — THE TWIST\nShe relaxes with coffee. A notification appears: CAMPAIGN APPROVED. She smiles. Another appears:\nCLIENT: “Can we make 10 more?”\nHer smile disappears. She looks at the camera and says:\n“Never mind.”\n\n26–30s — HERO REVEAL\nExtreme cinematic product shot of Nike Air Max on a dark reflective surface. Dramatic lighting, floating particles, slow camera rotation. Final frame:\nNIKE — JUST DO IT.\n\nSTYLE: Ultra-photorealistic, premium global sports commercial, cinematic lighting, realistic skin, fabric, reflections, shadows, natural motion, dynamic camera movement, shallow depth of field, subtle slow motion. No cartoon style, distorted anatomy, fake logos, fake text, watermarks, or altered shoe design.\n\nAUDIO: Keyboard and notification sounds at the start, building into energetic cinematic music during the running sequence. Powerful footsteps, sneaker impacts, water splashes, and bass hits. Music drops for the comedy moment and ends with a strong cinematic hit.",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@SyntheSarah",
|
||
"sourceUrl": "https://x.com/SyntheSarah/status/2096099021152498159"
|
||
},
|
||
{
|
||
"id": "seedance:just-sharon7-seedance-ai-f5af358d1f88",
|
||
"title": "摩托车疾驰山间公路",
|
||
"description": "汽车与载具",
|
||
"image": "https://media.goodcase.ai/cases/d2b34cc66de6.jpg",
|
||
"mode": "video",
|
||
"prompt": "How cinematic can pure motorcycle speed actually become on-screen?\n\nGPT Image 2 + Seedance 2.0 on @FishCreativeHQ \n\nprompt\n\nCreate an explosive, high-speed motorcycle action sequence in 16:9, 24fps, exactly 16 distinct cuts, total runtime ≈ 16–17 seconds.\n\nA lone rider in a light green helmet and dark riding gear pilots a babypink sportbike along a narrow, winding paved mountain road that cuts through rolling green hills under a brilliant sunny sky with scattered white clouds and distant blue mountain ranges and water visible on the horizon. Preserve the exact bike color, rider silhouette, road markings, green landscape, fencing and lighting throughout — never redesign them.\n\nThis film is 90 % pure kinetic camera motion and 10 % environmental beauty: aggressive low-to-high tracking shots, continuous forward motion with heavy speed blur, whip pans, snap zooms, sun flares and impact shakes. No text, no graphics, no logos — pure cinematic speed.\n\n### CUT LIST\n\nCUT 01 | 0.00–1.00s\nDynamic low-side tracking shot: red motorcycle accelerates away from a small parking area onto the winding asphalt road; lush green grass and fence posts streak past with heavy motion blur; bright sun flares at the top of the frame.\n\n**CUT 02 | 1.00–2.00s** \nCamera rises and locks behind the rider as the bike climbs the first gentle incline; green hills roll on both sides, a lone tree appears ahead, distant mountains and water visible on the right.\n\n**CUT 03 | 2.00–3.00s** \nTight rear tracking; rider leans into a smooth left curve; the road surface and white dashed lines blur heavily; sun remains high and intense.\n\n**CUT 04 | 3.00–4.00s** \nBike powers up a steeper section of road; camera stays low and centered, grass and fence posts racing past on both sides; distant valley opens on the right.\n\n**CUT 05 | 4.00–5.00s** \nHigh-speed straight section; camera drops even lower, almost road-level, capturing the red bike centered against the climbing green hillside and bright blue sky.\n\n**CUT 06 | 5.00–6.00s** \nRider continues the climb; camera rises slightly and banks with the road; lush green slopes fill the left and right frame edges with strong motion blur.\n\n**CUT 07 | 6.00–7.00s** \nBike approaches a crest; camera pulls back a fraction to reveal more of the endless green hills and the road stretching ahead under the bright sun.\n\n**CUT 08 | 7.00–8.00s** \nRider leans into the next curve; camera swings wide then snaps back, capturing the red bike against the steep green embankment and metal guardrail.\n\n**CUT 09 | 8.00–9.00s** \nTight following shot as the motorcycle accelerates past the guardrail; heavy speed blur on the grass and road surface; sun flare intensifies.\n\n**CUT 10 | 9.00–10.00s** \nCamera tilts upward dramatically, almost looking straight up the road; the red bike becomes smaller against the vast blue sky and white clouds while still racing forward.\n\n**CUT 11 | 10.00–11.00s** \nSweeping aerial-style arc as the bike enters a wide left-hand hairpin; camera orbits slightly, revealing the full curve of the road, green slopes and distant mountains.\n\n**CUT 12 | 11.00–12.00s** \nHigh-angle tracking shot looking down on the red motorcycle as it carves the long sweeping curve; the road and guardrail form a perfect arc against the green hillside.\n\n**CUT 13 | 12.00–13.00s** \nCamera pulls higher still, showing the bike as a small red shape on the winding road that snakes across the vast green landscape toward distant valleys and peaks.\n\n**CUT 14 | 13.00–14.00s** \nRider continues through the open hillside section; camera descends slightly and tracks from a higher three-quarter rear angle, capturing the bike, road and rolling green terrain.\n\n**CUT 15 | 14.00–15.00s** \nWide high-angle shot of the motorcycle navigating the next gentle S-curve; a second distant vehicle appears briefly on the road ahead; lush green fields and scattered trees fill the frame.\n\n**CUT 16 | 15.00–16.65s \nFinal high-speed tracking shot as the red bike continues along the open mountain road; camera gradually rises and the frame fills with bright green hills, blue sky and soft sun flare; the sequence ends on a sense of endless forward motion.\n\n### Editing & Sound \nExtremely aggressive rhythm — continuous forward tracking with occasional whip pans, snap zooms and speed ramps, heavy motion blur on every surface, strong sun flares and subtle impact shakes on every crest or curve. No text, no graphics, no slow-motion. \n\nBGM / Audio: electronic / indie-pop beat with driving drums, bright synths and rising energy that matches the speed of the bike. Engine roar, wind whooshes and tire sound on asphalt are locked to the picture as rhythmic elements. Peak energy in the middle curves and end with a bright, open sonic release.\n\nPremium AAA quality, photorealistic cinematic rendering, pure speed and freedom aesthetic, consistent red sportbike and rider design, exactly 16 cuts.",
|
||
"category": "car-vehicle",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2091546827212636576"
|
||
},
|
||
{
|
||
"id": "seedance:sairah-0-seedance-ai-19e5d269c3e0",
|
||
"title": "GPT Image 2 + Seedance 真人实拍混二维手绘动画",
|
||
"description": "动漫风格锁定",
|
||
"image": "https://media.goodcase.ai/media/poster/sairah-0-seedance-ai-19e5d269c3e0.jpg",
|
||
"mode": "video",
|
||
"prompt": "Style: Cinematic live-action seamlessly blended with 2D hand-drawn line-art animation, using a playful rotoscoping-inspired transformation effect.\n\nVisual Direction:\nFirst-person POV throughout. A hand holding a blue pencil appears at the bottom of the frame, seemingly tracing over real-world objects. Wherever the pencil moves, the live-action environment gradually transforms into expressive 2D illustrations.\n\nScene Transitions & Subjects:\n\n- Train: A white-and-green train travels across an elevated urban overpass. As the blue pencil traces along it, the train smoothly converts into clean black-and-white sketch line art, while retaining its movement and perspective.\n- Cat: An orange tabby cat casually walks along a paved sidewalk. The pencil follows its movement, transforming the cat into a white hand-drawn cartoon with stylized illustrated shadows.\n- Bus: A light-colored compact bus drives through the street. As it passes beneath the pencil’s tracing path, it morphs into a colorful pastel illustration with loose, artistic hand-drawn outlines.\n- Girl: A woman sits naturally on a bench in a narrow urban alley, looking at her phone. The pencil traces around her and the surroundings, seamlessly turning the scene into a stylized 2D color-block illustration.\n\nTone & Atmosphere: Bright natural daylight, contemporary urban environment, playful and whimsical mood, fluid camera movement, dynamic transformations, and seamless transitions between realistic footage and hand-drawn animation.\n\nOverall Effect: The video should feel as though the blue pencil is literally drawing reality into an animated world, with each subject transforming organically rather than appearing as a sudden cut or visual effect.",
|
||
"category": "anime-style-lock",
|
||
"sourceId": "seedance",
|
||
"credit": "@Sairah_0",
|
||
"sourceUrl": "https://x.com/Sairah_0/status/2089556355384512991"
|
||
},
|
||
{
|
||
"id": "seedance:case-e53b614b0f42",
|
||
"title": "阿马尔菲海岸奢华珠宝广告",
|
||
"description": "一份详细的脚本和提示词,用于制作一部以 20 世纪 50 年代复古海报女郎风格为主题、…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-e53b614b0f42.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second hyper-realistic cinematic luxury jewelry commercial in 16:9, featuring an elegant East Asian woman with long, glossy platinum-blonde wavy hair styled in a classic 1950s pin-up look, flawless porcelain skin, soft glamorous makeup, red lipstick, matching red nail polish, wearing a fitted red-and-white gingham halter mini dress with white piping and a heart-shaped bodice, white ankle-strap high heels, and a breathtaking luxury diamond necklace as the hero product. The necklace is the visual centerpiece throughout the commercial, sparkling naturally in warm golden sunlight with realistic diamond dispersion, premium craftsmanship, and elegant reflections.\n\nThe setting is a spectacular Amalfi Coast-inspired cliffside road overlooking the turquoise Mediterranean Sea, colorful Positano hillside houses, stone walls, flowering bougainvillea, and a vintage black BMW 507 convertible with rich red leather interior and license plate DEMCDESIGN.\n\nShot Breakdown\n\n0–3s\nExtreme macro close-up of elegant white heels walking slowly across warm sunlit asphalt. The camera tilts upward just enough to reveal the diamond necklace shimmering against her neckline with every graceful step. Golden-hour sunlight creates brilliant sparkle across each gemstone.\n3–6s\nShe walks toward the vintage BMW 507 from behind. Smooth cinematic tracking shot. As she reaches for the chrome door handle, the camera briefly pushes in on the necklace as it catches the sunlight. She smiles softly and says:\n\n\"Some jewels shine... this one tells my story.\"\n6–9s\nShe gracefully sits inside the convertible. Close-up through the side mirror as she gently adjusts her platinum-blonde waves while her necklace remains perfectly framed, glittering naturally. Elegant reflections dance across the polished gemstones.\n\n9–12s\nClose-up of her hand inserting the key and pressing the classic start button. The engine starts with a refined vintage sound. She lightly touches the necklace with her fingertips and looks toward the sea.\n\nShe softly says:\n\"Rivelazione... elegance you'll always remember.\"\n\n12–15s\nShe slowly puts on luxurious white cat-eye sunglasses with subtle gold accents. Close-up beauty shot emphasizing the necklace resting elegantly on her collarbone. Soft wind moves her blonde hair while cinematic sunlight enhances every diamond sparkle.\n15–17s\nWide aerial tracking shot from behind as the black BMW 507 drives along the winding Amalfi Coast road overlooking the colorful seaside town, cliffs, beach, and turquoise sea. The necklace remains visible as she turns slightly toward the sunlight.\n\nElegant cream-colored cursive typography fades into the landscape:\n\nRivelazione\n\n\"Reveal Your Brilliance.\"\nPremium luxury logo animation. Fade to black.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2080973878705434901"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-30-second-ultra-realistic-4k-cinematic-winter-travel-vlog-set-in-england-6e26bca27e87",
|
||
"title": "韩国女生的英格兰冬日旅行",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-30-second-ultra-realistic-4k-cinematic-winter-travel-vlog-set-in-england-6e26bca2.webp",
|
||
"mode": "video",
|
||
"prompt": "30-second ultra-realistic 4K cinematic winter travel vlog set in England. Use the Korean woman from image1 as the exact character reference in every shot — face, hairstyle, skin tone, body fully consistent, no drift/distortion. Same outfit throughout: charcoal puffer jacket, knitted beanie, scarf, gloves, dark trousers, waterproof boots.\n0:00–0:02: Drone pull-back over misty overcast English city — grey slate rooftops, red brick chimneys, red phone booth, damp cobbled streets, drizzle-haze light.\n0:02–0:05: Handheld selfie walk past Victorian shopfronts with bay windows and pub signs; breath fog, cold grey light, whip pan.\n0:05–0:08: Small English Christmas market — wooden stalls, mulled cider, woolly scarves, string lights; rack focus to her face picking up an item, warm grade.\n0:08–0:10: Macro of gloved hand holding item, mist droplets, soft bokeh. Match cut.\n0:10–0:14: Side tracking shot beside a grand stone cathedral/university building, wet reflective cobblestones, speed ramp 60%→100%.\n0:14–0:16: Dutch tilt, tilt-up to a Gothic spire against grey clouds; she looks up in awe.\n0:16–0:19: Slow-motion wide shot along a misty riverside path, light fog, cinematic letterbox.\n0:19–0:22: Selfie close-up holding steaming tea, warm satisfied expression.\n0:22–0:25: Fast montage: stone archway walk, photographing a clock tower, crossing a stone bridge with thumbs-up. Rapid cuts, motion blur.\n0:25–0:28: Golden-hour cloud break over the skyline, slow push-in toward her silhouette.\n0:28–0:29: She faces camera, smiles, waves, subtle lens flare.\n0:29–0:30: Cut to black. Centered white text fades in: \"Wizstar AI\". Music fades out.\nStyle: Photorealistic, authentic English winter mood (overcast, misty, not heavy snow), natural cinematic lighting, accurate hands, consistent identity/outfit, no face changes, distortion, cartoon or CGI — real cinema-quality footage.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Harry_thingss",
|
||
"sourceUrl": "https://x.com/Harry_thingss/status/2102993120942346594"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-ultra-realistic-cinematic-scene-of-a-fierce-young-woman-standing-confidently-in-4f45a0e18655",
|
||
"title": "韩国武术庭院中的女武者",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/b120d3bad639.jpg",
|
||
"mode": "video",
|
||
"prompt": "Ultra-realistic cinematic scene of a fierce young woman standing confidently in a traditional Korean martial-arts courtyard, wearing a black martial-arts uniform with a white collar, short dark hair moving naturally in the wind, intense focused expression, dramatic warm sunlight, traditional Korean architecture and stone walls in the background, subtle motion blur, realistic skin texture, detailed fabric, shallow depth of field, cinematic color grading, high contrast, 8K HDR, professional film still, dynamic atmosphere, 35mm lens, vertical 9:16 composition.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithMinal",
|
||
"sourceUrl": "https://x.com/AIwithMinal/status/2100444829880914240"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-video-of-a-korean-girl-enjoying-a-calm-realistic-morning-beauty-and-5c5a09acb181",
|
||
"title": "韩国女孩的晨间美容与咖啡时光",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/58b5d9012d18.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a video of a Korean girl enjoying a calm, realistic morning beauty and café routine. A Korean girl with natural fair skin, long straight black hair, delicate facial features, and a soft elegant appearance starts her morning peacefully, applying makeup in warm natural light. She picks up a takeaway coffee, then walks into a cozy Korean-style café with wooden furniture, large windows, warm pendant lights, and a relaxed atmosphere. She sits at a wooden table, gently reads a menu or paper while enjoying her coffee, then eats a light dessert with natural expressions. The video includes close-up beauty shots, realistic hand movements, soft eye contact, subtle smiles, and smooth cinematic camera transitions. The final scene shows her completing her skincare routine at home in a softly lit bedroom, creating a peaceful everyday Korean lifestyle mood. Ultra-realistic cinematic visuals, natural skin texture, realistic lighting, shallow depth of field, soft warm tones, smooth motion, elegant composition, vertical 16:9, 30 seconds, no text, no subtitles, no logos, no watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaayat",
|
||
"sourceUrl": "https://x.com/aiwithaayat/status/2100070781174907387"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-seedance-2-5-on-95624dd6486e",
|
||
"title": "韩国女孩的台湾旅行三十秒",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/4d344a6d9409.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 on @DomoAI_ \n\nPrompt\n\nAN EXCITING TAIWAN TRAVEL VLOG — 30 SEC MUSIC CUT\n\nSUBJECT: one fictional adult Korean woman in her early twenties, with large round dark eyes, a small nose, coral-red lips, long side-parted black waves and small cubic-zirconia stud earrings. Keep the face established in the first shot consistent throughout. Visible pores and natural skin texture, without doll-like smoothness or a beauty filter.\n\nOUTFIT: throughout all 30 seconds, she wears an indigo denim one-shoulder crop top and asymmetric-hem skirt, burgundy leather belt and pointed burgundy ankle boots. Keep the exposed shoulder, stitching and direction of the longer skirt panel consistent with their appearance in the first shot. Her outfit and hair do not change between locations.\n\nCAMERA: the texture of a personally filmed phone travel video. She films the selfies. An off-screen travel companion films the two-handed chicken-cutlet handoff, her back in the market, and the restaurant food and eating shots. Changing operators does not introduce filming equipment or device UI into the image. Landscape 16:9, no black padding. Ordinary travel shots use a 26mm-equivalent phone wide angle, enough depth of field to read the surroundings, and natural iPhone colour. Handheld movement follows real footsteps; exposure and focus catch up slightly late. A fingerprint on the lens causes local light smearing beside strong light sources. No cinematic colour grade, studio lighting or added post-production glow. People in the surroundings move independently and do not stare into the lens for long.\nEXCEPTIONS: only the three restaurant shots from 17 to 23 seconds use a DV-tape texture, light noise and slightly delayed focus. This deliberately differs from the travel footage; phone texture returns at 23 seconds. The food close-up at 19–21 seconds and the sunset focus change at 23–26.5 seconds follow their own shot-specific depth-of-field directions.\n\nMUSIC: upbeat BGM carries the excitement and rhythm across the travel montage. Location sounds do not repeatedly interrupt the music. Only the gondola section has a one-beat drop. Dialogue is brief and relaxed, with audible breaths and complete word endings. Mandarin is limited to the opening and closing greetings, delivered as newly learned phrases. The ㅋㅋㅋ in the dialogue means laughter, not spoken letters.\n\nPROPS: the bubble-tea clerk directly hands her a clear cup; the chicken-cutlet stall owner directly hands her the fried-chicken bag. In the xiaolongbao restaurant, the waiter sets the steamer with its lid on the table and she eats with chopsticks in her right hand and a spoon in her left. Food and containers are used only in their respective food scenes.\n\n(0:00–0:02) — Guesthouse window, Taipei morning. She films a selfie from a low angle on her phone, smiling broadly. Tilt Up extends the frame above her face to the view through the window. Taipei 101's green-glass tower rises beyond low grey buildings, rooftop water tanks and air-con units. Exposure catches up with the bright sky. Dialogue: \"你好~ 대만 왔다!\" Transition: Hard cut on beat.\n\n(0:02–0:04) — Main-road junction. At the crossing, she turns the phone into selfie position. A packed queue of helmeted scooter riders leaves the white stop line as the light turns green, passing behind her. Overcast daylight, Handheld Selfie and deep focus. Dialogue: \"스쿠터 뭐야 미쳤어ㅋㅋㅋ\" Transition: Fast cut on beat.\n\n(0:04–0:06) — Bubble-tea counter. She points the phone in her left hand downward to film. Her right hand reaches out first. With arm and torso visible, the aproned clerk lowers the clear cup upright into it. After she supports its base and side, the clerk releases it. The sealed film lid faces up; black brown-sugar streaks line the cup. A wide straw rests on the counter. Insert, briefly Static. Transition: Snap cut.\n\n(0:06–0:08) — Chicken-cutlet stall. The companion films from beside her, including both her hands and the owner. The large fried cutlet, seasoned with pepper and chilli, is already in a white paper bag. She extends both hands first. With arms and torso visible, the owner lowers the bag with its opening facing up. Only after her two hands support the bottom does the owner release it. Steam rises above the bag. Handheld Insert under a daylight awning. Transition: Cut at the end of the handoff.\n\n(0:08–0:10) — Longshan Temple. She starts with a selfie and raises the phone. Tilt Up shifts the view from her face to incense smoke, red lanterns and the dragon-carved roof. The sky above the eaves is bright in natural daylight. Transition: Cut during the upward movement.\n\n(0:10–0:12.5) — Jiufen stepped lane. She extends her arm high for a selfie and speaks. As she tilts the phone downward in a Tilt Down, her face leaves the frame and layers of red lanterns along the narrow stone stairway and wooden teahouse windows on both sides come into view. A misty afternoon; light fog veils the lower stairs. Dialogue: \"여기 진짜 영화 속인데\" Transition: Cut while looking down the stairway.\n\n(0:12.5–0:15) — Dihua Street market. The companion films a waist-height Follow Shot from behind her. She raises the chicken-cutlet bag in one hand and takes a bite while walking through the passage. On either side of her indigo denim outfit, sacks of dried seafood, dried shiitake, tea tins, red envelopes and herbal-medicine drawers pass in sequence. Other people independently browse or walk by. Overcast afternoon light. Transition: Cut on forward movement.\n\n(0:15–0:17) — Maokong gondola. In this scene she is not holding food or its bag. She films downward through the glass floor, holding the phone at knee height in one hand. Green tea fields drift beneath her feet and a cable shadow passes across them. Low Static. The music drops for one beat and returns. Transition: Snap cut.\n\n(0:17–0:19) — Xiaolongbao restaurant, DV texture begins. She is already seated; the companion films a Static Medium from eye level across the table. The waiter sets a bamboo steamer upright on the table with its lid on, then lifts the lid. Six xiaolongbao on white paper, shredded ginger and black vinegar. She watches and speaks while the waiter performs the action. Dialogue: \"이거 육즙 터진다며?\" Transition: Cut to the open steamer.\n\n(0:19–0:21) — Broth close-up. The companion films a downward-looking Macro from beside the table, with shallow depth of field. One xiaolongbao is already on the spoon in her left hand. She opens the skin slightly with the tips of the chopsticks in her right hand; broth flows into the spoon. Steam brushes past the lens. DV texture continues. Transition: Cut from the filled spoon.\n\n(0:21–0:23) — First mouthful. The companion films a close Handheld shot from across the table. Begin immediately after her first mouthful of xiaolongbao. She lowers the spoon in her left hand and smiles toward the lens. White restaurant fluorescent light, DV texture continues. Dialogue: \"미쳤다 진짜.\" Transition: Cut to sunset footage with phone texture.\n\n(0:23–0:26.5) — Tamsui Fisherman's Wharf, signature. Phone texture returns. She walks beside the railing while filming an extended-arm selfie. The white Lover's Bridge and its reflection on the sea catch orange sunset light; her long waves and asymmetric denim hem move in the wind. Rack Focus: focus moves from the initially sharp bridge behind her to her face, leaving the bridge softly blurred. Actual sunset light, without added post-production glow. 60% slow motion. Transition: Cut when focus settles on her face.\n\n(0:26.5–0:30) — Shifen railway, night. She films a selfie with the phone extended in her right hand. Her left hand releases the lower edge of a red sky lantern bearing brush calligraphy. The lit lantern leaves her fingertips and rises into the sky. Shop lights and other sky lanterns remain around her. She waves at the lens with her now-free left hand while speaking. Dialogue: \"그럼 모두 再見~!\" That left hand covers the lens, ending at 30 seconds. Natural night phone exposure.\n\nCONSISTENCY: preserve the same face and single denim outfit. Contact between hands and props is visible, without smeared fingers. Do not add subtitles, graphic text, logos or watermarks to the footage. Writing that belongs to the location or props, including the lantern calligraphy, remains. No filming equipment is visible in frame.\n\nFINALLY: skin and movement should look like real travel footage, not AI-generated imagery. Dialogue remains clear within natural breathing, without slurred syllables or clipped word endings. Expressions and gestures respond to the situation rather than posing like an advertising model. #DomoAI #DomoAICPP",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2099847404266918037"
|
||
},
|
||
{
|
||
"id": "seedance:yourplugai-seedance-ai-17a1f9de8843",
|
||
"title": "雪中神社的浪人与纸鹤决斗",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/yourplugai-seedance-ai-17a1f9de8843.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic Video Scene\n\nGenerate a 15-second 16:9 horizontal action-packed cinematic Edo-period dark fantasy anime video from the provided first frame.\n\nCharacters:\nRen (tattered charcoal kimono, cursed black katana, aggressive ronin) and Master Orikami (white Shinto robes, blind exorcist, floating paper cranes). Maintain 100% design consistency throughout.\n\nStyle & Quality:\nHigh-budget TV anime style, sharp ink-wash line art, fluid 2D swordplay choreography, snow and leaf physics, dramatic speed lines, high-contrast cel shading.\n\nTime-Coded Action:\n\n0.0s – 3.0s: Ren dashes across the snowy shrine courtyard, executing heavy crimson-energy sword slashes. Orikami summons a dense wall of paper cranes to absorb the initial blow.\n\n3.0s – 7.0s: High-speed flurry. Orikami launches a vortex of sharp paper shurikens; Ren deflects them mid-air with lightning-fast sword spins before attempting a jumping overhead strike.\n\n7.0s – 11.0s: Ren cuts through a paper decoy. Orikami reappears behind him, using folded paper talismans to wrap around Ren's katana and arms, absorbing all momentum.\n\n11.0s – 15.0s: The paper bindings lock Ren completely in place, disarming his sword into the snow. End on a wide cinematic frame of the defeated ronin locked in paper while Orikami steps away silently amidst falling red maple leaves.\n\nCamera & Technical:\nFast camera tracking, dynamic angle cuts, close-up blade clangs, wide dramatic ending frame. 16:9 horizontal format, no text, no watermark.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@yourPlugAI",
|
||
"sourceUrl": "https://x.com/yourPlugAI/status/2092269036167934445"
|
||
},
|
||
{
|
||
"id": "seedance:ruzainameer-seedance-ai-fab175a35acb",
|
||
"title": "河中玩具龙化身巨龙",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/media/poster/ruzainameer-seedance-ai-fab175a35acb.jpg",
|
||
"mode": "video",
|
||
"prompt": "15-Second Realistic Dragon Transformation Prompt Create a 15-second ultra-realistic cinematic fantasy sequence featuring an adult woman in her 20s playing with a small toy dragon beside a crystal-clear river deep inside a lush, mysterious forest. Scene & Character: A beautiful adult woman in her 20s, natural appearance, realistic skin texture, long flowing hair, wearing a simple earthy-toned casual outfit. She is sitting on smooth rocks beside a shallow forest river, playfully holding a small, highly detailed toy dragon in her hands. The environment feels completely real and immersive: dense green foliage, moss-covered rocks, soft sunlight filtering through the trees, floating dust particles, realistic water movement and natural atmospheric depth. 0–4 seconds: Begin with a cinematic medium shot of the woman sitting beside the river, smiling naturally as she plays with the tiny dragon. She gently moves the toy through the air as if making it fly. Use subtle handheld camera movement and realistic environmental sounds. Sunlight creates soft highlights across her hair and the water. 4–7 seconds: She slowly lowers the toy dragon into the shallow river and briefly dips it completely underwater. As the toy touches the water, create subtle but realistic ripples and small waves around it. The woman watches with curiosity. 7–11 seconds — Transformation: The water suddenly begins to glow with a subtle mystical energy. The tiny dragon starts expanding beneath the surface. Its body rapidly grows while maintaining realistic anatomy and physical movement. Scales form naturally across its body, wings unfold, claws emerge, and its long tail sweeps through the water. The transformation should feel physically believable and photorealistic, not cartoonish. Water splashes naturally as the creature grows from a tiny toy into a massive, majestic dragon. 11–15 seconds: The giant dragon rises dramatically from the river, towering above the woman. Water cascades from its enormous scales and wings. It spreads its massive wings and releases a powerful but realistic roar that echoes through the forest. The woman steps back in genuine amazement while maintaining a natural, believable reaction. End with a wide cinematic shot revealing the woman, the giant dragon, the river and the surrounding forest together, creating a breathtaking sense of scale. Visual Style: Ultra-photorealistic live-action fantasy, cinematic Hollywood-level VFX, physically accurate water simulation, realistic dragon anatomy, detailed individual scales, natural skin and hair textures, volumetric sunlight, realistic shadows, atmospheric depth, subtle film grain, high dynamic range, realistic motion blur, full-frame cinema camera look, 35mm lens, shallow depth of field where appropriate, natural color grading, highly detailed environment, seamless character and creature consistency. Important: Keep the woman’s appearance, hairstyle, clothing and facial features consistent throughout the entire video. Keep the dragon’s design consistent during the transformation. The transformation must happen smoothly and continuously, with no cuts during the actual transformation. Avoid cartoon aesthetics, anime, CGI-looking plastic textures, exaggerated facial expressions, unnatural body movements, flickering, morphing artifacts, extra limbs, deformed anatomy, or abrupt scene changes.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@RuzainaMeer",
|
||
"sourceUrl": "https://x.com/RuzainaMeer/status/2092195435385630983"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-an-exactly-30-second-16-9-24fps-hyper-realistic-korean-live-action-act-a420dc81e47a",
|
||
"title": "雨夜便利店外,女子巧退三名恶汉",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-2-5-create-an-exactly-30-second-16-9-24fps-hyper-realistic-korean-live-action-act.webp",
|
||
"mode": "video",
|
||
"prompt": "Create an exactly 30-second, 16:9, 24fps hyper-realistic Korean live-action action thriller with dry dark comedy. Nighttime outside a modern Korean convenience store, wet pavement reflecting storefront lights.\n\nPYONA exits carrying a small paper bag. Three intimidating adult men surround her. The leader says, “You have three choices: give us your phone, apologize, or fight.”\n\nPYONA calmly studies the gap between them and says, “I'll take number four.” She walks through the opening and adds, “You leave.” The leader's smile disappears.\n\nHe grabs her forearm. She looks at his hand and says, “That was the wrong answer.” When he pulls her, she steps toward him, rotates with his force and redirects his momentum into the convenience-store door.\n\nA second man charges with a punch. PYONA sidesteps and redirects him into the first man. A third attacks from behind; she steps aside and redirects him into stacked plastic crates, which collapse from the collision.\n\nThe three men freeze. The leader asks, “Who are you?” PYONA calmly replies, “I already told you.” She picks up her bag, walks past them, then looks back and says, “Number four.”\n\nCut to black.\n\nUse grounded physical choreography: realistic weight, momentum, inertia, friction, leverage, balance and collision reactions. PYONA wins through timing and redirection, never superhuman strength.\n\nControlled cinematic camera with consistent screen direction and clear full-body framing during physical actions. Natural nighttime ambience and realistic impact sounds only. No music or narration.\n\nNegative prompt: supernatural strength, flying bodies, wire-fu, invisible force, impossible throws, premature falls, teleportation, duplicate characters, appearance drift, costume changes, location changes, excessive camera shake, exaggerated slow motion, cartoon physics, blood, gore, weapons, broken bones, head impacts, logos, watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2106981702677451248"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-action-fight-scene-inside-an-old-crowded-pakistani-passenger-train-547eff4092c7",
|
||
"title": "巴基斯坦老火车车厢激战",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/b451404051be.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic action fight scene inside an old, crowded Pakistani passenger train compartment. A young woman with long brown hair, wearing a blue denim jacket and loose white pants, fights multiple men dressed in black. She performs fast, realistic martial-arts moves, dodging punches and delivering powerful kicks and strikes. The fight moves through the narrow aisle between old worn-out blue train seats. Dynamic handheld camera movement, low-angle shots, wide shots and close-ups, realistic body movement, natural motion blur, dramatic physical choreography, intense expressions, dusty vintage train interior, daylight coming through the windows, gritty realistic atmosphere, cinematic color grading, shallow depth of field, highly detailed, photorealistic, realistic skin texture, Hollywood-style action cinematography, 35mm lens, high contrast, 4K, smooth motion, no text, no subtitles, no watermark.”\nNegative Prompt\n“cartoon, anime, CGI look, unrealistic anatomy, extra fingers, extra limbs, distorted face, duplicate people, floating objects, unnatural movement, excessive blood, gore, blurry faces, low quality, oversaturated colors, text, subtitles, watermark, logo.”\nAspect Ratio: 16:9\nStyle: Photorealistic cinematic action\nDuration: 20 seconds\nCamera: Handheld + dynamic tracking + low-angle shots\nQuality: 4K cinematic realism",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zoyavelle",
|
||
"sourceUrl": "https://x.com/Zoyavelle/status/2104802751435911223"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-photorealistic-zombie-horror-sequence-inside-a-high-security-research-11e5b4743459",
|
||
"title": "实验室寄生感染危机",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/a0d17a9bf535.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a photorealistic zombie-horror sequence inside a high-security research laboratory. The central character is a young adult Korean female scientist dressed in a clean white lab coat over a simple light-colored shirt, blue straight-leg jeans, and practical white sneakers. She has natural dark hair, minimal makeup, realistic skin texture, and believable proportions. Her face, hairstyle, lab coat, jeans, shoes, and body proportions must remain consistent throughout the entire sequence. Build the environment with steel machinery, specimen tables, glass containment chambers, computer monitors, harsh fluorescent lighting, and realistic laboratory details. Use grounded practical effects and physically believable movement with tense handheld camerawork.\n\nWhile she works at a containment station, a glass specimen chamber suddenly develops fractures and explodes, scattering glass across the floor as a small dark parasite escapes and attaches itself around her shoulder and neck. She stumbles backward, frightened, while dark veins gradually appear beneath her skin and spread upward across her neck and face. Her skin becomes noticeably pale and clammy, her fingers twitch, and violent tremors run through her body. Her terrified expression gradually disappears into a blank, emotionless stare as her eyes transform into an unnaturally deep obsidian black. She abruptly turns toward a nearby colleague and charges, forcing him behind a glass partition.\n\nShe repeatedly strikes the glass while staring directly at him, her completely black eyes and pulsing dark veins clearly visible. Two more scientists enter and freeze when she suddenly becomes perfectly still, then slowly rotates her head toward them. Around the laboratory, additional containment chambers begin cracking as warning lights activate. Another infected creature breaks free, sending the scientists scrambling for emergency equipment. They use a powerful emergency strobe and fire extinguisher to disorient the creatures before pushing a heavy steel cart across the corridor and retreating behind a security door.\n\nThe surviving scientists reach an emergency corridor and catch their breath as red warning lights wash over their exhausted faces. The sealed laboratory door violently shakes behind them. The camera gradually approaches its small observation window, revealing the infected woman standing motionless in the darkness, still wearing her white lab coat and blue jeans. Her pale face, prominent dark veins, and completely black eyes are visible through the glass. She slowly tilts her head toward the camera as the emergency lights flicker across her face. Cut to black.\n\nVisual and audio direction: Ultra-realistic sci-fi zombie horror with detailed natural skin, convincing black eyes, subtle veins beneath the skin, realistic facial changes, practical creature effects, authentic anatomy, and believable environmental physics. Maintain cold clinical lighting before transitioning to red emergency illumination. Use handheld camera movement and natural diegetic sounds such as breaking glass, alarms, footsteps, breathing, impacts, convulsions, and distant screams. Avoid graphic gore or excessive blood. No anime, cartoon, illustration, artificial CGI appearance, plastic skin, duplicated characters, face morphing, distorted anatomy, floating objects, impossible movement, changing clothing, identity changes, subtitles, text overlays, logos, or watermark.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2101161634022474024"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-photorealistic-cinematic-action-sequence-featuring-a-stylish-ea7ff045567e",
|
||
"title": "金色夕阳下的工业区双女激战",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/6f39bca3bfd6.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second photorealistic cinematic action sequence featuring a stylish blonde woman in a black blazer, white fitted top, and black pants, fighting another blonde woman in an industrial urban parking/loading area during golden-hour sunset.\n\nBegin with a dynamic over-the-shoulder shot of the main woman standing in an empty concrete industrial lot as another woman approaches rapidly in the background → cut into an extreme close-up side angle as the opponent throws a powerful punch toward her face, with the camera moving alongside the action and her blonde hair flowing dramatically in the wind → transition into a wide low-angle shot showing the main woman reacting and engaging in hand-to-hand combat → she performs a fast evasive movement and powerful spinning kick while the opponent attacks → cut to a low-angle tracking shot as both women exchange rapid punches and defensive movements beside a large industrial roller door and stacked cardboard boxes → show the main woman delivering a dramatic flying kick, captured with cinematic motion blur → transition into a wider shot as the opponent falls hard onto the concrete ground → the main woman slowly walks toward the camera while the fallen opponent remains in the background → final shot becomes an intimate handheld close-up/selfie-style shot of the main woman looking directly toward the camera, touching her hair/forehead with one hand and giving a calm, confident expression.\n\nVisual style: photorealistic Hollywood action cinematography, realistic human anatomy, believable martial-arts choreography, natural facial expressions, realistic skin texture, detailed blonde hair movement, black-and-white fitted clothing, industrial warehouse exterior, concrete pavement, warm golden-hour sunlight, long shadows, dramatic backlighting, subtle lens flare, shallow depth of field, cinematic motion blur, dynamic handheld camera, low-angle action shots, smooth rapid transitions, realistic physics, energetic pacing, high-detail 4K cinematic look, cohesive character appearance throughout.\n\nNegative prompt: animation, cartoon, anime, CGI appearance, unrealistic physics, distorted faces, extra fingers, malformed hands, duplicated people, warped limbs, floating objects, excessive motion blur, unnatural poses, gore, blood, subtitles, text, logos, watermark.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@Elvorya",
|
||
"sourceUrl": "https://x.com/Elvorya/status/2101147922251579718"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-format-30-seconds-16-9-ultra-photorealistic-live-action-continuous-handh-9260ed6474c5",
|
||
"title": "韩国束草渔村清晨探访",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-format-30-seconds-16-9-ultra-photorealistic-live-action-continuous-handh-9260ed6474c5.jpg",
|
||
"mode": "video",
|
||
"prompt": "FORMAT: 30 seconds | 16:9 | Ultra-photorealistic live-action | Continuous handheld vacation vlog\n\nPreserve the exact face, hairstyle, identity, skin tone, facial features, and body proportions from <<<image_1>>> throughout the entire video. The same woman must appear consistently in every shot.\n\nVISUAL STYLE: Authentic late-2000s personal vacation vlog recorded on a cheap handheld flip camera. Extremely raw and imperfect footage. Heavy natural camera shake, awkward handheld framing, occasional partial face crops, sudden reframing, autofocus hunting, exposure fluctuations, blown highlights, slightly soft image quality, warm faded colors, mild digital noise, compression artifacts, and subtle motion blur. No cinematic camera movements, no gimbal stabilization, no polished composition, no modern color grading, no beauty filter, no artificial sharpness.\n\nOutfit: oversized grey hooded sweatshirt, black leggings, worn white running shoes, hair pulled back into a low messy ponytail, small silver stud earrings, a canvas tote bag slung over one shoulder. The entire video must feel like one genuine recording captured by a friend on an early-morning trip through a fishing village in Sokcho, South Korea, not a staged commercial or cinematic recreation.\n\n00:00–00:04 — EARLY MORNING ARRIVAL\nThe woman walks along a quiet harbor path as the sun rises, fishing boats bobbing gently in the water behind her, seagulls circling overhead.\nThe camera shakes slightly as it follows her from the side.\nShe says:\n\"It's so early, but I really wanted to see the fish market before it gets busy.\"\n\n00:04–00:08 — THE FISH MARKET\nShe steps into a covered harbor market filled with tanks of live fish, crabs, and squid, fishermen unloading crates from small boats nearby.\nThe camera zooms unsteadily on a tank of wriggling crabs, focus hunting before snapping back to her face.\nShe reacts with a mix of fascination and mild alarm.\n\n00:08–00:12 — TALKING WITH A FISHERMAN\nAn older fisherman hoists a large fish onto a table for her to see up close.\nShe leans in curiously, asks a question, and he answers while gesturing with his hands.\nShe laughs and says to the camera:\n\"He says this one was caught just an hour ago!\"\n\n00:12–00:16 — TRYING RAW SQUID\nA nearby stall vendor offers her a small plate of freshly sliced raw squid with dipping sauce.\nShe hesitates for a second, then takes a bite, chewing slowly with a surprised expression.\nShe turns to the camera and says:\n\"Okay wow, that's way fresher than I expected.\"\n\n00:16–00:20 — HELPING SORT THE CATCH\nA fisherwoman nearby is sorting fish into baskets and waves her over to help.\nShe kneels down and awkwardly tries to sort a few fish, nearly dropping one, laughing at herself.\nThe fisherwoman laughs too and pats her on the back encouragingly.\n\n00:20–00:24 — WALKING THE HARBOR\nShe walks along the docks past rows of moored fishing boats, ropes coiled on the ground, nets drying in the morning sun.\nA couple of fishermen nod and greet her; she waves back cheerfully.\nThe camera briefly swings toward the boats before swinging back to her.\n\n00:24–00:27 — QUIET MOMENT\nShe stops at the edge of the harbor, looking out over the calm water as the sun fully rises over the horizon.\nFor a moment there's no dialogue — just waves lapping, distant gulls, and the creak of boats.\nShe smiles softly and says:\n\"Mornings like this make the early wake-up worth it.\"\n\n00:27–00:30 — NATURAL ENDING\nShe turns back toward the camera, gives a small wave, and says:\n\"Okay, harbor adventure done. See you next time!\"\nShe laughs, turns, and walks off along the dock.\nThe camera lingers a moment before the footage naturally ends with a slight shake and imperfect cut.\n\nAUDIO\nNatural location sound only:\n- waves lapping against the dock\n- seagulls calling\n- boat engines idling in the distance\n- fishermen calling out to each other\n- crates being unloaded\n- water splashing in fish tanks\n- footsteps on wet pavement\n- light morning breeze",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@oggii_0",
|
||
"sourceUrl": "https://x.com/oggii_0/status/2095029762070900919"
|
||
},
|
||
{
|
||
"id": "seedance:laviniavelle-seedance-ai-bac382f08a18",
|
||
"title": "粉发盲女跃落霓虹都市",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/14df186af771.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic 3D anime action sequence featuring a blindfolded woman with long pastel pink hair in a high ponytail, wearing an elegant black gothic dress with cutout details and thigh-high boots She stands atop a wet rooftop looking over a futuristic neon-lit cyberpunk city at night with massive holographic billboards The camera dynamically shifts as she leaps off the skyscraper edge, falling head-first in slow motion through glowing skyscrapers, before landing gracefully in a superhero pose on a wet asphalt street, causing cracks and ground sparks upon impact. Cinematic volumetric lighting motion blur, hyper-detailed, 8k resolution.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2092793943599755621"
|
||
},
|
||
{
|
||
"id": "seedance:noorlewisx-seedance-ai-4b6f8c8c977a",
|
||
"title": "Seedance 细条纹西装的职场女性气场短片",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/media/poster/noorlewisx-seedance-ai-4b6f8c8c977a.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic, stylish sequence of a confident young woman with short curly brown hair, bold red lipstick, and a statement necklace. She wears a sharp grey pinstripe oversized blazer and matching trousers with bright red pointed high heels.\nStarts with a close-up of her red heels stepping out of a black luxury car onto a wet city street at dusk. She walks confidently through revolving glass doors into a modern office building, presses the elevator button, checks her tablet in the mirrored elevator, then enters a boardroom. She presents charts and graphs on a large screen to a group of executives in suits, gestures confidently while speaking, signs a document, shakes hands with a senior executive, checks her elegant wristwatch with a burgundy leather strap, and finally walks across a glass-walled rooftop terrace overlooking the New York City skyline at golden hour, wind lightly moving her hair, powerful and composed expression.\nMoody cinematic lighting, wet reflections, sharp fashion photography style, high-end commercial aesthetic, 16:9.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2089217062040453196"
|
||
},
|
||
{
|
||
"id": "seedance:case-3b1796c66ab4",
|
||
"title": "丧尸列车爆发",
|
||
"description": "一个复杂的、逐镜头视频 storyboard 提示词,描绘了列车上的恐怖丧尸爆发场景,…",
|
||
"image": "/inspiration-thumbs/seedance/case-3b1796c66ab4.webp",
|
||
"mode": "video",
|
||
"prompt": "Shot 1 (0–1.2s): Character A, matching reference face/outfit, sits beside a passenger on a dim train, feverish, sweating, staring strangely at him.\n\nShot 2 (1.2–2.4s): Close-up: her trembling hand, faint dark veins appearing, shallow unnatural breathing.\n\nShot 3 (2.4–3.6s): Her head tilts unnaturally toward him, glassy unfocused eyes, tense profile close-up.\n\nShot 4 (3.6–4.8s): She suddenly lunges and bites his forearm, teeth breaking skin, his face frozen in shock.\n\nShot 5 (4.8–6s): Close-up of the wound as dark veins rapidly branch outward, skin blackening.\n\nShot 6 (6–7.2s): Veins race toward his elbow; skin pales, sweat beads on his forehead.\n\nShot 7 (7.2–8.5s): His eyes cloud milky white, pupils dilate, breathing becomes wet and ragged.\n\nShot 8 (8.5–9.7s): His body stiffens and twitches; black veins spread across his neck and jaw.\n\nShot 9 (9.7–11s): He throws his head back and screams inhumanly, face covered in black veins, slow motion.\n\nShot 10 (11–12.2s): His head snaps forward; bloodshot empty eyes and slightly unhinged jaw reveal the completed transformation.\n\nShot 11 (12.2–13.5s): He instantly lunges at another passenger and bites them, sudden violent impact.\n\nShot 12 (13.5–14.8s): Wider shot: nearby passengers turn, confusion becoming horror.\n\nShot 13 (14.8–16s): The bitten passenger stumbles back, clutching the wound as dark veins spread up the arm.\n\nShot 14 (16–17.3s): Passengers rise in panic, grabbing bags and backing away, wide cinematic shot.\n\nShot 15 (17.3–18.5s): The new victim convulses violently in the aisle as passengers recoil; overhead lights flicker.\n\nShot 16 (18.5–19.7s): Eyes roll back, then open bloodshot and empty; jaw twitches—the second transformation complete.\n\nShot 17 (19.7–21s): He lunges at the nearest passenger; screams erupt as the car descends into chaos, handheld camera.\n\nShot 18 (21–22.5s): Passengers scramble over seats and luggage toward the exit, bags spilling everywhere.\n\nShot 19 (22.5–24s): A group rushes toward the connecting door, looking back as infection spreads behind them.\n\nShot 20 (24–25.5s): Door slams shut; survivors barricade it with luggage and cushions as infected hands pound from behind.\n\nShot 21 (25.5–27.5s): Close-up through the glass: infected faces press against it as cracks spread, emergency lights pulsing.\n\nShot 22 (27.5–30s): Survivors huddle against the far wall, breathing hard and staring at the shaking door as train lights streak outside, cinematic outbreak ending.",
|
||
"category": "horror-suspense",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2094285140247896553"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-sometimes-the-smallest-moments-become-the-most-magical-adventures-3f69aef4c82b",
|
||
"title": "雨夜车站的奇妙邂逅",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/caed9bb862cb.jpg",
|
||
"mode": "video",
|
||
"prompt": "Sometimes the smallest moments become the most magical adventures. 🌧️🚂✨\n\nCreated on seedance 2.5\n\nPrompt\nCreate a 15-second cinematic fantasy slice-of-life sequence following a young boy waiting alone at a quiet rural railway station on a rainy evening. Begin with a wide establishing shot across multiple wet railway tracks, slowly revealing a small countryside station surrounded by endless green fields, distant mountains, utility poles, and a dark cloudy sky → reveal the young boy standing beneath the station shelter, wearing a bright yellow raincoat, white shorts, and vivid red rain boots, quietly waiting for his train as heavy rain falls around him → transition to a low-angle cinematic close-up of his red rain boots standing beside a shallow rain puddle, with the warm reflection of a small station lantern shimmering across the wet ground → cut to a side profile shot of the boy sitting alone on a wooden railway bench, looking quietly toward the empty tracks while rain falls in the background → transition to a mysterious close-up beneath the wooden bench as a tiny strange green creature wearing an oversized pointed green hat slowly peeks out from the shadows, watching the boy with large curious eyes → cut to a cinematic close-up of the boy's face as he notices the mysterious creature, his expression changing naturally from surprise to gentle curiosity and a warm smile → transition to a detailed close-up of the boy opening a small cloth lunch bag and taking out a piece of bread while sitting on the bench → cut to the tiny green creature watching the food from beneath the bench, cautiously moving closer with innocent curiosity → transition to a medium shot as the boy gently places a piece of bread on the bench for the little creature, creating a quiet emotional connection between them → cut to a wide cinematic shot of the empty railway tracks stretching into the rainy countryside as a distant train headlight slowly appears on the horizon → transition into a dramatic forward tracking shot along the wet railway tracks, the approaching train becoming brighter as rain continues falling and its warm headlights reflect across the rails → cut back to the station as the train arrives and stops beside the platform, its warm interior lights glowing against the cold blue rainy atmosphere → final shot becomes a cinematic medium-wide shot of the young boy stepping into the warmly illuminated train while briefly looking back toward the tiny green creature near the bench, as rain continues falling outside and the train prepares to leave the quiet countryside station",
|
||
"sourceId": "seedance",
|
||
"credit": "@Elvorya",
|
||
"sourceUrl": "https://x.com/Elvorya/status/2104799320558256490"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-hidden-volcanic-spring-canyon-deep-in-a-pacific-northwest-pine-forest-on-a-br-ff48a4636c95",
|
||
"title": "第一视角跃入火山峡谷碧泉",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/ba78b17e3025.jpg",
|
||
"mode": "video",
|
||
"prompt": "SEEDANCE 2.5 | TEXT TO VIDEO | SINGLE CONTINUOUS TAKE | 22s | 1080x1920 | 9:16 | 30fps | 1080p\n\nSCENE AND LOCATION\nA hidden volcanic spring canyon deep in a Pacific Northwest pine forest on a bright summer day. A narrow, deep gorge with steep, very high walls of dark gray basalt made of vertical hexagonal columns, streaked with tan and rust tones and covered in patches of bright green moss, ferns and small shrubs.\nAt the bottom is a crystal-clear natural spring pool. The shallow edges glow bright turquoise and aqua, fading to deep sapphire blue in the center. The water is so transparent that the bottom is fully visible: honeycomb-patterned volcanic rock, mossy boulders, and two long pale submerged logs lying diagonally across the bottom.\nTwo white waterfalls pour into the pool: a thin one at the far back of the canyon and a larger one spilling from the right-hand cliff wall, making white foam where it hits the water. Tall dark-green conifer and pine trees line the canyon rim. Above is a vivid clear blue sky with a few small white clouds. Hard, bright midday sunlight with strong contrast, and sun sparkles on the water.\n\nTHE JUMPER\nA young man seen only from his own first-person view. Tanned bare feet and lightly hairy shins, and loose navy-blue swim shorts with a large mustard-yellow hibiscus flower pattern and white drawstrings. No shirt, no shoes, no gloves. His hands and forearms appear naturally in frame when he moves them.\n\nCAMERA AND REALISM\nFirst-person POV from a GoPro strapped to his forehead. It looks like real action-cam footage, not a cinematic camera. 16mm-equivalent ultra-wide lens with slight barrel distortion, and saturated but natural color.\nUse real action-cam behavior throughout: small head bob and micro-jitter from breathing and body weight, rolling-shutter wobble on fast moves, quick auto-exposure shifts between bright sky and the shaded canyon, a small sun flare on upward tilts, light sensor noise in the shadows, and wind buffeting that shakes the frame during the fall.\nThe cliff is about 35 meters high. Gravity, body motion and water physics are fully realistic.\n\n0-2s | THE EDGE (real time)\nPOV looking straight down from the top of the basalt cliff. His bare feet stand on the rough, dark rock ledge at the bottom of frame, with the shorts visible at the lower edge. Both hands hover forward at the sides of frame. The turquoise pool, the submerged logs and the waterfalls are far, far below. His toes curl over the edge and small grit crumbles off. His right hand tosses a pink-and-white striped inflatable tube out over the drop; it tumbles down and lands as a tiny speck on the water far below. Wind, distant waterfall roar, upbeat chill electronic music starts.\n\n2-4s | THE COUNTDOWN (real time)\nA quick nervous tilt down at the drop, a sharp exhale, then two fast steps back from the edge, with the ledge bouncing in frame. Young male voice, hyped: \"Three, two, one!\"\n\n4-7s | THE TAKEOFF (natural slow motion, about 50% speed)\nTwo running steps forward, then his last foot pushes off the ledge in slow motion. Rock grit kicks up and floats in the sunlight, the cliff edge slides away beneath his feet, his arms swing forward and out wide, and the whole turquoise canyon opens up below. The slow motion looks like a real high-frame-rate action-cam clip, not a frozen hang. Deep bass swell, stretched wind.\n\n7-13s | THE FALL (real time, fast and continuous)\nThe speed ramps smoothly back to normal and the stomach drops.\n7-9s: The frame dips and wobbles, his arms flail slightly for balance at the edges of frame, and his feet kick at the bottom of frame. A loud yell: \"Woooooo!\"\n9-11s: The basalt column wall, moss and ferns streak upward past the lens, and the right-side waterfall rushes by with spray catching the sun. Wind roars louder and the frame shakes from air buffeting.\n11-13s: The glowing turquoise water rushes up and fills the frame, and the pink tube and submerged logs grow fast. His arms snap tight to his body and his legs lock straight for a feet-first pencil dive. The music builds to the drop.\n\n13-14s | IMPACT\nA hard feet-first hit into the water and a white explosion of bubbles swallows the lens. Loud plunge splash, deep impact whoosh, and the music goes heavily muffled underwater.\n\n14-17s | UNDERWATER (short, energetic, real time)\nA violent swirl of silver bubbles clears to reveal crystal-clear blue water, bright sun shafts cutting down from the surface, the pale submerged logs and honeycomb volcanic rock bottom below, and small fish darting away. His hands push into frame for one strong breaststroke pull, then fast kicks straight up toward the bright glowing surface, with bubbles streaming past the lens. No slow sinking.\n\n17-19s | SURFACE BREAK\nThe camera bursts through the surface, water droplets sliding across the lens, and bright sunlight floods in. The music snaps back to full clarity on the beat drop. His hand grabs the pink-and-white tube floating right beside him.\n\n19-22s | THE REWARD\nPOV bobbing on the turquoise water holding the tube, then a sharp tilt up revealing the towering basalt cliff, the tiny ledge he jumped from far above, the pine trees on the rim and the vivid blue sky, with the waterfall splashing on the right. Same voice, out of breath and triumphant: \"Yeah, dude! That was insane!\" Faint distant cheering. Music plays clean to the final frame.\n\nAUDIO\nContinuous upbeat chill electronic track: a bass swell on takeoff, a fast build through the fall, muffled underwater, then a clean drop on surfacing. Real ambient layers: wind that grows with speed, fabric flapping, heavy breathing, waterfall roar, splash, bubbles. Dialogue clear over the music.\n\nKEEP\nOne continuous take, first-person only. The same shorts, feet and hands throughout, and the same canyon layout with two waterfalls, turquoise pool and submerged logs. The slow motion lasts only 3 seconds at takeoff. The fall is fast, real time and builds speed without pausing. Every beat is quick and punchy.\n\nAVOID\nExtra slow motion beyond the takeoff, hovering or floating mid-air, smooth cinematic gimbal movement, cuts to third person, showing the jumper's face, extra people, distorted hands or extra fingers, morphing cliffs, changing water color, text, subtitles, watermarks.",
|
||
"sourceId": "seedance",
|
||
"credit": "@abxxai",
|
||
"sourceUrl": "https://x.com/abxxai/status/2103861170625286334"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-young-japanese-woman-films-a-handheld-selfie-vlog-at-a-riverside-shrine-summe-1c4b78c5841a",
|
||
"title": "河畔神社夏祭夜游记",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/349a8cffe6b7.jpg",
|
||
"mode": "video",
|
||
"prompt": "SCENE CONTEXT\nA young Japanese woman films a handheld selfie vlog at a riverside shrine summer festival at night — paper lanterns strung along a stone embankment, floating lanterns drifting on the water below. She walks the lantern-lined path, buys a skewer of grilled mochi, plays a cork-gun shooting gallery and wins a small bell charm, then sits on the riverbank and watches fireworks burst over the water before signing off to camera.\n\nACTIVE REFERENCES\n@image1: young woman, dark hair styled loosely up with soft face-framing strands, warm brown eyes, soft round face, light natural makeup, delicate floral hair ornament. 100% matches the reference.\n\nLOCATION MAP\nForeground: her extended selfie arm holding the phone, natural front-camera framing. Midground: stone embankment path lined with red and cream paper lanterns on bamboo poles, food stalls and a shooting-gallery stall with warm bulb lighting to one side. Background: the river below reflecting lantern light, distant silhouettes of festival-goers, a low wooden footbridge. Practical light sources: paper lanterns (warm amber), stall string-lights (soft white-warm), no signage or neon of any kind.\n\nFIRST FRAME / BLOCKING\nShe is centered-left in frame, phone held at arm's length and slightly above eye level, walking toward camera along the lantern path, lantern glow rimming her hair, river visible over her shoulder in the background.\n\nFORMAT MODE\nTimed multishot — HARD CUTs at stated seconds, cuts only at the specified points, the camera does not cut on its own.\n\nOPTICS\n0–8s: 84° wide FOV, selfie-arm framing, natural handheld phone-camera distortion at the frame edges.\n8–16s: 63° FOV, still selfie framing, slight downward tilt toward the food stall.\n16–23s: 63° FOV, selfie framing angled toward the shooting-gallery counter, phone held lower to keep both her face and the targets visible.\n23–30s: 84° FOV, selfie framing seated on the riverbank, wide enough to hold her face in the lower third and the firework bursts in the upper frame simultaneously — no phone-flip needed.\nNo drift mid-segment.\n\nCAMERA\nHandheld selfie-arm operator throughout: natural micro-shake, small vertical bounce matched to her walking pace, arm drifts and re-centers her face every few seconds the way a real phone selfie does. At 23s she lowers herself to sit, camera settles into a steadier handheld hold braced on her knee, minor sway only.\n\nACTION\n0.0s to 8.0s — She walks along the lantern path, glancing between the camera and the path ahead, loose hair strands lifting slightly in the warm night breeze, lanterns passing softly out of focus behind her.\n8.0s HARD CUT\n8.0s to 16.0s — She stops at a grilled-mochi stall, takes the skewer from the vendor's hand just out of frame, bites it, chews, and grins wide at the camera with her cheeks puffed, steam rising faintly from the mochi.\n16.0s HARD CUT\n16.0s to 23.0s — She leans over a cork-gun shooting-gallery counter, one eye closed aiming the toy gun at a shelf of small prizes, fires, a cork dart knocks a tin bell off its stand with a clatter, she yelps and claps once, the stall attendant hands her the small bell charm on a cord.\n23.0s HARD CUT\n23.0s to 27.0s — She walks a few steps to the riverbank and sits down cross-legged facing the water, phone still held at selfie angle, the first fireworks bloom in the sky behind and above her, their glow and color briefly washing across her upturned, delighted face as she watches over the top of the phone.\n27.0s HARD CUT\n27.0s to 30.0s — Still seated, she turns her focus back to the lens, face lit warm from the lantern light and cool flicker from the fireworks above, she waves once at the camera and says, \"That's tonight's little adventure — catch you on the next one, bye!\"\n\nPERFORMANCE\nUnscripted, lightly breathless energy between beats from walking; sharp startled-delight micro-expression at the shooting gallery (eyebrows lift, small flinch at the clatter, then a laugh); softer, awed half-smile during the fireworks with eyes tracking upward before returning to camera; catch-lights from lantern glow visible in her eyes throughout; pore-level skin realism, soft natural blush.\n\nPHYSICS\nHair and kimono sleeve fabric move naturally with her walking pace and the night breeze; steam rises and dissipates off the grilled mochi; the cork dart travels in a real short arc and knocks the tin bell with a visible small bounce and wobble; water ripples naturally under the floating lanterns and firework reflections; her seated weight settles naturally onto the stone embankment.\n\nLIGHTING\nWarm 3200K practical key from paper lanterns and stall bulbs throughout, soft ambient fill from the diffuse night sky; at 23–30s a secondary cool-white and amber flicker from fireworks washes across her face and the river in time with each burst, without overpowering the warm base tone.\n\nWARDROBE\nSage-green cotton kimono-style summer robe with a subtle white crane-and-wave print, pale blush obi sash tied in a simple bow at the back, wide sleeves trimmed in cream, fabric soft and slightly loose from a night of walking.\n\nAUDIO\nAmbient festival murmur, distant taiko drum, crunch of gravel underfoot, sizzle from the food stall, clatter of the tin bell at the shooting gallery, crackle and boom of fireworks overhead, her voice: \"That's tonight's little adventure — catch you on the next one, bye!\"\n\nSTYLE\nPhotoreal smartphone vlog look, natural front-camera color science, ultra-high-definition 4K clarity with fine authentic skin and fabric micro-detail, slight authentic handheld imperfection, no artificial neon or synthetic lighting anywhere in the scene.\n\nOUTPUT SETTINGS\n16:9 widescreen, 4K resolution, real-time throughout, natural phone-camera dynamic range and grain.\n\nPOSITIVE LOCKS\nHer face and identity stay consistent with the reference in every cut. Lighting stays warm-lantern-based throughout, only fireworks add a brief cool-amber accent. No neon signage or neon-colored light sources anywhere in frame. Kimono-style robe, obi, and bell-charm prop stay visually consistent across all cuts.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Chaemate_",
|
||
"sourceUrl": "https://x.com/Chaemate_/status/2097142882519879822"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-one-door-e2d76fbb7712",
|
||
"title": "穿越五重奇境的神秘之门",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/07f71f422450.jpg",
|
||
"mode": "video",
|
||
"prompt": "One door. Five worlds. Endless possibilities. Where would you go? ✨🌍\n\nmade with Seedance 2.5 on @TapNow_AI .\n \nHere is the prompt🔽🔽🔽\n\nCreate a 28-second ultra-cinematic surreal fashion adventure starring my female AI model. Preserve her EXACT facial identity, facial structure, hairstyle, skin tone, body proportions and recognizable appearance throughout the entire video.\n\nThe film must feel like ONE continuous impossible journey, not separate AI-generated clips. Photorealistic, mysterious, premium and visually spectacular.\n\n0–4 SEC — THE MYSTERIOUS HOTEL\n\nBegin with an extreme cinematic close-up of my model's eyes.\n\nCamera smoothly pulls backward, revealing her standing inside an impossibly long, luxurious old-European hotel corridor at night.\n\nWarm golden wall lamps illuminate hundreds of identical doors stretching into the distance.\n\nShe wears an elegant flowing black evening dress with subtle jewellery.\n\nShe looks toward one particular door and confidently approaches it.\n\nCAMERA: Slow dolly backward → smooth over-the-shoulder orbit as her hand reaches toward the brass handle.\n\nShe opens the door.\n\nIntense white light floods through it and completely fills the lens.\n\nSEAMLESS TRANSITION THROUGH THE LIGHT.\n\n4–9 SEC — STORMY ICELAND\n\nThe camera passes through the doorway directly behind her.\n\nWithout stopping her walking motion, she emerges onto a spectacular Icelandic black-sand beach.\n\nTowering dark cliffs, crashing ocean waves, mist and light rain surround her.\n\nStrong wind naturally moves her hair and black dress.\n\nCAMERA: Begin low beside her feet → rapidly rise into a cinematic tracking orbit around her.\n\nStanding completely alone on the beach is another mysterious hotel door.\n\nShe reaches it and immediately opens it.\n\nCamera follows directly through.\n\n9–14 SEC — FUTURISTIC TOKYO\n\nShe steps through the same doorway directly into a futuristic Tokyo street at midnight.\n\nHer walking movement continues seamlessly.\n\nWet streets reflect enormous neon signs, futuristic architecture and passing autonomous vehicles.\n\nCrowds naturally move around her while she confidently walks toward camera.\n\nCAMERA: 35mm anamorphic backward tracking shot → subtle handheld micro-movement → gentle push toward her face.\n\nA sleek futuristic motorcycle suddenly races extremely close across the foreground.\n\nFor a fraction of a second, the motorcycle completely covers the camera.\n\nUSE THE MOTORCYCLE AS THE TRANSITION.\n\n14–19 SEC — UNDERWATER BALLROOM\n\nAs the motorcycle clears the lens, she is suddenly walking through an enormous abandoned luxury ballroom deep underwater.\n\nShe does NOT wear diving equipment.\n\nShe walks normally while her dress and hair gently react to the surrounding water.\n\nGigantic floor-to-ceiling windows reveal the deep ocean outside.\n\nA huge whale silently glides past the windows behind her.\n\nBlue sunlight beams penetrate through the water while thousands of tiny particles float naturally through the scene.\n\nCAMERA: Slow cinematic 180° orbit around her as she turns slightly toward the whale.\n\nSuddenly hundreds of shimmering silver fish rush directly toward and across the camera.\n\nThey completely fill the frame.\n\n19–23 SEC — GOLDEN DESERT\n\nThe silver fish seamlessly transform into thousands of glowing golden particles carried by desert wind.\n\nCamera pushes through the particles.\n\nReveal my model walking along the crest of an enormous golden sand dune during sunset.\n\nHer outfit has seamlessly transformed into an elegant flowing ivory desert outfit.\n\nHER FACE AND IDENTITY MUST REMAIN EXACTLY THE SAME.\n\nWind dramatically moves the fabric.\n\nCAMERA: Start extremely wide → rapidly fly toward her → smooth orbit around her body.\n\nReveal one final mysterious door standing alone at the top of the dune.\n\nShe opens it.\n\nBrilliant golden-white sunlight bursts through.\n\n23–28 SEC — ABOVE THE CLOUDS\n\nShe steps through the door.\n\nCamera follows immediately.\n\nReveal an extraordinary mirrored.\n#AICinema #Seedance25",
|
||
"sourceId": "seedance",
|
||
"credit": "@IsabelWhite24",
|
||
"sourceUrl": "https://x.com/IsabelWhite24/status/2096638350174101539"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-young-woman-wearing-a-cute-stylish-amusement-park-outfit-with-a-clearly-visi-6b964aaecca8",
|
||
"title": "米奇耳女孩智取土耳其冰淇淋",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/cases/e9b53af60cec.jpg",
|
||
"mode": "video",
|
||
"prompt": "CHARACTER:\nA young woman wearing a cute, stylish amusement-park outfit with a clearly visible Mickey Mouse ears headband. Keep the headband consistent throughout the entire video. She is excited, playful, and expressive.\nA cheerful Turkish ice cream vendor stands behind a traditional Turkish ice cream stall, holding a long metal ice cream paddle.\n\n0–3 SEC — ORDER\nStart with a cinematic wide shot of the colorful amusement park, then smoothly move toward the Turkish ice cream stall.\n\nThe girl approaches the counter, smiling excitedly. Her Mickey Mouse ears headband is clearly visible. She points toward the ice cream.\nThe vendor prepares a cone with a scoop of ice cream and extends it toward her.\n\n3–6 SEC — THE FIRST TEASE\nCut to a medium shot.\n\nThe girl eagerly reaches for the cone.\n\nJust as she is about to grab it, the vendor smoothly pulls the ice cream away with the long paddle.\nShe looks at him in surprise.\n\nHe smiles mischievously and offers it again.\n\n6–9 SEC — MORE TEASING\nShe reaches again.\n\nThe vendor smoothly moves the cone from left to right, then slightly upward, always just out of reach.\n\nThe girl follows the cone, laughing and becoming increasingly determined.\n\nKeep the interaction fluid, realistic, and playful, with natural body movement and timing.\n9–11 SEC — THE NOSE TRICK\nThe vendor finally brings the ice cream toward her.\n\nShe confidently leans forward, expecting to receive it.\n\nInstead, he gently places a small dab of ice cream on the tip of her nose.\n\nClose-up on her shocked expression.\n\nShe pauses, looks cross-eyed toward the ice cream on her nose, then looks back at the vendor with a playful annoyed expression.\n11–15 SEC — SHE WINS\nBefore the vendor can tease her again, she quickly grabs the cone from the paddle.\n\nShe successfully gets the ice cream.\n\nThe vendor laughs and raises his hands in playful defeat.\n\nShe proudly holds up the cone, smiles toward the camera, wipes the ice cream from her nose, and takes a happy bite.\n\nCINEMATOGRAPHY:\nPhotorealistic live-action, premium cinematic quality, warm golden-hour lighting, natural skin texture, realistic facial expressions, shallow depth of field, soft background bokeh, subtle anamorphic lens characteristics, natural motion blur, smooth gimbal movement, cinematic push-ins and tracking shots, realistic amusement-park atmosphere.\n\nIMPORTANT:\nKeep the Mickey Mouse ears headband clearly visible and consistent throughout the scene. Maintain consistent faces, wardrobe, hairstyle, ice cream cone, vendor paddle, and environment. All movements must be smooth and physically realistic. No exaggerated cartoon movement, no 3D animation, no jerky motion, no teleporting, no object duplication, and no unnatural hand movements.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@sophiaparkerr_",
|
||
"sourceUrl": "https://x.com/sophiaparkerr_/status/2096542775709692255"
|
||
},
|
||
{
|
||
"id": "seedance:noorlewisx-seedance-ai-90bc76157819",
|
||
"title": "酷热健身房里的双人训练",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "/inspiration-thumbs/seedance/noorlewisx-seedance-ai-90bc76157819.webp",
|
||
"mode": "video",
|
||
"prompt": "Two young attractive East Asian women working out together in a small indoor gym on a very hot day, AC is broken, room is steaming. Both wearing matching tight mint green long-sleeve crop tops that are completely soaked with sweat and clinging to their bodies, one wearing tight brown/grey high-waist leggings, the other wearing light grey sweatpants. Long dark hair tied in high ponytails, faces and necks glistening with sweat, wet hair sticking to skin. They are doing barbell squats on a Smith machine, intense strained expressions, sweat dripping from hands onto the knurled bar. Then they take a water break, drinking from plastic water bottles, water dripping down their chins and chests. After that they do forearm planks on blue yoga mats, laughing and competing who gives up first. Close-up shots of sweat drops, wet fabric, smiling faces. Gym background with standing fan, window AC units, large mirrors, black workout benches, dumbbell rack. Realistic lighting, slightly dim indoor gym atmosphere, cinematic, highly detailed, photorealistic.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2094279439718953086"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithjessica-seedance-ai-8abd02dc4e6a",
|
||
"title": "霓虹复古沙龙的彩虹染发蜕变",
|
||
"description": "过程变身蒙太奇",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithjessica-seedance-ai-8abd02dc4e6a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second modern retro-anime style 3D-cel hybrid commercial in 16:9.\n\nA cozy neon-lit retro salon with warm cinematic lighting, soft VHS grain, and gentle synthwave color glow. Keep the same stylist and the same customer throughout the entire video.\n\nThe customer is always the main focus.\n\nCustomer:\nSlim, smart, fashionable young girl with straight shoulder-length dark hair, sharp stylish bangs, small nose piercing and two ear piercings, sparkly round glasses, oversized beige turtleneck, gold chain necklace, confident yet slightly nervous expression.\n\nStylist:\nBeautiful young woman with long wavy silver-lavender hair tied in a loose ponytail, elegant almond-shaped violet eyes, retro apron over a fitted black top, small gold hoop earrings. She is warm, graceful and quietly confident.\n\nStory (cut scenes):\n\n[0:00–0:04] The customer walks in confidently, adjusting her glasses, and sits in the salon chair.\nCustomer: \"I want something bold today.\"\n\n[0:04–0:07] She shows her phone with a vibrant pastel-color hair reference. The stylist smiles.\nStylist: \"Oh, this suits you.\"\n\n[0:07–0:11] Slow shot: stylist carefully sections her hair, combing it smooth.\n\n[0:11–0:15] Stylist gently paints soft pastel-rainbow color into her hair, brush strokes slow and precise.\n\n[0:15–0:19] Hair is slowly rinsed under water, color flowing softly.\n\n[0:19–0:22] Hair is blow-dried with gentle, flowing motion.\n\n[0:22–0:25] Final light styling — soft waves shaped, one small clip added.\n\nShow only one salon action at a time. Each action lasts long enough to clearly see the process. No fast cuts. No time-lapse. No jump cuts.\n\n[0:25–0:30] Wide cinematic reveal — she looks into the mirror, eyes widening, then breaks into a bright happy smile, touching her colorful hair.\nCustomer: \"I love it!\"\nStylist: (smiles) \"Told you.\"\n\nPremium modern retro-anime animation, expressive close-up facial animation, realistic soft hair physics, gentle hand animation, cinematic slow camera movement, shallow depth of field, warm neon-retro lighting, consistent character design, no glitches, no subtitles, no watermark.",
|
||
"category": "process-transformation-montage",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithJessica",
|
||
"sourceUrl": "https://x.com/AIwithJessica/status/2093127123687108856"
|
||
},
|
||
{
|
||
"id": "seedance:ayzalnooor24521-seedance-ai-a63ca8322fe6",
|
||
"title": "海景阳台上的晨茶时光",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/ayzalnooor24521-seedance-ai-a63ca8322fe6.jpg",
|
||
"mode": "video",
|
||
"prompt": "Ultra-realistic 15-second cinematic lifestyle video of the exact same elegant girl in cream/ivory traditional embroidered outfit with floral detailing and matching dupatta, seated on a luxurious seaside balcony overlooking turquoise ocean, palm trees, sandy beach and distant city skyline under warm morning sunlight. \n\nShe starts by gently sipping tea from a white cup at the marble breakfast table with a calm, happy expression, then lowers the cup and peacefully gazes at the sparkling waves. \n\nNext she picks up the smartphone beside her, casually scrolls through the screen with relaxed curiosity, briefly looks back at the ocean while holding the phone, places it down, and takes another soft sip of tea as her dupatta gently moves in the sea breeze. \n\nEnd with a smooth wide cinematic pull-back of her sitting peacefully enjoying tea against the beautiful turquoise sea and coastline. \n\nKeep perfect character consistency (same face, skin tone, eyes, hairstyle, jewelry, body, outfit), same location, props and background throughout, with natural movements, soft shadows, realistic ocean waves, shallow depth of field and premium travel-ad aesthetic.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2091385950295519456"
|
||
},
|
||
{
|
||
"id": "seedance:iam-nafisahmed-seedance-ai-b462f981ffa8",
|
||
"title": "Seedance 2.5 预见未来十秒的机器:悬念短片",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/5405d393af23.jpg",
|
||
"mode": "video",
|
||
"prompt": "He built a machine that could see 10 seconds into the future.\n\nThen he saw himself standing behind him.\n\nCreate your version on @budgetpixel using Seedance 2.5 \n\nPrompt below if you want to make your own.👇\n\n\"Create a 10-second photorealistic cinematic sci-fi thriller.\n\nA young scientist stands inside a dark futuristic laboratory beside a glowing experimental time machine. He activates it and sees exactly 10 seconds into the future.\n\nAt first, he smiles in amazement as the machine shows the laboratory still intact.\n\nSuddenly, the future image changes.\n\nThe same laboratory is now completely destroyed—glass shattered, machines burning, sparks flying, smoke everywhere.\n\nThe scientist looks around in panic.\n\nA countdown appears on the machine: 10... 9... 8... 7...\n\nHe notices the machine's glowing energy core rapidly overheating.\n\n3... 2... 1...\n\nHe realizes the machine is about to explode.\n\nThe screen instantly cuts to black as a massive white flash fills the laboratory.\n\nUltra-photorealistic, cinematic sci-fi thriller, realistic futuristic laboratory, dramatic lighting, realistic fire and sparks, intense suspense, fast pacing, believable technology, realistic physics, cinematic camera movement, premium Hollywood VFX, subtle film grain, highly detailed, 4K.\n\nNo subtitles, no logos, no watermark, no cartoon style.\"",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@iam_nafisahmed",
|
||
"sourceUrl": "https://x.com/iam_nafisahmed/status/2088964392528527702"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-cinematic-realistic-jungle-scene-misty-rainforest-soft-natural-light-1cd117ad9bf8",
|
||
"title": "雾林中的女子化身黑豹",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/679caddfb86a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic realistic jungle scene, misty rainforest, soft natural light. A tall woman with long black hair in a glossy black bodysuit walks forward, then crouches low. Extreme close-up of her eyes turning from brown-green to glowing yellow-green with slit pupils. Overhead shot: her body bends forward onto the leaf-covered ground as a black tail appears. Close-up of huge black paws with sharp claws pressing into dry leaves. Final close-up of a black panther's face with glowing green eyes staring at the camera. Smooth morph transformation, shallow depth of field, 4K, ultra detailed. Negative: blurry, deformed, extra limbs, text, watermark, cartoon.\n\n#AIArt #AIVideo #AITransformation #CinematicAI #VisualStorytelling",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2106596983565898079"
|
||
},
|
||
{
|
||
"id": "seedance:case-b529ffbdfd9a",
|
||
"title": "末日韩式天台恐怖片",
|
||
"description": "一个多序列恐怖提示词,用于在韩国天台拍摄僵尸变异场景,包含激烈的动作和电影级运镜。",
|
||
"image": "https://media.goodcase.ai/cases/eaeddab55dea.jpg",
|
||
"mode": "video",
|
||
"prompt": "1. 0–1.3s: Woman laughs with friends on Korean rooftop under string lights; suddenly rigid, eyes wide.\n2. 1.3–2.6s: Head snaps down violently, veins darken; friends fall silent, chairs scrape back.\n3. 2.6–3.9s: She convulses violently, overturns table, gasps, then goes still.\n4. 3.9–5.1s: Head whips up; bloodshot eyes, slack jaw, animalistic snarls.\n5. 5.1–6.4s: She sprints low and unnaturally fast between chairs as friends scream and scatter.\n6. 6.4–7.6s: Friend knocks over vending drink rack; cans scatter across rooftop.\n7. 7.6–8.9s: She rapidly scrambles over overturned table toward friend by railing.\n8. 8.9–10.1s: Cornered friend swings plastic chair, knocking her back.\n9. 10.1–11.4s: She instantly lunges again; another friend throws cans at her face.\n10. 11.4–12.6s: Friend ducks and scrambles along railing, nearly falling; city skyline behind.\n11. 12.6–14s: She grabs railing inches behind him; he slips toward stairwell.\n12. 14–15s: Stairwell door slams shut; she crashes against it snarling beneath flickering lights. Realistic Korean rooftop horror, cinematic handheld camera, intense motion blur.",
|
||
"category": "horror-suspense",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2090305873373810874"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-miniature-hand-drawn-2d-animated-girl-with-curly-black-hair-a-yellow-apron-e8eb28cbd332",
|
||
"title": "迷你厨师的煎饼大冒险",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/17a2133f0f57.jpg",
|
||
"mode": "video",
|
||
"prompt": "Subject\nA miniature hand-drawn 2D animated girl with curly black hair, a yellow apron, red sneakers, and a tiny wooden spoon, cooking inside a realistic full-sized kitchen.\n\nStyle\nMixed-reality hybrid animation combining playful 2D hand-drawn doodle character art with a photorealistic live-action kitchen. Whimsical stop-motion physics, expressive line animation, exaggerated scale, warm cinematic lighting, and playful cooking sound effects.\n\nCamera & Framing\nMacro close-ups, low-angle tracking shots, overhead kitchen perspectives, dramatic push-ins, and shallow depth of field emphasizing the tiny chef against oversized kitchen objects.\n\nAudio & Scene Breakdown\n\nVisual: The tiny chef stands beside a giant mixing bowl, struggling to climb onto a wooden spoon before using it as a makeshift ladder.\n\nVisual: She jumps into the bowl and rapidly mixes pancake batter while the whisk spins around her like a giant amusement-park ride.\n\nVisual: She slides down a stream of pancake batter onto a massive frying pan, narrowly avoiding a falling blueberry.\n\nVisual: The pancake suddenly flips into the air. She jumps onto it and rides it like a surfboard as it spins above the pan.\n\nVisual: She lands on a giant plate, then uses a strawberry as a trampoline to bounce onto a stack of pancakes.\n\nVisual: She proudly places a tiny strawberry on top, but the strawberry rolls away. She chases it across the enormous plate.\n\nVisual: The camera pulls back to reveal the finished pancake breakfast. The tiny chef sits on the edge holding her spoon proudly—then a giant fork suddenly enters frame and lifts the entire pancake stack away. She freezes in disbelief.\n\nAudio: Playful kitchen ambience, whisking, batter splashes, pancake flip, tiny footsteps, comedic impact sounds, subtle upbeat music, no dialogue.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2105129836750786993"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-4cfd04335a3a",
|
||
"title": "蓝天下俏皮眨眼的奶油小兔",
|
||
"description": "3D 卡通",
|
||
"image": "/inspiration-thumbs/seedance/seedance-made-with-seedance-2-5-4cfd04335a3a.webp",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a cute, heartwarming, ultra-realistic 3D animated video of an adorable fluffy cream-colored baby bunny with huge glossy brown eyes, long soft ears, rosy cheeks, tiny pink nose, and delicate eyelashes.\n\nThe bunny wears a soft pink gingham headband with long bunny ears and a matching pink-and-white checkered scarf tied into a cute bow around its neck.\n\nThe scene is bright, cheerful, and whimsical, set outdoors beneath a vivid blue sky filled with soft fluffy white clouds. Use a close-up portrait composition with the bunny centered in the frame, looking directly into the camera.\n\nThe bunny makes natural, playful facial expressions throughout the video: gently tilting its head from side to side, blinking, winking, opening its mouth in a cute surprised expression, smiling brightly, and giggling happily with its eyes partially closed. Toward the end, the bunny raises its tiny paws near its chest and gives an irresistibly adorable happy expression.\n\nUse subtle, smooth character animation with realistic fur movement, expressive eyes, soft facial motion, and natural ear movement. Keep the character consistent throughout the entire video.\n\nStyle: high-end cinematic 3D animation, ultra-detailed soft fur, adorable Disney/Pixar-inspired charm, realistic lighting, soft depth of field, vibrant colors, polished textures, cute fantasy atmosphere.\n\nCamera: static close-up portrait shot, slight natural camera movement, centered composition, vertical 9:16 format.\n\nLighting: bright natural daylight, soft warm highlights, gentle shadows, clean and vibrant outdoor illumination.\n\nMood: joyful, innocent, playful, wholesome, cute, and heartwarming.\n\nDuration: approximately 10 seconds.\n\nAvoid text, subtitles, logos, watermarks, distorted facial features, extra limbs, unnatural movements, flickering, or changes in character appearance.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2099809558894112907"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-ultra-realistic-viral-smartphone-video-in-one-continuous-handheld-shot-4702582e360c",
|
||
"title": "金发女子高跟鞋踢出精彩进球",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/0f6e8055f9d7.jpg",
|
||
"mode": "video",
|
||
"prompt": "⬇️\n\nultra-realistic viral smartphone video in one continuous handheld shot.\n\nSunny public park beside a real soccer field in warm late-afternoon light. Visible grass, trees, sidewalk, full-size goal, and a few guys casually playing soccer in the background.\n\nA stunning glamorous blonde woman in her 20s walks alone along the sidewalk. She has long voluminous blonde hair, a beautiful feminine face, a narrow waist, large full bust, curvy hips, and long toned legs. She wears a fitted top, a very short stylish skirt, elegant high heels, and a small shoulder bag. She is calmly looking at her phone while walking.\n\nCamera: normal handheld phone footage by another person, natural slight shake, mild motion blur, small autofocus/exposure shifts, realistic imperfect framing, no cinematic moves.\n\n00:00–00:04 \nShe walks beside the field, focused on her phone. In the background, one guy accidentally kicks the ball too hard and it rolls/bounces out toward her. She does not notice.\n\n00:04–00:06 \nThe ball lightly bumps into her lower leg/ankle and stops near her. She looks down, slightly surprised. One guy calls out naturally: “Hey! Can you kick it back?”\n\n00:06–00:10 \nShe turns slightly toward the field and casually kicks the same ball back with her right foot while still wearing high heels. The kick is unexpectedly clean, strong, and skillful. The camera follows the ball.\n\n00:10–00:13 \nThe ball flies in a nice arc and goes straight into the top corner of the goal. Clean spectacular goal. The guys react with surprise and excitement. One shouts: “Thanks! Have a good day!”\n\n00:13–00:15 \nThe camera returns to her. She barely reacts, gives a tiny casual glance, then keeps walking away still looking at her phone like nothing special happened.\n\nImportant: same ball only, it must touch her leg first, no cuts, no duplicated ball, no body distortions, she stays in high heels, realistic reactions, no cartoon comedy.\n\nAudio: natural park ambience, distant voices, ball impact, footsteps\n\n#AIVideo",
|
||
"sourceId": "seedance",
|
||
"credit": "@Alexneyef",
|
||
"sourceUrl": "https://x.com/Alexneyef/status/2099607916789563863"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-hollywood-level-cinematic-thriller-scen-364b9e454242",
|
||
"title": "亡母来电阻止雨夜山路车祸",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/b1e40650a69c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic Hollywood-level cinematic thriller scene titled “THE LAST CALL.” The entire sequence must feel like a scene from a high-budget live-action feature film, with realistic human acting, natural facial expressions, physically accurate movement, realistic rain, practical lighting, believable vehicle physics, detailed environments, cinematic depth of field, subtle film grain, natural skin texture, realistic reflections, and professional Hollywood cinematography. No anime, no CGI-looking visuals, no fantasy aesthetic, no cyberpunk, no neon lighting, no exaggerated visual effects.\nMAIN CHARACTER: A realistic young woman in her late 20s, natural appearance, expressive eyes, shoulder-length dark hair slightly damp from the humid weather, wearing a simple dark jacket. Maintain the exact same woman, face, hairstyle, clothing, car, weather and environment consistently throughout the entire sequence.\n\nSETTING: A remote mountain road at night during heavy but realistic rainfall. Dark forested mountains surround the narrow winding road. Wet asphalt reflects only natural headlights and road markings. The atmosphere is tense, isolated and believable.\n\n0–5 SECONDS\n\nInterior of a moving car at night. Medium shot from the passenger side showing the woman driving alone. Rain continuously hits the windshield and realistic windshield wipers move back and forth. Dashboard illumination softly lights her face. She looks tired and emotionally distant while concentrating on the road. Camera slowly pushes toward her face. Natural breathing, subtle blinking and realistic micro-expressions.\n\n5–10 SECONDS\n\nHer smartphone suddenly begins ringing in the center console. Cut to an extremely realistic close-up of the phone screen.\n\nCaller ID: “MOM”\n\nThe woman freezes.\n\nHer eyes widen slightly. Her hands tighten around the steering wheel. She looks at the phone in disbelief. She hesitates for a moment, then reaches down and answers the call.\n\n10–17 SECONDS\n\nExtreme close-up of her face as she listens.\n\nA faint, emotional female voice comes through the phone:\n\n“Don't take the next turn.”\n\nThe woman's expression changes from confusion to fear.\n\nThe call suddenly disconnects.\n\nShe looks at the phone.\n\nThe screen reads: CALL ENDED\n\nOutside the windshield, a sharp mountain turn approaches through the heavy rain.\n\n17–23 SECONDS\n\nShe immediately slows the car.\n\nCamera moves to a forward-facing perspective through the windshield. The road curves sharply ahead.\n\nSuddenly, distant headlights appear through the rain around the corner.\n\nThe woman looks toward them.\n\nA large truck suddenly loses control and crashes through the roadside barrier at the exact location where her car would have been if she had continued driving.\n\nThe crash must look physically realistic and grounded, with believable vehicle momentum, rain, debris and impact. No exaggerated explosions.\n\n23–27 SECONDS\n\nSilence after the crash.\n\nThe woman sits completely still, breathing heavily, visibly shaken.\n\nShe slowly looks down at her phone.\n\nThe phone screen now shows:\n\nNO SIM — NO SIGNAL\n\nShe looks confused and terrified.\n\n27–30 SECONDS\n\nExtreme close-up of her eyes filling with tears.\n\nShe looks toward the empty passenger seat.\n\nA subtle emotional pause.\n\nIn a trembling whisper, she says:\n\n“Mom?”\n\nCut instantly to black.\n\nFINAL AUDIO: Heavy rain, windshield wipers, realistic car interior ambience, distant thunder, phone ringing, muffled female voice, sudden silence after the crash, then only the woman's breathing.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@RuzainaMeer",
|
||
"sourceUrl": "https://x.com/RuzainaMeer/status/2097193955230405007"
|
||
},
|
||
{
|
||
"id": "seedance:zarairahh-seedance-ai-c2bb2f096591",
|
||
"title": "古堡苏醒的吸血鬼与命定少女",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/media/poster/zarairahh-seedance-ai-c2bb2f096591.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 16:9 premium live-action vampire-romance teaser for an international short-drama audience. Use Image 1 for the two leads' appearance and Image 2 for the castle environment. Preserve both identities consistently throughout every shot with ultra-realistic live-action cinematography, cinematic lighting, natural skin texture, and emotionally expressive performances.\n\nStory: A curious young woman accidentally wanders into the forbidden wing of a forgotten castle, where she awakens an ancient vampire noble from centuries of sleep. The instant he sees her, he senses the bloodline of an ancient war flowing through her veins. Instead of killing her, he becomes dangerously fascinated. His obsession grows immediately into a possessive desire to keep her close. She is frightened by his overwhelming presence but refuses to surrender completely, meeting his dominance with quiet courage.\n\nStyle: Premium ReelShort / DramaBox vampire romance. Darkly romantic, emotionally intense, fate-bound, mysterious, elegant, and seductive without becoming explicit. Build escalating romantic tension through eye contact, silence between lines, restrained emotion, and powerful chemistry. The pacing should feel like the opening episode of a viral international drama with a shocking cliffhanger ending. No gore, no cheap horror, no Halloween costumes, no monsters, and no modern streetwear.\n\nThe castle is illuminated only by moonlight filtering through towering stained-glass windows, flickering candlelight, fireplaces, drifting mist, ancient chandeliers, marble floors, velvet curtains, towering bookshelves, gothic arches, carved stone walls, and floating dust particles. Rich black, crimson, silver, and deep blue dominate the color palette.\n\nShoot entirely for TikTok, ReelShort, and DramaBox. Prioritize medium close-ups, close-ups, extreme close-ups, slow push-ins, over-the-shoulder shots, dramatic eye contact, trembling hands, subtle breathing, and intimate framing. Every shot should maximize emotional tension between the leads.\n\nScene 1 (0–5s)\nThe young woman cautiously walks through the abandoned castle corridor holding an antique candle. The flame flickers violently as if something unseen is watching her.\n\nWoman (whispering):\n\"I shouldn't be here...\"\n\nA distant male voice echoes through the darkness.\n\nVampire (O.S., whisper):\n\"...You finally came.\"\n\nScene 2 (5–10s)\nAn enormous stone coffin slowly opens. The vampire noble rises with quiet elegance, his crimson eyes fixed only on her. She freezes in fear.\n\nWoman:\n\"Who... who are you?\"\n\nVampire (calmly):\n\"The one fate refused to bury.\"\n\nScene 3 (10–15s)\nHe slowly approaches until only inches separate them. He gently lifts her chin without hurting her, studying her face as though recognizing someone long forgotten.\n\nVampire:\n\"Your blood remembers a war the world has forgotten.\"\n\nWoman:\n\"I don't know what you're talking about.\"\n\nScene 4 (15–20s)\nShe steps backward, refusing to surrender despite her fear. He blocks her escape with effortless confidence.\n\nWoman:\n\"I'm not afraid of you.\"\n\nVampire (soft smile):\n\"You should be.\"\n\nScene 5 (20–25s)\nHe leans closer, eyes locked with hers. Their breathing becomes the only sound. His expression shifts from curiosity to obsession.\n\nVampire:\n\"I searched centuries for you...\"\n\nWoman (barely whispering):\n\"Why me?\"\n\nVampire:\n\"Because you belong to my destiny.\"\n\nScene 6 (25–30s)\nThe castle doors slam shut by themselves. Candle flames extinguish one by one. He gently reaches for her hand while she hesitates, torn between fear and an irresistible pull.\n\nVampire:\n\"You may fight fate...\"\n\n(He slowly intertwines his fingers with hers.)\n\nVampire:\n\"...but you'll never escape me.\"\n\nFinal shot: Extreme close-up of their locked eyes as orchestral music swells. Smash cut to black before they kiss.\n\nEditing should feel premium and fast-paced with cinematic hard cuts, dramatic push-ins, elegant slow motion, realistic sound design, orchestral strings, deep piano notes, distant thunder, candle crackles, footsteps, soft breathing, fabric movement, and subtle heartbeats. The final frame ends on a cliffhanger that leaves the audience desperate for Episode 2.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@ZaraIrahh",
|
||
"sourceUrl": "https://x.com/ZaraIrahh/status/2094363532636590322"
|
||
},
|
||
{
|
||
"id": "seedance:avelyrahnai-seedance-ai-50f8f8d3144f",
|
||
"title": "蓝发少女持枪挥刀激战双匕首对手",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/avelyrahnai-seedance-ai-50f8f8d3144f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic action sequence, dynamic tracking shot in a modern glass-and-concrete architectural hall. A stylish anime-inspired girl with vibrant light-blue bob hair and cute blue/white hair clips wields a handgun and a katana, engaging in intense hand-to-hand combat against a nimble blonde rival armed with dual daggers. High-speed bullet-time perspective, dramatic close-ups, flying wood splinters, dynamic smoke effects, volumetric lighting, photorealistic skin texture, dramatic cinematic framing, 8k resolution, highly detailed martial arts choreography.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@AvelyrahnAI",
|
||
"sourceUrl": "https://x.com/AvelyrahnAI/status/2093540453261946900"
|
||
},
|
||
{
|
||
"id": "seedance:laviniavelle-seedance-ai-c5f328d19010",
|
||
"title": "地铁站柱前近身格斗",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/dbaeaa827232.jpg",
|
||
"mode": "video",
|
||
"prompt": "A dynamic, cinematic action scene set inside a underground subway station. A young East Asian woman with long black hair, wearing a white tank top and blue jeans, is launched back-first into a large tiled column, causing the pillar to crack violently, sending concrete debris, dust, and rubble flying across the floor She recovers, crouching low into a combat stance with an intense look, then charges forward Fast-paced tracking camera follows her as she fights hand-to-hand against a man in a dark business suit, exchanging rapid punches and dodges. Cinematic camera motion, martial arts action, gritty lighting, photorealistic, 8k resolution, filmic quality.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2093162800747282739"
|
||
},
|
||
{
|
||
"id": "seedance:caden-flux-seedance-ai-40fe0c7229fc",
|
||
"title": "从起床到与狗狗晨间散步",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "/inspiration-thumbs/seedance/caden-flux-seedance-ai-40fe0c7229fc.webp",
|
||
"mode": "video",
|
||
"prompt": "30-SECOND CINEMATIC MORNING VLOG — “FROM BED TO OUTSIDE”\n\nUse the user-provided character reference as a strict identity lock and the user-provided outfit reference exactly. Keep the same face, hairstyle, body proportions, clothing, shoes, and accessories throughout the entire video. Use the same dog consistently in every shot.\n\nFORMAT: 16:9 widescreen, photorealistic, premium lifestyle vlog, cinematic natural lighting, realistic motion, subtle film grain, warm morning color grading.\n\n0–5 SEC — WAKE UP\nSoft morning sunlight enters the bedroom. The character slowly wakes up, sits on the edge of the bed, runs a hand through his hair, and takes a quiet moment before getting up. Slow cinematic push-in, natural bedroom ambience.\n5–10 SEC — COFFEE\nCut to the kitchen. He prepares a simple morning coffee. Close-up of coffee beans, water pouring, coffee filling the cup, then him taking the first sip beside the kitchen window. Warm sunlight, shallow depth of field, gentle handheld camera movement.\n\n10–15 SEC — GETTING READY\nHe puts on his shoes, grabs his keys and leash, and looks toward his dog waiting excitedly near the door. Quick but smooth cinematic cuts. The dog happily follows him toward the entrance.\n15–25 SEC — MORNING WALK\nHe steps outside with his dog into a peaceful morning street. They walk casually together through a quiet neighborhood. Capture wide establishing shots, low-angle walking shots, close-ups of their feet, the dog walking beside him, and natural sunlight filtering through trees.\n\n25–30 SEC — FINAL SHOT\nWide cinematic shot from behind as the character and dog continue walking down the street. He briefly looks toward the morning sky while the dog walks beside him. Slow camera pull-back, peaceful ending.\nCAMERA STYLE: Smooth handheld movement, slow push-ins, gentle tracking shots, occasional low angles, natural transitions, realistic depth of field, cinematic framing.\n\nAUDIO: Natural morning ambience, birds, subtle footsteps, coffee machine sounds, leash movement, soft city atmosphere. Minimal calm background music.\nNEGATIVE PROMPT: identity changes, outfit changes, inconsistent dog, different dog breed, distorted anatomy, extra limbs, unnatural walking, floating objects, unrealistic motion, excessive camera shake, oversaturated colors, artificial skin, cartoon, anime, CGI look, text, subtitles, watermark, logo.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Caden_Flux",
|
||
"sourceUrl": "https://x.com/Caden_Flux/status/2092895039546384441"
|
||
},
|
||
{
|
||
"id": "seedance:noorlewisx-seedance-ai-3a8b37309451",
|
||
"title": "地中海山景别墅内外巡游",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/media/poster/noorlewisx-seedance-ai-3a8b37309451.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic luxury real estate drone and interior tour of a stunning white Mediterranean-style villa with terracotta roof, set on a hillside surrounded by lush green trees, cypress trees, and manicured gardens. Smooth aerial shots circling the elegant multi-story mansion with a private swimming pool, formal gardens, stone fountain, and winding driveway leading to a grand black iron gate marked with the number 8.\nSoft natural sunlight filtering through large multi-pane windows, golden hour and sunset lighting with lens flares. Interiors feature high ceilings, dark navy blue paneled walls, white curved modern sofas, abstract art, crystal and metal chandeliers, a wooden pool table, ornate white fireplace, open-plan living rooms with large windows overlooking greenery, a bright white kitchen with marble island, pendant lights, and professional range, elegant dining room with long dark table and white chairs, spiral staircase with black iron railings.\nOutdoor scenes include a stone fountain, poolside lounge chairs at dusk, wooden pergola outdoor dining area with glass table, and the villa glowing with warm lights at twilight. Slow, fluid camera movements – aerial orbits, smooth tracking shots through rooms, close-ups of textures (sofa fabric, water cascading from fountain, sunlight on floors). Dreamy, luxurious, high-end real-estate style, 4K cinematic quality, shallow depth of field, warm and inviting atmosphere, no people.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2092109145055150431"
|
||
},
|
||
{
|
||
"id": "seedance:youmind-wuxia-temple-energy-dance",
|
||
"title": "电影级武侠古殿金色能量战斗之舞",
|
||
"description": "单镜头一镜到底的武侠打斗加能量特效组合,把滑步、旋转踢腿、慢动作落地和凌空能量丝带按先…",
|
||
"image": "https://media.goodcase.ai/media/poster/youmind-wuxia-temple-energy-dance.jpg",
|
||
"mode": "video",
|
||
"prompt": "Inside an enormous ancient temple with towering stone pillars, cracked marble floors, floating dust particles, and powerful beams of sunlight streaming through the ceiling, a beautiful young female martial artist wearing an elegant flowing pink hanfu-inspired combat dress performs an extraordinary combat dance. The sequence opens with an ultra-wide cinematic shot as she glides gracefully across the polished stone floor. Her silk sleeves and layered skirt flow naturally with every movement while the camera circles her in a smooth 360-degree motion. She suddenly launches into an acrobatic spinning kick, flipping through the air with flawless martial arts precision. The camera switches to an extreme low-angle shot emphasizing her height and power as her dress ripples realistically. The action transitions into dramatic slow motion as she lands softly before instantly accelerating into rapid spinning footwork. Every movement creates realistic cloth simulation, subtle dust bursts, and perfectly synchronized body mechanics. She leaps high beneath a brilliant shaft of heavenly light. The camera follows from below while volumetric lighting surrounds her, creating an angelic silhouette. Her expression remains calm, focused, and fearless. As she begins rotating in midair, glowing golden energy ribbons emerge around her body, spiraling outward like magical dragon-shaped currents. Sparks, floating embers, and swirling particles react naturally to her motion. The camera pulls back into a breathtaking wide shot as the golden energy tornado expands across the temple floor, illuminating the ancient architecture with warm orange reflections. Dust rises naturally while light scatters realistically through the atmosphere. The final moment freezes in epic slow motion as she floats gracefully at the center of the glowing spiral beneath the heavenly beam, surrounded by rotating rings of golden energy. The camera slowly cranes upward, revealing the magnificent temple from above before fading to black.",
|
||
"category": "combat-choreography",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Inshrah_ali_",
|
||
"sourceUrl": "https://x.com/Inshrah_ali_/status/2082761095538790899"
|
||
},
|
||
{
|
||
"id": "seedance:luxury-skincare-commercial",
|
||
"title": "奢华护肤品广告",
|
||
"description": "一份 15 秒的护肤品牌广告提示词,包含逐镜头拆解及高端美妆审美风格。",
|
||
"image": "https://media.goodcase.ai/media/poster/luxury-skincare-commercial.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a luxurious 15-second skincare commercial featuring a beautiful young woman promoting \"LUMINA GLOW Brightening Face Wash.\" Elegant bathroom setting with soft natural sunlight, warm tones, premium beauty-commercial aesthetics, glowing skin, shallow depth of field, smooth cinematic camera movements, realistic facial expressions, high-end skincare advertisement, ultra-realistic, 4K quality.\n\nScene Breakdown:\n\n0-2s:\nModel holds the LUMINA GLOW Face Wash and smiles at the camera. Product displayed prominently. Text: \"Cleanse • Refresh • Glow.\"\n\n2-4s:\nClose-up of her applying the face wash to her cheeks and forehead. Soft lighting highlights healthy skin.\n\n4-7s:\nShe gently massages the product into a rich creamy lather. Slow-motion beauty shots, detailed foam texture.\n\n7-9s:\nModel rinses her face with clear water. Water splashes captured in cinematic slow motion.\n\n9-11s:\nShe dries her face with a white towel, revealing fresh, clean, radiant skin.\n\n11-13s:\nClose-up beauty shot showcasing glowing, smooth, hydrated skin. Natural smile and confidence.\n\n13-15s:\nHero product shot on a premium countertop with flowers and soft bokeh background. Brand logo appears with slogan: \"LUMINA GLOW – Let Your Natural Glow Shine.\"\n\nStyle Keywords:\nLuxury skincare commercial, beauty ad, cinematic lighting, realistic skin texture, premium cosmetics marketing, elegant female model, smooth transitions, commercial-grade production, soft glow effect, photorealistic, 4K, high detail, advertising quality, vertical social media ad.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Itswsm105f",
|
||
"sourceUrl": "https://x.com/Itswsm105f/status/2077666970707890376"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-title-what-falls-from-the-plum-tree-d602a208ed88",
|
||
"title": "梅树下掉落的心上人",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/a5e94a86e7e4.jpg",
|
||
"mode": "video",
|
||
"prompt": "TITLE: \"What Falls from the Plum Tree?\"\nDURATION: 15 seconds | ASPECT RATIO: 16:9\nGENRE: Romantic Japanese Fantasy Comedy\nSTYLE: Ultra-realistic premium Japanese drama, cinematic film quality\n\nIDENTITY LOCK:\nThe woman @image1 must keep the exact same face, face shape, skin tone, hairstyle, height, body proportions, and wardrobe in every shot. The man @image2 must keep his exact face, hairstyle, and outfit as in the reference. No changes in any frame.\n\nENVIRONMENT LOCK:\nAn elegant Edo-era Japanese shrine courtyard with traditional wooden architecture, tiled rooftops, stone lanterns, and a raked gravel garden in the background. A giant ancient plum (ume) tree with dense white and pink blossoms. Its thick main branch extends horizontally above the woman's head. Soft spring daylight.\n\nSHOT BREAKDOWN:\n\n0.0–4.0s | Medium shot\nThe woman stands beneath the huge horizontal branch. Blossom petals drift in the breeze. She looks up curiously, then raises both hands and shakes the branch. The branch trembles and a shower of petals falls. A lacquered cosmetic box tumbles down through the blossoms and she catches it with both hands. Close-up of her face as she peeks inside. Flat, unimpressed expression. She tosses it casually out of frame.\n\n4.0–7.5s | Medium shot\nHer curiosity grows. She shakes the branch harder and petals pour down like rain. A scatter of gold koban coins and a few silk pouches fall. She catches one pouch, raises a single eyebrow, looks bored, and tosses it away.\n\n7.5–10.5s | Slow motion\nDetermined now, she grips the branch with both hands and shakes with all her strength. The branch shudders, a heavy blossom storm rains down, and the man @image2 suddenly drops from the branch. She gasps, spreads her arms, and catches him just before he hits the ground. Petals swirl around them.\n\n10.5–13.0s | Close-up, 50mm\nShe looks at his face. Her eyes sparkle and a wide, delighted smile appears. He gives a charming, slightly embarrassed smile and looks back at her.\n\n13.0–15.0s | Medium-wide shot\nThey turn to the camera together and make small heart shapes with their hands, laughing happily. They turn to each other, laugh, and walk out of frame side by side while petals keep falling behind them. Fade out on the falling blossoms.\n\nEMOTION ARC:\nCurious → Bored → More curious → Surprised → Smitten → Happy.\n\nSOUND:\nSoft spring breeze, rustling blossoms, creaking wood, light thud of the box, jingle of coins, warm playful Japanese rom-com music (koto, light shamisen, soft piano), cheerful laughter, fading footsteps.\n\nCAMERA & VISUALS:\nARRI Alexa 35 look, 35mm and 50mm cinematic lenses, smooth gimbal movement, slow-motion petal shower, natural spring lighting, realistic skin pores, physically accurate shadows, HDR, subtle film grain, soft pastel color grading.\n\nNEGATIVE PROMPT:\ncartoon, anime, CGI look, low quality, blurry face, extra fingers, warped hands, duplicate objects, duplicate people, distorted body, floating objects, unrealistic physics, unnatural falling motion, overexposed lighting, oversaturated colors, AI artifacts, camera shake, abrupt cuts, warped architecture, deformed eyes\n\n#Seedance25 #AIVideo #AIFilmmaking #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️",
|
||
"sourceId": "seedance",
|
||
"credit": "@Chaemate_",
|
||
"sourceUrl": "https://x.com/Chaemate_/status/2105611129867395458"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-realistic-personal-home-video-of-a-young-korean-woman-b300f1e6166d",
|
||
"title": "首尔夏夜的邻里散步",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/cases/2d6299d5c5f8.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-realistic personal home-video of a young Korean woman during a warm summer evening in an older Seoul residential neighborhood. Use the attached image as the character reference and keep her face, long black messy side ponytail, pastel-blue fitted top, loose cream pants, black sneakers, and silver necklace consistent.\n\nShe walks out of her home carrying a simple canvas tote bag, locks the door, adjusts her ponytail, and starts walking casually down the quiet street.\n\nShe notices a small group of schoolchildren walking home from school and warmly smiles at them. She opens her tote bag, takes out a few individually wrapped candies, and happily offers them to the children. They thank her with cheerful smiles before continuing home.\n\nA few steps later, she notices a friendly neighborhood cat sitting beside a wall. She crouches down, gently pets the cat and scratches it behind the ears, smiling warmly before standing up.\n\nShe continues walking, casually adjusts her messy ponytail, and fixes a few loose strands around her face.\n\nShe then spots a small roadside drink cart and stops to buy a fresh coconut drink. She takes the drink with a straw and walks home slowly while sipping it through the straw, looking relaxed and happy.\n\nUse raw early-2000s consumer DV-camera footage: handheld shake, imperfect framing, autofocus hunting, exposure shifts, soft detail, mild noise, natural motion blur and occasional awkward zooms.\n\nNatural Seoul neighborhood ambience only — footsteps, children chatting, bicycle bells, summer insects, distant traffic, cart sounds and leaves moving in the breeze. No music, no narration, no dramatic events, no polished commercial cinematography.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2099849272347021541"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-a-beautiful-korean-girl-in-a-realistic-cinematic-lifestyle-vlog-starting-insid-560e08eabe90",
|
||
"title": "韩国女孩的雨天街巷与小店之旅",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/44495a5166ef.jpg",
|
||
"mode": "video",
|
||
"prompt": "A beautiful Korean girl in a realistic cinematic lifestyle vlog, starting inside a cozy modern apartment on a rainy day, sitting quietly on a sofa near a large window overlooking a dense Korean cityscape covered in mist and rain, then getting ready in front of a bathroom mirror, tying her hair and preparing to go outside. She puts on a fitted dark outfit, grabs her black umbrella and bag, walks out of the apartment into the rainy street, and continues walking through a busy Korean neighborhood with wet roads, passing cars, glowing Korean shop signs, convenience stores and warm street lights. The camera follows her naturally from behind and from different handheld angles as she crosses the street in heavy rain, with realistic reflections on the wet asphalt, soft overcast daylight, natural city ambience, and subtle handheld camera movement. Near the end, she arrives at a small cozy Korean food shop, smiles naturally toward the camera while holding her umbrella, creating an intimate everyday-vlog feeling. Photorealistic Korean urban environment, authentic facial expressions, realistic skin and hair texture, natural body movement, cinematic depth of field, rainy atmosphere, soft filmic color grading, detailed reflections, realistic lighting, documentary-style handheld camera, no artificial beauty filter, no exaggerated movements, highly natural and immersive visual quality, 9:16 vertical video.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2106951270380802264"
|
||
},
|
||
{
|
||
"id": "seedance:case-198b3f3748b3",
|
||
"title": "电影感湿货市场洪水逃生",
|
||
"description": "一个高度精细的电影级动作提示词,描绘了一名女性在暴雨中穿过被洪水淹没的亚洲湿货市场的生…",
|
||
"image": "/inspiration-thumbs/seedance/case-198b3f3748b3.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a highly cinematic, realistic action sequence inside a crowded traditional Asian wet market during heavy rain and flooding. A young Asian woman with long dark wet hair, wearing a pink waterproof rain suit and black rubber boots, runs rapidly through the narrow market aisles while trying to escape from a massive rushing wave of water behind her.\n\nThe market is packed with seafood and vegetable stalls, plastic crates, fish tanks, metal counters, hanging tarps, fluorescent ceiling lights, vendors and crowds. The floor is completely flooded with ankle-to-knee-deep dirty rainwater, creating strong reflections and splashes everywhere. Water violently rushes through the market, knocking over crates and flooding the stalls.\n\nStart with a close-up tracking shot of the frightened woman looking back over her shoulder while running. Follow her with a fast handheld camera as she runs through the narrow aisle. Use dynamic low-angle shots close to the water, capturing her boots hitting the flooded floor and creating dramatic splashes. Show water crashing through the market behind her, people running in panic, overturned crates floating in the water, and objects being swept away.\n\nUse realistic physics, natural human movement, detailed wet clothing, wet hair sticking to her face, realistic water droplets, splashes, reflections and motion blur. The camera should move dynamically with fast tracking shots, low-angle shots, side tracking shots and occasional wide shots revealing the scale of the flooding.\n\nAt one point, show the woman jumping over obstacles and running across a market counter/raised surface while the floodwater continues rushing behind her. Keep her appearance, hairstyle, pink outfit and facial features consistent throughout the entire sequence.\n\nDark cinematic atmosphere, overcast rainy lighting, cool blue-gray tones mixed with warm fluorescent market lights, dramatic contrast, realistic skin texture, photorealistic environment, volumetric lighting, atmospheric mist, cinematic depth of field, subtle film grain, high-detail textures, realistic reflections and physically accurate water simulation.\n\nThe sequence should feel like a high-budget survival/action movie, extremely immersive and intense, with realistic camera shake and fast-paced movement.\n\nAdd large cinematic white brush-stroke typography reading “RUN” briefly across the center of the screen during the action sequence.\n\nPhotorealistic, ultra-detailed, cinematic Hollywood-style action scene, realistic physics, natural motion, 4K film quality, anamorphic lens look, dynamic composition, dramatic pacing, no cartoon look, no CGI appearance, no distorted anatomy, no extra fingers, no duplicated people, no face changes.",
|
||
"category": "cinematic-narrative-short",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithElisia",
|
||
"sourceUrl": "https://x.com/AiwithElisia/status/2091036019076272229"
|
||
},
|
||
{
|
||
"id": "seedance:case-f62d402ccdf6",
|
||
"title": "手工烘焙坊电影感商业广告",
|
||
"description": "一份为高端烘焙坊定制的 30 秒商业广告提示词,聚焦于糕点制作过程与产品展示,呈现奢华…",
|
||
"image": "https://media.goodcase.ai/cases/a7f53c61f405.jpg",
|
||
"mode": "video",
|
||
"prompt": "follow the storyboard @material:149015 A 30-second cinematic spec commercial / film-style advertisement for a premium artisan bakery brand. High-end food-commercial aesthetic, luxurious and sensory, shot like a short film.\n\nSoft, warm, high-key kitchen lighting with gentle highlights on stainless steel and glossy glaze. Shallow depth of field, slow elegant camera moves, occasional slow-motion, rich color grading (soft pinks, golden dough, deep raspberry red). Ultra-clean, appetizing, almost tactile.\n\n0–6s \nMedium shot of a striking young female pastry chef in a pale-pink chef’s jacket, matching pink toque, and pink gloves. She stands in a sleek, modern commercial kitchen. She looks down with quiet concentration and cracks a fresh egg into a stainless-steel bowl of flour. Subtle steam and flour dust in the air.\n\n6–11s \nTight close-up of the vivid yolk and white pouring into the flour well. Cut to the KitchenAid mixer head descending and beginning to knead. Macro of pale, elastic dough stretching, folding, and becoming silky and glossy.\n\n11–16s \nOverhead shot of twelve perfectly formed raw ring donuts on a parchment-lined tray. Gloved hands lift the tray with precision. The camera follows as they are carried toward the fryer.\n\n16–22s \nDonuts lowered into bubbling golden oil. Slow-motion close-up of four donuts frying, edges turning amber. A single donut is lifted on a metal skewer, oil dripping in slow motion. The full basket rises, steam rising, donuts now perfectly golden.\n\n22–26s \nA warm donut is dipped halfway into a bowl of thick, vibrant raspberry-red glaze. Extreme close-up of the glossy glaze slowly cascading down the sides. Fine white sugar crystals rain onto the wet glaze, catching the light.\n\n26–30s \nProduct reveal. Gloved hands place the last donut into an open kraft bakery box. The camera slowly pulls back and tilts up as the lid is closed, revealing the brand name **MAISON ROSE** in elegant, minimal serif lettering on the lid, with a small rose emblem. The box sits perfectly centered, six glazed donuts visible through a brief moment before the lid settles. Soft light catches the logo. Hold on the branded box as the hero product shot.\n\nElegant, silent except for implied kitchen sounds and a refined, understated score. Premium, filmic, commercial-grade finish.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithAliya",
|
||
"sourceUrl": "https://x.com/AIwithAliya/status/2090780603872624826"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-dramatic-top-down-shot-of-a-pink-haired-anime-style-girl-falling-thro-b2957665e618",
|
||
"title": "粉发少女坠落后金瞳觉醒",
|
||
"description": "动漫风格锁定",
|
||
"image": "https://media.goodcase.ai/cases/542781a44581.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a dramatic top-down shot of a pink-haired anime-style girl falling through a futuristic glass skyscraper at night, surrounded by reflections, lights, and intense motion blur. The camera rapidly rotates and follows her descent, then cut to a dark close-up where she looks calm and mysterious. Show detailed shots of her pink outfit, clenched hand, and flowing hair. Build tension with cinematic lighting and deep shadows, then transition into a powerful final shot where she flies forward toward the camera with glowing golden eyes, wind blowing through her hair, bright warm light and wings-like energy behind her. Ultra-detailed 3D anime cinematic style, realistic motion, smooth camera movement, dramatic depth of field, high-quality lighting, dynamic action, consistent character design, epic cinematic atmosphere.",
|
||
"category": "anime-style-lock",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2102572922674225517"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-ultra-realistic-vertical-9-16-fashion-film-shot-entirely-fr-8a5224b777f2",
|
||
"title": "吊扇掠影下的秋日换装",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/7787c180221a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second ultra-realistic vertical 9: 16 fashion film shot entirely from a fixed 90° overhead camera, using the supplied character and wardrobe images as strict references; preserve the same face, body proportions, hair and identity throughout. The Korean woman lies on a luxurious autumn-toned Persian-inspired rug over walnut flooring, surrounded by subtle upscale apartment furniture, while warm late-afternoon sunlight creates realistic shadows. A realistic wooden ceiling fan rotates continuously above her and acts as the only transition device. LOOK 1 chocolate ribbed tank, oversized camel suede bomber, burgundy pleated mini skirt, espresso tights, tobacco slouch boots, oxblood shoulder bag, gold hoops and tortoiseshell sunglasses. She casually picks up a remote and looks upward. As the fan blade physically passes over her body, seamlessly reveal LOOK 2 cream shearling hat, ivory knit sweater, olive utility jacket, wide faded jeans, cream socks, leopard slingbacks and espresso tote. Another blade sweep reveals LOOK 3 oxblood asymmetric knit top, chocolate faux-fur coat, charcoal pinstripe trousers, black kitten-heel boots and cherry-red handbag. The next rotation reveals LOOK 4 charcoal beret, moss-green mohair cardigan, chocolate tank, espresso leather trousers, burgundy loafers, charcoal socks and cherry-red handbag. She makes subtle editorial pose adjustments after each transition, always looking directly upward. End with her completely still in LOOK 4 as the fan continues rotating. Ultra-realistic fabrics, leather, suede, fur and skin, cinematic autumn color grading, natural film grain and premium fashion-campaign realism. Strictly no cuts, camera movement, zooms, angle changes, morphing, identity drift, outfit glitches, warped hands, duplicated limbs, disappearing accessories, text, logos or watermark.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2102221702667309467"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-cinematic-fantasy-battle-video-matching-the-reference-0-1s-adf4ada82a42",
|
||
"title": "风暴苍穹中的战士与巨龙之战",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/cases/66e1a31c6241.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second cinematic fantasy battle video matching the reference: 0–1s, a futuristic armored warrior floats in a dark stormy sky while a huge black dragon flies behind him; 1–2s, glowing blue energy surrounds the warrior as the camera slowly moves closer; 2–3s, the dragon approaches rapidly through the clouds and the warrior turns toward it; 3–5s, the dragon opens its mouth and breathes a powerful stream of bright orange fire while the warrior flies backward through the storm; 5–7s, show a dramatic close-up of the dragon’s face and glowing eyes as it chases the warrior; 7–9s, the warrior faces the dragon in mid-air with lightning flashing behind them and blue energy glowing from his armor; 9–11s, the dragon attacks again with intense fire while the warrior dodges through the clouds at high speed; 11–13s, show both characters flying toward each other in an epic aerial confrontation, with fire and blue energy lighting the storm; 13–15s, the warrior suddenly moves away into the clouds as the dragon follows, ending on a dramatic wide shot of the dark sky, realistic cinematic CGI, detailed armor, massive dragon wings, volumetric clouds, dynamic camera movement, dramatic lighting, high detail, 4K quality.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2100417339716141116"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-1080p-ultra-realistic-early-2000s-dv-home-video-of-a-young-22fbf80d8c5e",
|
||
"title": "首尔旧宅前的周日家务",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/cases/63663c219a84.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic early-2000s DV home video of a young Korean woman doing quiet Sunday chores around her home in an older Seoul neighborhood. Purely observational, no dialogue, no narrative arc just rhythmic, textural everyday realism.\nMAIN SUBJECT\nYoung Korean woman same as , early 20s, natural beauty, realistic skin texture, no makeup, black hair tied up messily in a claw clip, oversized faded T-shirt, rolled-up sweatpants, bare feet or house slippers. Keep her identity, outfit, hairstyle and proportions perfectly consistent throughout.\nSETTING\nThe front step and small yard/alley outside an older Seoul home. Concrete step, a low gate, potted plants, a garden hose, a trash bin, scattered leaves. Ordinary, lived-in, no landmarks or brand names.\nSEQUENCE (rhythmic, no dialogue)\nShe sweeps the front step with a short broom, dust and leaves scattering in the light.\nShe crouches down and pours a small amount of dry food into a bowl for a neighborhood cat waiting nearby; the cat eats while she watches briefly.\nShe stands and waters potted plants along the wall with a small watering can, water visibly darkening the soil.\nShe picks up a bagged trash bundle and carries it a few steps to place it by the curb/bin.\nShe wipes her hands on her shirt, looks around the now-tidy step and yard for a moment, then exhales/stretches.\nShe glances toward the camera briefly with a small, tired smile — no words — then turns and walks back inside.\nCamera holds on the empty, swept step for a beat before cutting to black.\nCAMERA\nRaw handheld early-2000s DV camcorder, shaky footage, autofocus hunting, faded colors, exposure shifts, motion blur, soft digital detail, occasional accidental zooms. Observational, documentary-like framing — lingering shots, no cuts within actions. No polished cinematography.\nAUDIO\nNatural ambience only — broom bristles on concrete, water pouring, cat eating, distant birds, wind, a far-off scooter or dog bark, plastic bag rustling, faint footsteps. No dialogue, no music.\nCONTINUITY\nBroom, watering can and trash bag each remain consistent through their respective actions. Cat stays in frame while eating, doesn't disappear or duplicate. No teleporting or vanishing objects. Smooth, realistic, unhurried movement throughout.\nNEGATIVE\nCGI look, plastic skin, identity drift, outfit changes, distorted hands, extra fingers, subtitles, watermark.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
|
||
"sourceUrl": "https://x.com/Ciri_ai/status/2099379932082348417"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-photorealistic-live-action-american-university-romance-vlog-263053d16e49",
|
||
"title": "骤雨中共伞的校园邂逅",
|
||
"description": "电影感叙事短片",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-30-second-photorealistic-live-action-american-university-romance-vlog-26.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second photorealistic live-action American university romance vlog set during a sudden afternoon rainstorm. A young female student gets caught in heavy rain without an umbrella, until a male student kindly shares his black umbrella. They walk together through a realistic U.S. college campus, joking and slowly becoming comfortable with each other.\n\nThey escape to a cozy campus café, share hot coffee beside a rain-covered window, and have a subtle moment of connection. As the rain stops, golden sunlight breaks through the clouds and they walk together across the wet campus.\n\nModern 2026 cinematic coming-of-age style, natural American English dialogue, realistic rain, wet hair and clothing, umbrella physics, puddle reflections, authentic student behavior, handheld smartphone-style camera, natural expressions and subtle romance. No exaggerated acting, CGI, animation, subtitles, music or watermark.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2096832969453543579"
|
||
},
|
||
{
|
||
"id": "seedance:xaroon-x-seedance-ai-7d4e6854009a",
|
||
"title": "工业工厂中的间谍激战",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/xaroon-x-seedance-ai-7d4e6854009a.jpg",
|
||
"mode": "video",
|
||
"prompt": "REFERENCE / IDENTITY LOCK\nUse Reference Image 1 as the exact identity lock for the adult male spy. Preserve identical face, facial proportions, black hairstyle, skin tone, physique, outfit and accessories throughout. No identity or wardrobe changes.\n\n15-SECOND CINEMATIC ACTION — 24FPS, REAL-TIME\nPhotorealistic Hollywood spy-action, ARRI Alexa Mini, 27mm spherical lens, 4K, 24fps, realistic physics, sharp cinematic film grain, aggressive handheld camera, dynamic tracking, whip-pans, low-angle combat shots and realistic motion blur. 9:16 vertical.\n\nENVIRONMENT\nContinue inside the same oil-soaked industrial factory. Thick smoke, flickering cyan-white fluorescent lights, sparks, steam bursts, broken glass, damaged machinery, oil-covered concrete, fallen enemies, barrels, conveyor belts, steel columns, overhead crane and elevated platforms. Maintain perfect continuity.\n\n0–4 SEC: Immediately after the final gunshot, two armed reinforcements burst through a steel security door while another enemy rappels from an overhead crane. The spy instantly sprints forward, steps onto a fallen crate and launches into a flying side kick, crushing Enemy 6 into the steel door. He seamlessly follows with a spinning tornado kick, knocking Enemy 7 from the rappel line into stacked barrels.\n\n4–7 SEC: Enemy 8 opens automatic fire. The spy rolls underneath the gunfire, draws a combat knife with his left hand, slashes the weapon arm and disarms him. He traps the wrist, pivots with precise Kung Fu footwork, throws Enemy 8 over his shoulder and finishes with a powerful downward axe kick.\n\n7–10 SEC: Warning alarms activate as a heavily armored operative with a ballistic shield charges. The spy sprints toward him, rebounds from a steel column, performs a short wall-run and launches an aerial bicycle kick, knocking the shield upward. He lands behind the operative, executes a rapid arm lock, elbows, knees and spinning back kick, sending him through a steel railing onto the lower floor.\n\n10–13 SEC: Enemies on elevated platforms open fire. The spy dives behind a moving conveyor, slides underneath it and fires four rapid tactical shots through narrow openings, eliminating two attackers. He emerges, grabs a hanging industrial chain, swings across a machinery gap and launches a flying double-foot kick into the final attacker, smashing him through reinforced safety glass.\n\n13–15 SEC: The spy lands in a controlled three-point stance. Red emergency lights replace the fluorescent lighting. A massive fuel pipeline ruptures behind him, creating a realistic towering wall of fire. Without looking back, he calmly turns toward a dark industrial corridor. Brief cinematic push-in, then hard cut to black at 15 seconds.\n\nCAMERA / LIGHTING: Aggressive handheld shaky-cam, fast dolly tracking, rapid whip-pans, dynamic low angles, close over-the-shoulder shots, realistic camera inertia. Cyan-white industrial lighting transitions into flashing red emergency lights and realistic orange fire illumination. Dense smoke, sparks, steam, muzzle flashes and realistic debris.\n\nPHYSICS: Grounded Kung Fu choreography, realistic human weight, momentum, impacts and ragdoll behavior. No wire-fu or superhero movement. Weapons and bodies remain physically consistent.\n\nNEGATIVE PROMPT: No slow motion, time-lapse, bullet-time, dreamy effects, superhero movement, unrealistic physics, exaggerated wire-fu, impossible parkour, poor anatomy, distorted face, identity changes, wardrobe changes, CGI artifacts, jitter, ghosting, duplicated limbs, weapon clipping, teleportation, unrealistic explosions, fake glass destruction, continuity errors or video-game movement.\n\nFINAL: 15 seconds, 9:16, 24fps, 4K, photorealistic Hollywood action, cinematic realism, sharp film grain.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@Xaroon_x",
|
||
"sourceUrl": "https://x.com/Xaroon_x/status/2092873962640519385"
|
||
},
|
||
{
|
||
"id": "seedance:nawalsehar-seedance-ai-17a3b09d9fac",
|
||
"title": "摩天楼顶直升机撤离",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/media/poster/nawalsehar-seedance-ai-17a3b09d9fac.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second 16:9 ultra-photorealistic cinematic action scene. A Western woman in her late 20s, wearing a dark jacket, cargo pants, boots, and small backpack, exits a skyscraper rooftop and receives a radio message: “Extraction is inbound.” A modern twin-engine rescue helicopter approaches and hovers safely above the rooftop. Realistic rotor wash moves her hair, jacket, dust, and lightweight debris. She runs naturally toward the aircraft, grips the handrail, boards with assistance, and secures herself inside. The helicopter rises gradually, clears the rooftop, and flies between the skyscrapers. Use realistic human biomechanics, helicopter lift, momentum, wind, rotor wash, footsteps, engine and city sounds, consistent characters and lighting, smooth professional camera movement, and natural daylight. No CGI look, impossible helicopter movement, teleportation, excessive dust, exaggerated action, injuries, text, logos, or watermark.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2092119664482750814"
|
||
},
|
||
{
|
||
"id": "seedance:caliraval-seedance-ai-380c4c6c543b",
|
||
"title": "阳光下的清新洗衣日",
|
||
"description": "产品广告分镜",
|
||
"image": "https://media.goodcase.ai/media/poster/caliraval-seedance-ai-380c4c6c543b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second photorealistic cinematic laundry commercial featuring a young South Asian woman in a bright, modern home. Include a natural female voiceover throughout the video, synchronized with the actions. The voice should sound warm, friendly, clear, and conversational, with soft realistic background laundry sounds and no music overpowering the voice.\n\n0–5 seconds: The woman walks into the laundry area carrying a basket full of dirty clothes and places it beside a modern front-loading washing machine.\nVoiceover: “Laundry day starts with one simple step.”\n\n5–10 seconds: She opens the washing machine and carefully puts the clothes inside one by one. Show realistic fabric movement and natural hand movements.\nVoiceover: “I just load all my clothes into the washing machine…”\n\n10–13 seconds: She adds liquid detergent into the detergent compartment, closes it, and shuts the washing machine door.\nVoiceover: “…add my detergent…”\n\n13–17 seconds: She presses the start button. Close-up of the washing machine starting, with the clothes visibly spinning behind the glass door.\nVoiceover: “…and let the machine do the work.”\n\n17–22 seconds: After the wash, she opens the machine and takes out the fresh, clean clothes. She gently shakes and unfolds the garments.\nVoiceover: “Once they’re clean, they come out fresh and ready to dry.”\n\n22–28 seconds: She carries the clean clothes outside to a clothesline and hangs each garment carefully using clothespins. A gentle breeze makes the clothes move naturally.\nVoiceover: “Then I simply hang them outside and let the fresh air do the rest.”\n\n28–30 seconds: Final cinematic shot of the freshly washed clothes hanging beautifully in warm sunlight while the woman smiles naturally nearby.\nVoiceover: “Clean, fresh, and ready to wear.”\n\nWarm natural daylight, realistic South Asian woman, modern home, detailed clothing textures, realistic washing machine, natural human movement, smooth cinematic camera transitions, close-up shots, subtle handheld movement, realistic fabric physics, gentle outdoor breeze, photorealistic premium commercial quality, natural female voiceover, realistic ambient sounds, clear synchronized speech, vertical 9:16, no subtitles, no text, no watermark, no logos.",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@CaliraVal",
|
||
"sourceUrl": "https://x.com/CaliraVal/status/2091386310837862772"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithjessica-seedance-ai-f519acb4b6b4",
|
||
"title": "Seedance 2.5 假装 DJ:三个女孩的夜派对短片",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithjessica-seedance-ai-f519acb4b6b4.jpg",
|
||
"mode": "video",
|
||
"prompt": "Can we pretend we're DJs?, The worst best idea of the night.\n\nThree girls, one bench, and 50,000 people who never found out they weren't supposed to be there.\n\nMade with Seedance 2.0 on @thankyouai_hq\n\n🎁 Want to try it yourself?\n\nUse my invitation code: 70WOYR and get 100 FREE credits to create your own AI videos.\n\nAvailable for the first 99 users only!\n\nhttps://thankyouai.com/i/70WOYR\n\n👇 Prompt is in the comments!",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithJessica",
|
||
"sourceUrl": "https://x.com/AIwithJessica/status/2088855031864832096"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-ultra-realistic-early-2000s-consumer-dv-camcorder-home-video-of-a-youn-19a579fa3d7a",
|
||
"title": "首尔老街的悠闲散步",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/c9ee6f22c65d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a ultra-realistic early-2000s consumer DV camcorder home video of a young Korean woman enjoying a simple day in an older Seoul residential neighborhood. Use the attached image as the character reference and keep her face and appearance consistent. She wears a pink fitted crop top, white casual shorts, simple slippers, and a small bracelet, carrying a clear water bottle.\n\nShe steps out of her home, closes the door and walks through the quiet neighborhood with the bottle in hand. Along the way, she greets a few friendly neighbors with natural smiles and small waves.\n\nShe reaches a neighborhood park and sits on a bench, casually watching children playing football. Suddenly, the football rolls toward her. She picks it up, smiles, kicks it gently back to the children and says, “Enjoy!” The children laugh and continue playing.\n\nShe leaves the park and walks down the street, still carrying her water bottle. She stops at a small street vendor selling sweet corn, buys one and happily takes her first bite while walking.\n\nWhile eating, her water bottle accidentally slips from her hand and falls onto the sidewalk. She pauses, looks down, laughs softly, picks it up, takes another bite of the sweet corn and continues walking home.\n\nNear the end, she walks slowly down the residential lane with the water bottle in one hand and sweet corn in the other, enjoying her snack. She looks toward the camera, smiles naturally and says “Bye bye!”, then walks away.\n\nUse raw early-2000s consumer DV-camera footage: handheld shake, imperfect framing, autofocus hunting, slight exposure shifts, soft digital detail, mild digital noise, natural motion blur and occasional awkward zooms. Authentic home-video feeling, realistic skin, natural expressions and believable movement.\n\nNatural neighborhood audio only: footsteps, birds, distant traffic, children playing football, neighbors talking, bicycle sounds, vendor ambience, water bottle movement and light wind. No music, narration, subtitles, beauty filters, CGI, cinematic commercial look or polished camera movement.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2105860239375638663"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-an-ultra-realistic-cinematic-japanese-lifestyle-vlog-featuring-a-young-j-117213b692cf",
|
||
"title": "雨中奔跑的日系街区女孩",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-an-ultra-realistic-cinematic-japanese-lifestyle-vlog-featuring-a-young-j-1.webp",
|
||
"mode": "video",
|
||
"prompt": "Create an ultra-realistic cinematic Japanese lifestyle vlog featuring a young Japanese woman enjoying a peaceful rainy day in a quiet Japanese neighborhood.\n\nA young woman with black hair tied in a neat ponytail, wearing a white and navy striped oversized T-shirt, beige shorts, and white sneakers, stands under a traditional covered bus stop during light rain. She looks outside, gently extends her hand to feel the raindrops, then turns around and runs playfully along a quiet residential street.\n\nShow cinematic transitions of her running through the wet neighborhood, passing traditional Japanese houses, green trees, and a peaceful park. She eventually reaches a wooden shelter in the park, adjusts her ponytail, stretches her arms, and smiles naturally toward the camera.\n\nVisual Style: Photorealistic Japanese slice-of-life cinematography, soft overcast daylight, realistic rain reflections, natural human movements, beautiful greenery, peaceful atmosphere, authentic Japanese residential environment.\n\nCamera Direction: Start with a cinematic side-profile close-up, transition into a medium shot of her touching raindrops, followed by a smooth rear tracking shot while running. Finish with emotional close-ups and a warm natural smile.\n\nTechnical: 4K, 9:16 vertical, 24fps, realistic facial expressions, consistent character identity, smooth camera movement, natural physics, detailed environment, cinematic color grading.\n\nImportant: Maintain the same woman's face, hairstyle, outfit, and body proportions throughout every scene. No facial distortion, no outfit changes, no unnatural movements, no text or watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ZorviaLux",
|
||
"sourceUrl": "https://x.com/ZorviaLux/status/2105533415026241635"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-dark-figure-leaps-from-a-skyscraper-ledge-and-free-falls-through-a-neon-drenc-39d445cbaaf7",
|
||
"title": "霓虹赛博都市高空坠落",
|
||
"description": "POV 长镜头",
|
||
"image": "https://media.goodcase.ai/cases/701eb871e9a1.jpg",
|
||
"mode": "video",
|
||
"prompt": "A dark figure leaps from a skyscraper ledge and free-falls through a neon-drenched cyberpunk cityscape at night. Massive holographic billboards and glowing purple and pink signage streak past as the camera plunges downward in a vertigo-inducing POV dive. Rain-slicked surfaces reflect neon light below. High-speed freefall, cyberpunk noir atmosphere, vertiginous depth.",
|
||
"category": "pov-continuous-take",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsshara_ai",
|
||
"sourceUrl": "https://x.com/itsshara_ai/status/2100435410338144486"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-shot-structure-15-shots-30-seconds-16-9-4ea0bd13b4c1",
|
||
"title": "艾子华丽变身后以短靴收尾",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/a3216c569031.jpg",
|
||
"mode": "video",
|
||
"prompt": "⤵️ \nSCENE 1 (0:00–0:30) — MONOCHROME STUDIO → FULL RITUAL → EMERALD GOWN → LAST DETAIL\nSHOT STRUCTURE: 15 shots, 30 seconds, 16:9\n@Image1 is the Aiko character reference — keep her face, fair skin, sleek black bob haircut and dark-brown eyes identical in every shot.\nGLOBAL STYLE NOTES:\nlighting_philosophy: crisp white beauty-dish key on her face, cool silver glow from square-framed vanity mirrors behind, soft grey practicals on walls; glossy speculars on marble, chrome and glass.\ncolor_grade: high-gloss monochrome beauty commercial — charcoal-grey walls, ivory marble, fair skin held clean and cool; the emerald gown is the only deep saturated green in the film.\nsetting: sleek minimalist glam studio — charcoal-grey walls, polished ivory marble floor, low velvet stools in ash-grey, white sheepskin rugs, three large square chrome-framed vanity mirrors, a thin white LED strip along the ceiling, beauty-dish lights on stands, a disco ball throwing slow silver dots across the marble, open shelves of matte black labelled bottles and jars, a single orchid in a glass vase, a chrome drinks cart.\nstaff: three women in charcoal uniforms — an esthetician, a make-up artist, a hair stylist. Shown mainly as hands, forearms, backs and soft-focus bodies. No close-ups of their faces except the final reaction in medium shot. They move fast and react openly.\nmirror_rule: mirrors stay BEHIND or BESIDE her, soft-focus, as light and texture only. Never a sharp reflection of her face shown next to her actual face in the same frame.\ncharacters:\nAiko: visual_anchors: petite elegant build, sleek jet-black bob haircut with blunt bangs, dark-brown eyes, fair even skin, a small mole near one eye. Opens in a plain white ribbed tank top. Performance: composed, quietly amused — one mouth corner lifts, never a wide expression. She is the only still person in a room full of motion.\nambience: glossy pop beat locked to every cut, studio chatter under it, hairdryer hum. Beat drops at shot 12, cuts to silence at shot 15.\nSEQUENCE LIST:\nSHOT 1 (0–2s) HOOK — WS, glass door\ncamera_motion: static, then fast push-in\naction_visual: Aiko (per @Image1) pushes the glass door open in a plain white tank top — cool silver light floods the frame. Door chime, beat starts on her step\nexit: she walks past camera into the studio\nSHOT 2 (2–4s) SETUP — MS tracking\ncamera_motion: handheld tracking behind her through the studio, chrome mirrors and shelves streaking past\naction_visual: she drops into an ash-grey velvet stool. The esthetician snaps a white cape open and clicks it shut at her neck. A long emerald evening gown hangs soft-focus behind her; black leather ankle boots sit under the stool\nexit: hands enter frame toward her face\nSHOT 3 (4–6s) — insert macro on hands\ncamera_motion: static macro, 85mm\naction_visual: a pump bottle pushes white cleansing foam into a gloved palm; gloved hands work the foam up her cheeks in one upward sweep. Wet foam squelch, pump hiss\nexit: water enters frame\nSHOT 4 (6–8s) — MCU\ncamera_motion: static, slight handheld float\naction_visual: water rinses the foam, she lifts her wet face and droplets fly sideways catching the beauty-dish light\nexit: a brush enters frame from the left\nSHOT 5 (8–10s) SIGNATURE — MCU, frontal\nvfx: none. Speed 100%\ncamera_motion: locked frontal, composition does not shift\naction_visual: a brush lays charcoal clay mask in three strokes → jump to the mask already dry. She raises ONE eyebrow, the crust cracks across the bridge of her nose. The esthetician freezes mid-air with the brush. Aiko lowers the brow back\nexit: two gel patches click under her eyes\nSHOT 6 (10–12s) — MCU, frontal, same framing\ncamera_motion: locked, no movement\naction_visual: the make-up artist slams a large powder puff straight into the lens, frame goes soft white → clears on glowing porcelain make-up and satin lips\nexit: a brush sweeps across frame\nSHOT 7 (12–14s) — MCU, same framing\ncamera_motion: locked\naction_visual: the brush clears to reveal a sharp graphic black cat-eye liner and pale lips → a palm sweeps down the frame → clears on deep bronze eyelids\nexit: the powder puff slams into the lens again\nSHOT 8 (14–16s) — MCU, same framing\ncamera_motion: locked, tiny push-in\naction_visual: frame clears on full smoky bronze eye, subtle highlighter on the cheekbones, deep berry-red lipstick. The make-up artist steps back and raises both hands. Aiko holds still half a second. Lipstick cap clicks\nexit: a towel is pulled off her head\nSHOT 9 (16–18s) — MS\ncamera_motion: static, then whip pan out and back\naction_visual: the stylist rips the towel away, wet hair drops in one sheet → whip pan returns on a sleek glossy black bob shining under the beauty-dish light\nexit: a flat iron enters frame\nSHOT 10 (18–19s) — insert macro\nvfx: speed ramp 50%→100%\ncamera_motion: static macro, 50mm\naction_visual: the flat iron clicks open and releases a glossy sheet of hair, steam rises into the light beam\nexit: steam crosses the lens\nSHOT 11 (19–21s) — MS\ncamera_motion: two fast whip pans, out and back each time\naction_visual: hair pushed back loose, the stylist tucks it behind her ear → whip pan → sleek blunt-bangs bob with a sharp edge. Aiko tips her head, hair swings across frame\nexit: hair fills frame\nSHOT 12 (21–24s) CLIMAX — MS to WS, studio floor\ncamera_motion: static, then slow pull-back\naction_visual: the stylist lifts the emerald gown off a chrome hanger, the fabric flies across the whole frame — deep emerald floods the screen — then falls away: Aiko stands in the middle of the studio in a long emerald silk evening gown, bob restored, silk running to the floor. Silk whoosh, heavy fabric fall\nexit: fingers rise to her ear\nSHOT 13 (24–26s) — insert macro on ear\ncamera_motion: static macro, 85mm\naction_visual: the make-up artist's fingers fasten a small emerald drop earring at her ear. The clasp click lands as the beat drop\nexit: camera pulls wide\nSHOT 14 (26–28s) — WS full length\ncamera_motion: static wide, three staff visible either side of her\naction_visual: Aiko glances aside, takes two steps to the stool and bends down. Low insert: the emerald silk hem lifts and black leather ankle boots enter frame — one foot, then the other\nexit: she straightens up\nSHOT 15 (28–30s) PUNCHLINE — WS full length\ncamera_motion: locked off, no movement\naction_visual: she straightens, adjusts the hem so the ankle boots stay visible, and looks straight into the lens. All three staff freeze. The stylist drops a brush — it clatters on the marble. One mouth corner lifts. She walks out of frame. Beat cuts to silence on the clatter\nexit: empty studio, three women looking after her, brush on the floor. Hold one second, end\nGENERATE FIRST: Shot 5 (eyebrow cracks the mask — the tone-setter), Shot 12 (emerald gown fabric wipe), Shot 15 (ankle boots punchline).",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@ElsaSofia__AI",
|
||
"sourceUrl": "https://x.com/ElsaSofia__AI/status/2100179633266418072"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-she-thought-it-was-going-to-be-a-peaceful-rainy-day-selfie-f0bf765977dd",
|
||
"title": "雨天自拍中抢发圈扑镜头的小猫",
|
||
"description": "宠物与动物",
|
||
"image": "https://media.goodcase.ai/cases/71d7b3358a28.jpg",
|
||
"mode": "video",
|
||
"prompt": "She thought it was going to be a peaceful rainy-day selfie\n\nBut the kitten had other plans 😅\n\nSeedance 2.5\n\nPrompt - REFERENCE & SUBJECT Use \"@<image1\" as the exact visual reference for the woman. Preserve her identity, face, hairstyle, clothing, skin texture, body proportions, and natural appearance throughout the entire clip. Exactly ONE small tabby kitten. The same kitten remains continuous throughout. No other animal, no duplicate kitten. FORMAT 30-second vertical 9:16 handheld front-camera selfie. Indoor room beside a window on a rainy day. Soft gray natural daylight through the glass. Very subtle window reflections and realistic ambient room sound. No color grading, no cinematic lighting, no beauty filter. --- 0–5 SEC — QUIET RAINY MOMENT The woman stands beside the window holding the kitten against her chest. Rain droplets are visible softly on the window behind her. She looks at the kitten and gently touches its forehead with her finger. The kitten watches her hand. She gives a quiet smile and casually says: \"You're being good today, huh?\" The phone remains slightly imperfect and handheld. --- 5–10 SEC — HAIR TIE CATCHES ATTENTION She reaches toward the back of her tied hair with her free hand and adjusts the hair tie. The kitten suddenly notices the small hair tie around her wrist. Its ears move forward. It stretches one paw toward it. She notices and pulls her wrist away. A small nose-laugh escapes. --- 10–15 SEC — THEFT The kitten reaches again and catches the hair tie between its paws. She reacts with surprise. The kitten pulls it toward itself. She laughs and tries to gently retrieve it. The phone shakes subtly from her laughter. She says: \"Hey, that's not yours.\" The kitten refuses to release it. --- 15–20 SEC — PLAYFUL TUG The kitten squirms against her chest while holding the hair tie. She supports its body securely with her other hand. She gently tries to take the hair tie back. The kitten suddenly turns its head away. She laughs harder. A few strands of her hair fall loose near her cheek. The rain remains softly visible in the background. --- 20–25 SEC — KITTEN CLIMBS The kitten begins climbing toward her shoulder while still holding the hair tie. Its paws grip the fabric of her top. She gives a small surprised yelp followed by laughter. Her phone hand moves upward slightly. The camera briefly loses perfect framing and then naturally re-centers. --- 25–30 SEC — FINAL CAMERA ATTACK The kitten reaches her shoulder and then suddenly turns toward the phone. Its nose and whiskers approach the lens. She pulls her face backward while laughing. The kitten raises one paw toward the camera. She starts: \"You really want—\" Her sentence breaks apart into laughter. The paw reaches the near corner of the lens. The phone dips naturally. The clip ends mid-laugh. AUDIO Rain ambience through the window, fabric rustling, kitten movement, one tiny mewl, woman's natural voice, breathing, nose-laughs and genuine laughter. No background music. No subtitles. No text. No logo. No watermark. No cuts. No zoom. Exactly one kitten.",
|
||
"category": "pet-animal",
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2098256490238755226"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-high-action-sequence-set-on-an-icy-school-rooftop-at-night-ef6584386b8e",
|
||
"title": "冰夜屋顶魔法少女激战",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/f110657f948e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic high-action sequence set on an icy school rooftop at night. A cool anime style female student with light pastel purple short hair, a gray blazer with a blue bow, and a lollipop in her mouth effortlessly dodges attacks using magical ice powers Fast paced camera tracking dynamic fight choreography freezing water mid-air shattering ice structures dramatic rooftop lighting against a dark cityscape sharp ice particle VFX ultra-realistic 8k resolution, 60fps cinematic look.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2096437174942204277"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-1080p-ultra-realistic-personal-home-video-of-a-young-korean-906969cda347",
|
||
"title": "小公寓里的失控舞蹈练习",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-create-a-30-second-1080p-ultra-realistic-personal-home-video-of-a-young-korean-906969cda347.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic personal home-video of a young Korean woman confidently attempting to learn a viral TikTok dance trend in her tiny apartment, with her furniture and coordination working against her the entire time. No reference image.\n\n**MAIN SUBJECT**\n\nYoung Korean woman in her early 20s, casual and determined energy, natural makeup, expression that shifts from focused confidence to flustered embarrassment.\n\nHair in a messy half-up bun, a few strands sticking to her face as she gets more flustered, small stud earrings.\n\nWearing an oversized band t-shirt tucked loosely into biker shorts, white ankle socks, no shoes, phone propped up against a stack of books on the floor to \"record for practice.\"\n\nMaintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video.\n\n**SETTING**\n\nA small, cluttered studio apartment living room, evening, warm lamp light mixed with the cool glow of a laptop screen playing the dance tutorial video.\n\nA coffee table pushed slightly out of the way but not far enough, a floor lamp standing a little too close to her \"stage area,\" a pile of laundry on the couch, a half-full water glass on the side table, string lights on the wall, and a roommate's bike leaning against the wall in the background. Cramped, real, an apartment clearly not built for dancing.\n\n**CAMERA / VISUAL AESTHETIC**\n\nRaw personal footage, filmed by her roommate on a phone propped up at first, then grabbed handheld once things go wrong — strong handheld vlog shake for the second half.\n\nStatic, slightly low-angle framing for the \"practice\" shots, mimicking a phone-on-a-stack-of-books setup. Frame is imperfectly centered, cutting off the top of her head slightly. Once the roommate grabs the phone, autofocus hunts, motion blur kicks in during the collision moment, exposure shifts as she moves between lamp light and shadow, visible digital noise in the dim room.\n\nNo stabilization, no gimbal smoothness, no cinematic camera moves — it should feel like a real phone recording that was never meant to be watched by anyone but her.\n\n---\n\n**00:00–00:05 — THE CONFIDENT SETUP**\n\nShe props her phone against a stack of books, steps back into frame, and shakes out her arms like an athlete warming up.\n\nShe points at the laptop screen playing the dance tutorial, then back at herself, deadly serious.\n\n*\"Okay. I've watched this like twenty times. I got this.\"*\n\n**00:05–00:10 — FIRST EIGHT-COUNT**\n\nThe music starts. She nails the first few moves surprisingly well, sharp and confident, clearly proud of herself mid-move.\n\nRoommate's voice from off-screen, genuinely impressed: *\"Wait, okay—?!\"*\n\nThe camera stays static, catching her in full frame, a rare clean moment.\n\n**00:10–00:15 — THE FIRST WOBBLE**\n\nA quick turn in the choreography catches her off guard — she spins a half-second late, arms flailing to catch up, and clips the edge of the coffee table with her shin.\n\nShe yelps, hopping on one foot, still trying to keep the rhythm going through gritted teeth.\n\n*\"I'm fine — I'm fine, keep going—\"*\n\n**00:15–00:20 — LAMP INCIDENT**\n\nRecovering, she throws herself into the next big arm movement — her hand clips the floor lamp, sending it tilting dangerously.\n\nHer roommate lunges into frame to catch it, grabbing the phone off the books in the process, camera suddenly handheld and shaking.\n\n*\"THE LAMP—\"*\n\n**00:20–00:25 — FULL CHAOS**\n\nWith the lamp saved but the camera now shaky and handheld, she tries to pick the choreography back up from memory, increasingly out of sync with the music, arms going in directions the dance never intended.\n\nShe knocks the water glass off the side table with her elbow, doesn't even stop, just grimaces and keeps dancing through the spill.\n\nRoommate, laughing hysterically behind the now-unsteady camera: *\"You're literally destroying the apartment—\"*\n\n**00:25–00:30 — FINAL MOMENT**\n\nThe song ends. She strikes a triumphant final pose — chest heaving, one hand on her hip, completely out of breath, water pooling near her sock.\n\nShe looks into the camera, dead serious despite the disaster around her.\n\n*\"...Post it. That was clean.\"*\n\nHer roommate, still laughing, pans the camera slowly down to the spilled water and tipped lamp before swinging back to her unbothered face — and the footage cuts abruptly to black.\n\n---\n\n**AUDIO**\n\nNatural location sound only:\n\nThe tutorial/dance track playing tinny from the laptop speakers, her footsteps and fabric movement, the thud of her shin hitting the table, the lamp wobbling and roommate's scramble to catch it, glass tipping and water spilling, her roommate's genuine off-camera laughter throughout, and handheld camera noise once it's picked up.\n\nNo added music beyond the in-scene laptop track. No narration. No artificial sound effects.\n\nSpoken lines: *\"Okay. I've watched this like twenty times. I got this.\"* / *\"Wait, okay—?!\"* (roommate) / *\"I'm fine — I'm fine, keep going—\"* / *\"THE LAMP—\"* (roommate) / *\"You're literally destroying the apartment—\"* (roommate) / *\"...Post it. That was clean.\"*\n\n**FINAL FEEL**\n\nChaotic, cramped-apartment energy — the universal experience of confidently trying a viral dance and immediately losing a fight with your own furniture. Funny, physical, unscripted-feeling, with a deadpan ending that lands harder because she genuinely doesn't acknowledge the destruction around her.\n\nNo exaggerated slapstick beyond real physical missteps. No professional dance skill required — the comedy comes from real momentum, real near-misses, and her total refusal to admit defeat.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
|
||
"sourceUrl": "https://x.com/Ciri_ai/status/2095026480552271884"
|
||
},
|
||
{
|
||
"id": "seedance:chillaikalan-seedance-ai-655e557df2d6",
|
||
"title": "韩国女孩的夏日蜜桃午后",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/79b70c12f399.jpg",
|
||
"mode": "video",
|
||
"prompt": "30 seconds | 16:9 | Ultra-photorealistic live-action\n\nCreate a natural Korean summer day-in-the-life video featuring one young Korean woman spending a quiet afternoon preparing a simple chilled fruit snack at home.\n\nUse the reference image only for her exact facial identity, hairstyle, skin tone, and body proportions. Keep her appearance consistent throughout the entire video.\n\nOUTFIT: Lightweight pale-yellow short-sleeve blouse, loose white cotton pants, simple canvas shoulder bag, white low-profile sneakers, minimal silver jewelry. Outfit remains unchanged from beginning to end.\n\nTIME & LIGHTING: Warm late-afternoon summer sunlight. Consistent weather, shadows, color temperature, and time of day across every scene.\n\n00–05s — Neighborhood walk\n\nShe leaves a small Korean apartment building carrying her canvas bag and walks down a quiet residential street.\n\nTrees move gently in the summer breeze. Parked scooters, apartment entrances, utility poles, bicycles, and distant pedestrians create an authentic neighborhood atmosphere.\n\nShe briefly looks at the camera and says:\n“I need something refreshing today.”\n\n05–10s — Local fruit stand\n\nShe arrives at a small neighborhood fruit shop with crates of peaches, grapes, melons and Korean pears.\n\nInstead of immediately picking something, she walks around comparing the fruit.\n\nShe notices a basket of peaches, picks one up carefully, examines it, smells it, and smiles.\n\nThe shop owner says something casually off-camera.\n\nShe responds:\n“This one looks perfect.”\n\nShe places several peaches into her canvas bag.\n\n10–15s — Walking home\n\nShe walks back through the neighborhood carrying the slightly heavier bag.\n\nThe camera follows from behind and then moves beside her.\n\nShe adjusts the bag against her shoulder as the fruit shifts naturally inside.\n\nA bicycle passes in the background. Leaves move gently in the breeze. Her hair moves subtly with the air.\n\n15–21s — Apartment kitchen\n\nShe enters her apartment kitchen and places the peaches on the counter.\n\nShe turns on the faucet and rinses them under cool running water.\n\nWater droplets collect on the fruit and fall naturally into the sink.\n\nShe dries one peach with a clean kitchen towel and places it onto a small ceramic plate.\n\n21–26s — Preparing the snack\n\nShe sits at the kitchen counter.\n\nUsing a small kitchen knife, she carefully slices the peach in half.\n\nThe knife meets realistic resistance before passing through the soft fruit.\n\nShe removes the pit, cuts several thin slices, and arranges them casually on the plate.\n\nClose-up of realistic juice and peach texture.\n\n26–30s — First bite\n\nShe picks up one slice and takes her first bite.\n\nShe pauses for a moment, smiles naturally, and quietly says:\n\n“So good.”\n\nShe looks toward the window as warm sunlight falls across the kitchen.\n\nThe camera slowly drifts backward, capturing the cozy kitchen, open window, gentle curtain movement, and late-summer atmosphere.\n\nCut naturally at the end.\n\nCAMERA STYLE: Documentary lifestyle footage with smooth handheld movement. Natural tracking shots, occasional subtle camera sway, realistic focus transitions, restrained depth of field, natural lens behavior, and authentic perspective. Avoid overly cinematic shots or commercial advertising aesthetics.\n\nAUDIO: Real environmental audio only — distant neighborhood sounds, footsteps, bicycle passing, fruit shop conversations, plastic bags, fruit being handled, apartment door, running water, knife against cutting board, refrigerator hum, subtle curtain movement, breathing, and natural eating sounds. No background music.\n\nPHYSICAL REALISM: The shopping bag reacts naturally to the weight of the fruit. Peach movement follows gravity and momentum. Hands maintain believable grip and pressure. Water flows naturally. Knife movement shows realistic cutting resistance. All body movements, walking, reaching, lifting, sitting, washing, cutting, and eating should feel spontaneous and physically accurate.\n\nCONTINUITY: Same woman, facial identity, hairstyle, body proportions, outfit, bag, fruit, apartment, kitchen, weather, lighting, and time of day throughout. No unexplained object changes.\n\nNEGATIVE PROMPT: No CGI look, synthetic skin, beauty filter, excessive sharpening, HDR, artificial blur, unrealistic depth of field, robotic movement, weightless objects, floating fruit, impossible hand positions, distorted anatomy, extra fingers, malformed hands, face drift, character replacement, wardrobe changes, hairstyle changes, teleportation, instant cutting, duplicated people, inconsistent shadows, sudden weather changes, excessive wind, text, subtitles, logos, watermark, background music, commercial advertisement style. <<<259c3755-e438-49f5-b983-e6673a6ad05c>>> <<<259c3755-e438-49f5-b983-e6673a6ad05c>>>",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ChillaiKalan__",
|
||
"sourceUrl": "https://x.com/ChillaiKalan__/status/2094633575547314503"
|
||
},
|
||
{
|
||
"id": "seedance:noorlewisx-seedance-ai-f8e8235cd94a",
|
||
"title": "东京夜空直升机之旅",
|
||
"description": "旅行城市漫步",
|
||
"image": "/inspiration-thumbs/seedance/noorlewisx-seedance-ai-f8e8235cd94a.webp",
|
||
"mode": "video",
|
||
"prompt": "A cinematic first-person and selfie-style night video of a beautiful young East Asian woman with long dark hair in a ponytail, wearing a maroon ribbed halter top, cream wide-leg pants, and black slide sandals. She is taking a helicopter night tour over Tokyo. No watermark, no logo, no text overlay, no brand names.\nScene 1: On a green-lit rooftop helipad at night. She smiles at the camera holding it selfie-style. A white Robinson-style helicopter is behind her with spinning blades. Tokyo city lights and water in the background. She says she is getting on a helicopter in Tokyo.\nScene 2: Inside the helicopter cockpit. She wears a green aviation headset with boom mic and a black 4-point harness. A small fuzzy lavalier mic is clipped to her top. She looks at the camera, slightly nervous then smiling, adjusting her seatbelt. Night city lights visible through the open side.\nScene 3: Helicopter lifts off from the helipad. Wide view of Tokyo Bay at night, Tokyo Tower glowing orange on the left, Rainbow Bridge lit up on the right, dark water below.\nScene 4: Open-door helicopter flight. Strong wind blows her hair. She laughs excitedly, eyes squinting, mouth open in joy, saying there is no door at all. Below: a cargo ship on the water and glittering city skyline.\nScene 5: POV looking down between her legs — cream pants and black sandals dangling over a dense sea of Tokyo skyscrapers and streets glowing at night.\nScene 6: Close selfie next to the brightly lit orange Tokyo Tower. She looks at camera and says “That’s Tokyo Tower.”\nScene 7: Aerial shot flying over Tokyo Skytree glowing purple and white, her feet visible at the bottom of frame, highways and dense city lights below.\nScene 8: Flying low along Rainbow Bridge at night — white cables, cars with headlights, city skyline behind.\nScene 9: After landing, she steps off the white helicopter onto the green helipad, walking toward camera holding the headset in one hand, wearing the same outfit.\nScene 10: She is now standing in crowded Shibuya Crossing at night, neon signs everywhere, yellow taxi and people crossing behind her. She smiles at the camera, waves, and says “Alright everyone, bye!” then “Bye!”\nStyle: realistic handheld selfie + aerial footage, night city lights, slight wind, natural skin, warm street lighting mixed with cool night sky. Smooth cuts, 30-second duration, vertical or 16:9 cinematic look. Photorealistic, no text, no watermark, no logo anywhere.\n\n#polloai",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2093567063357088065"
|
||
},
|
||
{
|
||
"id": "seedance:ciri-ai-seedance-ai-86e32082fdd2",
|
||
"title": "韩国女孩的乡间周日晨光",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/76e5fe7fded2.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary Sunday morning in the life of a young Korean woman. No reference image.\n\nMAIN SUBJECT\n\nYoung Korean woman in her early 20s, natural and approachable look, realistic skin texture with visible pores, bare-faced or barely-there makeup, warm and slightly playful expression.\n\nShoulder-length wavy black hair left down, side-swept bangs, small mole near her left eye.\n\nWearing an oversized pastel-yellow hoodie, loose gray jogger pants, fuzzy slide sandals, and a small crossbody pouch bag.\n\nMaintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video.\n\nSETTING\n\nA small countryside town on a bright, breezy Sunday morning.\n\nA traditional outdoor market with striped awnings, crates of vegetables, a fishmonger's stall, an old bus stop with a rusted bench, a narrow road running alongside rice paddies, a local bakery with a hand-painted sign, a grandmother's front yard with drying red peppers on a mat, chickens wandering nearby, and mountains faintly visible in the background. Everything sun-bleached, dusty, and authentically rural.\n\nCAMERA / VISUAL AESTHETIC\n\nRaw personal footage casually recorded by a friend, strong handheld vlog feel throughout.\n\nConstant natural hand shake and micro-jitters, footsteps visibly bouncing the frame, imperfect and often off-center framing, occasional partial crops of her face or shoulder, autofocus visibly hunting between her and the background, exposure flaring when the camera swings toward the sun, mild motion blur on quick turns, soft image detail, subtle digital noise, slightly warm and faded color grading like an old phone camera.\n\nThe camera operator walks and jogs to keep up with her, breathing audible at times, camera dipping and swaying with each step.\n\nNo stabilization, no gimbal smoothness, no cinematic camera movements, no dramatic lighting, no slow motion, no polished commercial appearance.\n\nThe footage should feel like a real, unplanned phone recording — accidentally beautiful rather than deliberately cinematic.\n\n---\n\n00:00–00:05 — MARKET ENTRANCE\n\nShe weaves through the outdoor market stalls, the camera bouncing behind her as it struggles to keep pace.\n\nShe stops briefly to pick up a small bag of cherry tomatoes, holding them up toward the camera with a grin.\n\nThe frame jolts as the operator steps over a crate in the path.\n\n**00:05–00:10 — FISH STALL DETOUR**\n\nShe wanders to the fishmonger's stall, wrinkling her nose playfully at the smell and laughing.\n\nThe camera whip-pans slightly too fast trying to follow her hand gesture, briefly blurring before catching focus again.\n\nShe waves the camera away, still laughing: *\"Ugh, don't film that, film me!\"*\n\n**00:10–00:15 — BUS STOP WAIT**\n\nShe jogs to catch the local bus stop bench just as an old bus pulls away without her, the camera shaking hard from the sudden running motion.\n\nShe throws her hands up in mock frustration, plops down on the rusted bench, and sighs dramatically, laughing at herself.\n\nThe frame settles slightly off-center as she rests her chin on her palm.\n\n**00:15–00:20 — RICE PADDY ROAD**\n\nShe walks along the narrow road beside the rice paddies, wind blowing loose strands across her face.\n\nThe camera drifts low near her feet as she kicks a small pebble, then swings back up to her face, slightly overexposed from the open sky.\n\nShe spins around once with her arms out, the frame swaying and overshooting past her before correcting.\n\n**00:20–00:25 — GRANDMOTHER'S YARD**\n\nShe ducks into a yard where red peppers dry on a mat, crouching to gently shoo away a curious chicken pecking near her sandals.\n\nThe camera jerks back suddenly as the chicken flaps its wings, both of them startled and laughing.\n\nShe picks up a dried pepper, sniffs it, makes a face, and tosses it back down.\n\n**00:25–00:30 — FINAL MOMENT**\n\nShe grabs a warm bag of fresh bread from the nearby bakery counter, takes a big bite, and turns straight to the camera mid-chew.\n\nThe frame shakes as she leans in too close, filling half the screen with her grinning face.\n\nShe says, muffled and amused:\n\n*\"Okay, stop filming me eating!\"*\n\nShe swats the camera lens with her hand, and the footage cuts abruptly to black, mid-laugh.\n\n---\n\n**AUDIO**\n\nNatural location sound only:\n\nMarket chatter, footsteps crunching on gravel, a bus engine pulling away, wind, chickens clucking, rustling plastic bags, distant rooster crow, bread bag crinkling, the operator's breathing and quiet laughter, and audible handheld camera noise.\n\nNo music. No narration. No artificial sound effects.\n\nOnly the spoken lines: *\"Ugh, don't film that, film me!\"* and *\"Okay, stop filming me eating!\"*\n\n**FINAL FEEL**\n\nThe entire video should feel like a chaotic, cheerful, completely unplanned Sunday morning caught on a friend's phone — bright, breezy, playful, and warmly nostalgic.\n\nNo dramatic events. No exaggerated acting. No model poses. No cinematic hero shots.\n\nThe realism should come from constant handheld imperfection, sun glare, dust, uneven pacing, real laughter, and moments that feel genuinely caught rather than staged.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
|
||
"sourceUrl": "https://x.com/Ciri_ai/status/2092839994499174581"
|
||
},
|
||
{
|
||
"id": "seedance:zyrellix-seedance-ai-b7efa04a2c13",
|
||
"title": "末日沙漠战车空中激战",
|
||
"description": "汽车与载具",
|
||
"image": "https://media.goodcase.ai/media/poster/zyrellix-seedance-ai-b7efa04a2c13.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic 3D render, post-apocalyptic action sequence. A heavily modified dune buggy with flaming rocket boosters speeds along a metallic futuristic pipeline track through a desert canyon during golden hour. A leather-clad warrior swings a spiked flail attached to a heavy chain, smashing an enemy combat helicopter mid-air into fiery explosions. A gunner on the buggy fires a massive rotary flamethrower minigun, turning another enemy drone aircraft into a massive fireball. The buggy leaps off a ramp over huge fiery explosions and dynamic missile strikes, landing smoothly on the reflective glass pipeline track and racing toward a giant ruined cooling tower in the distant wasteland. Cinematic lighting, photorealistic physics, slow-motion action shots, sparks, dynamic camera pans, hyper-detailed textures, volumetric smoke, cinematic color grading, 8k resolution, photorealistic CGI action film style.",
|
||
"category": "car-vehicle",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2092438692820295703"
|
||
},
|
||
{
|
||
"id": "seedance:lianaalane-seedance-ai-c3e78794ed16",
|
||
"title": "空气炸锅同烹薯条与脆皮鸡腿",
|
||
"description": "过程变身蒙太奇",
|
||
"image": "https://media.goodcase.ai/cases/c9057708e92d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 14-second cinematic, ultra-realistic commercial video using the provided air-fryer reference image and storyboard as visual reference.\nKeep the same modern black air fryer, same girl, same modern kitchen, same lighting, same overall visual style and composition throughout the entire video. The girl should look consistent in every shot, with the same face, hairstyle, outfit, and appearance.\n\n0–2 seconds:\nThe girl opens the air fryer drawer and places a generous portion of frozen potato French fries inside. Show a clear close-up of the fries going into the basket.\n\n2–4 seconds:\nShe places several seasoned chicken leg pieces/drumsticks beside the fries in the same air-fryer basket, keeping both foods separated and clearly visible. Show a detailed top-down/close-up shot of the fries and chicken together.\n\n4–5 seconds:\nShe closes the air fryer and sets the digital temperature and cooking time on the front touchscreen. Show her finger pressing the controls.\n\n5–8 seconds:\nShow the air fryer actively cooking. Use a cinematic close-up through the cooking window/interior: the French fries and chicken legs are cooking simultaneously, gradually becoming golden and crispy. Show realistic heat, gentle steam, and natural cooking movement. The fries become golden and crisp while the chicken develops a delicious roasted surface.\n\n8–10 seconds:\nThe girl opens the air fryer and checks the perfectly cooked food. Capture the golden fries and juicy, crispy chicken legs in a beautiful close-up.\n\n10–12 seconds:\nShe uses tongs to transfer the crispy fries and chicken leg pieces onto a clean serving plate. Arrange the fries on one side and the chicken pieces on the other. Make the food look fresh, hot, golden, crispy, and appetizing.\n\n12–14 seconds:\nShow a hero close-up of the finished plate beside the air fryer. The camera slowly moves closer to highlight the crispy fries and beautifully cooked chicken.\n\n14–15 seconds:\nThe girl smiles happily while holding/looking at the finished meal. End with a premium product shot of the air fryer and plated food, with a clean commercial feeling.\n\nVisual style:\nUltra-realistic food commercial, cinematic product advertising, warm modern kitchen lighting, realistic food textures, natural hand movements, realistic steam and heat, shallow depth of field, smooth camera movements, crisp details, premium commercial photography, 4K quality.\n\nImportant: Keep the air fryer design consistent with the reference. Do not change the girl’s identity or appearance. Do not add extra people. Keep the fries and chicken cooking together in the same cooking session, and clearly show the complete process from loading → cooking → opening → plating → final delicious result. Avoid distorted hands, extra fingers, warped food, changing kitchen layout, or inconsistent product design.",
|
||
"category": "process-transformation-montage",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2091392675912221176"
|
||
},
|
||
{
|
||
"id": "seedance:sophiaparkerr-seedance-ai-51ad3cc85989",
|
||
"title": "Seedance 网红风十五秒生活方式短片",
|
||
"description": "达人测评",
|
||
"image": "https://media.goodcase.ai/media/poster/sophiaparkerr-seedance-ai-51ad3cc85989.jpg",
|
||
"mode": "video",
|
||
"prompt": "FORMAT:16:9 widescreen, 15 seconds, realistic influencer-style lifestyle video, cinematic 4K, natural lighting, premium fashion aesthetic, fast-paced editing, authentic creator energy.\n\n0:00–0:03 — HOOK\nInfluencer looks into the camera while holding her bag.\nDialogue: “Okay, these are the things I’m obsessed with right now.”\n\n0:03–0:05 — BAG\nClose-up of the bag as she picks it up.\nDialogue: “First, this bag. I literally take it everywhere.”\n\n0:05–0:07 — PERFUME\nMacro shot of perfume as she sprays it on her wrist.\nDialogue: “And this perfume? My current favorite.”\n\n0:07–0:09 — SUNGLASSES\nShe puts on her sunglasses and looks confidently at the camera.\nDialogue: “These sunglasses make every outfit better.”\n\n0:09–0:11 — SHOES\nClose-up of her shoes as she starts walking.\nDialogue: “And these shoes are way too good.”\n\n0:11–0:13 — PHONE\nShe checks her phone while walking through a stylish café or city street.\nDialogue: “Obviously, my phone never leaves my hand.”\n\n0:13–0:15 — FINAL SHOT\nQuick montage of all five items. She smiles and walks away.\nDialogue: “Yeah… I’m obsessed with all of them.”\n\nSTYLE: Natural influencer delivery, conversational tone, subtle facial expressions, accurate lip-sync, clean dialogue audio, upbeat background music underneath, quick 1–2 second cuts, smooth whip transitions, handheld camera movement, shallow depth of field, realistic product textures, premium but authentic social-media aesthetic.",
|
||
"category": "ugc-creator-review",
|
||
"sourceId": "seedance",
|
||
"credit": "@sophiaparkerr_",
|
||
"sourceUrl": "https://x.com/sophiaparkerr_/status/2088966649659764899"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-a-dark-fantasy-action-sequence-in-a-gothic-castle-courtyard-during-torrential-r-c8e719dfd14d",
|
||
"title": "紫发女巫在暴雨古堡召唤水兽迎敌",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/8bed65d44d4c.jpg",
|
||
"mode": "video",
|
||
"prompt": "A dark fantasy action sequence in a gothic castle courtyard during torrential rain A sorceress with vibrant purple hair rises from a stone fountain Two men with swords attack her She fluidly dodges uses water magic to shield herself, and summons a giant water beast with glowing eyes from the fountain that slams into her attackers She calmly steps out of the fountain raises her hand, and dissolves the water beast into a fine mist of rain. Cinematic lighting slow motion fluid dynamics, 8k resolution.",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2107333176985317886"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-0-use-the-provided-character-image-as-the-strict-identity-and-styling-reference-ac3aa5983d35",
|
||
"title": "女子梳妆后戴上粉色墨镜回眸",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-2-0-use-the-provided-character-image-as-the-strict-identity-and-styling-reference.webp",
|
||
"mode": "video",
|
||
"prompt": "Use the provided character image as the strict identity and styling reference. Keep the exact same woman, face, hair, body proportions, makeup, outfit, and accessories throughout the entire video. Photorealistic live-action, not animation or 3D.\n\n0–3 sec\nExtreme close-up at a vintage vanity. She slowly applies glossy pink lipstick while looking into a small mirror. Warm, dim bedroom lighting, soft film grain, subtle camera movement. Her rhinestone pink flip phone sits beside the makeup.\nOn-screen typography appears briefly: “I was trying to be subtle…”\n\n3–6 sec\nFast editorial cuts synced to the beat:\n— her glossy pink nails tapping the flip phone\n— pearl earrings being put on\n— sunglasses picked up from the vanity\n— a quick close-up of her lipstick and eyes\n— she snaps the flip phone shut.\n\nText flashes: “oops.”\n6–10 sec\nCamera pulls back as she stands from the vanity, revealing her full outfit. She puts on the oversized pink sunglasses, grabs her small handbag, checks herself in the mirror, then gives the tiniest confident smile.\nSmooth camera movement, like a real fashion commercial.\n10–13 sec\nShe walks past the camera through the bedroom with effortless confidence. Slight slow motion, vintage flash photography effect, soft motion blur, realistic fabric movement and natural body movement. Camera subtly tracks her.\n13–15 sec\nShe suddenly stops and turns back toward the camera. Close-up. She lowers her sunglasses slightly, gives a tiny knowing smirk, then the frame freezes like a 1990s fashion magazine cover.\nLarge pink editorial typography:\n“ICONIC, ACTUALLY.”\n\nVisual style: late-90s/early-2000s fashion editorial, vintage Hollywood glamour, pink and black palette, glossy beauty campaign, film grain, subtle imperfections, flash photography, realistic skin and hair, cinematic depth of field, playful but sophisticated, fast-paced editorial cuts. No exaggerated acting, no cheesy posing, no cartoon look, no random outfit/face changes.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Caden_Flux",
|
||
"sourceUrl": "https://x.com/Caden_Flux/status/2106000754922184872"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-japanese-slice-of-life-home-video-follo-5ed15c591ef3",
|
||
"title": "女孩追赶冰淇淋车的夏日午后",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/f6a15e22af3e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic Japanese slice-of-life home-video following an adorable Japanese woman in her early 20s who hears the distant ice-cream cart bell while relaxing at home. She grabs her wallet, slips on her sneakers, rushes outside, and runs through a quiet neighborhood to catch the cart.\n\nShow authentic handheld consumer-camera footage with imperfect framing, subtle shake, autofocus shifts, natural daylight, realistic motion blur and no commercial cinematic look.\n\nShe catches the cart just in time, buys a vanilla-strawberry cone, then meets neighborhood children playing with a ball. She joins them briefly before walking home through the warm late-afternoon street, happily finishing her ice cream.\n\nMaintain consistent face, ponytail, pale-blue blouse, beige skirt, white sneakers, cream shoulder bag and natural expressions throughout. Use realistic physics for running, balance, bag and hair movement, bicycle momentum, ball motion, melting ice cream, shadows and material interaction.\n\nNatural audio only: bicycle bell, footsteps, breathing, children laughing, ball, vendor dialogue, neighborhood ambience and light wind. No music or narration.\n\nNegative prompt: No anime, CGI, plastic skin, beauty filters, robotic movement, impossible physics, floating objects, teleportation, distorted hands, extra fingers, duplicated children, face/outfit changes, excessive camera movement, commercial look, subtitles, logos or watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2104428091476988236"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-35-shot-30-second-cinematic-noir-rooftop-heist-9e1bb095d4c4",
|
||
"title": "霓虹夜幕下的屋顶金库劫案",
|
||
"description": "时间轴分镜脚本",
|
||
"image": "https://media.goodcase.ai/cases/8424b8d29652.jpg",
|
||
"mode": "video",
|
||
"prompt": "35-shot, 30-second cinematic noir rooftop heist. Keep Character A’s face, outfit, and appearance identical to the reference image. Sleek tactical gear, neon-lit city, tense professional choreography, realistic cinematic lighting, sharp cuts, no dialogue.\n\n1. 0.0–1.0s: A crouches on a rooftop ledge at night, checks wrist device, neon skyline behind.\n2. 1.0–1.6s: Extreme close-up of her eyes scanning the opposite building, neon reflections.\n3. 1.6–2.2s: Teammate mechanically checks a grappling-hook launcher.\n4. 2.2–2.8s: Wide neon city skyline establishing shot.\n5. 2.8–3.4s: Two teammates exchange a precise silent hand signal.\n6. 3.4–4.0s: A fires grappling hook across the gap; cable snaps taut.\n7. 4.0–4.6s: Teammate checks a countdown timer.\n8. 4.6–5.4s: A launches across the gap, city lights streaking below.\n9. 5.4–6.0s: She lands silently, rolls, and immediately readies herself.\n10. 6.0–6.6s: Security camera pans while team freezes in shadows.\n11. 6.6–7.2s: Camera passes; teammate exhales in brief relief.\n12. 7.2–7.8s: Three teammates synchronize watches and countdown gestures.\n13. 7.8–8.6s: Team crosses rooftop in perfect formation, silhouetted against neon.\n14. 8.6–9.2s: Gloved hands bypass a keypad with a decoding device.\n15. 9.2–9.8s: Access panel opens; teammate silently signals success.\n16. 9.8–10.6s: Team descends through rooftop hatch into a dark maintenance corridor.\n17. 10.6–11.4s: Security guard patrols below, unaware; team hides above stairwell.\n18. 11.4–12.2s: A signals “wait,” tracking the guard through railing.\n19. 12.2–13.0s: Guard turns away; team swiftly moves past.\n20. 13.0–13.8s: Team reaches a reinforced metallic vault door.\n21. 13.8–14.6s: Decoding device attaches to vault lock; numbers cycle rapidly.\n22. 14.6–15.6s: Close-ups of tense faces and countdown timer.\n23. 15.6–16.6s: A guards the corridor, alert and weapon-free.\n24. 16.6–17.6s: Decoder numbers slow toward final combination.\n25. 17.6–18.8s: Slow motion: final digit locks; vault mechanisms release.\n26. 18.8–20.0s: Slow motion: massive vault door opens, dramatic light spills out.\n27. 20.0–21.0s: Team exchanges a restrained, silent look of triumph.\n28. 21.0–22.0s: Wide reveal of sleek high-value contents inside vault.\n29. 22.0–23.0s: A checks corridor again, maintaining vigilance.\n30. 23.0–24.0s: Team efficiently secures the objective.\n31. 24.0–25.2s: Distant alarm begins; team instantly shifts into calm exit mode.\n32. 25.2–26.4s: Team retreats through rooftop access hatch.\n33. 26.4–27.6s: A briefly looks back at the building, neon reflected in her eyes.\n34. 27.6–28.8s: Team rappels down the exterior toward a waiting vehicle.\n35. 28.8–30.0s: Wide final shot: vehicle speeds through neon city streets as rooftop lights fade behind, cinematic noir heist ending.\n\nStyle: high-end cinematic action thriller, realistic tactical movement, neon noir, dramatic contrast, atmospheric night lighting, dynamic camera work, precise choreography, seamless continuity, realistic physics, restrained professional emotion, no dialogue.",
|
||
"category": "timeline-shot-script",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2100181300049232193"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-global-30-second-commercial-eedfe46e25bf",
|
||
"title": "水晶重构都市中的魔法少女",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/43aa6deac978.jpg",
|
||
"mode": "video",
|
||
"prompt": "[GLOBAL] 30-second commercial. Photoreal live-action cinema texture, digital cinema camera, 35mm and 24mm lenses, shallow depth of field, real overcast rain-light, low-contrast cool grade, light film grain. 16:9. The spine of the film is one continuous over-the-shoulder tracking shot; all transitions are hidden inside motion blur and the crystallization effect.\n\n[CHARACTER ANCHOR] @[image1] = the protagonist, a Japanese woman in her early twenties with a Tokyo street-fashion look: bleached pale-blonde wolf-cut shag with dark roots and a single mint-green streak in the under-layer; clean Japanese makeup — thin brows, pearlescent eyeshadow, nude lip; an oversized charcoal coach jacket with an original graphic print on the back, a long white tee underneath, baggy black cargo pants, chunky platform sneakers, layered silver jewelry, wired over-ear headphones around her neck, a small crossbody bag. Her face, hair and wardrobe stay 100% identical from 0s to 28s — never altered, never touched by any \"generation\" effect. She is the only constant in the film until the final beat. Emotional arc: oblivious → noticing → confused → stunned → awestruck → transformed.\n\n[ARTWORK REFERENCE] @[image2] = the billboard artwork reference. Used ONLY for the flat graphic displayed on the bus-shelter digital billboard at 11–15s — including its complete typographic lockup (\"Higgsfield × OpenAI\" in small caps, \"GPT IMAGE\" in heavy white, the lime-green gradient \"2.5\", and the wide-tracked \"SUNBURST\" beneath), along with its layout, palette and composition. @[image2] must appear as a complete flat advertising image inside the billboard screen, carrying correct perspective, screen reflection and rain refraction across the glass surface. The woman pictured in @[image2] must NEVER be used for the protagonist's design, must NEVER leave the billboard screen, and must NEVER appear in the physical space of the scene. @[image1] and the woman in @[image2] are two entirely different people — never conflate them, never let one influence the other.\n\n[CORE VISUAL MOTIF — THE ONLY TRANSFORMATION LANGUAGE IN THE FILM] Anything being \"regenerated\" must follow the exact same three-stage process: ① the original object disintegrates from its edges into a cloud of tens of thousands of small translucent white crystalline beads — like bubble-film or shattered glass pearls, with real volume, specular highlights and real weight; ② the bead cloud hangs briefly and rapidly rearranges; ③ the new form grows outward from inside the cloud, the final layer of beads absorbing into its surface and vanishing. Do NOT use flash cuts, dissolves, particle-dispersal effects, or digital-glitch styling for any transformation.\n\n[SETTING] A Midtown Manhattan intersection after rain. Wet asphalt reflections, crosswalk stripes, yellow cabs, dense glass curtain walls and older stone buildings, neon and storefront signage, a fire hydrant, a newsstand, a bus-shelter digital billboard. Overcast diffused light throughout, no direct sun.\n\n0–3s: Over-the-shoulder medium shot, following behind @[image1]. Her back is to camera as she stands on the crosswalk. To frame right, a 1970s green sedan in motion crystallizes entirely and reassembles as a black muscle car; a few frames later it crystallizes again and reassembles as a white wheel-less hover car. She hasn't registered it yet.\n\n3–7s: The camera arcs around to her side. She starts looking around, the ends of her wolf cut swinging with the head turn. A businessman with a briefcase crystallizes mid-stride — the human-shaped bead cloud holds the walking pose for two full steps — and reassembles as a bare-chested barbarian warrior with feathered ornaments, continuing the same stride. Two or three more pedestrians crystallize in the background simultaneously, without pulling focus from her.\n\n7–11s: Handheld tracking accelerates. More and more people on the street are replaced: a purple-skinned alien warrior woman, white-armored robot troopers, an original gold-suited superhero character (all original designs — no real-world recognizable characters, logos or trademarks). She walks faster, keeps turning to look back, her breathing quickening, one hand instinctively gripping her crossbody strap. The replacement frequency keeps rising, but the street's spatial relationships, lighting and wet reflections remain continuous throughout — no jump cuts.\n\n11–15s: She stops in front of the bus shelter. The digital billboard inside cycles rapidly: a photoreal movie poster → a hand-painted concept illustration → a fashion editorial — each refresh executed with the same crystalline bead reassembly. It finally settles on the complete @[image2] artwork filling the entire screen, its typography and palette exactly as in @[image2]. She raises a hand and points at the screen, mouth open, unable to speak.\n\n15–18s: The camera tilts down to her feet. The sidewalk paving crystallizes outward from where she stands in a perfect circle, white beads spreading three meters along the joints between slabs, the manhole cover and the standing water turning crystalline with it. She looks down. The ground gives out beneath her platform sneakers.\n\n18–21s: Wide 24mm. The ground collapses and she falls straight down. The camera falls with her looking up — the entire city contracts above her into a shrinking square opening, the buildings on either side peeling away, tumbling and receding upward like building blocks, the sky turning to deep blue-black void. She throws her arms out, her hair, jacket hem and bag strap lifted by the updraft.\n\n21–24s: During the fall the visual style jumps repeatedly, each jump bridged by one full-frame sweep of crystalline beads. In order: ① rich 1980s film stock — high saturation, heavy halation, heavy grain; ② black-and-white halftone manga panel — the character rendered in ink linework and dot screens against dense radial speed lines; ③ a neon purple-blue digital vortex with long light streaks stretching backward at speed; ④ near-total darkness with extreme motion blur. Her facial structure, hair and wardrobe must remain recognizably the same person in every one of these styles.\n\n24–27s: She lands flat on her back on a smooth white floor. A wide lens pushes in slowly and tilts up to reveal the environment: an infinitely extending pure-white showroom/hangar with a gridded softbox ceiling. Hundreds of black circular pedestals cover the floor, each holding a character statue or a parked vehicle — original-design warriors, mechs, robots, sci-fi troopers, plus large military aircraft and helicopters. A small line of floating white label text sits in front of each pedestal: \"FANTASY CHARACTER\", \"VEHICLE\", \"MECH\" — set at a small point size, present purely as environmental information.\n\n27–28s: She sits up and pushes herself to her feet, turning slowly to take in the hall, eyes widening in awe. The camera settles into a full-body medium-wide, centered, the statue array receding out of focus behind her.\n\n28–30s [THE FINAL TRANSFORMATION]: The instant she stands fully upright, the crystalline beads rise from the floor around her feet and sweep up her body in one continuous wave — and for the first time in the film, SHE is the thing being regenerated. Her streetwear disintegrates into the bead cloud and a magical-girl battle uniform grows outward in its place, following the exact same three-stage motif, generating in a readable order from the torso outward: a white high-collar fitted bodice → a mint-green sailor collar with three silver stripes → a deep mint pleated skirt with silver trim, its pleats opening one by one → long white gloves to the upper arm with mint piping → white knee-high boots with a mid heel and mint cuffs → layered silver jewelry reforming as a silver star brooch at her chest → a large mint-green bow at her back with long ribbons falling to the backs of her knees → a fine silver tiara condensing across her forehead. Her face, hairstyle, hair color, the mint streak and the headphones around her neck remain completely unchanged — only the clothing is regenerated. The last beads absorb into the fabric. She looks down at her own hands, then slowly raises her head, the ribbons still settling behind her, and looks straight past camera with a small, dawning smile. The film cuts on that frame. No end card, no title, no tagline, no subtitle of any kind.\n\n[SOUND] Rain and wet-road traffic, urban ambient bed; high-frequency glass/ice shatter-and-rearrange sounds on every crystallization; a short bright locking tone as each reassembly completes; electronic refresh tones from the billboard; low-frequency collapse as the ground gives way; wind through the fall, with a distinct timbre shift for each of the four style jumps (film hiss / paper-and-ink texture / synth sweep / silence); one muffled impact on landing; near-total quiet inside the hall with only faint HVAC room tone; then, over the final transformation, an ascending shimmer of silk and crystal, each garment piece seating with a crisp click, the bow tying with a single sweep of ribbon, and one clear bell tone as the tiara locks in. One escalating electronic music bed ties it together, landing its final hit on her raised head.\n\n[HARD RULES] @[image1]'s face, hairstyle, hair color and headphones are absolutely unchanged across all 30 seconds. Her wardrobe is unchanged from 0s to 28s and may be regenerated ONLY in the 28–30s final beat — the transformation affects clothing only and must never alter her face, hair or identity. All other replacements happen only to the people, vehicles, ground and environment around her. The film may use only the single \"crystalline bead disintegration → rearrangement → growth\" transformation language, including for the final costume change; no other transition effect may be mixed in. From 0–18s the film must hold the logic of one spatially continuous tracking shot — the street's architecture, lighting and wet reflections must never jump. Every character and vehicle in the hall must be an original design; no real-world recognizable characters, brand marks, trademarks or identifiable film properties may appear, and the final magical-girl uniform must be an original design, not any existing anime character's costume. The only brand copy permitted anywhere in the film is the @[image2] artwork on the billboard screen at 11–15s, existing solely as a flat image inside that screen and never repeated elsewhere. No end card, no title card, no subtitles, no watermark, no overlaid text anywhere in the film. Avoid: cartoon rendering, game-CG feel, plastic materials, full-frame bloom, digital-glitch transitions, weightless floating, incorrect finger structure, garbled text, revealing or suggestive posing or camera angles.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Iancu_ai",
|
||
"sourceUrl": "https://x.com/Iancu_ai/status/2098420840073236536"
|
||
},
|
||
{
|
||
"id": "seedance:doctorwasif-seedance-ai-117496b404a6",
|
||
"title": "列车车厢丧尸感染爆发",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/068a44904e52.jpg",
|
||
"mode": "video",
|
||
"prompt": "0–1.2s: @ (Image) matching reference face/outfit, sits on a train, pale, sweating, coughing weakly. Passengers glance over, concerned. Cinematic outbreak-horror realism.\n\n1.2–2.4s: Her breathing turns ragged; dark veins appear on her neck, eyes become glassy. Close-up, tense lighting.\n\n2.4–3.6s: She collapses and convulses as passengers rush to help. Handheld camera.\n\n3.6–4.8s: She suddenly snaps upright, bloodshot feral eyes, guttural snarl. Extreme close-up horror reveal.\n\n4.8–6s: She violently bites a helper’s forearm. Shock and panic. Slow-motion impact.\n\n6–7.2s: He stumbles back clutching the bloody bite. Passengers panic.\n\n7.2–8.5s: Dark veins rapidly spread from the wound up his arm and neck. Visceral transformation close-up.\n\n8.5–10s: He collapses, convulses, then rises as a zombie, eyes bloodshot and empty.\n\n10–12.5s: He lunges at another passenger. Screams erupt; the carriage descends into chaos.\n\n12.5–15.5s: Multiple passengers turn rapidly, spreading the infection through the car. Survivors flee toward the connecting door.\n\n15.5–18.5s: Survivors barricade the door with luggage and seat cushions as infected passengers claw and pound against it.\n\n18.5–21.5s: The door violently shudders; infected faces press against the glass. Cracks spread as panic intensifies.\n\n21.5–24.5s: Families retreat as the glass shatters and infected arms break through, grabbing at survivors.\n\n24.5–27.5s: Survivors race toward the front, dragging luggage behind them as a zombie horde crashes through the barricade.\n\n27.5–30s: Survivors slam the next door shut and stare in horror as the infected horde pounds against the glass. Dim flickering lights, heavy breathing, cinematic outbreak ending.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2093550743945105687"
|
||
},
|
||
{
|
||
"id": "seedance:noorlewisx-seedance-ai-b2d98861daf9",
|
||
"title": "Seedance 十五秒连续对白健身房 vlog",
|
||
"description": "对白表演节拍",
|
||
"image": "https://media.goodcase.ai/media/poster/noorlewisx-seedance-ai-b2d98861daf9.jpg",
|
||
"mode": "video",
|
||
"prompt": "15-Second Gym Vlog — Continuous Dialogue\n\nCharacter: The same young adult woman throughout the entire video, wearing a black T-shirt and sporty gym pants. Keep her face, hairstyle, outfit, and appearance consistent from beginning to end.\n\nScene: A realistic modern gym vlog. From the very first frame, the woman is already talking directly to the camera while walking through the gym. She keeps speaking continuously throughout the entire 15-second video—no silent moments and no voice-over.\n\n0–5 sec: She walks toward the camera in selfie-vlog style, smiling naturally and talking directly to the viewer. Gym equipment and people working out are visible in the background.\n\nDialogue:\n\n\"Hey guys! I'm at the gym today, and I'm going to show you a little bit of my workout.\"\n\n5–10 sec: While continuing to talk, she reaches the dumbbell area, picks up a moderate-sized dumbbell with one hand, briefly lifts it in a natural demonstration, and keeps speaking to the camera.\n\nDialogue:\n\n\"I usually start with some simple exercises like this, just to get warmed up.\"\n\n10–15 sec: Still holding the dumbbell briefly, she looks at the camera and continues talking with a friendly smile, then places it back naturally.\n\nDialogue:\n\n\"Alright, let's get started and make this workout a good one!\"\n\nImportant: Continuous talking from start to finish, natural lip-sync matching every word, no narration, no sudden cuts, no change of character or clothing. The same reference character must remain consistent throughout. Realistic gym environment, natural body movement, handheld smartphone vlog style, cinematic 4K quality.",
|
||
"category": "dialogue-performance-beats",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2089573549044568375"
|
||
},
|
||
{
|
||
"id": "seedance:yourplugai-seedance-ai-fb797edfc8e4",
|
||
"title": "Seedance 涩谷黄金时刻近身格斗短片",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/yourplugai-seedance-ai-fb797edfc8e4.jpg",
|
||
"mode": "video",
|
||
"prompt": "Golden Hour CQC in Shibuya ☀️🥋 Tokyo streets are not for amateurs. \n\nA peaceful walk across the iconic Shibuya crossing turns into a martial arts clinic when four street troublemakers pick the wrong target. \n\n✨GPT Image + Seedance 2.0 \n\nVideo Prompt (Phase 1) \n\nCreate a 15-second photorealistic live-action Japanese action video (Phase 1 of 2) in 16:9 horizontal format.\n\nEXPLICIT KINETIC PACING & HIGH-SPEED ENGINE CLAUSE (CRITICAL INSTRUCTION):\nENFORCE AGGRESSIVE, HIGH-OCTANE, HYPER-FAST COMBAT PACING (120%-150% REAL-TIME PLAYBACK SPEED). All strikes, dodges, redirects, and footwork MUST be lightning-fast, snappy, explosive, and relentless with extreme kinetic velocity. DO NOT generate slow, floaty, or sluggish movement except during designated 60fps slow-motion beats.\n\nSTRICT TEMPORAL & SEQUENCE ANCHOR DIRECTIVE:\nThe video generator MUST execute narrative actions in EXACT CHRONOLOGICAL ORDER step-by-step from 0 to 15 seconds:\nStep 1 (0–2s): Fast-paced opening. Ren walks briskly across Shibuya zebra crosswalk in golden hour light; Brawler 1 aggressively intercepts her -> Step 2 (2–5s): Brawler 1 throws a rapid wild punch; Ren executes a lightning-fast Tai Chi circular redirect, flinging him off-balance into Brawler 2 -> Step 3 (5–9s / ULTRA SLOW-MOTION BEAT): Playback drops to 60fps slow-motion: Ren steps inside Brawler 2's guard, driving a brutal Muay Thai elbow strike into his jaw; sweat freezes in golden sun flares as he makes a funny exaggerated pain-cringe -> Step 4 (9–12s): Speed ramps BACK TO HYPER-FAST REAL-TIME: Ren instantly delivers a vicious low leg-kick breaking Brawler 3's knee -> Step 5 (12–15s / EXIT MATCH FRAME): Ren ducks Brawler 4's punch in a split-second and drives a high vertical knee strike into his ribs. Camera locks on a low-angle frame of Ren's knee connected to Brawler 4's torso.\nEnforce rapid martial arts speed, explosive impact physics, and zero sluggish motion.\n\nUse separate production sheets for Ren, Street Brawlers, and Location Bible. Keep Ren's cream trench coat, dark crop top, ponytail, and golden hour Shibuya crosswalk setting consistent throughout.\n\nVISUAL STYLE:\nPhotorealistic live-action 35mm cinema quality, high-contrast golden hour lighting, lens flares, dynamic sweat/impact simulation, zero 3D or anime look.\n\nENVIRONMENT:\nShibuya zebra crosswalk, Tokyo, golden hour sunset, pedestrians, neon billboards, warm asphalt shadows.\n\nAUDIO DIRECTIVE:\nBackground Music: Fast, high-bpm modern Japanese hip-hop beat with rapid drums and heavy bass, dipping during slow-motion.\nSound Effects: Fast wind swooshes, heavy elbow-strike thud, bone-snap crunch, funny exaggerated painful screams.\nVocal Audio: Sharp martial exhale from Ren, funny high-pitched groans from delinquents.\n\nTIMELINE:\n0–2s: Rapid opening on Shibuya crosswalk. Ren walks briskly. Brawler 1 steps in front of her aggressively.\n2–5s: Lightning-fast attack. Brawler 1 swings; Ren redirects his force at hyper-speed using Tai Chi, flinging him into Brawler 2.\n5–9s (60fps SLOW-MOTION BEAT): Playback drops to 60fps. Ren drives a Muay Thai elbow into Brawler 2's jaw in frozen golden sunlight flares.\n9–12s: Speed ramps to hyper-fast 150% real-time. Ren executes a snap Muay Thai leg kick, breaking Brawler 3's knee.\n12–15s (EXIT MATCH FRAME): Ren ducks at top speed and drives a high vertical knee strike into Brawler 4's ribs. Camera locks on low-angle impact hold. End Phase 1 freeze-frame. No text, no logos.\n\nCAMERA:\nFast tracking shot on crosswalk, whip-pan during Tai Chi redirect, speed-ramp zoom on 60fps elbow strike, low-angle lock on knee strike exit hold.\n\nMOVEMENT LOGIC:\nWeight: hyper-fast, sharp, explosive martial speed for Ren; heavy, stumbling, off-balance flailing for Brawlers.\nTime: hyper-accelerated real-time speed transitioning into 60fps slow-motion elbow impact, snapping instantly back into hyper-fast 150% real-time combat.\nSpace: wide crosswalk contracting into close-quarters strike zone.\nFlow: rapid circular redirects (Tai Chi) into lightning-fast hard strikes (Muay Thai).",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@yourPlugAI",
|
||
"sourceUrl": "https://x.com/yourPlugAI/status/2089009512854200745"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithlariab-seedance-ai-801301860e89",
|
||
"title": "Seedance 吉卜力风治愈料理动画",
|
||
"description": "动漫风格锁定",
|
||
"image": "/inspiration-thumbs/seedance/aiwithlariab-seedance-ai-801301860e89.webp",
|
||
"mode": "video",
|
||
"prompt": "A cozy Studio Ghibli-inspired cinematic cooking animation showing a delicious grilled chicken shawarma wrap and refreshing mint-lime soda being prepared step by step. Begin with slicing juicy shawarma meat on a vertical rotisserie, cutting fresh limes, adding ice, mint, and sparkling soda to a chilled glass, then assembling a warm tortilla with grilled chicken, lettuce, tomatoes, onions, purple cabbage, and creamy garlic sauce before rolling it into a perfect wrap. Finish with garnishing the drink with mint and lime, showcasing fizzy bubbles and the final plated meal on a rustic wooden counter in warm golden lighting, with highly detailed food, smooth camera movements, soft depth of field, and a magical hand-painted Ghibli aesthetic.",
|
||
"category": "anime-style-lock",
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithLariab",
|
||
"sourceUrl": "https://x.com/AiwithLariab/status/2088848553863233935"
|
||
},
|
||
{
|
||
"id": "seedance:youmind-surprise-visit-romance-trailer",
|
||
"title": "《惊喜探访》浪漫短片",
|
||
"description": "少见的对白驱动生成视频,每个镜头都配着人物台词而不是纯画面描述,靠一条短信、一路奔跑、…",
|
||
"image": "https://media.goodcase.ai/media/poster/youmind-surprise-visit-romance-trailer.jpg",
|
||
"mode": "video",
|
||
"prompt": "Ultra-realistic cinematic romance film, Hollywood-quality cinematography, fast-paced yet emotionally grounded editing, warm golden-hour lighting transitioning into blue hour, realistic facial expressions, natural chemistry, subtle handheld movement mixed with smooth gimbal shots, shallow depth of field, cinematic lens flares, vibrant city atmosphere, soft ambient crowd sounds, realistic physics, 4K HDR, rich colors, seamless transitions, premium Netflix romance aesthetic.\nCharacters:\nCaden: Young man with short dark hair, black jacket over a white T-shirt, dark jeans, white sneakers, brown backpack. Warm smile, expressive eyes, natural acting.\nGirlfriend: Young woman with long wavy brunette hair, cream oversized sweater, blue jeans, white sneakers, subtle makeup, bright smile, warm personality.\n0:00–0:08 | \"The Message\"\nCamera: Cinematic drone establishing shot sweeping across a lively downtown during golden hour. Cars move below, cafés buzz with life, people walk through crosswalks. The camera dives smoothly toward a park bench where Caden sits checking his phone.\nCut to an extreme close-up of his phone vibrating.\nA text appears.\n\"I'm here ❤️\"\nClose-up of Caden's face.\nHis tired expression instantly transforms into the biggest smile.\nHe quietly laughs.\nCaden (softly)\n\"She actually came...\"\nQuick insert of him grabbing his backpack and standing up.\nMusic begins building.\n0:08–0:18 | \"Running Through the City\"\nCamera: Low-angle tracking shot following Caden jogging through crowded sidewalks.\nFast whip cuts.\n• Jumping over a puddle.\n• Passing street musicians.\n• Dodging tourists.\n• Running through a crosswalk as traffic waits.\nFPV shot races in front of him while he runs toward the camera.\nClose-up of him checking the location pin while smiling.\nCaden\n\"Just don't leave... I'm almost there.\"\nFast push-in on the café sign.\n0:18–0:30 | \"Where Is She?\"\nCamera slows dramatically.\nSteadicam follows him as he enters the cozy outdoor café.\nAmbient sounds replace the music.\nHe looks left.\nNothing.\nLooks right.\nNothing.\nPOV shots scanning every table.\nCouples laugh together.\nFriends drink coffee.\nBut she's nowhere.\nClose-up.\nHis smile slowly fades.\nHe checks the text again.\nStill:\n\"I'm here.\"\nCaden\n\"...Seriously?\"\nHe scratches the back of his neck and sighs.\n0:30–0:42 | \"The Surprise\"\nCamera circles slowly around Caden as he stands confused.\nEverything feels quieter.\nSuddenly—\nTwo soft hands gently cover his eyes from behind.\nExtreme close-up.\nHe freezes.\nA familiar laugh.\nGirlfriend (teasing)\n\"Looking for someone?\"\nWithout turning—\nA smile spreads across his face.\nCaden\n\"I'd know that voice anywhere.\"\nShe removes her hands.\nThe camera swings around into a beautiful slow-motion reveal as he turns to face her.\nWarm sunlight catches her hair.\nThey lock eyes.\nNo dialogue.\nJust smiles.\n0:42–0:54 | \"Together Again\"\nMusic lifts.\nQuick cinematic montage with seamless whip transitions.\n• They hug tightly.\n• They laugh while walking hand in hand.\n• Sharing fries at a food truck.\n• Feeding pigeons in the square.\n• Taking goofy selfies.\n• She steals his cap and runs away.\nHandheld chase shot.\nHe catches her.\nBoth laugh uncontrollably.\nClose-up of their hands naturally interlocking.\n0:54–1:00 | \"Home\"\nGolden hour fades into blue hour.\nWide rooftop overlooking the glowing city skyline.\nThe camera slowly pushes in from behind as they sit side by side.\nShe rests her head on his shoulder.\nWind gently moves her hair.\nA peaceful silence.\nShe smiles without looking up.\nGirlfriend\n\"Worth running across the whole city?\"\nHe chuckles.\nLooks at her.\nCaden\n\"I'd run across the world.\"\nShe smiles.\nThey watch the city lights together.\nThe camera slowly cranes upward, revealing the endless skyline as the music reaches its emotional peak.\nFade to black.\nFinal on-screen text:\n\"Some places are beautiful.\nSome people make them unforgettable.\"",
|
||
"category": "dialogue-performance-beats",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Caden_Flux",
|
||
"sourceUrl": "https://x.com/Caden_Flux/status/2079874069869289682"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-vertical-9-16-cinematic-lifestyle-video-featuring-one-consis-be933c12e780",
|
||
"title": "韩国乡村清晨出门散步",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/02b8ebcffe6f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second vertical 9:16 cinematic lifestyle video featuring one consistent young Korean woman living in a peaceful rural Korean village. The video should feel like a natural everyday moment captured for a Korean lifestyle/X social-media post — quiet, authentic, cozy, photorealistic, not commercial, not overly dramatic.\n\nCharacter consistency:\nA young Korean woman in her early 20s, natural Korean facial features, soft clear skin, long dark-brown/black hair tied loosely in a low ponytail, minimal natural makeup. She wears a cozy cream knit sweater, long dark plaid skirt, white sneakers, and a simple black backpack. Keep her face, hairstyle, body proportions, clothing and backpack 100% consistent throughout every shot.\n\nEnvironment:\nA traditional rural Korean village with a small rustic wooden-and-plaster house, warm wooden interior, simple furniture, handmade baskets, old windows, stone walls, narrow village paths, small gardens, traditional tiled rooftops, distant green mountains and a peaceful countryside atmosphere. Early morning sunlight, fresh air, subtle autumn colors.\n\nSHOT 1 — 0:00–0:02\n\nClose cinematic shot inside her cozy rustic bedroom. She slowly wakes up in a simple bed, opens her eyes and looks toward the warm sunlight coming through the wooden window. Soft curtains move gently from the morning breeze. Natural room ambience, subtle birds outside. Camera slowly pushes in toward her face.\n\nSHOT 2 — 0:02–0:04\n\nMedium shot. She sits up, casually fixes her slightly messy hair and ties it into a loose ponytail. She puts on her cream knit sweater and prepares to leave. Keep the movement natural and unhurried, like a real morning routine.\n\nSHOT 3 — 0:04–0:06\n\nShe picks up her simple black backpack from beside the wooden chair, puts it over her shoulders, checks herself briefly in a small mirror, then walks toward the wooden front door. Warm sunlight enters the room behind her.\n\nSHOT 4 — 0:06–0:08\n\nRear three-quarter shot. She opens the old wooden door and steps outside. Bright natural morning light gently floods the frame. The camera follows her from behind as she leaves the house. Slight realistic exposure adjustment as the camera moves from dark interior to bright exterior.\n\nSHOT 5 — 0:08–0:10\n\nWide cinematic shot of the Korean countryside village. She walks slowly along a narrow stone-and-concrete village path surrounded by small gardens, stone walls and traditional houses. Mountains are visible in the background. Leaves move naturally in the breeze. Camera tracks smoothly behind her.\n\nSHOT 6 — 0:10–0:12\n\nSide-profile close-up while she walks. She briefly looks toward the mountains and takes a peaceful breath. A few strands of hair move naturally in the wind. Sunlight creates a soft glow around her hair. Genuine relaxed expression, no exaggerated acting.\n\nSHOT 7 — 0:12–0:14\n\nShe continues walking down the peaceful village road. Camera slowly moves from behind toward her side. The background reveals rooftops, trees, distant mountains and morning sunlight. She casually touches one hand to her backpack strap.\n\nSHOT 8 — 0:14–0:15\n\nFinal cinematic wide shot from behind. She becomes slightly smaller in the frame as she continues walking toward the distant village and mountains. Hold for a beautiful peaceful ending with warm sunlight and gentle wind.\n\nCamera & visual style:\nPhotorealistic Korean lifestyle cinematography, cinematic 35mm look, natural skin texture, realistic facial movement, subtle film grain, soft depth of field, gentle handheld camera movement, smooth tracking shots, realistic motion blur, natural lens flare, warm morning sunlight, muted earthy colors, soft highlights, detailed rural textures.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2101151635309564095"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-30-second-cinematic-3d-animated-video-in-a-premium-fantasy-adventure-e7a3e6134c65",
|
||
"title": "少女与白狼的魔境之旅",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/5ad00890362b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a 30-second cinematic 3D animated video in a premium fantasy-adventure style, featuring a young girl and her fluffy white wolf pup exploring a magical wilderness. The area is surrounded by majestic mountains, dense green forests, flowing rivers, rocky cliffs, and peaceful lakes under warm cinematic skies. The girl wears a simple adventurous outfit and stays visually consistent throughout the video, while the wolf pup has soft detailed white fur and expressive eyes. They journey together through the forest, cross a sparkling stream, and discover beautiful natural landscapes filled with warm sunlight and gentle mist. Their friendship is shown through playful moments, gentle interaction, and quiet emotional expressions. The camera uses smooth tracking shots, wide cinematic views, close-ups, and slow movements to capture the scale and emotion of each scene. Golden-hour lighting, realistic fur, detailed environments, soft shadows, atmospheric depth, and high-quality cinematic rendering create a premium animated-film look. The final scene shows them resting together beside a peaceful lake at sunset, surrounded by mountains and glowing reflections, creating a warm emotional ending.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2100036712873488488"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-pov-you-wanted-a-cute-mirror-selfie-but-your-dog-wanted-to-be-the-main-charac-3d3e83219d46",
|
||
"title": "狗狗抢镜的镜前自拍",
|
||
"description": "宠物与动物",
|
||
"image": "https://media.goodcase.ai/cases/c7768b152872.jpg",
|
||
"mode": "video",
|
||
"prompt": "POV: you wanted a cute mirror selfie, but your dog wanted to be the main character\n\nMade with Seedance 2.5 \n\nPrompt ↓\n\nREFERENCE & SUBJECT CONSISTENCY Use \"@<image1\" as the exact visual reference for the woman. Maintain identical identity, face, hairstyle, clothing, body proportions, skin texture, and natural appearance. Use exactly ONE small playful dog throughout the entire video. The dog must remain the same individual throughout. No duplicate animal and no other animal. FORMAT 30-second continuous vertical smartphone selfie video. The woman is standing in front of a full-length indoor mirror while holding the phone in one hand. The phone camera is the only camera. Natural window daylight enters from the side. Realistic mirror reflection. No cuts, no transition, no zoom. Natural handheld phone movement. --- 0–5 SEC — MIRROR SELFIE The woman is casually filming herself through the mirror. She adjusts a strand of hair while looking at the phone screen. The dog is initially lower in frame, partially beside her legs. She does not notice it immediately. The camera remains slightly imperfectly framed. --- 5–9 SEC — DOG APPEARS The dog slowly walks into the reflection behind her. She notices movement in the mirror. She turns her head. Her expression changes from neutral to amused surprise. She looks down toward the dog. The dog looks directly back at her. --- 9–14 SEC — FIRST JUMP The dog suddenly jumps upward toward her. She reacts with a surprised laugh. The phone hand moves upward instinctively. The mirror framing becomes slightly tilted. She tries to keep herself and the dog inside frame. The dog lands and immediately looks up again. --- 14–19 SEC — BLOCKING HER FACE The dog jumps again. Its head rises into the center of the mirror reflection and partially blocks her face. She laughs and tries moving sideways. The dog follows her movement. She says: \"Can you move?\" The dog stays directly in front of her. --- 19–24 SEC — SELFIE CHAOS She gently tries to guide the dog lower with one hand while keeping the phone raised. The dog keeps moving toward the phone. Her laughter becomes louder and less controlled. The phone shakes naturally. The reflection remains physically consistent. Her hair moves slightly as she turns. --- 24–27 SEC — DOG APPROACHES LENS The dog suddenly notices the phone itself. It moves directly toward the camera. Its nose approaches the lens. The woman's face remains visible behind it in the mirror. She laughs and pulls the phone slightly backward. The framing becomes tighter. --- 27–30 SEC — LENS BLOCK The dog reaches the phone. Its nose fills a large part of the frame. Whiskers and fur become sharply visible. The woman laughs behind the camera and starts saying: \"You little—\" She cuts herself off laughing. The phone dips slightly. The dog's nose remains close to the lens. The image briefly loses focus and then regains it. The clip ends naturally with the dog still trying to investigate the camera. AUDIO Natural room ambience only. Dog paws against floor, light collar movement if visible, clothing movement, woman's breathing, surprise reaction, genuine laughter and dialogue. No music. No voice-over. No subtitles. No text. No logo. No watermark. No artificial sound effects. STRICT CONSTRAINTS Exactly one woman. Exactly one dog. No other animal. No duplicate reflection. No duplicate woman. No impossible mirror behavior. No extra limbs. No face distortion. No cuts. No zoom. No camera operator. No cinematic effects. Maintain realistic mirror physics and continuous handheld phone movement from beginning to end.",
|
||
"category": "pet-animal",
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2097616213371478242"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-let-s-go-to-shopping-and-be-kind-to-kids-7883b68d50b5",
|
||
"title": "镰仓海边的温柔夏日午后",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/cases/d991e5d9d0df.jpg",
|
||
"mode": "video",
|
||
"prompt": "Let's go to shopping and be kind to kids\n\nSeedance 2.5 on @TapNow_AI \n\nPrompt\n\nCreate a 30-second, 1080p ultra-realistic early-2000s DV home video of a 20-year-old Japanese woman spending a quiet late-summer afternoon in an old seaside neighborhood in Kamakura, Japan.\n\n**MAIN SUBJECT**\n\nA 20-year-old Japanese woman, naturally beautiful, realistic skin texture, minimal makeup, long dark-brown wavy hair loosely tied with a simple fabric hair tie, wearing a fitted pale-yellow short-sleeve top, loose light-blue wide-leg trousers, white canvas sneakers, and a delicate silver necklace. Keep her identity, facial features, outfit, hairstyle, body proportions, and age perfectly consistent throughout the entire video.\n\nShe leaves a small traditional Japanese rental house carrying a woven shoulder tote bag and walks through a narrow residential lane toward a tiny local bakery near the coast.\n\n**SCENE 1 — LEAVING HOME**\n\nShe steps outside, slides the wooden door closed behind her, adjusts her tote bag and walks down a quiet narrow street lined with old Japanese houses, bicycles, potted plants, utility poles and overhead wires.\n\nShe looks toward the camera and casually says:\n\n**“I finally have a slow afternoon.”**\n\nThe camera follows her from behind with imperfect handheld movement.\n\n**SCENE 2 — LOCAL BAKERY**\n\nShe enters a tiny old-fashioned neighborhood bakery with a wooden entrance and glass display case.\n\nShe chooses a melon pan, a small red-bean pastry and a bottled ramune. She places everything carefully inside her woven tote bag.\n\nWhile looking through the small refrigerator, she notices several colorful popsicles.\n\nShe picks up two peach-flavored popsicles, smiles and adds them to her bag.\n\nThe bakery owner places the items into a small paper package and hands it to her.\n\nShe politely says:\n\n**“Thank you, I’ll come again.”**\n\n**SCENE 3 — SEASIDE STREET**\n\nOutside, she walks toward the coast.\n\nShe notices two neighborhood children sitting near a low stone wall, watching bicycles pass by.\n\nShe takes the two peach popsicles from her bag and gives one to each child.\n\nEach child clearly receives one and happily holds it.\n\nOne child says:\n\n**“Really? Thank you!”**\n\nShe smiles and replies:\n\n**“Enjoy it before it melts.”**\n\nThe children happily begin eating their popsicles.\n\nThe popsicles visibly transfer from the bakery refrigerator → woman's tote bag → children's hands. No disappearing or duplicated objects.\n\n**SCENE 4 — BICYCLE**\n\nAs she continues walking, she notices one child's bicycle has fallen over beside the sidewalk.\n\nShe stops, picks it up and holds the handlebars while the child checks the bicycle.\n\nThe child smiles and says:\n\n**“You helped me!”**\n\nShe laughs softly and replies:\n\n**“No problem. Ride carefully.”**\n\nThe child rides away with the other child.\n\n**SCENE 5 — WATER FOUNTAIN**\n\nShe continues toward the seaside and discovers an old public water fountain beside a small park.\n\nShe turns the metal tap.\n\nWater begins flowing naturally.\n\nShe cups her hands under the water and splashes cool water onto her face.\n\nShe laughs naturally, shakes the water from her hands and wipes her face.\n\nShe looks refreshed and says:\n\n**“That feels so good.”**\n\n**SCENE 6 — WALKING HOME**\n\nThe late-afternoon sunlight falls across the quiet Japanese street.\n\nShe walks back toward her house carrying the same woven tote bag.\n\nA bicycle bell rings somewhere in the distance.\n\nShe briefly looks directly into the DV camera and says:\n\n**“Best kind of afternoon.”**\n\nShe smiles, turns toward her house and walks through the wooden entrance.\n\nThe camera remains outside for a moment as the door closes.\n\n**CUT TO BLACK.**\n\n**CAMERA / VISUAL STYLE**\n\nRaw handheld early-2000s Japanese DV camcorder footage. Authentic consumer camcorder aesthetic, shaky handheld movement, imperfect framing, autofocus hunting, occasional focus breathing, faded slightly washed-out colors, soft digital detail, mild compression artifacts, exposure shifts",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithAliya",
|
||
"sourceUrl": "https://x.com/AIwithAliya/status/2097192902829171098"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-20-second-luxury-fantasy-video-in-an-opulent-gold-and-crimson-palac-3c3a7212c358",
|
||
"title": "宫廷女子为皇家文书镶嵌珠宝",
|
||
"description": "过程变身蒙太奇",
|
||
"image": "/inspiration-thumbs/seedance/seedance-a-cinematic-20-second-luxury-fantasy-video-in-an-opulent-gold-and-crimson-palac-3.webp",
|
||
"mode": "video",
|
||
"prompt": "A cinematic 20-second luxury fantasy video in an opulent gold-and-crimson palace chamber with crystal chandeliers, ornate gold furniture, red velvet chairs and warm candlelight. A stunning young woman with platinum blonde hair in elaborate jeweled braids, wearing a sparkling ice-blue beaded gown, diamond tiara, pearl drop earrings and soft pink makeup, green eyes. She customizes objects with precision tweezers, pearls and crystals.\nOpening close-up: her hands placing tiny rhinestones around the camera module of a light-blue iPhone using silver tweezers. She then holds the decorated phone and smiles softly while looking at it.\nShe decorates a rose-gold crystal compact, holds an ornate jeweled perfume bottle toward the camera, and gazes at a small diamond-encrusted photo frame on a gold table scattered with loose pearls.\nQuick shot of organized trays filled with white pearls, clear crystals, gold beads and rhinestones.\nShe picks up a black fountain pen, leans over a large official parchment document with a royal coat of arms, wax seal and the heading “I Victores D’Ulvenwind”, then uses a fine tool to attach pearls and diamonds along the edges and corners of the document. She signs it and proudly holds up the finished jeweled letter.\nA tall, handsome man with sharp features and dark hair, wearing an elaborate dark navy velvet jacket heavily embroidered with silver thread, pearls and jewels, stands beside her, takes the document and reads it. She looks up at him from her seat. He smiles. Soft golden lighting, shallow depth of field, highly detailed, photorealistic, elegant and dreamy atmosphere.",
|
||
"category": "process-transformation-montage",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2095741799402758204"
|
||
},
|
||
{
|
||
"id": "seedance:just-sharon7-seedance-ai-5f2b0c838698",
|
||
"title": "GPT Image 2 + Seedance 看饿人的吃播短片",
|
||
"description": "美食 ASMR",
|
||
"image": "https://media.goodcase.ai/cases/b3cd9e34db34.jpg",
|
||
"mode": "video",
|
||
"prompt": "I was already starving and then I wattched this video of her eating.\n\nGPT Image 2 + Seedance 2.5 on @TapNow_AI \n\nprompt\n\nImage1 Main Subject: Young woman, 20, natural everyday appearance, extremely long wavy blonde hair in a loose half-up style with wispy bangs, realistic skin texture, minimal makeup, slightly sleepy but cheerful personality. follow only the proportion of cleavage from this reference image Image1 \n\nWearing a soft mustard-yellow cardigan over a white cotton blouse with a deep plunging scoop neckline that that accentuates her large cleavage, dark navy pleated midi skirt, white ankle socks, brown loafers, and a small canvas shoulder bag. Maintain consistent identity, clothing, hairstyle, and appearance throughout.\n\nLocation: Quiet traditional neighborhood in Gyeongju on a cool autumn morning. Low tiled-roof houses, stone walls, narrow lanes, small gardens, bicycles, old utility poles, fallen leaves, and a tiny family-owned bakery with a fogged glass window and handwritten Korean signs. No tourists or busy traffic.\n\nVisual Style: Ultra-realistic documentary realism. Genuine candid behavior, subtle expressions, natural movement, authentic Korean small-town atmosphere.\n\nCamera Style: Early-2000s consumer MiniDV camcorder. Heavy handheld shake, imperfect framing, autofocus hunting between bakery windows and her face, exposure pumping between indoor and outdoor light, faded colors, soft contrast, slight motion blur, DV compression artifacts, mild sensor noise, no stabilization.\n\n00:00–00:03\nShe walks down the quiet lane carrying her shoulder bag, stepping through fallen leaves. She notices the small bakery and slows down.\n\n00:03–00:06 — Bakery\nInside, she looks through the glass display and chooses a freshly baked red-bean bun. Warm bakery light reflects on the glass while autofocus struggles to find her face.\n\nThe elderly bakery owner smiles and says softly:\nEnglish subtitle: “Fresh out of the oven.” (방금 구운 거예요.)\n\nShe gives a small sleepy smile and replies:\nEnglish subtitle: “Thank you.” (감사합니다.)\n\n00:06–00:09\nShe steps outside, takes a small bite, and smiles while warm steam escapes from the fresh bread. A bicycle passes behind her.\n\nShe quietly says to herself:\nEnglish subtitle: “It’s warm.” (따뜻하다.)\n\n00:09–00:12\nShe continues toward a nearby stone wall, checking the time on her small wristwatch as morning sunlight reaches the street.\n\nShe looks toward the camera and murmurs:\nEnglish subtitle: “I’m going to be late.” (늦겠다.)\n\n00:12–00:15\nShe notices the camera, laughs softly, gives a quick little wave, and walks away toward the old neighborhood. The operator accidentally points at the pavement before the recording continues.\n\nShe laughs and says:\nEnglish subtitle: “Bye.” (안녕.)\n\n00:15–00:18 — Small neighborhood moment\nAfter she walks away, the camera follows her loosely. She passes an elderly local resident sweeping fallen leaves near a stone wall. They exchange a brief polite nod.\n\nThe elderly resident says:\nEnglish subtitle: “Good morning.” (좋은 아침이에요.)\n\nShe responds naturally:\nEnglish subtitle: “Good morning.” (안녕하세요.)\n\nThe camera lags behind slightly.\n\n00:18–00:21 — Autumn detail\nShe stops beside a tiny garden and notices a few red autumn leaves caught on a bicycle basket. She gently picks one up, looks at it for a second, then puts it back.\n\nShe quietly says:\nEnglish subtitle: “Pretty.” (예쁘다.)\n\nThe camcorder briefly loses focus.\n\n00:21–00:24 — Old neighborhood atmosphere\nShe continues walking past traditional houses. A small dog appears behind a low gate and watches her. She smiles and gives it a tiny wave.\n\nShe softly says to the dog:\nEnglish subtitle: “Hi.” (안녕.)\n\nThe dog remains behind the gate.\n\n00:24–00:27 — Bakery callback\nShe suddenly realizes she is still holding the paper bag. She looks inside, takes another small bite of the red-bean bun, and keeps walking.\n\nShe smiles and says:\nEnglish subtitle: “So good.” (맛있다.)\n\nThe bakery door chime can faintly be heard in the distance.\n\n00:27–00:30 — Imperfect ending\nShe reaches the end of the narrow lane and turns back toward the camera for one last smile. She raises her hand in a casual goodbye.\n\nShe says softly:\nEnglish subtitle: “See you.” (또 봐요.)\n\nThe operator tries to zoom in, but the image becomes soft and shaky. The camera accidentally tilts toward the autumn sky and tiled rooftops, then down toward the pavement. Abrupt MiniDV cut to black.\n\nAudio: Natural ambience only–morning birds, footsteps on leaves, bicycle bell, distant scooter, bakery door chime, quiet conversation, paper bag rustling, soft wind, and the girl's natural Korean dialogue. Dialogue should sound spontaneous, quiet, and conversational, never like scripted acting. No music. No narration.\n\nSubtitle Style: Burned-in English subtitles for every spoken Korean line, with the original Korean dialogue immediately after the English subtitle in parentheses. Keep subtitles small, simple, white, and slightly imperfect like early consumer-video captions. No modern stylized typography, no animated captions, no text overlays other than the dialogue subtitles.\n\nGoal: A forgotten MiniDV recording from 2004, capturing an ordinary autumn morning in historic Gyeongju–quiet, nostalgic, imperfect, intimate, and completely believable.",
|
||
"category": "food-asmr",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2089737554061148465"
|
||
},
|
||
{
|
||
"id": "seedance:nawalsehar-seedance-ai-97aa872cb79d",
|
||
"title": "Seedance 2.5 山林徒步电影感跟拍短片",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/media/poster/nawalsehar-seedance-ai-97aa872cb79d.jpg",
|
||
"mode": "video",
|
||
"prompt": "A young traveler hikes through a lush mountain forest, crosses a wooden bridge over a flowing stream, and reaches a stunning waterfall hidden among moss-covered rocks. Ultra-realistic travel documentary, authentic hiking movement, realistic environmental physics, natural English lip-sync, bright daytime lighting, immersive forest ambience, and seamless story continuity throughout.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2089219802598658291"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-30-second-ultra-photorealistic-early-2000s-korean-dv-camcorder-home-vi-a1843d10235f",
|
||
"title": "韩国女孩在首尔老街区的午后漫步",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/517b13799b20.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic early-2000s Korean DV-camcorder home video of a young Korean woman spending a quiet afternoon exploring an older Seoul residential neighborhood. Keep her face, hairstyle, body proportions, outfit, and overall appearance perfectly consistent throughout.\n\nShe leaves home, locks the door, and walks through narrow lived-in streets with old apartments, small houses, bicycles, utility poles and potted plants. She greets an elderly neighbor, browses a tiny stationery shop and buys a cute notebook. She notices a stray cat beside a scooter, crouches and softly says “Hello,” then visits a neighborhood bakery, buys a red-bean bun and eats it while walking.\n\nShe pauses beside an old public phone booth, then reaches a quiet crossroads. She looks at the camera and says, “It was a nice day,” gives a small wave, and walks home.\n\nAuthentic early-2000s consumer DV footage: handheld shake, imperfect framing, autofocus hunting, exposure shifts, soft digital detail, mild digital noise, natural motion blur, subtle interlacing, awkward zooms and genuine low-resolution camcorder character. Realistic physics, natural blinking, walking and subtle expressions.\n\nNatural diegetic audio only. No music, narration, subtitles, CGI, beauty filters, cinematic grading, slow motion or polished camera movement.\n\nNegative prompt: inconsistent face, changing outfit, morphing, distorted hands, extra fingers, duplicated people, unnatural movement, plastic skin, CGI look, modern cinematic camera, excessive stabilization, teleportation, floating objects, logos, watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2106238790666989717"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-this-is-one-single-unbroken-continuous-shot-lasting-the-full-30-seconds-441d3bf743b0",
|
||
"title": "银发双刀女剑士突袭日式城堡",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/614552b6a770.jpg",
|
||
"mode": "video",
|
||
"prompt": "KAZEMIRU: THE JADE-WIND BLADE: ONE-TAKE CASTLE ASSAULT\nDuration: 30 seconds | Aspect Ratio: 16:9 | No music\n\nONE-TAKE LOCK:\nThis is ONE SINGLE UNBROKEN CONTINUOUS SHOT lasting the full 30 seconds.\nZERO cuts. ZERO dissolves. ZERO fades. ZERO match-cuts. ZERO time jumps.\nZERO scene resets. The camera never leaves the action and every location\nchange happens physically inside the shot: the camera passes through torn\ndoors, over railings and up the roof with Kazemiru. Time runs in real time.\n\nSTYLE:\nUltra-photorealistic live-action Japanese dark-action cinema with restrained\nsubtle VFX. Impossible anime-inspired dual-sword choreography performed by\nreal human bodies. Large-format cinema look, natural daylight, muted earthy\ncolor palette, soft realistic shadows, no oversaturated colors.\n\n@Image1 is KAZEMIRU. Preserve her exact face, silver-white ponytail, torn\nivory kimono, charcoal split hakama, wind-swirl forearm tattoo and gold hoop\nearrings in every frame.\n@Image2 shows the five elite guards. @Image3 shows Captain Tetsugan.\n\nPOSITIVE LOCKS (true for all 30 seconds):\n- Exactly ONE Kazemiru with exactly TWO real steel katanas, one in each\n hand, both always visible and independently controlled.\n- Her face always matches @Image1.\n- Every enemy comes from @Image2 or @Image3 and stays visually consistent.\n- Her body physically crosses every distance, with no teleportation.\n- It is always daytime with bright natural light.\n\nPERSONALITY:\nCold, calm, battle-hungry. Minimal expression, steady breathing, focused\neyes. Her hunger shows through relentless speed and escalating ferocity,\nnever through grinning or shouting.\n\nJADE-WIND EFFECT:\nEvery fast movement leaves a thin, soft jade-green wind trace that follows\nher exact physical path and fades almost instantly: sword arcs leave fine\nblade trails, spins bend the air, footsteps kick tiny wakes, supersonic\nbursts add a brief compressed-air ripple. Always thin, subtle and realistic.\nNo aura, no smoke, no glowing body, no effects moving on their own.\n\nCAMERA (one continuous handheld-style pursuit):\nConstant dutch angle of 25–35°. Wide field of view around 75° in the\ninterior and courtyard, tightening to about 50° for the rooftop duel.\nKazemiru moves first and the camera follows 0.1–0.3 seconds late: whip-pan,\novershoot, correct, reacquire at the moment of contact. The camera flows\nthrough rear over-the-shoulder, low-angle pursuit, side tracking,\nground-level chase and front three-quarter retreat, always in one connected\nmovement. Never static, never perfectly smooth.\n\n══ 0:00–0:10: THE GRAND AUDIENCE HALL ══\nSetting: bright daylight through large shoji panels, gold folding screens,\ntall dark timber pillars, tatami sections, raised platform, armor displays,\nlow lacquer tables, silk curtains.\n\n0:00–0:03: Rear over-the-shoulder, five guards closing in. Her fingers tighten\non both hilts. BURST: a thin jade streak snaps across the hall and the silk\ncurtains whip. The camera loses her, whip-pans, and finds her inside\nGuard 1's reach. Left blade parries, right blade slashes diagonally, a pivot,\na reverse cut. He drops.\n\n0:03–0:06: Guards 2 and 3 converge. She ducks under a swing, plants a foot on\na pillar and pushes off, dust bursting from the wood. Mid-air her left\nsword deflects Guard 2 and her right sword cuts down. She lands on the edge\nof a lacquer table, which slides back, and rebounds straight toward Guard 3.\n\n0:06–0:10: Aerial right slash, left reverse slash, dual cross-slash with two\nseparate jade trails. She lands low and bursts across the floor. Guard 4's\nspear thrusts: she runs two steps up a wall, flips off, and cuts him down\nthrough a folding screen. Guard 5 charges: she catches his blade with one\nsword, vaults the railing above him, and finishes with a cross-slash as she\nlands behind him.\n\n══ 0:10–0:20: THE PALACE COURTYARD ══\nTransition inside the same shot: she does not pose. Both swords still in\nhand, she drives straight through the paper doors in one burst. The torn\npaper flutters past the lens as the camera follows her through the doorway\nonto the wooden veranda and out into a stone courtyard with lanterns, a koi\npond, a red lacquer arched bridge and pine trees. Eight new guards: swordsmen\nbelow and archers on the roofs.\n\n0:10–0:13: A volley of arrows. She cuts two out of the air with a spinning\ndouble slash and a third grazes her sleeve. She sprints along the veranda,\npivoting off each post, a jade ripple following her feet.\n\n0:13–0:16: She kicks off a stone lantern, which tips over, and leaps onto the\nbridge railing. Three swordsmen charge. She runs along the rail, slashes the\nfirst, flips over the second, and lands in the koi pond with a huge splash.\nIn the water she parries two blades and cuts both guards. Droplets scatter\nacross the lens.\n\n0:16–0:20: She bursts out of the pond and sprints up a pine trunk in three\nsteps. The camera tilts up with her. She launches onto the roof among the\narchers: left sword disarms, right sword strikes, roof tiles scatter. Two\narchers fall.\n\n══ 0:20–0:30: THE ROOFTOP DUEL ══\nTransition inside the same shot: she keeps climbing over the roof ridge and\nthe camera rises with her, tightening to a 50° field of view. The tiled\ncastle rooftop opens up with wind in her ponytail and the town far below.\nCaptain Tetsugan (@Image3) waits with his naginata, calm and unflinching.\n\n0:20–0:23: Tetsugan sweeps the naginata in a wide arc. Kazemiru ducks, slides\ndown the sloping tiles, and crosses both swords to stop the blade. Sharp\nmetal sound as his strength pushes her back a step. Her expression stays\ncold.\n\n0:23–0:27: Fast exchange: his thrust, her left parry, her right slash that cuts\nhis armor cord. He spins the pole and sweeps for her feet: she jumps, kicks\noff the shaft, and flips over him. Mid-air she cuts both swords across his\nback armor. Tiles crack under their feet and a faint jade wake curves around\nher path. He staggers, strikes back, and she narrowly dodges as the blade\ncuts a roof beam.\n\n0:27–0:30: Supersonic burst along the ridge line, the jade streak slightly\nbrighter but still thin. She slides under the naginata, and as she rises\nboth swords slice through the shaft in a clean cross-cut. Tetsugan drops to\none knee, defeated but alive. Kazemiru stands, both swords still in hand,\nand the last jade filaments disappear. She turns her cold eyes toward the\ncourtyard far below, where dozens more guards pour in. The camera slowly\npulls back and up to a wide shot of the whole castle. She lowers her body for\nthe next burst. THE FIGHT CONTINUES.\n\nAUDIO:\nSword resonance, compressed-air whooshes, metal clashes, footsteps on wood\nand tiles, arrows, water splashes, fluttering silk and paper, enemy shouts,\nwind over the rooftops. No dialogue, no music.\n\nHUMAN-FIRST LOCK:\nKazemiru is always a real human: natural skin pores, real eyes, individual\nhair strands, believable anatomy and cloth physics. Only her choreography is\nanime-level impossible.\n\nNEGATIVE:\ncuts, edits, dissolves, fades, scene transitions, time jumps, multiple\nshots, single-sword fighting, missing or duplicate sword, duplicate\nKazemiru, clones, teleportation, thick aura, smoke, glowing body, neon or\noversaturated colors, detached VFX, random flips, decorative acrobatics,\nidle pose, static camera, perfectly smooth tracking, slow combat, floating,\nbroken anatomy, CGI or plastic skin, anime rendering, blood, gore, subtitles,\nlogos, watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Chaemate_",
|
||
"sourceUrl": "https://x.com/Chaemate_/status/2105958420088328486"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-eba905fedcff",
|
||
"title": "Seedance 2.5 深夜厨房手机实录做饭",
|
||
"description": "固定机位手机实拍风:深夜厨房做饭 30 秒,自动对焦游移、小失误与收尾独白,分时段脚本…",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-2-5-eba905fedcff.jpg",
|
||
"mode": "video",
|
||
"prompt": "FORMAT: 30-second horizontal 16:9 realistic smartphone video.\nCreate an authentic, imperfect everyday late-night kitchen phone recording, as if a friend casually left a phone recording on the counter. Use a standard smartphone camera with mild autofocus hunting, subtle exposure shifts, natural motion blur, compression artifacts, and slightly uneven handheld framing. No polished commercial look.\n00–05s — WALKING IN\nThe character walks into a quiet home kitchen carrying a small grocery bag. They set it on the counter, sigh quietly, and pull out a few simple ingredients.\nThey glance at the phone for a second before turning back toward the counter.\nCamera remains several feet away at counter height, as if casually recording from a nearby surface.\n05–10s — GETTING STARTED\nThey wash their hands, turn on the kitchen light, and begin preparing the ingredients.\nA cutting board shifts slightly against the counter. They pause to move it into a better position.\nThe character looks tired but relaxed, occasionally brushing their hair away from their forehead.\n10–15s — COOKING\nThey place a pan on the stove and begin cooking.\nSteam gradually becomes visible. The phone autofocus briefly shifts between the character and the foreground pan before settling again.\nThey stir the food, taste a tiny amount, think for a moment, then add a little more seasoning.\nNo readable labels or packaging should be visible.\n15–20s — SMALL MISTAKE\nThe character gets distracted for a moment and notices the food starting to cook more quickly than expected.\nThey immediately lower the heat and give a small amused shake of their head.\nThey quietly mutter something like:\n“Yeah… almost forgot about that.”\nThe delivery should feel spontaneous and understated.\n20–25s — FINISHING\nThey finish preparing the food, turn off the stove, and carefully transfer the meal onto a plate.\nThey wipe a small splash from the counter with a paper towel.\nNatural movements only—nothing overly choreographed.\n25–30s — QUIET ENDING\nThey sit at the kitchen table with the finished meal.\nThey take one bite, pause, and give a small satisfied smile.\nThey look toward the phone and quietly say:\n“Honestly… not bad.”\nThey pick up the fork again and continue eating as the camera keeps recording for another moment before the clip naturally ends.\nAUDIO\nNatural kitchen ambience only: refrigerator hum, ventilation, running water, utensil sounds, pan sizzling, footsteps, clothing movement, cupboard and drawer sounds, plate and fork noises, and subtle room ambience.\nNo music.\nDialogue should sound spontaneous and conversational, with natural pauses and imperfect delivery.\nVISUAL REALISM\nAuthentic smartphone footage, ordinary warm household lighting, realistic skin texture, natural shadows, mild phone-camera sharpening, subtle compression noise, imperfect exposure, slight autofocus changes, believable reflections, natural steam, realistic food textures, and ordinary kitchen imperfections.\nSTRICTLY AVOID: cinematic color grading, beauty filters, artificial skin smoothing, dramatic slow motion, music, subtitles, captions, logos, readable text, perfect lighting, excessive camera shake, exaggerated acting, unrealistic food or steam, duplicated objects, warped hands, unnatural facial expressions, scene cuts, time jumps, or skipping the described actions.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["x", "seedance-2.5", "vlog", "realistic"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIWithRay",
|
||
"sourceUrl": "https://x.com/AIWithRay/status/2087544594384773346"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-5bea56e008fc",
|
||
"title": "奶油鸡肉意面烹饪 Vlog",
|
||
"description": "一份详细的 30 秒烹饪 Vlog 分镜脚本提示词,专注于食材准备、烹饪步骤以及角色一…",
|
||
"image": "https://media.goodcase.ai/media/poster/vlog-5bea56e008fc.jpg",
|
||
"mode": "video",
|
||
"prompt": "DURATION: 30 seconds ASPECT RATIO: Use the video's available landscape/cinematic ratio. STYLE: Ultra-photorealistic live-action cooking and lifestyle vlog, premium food-commercial cinematography, realistic human behavior, natural hand movements, realistic cooking physics, authentic home atmosphere, cinematic lighting, subtle handheld camera movement, realistic food textures, natural skin and hair. REFERENCE ASSIGNMENT: @IMG1 = FEMALE CHARACTER @IMG2 = KITCHEN ENVIRONMENT @IMG3 = INGREDIENTS AND COOKING SETUP @IMG4 = COOKING ACTION @IMG5 = FINISHED CREAMY CHICKEN PASTA @IMG6 = DINING SCENE Use all uploaded references consistently. CHARACTER CONSISTENCY: The SAME woman from @IMG1 must appear throughout the entire video. Preserve her exact face, facial features, hairstyle, skin tone, body proportions and overall identity. Do not change her appearance between scenes. Preserve the same casual home-cooking outfit from @IMG1. FOOD CONSISTENCY: The dish throughout the entire video is EXACTLY the creamy chicken pasta shown in @IMG3 and @IMG5. Maintain the same pasta, chicken, mushrooms, cherry tomatoes, cream sauce, parmesan and parsley throughout. Do not change the dish between scenes. --- 0–4 SECONDS — PREPARATION Use @IMG2 and @IMG3. The woman enters the kitchen and approaches the countertop. The ingredients for creamy chicken pasta are neatly arranged in front of her. She looks over the ingredients and begins preparing dinner. Camera starts with a natural medium-wide kitchen shot and gently moves closer. Show the real home environment. --- 4–9 SECONDS — CHOPPING Use @IMG3 and @IMG4. The woman places vegetables on the wooden cutting board. She carefully chops garlic, onion and mushrooms with a kitchen knife. Show realistic hand and finger movement. Include a brief close-up of the knife cutting the vegetables. Vegetables naturally separate as she cuts them. Return to a medium shot showing her focused expression. Keep the action smooth and believable. --- 9–15 SECONDS — COOKING Use @IMG4. She places the pan on the stove and adds a small amount of olive oil. She adds the prepared chicken and vegetables into the hot pan. A realistic sizzling sound and subtle steam accompany the cooking. She uses a wooden spoon to stir the ingredients. The chicken gradually cooks while the vegetables soften. Camera moves from a side angle toward the pan. Include a close-up of the food sizzling and being stirred. --- 15–20 SECONDS — CREAMY SAUCE & PASTA Continue using @IMG4 and @IMG3. She adds the creamy sauce ingredients to the pan. The sauce mixes naturally with the chicken and vegetables. She adds the cooked pasta. She gently tosses and stirs everything together. The creamy sauce coats the pasta realistically. Steam rises naturally from the pan. Show a satisfying close-up of the finished creamy texture. Do not rush this action. --- 20–24 SECONDS — PLATING Use @IMG5. The woman transfers the freshly cooked creamy chicken pasta from the pan onto the ceramic plate. She carefully arranges the pasta. She adds parmesan and fresh parsley on top. A small amount of realistic steam rises from the hot food. Camera transitions into a premium close-up food shot. Make the dish look genuinely freshly cooked and appetizing. --- 24–30 SECONDS — DINNER Use @IMG6. The woman sits at the dining table with the finished creamy chicken pasta. She picks up the fork naturally. She takes a small bite. She tastes the food and gives a genuine satisfied smile. She briefly looks toward the camera as if sharing the moment with her audience. Camera slowly pushes toward her and the plate. End on a warm, cozy lifestyle shot of the woman enjoying the dinner she prepared herself. CUT TO BLACK. --- CAMERA PRIORITY: Use natural cinematic camera movement. Wide establishing shots for the kitchen. Medium shots for cooking actions. Close-ups for chopping and sizzling food. Macro-style food detail during sauce and plating. Gentle push-in during the final dining moment. Avoid excessive camera shake. Avoid unnecessary camera movement. Keep the woman and the food clearly readable. --- REALISM PRIORITY: Natural human movement. Realistic hand anatomy. Realistic knife handling. Realistic food physics. Realistic steam. Realistic sauce consistency. Realistic sizzling and stirring. Natural facial expressions. Natural eating motion. No exaggerated movements. No instant food transformations. No teleporting ingredients. No changing kitchen. No changing outfit. No changing character. --- FINAL RULES: Same woman throughout. Same face throughout. Same kitchen throughout. Same outfit throughout. Same creamy chicken pasta throughout. Same ingredients throughout. No different woman. No face morphing. No extra people. No distorted hands. No extra fingers. No unrealistic eating. No cartoon. No anime. No fantasy. No text. No logos. No watermark. The final result should feel like a genuine cinematic cooking vlog filmed inside a real woman's home. Reference Image prompt: Create an ultra-photorealistic premium female character reference sheet using the uploaded woman as the STRICT IDENTITY REFERENCE. IDENTITY — ABSOLUTE PRIORITY: Preserve the exact identity of the woman in the uploaded image. Keep her: - exact face shape - eyes - eyebrows - nose - lips - jawline - skin tone - natural skin texture - hairstyle - hairline - facial proportions - age appearance - feminine body proportions Do not redesign her face. Do not beautify or alter her recognizable features. She must look like the exact same real woman in every view. CHARACTER CONCEPT: Create a realistic modern young woman who will be the main protagonist of a cinematic everyday cooking/lifestyle video. She has a natural, approachable appearance and relaxed confident personality. Create a realistic everyday home-cooking appearance rather than a fashion-model look. OUTFIT: A tasteful modern casual home outfit suitable for cooking dinner: - simple fitted neutral-colored top - comfortable casual trousers - clean natural styling - minimal jewelry - no high-fashion styling - no excessive makeup Keep the outfit practical and believable for a woman cooking at home. CHARACTER SHEET LAYOUT: Create one professional reference sheet containing: 1. Full-body FRONT view 2. Full-body 3/4 FRONT view 3. Full-body SIDE view 4. Full-body BACK view 5. Medium portrait 6. Close-up facial portrait 7. Natural smiling expression 8. Neutral expression 9. Hands and clothing detail Every view must show the EXACT SAME WOMAN. BODY & ANATOMY: Natural realistic feminine proportions. Lean, healthy everyday physique. Accurate human anatomy. Natural posture. No exaggerated body proportions. HAIR: Preserve the exact hairstyle from the uploaded reference. Show realistic individual hair strands and natural volume. PHOTOGRAPHY: Ultra-photorealistic live-action photography. Premium cinematic lifestyle production quality. Realistic skin pores and texture. Natural hair detail. Physically accurate clothing fabric. Soft professional studio lighting. Natural shadows. Subtle realistic depth of field. High-end commercial photography quality. BACKGROUND: Clean warm-neutral studio background. Minimal distractions. The character must be clearly separated from the background. IDENTITY CONSISTENCY: This exact woman will be used as the main character in: @IMG1 Character @IMG4 Cooking Action @IMG6 Dining Scene and the final 30-second video. Her face and identity must remain identical across all references and video scenes. IMPORTANT NEGATIVE RULES: No face redesign. No different woman. No face morphing. No age change. No hairstyle change. No masculine features. No exaggerated makeup. No unrealistic body proportions. No cartoon. No anime. No CGI-looking skin. No text. No logo. No watermark. Premium photorealistic cinematic character ref",
|
||
"category": "process-transformation-montage",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@ElsaSofia__AI",
|
||
"sourceUrl": "https://x.com/ElsaSofia__AI/status/2091483398972080172"
|
||
},
|
||
{
|
||
"id": "seedance:youmind-1980s-slasher-yacht-octopus",
|
||
"title": "80 年代游艇章鱼杀手恐怖片段",
|
||
"description": "30 秒里塞进五个固定角色和一场游艇章鱼袭击,用秒级时间轴控制每三秒一次镜头切换,靠 …",
|
||
"image": "/inspiration-thumbs/seedance/youmind-1980s-slasher-yacht-octopus.webp",
|
||
"mode": "video",
|
||
"prompt": "1980s film, authentic live-action footage shot on 35mm with heavy grain, vibrant yet gritty saturated colors, practical neon lighting mixed with harsh strobes and fog. Fast chaotic editing packed with abrupt cuts, glass reflections, POV inserts, strobe flashes and dynamic movement to create total disorientation and panic. Real practical squib blood, rubber tentacles and physical stunts. Period-accurate 80s performances: big hair, colorful outfits, leg warmers, exaggerated fear and desperate physicality. Visualized synth atmosphere through pulsing lights and sudden dead silence.\n[IMAGE REFERENCES] Generate from scratch a consistent group of five mid-80s young adults with distinctly different looks—tall blonde mullet guy in neon shirt, short chubby dark-curly guy in Hawaiian print, slim big-curled redhead girl in neon dress, athletic black-ponytailed girl in crop top, lanky glasses brunette in pastel polo—in colorful yacht-party fashion and one original giant octopus killer with thick rubber tentacles and gaping beak. All on a neon-drenched luxury yacht in pure practical 1980s slasher style.\n[TIMELINE SECOND BY SECOND] 0-3s: [Rapid Disorientation Montage] Quick jarring cuts on the dimly lit yacht deck at night. Neon lights pulsing, five friends laughing and dancing with drinks, music blasting. Inserts: champagne spilling, one girl's smile fading as mist rises from the water, glass reflection briefly showing a massive tentacle that vanishes. Strobe flicker. Laughter dies as engines are dead and no land in sight.\n3-6s: [Rising Panic Montage] Fast cuts as panic spreads. Tall blonde runs to the helm, radio smashed. Close-up of broken mic. Two girls huddle near railing, eyes wide, calling names that echo. Low-angle POV gliding through thick fog. Drink glass tips. They split—one to cabins, one to stern. Water reflections show tentacles moving unseen.\n6-9s: [First Attack Sequence] Sudden violence, rapid-fire cuts. Giant octopus erupts from foggy water. Quick cuts: massive tentacle lit by strobe, slamming down, bright squib blood spray across pink jacket. Body drops hard on wet deck. Others scream and scatter, slipping. One girl falls. Octopus advances with heavy tentacle movements while neon keeps pulsing.\n9-12s: [Full Chaos & Practical Kills] Frenzied montage. Multiple cuts: guy racing for life raft, tentacle appears behind him. Girl hides behind bar, tentacle smashes through, practical blood on counter. Another cornered against cabin wall, lifted and slammed, body slides leaving red streak. Feet scraping, bodies falling, fog swirling around practical gore. Violent strobes. Survivor swings boat hook, dull thud on tentacle.\n12-15s: [Climax & Lingering Threat] Fast cuts. Last two desperately lower a life raft. One yanked into fog and water, scream cut short. Final girl turns, face sweat-and-blood covered, backing on slippery deck. Wide shot of yacht littered with bodies under pulsing neon. Octopus rises again, tentacle cracked but massive. She runs into darkness as strobe freezes on the gaping beak. Slight film burn at end.\n[STYLE & QUALITY BOOSTERS] Photorealistic 1980s film emulation, heavy natural grain and reel artifacts, authentic practical squib blood and rubber-tentacle stunts, coherent physics with realistic slips and momentum on wet wooden deck.",
|
||
"category": "cinematic-narrative-short",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@mrdejie",
|
||
"sourceUrl": "https://x.com/mrdejie/status/2083433982356836382"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-use-seedance-2-5-model-j-pop-idol-mv-skill-105b52156ccd",
|
||
"title": "聚光灯下的偶像舞台秀",
|
||
"description": "音乐卡点 MV",
|
||
"image": "https://media.goodcase.ai/cases/506d85ad9946.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use Seedance 2.5 model + J-pop idol MV skill.\n\nGOAL:\nCreate a full high-energy J-pop / K-pop style idol music video that is perfectly synced to the uploaded audio track. The video must feel continuous, connected, and performance-driven — every body movement, camera move, light flash, and formation change lands exactly on the beat and lyrics. No static moments. Constant motion and visual payoff.\n\nSTEP 1 – GENERATE CHARACTERS FIRST (mandatory):\nBefore any video generation, create and lock consistent character reference images for the main performers:\n\nMain Idol (Center / Lead):\n- Young East Asian female (Korean or Japanese features)\n- Sharp, charismatic face with strong eye contact and confident expression\n- Long dark hair with subtle glossy highlights (or stylish short bob if preferred)\n- Perfect stage makeup, glossy skin, defined eyes\n- Stage outfit: high-fashion idol look — structured crop top or fitted jacket with metallic/embellished details, high-waisted pants or short skirt with movement-friendly fabric, statement heels or boots, subtle jewelry that catches light\n- Aura: powerful, magnetic, “born for the spotlight”\n\nBackup dancers (2–4 members):\n- Matching but slightly varied East Asian idol looks\n- Coordinated but not identical outfits in the same color family\n- Clean, sharp choreography presence\n\nGenerate full character sheets (front, 3/4, side, full body) for the Main Idol and at least one clear group reference. Lock these as permanent references for the entire project. Do not change faces, body proportions, hair, or core outfit between shots.\n\nSTEP 2 – MUSIC VIDEO STRUCTURE & SYNC:\nUpload the audio. Analyze the lyrics and energy:\n\n[Chorus]\nWatch me, watch me take the floor (hey!)\nWatch me, watch me run the show (uh!)\n\n[Verse]\nHeels click, doors swing, I walk in slow-mo\nRoom stops, jaws drop, call it my solo\nDon’t need permission, I’m the whole exhibition\nFlash flash, catch me in high definition\n\n[Pre-Chorus]\nTurn it up, feel the rush, we’re about to blow\nCount it down, three two one, here we go\n\n[Chorus]\nWatch me, watch me take the floor (hey!)\nEvery eye is begging for more (uh!)\nSpotlight on, I was born for this glow\nWatch me, watch me run the show\n\n[Verse]\nLevel up, no luck, baby it’s a skill set\nGold crown, break it down, I ain’t even peaked yet\nThey copy my style but they can’t clone the fire\nBar’s at the stars, now watch it go higher\n\n[Pre-Chorus]\nTurn it up, feel the rush, we’re about to blow\nCount it down, three two one, here we go\n\n[Chorus]\nWatch me, watch me take the floor (hey!)\nEvery eye is begging for more (uh!)\nSpotlight on, I was born for this glow (watch me now!)\nWatch me, watch me run the show\n\n[Outro]\nWatch me, watch me run the show (hey!)\n\nCreate a continuous performance video that follows the exact structure and energy of the track. Use second-level timing and strong beat anchors.\n\nVISUAL STYLE:\n- Premium J-pop / K-pop idol MV aesthetic\n- Ultra-polished, cinematic yet energetic\n- High-contrast stage lighting, neon accents, sharp color pops (deep blacks, electric pinks, golds, cyans, pure whites)\n- Glossy skin, realistic hair physics, fabric movement, sharp choreography\n- Mix of wide performance shots, dynamic mid-shots, dramatic close-ups on face and eyes, and powerful formation shots\n- Environments: dark modern stage with reflective floor → expanding LED walls → abstract high-fashion sets → golden spotlight moments → starry / elevated “bar’s at the stars” climax\n- Camera language: smooth tracking, push-ins on key lyrics, circling around the main idol, low-angle power shots, quick but clean cuts on beat drops, slow-mo on “slow-mo” lyric, flash cuts on “Flash flash”\n\nPERFORMANCE DIRECTION (continuous & connected):\n- Main idol is always the clear visual center. Backup dancers support formations but never steal focus.\n- Choreography is sharp, powerful, and continuous — sharp isolations, strong arm hits, heel clicks, hair flips, confident walks, dynamic poses that land exactly on the lyrics.\n- “Heels click, doors swing, I walk in slow-mo” → dramatic entrance with slow-motion heels and door effect, room reaction.\n- “Flash flash, catch me in high definition” → rapid light flashes + sharp camera cuts + confident pose.\n- Pre-chorus build-ups → rising energy, light intensity increases, formation tightens.\n- Every chorus: full power performance, eye contact with camera, “watch me” moments with direct address, strong formation changes.\n- “Gold crown, break it down” and “bar’s at the stars” → elevated, almost celestial lighting and upward camera moves.\n- Final outro: powerful centered pose under the brightest spotlight as the last “run the show” hits.\n\nTECHNICAL REQUIREMENTS FOR SEEDANCE 2.5:\n- Perfect character consistency using the generated reference sheets\n- Motion must be continuous and physically coherent across cuts\n- Strong beat-sync: every major move, light change, and camera hit lands on the music\n- High production value: realistic fabric physics, hair movement, reflections, lens flares only when they serve the energy\n- No random morphing, no face drift, no floating limbs\n- Keep the performance feeling like one continuous live stage show that evolves with the song\n\nOutput a complete, polished J-pop/K-pop idol MV that feels expensive, magnetic, and perfectly locked to the track. First generate and lock the character references, then build the full music-synced video.\n\n#FlovaAI @Flovaai_Japan #Flovacpp #Seedance25 #JPop #KPop #IdolMV #AIMusicVideo",
|
||
"category": "music-beat-sync-mv",
|
||
"sourceId": "seedance",
|
||
"credit": "@Chaemate_",
|
||
"sourceUrl": "https://x.com/Chaemate_/status/2103333680806760472"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-eec0708da6e5",
|
||
"title": "害羞仓鼠捧玫瑰告白",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/683212be0052.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a cute, heartwarming, ultra-realistic 3D animated vertical video of a tiny fluffy golden-and-white hamster in a cozy warmly lit home interior.\n\nThe hamster has extremely soft plush fur, huge glossy black eyes, rosy pink cheeks, a tiny pink nose, and an adorable innocent expression. It wears oversized pale-pink headphones, a large pink polka-dot bow on its head, and a delicate pink ribbon necklace with a tiny hanging name tag.\n\nScene 1: The hamster slowly peeks from behind a white doorway, shyly looking toward the camera. It carefully steps out onto a polished warm wooden floor while maintaining eye contact with the viewer.\n\nScene 2: The hamster walks forward toward the camera with tiny adorable steps and stops in the center of the room. Its ears and bow move naturally with each step. The background features a cozy wooden bookshelf, a warm table lamp, soft beige walls, and beautiful golden ambient lighting.\n\nScene 3: The hamster looks directly into the camera with a sweet, innocent expression. After a brief moment, it gently reaches down and picks up a single beautiful red rose with its tiny paws.\n\nScene 4: Holding the red rose in front of its body, the hamster smiles warmly at the camera. Its cheeks become slightly rosier, and it looks shy and affectionate.\n\nFinal shot: The hamster closes its eyes with a big adorable smile while holding the red rose close to its chest. The moment feels wholesome, romantic, cute, and heartwarming.\n\nCamera: vertical 9:16, low eye-level camera angle, smooth slow camera movement, gentle push-in toward the hamster, shallow depth of field, cinematic framing.\n\nLighting: warm golden indoor lighting, soft natural shadows, cozy evening atmosphere, subtle highlights on the hamster's fur.\n\nStyle: ultra-realistic cute 3D character animation, highly detailed fluffy fur, realistic facial expressions, soft cinematic rendering, polished wooden floor reflections, realistic object movement, adorable emotional storytelling, premium animated-film quality.\n\nMotion: natural tiny paw movements, subtle head movements, realistic blinking, gentle breathing, soft ear and bow movement, smooth walking animation, believable interaction with the rose.\n\nNo text, no subtitles, no watermark, no extra characters, no distorted anatomy, no duplicated objects.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2101493389115953586"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-30-sec-cinematic-korean-folk-horror-ritual-78323fedb479",
|
||
"title": "韩屋烛影驱邪仪式",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/52e979f23a9f.jpg",
|
||
"mode": "video",
|
||
"prompt": "30-sec cinematic Korean folk-horror ritual. Keep the Word character’s face and outfit consistent throughout.\n\n1. 0–4s: Word character kneels pale and weak in a dim traditional Korean house; worried family, candles, incense, shaman preparing the ritual.\n2. 4–8s: Salt circle and talismans surround her; candlelight flickers as her eyes twitch and fingers convulse.\n3. 8–12s: Her head snaps unnaturally; guttural inhuman voice, dark veins spreading, body twisting as the ritual intensifies.\n4. 12–16s: Eyes turn black; shaman chants frantically and throws rice/salt; her body convulses violently.\n5. 16–20s: She rises unnaturally; shaman presses a burning talisman to her forehead as wind tears through the closed room.\n6. 20–24s: Talisman burns, flames surge, she collapses and becomes completely still.\n7. 24–27s: Her eyes reopen human; family rushes to her in relief while the exhausted shaman watches.\n8. 27–30s: Wide aftermath: scattered salt, burnt talismans, melted candles. One intact talisman emits faint dark smoke, leaving an unsettling unresolved ending.\n\nStyle: cinematic Korean folk horror, dark wooden interior, warm candlelight, deep shadows, tense atmosphere, realistic, unsettling, dramatic camera movement.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2097533759944090052"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-white-dragon-ascension-10s-16-9-7b649210fd48",
|
||
"title": "白衣忍者斩破烟雾天龙",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-white-dragon-ascension-10s-16-9-7b649210fd48.jpg",
|
||
"mode": "video",
|
||
"prompt": "WHITE DRAGON ASCENSION | 10s | 16:9\n\nUse image1 as SANZO. Keep his exact face, hair, skin tone, physique, tattoos and outfit.\n\nUltra-realistic live-action Hollywood action. Practical stunts, real katana combat, realistic physics, natural smoke and cinematic lighting. No CGI, anime, cartoon or game look.\n\nLOCATION: Infinite white cyclorama with glossy reflective floor, soft diffused light, no horizon or props.\n\nOUTFIT: All-white tactical shinobi outfit with hood, half-mask, layered robes, armor, belt, tabi boots and flowing fabric.\n\nWEAPON: ONE white-handled katana on LEFT WAIST, fully sheathed. SANZO draws it once. Blade and handle leave the saya together. Saya becomes EMPTY and remains visible. No duplicate weapon or handle. Katana never returns.\n\nCREATURE: Giant aggressive celestial dragon made of dense swirling white smoke, with horns, whiskers, mane and bright white eyes.\n\n0–2s: SANZO runs through the white void as the smoke dragon chases him. FPV and low tracking shots. Jaws snap behind him. He combat-slides beneath the jaws. Slow motion, eye close-up, 2-frame freeze.\n\n2–3.5s: During the slide, SANZO draws the katana. Empty saya stays visible. He performs cartwheel → butterfly twist → forward somersault and lands low.\n\n3.5–8.8s: SANZO unleashes KAGE RYUJIN GIRI — CELESTIAL EXECUTION. The dragon coils, dives, bites and tail-whips. SANZO counters with flash steps, flips, twists and aerial slashes. Each slash tears through the smoke; the dragon instantly reforms. Use fast camera moves, crash zooms, speed ramps and heavy impacts.\n\n8.8–10s: Final dive. SANZO performs an aerial corkscrew, somersault and butterfly motion, then delivers a powerful upward diagonal slash. 2-frame freeze. Dragon breaks into white smoke ribbons and disappears. SANZO lands in a strong ninja stance, katana in RIGHT hand, blade down. EMPTY saya visible on LEFT WAIST. Fade white.\n\nNEGATIVE: CGI, anime, cartoon, game graphics, glow, beams, duplicate katana, duplicate handle, sheathing, clipping, floating weapon, blur, plastic skin, watermark, logo, subtitles, text.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@Xaroon_x",
|
||
"sourceUrl": "https://x.com/Xaroon_x/status/2095458733136462234"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-45-second-ultra-photorealistic-cinematic-sci-fi-thriller-action-sequen-e362d6ad57d9",
|
||
"title": "末日撤离信号下的外星真相",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/454b60b334cc.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 45-second ultra-photorealistic cinematic sci-fi thriller/action sequence with the visual quality of a high-budget Hollywood blockbuster.\n\nCONCEPT\n\nIn a futuristic megacity at night, a mysterious global emergency signal orders humanity to evacuate Earth immediately. A lone 25-year-old female survivor races toward an orbital evacuation station while millions flee the city. Everyone believes a catastrophic disaster is approaching, but the truth is far more terrifying: something enormous has entered Earth's orbit, and humanity was never the one being evacuated.\n\nMAIN CHARACTER\n\nA beautiful young adult female survivor, approximately 25 years old, with a natural oval face, expressive brown eyes, realistic skin texture, subtle facial imperfections and long slightly messy dark-brown hair. She wears dark charcoal futuristic tactical clothing, lightweight armor, gloves, utility belt, dark pants and rugged combat boots. She carries a compact futuristic rifle and blue-white handheld scanner. Maintain perfect facial identity, hairstyle, body proportions, clothing, weapon and scanner throughout the video.\n\nENVIRONMENT\n\nA massive futuristic megacity during a violent nighttime storm, filled with towering skyscrapers, holographic emergency warnings, wet streets, abandoned vehicles, evacuation towers, military aircraft, orbital elevators, smoke, steam, rain and flashing red emergency lights. The atmosphere should feel chaotic, enormous and realistic.\n\n0–5 SECONDS — THE WARNING\n\nBegin with a huge aerial shot of the futuristic city. Every screen suddenly displays: \"GLOBAL EVACUATION — LEAVE EARTH IMMEDIATELY.\" Sirens erupt as crowds panic and spacecraft launch. The female survivor stands in the rain, looking at her scanner as it detects an enormous unidentified object approaching Earth.\n\n5–10 SECONDS — THE EVACUATION\n\nShe runs toward a massive orbital evacuation station through terrified crowds. Military spacecraft launch overhead. Emergency countdowns flash across buildings. Her scanner begins malfunctioning as a strange blue glow spreads across the clouds.\n\n10–15 SECONDS — SOMETHING ARRIVES\n\nShe reaches an elevated platform and looks upward. The clouds slowly open, revealing an impossibly enormous alien structure emerging from orbit. It is far larger than any human spacecraft, with gigantic geometric surfaces and thousands of blue-white lights. The Moon appears tiny beside it.\n\n15–20 SECONDS — THE REVELATION\n\nThe entire city falls silent. The colossal structure moves closer without visible propulsion. Every aircraft stops. Her scanner suddenly receives a transmission from the object. Every screen on Earth turns black.\n\n20–25 SECONDS — THE MESSAGE\n\nEvery screen simultaneously displays the same mysterious alien symbol. A calm distorted voice comes through her scanner: \"Earth evacuation confirmed.\" She looks around in confusion as humanity realizes the message did not come from human authorities.\n\n25–30 SECONDS — THE SKY OPENS\n\nThe enormous structure positions itself around Earth instead of attacking. Thousands of blue-white lights activate across its surface. Massive beams descend toward the planet, scanning cities, oceans and continents. No explosions. No weapons fire.\n\n30–35 SECONDS — THE HIDDEN SIGNALS\n\nHer scanner suddenly reveals thousands of mysterious signals beneath Earth's surface. The signals exist beneath oceans, mountains and cities, forming a gigantic planetary network. She realizes the structure is searching for something that has been hidden on Earth for thousands of years.\n\n35–40 SECONDS — THE TRUTH\n\nA powerful blue-white pulse surrounds the planet. She experiences a brief vision of ancient Earth, where enormous alien structures already existed beneath the surface. The vision disappears. Her scanner displays: \"SUBJECT LOCATED.\"\n\n40–45 SECONDS — FINAL CLIFFHANGER\n\nThe camera rapidly pulls away from the city and rises into orbit. Reveal Earth surrounded by the enormous alien structure. Hundreds of additional unidentified spacecraft suddenly appear behind it, silently filling the sky. Cut back to the survivor staring upward in terror. Her scanner activates one final time. The voice whispers: \"You were never the ones being evacuated.\" CUT TO BLACK.\n\nCINEMATOGRAPHY\n\nProfessional Hollywood science-fiction cinematography using massive aerial shots, atmospheric tracking, handheld evacuation footage, extreme close-ups, macro technology shots, low-angle perspectives, dynamic tracking and dramatic orbital-scale pull-outs. Camera movement must feel physically motivated and cinematic.\n\nVISUAL STYLE\n\nUltra-photorealistic live-action, 4K HDR, realistic human skin, detailed futuristic architecture, realistic spacecraft, wet reflective surfaces, rain, fog, smoke, steam, dust, natural motion blur, cinematic depth of field, subtle film grain and anamorphic lens characteristics.\n\nLIGHTING\n\nDark nighttime atmosphere with cold blue ambient light, red emergency lighting, lightning, blue-white alien illumination, volumetric beams, wet reflections, deep shadows and realistic light falloff.\n\nREALISM\n\nRealistic human movement, crowds, aircraft, spacecraft, rain and environmental physics. The alien structure must feel unimaginably massive, physically believable and extremely slow-moving. No weightless objects or artificial-looking CGI.\n\nCONTINUITY\n\nMaintain identical female character identity, face, hair, clothing, weapon, scanner, city, spacecraft and alien structure throughout the sequence. No morphing, redesigns, outfit changes or inconsistent scale.\n\nNEGATIVE PROMPT\n\nNo cartoon, anime, video-game graphics, plastic CGI, unrealistic physics, gore, blood, distorted faces, extra fingers, extra limbs, character morphing, outfit changes, creature redesigns, random explosions, excessive lens effects, flickering objects, teleportation, floating debris or unrealistic lighting.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ZaraIrahh",
|
||
"sourceUrl": "https://x.com/ZaraIrahh/status/2095400351142682842"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-dynamic-action-scene-full-length-shot-of-a-fierce-female-korean-marti-86a987ce7df4",
|
||
"title": "女跆拳道高手激战仓库群敌",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-cinematic-dynamic-action-scene-full-length-shot-of-a-fierce-female-korean-marti-86a987ce7df4.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic dynamic action scene full length shot of a fierce female Korean martial artist with long, dark blue hair. She is wearing a modern black sports top, white Taekwondo pants, a black belt, and is barefoot She performs powerful high-energy Taekwondo roundhouse and spin kicks against multiple male opponents inside a dimly lit gritty industrial warehouse Cinematic volumetric lighting with dust motes floating in the air, high impact fight choreography, dramatic energy shockwaves and dust explosion effects upon impact, camera panning dynamically, 8k resolution photorealistic hyper detailed action movie sequence.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2095029809264926872"
|
||
},
|
||
{
|
||
"id": "seedance:sheldon056-seedance-ai-0a8ddaad9132",
|
||
"title": "首尔夏日雨巷里的平凡一天",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/f2f5e00d671c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic documentary-style personal home video showing an ordinary summer day in the life of a young Korean man. The footage should feel spontaneous, intimate, imperfect, and genuinely observed rather than performed.\nMAIN SUBJECT\nThe same young Korean man in his early 20s throughout the entire video.\nNaturally handsome, realistic skin texture, minimal styling, relaxed expression, slightly tired but peaceful eyes.\nHe has naturally messy medium-length dark hair with a few strands falling over his forehead and very subtle stubble.\nHe wears a loose washed-black T-shirt, relaxed olive-beige trousers, worn white sneakers, and a simple silver wristwatch.\nKeep his face, identity, body proportions, hairstyle, clothing, watch, and overall appearance completely consistent from beginning to end.\nLOCATION\nA quiet older residential neighborhood in Seoul during a warm summer afternoon.\nNarrow concrete alleys, low-rise homes, rooftop terraces, external staircases, potted plants, laundry lines, parked bicycles, utility poles, overhead wires, mature trees, concrete walls, small residential courtyards, and distant city sounds.\nThe neighborhood should feel authentic and lived-in.\nNo crowds, tourist attractions, advertisements, recognizable brands, or commercial activity.\nCAMERA / VISUAL STYLE\nAuthentic casual personal-video footage captured with an older consumer digital camera.\nHandheld camera operated by a friend walking nearby.\nNatural camera shake, imperfect framing, occasional autofocus changes, slight exposure adjustments when moving between sunlight and shade, soft image detail, mild motion blur, subtle digital noise, slightly muted colors, imperfect white balance, and natural compression.\nThe camera operator occasionally reacts a little late, cuts off part of the subject, or briefly loses focus.\nNo stabilization, gimbal movement, drone shots, cinematic camera choreography, dramatic lighting, slow motion, modern commercial color grading, or polished cinematography.\nThe footage should feel like someone simply decided to record his friend during an ordinary day.\n---\n00:00–00:05 — MORNING ROOFTOP\nHe sits casually on a small rooftop beside an old plastic chair.\nA cold bottled drink rests beside him.\nHe looks quietly across the neighborhood while the wind moves his hair and T-shirt.\nHe takes a sip, notices something happening in the distance, and smiles faintly.\nHe briefly notices the camera and gives a subtle nod before looking away.\nThe camera takes a moment to find focus on his face.\n---\n00:05–00:10 — WALKING THROUGH THE ALLEY\nHe gets up and walks downstairs into the neighborhood.\nHe walks casually through a narrow concrete alley with his hands in his pockets.\nHe passes parked bicycles, potted plants, laundry hanging from balconies, and old residential walls.\nThe camera follows several steps behind him.\nHe occasionally looks back toward the camera but never deliberately poses.\nHis footsteps remain naturally synchronized with his movement.\n---\n00:10–00:14 — SMALL EVERYDAY MOMENT\nHe notices an old basketball resting near a wall.\nHe picks it up, casually bounces it twice, then takes a simple shot toward a nearby hoop.\nThe shot misses.\nHe laughs quietly, shakes his head, and leaves the ball where he found it.\nThe camera briefly loses focus during the movement and recovers naturally.\nNo exaggerated athletic movement.\n---\n00:14–00:19 — LOCAL SHOP\nHe walks to a tiny neighborhood shop and buys a cold drink.\nHe exchanges a few natural words with the shopkeeper but the conversation is not clearly audible.\nHe steps outside, opens the bottle, takes a drink, and leans casually against the wall.\nHe watches bicycles and pedestrians passing in the distance.\nThe camera remains handheld and slightly imperfect.\n---\n00:19–00:23 — SUMMER RAIN\nA sudden summer shower begins.\nHe looks toward the sky with mild surprise.\nInstead of immediately running for shelter, he smiles and slowly walks into the rain.\nThe rain becomes heavier.\nHis hair becomes wet and falls naturally across his forehead.\nHe eventually starts running down the alley, laughing genuinely.\nHe briefly spins around while running, then continues toward a covered walkway.\nHis clothes become visibly damp.\nMaintain realistic rain interaction, wet fabric, wet hair, reflections, and foot contact with the ground.\n---\n00:23–00:27 — QUIET MOMENT\nHe reaches the covered walkway and catches his breath.\nRain falls heavily behind him.\nHe wipes water from his forehead and looks quietly toward the street.\nFor a moment, everything becomes still.\nHe notices the camera again.\nHe gives a small genuine smile, not a posed expression.\n---\n00:27–00:30 — WALKING AWAY\nThe rain becomes lighter.\nHe walks away down the wet residential lane.\nThe camera follows from behind.\nReflections shimmer across the concrete.\nHe turns his head once, gives a tiny wave toward the camera, smiles, and continues walking.\nThe camera remains pointed toward the empty street for a brief moment.\nAt approximately 00:29, the recording abruptly cuts to black mid-motion.\nNo fade-out.\n---\nPHYSICAL REALISM\nMaintain believable real-world physics throughout.\nHands, fingers, feet, clothing, hair, rain, bottle, basketball, and background objects must behave naturally.\nNo extra fingers, fused hands, duplicated limbs, distorted anatomy, floating objects, teleportation, disappearing objects, or sudden transformations.\nThe bottle remains a separate physical object and never intersects with his face.\nThe basketball behaves naturally and remains where it lands.\nParked bicycles and background objects remain stationary unless physically moved.\nHis feet remain properly connected to the ground while walking and running.\nKeep the environment and subject consistent between shots.\n---\nAUDIO\nNatural environmental audio only.\nFootsteps on concrete, distant traffic, birds, leaves moving in the wind, bicycles, faint neighborhood conversations, shop sounds, bottle opening, basketball bouncing, rain hitting concrete, water dripping from rooftops, and subtle camera-handling noise.\nNo music.\nNo narration.\nNo soundtrack.\nNo artificial sound effects.\nNo spoken dialogue is necessary.\n---\nFINAL FEEL\nThe result should feel like a forgotten personal recording of an ordinary summer day.\nNot a commercial.\nNot a fashion film.\nNot a music video.\nNot a professional cinematic production.\nThe emotional appeal should come from small human moments: sitting alone, wandering through familiar streets, missing a basketball shot, drinking something cold, getting caught in the rain, laughing, and walking home.\nQuiet, masculine, youthful, nostalgic, slightly melancholic, warm, spontaneous, and deeply human.\nPrioritize natural behavior, consistent identity, believable physics, imperfect handheld framing, authentic environmental details, and the feeling that the camera happened to be there.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Sheldon056",
|
||
"sourceUrl": "https://x.com/Sheldon056/status/2091396663718117706"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-cinematic-video-of-a-young-woman-in-an-elegant-white-medieval-dress-opening-lar-55d8ef9e6008",
|
||
"title": "白裙女子奔出古堡,飞向粉月浮岛天空",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/3b8cf445eb84.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic video of a young woman in an elegant white medieval dress opening large wooden doors from a dark castle interior to reveal a breathtaking sunny landscape with lush green fields a lake and distant mountains She runs out across the grassy field towards a large grand castle The camera follows her as she leaps into the air, gracefully floating into a magical fantasy sky filled with floating islands cascading waterfalls above clouds, and a large glowing pink moon in the surreal sky, 8k resolution, ultra detailed, cinematic lighting.",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2105889515948921057"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-0-create-a-15-second-cinematic-photorealistic-action-sequence-set-in-a-dark-mist-1c182572ef5d",
|
||
"title": "红衣青年在迷雾古林中躲避巨怪追击",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/a64f0e8f6293.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second cinematic photorealistic action sequence set in a dark, misty ancient forest with towering trees and dramatic sunlight filtering through the canopy. A young man in a red hoodie and black pants runs at incredible speed through the forest while a huge muscular gray monster with white spiky hair, glowing red eyes, sharp teeth, and long claws aggressively chases him. Show red energy trails and strong motion blur around the runner to emphasize his supernatural speed. Use dynamic tracking shots, low-angle camera movements, close-ups of the frightened runner and the roaring monster, with dust and leaves flying from their footsteps. The monster gets very close and reaches toward him, creating intense tension and fast-paced action. The young man suddenly turns and performs an athletic dodge, twisting his body and avoiding the monster’s attack at the last moment. Continue with a dramatic wide shot as the man launches himself high into the air above the forest while the monster follows behind him. End with both characters suspended against the bright sunlight shining through the tree canopy, creating a powerful cinematic silhouette. Keep character appearance, clothing, monster design, environment, lighting, and proportions consistent throughout, with realistic physics, detailed textures, natural motion, cinematic depth of field, and high-quality action-movie visuals.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2107309003781087381"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-cinematic-photorealistic-morning-routine-video-featuring-the-3f656bde95d1",
|
||
"title": "金色晨光中的都市晨间日常",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/707b8cdbfb7e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second cinematic photorealistic morning routine video featuring the SAME young adult woman throughout the entire video.\n\nCHARACTER LOCK:\nSame woman in every shot, consistent facial identity, same face shape, same eyes, same nose, same hairstyle, same hair color, same skin tone, same body proportions. Natural attractive appearance, realistic skin texture, soft morning expression.\n\nOUTFIT LOCK:\nShe wears the EXACT SAME outfit in every scene: oversized cream knit sweater, light blue straight-leg jeans, clean white sneakers, small beige shoulder bag. Do not change clothes, colors, hairstyle, accessories, or shoes at any point.\n\nSCENE 1 — WAKE UP (0–5 sec):\nSoft golden morning sunlight enters a cozy modern bedroom through the window. She slowly wakes up in bed, sits up naturally and looks toward the window. Calm peaceful morning atmosphere, cinematic camera movement, realistic lighting.\n\nSCENE 2 — WINDOW VIEW (5–9 sec):\nShe walks toward the window and gently looks outside. Show a beautiful morning street view through the window: warm sunlight, quiet residential street, trees moving slightly in the breeze, peaceful atmosphere. Camera briefly shows the outside view and then returns to her face.\n\nSCENE 3 — PUTTING ON SHOES (9–14 sec):\nShe sits near the entrance and puts on her SAME clean white sneakers. Close-up of her hands and shoes, then a medium shot of her standing up. Keep the outfit and character identical.\n\nSCENE 4 — BRUSHING (14–18 sec):\nShe stands in the bathroom and brushes her hair naturally in front of the mirror. Keep the exact same hairstyle, face, outfit and accessories. Clean modern bathroom, soft natural morning light.\n\nSCENE 5 — COFFEE (18–23 sec):\nShe prepares a warm cup of coffee and takes a relaxed sip near the kitchen window. Visible steam from the coffee, warm sunlight, cozy cinematic atmosphere. Keep her appearance and clothing perfectly consistent.\n\nSCENE 6 — GOING OUT (23–27 sec):\nShe picks up her beige shoulder bag, opens the front door and walks outside into the peaceful morning street. Smooth tracking camera following her from behind and then moving beside her.\n\nSCENE 7 — FINAL WALKING VIEW (27–30 sec):\nWide cinematic shot of the SAME woman walking down the beautiful morning street. Show her full outfit clearly as she walks away naturally. Warm golden sunlight, trees, soft shadows, peaceful city atmosphere. End with a beautiful wide establishing shot.\n\nSTYLE:\nPhotorealistic cinematic quality, natural human movement, realistic facial expressions, realistic hands, realistic hair physics, consistent lighting, smooth transitions, shallow depth of field, subtle camera motion, premium lifestyle commercial aesthetic, 4K, highly detailed.\n\nIMPORTANT CONSISTENCY:\nThe character's face, facial features, hairstyle, hair color, skin tone, outfit, shoes, accessories and body proportions must remain IDENTICAL from the first frame to the final frame. No face morphing, no identity change, no clothing change, no hairstyle change, no extra fingers, no distorted hands, no random accessories, no sudden age change.",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2104433592751587494"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-photorealistic-cinematic-animated-urban-adventure-sequence-f-92f2a4a51ac5",
|
||
"title": "自行车快递员穿梭都市",
|
||
"description": "运动极限",
|
||
"image": "https://media.goodcase.ai/cases/d9e8d052ad57.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second photorealistic cinematic animated urban adventure sequence following a young bicycle courier navigating a busy modern city during a fast-paced delivery run.\n\nBegin with a low-angle street-level establishing shot of a dense downtown avenue surrounded by towering skyscrapers, yellow taxis, city buses, cars, traffic lights, pedestrians, street signs, and realistic urban details → smoothly reveal the young male courier riding directly toward the camera through traffic, wearing a black bicycle helmet, orange short-sleeve delivery jacket, dark pants, gloves, and a large red insulated delivery backpack, maintaining the exact same character design, face, clothing, bicycle, and proportions throughout every shot → transition into a dynamic rear tracking shot as he weaves carefully between moving vehicles, with realistic wheel rotation, body balance, road friction, suspension movement, and subtle handheld camera motion → cut to a dramatic side-angle shot as traffic rushes past him while he accelerates through the intersection, creating natural cinematic motion blur → transition into a wider urban shot as he approaches the sidewalk and smoothly lifts the front wheel, riding up toward the curb while pedestrians react naturally → follow with a dynamic low-angle tracking shot as he rides along the busy sidewalk, passing pedestrians, street furniture, storefronts, and city infrastructure with believable depth and scale → cut to a dramatic elevated angle as he crosses back toward the street and continues the delivery route through the dense downtown environment → transition into a fast cinematic side-tracking shot showing the courier cycling confidently beneath massive skyscrapers while vehicles move around him → final shot becomes a heroic wide-angle cinematic frame with the courier riding across the foreground beneath towering city buildings, warm afternoon sunlight reflecting between skyscrapers, long realistic shadows, atmospheric depth, and the city continuing to move naturally behind him.\n\nVisual style: photorealistic high-end animated-film cinematography, cinematic urban adventure, realistic character animation, expressive but natural facial expressions, believable human anatomy, physically accurate bicycle movement, realistic road interaction, detailed vehicles, natural pedestrian behavior, dynamic camera choreography, smooth tracking shots, low-angle perspective, subtle motion blur, shallow depth of field, realistic reflections, volumetric sunlight, atmospheric city haze, detailed skyscraper architecture, cinematic depth, natural shadows, polished lighting, strong sense of scale, immersive downtown atmosphere, energetic pacing, seamless shot transitions, premium feature-film quality.\n\nCharacter consistency: same young courier throughout the entire sequence, identical face, hairstyle, helmet, orange jacket, dark pants, red delivery backpack, bicycle design, body proportions, and accessories in every shot. Maintain perfect continuity between scenes.\n\nNegative prompt: no subtitles, no text, no logos, no watermark, no distorted face, no identity changes, no extra fingers, no malformed hands, no duplicated people, no duplicate bicycle, no inconsistent clothing, no changing backpack, no warped wheels, no floating bicycle, no broken physics, no impossible vehicle movement, no disappearing pedestrians, no flickering, no jitter, no teleportation, no rubbery animation, no unnatural body movement, no deformed anatomy, no flat lighting, no cheap CGI, no low-detail buildings, no blurry character, no random objects, no camera glitches, no frame tearing.",
|
||
"category": "sports-extreme",
|
||
"sourceId": "seedance",
|
||
"credit": "@Elvorya",
|
||
"sourceUrl": "https://x.com/Elvorya/status/2102622012351131832"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-an-ultra-realistic-japanese-high-school-horror-action-sequence-following-b14f705bc895",
|
||
"title": "日本高中感染者围困逃生",
|
||
"description": "恐怖悬疑",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-an-ultra-realistic-japanese-high-school-horror-action-sequence-following-b.webp",
|
||
"mode": "video",
|
||
"prompt": "Create an ultra-realistic Japanese high-school horror-action sequence following a female teacher during an ordinary afternoon class. The classroom is calm when the lights suddenly flicker and every student's phone receives the same emergency alert at exactly the same moment. The teacher looks outside and notices the school courtyard completely empty.\n\nA loud crash comes from the science laboratory next door. The teacher tells everyone to stay inside and carefully opens the classroom door. The hallway appears empty, but a trail of spilled chemical liquid leads toward the staircase. Suddenly, a student who had been quietly sitting at the back of the classroom collapses and begins behaving strangely, revealing that something has already happened inside the school.\n\nThe emergency alarm starts ringing. Several infected students suddenly rush from the staircase toward the classroom. The teacher quickly pushes the desks against the doorway while students work together to block the entrance with chairs and cabinets. One student notices an emergency exit sign and leads the group toward a second corridor.\n\nThey move through the dark school hallway while hearing footsteps approaching from behind. The teacher turns off the hallway lights, and everyone hides silently inside an empty classroom as the infected pass by outside.\n\nThey finally reach the rooftop and push the door open, expecting to find help. Instead, they see dozens of infected figures standing motionless across the school courtyard below.\n\nThe teacher slowly closes the rooftop door and turns toward her students.\n\nThen a quiet voice whispers from behind them:\n\n“Sensei... someone is already here.”\n\nShe slowly turns around.\n\nCut to black.\n\nPhotorealistic live-action Japanese horror-thriller, realistic Japanese high-school environment, authentic student uniforms, natural facial expressions, practical-effects horror, realistic physics, handheld cinematic camera, dynamic tracking shots, dramatic close-ups, realistic lighting, emergency lights, atmospheric dust, natural character movement, authentic reactions, escalating tension, diegetic sound only, no music, no narration, suspense-focused horror, no excessive gore, no graphic injuries, no animation, no anime, no cartoon, no artificial CGI look, no distorted anatomy, no subtitles, no random text, no watermark\n\n#WaveSpeedAI #AIVideo #Horror #AIStory",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@SadiaMalik182",
|
||
"sourceUrl": "https://x.com/SadiaMalik182/status/2102278921161208273"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-korean-girl-with-straight-dark-hair-natural-makeup-and-a-warm-youthful-appe-547a489b6bba",
|
||
"title": "韩国少女的课堂与海岸漫游",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/d6e4f27ae1b4.jpg",
|
||
"mode": "video",
|
||
"prompt": "A Korean girl with straight dark hair, natural makeup, and a warm youthful appearance wears a light cardigan over a blue shirt with a navy pleated skirt. Create a 28-second cinematic Korean lifestyle vlog following her through a bright classroom and a peaceful coastal village. Begin with a close-up selfie shot of the girl smiling naturally toward the camera inside a Korean classroom. Show her sitting at a desk, studying and looking around the sunlit classroom before standing and walking outside. Follow her through quiet residential streets with realistic Korean homes, stone walls, plants, and warm daylight. Transition to a beautiful seaside railway path where she walks beside the ocean and enjoys the peaceful scenery. Use handheld vlog cinematography, natural camera movement, realistic expressions, soft sunlight, detailed environments, and photorealistic Korean drama aesthetics. Keep her face, hairstyle, clothing, and appearance consistent throughout, with no subtitles, logos, or watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaayat",
|
||
"sourceUrl": "https://x.com/aiwithaayat/status/2099802672966820235"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-use-the-uploaded-image-as-the-exact-visual-reference-for-the-characters-wardro-9c0e5931cab5",
|
||
"title": "白衣女子与同步黑衣人群",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/fe0787f4a98e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the uploaded image as the exact visual reference for the characters, wardrobe, composition, lighting, and overall cinematic look. Create a photorealistic live-action video, \n\nA young woman wearing a long, fully closed ivory-white tailored coat, black sunglasses, and black pointed heels walks slowly and confidently straight toward the large crowd. Her posture is elegant and controlled, her arms relaxed naturally at her sides, and her expression remains serious and calm.\n\nStart with a medium-wide frontal shot. The woman walks directly toward the camera and toward the center of the crowd. The camera smoothly tracks backward at the same pace, keeping her perfectly centered. The crowd remains completely still, watching forward.\n\nShe reaches the front-center position of the crowd and comes to a complete stop. Her feet settle naturally, arms remain at her sides, shoulders relaxed. She looks directly into the camera through her black sunglasses.\n\nThe woman remains 100% completely still.\n\nThen, precisely behind her, the entire crowd suddenly begins moving in perfect synchronized rhythm.\n\nTheir movement should be sharp and unsettling:\n\nheads jerk quickly to one side\n\nshoulders snap upward\n\nupper bodies briefly lean forward\n\nthey suddenly snap upright again\n\nrepeat the movement together like a perfectly synchronized group\n\nThe movement happens across the entire crowd, from the closest people to the deepest background rows.\n\nThe woman does absolutely nothing.\nNo head movement.\nNo body movement.\nNo hand movement.\nNo walking.\nNo reaction.\n\nShe simply stands motionless while everyone behind her moves aggressively in synchronization.\n\nThe camera slowly pushes closer toward the woman while the crowd continues its synchronized movements behind her. Keep her face and white coat sharply focused while the moving crowd has subtle cinematic depth-of-field blur.\n\nEnd with a powerful centered close/medium shot. The woman is completely motionless in the foreground while the crowd performs one final synchronized head-and-shoulder snap behind her.\n\nHold on her still expression for the final moment.\n\nVisual Direction\n\nDark, cold, high-end cinematic fashion aesthetic. Raw concrete environment, deep shadows, soft overhead lighting, realistic skin and fabric, natural hair physics, realistic human movement.\n\nThe central visual contrast is extremely important:\nONE perfectly still woman in white + a large crowd in black moving violently in perfect synchronization behind her.\n\nNo duplicate lead.\nNo additional white outfits.\nNo men.\nNo cartoon or animation.\nNo CGI appearance.\nNo exaggerated camera shake.\nNo text.\nNo subtitles.\nNo logos.\nNo sudden scene changes.\nNo extra characters appearing or disappearing.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2099340937684258828"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-cinematic-25-second-dreamy-retro-pink-fashion-commercial-set-inside-a-e3eaf841edec",
|
||
"title": "复古粉色卧室晨间变装",
|
||
"description": "过程变身蒙太奇",
|
||
"image": "https://media.goodcase.ai/cases/7a69c00b3274.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic 25-second dreamy retro-pink fashion commercial set inside a cozy feminine bedroom. Everything has a soft pastel pink color palette, warm morning sunlight, vintage 90s aesthetic, floral wallpaper, pink bed, vanity mirror, cute retro telephone, pink accessories and soft curtains.\n\nScene 1: Wide overhead shot of a beautiful pink bedroom in warm sunlight, soft shadows falling across the bed, dreamy nostalgic atmosphere.\n\nScene 2: A young woman in a cute pastel-pink sleepwear outfit lies comfortably on the bed wearing a pink sleep mask, holding a vintage pink telephone. A pink tumbler sits beside her. Slow cinematic camera movement.\n\nScene 3: Close-up beauty shot of her face as she lifts the sleep mask slightly and talks on the phone, soft glowing skin, natural makeup, gentle expressions, shallow depth of field.\n\nScene 4: She gets out of bed and walks toward the vanity. Smooth tracking shot following her through the sunlit bedroom.\n\nScene 5: At the vintage vanity, she sits in front of a large oval mirror and gets ready, surrounded by perfumes, makeup, hair accessories and jewelry. Show elegant close-ups of her brushing her hair and applying makeup.\n\nScene 6: She looks toward the bedroom door, walks over and slowly peeks outside with a playful expression.\n\nScene 7: Final glamorous mirror shot: she is now fully dressed in a stylish pastel-pink outfit, standing confidently in front of the vanity mirror. Soft sunlight, elegant pose, dreamy romantic-commercial atmosphere.\n\nVisual style: ultra-realistic cinematic photography, pastel pink tones, warm natural sunlight, nostalgic 1990s aesthetic, soft film grain, dreamy glow, realistic skin texture, shallow depth of field, smooth camera movements, subtle lens flare, premium fashion commercial, highly detailed, 4K, consistent character and wardrobe throughout, no text, no watermark.",
|
||
"category": "process-transformation-montage",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2097545178013950280"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-image1-image-0442b9e3-3e54-49fa-95ab-1dd25868733f-hypersonic-soni-do-space-802acc820b62",
|
||
"title": "武士挥刀撕裂空间",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-image1-image-0442b9e3-3e54-49fa-95ab-1dd25868733f-hypersonic-soni-do-space-802acc820b62.jpg",
|
||
"mode": "video",
|
||
"prompt": "@[Image1](image-0442b9e3-3e54-49fa-95ab-1dd25868733f) HYPERSONIC SONÍDO — SPACE-SPLITTING KATANA\n\n15 SECONDS | 16:9 | SEEDANCE 2.5\n\nSTYLE\n\nUltra-photorealistic live-action AAA Hollywood samurai action, cinematic fantasy realism, ARRI Alexa 65, anamorphic lens, 8K HDR, PBR materials, realistic human anatomy, physically detailed environment, dramatic volumetric lighting, high-contrast cinematic grading. Extreme hypersonic energy with controlled visual clarity. No anime/game-CGI appearance.\n\nCHARACTER LOCK\n\nUse image1 as the ONLY character reference. STRICT FACE LOCK: preserve exact facial structure, eyes, nose, jawline, skin tone, hairstyle, body proportions and clothing design throughout. Identity never changes. ONE character, ONE katana only. Katana remains physically connected to the character and saya stays at the hip until drawn. No transformation, duplication or weapon morphing.\n\nACTION PHYSICS\n\nSupernatural Sonído-level movement: near-instant acceleration, air-stepping, gravity-direction changes and explosive directional changes. Every physical interaction must have visible cause-and-effect: foot impact → compression → shockwave → debris; blade contact → spatial distortion → delayed rift. Use 3–5 dense, solid glowing afterimages at major direction changes; afterimages briefly hold human form, then fracture into spatial glass shards. Environment reacts dynamically to speed.\n\nCAMERA\n\nOne continuous cinematic take, no hard cuts. Camera movement is motivated by the action: aggressive whip-pans, low tracking, orbital pursuit, barrel-roll and rapid push/pull. Extreme angles but smooth and readable. Keep the character's face and katana blade sharp whenever visible. Background and peripheral movement become directional streaks. Dynamic FOV: wide during acceleration, tighter during impact. Controlled camera shake only on major impacts.\n\nSPEED RAMP\n\nUse precise ramping rather than constant slow motion.\n\nULTRA FAST: 1000% during traversal and directional movement.\n\nIMPACT MOMENT: 5–10% for only 0.1s at critical blade/foot contact.\n\nImmediately return to 1000% acceleration.\n\nNo unnecessary slow motion. Speed changes must visibly enhance the perception of distance, acceleration and impact.\n\n15-SECOND ACTION\n\n0–3s — SONÍDO BURST\n\nCharacter holds completely still for 0.1s. Instant acceleration creates a circular dust-pressure explosion. Vanishes and reappears above Enemy 1, stomping downward. 0.1s impact slow-motion reveals compressed air and a radial shockwave. Immediately launches to Enemy 2, delivers one ultra-fast katana slash, then rebounds from Enemy 3's shoulder. Solid afterimages remain at each transition. Camera performs an extreme but smooth whip-pan.\n\n3–6s — AIR STEPPING\n\nCharacter launches upward, then steps on empty air. Each airborne step visibly compresses the atmosphere into circular distortion ripples. Changes gravity direction mid-air without losing momentum. Dives downward, strikes an enemy's raised blade, rebounds upward, rotates 360° and performs a rapid multi-target slash through four enemies. Camera barrel-rolls with the rotation while maintaining readable subject orientation.\n\n6–9s — AFTERIMAGE SWARM\n\nCharacter accelerates around the enemy group in a hypersonic circular path. Five solid afterimages materialize around the real character. Six attack positions converge simultaneously from different directions. Every katana strike creates a delayed cyan-white spatial rift that remains suspended for a moment before sealing. 0.1s slow-motion at simultaneous impact, then immediate explosive acceleration. Enemies disintegrate into light particles and spatial shards, never blood.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@Xaroon_x",
|
||
"sourceUrl": "https://x.com/Xaroon_x/status/2096602048556900579"
|
||
},
|
||
{
|
||
"id": "seedance:iamahmedfaraz66-seedance-ai-ce12dc209ee3",
|
||
"title": "Seedance 2.5 韩国女生写实人像短片",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/a1d77f744c57.jpg",
|
||
"mode": "video",
|
||
"prompt": "Main Subject: Young Korean woman, 24, naturally attractive, realistic skin, minimal makeup, long dark hair loosely down. Wearing a simple casual outfit. Preserve her exact identity, facial features, hairstyle, and appearance throughout.\n\nLocation: Quiet Seoul apartment or residential rooftop during a warm late afternoon. Soft natural sunlight, gentle breeze, everyday surroundings.\n\nStyle: Ultra-realistic early-2000s Sony MiniDV home video. Completely candid and unstaged, handheld shake, imperfect framing, autofocus hunting, exposure shifts, faded colors, soft contrast, DV compression, slight motion blur and microphone noise. No stabilization or modern cinematic movement.\n\n00:00–00:04: She stands casually in front of the camera, trying to tie her long hair into a ponytail. A few strands keep slipping out.\n\n00:04–00:08: She tries again, struggling with the hair tie. Her expression gradually becomes adorably irritated as the ponytail falls apart once more.\n\n00:08–00:11: She sighs, slightly scrunches her face in frustration, then suddenly notices the camera watching her.\n\n00:11–00:15: She looks directly into the lens, breaks into a genuine laugh at herself, and shakes her head. A few strands fall across her face as she gives up fixing them.\n\nAudio: Natural location sound only—soft wind, distant neighborhood sounds, subtle clothing and hair movement. No music or added sound effects.\n\nGoal: Cute, spontaneous and intimate, like a tiny everyday moment accidentally captured on an old home video. Her irritation should feel natural and playful, ending in a genuine laugh toward the camera.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@iamahmedfaraz66",
|
||
"sourceUrl": "https://x.com/iamahmedfaraz66/status/2089198029496889755"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-photoreal-overcast-manhattan-street-wet-asphalt-yellow-taxis-a0972b6d3fa6",
|
||
"title": "少女以粉色闪电激战曼哈顿巨型章鱼",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/546871e90256.jpg",
|
||
"mode": "video",
|
||
"prompt": "Photoreal overcast Manhattan street, wet asphalt, yellow taxis. A giant reddish-brown octopus with red eyes bursts from a white box truck, throws cars, and smashes traffic as people run. A young blonde woman in a messy bun, white off-shoulder sweatshirt, black pleated skirt, backpack, and sneakers fights it with pink lightning from her fists. She punches tentacles, leaps onto its head, gets knocked into a car, rises with glowing pink eyes, and blasts it back. She lands in the intersection, breathing hard, shocked. Handheld chaos, low angles, slow-motion hits. Soft male vocal of “Time in a Bottle,” crashes, electric crackle, then “Stay there.”\nNegative prompt\ncartoon, anime, plastic skin, blurry, warped face, extra limbs, bad hands, morphing identity, text, watermark, deformed octopus, mushy tentacles, broken cars, sunshine, static camera, gore\n\n#AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️ #Ai #Aivideo #visualart",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2107349100698259868"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-cinematic-wide-shot-of-a-cracked-dry-wasteland-under-a-flat-grey-overcast-sky-9ae8ad970350",
|
||
"title": "荒原巨型沙漏前变换发色的女子",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-2-5-cinematic-wide-shot-of-a-cracked-dry-wasteland-under-a-flat-grey-overcast-sky.webp",
|
||
"mode": "video",
|
||
"prompt": "Cinematic wide shot of a cracked, dry wasteland under a flat grey overcast sky. Monumental weathered stone hourglasses, some as tall as buildings, stand across the plain; sand pours steadily inside their glass bulbs. A young woman in a muted blue-grey high-collar tunic with white embroidery, a two-tone grey and cream skirt, tall boots, and wide silver cuff bracelets walks toward the nearest hourglass. She stops, looks up at the falling sand, then checks a thick silver wrist device with growing alarm. Her appearance morphs mid-shot: long brown hair with bangs becomes windblown blonde, then a darker brown, while the outfit stays the same. Close-ups show wide eyes and hands pressed to her temples as small dark particles drift in the air. She turns away, then looks back over her shoulder with a faint, knowing smile. Desaturated earth tones, soft diffused light, shallow depth of field on close-ups, photorealistic, filmic, slow deliberate camera moves.\n\n#AIArt #AIContent #CinematicAI",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2106989829108207864"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-made-with-seedance-2-5-786c124b4181",
|
||
"title": "小女儿送上亲子画,忙碌爸爸暖心拥抱",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/7e41002ef6d7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a heartwarming cinematic 20-second 3D animated family scene in a cozy home office during a warm evening.\n\nA young father with curly brown hair, expressive eyebrows, and a red-and-blue Spider-Man inspired sweater sits at a wooden desk working on a laptop. Beside him is his adorable little baby girl wearing a beige knitted outfit and a cute bear-ear winter hat.\n\nThe baby watches her father closely while he works. The father occasionally looks at her with a tired but loving expression, drinks from a white coffee mug, and continues typing on his laptop. The baby sits beside him in a small high chair, curiously observing everything.\n\nShow the father becoming distracted when the baby interacts with a small red toy car and a plate of food on the desk. Include natural facial expressions, subtle eye movements, gentle hand gestures, and realistic parent-child interaction.\n\nLater, the baby proudly shows her father a handmade drawing of the two of them together with a heart. The father's expression changes from tired and stressed to emotional, surprised, and deeply touched.\n\nEnd with the father smiling warmly, turning toward his daughter, embracing her lovingly, and giving her a gentle hug.\n\nStyle: high-quality cinematic 3D animation, Pixar-inspired family-film aesthetic, soft warm indoor lighting, detailed expressive faces, realistic fabric and hair textures, cozy atmosphere, shallow depth of field, smooth character animation, natural camera movement, emotional storytelling.\n\nVertical 9:16 composition, cinematic framing, consistent character appearance throughout, smooth transitions, detailed environment, wholesome emotional ending.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2105974631106818101"
|
||
},
|
||
{
|
||
"id": "seedance:case-1f8136a9893a",
|
||
"title": "富有情感的日语对话动画",
|
||
"description": "一个针对 Seedance 2.5 的电影级视频提示词,专注于细腻的面部表情和真实的日…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-1f8136a9893a.jpg",
|
||
"mode": "video",
|
||
"prompt": "12-15秒: 眉が緩み、口角が小さく抑えたまま上がる。セリフ言語: 日本語。<Woman> は軽く、ほとんど息のような声で日本語で言う: {……あ、なんで謝るの}。終了状態: かすかに微笑んだまま、彼を見ている。",
|
||
"category": "dialogue-performance-beats",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@sakisuta_",
|
||
"sourceUrl": "https://x.com/sakisuta_/status/2088559545174175836"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-0-create-a-cinematic-14-6-second-action-scene-featuring-a-powerful-anthropomorphi-ae5f2011beaa",
|
||
"title": "橙虎战士在燃烧的城市废墟中激战",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/d8017a3a295d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic 14.6-second action scene featuring a powerful anthropomorphic orange tiger warrior in a destroyed city surrounded by smoke, fire, and collapsing buildings. The tiger aggressively faces an opponent in the opening shot, then suddenly leaps high into the air with dynamic martial-arts movement as the camera follows the jump dramatically. Cut to an intense close-up of the tiger’s realistic face, focusing on sharp eyes, detailed orange fur, whiskers, and a fierce expression. Show the tiger continuing the fight against a human-like opponent with fast punches and kicks, maintaining consistent character appearance and anatomy. A powerful blue energy impact appears during the attack, followed by a huge fiery explosion in the ruined city. Show flames, flying debris, thick smoke, sparks, and realistic destruction spreading across the environment. The tiger lands confidently in the foreground while the burning ruins glow behind it, creating a dramatic heroic silhouette. Use smooth cinematic camera movement, realistic physics, dramatic lighting, detailed textures, strong action choreography, and high-quality 3D animation throughout, with no text, watermark, or character distortion.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2106938584431526162"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-543a49303376",
|
||
"title": "电影感生活 Vlog 提示词",
|
||
"description": "一份详尽的视频提示词,用于制作超写实生活 Vlog,记录主角从晨间洗漱到夜晚的全天生活…",
|
||
"image": "https://media.goodcase.ai/media/poster/vlog-543a49303376.jpg",
|
||
"mode": "video",
|
||
"prompt": "DURATION: 20 seconds ASPECT RATIO: 16:9 STYLE: Ultra-photorealistic live-action cinematic lifestyle vlog, premium commercial quality, natural human movement, realistic skin and hair, realistic clothing physics, soft cinematic lighting, subtle handheld camera feel, shallow depth of field, natural color grading. REFERENCE ASSIGNMENT: @IMG1 = FEMALE HERO / MAIN CHARACTER @IMG2 = BEDROOM / MORNING @IMG3 = KITCHEN / BREAKFAST @IMG4 = WORK / DESK @IMG5 = OUTDOOR / CAFÉ @IMG6 = EVENING / NIGHT Use @IMG1 as the strict identity reference throughout the entire video. CHARACTER CONSISTENCY: The same woman must appear in every scene. Preserve her exact face, facial structure, eyes, nose, lips, hairstyle, skin tone, feminine body proportions and overall identity. Do not change her identity between scenes. 0–3 SECONDS — MORNING Start in the bedroom using @IMG2. The woman wakes up naturally and sits on the edge of the bed. Soft morning sunlight enters through the window. She gently opens the curtains and looks toward the morning light. Camera begins with a medium-wide shot and smoothly pushes toward her. Peaceful morning atmosphere. 3–6 SECONDS — BREAKFAST Smooth cinematic transition to @IMG3. The same woman prepares a simple breakfast in the kitchen. She pours coffee or tea into a ceramic mug and places breakfast on the counter. Natural steam rises from the hot drink. She briefly looks toward the camera with a relaxed morning smile. Use a natural medium tracking shot. 6–10 SECONDS — WORK Transition to @IMG4. The same woman sits at her desk and works on her laptop. She types briefly, checks the screen and writes a few notes in her notebook. Natural productive expression. Camera moves slowly from a side angle toward a three-quarter view. Keep the environment realistic and calm. 10–14 SECONDS — OUTDOOR / CAFÉ Transition naturally to @IMG5. The same woman leaves home and walks through a beautiful modern city street toward an outdoor café. Camera smoothly tracks backward while she walks toward it. She arrives at the café, places her handbag beside the table and sits down. She smiles naturally toward the camera. Warm daylight and realistic city background. 14–17 SECONDS — CAFÉ MOMENT Close cinematic shot. She picks up her coffee/drink and takes a relaxed sip. Subtle background movement from distant pedestrians. Natural handheld lifestyle-vlog feeling. 17–20 SECONDS — NIGHT Transition to @IMG6. The same woman is back home in her cozy bedroom at night. She places her phone on the bedside table and relaxes after the day. She looks toward the window at the city lights, then turns toward the camera with a small peaceful smile. Camera slowly pushes into a close-up. End on her calm expression with warm bedroom lighting and soft city-light bokeh. CUT TO BLACK. CAMERA PRIORITY: Keep the camera cinematic and natural. Use smooth tracking, gentle push-ins, medium shots, close-ups and subtle handheld movement. Avoid excessive camera shake. Keep the woman as the visual focus. Maintain realistic transitions between locations. FINAL RULES: Same female character throughout. Same face and identity throughout. Natural realistic human movement. Realistic lighting and shadows. Realistic clothing and hair movement. No face changes. No character duplication. No extra main characters. No cartoon or anime appearance. No fantasy effects. No excessive motion blur. No distorted hands. No text. No logos. No watermark. The overall feeling should be: A beautiful, realistic cinematic glimpse into one ordinary but aesthetically pleasing day in her life. Create a premium photorealistic female character reference sheet using the uploaded woman as the STRICT identity reference. Preserve her exact facial identity, facial structure, eyes, eyebrows, nose, lips, jawline, skin tone, natural skin texture, hairstyle and overall appearance. Create the same woman as a realistic modern lifestyle vlogger. Show her with natural feminine proportions and realistic anatomy. CHARACTER PRESENTATION: Create a clean professional character sheet containing: 1. Full-body front view 2. Full-body 3/4 view 3. Full-body side view 4. Back view 5. Close-up face portrait 6. Natural smiling expression 7. Neutral expression 8. Casual standing pose Keep the exact same woman in every view. CLOTHING: Use a simple modern casual lifestyle outfit suitable for a daily vlog: a clean neutral-colored fitted top, comfortable casual trousers or jeans, and simple everyday footwear. Keep the outfit realistic, modest and natural. STYLE: Ultra-photorealistic live-action photography, premium lifestyle commercial aesthetic, realistic skin texture, natural hair strands, realistic fabric, physically accurate anatomy, soft cinematic lighting, subtle depth of field, high-end photography, natural colors. The character should look like a real woman photographed for a professional lifestyle vlog. IDENTITY CONSISTENCY IS THE HIGHEST PRIORITY. Do not change her face. Do not change her hairstyle. Do not masculinize her. Do not make her look like a different person. Do not create an anime or cartoon appearance. No fantasy styling. No text. No logo. No watermark. Clean neutral studio background. This character reference will be used as the SAME FEMALE PROTAGONIST throughout a 20-second \"A Day in Her Life\" cinematic lifestyle vlog.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@ElsaSofia__AI",
|
||
"sourceUrl": "https://x.com/ElsaSofia__AI/status/2091345498909319528"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-video-a-cinematic-cartoon-style-kitchen-story-featuring-a-curly-red-a64a9ed0a27d",
|
||
"title": "灰猫误触按钮引发厨房大乱",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/6906113b3cd0.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a video, a cinematic cartoon-style kitchen story featuring a curly red-haired woman and a cute fluffy gray cat in a warm, cozy home kitchen. The video begins with the woman entering the kitchen while the curious gray cat stays nearby, creating a playful and innocent atmosphere. The camera then moves closer to the cat as it reaches toward a button on the kitchen counter with its tiny paw. Suddenly, a funny kitchen mishap begins, filling the room with clouds of flour and food flying through the air. The woman reacts with surprise as the cat remains at the center of the chaos, making the scene humorous and energetic. Show dynamic camera movements, expressive facial reactions, detailed character animation, and natural body movement throughout the sequence. Gradually reveal the messy kitchen with flour, food, and ingredients scattered across the counters and floor. End with the woman and the cat sitting together in the messy kitchen, looking innocent and confused after the hilarious disaster. Keep the same characters, appearance, hairstyle, clothing, kitchen environment, lighting, and visual style consistent from beginning to end, with polished cinematic cartoon-quality animation.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2104431076089414068"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-premium-european-luxury-beauty-commercial-using-the-provided-character-498f8092c2f7",
|
||
"title": "金发模特演绎树莓红唇油广告",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/1619a962d4f5.jpg",
|
||
"mode": "video",
|
||
"prompt": "Part-1 30-SEC VERTICAL 9:16 | PHOTOREALISTIC LUXURY BEAUTY COMMERCIAL\n\nCreate a premium European luxury beauty commercial using the provided CHARACTER REFERENCE and PRODUCT REFERENCE.\n\nABSOLUTE REALISM:\nLive-action cinema quality. Real human model, practical cosmetics, real glass, real liquids, real fruit and physical studio sets. Natural skin pores, realistic eyes, hair strands, hands, reflections, liquid physics and camera optics. No CGI look, wax skin, uncanny eyes, plastic face or AI aesthetic.\n\nCHARACTER LOCK:\nUse the exact same blonde female model throughout. Preserve her face, blue-green eyes, high bun, makeup, body proportions and dusty-rose pink suit.\n\nPRODUCT LOCK:\nUse the exact VELVET KISS raspberry-red lip oil in every product shot. Preserve bottle shape, color, lettering, glass and rose-gold cap.\n\nSHOT TIMELINE:\n0–1.7s — Extreme macro product reveal inside glossy raspberry-red liquid, droplets, rose-gold highlight, slow push-in and subtle rotation.\n\n1.7–4.1s — Model walks through a pristine white luxury studio, then approaches camera holding VELVET KISS close to lens. Natural focus shift from product to eyes.\n\n4.1–7.3s — Realistic hands open the lip oil. Macro applicator movement and close-up lip application with natural glossy texture.\n\n7.3–10.6s — Product hero surrounded by raspberry-red liquid, followed by glossy lips and a chrome-surface product shot.\n\n10.6–13.5s — Product inside soft blush-pink liquid folds. Realistic fluid physics, macro details and slow camera push toward VELVET KISS branding.\n\n13.5–18.8s — Model in dusty-rose suit holds product beside her cheek, applies it again, then looks into camera with subtle natural expressions and blinking.\n\n18.8–22.4s — Editorial upside-down portrait, followed by floating cosmetic droplets and a transition into realistic fresh raspberries and strawberries.\n\n22.4–26.6s — Product among fresh berries, then model returns to the white studio. She walks toward camera, leans in and holds the product near her lips. Final clean product hero on dusty-rose background.\n\n26.6–30s — Brief realistic blue-toned editorial beauty contrast, then immediately return to the model in white studio holding VELVET KISS beside her face. Subtle final camera push-in.\n\nAUDIO:\nSophisticated minimal electronic-pop luxury soundtrack with deep bass pulse, glossy synth textures, subtle sparkle and restrained percussion. No vocals or dialogue. Add faint realistic cap-twist, applicator and liquid sounds.\n\nEDITING:\nPremium fashion-commercial pacing. Precise music-synced cuts, elegant slow motion, fast editorial transitions and realistic focus pulls. No AI morphing, text, subtitles, promotional graphics or watermarks.\n\nCAMERA:\nFull-frame cinema look with 35mm, 50mm, 85mm and 100mm macro lenses. Realistic depth of field, motion blur, exposure, reflections and controlled studio lighting.\n\nFINAL QUALITY:\nPhotorealistic live-action luxury beauty campaign. Maintain perfect character and product continuity in every frame. Same face, hair, makeup, outfit, body, product design, color, proportions, lettering and cap throughout. Every shot must feel like it was filmed during one professional production.",
|
||
"sourceId": "seedance",
|
||
"credit": "@itxabdullaa",
|
||
"sourceUrl": "https://x.com/itxabdullaa/status/2103084704979394875"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-using-the-reference-image-as-the-exact-final-frame-create-a-10-second-stop-mot-eb31041e1c1d",
|
||
"title": "微型工人编织红绳“Smiling”",
|
||
"description": "定格动画节奏",
|
||
"image": "https://media.goodcase.ai/cases/d331b0b4f759.jpg",
|
||
"mode": "video",
|
||
"prompt": "Using the reference image as the exact final frame, create a 10-second stop-motion-inspired fluid CGI animation of a single thick red braided rope forming the word “Smiling” on a pure white seamless background. At the beginning, the rope is loose and unformed, scattered in soft loops across the frame, with 4–5 tiny clay-like miniature characters wearing simple rope-green overalls and no distinct facial features standing around it. They quickly grab the rope and work together, pulling, stretching, coiling, twisting, and tying it into shape. The rope progressively transforms into the cursive letters “S-m-i-l-i-n-g”, moving smoothly from left to right. Each letter must be created entirely from the same continuous rope, with realistic braided fibers, intricate knots, overlapping loops, natural crossings, and clean negative spaces matching the reference image. The characters playfully climb over and around the rope while shaping each letter, coordinating their movements as the word becomes recognizable. The camera remains completely static and top-down, with consistent soft studio lighting, subtle shadows beneath the rope, and no background elements. In the final 1–2 seconds, the characters finish the last knot on the “g,” step back and hop away, leaving the completed “Smiling” rope artwork clearly visible and matching the reference image. No cuts, no camera movement, no independently generated text, no extra objects. Smooth continuous motion, tactile rope physics, realistic fibers, playful miniature stop-motion aesthetic blended with polished CGI.",
|
||
"category": "stop-motion-cadence",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2100069812152197146"
|
||
},
|
||
{
|
||
"id": "seedance:oggii-0-seedance-ai-a473e1b2b456",
|
||
"title": "穿越历史的磁悬浮列车",
|
||
"description": "POV 长镜头",
|
||
"image": "https://media.goodcase.ai/media/poster/oggii-0-seedance-ai-a473e1b2b456.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second vertical 9:16 first-person smartphone video, filmed by one standing passenger inside an extremely crowded maglev commuter train. One continuous take only: no cuts, jump cuts, fades, dissolves, overlays, double exposure, scene resets, or artificial transitions.\n\nThe same train, same carriage, same passengers, same camera, and same interior remain consistent throughout. The camera is a cheap smartphone held at chest height, one-handed while the other hand grips a pole. The phone is never visible. Footage is crooked, shaky, partially blocked by shoulders, and realistically imperfect: rolling-shutter distortion, autofocus hunting, exposure fluctuations, blown highlights, noisy shadows, compression artifacts, motion smear, and no stabilization or cinematic movement.\n\nThe camera always looks through the left-side window at roughly 90° to the train's direction. The train always moves forward and the outside world flows from front to back.\n\nTimeline\n\n0–2s — Present Day\nOrdinary modern weekday morning: glass buildings, traffic, pedestrians passing outside. Tired commuters barely react. Announcement: “Next stop: 1944.” The train suddenly accelerates; passengers grab poles and sway.\n\n2–4s — Time Turbulence\nModern scenery is physically swallowed by a dense silver-gray temporal mist tunnel. It has real depth, airflow, parallax, and particles. Old newspapers, yellowed pages, and radio-static-like fragments fly naturally from front to back. Carriage lights flicker. This is a real tunnel, not a transition effect.\n\n4–8s — June 1944, Normandy\nThe mist clears as the train physically emerges beside the Normandy coast. Gray dawn, naval ships, landing craft, barrage balloons, distant explosions, smoke, and soldiers as distant silhouettes in the surf. No graphic violence. Passengers become solemn and tense.\n\n8–9s — Time Turbulence\nParchment fragments and quill-like light streaks rush past the window. Radio-static texture and distant voices. Announcement: “Next stop: 1789.”\n\n9–13s — May 1789, Versailles\nThe train emerges beside Versailles. Stone walls, wrought-iron gates, horse-drawn carriages, formally dressed representatives, and large crowds. Warm golden morning light. Church bells and murmuring voices. Atmosphere of expectation and historical change.\n\n13–14s — Time Turbulence\nFlying pamphlets and paper fragments fill the temporal mist. Announcement: “Next stop: 1776.”\n\n14–18s — July 1776, Philadelphia\nThe train emerges beside a red-brick bell-tower building and crowded stone square. A bell rings, representatives exit, a proclamation is read, papers flutter, and the crowd celebrates quietly. Warm summer evening light. A passenger smiles and softly says: “Look.”\n\n18–19s — Time Turbulence\nRough dark mist, ash-like particles, glowing embers, distant horns. Announcement: “Next stop: 1184 BC.”\n\n19–23s — April 1184 BC, Troy\nThe train emerges at night beside a massive fortified city. Burning walls, smoke, a huge wooden horse being pulled through a damaged gate, shield-bearing silhouettes, and ships along the shore. Convey war only through fire, smoke, silhouettes, and scale. No blood, injuries, or graphic violence. Passengers lean toward the window, visibly grave.\n\n23–24s — Time Turbulence\nGolden swirling sand replaces the mist. Luminous fragments resembling ancient symbols and distant chanting pass through the window. Announcement: “Next stop: 2500 BC.”\n\n24–28s — Approximately 2500 BC, Giza\nThe turbulence clears to reveal a gigantic unfinished pyramid under intense white-gold desert sunlight. Thousands of workers haul limestone blocks up massive ramps using ropes, rollers, and levers. Supervisors stand above; boats move along the distant Nile. Immense scale and photorealistic ancient construction. A passenger whispers: “Ohh.”\n\n28–30s — Ending\nThe train keeps moving beside the enormous pyramid. Dust floats through the sunlight; distant workers continue their labor. Every passenger is silent and stunned. At approximately 29.7s, the announcement quietly says: “Welcome to 2500 BC.” The train continues moving and the video ends naturally—no fade or cut.\n\nPhysics, Lighting & Sound\n\nPassengers, hand loops, clothing, backpacks, and loose objects react naturally to acceleration and turbulence. Keep the same people and interior throughout.\n\nLighting changes physically with each era: cool modern morning → gray-blue Normandy dawn → warm Versailles morning → warm Philadelphia evening → orange-red Troy firelight → intense white-gold Giza sunlight. Light always enters from the left window and illuminates passengers naturally.\n\nUse only diegetic sound: maglev hum, mechanical rattling, vibrating poles, compressed phone-mic audio, plus era-specific ambience. Every time jump includes a brief radio-static scan and historical echoes before naturally becoming the new environment's sound.\n\nCritical Rules\n\nSingle uninterrupted shot. Same train. Same passengers. Same phone. Forward motion only. Left-window view only. Every time jump must be achieved by physically entering and exiting a real 3D temporal-mist tunnel. No editing or compositing.\n\nAll historical environments must be photorealistic and period-appropriate. Do not show recognizable famous historical figures in facial close-up. Keep Normandy and Troy non-graphic. The footage must feel like an accidental, low-quality smartphone recording—not a polished movie.",
|
||
"category": "pov-continuous-take",
|
||
"sourceId": "seedance",
|
||
"credit": "@oggii_0",
|
||
"sourceUrl": "https://x.com/oggii_0/status/2092938748073849067"
|
||
},
|
||
{
|
||
"id": "seedance:nawalsehar-seedance-ai-531c19980c39",
|
||
"title": "韩国山间夏日露营",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/media/poster/nawalsehar-seedance-ai-531c19980c39.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second 16:9 ultra-photorealistic Korean summer camping video. A young Korean woman arrives at a peaceful mountain campsite in a compact SUV, parks on a gravel path, unloads her camping gear, and physically sets up a tent on the grass.\nShow realistic tent fabric, flexible poles, stakes, natural wind, and believable body movement. She then prepares a simple outdoor meal on a portable stove, stirring vegetables in a pan as gentle steam rises naturally.\nAs afternoon transitions into a soft evening, she turns off the stove, sits in a folding camping chair, takes a sip of her drink, and peacefully admires the surrounding Korean mountains and forest.\nUse smooth documentary-style camera movement, natural lighting, realistic human physics, authentic campsite ambience, cooking sounds, birds, insects, wind, and gravel footsteps. Maintain the same woman, outfit, SUV, tent, campsite, and equipment throughout.\nNegative Prompt: No CGI look, teleportation, floating objects, weightless equipment, distorted hands, extra fingers, robotic movement, instant tent setup, unrealistic fire or food physics, excessive wind, artificial lighting, changing characters, text, logos, or watermark.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2092482623490916552"
|
||
},
|
||
{
|
||
"id": "seedance:elsasofia-ai-seedance-ai-e087ab2aed4b",
|
||
"title": "Seedance 2.5 多参考图锁定人物形象短片",
|
||
"description": "角色一致性",
|
||
"image": "https://media.goodcase.ai/cases/d0baab1d99c4.jpg",
|
||
"mode": "video",
|
||
"prompt": "CHARACTER REFERENCE — MANDATORY: Face — Reference Image 3. Outfit — short dark bob, black fitted crop jacket, distressed dark cargo denim shorts, gray hoodie tied at waist, teal satin ballet pointe shoes, pink tights, black headphones ON EARS, white gloves.\n CRITICAL — CHARACTER ANATOMY. NON-NEGOTIABLE: 165cm, 47kg. Athletic, lean, controlled. NEVER ragdoll. NEVER limp. NEVER floppy. Core always engaged. Every movement has muscle intention. She moves like a trained gymnast/dancer who happens to have superpowers — precise, casual, effortless. Minimal spinning. Body follows physics of each movement logically.\n CRITICAL — PHYSICAL CONTACT WITH ENVIRONMENT. NON-NEGOTIABLE: She does NOT just fly through the air. She interacts with the city physically — feet push off walls, hands grab ledges, body grazes building surfaces. Every contact point: knees absorb impact, muscles engage, body reacts to the surface. This is parkour + web-swinging, not floating.\n CRITICAL — BODY POSITIONS PER MOVEMENT TYPE:\nWeb swing: arms extended forward gripping web, legs together trailing, core tight, back straight, chin up — clean rope-swing athlete position\nWall push-off: both feet plant flat on wall, knees bend deep to absorb, then legs explode into full extension at launch, arms punch forward for momentum\nRunning on wall: body leans 45 degrees toward wall, feet striking surface in running gait, arms pumping, hair and hoodie pulled sideways by momentum\nFree flight peak: arms naturally open to sides, body slightly arched back, relaxed — not posed, just physically released\nStreet level run: full sprint, arms driving, head forward, teal pointe shoes striking pavement, body leaning into direction of travel\n CRITICAL — REALISM. NON-NEGOTIABLE: Real Hollywood film. RED Monstro 8K, anamorphic lens. Real motion blur, real fabric physics, real atmospheric NYC haze. REAL.\n CRITICAL — CAMERA. NON-NEGOTIABLE: ONE continuous drone-follow. ZERO cuts. ZERO teleporting. Tilts, banks, rolls physically. Wide enough to always show her AND environment. \n\n15-second continuous drone-follow shot. DIRECT CONTINUATION — starts from black.\n0–1 sec: Black. Then — CLOSE-UP — white-gloved hand. Fingers open. Wrist snaps. Web shoots. Camera pulls back immediately.\n1–4 sec: Wide — residential NYC street. Brownstones, fire escapes, bodegas. She swings LOW — 3 meters above street. Body: arms extended gripping web, legs together trailing, core tight, back straight. At the bottom of the swing arc her feet skim the roof of a parked car — brief physical contact, feet bounce off lightly, she uses it to redirect. Camera banks 40 degrees.\n4–7 sec: She releases the web at peak — body opens, arms out, legs extend. Then instead of firing a new web immediately — she runs along the side of a brownstone wall. Feet strike the brick surface in a real running gait — body angled 45 degrees toward the wall, arms pumping, 4–5 quick steps along the vertical surface — then she pushes off hard with both feet, knees fully extending, and fires a new web mid-air toward a building across a wide intersection. Swing pulls her hard sideways — camera rolls 60 degrees.\n7–10 sec: She comes in LOW down a narrow street packed with yellow taxis. 2 meters off the ground, body streamlined — arms forward, legs trailing like an arrow. Web releases. Her feet hit the ground — full sprint, body leaning forward, arms driving — she runs 3–4 steps between taxis, using the momentum, feet striking the wet pavement. A taxi honks. She laughs. Then plants one foot on the side of a taxi cab, pushes off the car roof with a single explosive step, fires a web upward at a tall building, and rockets HIGH.\n\"WOOHOO!\"\n10–15 sec: WIDE SHOT — rooftop level, not too high. She hangs at the peak — arms slightly open, body naturally arched, completely still for one breathless moment. Golden hour sky — warm orange and pink light across the horizon. Massive dramatic clouds lit from below with gold. She is a small figure dead center against the enormous glowing sky. City rooftops, water towers, streets below. The frame holds. She begins to fall back down.\n[END]\n\n CRITICAL — EMOTION AND SOUND. NON-NEGOTIABLE: She is fully alive in every frame. Not blank. Not neutral. Not AFK.\nHer face and body express genuine real-time emotion throughout:\nDuring the first swing — wide eyes, slight grin, pure focus\nWhen feet skim the car — quick surprised laugh, instinctive\nRunning on the wall — jaw set, determined, intense concentration\nLow between taxis — teeth showing, adrenaline grin, leaning into it\nThe taxi honk — she laughs out loud, head tips back slightly\n\"WOOHOO!\" — completely uncontrolled, mouth open, genuine scream of joy\nFinal wide shot at peak — arms open, head back, eyes closed, face of pure freedom — not blank, not posed, just a person at the best moment of their life\nAUDIO: SFX ONLY. NO MUSIC. Wind rushing. Web snap and twang. Feet hitting car roof. Feet hitting pavement — real impact sounds. Taxi horn. Her genuine laugh. \"WOOHOO!\" echoing between buildings. Wind cutting as she rises. Then — silence at the peak.\n\nRED Monstro 8K, anamorphic, 165cm 47kg controlled athletic body throughout, physical contact with walls/cars/surfaces at every opportunity, detailed body mechanics per movement type — swing/run/push-off/sprint, NO ragdoll NO float, severe Dutch angle during swings, golden hour sunset sky warm orange pink, dramatic volumetric clouds, subject at rooftop level NOT high altitude, subject tiny in center of wide final frame, residential NYC brownstones, continuous single drone follow, no cuts, photorealistic",
|
||
"category": "character-reference-lock",
|
||
"sourceId": "seedance",
|
||
"credit": "@ElsaSofia__AI",
|
||
"sourceUrl": "https://x.com/ElsaSofia__AI/status/2089306746804375878"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-i-m-a-flexible-girl-0a4d9719d867",
|
||
"title": "大象抛起女杂技演员翻空落上马背",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/ec4e8d1301a8.jpg",
|
||
"mode": "video",
|
||
"prompt": "I'm a flexible girl\n\nSeedance 2.5 on @TapNow_AI \n\nPrompt\n\nCreate a 15-second ultra-realistic vertical 9:16 circus performance video, filmed casually by an audience member from the seating area of a large traditional indoor circus arena.\n\nThe video should feel like a **real viral phone recording of an unbelievable live stunt**, not a polished commercial or cinematic production.\n\n### SETTING\n\nInside a huge traditional circus tent with a circular **light-tan sand performance ring**, dark audience seating packed with spectators, red barriers around the arena, tall structural poles, and a dark striped circus canopy overhead.\n\nWarm practical circus lights illuminate the center of the ring while the audience remains comparatively dark.\n\nThe bottom foreground occasionally contains **dark silhouettes of spectators’ heads and raised phones**, making it obvious that the footage is being recorded from the audience.\n\nIn the center of the arena is a **small circular trampoline with a bright blue padded rim and silver metal legs**.\n\n### CHARACTERS\n\n**Female Acrobat:** \nA young blonde female circus performer with an athletic build. She wears a fitted **light-pink short-sleeve top, short green plaid performance skirt, white socks and white athletic shoes**. Her blonde hair moves naturally during the flips.\n\n**Elephant:** \nA large realistic adult gray elephant with natural wrinkled skin, heavy body movement, large ears and a long expressive trunk.\n\n**Horse:** \nA realistic dark-brown circus horse with a black mane and tail, walking calmly around the ring.\n\n### 0:00–0:03 — ELEPHANT LAUNCH\n\nBegin from the audience viewpoint.\n\nThe elephant stands beside the small blue trampoline.\n\nThe blonde acrobat runs toward the elephant and trampoline.\n\nThe elephant lowers and then powerfully raises its trunk, **launching the acrobat upward into the air**.\n\nShe immediately begins rotating backward.\n\nThe action must look spectacular but physically coherent, with believable momentum and body weight.\n\n### 0:03–0:07 — MASSIVE AERIAL FLIPS\n\nThe camera operator quickly tilts the phone upward to follow her.\n\nThe woman flies extraordinarily high above the circus ring while performing **multiple tight backward somersaults**.\n\nHer knees tuck toward her chest, arms control her rotation, skirt and hair react naturally to the movement, and her body maintains realistic anatomy.\n\nThe elephant remains visible far below beside the trampoline, emphasizing the incredible height.\n\nAllow slight handheld camera shake as the person filming struggles to keep her centered.\n\n### 0:07–0:10 — HORSE ENTERS\n\nWhile she continues flipping through the air, a **dark-brown horse calmly enters beneath her** and walks across the circus ring.\n\nThe acrobat gradually opens her body from the tucked rotation and prepares for landing.\n\nThe camera pans and tilts downward with her trajectory.\n\n### 0:10–0:12 — PERFECT LANDING\n\nShe completes the final rotation and lands **upright with both feet directly on the horse’s back** while the horse continues moving forward.\n\nThe landing is surprisingly smooth.\n\nHer knees bend naturally to absorb the impact before she straightens her body and regains perfect balance.\n\nNo cuts during the stunt.\n\n### 0:12–0:15 — TRIUMPHANT FINISH\n\nStanding confidently on the moving horse, she raises **both arms wide in a victorious circus pose**.\n\nThe horse continues calmly walking around the arena.\n\nThe elephant can still be seen moving in the background.\n\nAudience members react enthusiastically, with silhouettes and phones appearing along the bottom of the frame.\n\nNear the final moment, the performer gives a small respectful bow while remaining balanced on the horse.\n\n### CAMERA STYLE\n\nSingle continuous audience phone recording.\n\nVertical **9:16 framing**.\n\nCamera position stays within the spectator seating rather than entering the circus ring.",
|
||
"sourceId": "seedance",
|
||
"credit": "@sipteaandcoffee",
|
||
"sourceUrl": "https://x.com/sipteaandcoffee/status/2107060987157524524"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-a-quiet-moment-a-kind-heart-and-a-story-that-speaks-without-words-08090a4dca11",
|
||
"title": "首尔巷弄里女子关切走近女学生",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/f1a03d8ea798.jpg",
|
||
"mode": "video",
|
||
"prompt": "A quiet moment, a kind heart, and a story that speaks without words. \nSometimes, the simplest moments leave the biggest impact.\n\nCreated on seedance 2.5\n\nA beautiful Korean girl with long natural black hair, wearing a fitted black sleeveless top, light beige wide-leg pants, and carrying a small white shopping bag, walking naturally through a quiet Seoul neighborhood during a bright daytime afternoon. Create a cinematic Korean K-drama style scene with realistic Korean architecture, narrow urban alleyways, tiled buildings, air-conditioning units, parked cars, and pedestrians in the background. She notices a young Korean schoolgirl wearing a white school uniform shirt, blue striped tie, and blue plaid skirt, then approaches her with a concerned and caring expression. Show natural body language, subtle facial expressions, realistic eye movement, and emotionally believable interaction between the two characters. Include a group of Korean high-school students walking through the alley in the background, creating an authentic everyday Seoul atmosphere. Use soft natural daylight, realistic skin texture, shallow depth of field, cinematic framing, gentle handheld camera movement, and smooth focus transitions. Build the scene like a premium Korean drama with close-up emotional shots, medium walking shots, and over-the-shoulder compositions while keeping both characters’ faces, hairstyles, clothing, and identities consistent throughout. Make the final video photorealistic, emotionally engaging, cinematic, and completely natural with realistic Korean street ambience and subtle background movement.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2106974434234138683"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-i-m-practicing-something-906da86a4a69",
|
||
"title": "金发女子在警察训练室上演搞笑武打",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-2-5-i-m-practicing-something-906da86a4a69.webp",
|
||
"mode": "video",
|
||
"prompt": "I'm practicing something \n\nSeedance 2.5 on @FishCreativeHQ \n\nPrompt\n\nCreate a realistic 17-second funny action video inside a police training room. A young blonde woman in a pink fitted top, green plaid mini skirt, and white sneakers confidently faces several police officers in black tactical uniforms while a group of young people watches in the background. She suddenly performs exaggerated martial-arts moves, playful punches, dodges, spins, and dramatic defensive gestures as the officers react and attempt to restrain her. Keep the action fast, comedic, energetic, and physically believable. Static wide camera, realistic indoor lighting, natural crowd reactions, consistent characters, smooth motion, photorealistic live-action style.",
|
||
"sourceId": "seedance",
|
||
"credit": "@sipteaandcoffee",
|
||
"sourceUrl": "https://x.com/sipteaandcoffee/status/2107512973292138801"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-three-besties-documenting-a-very-unserious-safari-c9c22cdfc07b",
|
||
"title": "三位闺蜜的野生动物园欢乐游记",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/b579a993300c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Three besties, documenting a very unserious safari. \n\nMade with Seedance 2.5.\n\nFORMAT: 16:9 landscape, ultra-realistic live-action, premium wildlife documentary + natural travel-vlog style.\nREFERENCE IMAGE & MAIN CHARACTER:\nUse the uploaded reference image as the primary character reference for the main girl. The main girl must remain exactly the same person throughout the entire video. Preserve her exact facial identity, facial features, skin tone, hairstyle, body proportions and overall appearance. Do not change or redesign her face.\nHer overall outfit and styling should be inspired by the uploaded reference image, including the casual cap and youthful outdoor look. A slightly edgy/rock-inspired casual touch is acceptable while still looking natural and suitable for a wildlife trip.\n👭 THREE FRIENDS\nThere are exactly three girls throughout the video: the main girl + two female friends.\nAll three girls must remain clearly visible and recognizable in multiple shots.\nTheir outfits must NOT be identical or matching. Each girl should have her own distinct outfit, colors and styling:\nMain girl: outfit based on the uploaded reference image, casual outdoor/safari vibe, her own cap.\nFriend 1: completely different casual outfit, different colors and styling, different cap.\nFriend 2: another distinct casual outdoor outfit, different colors and details, different cap.\nThey can all wear caps because they are on an outdoor wildlife adventure, but the cap colors/styles should also be different. They should look like three real friends who chose their own clothes—not a coordinated uniform.\nKeep each girl's outfit, hairstyle and appearance consistent from beginning to end.\n SHOT 1 — ARRIVAL | 0–4 SEC\nThe three friends arrive at a beautiful wildlife park in a safari vehicle.\nThe main girl briefly holds the camera for a natural selfie-style opening while both friends are clearly visible beside/behind her.\nThey look excited and genuinely happy.\nMain girl:\n“Okay, we’re finally here!”\nFriend:\n“I can’t wait to see them!”\nNatural laughter, handheld travel-vlog movement, spontaneous expressions.\n SHOT 2 — ENTERING THE PARK | 4–7 SEC\nQuick cinematic wide shot of all three girls walking through the wildlife park entrance together.\nTheir different outfits and caps are clearly visible.\nThey look around excitedly as they enter.\nFriend:\n“Where do we go first?”\nMain girl:\n“Let’s find the elephants!”\nNatural walking and casual conversation, not staged.\nSHOT 3 — ELEPHANTS | 7–11 SEC\nCut to the three girls safely observing elephants from a designated viewing area.\nAll three react naturally and excitedly.\nMain girl:\n“Whoa… look at that!”\nFriend:\n“They’re huge!”\nShow realistic elephant movement, natural sunlight and authentic wildlife behavior.\n SHOT 4 — GIRAFFE | 11–14 SEC\nThe three girls are together at a giraffe viewing area.\nOne friend gently feeds the giraffe with approved food while the other two watch excitedly.\nThe giraffe naturally approaches.\nFriend:\n“It’s actually coming!”\nMain girl:\n“Oh my God, look!”\nKeep all three girls visible and expressive.\n SHOT 5 — DEER | 14–17 SEC\nQuick intimate wildlife moment.\nThe three friends are together near a friendly deer. One friend safely feeds it while the other two laugh and react.\nMain girl:\n“Aww, you’re so cute!”\nNatural laughter and genuine reactions.\nSHOT 6 — FINAL SELFIE | 17–20 SEC\nGolden-hour ending.\nThe three girls stand close together after their wildlife adventure and take a fun selfie.\nThey are smiling, laughing and slightly tired but happy.\nFriend:\n“Best day ever!”\nMain girl:\n“We need to come back!”\nEnd with their natural laughter and selfie pose.\n\nVISUAL & CAMERA STYLE\nUltra-realistic live-action wildlife documentary aesthetic combined with an authentic friends' travel vlog.\nNatural daylight, realistic skin texture, real-world wildlife park environment, authentic animal movements, cinematic wide shots mixed with handheld selfie footage, subtle natural camera shake, realistic depth of field, natural shadows, realistic clothing movement, and environmental details.\nThe video should feel like three real friends spontaneously documenting their wildlife adventure, not actors performing a scripted commercial.\n🚫 NEGATIVE PROMPT\nNo CGI look, no 3D rendering, no cartoon animals, no fantasy environment, no artificial-looking faces, no face morphing, no identity drift, no character swapping, no duplicate girls, no extra friends, no identical outfits, no matching uniforms, no outfit changes between shots, no unrealistic animal behavior, no exaggerated acting, no excessive slow motion, no artificial beauty filter, no plastic skin, no futuristic elements.\n16:9 landscape • Exactly 20 seconds • 3 girls • 3 different outfits • consistent main character • elephants + giraffe + deer • natural dialogue • cinematic wildlife adventure • realistic live-action.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithWania",
|
||
"sourceUrl": "https://x.com/AIwithWania/status/2106971093592691077"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-a-peaceful-countryside-garden-on-a-warm-sunny-morning-73d9d998ca98",
|
||
"title": "乡间晨光中女子倾诉,花朵渐次绽放",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/e89d080fac28.jpg",
|
||
"mode": "video",
|
||
"prompt": "A peaceful countryside garden on a warm sunny morning. A young Western woman with long dark-brown hair, wearing a cream oversized T-shirt and beige pants, kneels beside a small flowerbed. She looks at a closed flower and softly says, “I was wrong.” The flower slowly begins to bloom, its petals unfolding naturally one by one.\n\nShe looks surprised and admits, “I was afraid to tell you the truth.” The flower opens further as a gentle breeze moves the surrounding leaves. She smiles and says, “And I still care.” A second small flower bud slowly begins to bloom beside the first.\n\nThe woman gently touches one of the flowers as the camera pulls back to reveal several newly opened flowers glowing in the warm morning sunlight.\n\nPhotorealistic cinematic style, realistic human movement, natural flower growth, consistent character appearance, realistic skin and plant textures, natural gravity, physically believable wind, accurate shadows, smooth camera movement, natural facial expressions, realistic lip synchronization, soft morning sunlight, and an authentic countryside atmosphere.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithZeeshi",
|
||
"sourceUrl": "https://x.com/AIwithZeeshi/status/2106967008650969278"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-0-create-a-15-second-vertical-9-16-photorealistic-cinematic-video-of-a-cute-orang-ed0d127d5ff9",
|
||
"title": "战壕里戴钢盔的橘猫士兵",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/5a2683ecf9f3.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second vertical 9:16 photorealistic cinematic video of a cute orange tabby cat inside a muddy World War-style trench, wearing a realistic olive-green military helmet and holding a small vintage rifle. Start with the camera focused on the dark trench entrance, with stacked sandbags and rough wooden planks clearly visible above. At first, only the top of the helmet slowly appears from the trench. The cat gradually rises into view while holding the rifle naturally with both paws. Keep the cat’s face, fur, helmet, rifle, trench, and background consistent throughout the entire video. Around the middle, the cat looks directly toward the camera with a serious but adorable expression and slowly raises one paw in a small salute. Maintain realistic fur movement, natural paw motion, subtle head movement, and cinematic depth of field. The camera should remain mostly stable with a very gentle handheld cinematic movement. Near the end, the cat lowers its paw and slowly ducks back down into the trench, leaving only the helmet visible. Use realistic outdoor lighting, soft overcast sky, detailed muddy soil, natural textures, shallow depth of field, smooth motion, and no text, watermark, distortion, or extra characters.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2105847315609293134"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-photorealistic-skincare-video-featuring-a-young-korean-woman-202c9f1e5d6e",
|
||
"title": "韩系女子晨光护肤时刻",
|
||
"description": "产品广告分镜",
|
||
"image": "https://media.goodcase.ai/cases/5f156f26b598.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second photorealistic skincare video featuring a young Korean woman in a bright, elegant white room. Start with an extreme close-up of her natural face as she gently touches her cheek with her fingertip, showing realistic skin texture and soft daylight. Then show a clear skincare bottle placed on a white marble table as her hand slowly reaches toward it. Continue with her applying skincare gently to her face using both hands, keeping her facial features and appearance consistent. Show her closing her eyes peacefully while softly massaging both cheeks with her fingertips. Finish with a wider shot of her wearing a simple white dress standing beside a large window, while the sheer white curtains move naturally in the sunlight. Keep the movements smooth and realistic, with natural hands, realistic skin, soft cinematic lighting, clean luxury atmosphere, gentle camera motion, and no distortions or artificial-looking details.",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2101138386132386252"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-keep-the-same-young-south-asian-woman-same-face-hairstyle-and-clear-stylish-g-0b7ca70e5347",
|
||
"title": "南亚女孩买菜回家备餐",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/4fb579ce71f9.jpg",
|
||
"mode": "video",
|
||
"prompt": "Keep the same young South Asian woman, same face, hairstyle and clear stylish glasses throughout. 0–2 sec: She leaves her home wearing clear glasses and walks toward the local vegetable market. 2–5 sec: Quick cinematic shots of her entering the busy market, selecting fresh tomatoes, potatoes, onions, green chilies and coriander, then paying the vendor. 5–7 sec: She walks back home carrying a small vegetable bag. 7–9 sec: She enters her kitchen, places the vegetables on the counter and removes them from the bag. 9–11 sec: She washes the vegetables under running water. 11–15 sec: She puts the vegetables on a wooden cutting board and naturally cuts them with a kitchen knife. Fast but smooth transitions, realistic hand movements, authentic Pakistani environment, natural daylight, detailed vegetables, realistic physics, cinematic camera movement, photorealistic, 4K quality.\n#Flovaai #Flovacpp @Flovaai_Japan",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@CaliraVal",
|
||
"sourceUrl": "https://x.com/CaliraVal/status/2100087681283924449"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-weathered-old-lighthouse-keeper-stands-on-a-foggy-cliff-at-night-f581948aed80",
|
||
"title": "雾夜灯塔守望者与海上光灵",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "/inspiration-thumbs/seedance/seedance-a-weathered-old-lighthouse-keeper-stands-on-a-foggy-cliff-at-night-f581948aed80.webp",
|
||
"mode": "video",
|
||
"prompt": "A weathered old lighthouse keeper stands on a foggy cliff at night,\nwearing a thick wool coat, holding an old brass lantern. Below him,\nthe ocean waves glow with soft bioluminescent blue light with each\ncrash against the rocks. As he raises the lantern, dozens of floating\nglowing orbs (like fireflies) rise up from the water and drift past\nhim into the misty air, swirling gently around his figure. Volumetric\nmoonlight beams cut through the fog. Camera starts wide on the cliff,\nthen does a slow cinematic push-in toward the keeper's face as the\norbs surround him, ending on a close-up with orbs reflecting in his\neyes. Teal and warm-amber color grade, hyper-realistic textures,\nshallow depth of field, film grain, atmospheric fog, 15 seconds,\nsmooth continuous camera motion, no cuts.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@SyntheSarah",
|
||
"sourceUrl": "https://x.com/SyntheSarah/status/2097182529564365135"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-photorealistic-live-action-2026-korean-university-lifestyle-7281a3ed7794",
|
||
"title": "韩国女大学生的一日校园生活",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/9f3ba27bedc7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second photorealistic live-action 2026 Korean university lifestyle vlog following a young Korean female student through one beautiful ordinary day. Start with a morning city-bus ride and ocean-like city reflections through the window, then move naturally through a busy campus lecture, iced coffee break, quiet library study, cafeteria lunch with a friend, energetic dance-club practice, golden-hour campus walk, and peaceful blue-hour night stroll.\n\nUse authentic modern Korean university surroundings, natural student clothing, realistic Korean facial features, subtle expressions and spontaneous interactions. High-end smartphone vlog aesthetic with handheld movement, selfie shots, POV footage, natural autofocus, exposure changes and realistic motion blur. Hair, cardigan, backpack and objects react naturally to movement, wind and gravity. Include realistic bus movement, walking, dancing, coffee condensation, food steam and believable human biomechanics.\n\nEnglish dialogue only, with natural location sounds such as bus noise, classroom ambience, café chatter, footsteps, cafeteria sounds, dance-room audio and nighttime campus ambience. No narrator, no background music, no CGI, animation, subtitles, logos or watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2096818423846334683"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-in-1080p-bb09011ebea2",
|
||
"title": "艾莎的欧洲城市夏日漫步",
|
||
"description": "分镜表转视频",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-made-with-seedance-2-5-in-1080p-bb09011ebea2.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with Seedance 2.5 in 1080p\n\nDuration: 30 seconds\nAspect Ratio: 16:9\n\nPrompt \nUltra realistic personal summer home-video featuring Elsa.\n\nUse the provided Master Character Set ONLY for Elsa's identity and physical consistency. Use the provided 7-panel storyboard as the exact visual and chronological guide for the scenes.\n\nDo not copy any pose or layout from the Master Character Set. The storyboard controls the locations, actions, compositions and sequence.\n\nCHARACTER:\nKeep Elsa's exact facial identity, skin tone, hairstyle, body proportions and recognizable appearance consistent throughout the entire video.\n\nShe wears a simple fitted light-colored summer T-shirt, light blue relaxed jeans, casual everyday shoes and a delicate necklace. Keep the wardrobe identical throughout all seven scenes.\n\nThe performance should feel natural and spontaneous, like a real person casually enjoying an ordinary summer afternoon.\n\nVISUAL STYLE:\nUltra-realistic personal home-video footage recorded by a friend.\n\nUse subtle handheld camera movement, imperfect framing, occasional autofocus adjustment, natural exposure variation, mild motion blur, soft digital detail and realistic environmental imperfections.\n\nThe footage should feel intimate and authentic rather than like a commercial or music video.\n\nMaintain natural summer daylight throughout the first scenes, gradually transitioning into warm golden-hour light toward the end.\n\nSHOT 1 — LOCAL BAKERY | 0:00–0:04\n\nElsa steps out of a small charming neighborhood bakery carrying a simple paper bag.\n\nThe bakery has large glass windows, warm interior light, small outdoor plants and a quiet sidewalk.\n\nThe camera is positioned slightly across the street and casually follows her as she exits.\n\nShe gives a subtle natural smile and begins walking.\n\nSHOT 2 — PEDESTRIAN BRIDGE | 0:04–0:08\n\nElsa walks onto an old pedestrian bridge crossing a wide river.\n\nUse a medium-wide handheld tracking perspective.\n\nThe bridge has weathered metal railings, pedestrians in the distance and a calm river flowing below.\n\nTrees, historic residential buildings and an urban skyline appear beyond the river.\n\nA gentle summer breeze moves Elsa's hair naturally.\n\nSHOT 3 — RIVER VIEW PAUSE | 0:08–0:13\n\nElsa stops beside the bridge railing and looks peacefully across the river.\n\nMove into a slower, more intimate composition from slightly behind and to her side.\n\nCapture her relaxed expression, loose hair moving in the breeze and the river stretching into the distance.\n\nLet the moment breathe naturally rather than rushing the shot.\n\nSHOT 4 — SIDEWALK CAFÉ | 0:13–0:17\n\nTransition naturally to a small sidewalk café.\n\nElsa sits at a simple outdoor café table and enjoys a cold drink.\n\nUse a close handheld perspective showing her natural expression, glass, table and surrounding café details.\n\nShe takes a relaxed sip and looks around casually.\n\nThe atmosphere should feel like an ordinary summer afternoon in a charming European city neighborhood.\n\nSHOT 5 — BOOKSTORE | 0:17–0:21\n\nElsa enters a small independent bookstore.\n\nThe camera follows her between tall shelves filled with books.\n\nShe slowly browses the shelves, picks up one book and flips through several pages.\n\nUse a gentle handheld side angle followed by a closer shot of her hands and the open pages.\n\nWarm natural light enters through the bookstore window.\n\nSHOT 6 — GOLDEN-HOUR STREET | 0:21–0:25\n\nElsa leaves the bookstore and continues walking home.\n\nThe afternoon has transitioned into golden hour.\n\nThe camera tracks her from a slightly elevated three-quarter angle as she walks along a tree-lined city boulevard.\n\nWarm sunlight shines through the trees behind her, creating natural lens flare and long shadows.\n\nShe briefly turns her head toward the camera with a relaxed smile before continuing.\n\nSHOT 7 — HOME BALCONY | 0:25–0:30\n\nElsa arrives home and steps onto a quiet balcony overlooking the city.\n\nThe sun is low on the horizon.\n\nShe rests casually against the balcony railing while holding a warm drink.\n\nUse a slow, intimate side-profile composition.\n\nHer hair moves gently in the evening breeze.\n\nBehind her, reveal the beautiful city skyline and rooftops glowing under the fading summer light.\n\nEnd on a peaceful natural moment as Elsa quietly looks across the city.\n\nThe recording ends naturally with a brief hold on the sunset atmosphere.\n\nCAMERA LANGUAGE:\nUse different compositions throughout the seven scenes:\nwide establishing shots, handheld tracking, over-the-shoulder framing, side profile, intimate close-ups and a final scenic reveal.\n\nCamera movement must always feel physically motivated and handheld rather than artificially smooth.\n\nCONTINUITY:\nElsa must remain the exact same person throughout the entire video.\n\nKeep her face, hairstyle, body proportions, clothing, necklace and overall appearance consistent.\n\nMaintain believable geographic and temporal continuity between locations.\n\nAll environmental interactions must follow realistic physics. Hair, clothing, paper bag, drink and surrounding objects should move naturally.\n\nAUDIO:\nUse authentic location sound only.\n\nInclude footsteps, distant conversations, bicycle sounds, light traffic, river ambience, café sounds, subtle bookstore ambience, pages turning, birds, wind through trees and natural city sounds.\n\nNo background music.\nNo narration.\nNo subtitles.\nNo captions.\nNo logos.\nNo watermarks.\n\nFINAL AESTHETIC:\nThe finished video should feel like a genuine personal summer memory captured by a friend—warm, intimate, imperfect and completely believable.\n\nPrioritize realistic human movement, natural expressions, authentic environments, strong visual continuity and the exact seven-scene progression shown in the storyboard.",
|
||
"category": "storyboard-grid-to-video",
|
||
"sourceId": "seedance",
|
||
"credit": "@ElsaSofia__AI",
|
||
"sourceUrl": "https://x.com/ElsaSofia__AI/status/2096554912448659864"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-graceful-young-korean-woman-with-soft-short-wavy-brown-hair-delicate-feature-11d70672ecb9",
|
||
"title": "溪畔西瓜与向日葵的夏日漫步",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-a-graceful-young-korean-woman-with-soft-short-wavy-brown-hair-delicate-feature-11d70672ecb9.jpg",
|
||
"mode": "video",
|
||
"prompt": "A graceful young Korean woman with soft short wavy brown hair, delicate features, gentle smiling eyes and a warm serene expression, wearing a light straw hat with frayed edges and a sleeveless white floral summer dress with subtle small patterns that flows lightly around her body, holding a juicy red watermelon slice near her face in soft golden sunlight by a wooden window, then walking carefully across smooth river stones in white flat shoes while carrying a woven basket filled with watermelon pieces, crouching by the clear shallow stream to gently place and cool a whole striped watermelon in the water with both hands while smiling, standing on a wooden balcony railing adjusting her straw hat with a soft smile, walking along a sunlit riverside path among tall bright yellow sunflowers while turning to look at them and then smiling at the camera, and finally standing on a traditional wooden porch with a hanging glass wind chime, holding a glass milk bottle, adjusting her hat and hair, looking up peacefully then turning to face the camera with a gentle radiant smile, all in a soft cinematic summer countryside atmosphere with warm natural light, green leaves, flowing water, and peaceful nostalgic mood.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2096465196856340515"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-korean-girl-approximately-30-second-cinematic-video-of-a-young-east-asian-sc-a7a9ee0009ce",
|
||
"title": "放学后少女沿海追着列车回眸",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-a-korean-girl-approximately-30-second-cinematic-video-of-a-young-east-asian-sc-a7a9ee0009ce.jpg",
|
||
"mode": "video",
|
||
"prompt": "A korean girl, approximately 30-second cinematic video of a young East Asian schoolgirl with shoulder-length dark brown hair and soft bangs, wearing a classic school uniform consisting of a light blue collared shirt, cream-colored cardigan, navy blue pleated skirt, white socks, and brown loafers, carrying a beige tote bag. The video opens with close-up selfies of her smiling and waving inside a bright Japanese-style classroom filled with wooden desks, chairs, a green chalkboard, and white curtains by large windows, then shows her sitting at a desk writing in a notebook with a pink pencil case nearby, drinking from a bottle of Japanese tea, packing her bag, and walking through the empty classroom. It continues outdoors as she walks away from a school gate along quiet residential streets lined with houses, greenery, and utility poles, then along a scenic coastal path beside railway tracks with the blue ocean and distant mountains visible under clear sunny skies, turning to smile at the camera while a white train passes by in the background, capturing a natural, cheerful, and slice-of-life atmosphere with soft natural lighting throughout.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2096440173072674962"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-k-pop-dance-performance-on-a-futuristic-dark-stage-illuminated-by-v-a713463472c6",
|
||
"title": "霓虹未来舞台K-pop劲舞",
|
||
"description": "音乐卡点 MV",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-a-cinematic-k-pop-dance-performance-on-a-futuristic-dark-stage-illuminated-by-v-a713463472c6.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic K-pop dance performance on a futuristic dark stage illuminated by vibrant purple and magenta neon lights. A confident female dancer with a high ponytail, wearing a fitted white crop top and oversized electric-blue pants, performs sharp, powerful choreography with two male backup dancers dressed in black. Start with a full-body symmetrical shot, then smoothly push the camera toward the lead dancer for an intense close-up. Include dynamic hand movements, precise choreography, subtle body motion, realistic facial expressions, flowing hair movement, dramatic stage lighting, glossy reflective floor, atmospheric haze, soft lens flares, and energetic concert visuals.\n\nAudio / Sound Design: Create an energetic modern K-pop instrumental with a powerful electronic beat, punchy bass, crisp kick and snare, rhythmic synths, atmospheric pads, and subtle crowd ambience. Sync the beat precisely with the dancers' movements, adding bass hits and impact sounds on major choreography transitions. Include smooth beat drops, rising synth effects, and cinematic whooshes during camera movements. No dialogue, no vocals, clean polished music-video audio, immersive stereo sound.\n\nSmooth cinematic camera movement, realistic human motion, detailed skin and fabric textures, high-end music-video cinematography, dramatic neon lighting, dynamic choreography, glossy reflections, 4K quality, vertical 9:16.",
|
||
"category": "music-beat-sync-mv",
|
||
"sourceId": "seedance",
|
||
"credit": "@CaliraVal",
|
||
"sourceUrl": "https://x.com/CaliraVal/status/2095734903883342292"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-77a6ca7d9f28",
|
||
"title": "萌娃与壁虎的客厅追逐战",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/b776aacc6c56.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a 60–65 second high-quality cinematic 3D animated family comedy video in a warm, charming, Pixar-inspired animation aesthetic.\n\nCHARACTERS:\n- A cute energetic blond toddler boy wearing only a white diaper.\n- A cute little girl with short brown hair, wearing pink pajamas with small bows.\n- A warm, expressive mother with short brown hair, wearing a cozy beige sweater and blue jeans.\n- A friendly green gecko/lizard with large expressive eyes.\n- A father with short dark brown hair, wearing a green T-shirt, dark gray pants and casual sneakers.\n\nVISUAL STYLE:\nPremium 3D animated movie quality, adorable stylized characters, expressive oversized eyes, realistic soft skin and hair textures, detailed facial expressions, polished cinematic lighting, warm family-home atmosphere, smooth natural character animation, physically believable movement, colorful but soft environment, shallow depth of field, global illumination, soft shadows, high-detail textures, cinematic composition.\n\nSETTING:\nA cozy modern family home with a child's bedroom and living room. Blue children's wallpaper decorated with stars and clouds, wooden furniture, framed children's artwork, warm lamps, large windows with sunlight streaming through curtains, patterned rugs, toys scattered naturally around the floor, comfortable sofa and family decorations.\n\nSTORY / ACTION:\n\nSCENE 1 — BEDROOM:\nThe blond toddler walks around his bedroom curiously. He notices a small green gecko climbing on the wall. He looks surprised and fascinated, slowly approaches it, then carefully reaches toward it.\n\nSCENE 2:\nThe toddler playfully grabs the gecko and holds it gently. The gecko reacts with funny exaggerated expressions while the toddler laughs and becomes excited.\n\nSCENE 3:\nA little girl in pink pajamas enters the room and notices the gecko. She gets curious and crawls toward it while the toddler proudly shows it to her. The gecko wiggles and tries to escape, creating a playful comedy moment.\n\nSCENE 4 — LIVING ROOM:\nCut to the mother sitting on the sofa with both children. The girl looks nervous while the toddler excitedly shows the green gecko. The mother notices what is happening and reacts with surprise and concern.\n\nSCENE 5:\nThe gecko suddenly moves closer to the children. The mother becomes startled and raises her hands. The children react with exaggerated surprised expressions. Keep the moment funny and family-friendly rather than scary.\n\nSCENE 6:\nThe toddler tries to follow the gecko while the little girl runs away laughing. Toys roll across the wooden floor as the gecko quickly scurries around the room. The mother jumps up from the sofa and tries to keep the children safe.\n\nSCENE 7:\nThe father suddenly enters the living room. He looks confused after seeing the chaos. The mother gestures toward the gecko while the children excitedly point at it.\n\nSCENE 8 — COMEDIC ENDING:\nThe father carefully approaches the gecko and tries to catch it. The toddler happily follows him. The gecko suddenly climbs onto the father's shirt, creating a hilarious reaction. Everyone reacts with surprise and laughter.\n\nFINAL SHOT:\nThe father stands in the middle of the living room with the gecko on his green shirt while the toddler laughs and claps happily. The mother and little girl react with amused expressions in the background. End on a warm, funny family moment.\n\nCAMERA:\nCinematic medium shots, close-ups for facial reactions, gentle tracking shots, low-angle toddler perspective, occasional wide shots showing the entire room, smooth camera transitions, natural handheld-style movement during the comedic chase, expressive reaction close-ups.\n\nLIGHTING:\nWarm afternoon sunlight coming through windows, soft volumetric rays, cozy indoor practical lighting, natural shadows, cinematic highlights and realistic bounce light.\n\nANIMATION:\nHighly expressive facial animation, natural body movement, believable toddler walking and running, playful exaggerated reactions, smooth hand gestures, realistic cloth and hair movement, detailed gecko movement, comedic timing and clear storytelling.\n\nQUALITY:\nUltra-detailed 3D animation, cinematic rendering, 4K, high-quality global illumination, realistic materials, soft depth of field, polished feature-film animation, consistent character appearance throughout, smooth motion, no flickering, no distorted faces, no extra limbs, no character identity changes.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2105615254973792766"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-photorealistic-japanese-winter-lifestyle-vlog-in-a-tradition-f4aa8ee8d702",
|
||
"title": "雪村清晨的冬日生活",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-30-second-photorealistic-japanese-winter-lifestyle-vlog-in-a-tradition-f.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second photorealistic Japanese winter lifestyle vlog in a traditional mountain village at sunrise. Follow a young Japanese woman as she wakes in a wooden house, opens the shoji door, feeds small winter birds, sweeps fresh snow, makes hot green tea, and walks along a snowy village path.\n\nShow realistic snow-covered rooftops, cedar trees, stone paths, birds, footprints, chimney smoke, warm tea steam, and soft golden morning light. Use natural handheld 2026 vlog cinematography with close-ups, POV shots, walking follow shots, realistic autofocus, exposure changes, motion blur, and a gentle final village reveal.\n\nNatural environmental audio only: wind, birds, footsteps, snow, broom, tea pouring, wooden doors and distant village sounds. Natural dialogue in English. No music, narration, subtitles, CGI, animation, artificial snow, unrealistic bird behavior, floating camera, logos or watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2097540713781371051"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-dv-16mm-tape-camcorder-handheld-feel-3c6411732b9b",
|
||
"title": "复古DV视角下的晚间健身训练",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/898dede39d2f.jpg",
|
||
"mode": "video",
|
||
"prompt": "-\nCAMERA:\nDV 16mm tape camcorder handheld feel. POV of CHASE holding the camera herself, occasionally propping it on the gym floor or mat for hands-free workout shots. Natural hand shake, imperfect framing, delayed focus pulls, clumsy little zooms, occasional face cut-off framing, imperfect shots. Camcorder never appears on screen.\n\nLOOK:\nSoft, slightly blurry tape quality, faint tape noise, bloomed highlights under gym lighting, subtle flickering auto-exposure, muted contrast, realistic skin tones, natural sweat sheen, authentic nostalgic DV texture.\n\nSTYLE:\nConfident, playful, slightly cheeky gym-vlog energy. Genuine workout effort mixed with humor and personality. The movements must clearly look like real gym stretching and exercises, never sexualized or suggestive. Quick handheld cuts, natural breathing, realistic body movement, expressive facial reactions, casual spontaneous dialogue.\n\nREFERENCE IMAGE / CHARACTER:\nUse the provided reference image as the exact visual reference for CHASE. Preserve her exact face, identity, facial features, skin tone, body proportions, and recognizable appearance throughout the entire video. Do not change or redesign her face. The same girl must appear consistently in every shot. Keep her long black hair in a high ponytail throughout the video. Slim athletic build, expressive eyes, natural glowing skin with a light sweat sheen.\n\nOUTFIT:\nStylish fitted gym outfit with a slightly bold but appropriately covered look: a fitted athletic crop-style training top with secure chest coverage and visible shoulders and arms, paired with high-waisted opaque fitted leggings. Use a striking color combination such as a deep burgundy/wine top with dark charcoal leggings. Premium athletic fabric, realistic fit, fashionable but practical for working out. No jacket, no long sleeves, no jewelry, no distracting accessories. Keep the exact same outfit throughout.\n\nSETTING:\nModern gym in the evening, gym mat area near a mirror wall, soft overhead lighting, water bottle beside the mat, dumbbells and other gym equipment naturally visible in the background, realistic gym atmosphere.\n\nSTORYBOARD — 30 SECONDS, 8 CUTS:\n\n1. (~4s, propped camera, medium shot)\nCHASE stands on the mat and immediately starts a proper warm-up. She raises both arms overhead for a controlled stretch, reaches through her sides, then brings one arm across her chest for a shoulder stretch. She rolls her shoulders back and looks at the camera with a confident playful expression.\nCHASE: \"Alright… let's wake these muscles up.\"\n\n2. (~3s, handheld medium shot)\nShe performs controlled side stretches, one arm reaching overhead while leaning gently to the opposite side, then switches sides. Natural athletic movement and relaxed breathing.\nCHASE: \"We're warming up… but we're not playing today.\"\n\n3. (~4s, low propped camera, seated stretch)\nCHASE sits on the mat, extends one leg straight while keeping the other comfortably bent, and reaches toward her extended foot. She switches sides naturally, keeping proper stretching form.\nCHASE: \"Okay, legs… don't betray me now.\"\n\n4. (~3s, medium shot)\nShe moves into a comfortable seated wide-leg stretch, leaning forward slightly and then sitting upright. She looks directly at the camera with a playful smirk.\nCHASE: \"Okay… we're getting serious now.\"\n\n5. (~3s, handheld transition)\nCHASE stands up, walks toward a pair of moderate dumbbells, picks them up, adjusts her grip, checks herself briefly in the mirror, then looks toward the camera confidently.\nCHASE: \"Enough stretching. Let's make it burn.\"\n\n6. (~4s, medium handheld shot)\nShe performs controlled dumbbell curls with proper gym form. Her arms show natural workout tension as she completes several repetitions. She glances at the camera while continuing the exercise.\nCHASE: \"Okay… now we're talking.\"\n\n7. (~6s, propped camera, core workout)\nCHASE puts the dumbbells down and transitions onto the mat. She starts controlled crunches, then moves into slow leg raises. Close-up insert of her hands gripping the mat while her core works. Her breathing becomes heavier and her expression shows genuine effort. She finishes the final leg raise and drops back onto the mat with a laugh.\nCHASE: \"Yeah… that burn is getting dangerously good.\"\n\n8. (~3s, arm's-length selfie finish)\nStill lying on the mat, slightly sweaty and breathing naturally, CHASE lifts the camera above her face. Her long black high ponytail rests naturally around her head. She gives the camera a tired but confident smile.\nCHASE: \"Cute warm-up. Serious workout.\"\n\nIMPORTANT:\nKeep every movement realistic and clearly recognizable as gym training. No repetitive shaking, hip thrusting, pelvic movements, suggestive bouncing, or sexualized posing. Maintain consistent face, identity, hairstyle, outfit, body proportions, lighting, and visual style throughout all eight cuts. Natural lip-sync, realistic breathing, authentic gym ambience, playful facial expressions, and imperfect DV camcorder footage throughout.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithWania",
|
||
"sourceUrl": "https://x.com/AIwithWania/status/2105198136905933154"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-cinematic-ultra-realistic-15-second-live-action-fantasy-sequence-set-556fbc086f34",
|
||
"title": "暮光森林守护者与金色萤火",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/acd51e0f7547.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic, ultra-realistic 15-second live-action fantasy sequence set deep inside a mysterious enchanted forest during soft golden-blue twilight. Begin with a wide low-angle tracking shot of a tiny mysterious childlike forest guardian standing on a thick moss-covered fallen tree, surrounded by enormous ancient trees, oversized mushrooms, hanging plants, and soft atmospheric mist. The character wears a simple dark-green hooded cloak with a rustic cream-colored tunic underneath, short brown hair, and a small natural face with expressive green-hazel eyes. Warm rays of sunlight stream through the dense forest canopy, creating volumetric beams and subtle glowing particles in the air.\n\nSlowly push the camera toward the character as they notice a tiny warm golden light glowing on the moss below. Show the character carefully stepping forward and reaching toward the mysterious light. Transition into intimate cinematic close-ups of their curious face and delicate hands gently cupping the glowing firefly-like creature. Capture detailed skin texture, soft freckles, natural eyelashes, realistic fabric fibers, and subtle emotional expressions.\n\nThe tiny glowing creature rests between their palms, casting warm amber light across their face and hood. Move into an extreme close-up as the character gently brings the glowing light closer to their face, their eyes softly closing before opening with wonder. End with a beautiful emotional close-up as they look upward with a peaceful smile while warm sunlight illuminates their face and the forest glows softly behind them.\n\nUltra-photorealistic cinematic live-action fantasy, realistic human anatomy, detailed skin and hair, physically accurate moss and foliage, natural cloth movement, realistic volumetric lighting, soft forest fog, glowing firefly particles, shallow depth of field, cinematic lens flare, gentle camera movement, smooth tracking shots, macro close-ups, emotional storytelling, magical but believable atmosphere, subtle film grain, rich environmental textures, realistic lighting and shadows, 15 seconds, widescreen 16:9, no text, no logos, no watermark, no cartoon look, no plastic CGI appearance, no distorted face, no artificial-looking anatomy.",
|
||
"sourceId": "seedance",
|
||
"credit": "@aynellex",
|
||
"sourceUrl": "https://x.com/aynellex/status/2105147006356512789"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-japanese-rural-slice-of-life-home-video-9431ffb8cf81",
|
||
"title": "日本乡村午后追鸡记",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/8026a2e984af.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic Japanese rural slice-of-life home video following a young Japanese woman on a peaceful afternoon walk. A chicken suddenly escapes through a wooden gate, turning her quiet stroll into an unexpected chase with a local farmer.\n\nUse authentic handheld consumer-camera footage with imperfect framing, subtle shake, autofocus hunting, natural motion blur, warm afternoon light and realistic village details.\n\nShow believable chicken behavior—quick steps, head bobbing, sudden direction changes and natural wing movement. The girl and farmer react spontaneously with realistic balance, momentum, friction and human biomechanics as they work together to safely catch it.\n\nAfter finally catching the chicken, they laugh, exchange a few words, and she continues her walk while the farmer returns it to the garden.\n\nNatural audio only: chicken clucks, footsteps, laughter, wing flaps, wind, birds, gate creaks, distant bicycle bells and casual dialogue. No music or narration.\n\nNegative prompt: No anime, CGI, plastic skin, robotic movement, impossible physics, floating objects, teleportation, distorted hands, extra fingers, duplicated people or chickens, chicken morphing, changing faces or outfits, exaggerated camera movement, commercial look, subtitles, logos or watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2104438109949628826"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-epic-action-movie-sequence-dark-rainy-night-in-a-narrow-alleyway-lined-with-st-89b217acd8eb",
|
||
"title": "雨夜货柜巷中的冰火激战",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/3df7a69b1ae5.jpg",
|
||
"mode": "video",
|
||
"prompt": "Epic action movie sequence, dark rainy night in a narrow alleyway lined with stacked cargo containers, a fierce female fighter in a sleek black suit battling waves of aggressive opponents, high-impact combat with fiery explosions and freezing frost punches, cinematic lighting, dramatic smoke, fast-paced choreography, hyper-realistic, 4k\n\n#Flovaai #Flovacpp",
|
||
"sourceId": "seedance",
|
||
"credit": "@AvelyrahnAI",
|
||
"sourceUrl": "https://x.com/AvelyrahnAI/status/2104427974955053532"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-tired-woman-in-image1-in-a-loose-tank-top-and-sleep-shorts-slow-habitual-m-bc7637022788",
|
||
"title": "俯视镜头下的深夜独居女人",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/55eb78553d90.jpg",
|
||
"mode": "video",
|
||
"prompt": "A tired woman in <image1> in a loose tank top and sleep shorts, slow habitual movement. Slightly smeared eyeliner, bare feet, heavy posture, detached face.\nENVIRONMENT: A cramped cluttered apartment with an unmade mattress, scattered clothes, a narrow hallway, a damp bathroom with dim tile reflections, and a tiny kitchen crowded with dirty dishes and empty bottles. Warm practical lamps mix with sickly green neon leaking through blinds and door glass, turning the rooms into a humid late-night maze.\nMOOD: Detached routine turns quietly uncanny, as if an unseen presence is floating above her and waiting for her to notice.\nCOLOR LOGIC: Matrix Green Look\nCAMERA: POV overhead follow in a strict bird's eye view, locked directly above the top of her head at all times, perfectly centered over her body from start to finish, floating smoothly with no shake, tilt, angle drift, or side offset, passing through ceilings and door frames as one uninterrupted camera event. 24mm wide, digital clean look, locked overhead tracking package throughout.\nSCENE:\nShe wakes on the mattress. Sits up under the lens.\nStill centered under the lens, reaches to the floor. Picks up the cigarette and lighter. Places the cigarette between her lips. Lights it. Drops the lighter on the mattress. Stands up with the cigarette still with her.\nUnder the same overhead lock, crosses the cluttered room.\nThe lens tracks directly above her into the narrow hallway. Enters the bathroom.\nStill pinned overhead, keeps the cigarette in her right hand. Extends that arm away from the running water. Leans on the sink. Turns on the tap with her left hand. Splashes water onto her face with her left hand.\nThe overhead follow carries her back out of the bathroom into the hallway. Moves along the hallway past the bathroom door. Turns into the tiny kitchen.\nStill centered under the camera, keeps the cigarette with her. Reaches across the dirty dishes with her free hand. Picks up a glass from the counter.\nStops exactly under the lens. Holds the cigarette in her right hand and the glass in her left hand.\nThe lens stays fixed above her. Freezes. Looks right. Looks left. Takes a drag from the cigarette. Snaps her head straight up into the lens. Blows smoke toward the camera. Locks eye contact.\nSFX: lighter flick, inhale, faint city hum, refrigerator buzz, soft bare footsteps, water run. Sodium amber particles, toxic green neon reflect off tile, smoke, bottles, and damp surface.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@mehvishs25",
|
||
"sourceUrl": "https://x.com/mehvishs25/status/2103675623030108474"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-highly-realistic-cinematic-winter-video-of-a-peaceful-woman-staying-in-d5e93fbf164d",
|
||
"title": "雪山木屋里的冬日慢生活",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/ffa31eb53735.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a highly realistic cinematic winter video of a peaceful woman staying in a cozy wooden cabin surrounded by a beautiful snow-covered mountain landscape. Start with an intimate close-up of the woman resting peacefully indoors as warm golden sunlight softly falls across her face through the window. Transition to a wide cinematic view of the snowy cabin balcony, tall pine trees, distant mountains, and a warm sunrise glowing over the landscape. Show small birds flying and landing on the snow-covered wooden railing as the woman gently reaches out to feed them. Capture detailed snow textures, natural bird movements, soft winter wind, and realistic sunlight. Then show her inside the cabin preparing a warm cup of tea beside a traditional kettle near the window. Focus on her hands, the steaming cup, the cozy knitted sweater, and the peaceful snowy scenery outside. Follow her as she walks slowly through a snow-covered wooden pathway wearing a warm cream sweater and dark pants. End with a wide cinematic aerial-style view of the quiet snow-covered cabins, pine forest, mountains, and glowing sunset or sunrise in the distance. Use photorealistic textures, natural human movement, realistic lighting, subtle depth of field, smooth camera motion, atmospheric winter details, and authentic cinematic color grading, making the entire video feel like real-life footage rather than AI-generated.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2103359307874226667"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-an-ultra-realistic-korean-zombie-horror-sequence-inside-a-dim-public-was-55525bbe6921",
|
||
"title": "昏暗公厕里的双感染者追袭",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/4b9a684c1b94.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an ultra-realistic Korean zombie-horror sequence inside a dim public washroom. Use << < image >>> as the exact reference for the zombie woman and keep her face, hair, body proportions and outfit consistent.\n\nA young woman enters the washroom and washes her hands, unaware that the zombie woman is watching her through the mirror. The zombie slowly reveals pale skin, dark veins, twitching fingers and completely black eyes before suddenly attacking her. She grabs the victim, pins her against the tiled wall, and chases her when she escapes toward the exit.\n\nThe victim struggles to escape, but the zombie catches her again. Dark veins spread across the victim's neck and face as she convulses and collapses. Her eyes turn milky white and then black as she rises, now infected. The two infected women turn toward another person entering the washroom and suddenly charge at them.\n\nEnd with the washroom lights flickering as the infected women stand motionless beneath the fluorescent lights, staring directly into the camera.\n\nStyle: photorealistic Korean zombie horror, claustrophobic tiled washroom, wet surfaces, cold fluorescent lighting, realistic skin, dark veins, terrifying eyes, unnatural but believable movements, handheld camera, practical-effects feel, natural reactions, no gore, no graphic injuries, no CGI look, no morphing, no duplicate characters, no distorted anatomy, no subtitles, no text, no watermark.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2103091393145282775"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-13-second-ultra-realistic-cinematic-action-sequence-set-inside-a-messy-410ee9fa190c",
|
||
"title": "都市公寓里的近身格斗",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/4982e5aaf220.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 13-second ultra-realistic cinematic action sequence set inside a messy, atmospheric urban apartment/studio filled with books, posters, scattered furniture, old equipment and warm practical lamps.\n\nTwo young women in realistic casual streetwear are engaged in an intense hand-to-hand fight. Begin with a wide establishing shot showing the entire room as the confrontation starts. One woman suddenly attacks with a long wooden object, while the other quickly blocks and dodges the attack.\n\nBuild the sequence with fast, believable choreography: blocking, punches, evasive movements, close-range grappling, aggressive shoves and a powerful takedown. The fighters should move naturally with realistic weight, balance and physical impact. Clothing, hair and bodies should react naturally to every movement.\n\nUse dynamic handheld cinematic camera movement, alternating between wide shots, medium tracking shots, low-angle shots and tight close-ups during impacts. Add subtle camera shake and realistic motion blur during fast movements, but keep the characters clearly visible.\n\nThe room should remain consistent throughout the sequence. Bright cool daylight streams through large windows while warm orange lamps illuminate parts of the room, creating a gritty cinematic teal-and-orange contrast. Use realistic shadows, volumetric light, dust particles and reflections on the slightly polished floor.\n\nToward the final seconds, the fight becomes more intense. One woman loses balance and is thrown to the floor. The other remains standing in the foreground, breathing heavily and maintaining a strong defensive stance as the camera settles into a dramatic final shot.\n\nUltra-realistic human movement, authentic fight choreography, detailed facial expressions, natural skin texture, realistic hair physics, cinematic depth of field, 35mm film look, high dynamic range, realistic motion blur, dramatic practical lighting, premium Hollywood action-film cinematography, no cartoon look, no exaggerated physics, no unnatural body deformation.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@Noor_ul_ain43",
|
||
"sourceUrl": "https://x.com/Noor_ul_ain43/status/2101963091647033700"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-photorealistic-4k-resolution-superhero-action-scene-glowing-red-e-d960726b74ec",
|
||
"title": "红眼少女极速营救人质",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/1d5facbe8c0a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic, photorealistic, 4k resolution, superhero action scene, glowing red eyes VFX, pink glowing energy trails, super-speed motion blur, slow-motion impact shots, highly detailed urban daylight street setting.\n\n[SCENE-BY-SCENE BREAKDOWN]\n\nSCENE 1 (0:00 - 0:01) - The Hostage Situation:\nDaytime outside a modern corporate building. Three masked criminals in tactical gear hold a woman in a beige coat hostage, aiming a handgun directly at her head. Cops and a police car with drawn weapons are visible in the background.\n\nSCENE 2 (0:01 - 0:02) - The Hero's Awakening:\nClose-up shot of a young blonde girl wearing a casual white off-the-shoulder sweater, black pleated mini-skirt, and backpack. Deadpan expression as her eyes suddenly illuminate with intense, glowing red light VFX.\n\nSCENE 3 (0:03 - 0:07) - Super-Speed Strike:\nThe blonde girl dashes forward with supernatural speed, leaving bright pink glowing energy trails and sparks behind her feet. She punches a criminal in a blur, sending his gun flying high into the air in slow motion while the hostage looks shocked.\n\nSCENE 4 (0:08 - 0:24) - Martial Arts Combat:\nFast-paced martial arts choreography mixed with slow-motion impacts. The girl performs a high flying roundhouse kick into a criminal's chest, creating a shockwave of glowing pink lightning VFX and floating magical petals. She fluidly takes down the remaining criminals with rapid super-speed kicks.\n\nSCENE 5 (0:25 - 0:27) - The Rescue:\nThe girl kneels on the sidewalk beside the unconscious hostage as pink energy arcs around her arm. She then effortlessly carries the woman in her arms in a bridal style toward a police car and hands her to stunned police officers.\n\nSCENE 6 (0:28 - 0:31) - The Super-Speed Exit:\nWide street shot. Cops inspect unconscious criminals lying on the pavement. The girl instantly zips out of the frame using super-speed, leaving behind a fading trail of pink lightning and a gust of wind.\n\n[NEGATIVE PROMPT]\nCartoon, 3d render, animation, anime, painting, illustration, low quality, low resolution, blurry, distorted faces, mutated hands, bad anatomy, missing limbs, extra limbs, poorly drawn weapons, text, watermarks, logo.\n\n#VisualStorytelling #AIVideo #VFX\n#AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️ #AI @Flovaai @Flovaai_Japan \n@PixVerse @itsPolloAI",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2101911598889857028"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-dynamic-action-video-prompt-visual-surrealism-a-young-east-asian-wo-c6db1f2d25e4",
|
||
"title": "少女携信穿越镜像威尼斯",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/cases/542b969cc1f7.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic dynamic action video prompt visual surrealism a young East Asian woman in a classic vintage teal dress holding a yellow envelope running fast through a dreamlike surreal Venice dynamic camera movement upside down reflection of Venice city hanging from the sky creating a mind bending mirror dimension illusion running across Venetian brick alleys climbing M.C Escher style twisting stone staircases leaping over a massive gap with a bright rainbow in the golden hour sky sprinting past a busy outdoor fruit market with red apples falling standing on classic red-tile rooftops at golden sunset, dynamic fast tracking shot cinematic lighting, 8k resolution, ultra-detailed photorealistic shot on 35mm lens, depth of field masterpiece.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2101881835290845251"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-cinematic-ultra-realistic-live-action-video-set-on-a-rainy-5022a7d3ecb8",
|
||
"title": "雨夜街头的追逐与挣扎",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/6245452cb575.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second cinematic, ultra-realistic live-action video set on a rainy city street at night, with wet roads reflecting streetlights and passing car headlights. Show a person walking alone along the sidewalk in the heavy rain, carrying a shoulder bag and wearing a dark rain jacket. Capture the atmosphere with moody cinematic lighting, realistic rain droplets, reflections, mist, and natural nighttime shadows. Gradually introduce another person approaching from behind, creating a sense of tension and uncertainty. Show the main character suddenly reacting and struggling with the approaching person near the storefronts. Continue with both characters running through the rain toward a parked car while the camera follows with dynamic handheld movement. Use realistic human motion, natural body physics, detailed wet clothing, and authentic city ambience. End with the main character standing in the rainy street as headlights illuminate the scene, leaving a dramatic cinematic final moment.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2100088243492385019"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-1-c67289c7c2f0",
|
||
"title": "神殿中的男女剑客激战",
|
||
"description": "Seedance 2.5 prompt : 【核心规则】 1.零延迟衔接:招式与招式之…",
|
||
"image": "https://media.goodcase.ai/cases/177801c0a33f.jpg",
|
||
"mode": "video",
|
||
"prompt": "【核心规则】\n\n1.零延迟衔接:招式与招式之间零缓冲,一击未落、下一击已出,剑刃始终保持高频接触。\n2.动作驱动场景转换(关键):任何场景变化(柱身→地面→横梁→大殿)必须由人物的具体动作完成——例如\"男主被震退撞向殿柱\"\"女主借力从柱顶翻身跃下砸向地面\"\"两人缠斗中撞穿一排烛台滚落台阶\"——绝不允许镜头单独切换场景而人物动作不连续。\n3.真实力量感:每一次剑刃相击都要有清晰的身体位移反馈——被格挡的一方手臂震退半步、脚下打滑、身体因冲击力扭转——不是\"两人站定互砍\",而是每一下都带着真实的体重和冲力。\n4.禁止空转镜头:任何时候镜头运动(推近、环绕、甩镜)必须跟随人物正在进行的具体肢体动作,禁止画面出现人物静止而镜头单独旋转/环绕的情况。\n5.贴身险招库:全片穿插以下具体招式,且不重复:\n•贴地躲闪:一方横扫斩来,另一方猛然后仰几乎贴地,剑锋堪堪掠过鼻尖,发丝被削断\n•直刺反击:躲闪的同时反手直刺,剑尖笔直突刺而出\n•旋身格挡:被直刺方原地急速旋身躲开,同时手腕翻转格挡下一击\n•翻滚起身反击:被打退跌地的一方就地翻滚,借旋转之力直接刺出反击\n•剑锋绞缠近身:两剑绞在一起后,双方近距离肩靠肩角力,忽然同时脱手推开重新拉开架势\n\n【分镜控制 0:00–0:30,全程动作连续无跳切】\n\n[0:00–0:02] 35mm广角,低角度地面轨道镜头,紧跟人物冲刺\n女主与男主同时从大殿两端全速冲刺而来,在殿中央剑刃相击的瞬间发力对撞,冲击力震得两人各自后退半步、脚下地砖迸裂溅起碎屑——开场即是全力对撞,无任何铺垫。\n\n[0:02–0:07] 50mm中景转特写,镜头紧贴人物身体运动,快速手持跟拍\n近战组1:男主大幅横扫斩来,女主猛然后仰几乎贴地躲避,剑锋堪堪从她鼻尖上方划过,发丝被削断飘散;女主借后仰反弹之力顺势翻身站起同时反手直刺男主胸前;男主急速旋身躲开的同时手腕翻转格挡,两剑绞在一起,双方肩靠肩角力两秒后同时发力震开,各自后退两步喘息。\n\n[0:07–0:09] 85mm长焦跟拍,人物动作驱动的场景转换\n男主被震开的力道带得撞向身后龙柱,借柱身反弹之力翻身跃起,脚踏盘龙浮雕垂直跑上柱身;女主紧接着一个爆发式起跳追上柱身,两人在柱身上剑刃相击两三招,剑刃擦过柱身留下灼痕。\n\n[0:09–0:12] 长焦跟拍转俯冲镜头,人物从高处坠落带动场景切换\n男主被逼到柱顶横梁边缘,女主一记重击将他震退坠落,男主借坠落之势在半空中翻身调整姿态,剑尖朝下如同俯冲攻击,重重落回大殿地面的同时挥剑横扫;女主几乎同时从柱身跃下正面接下这一击,两剑相撞火花四溅,双方手臂因冲击力明显震颤——此处完成从柱身到大殿地面的自然场景过渡,全程动作不中断。\n\n[0:12–0:17] 50mm特写,镜头持续跟随人物肢体动作,无空镜转场\n近战组2(决战前最密集回合):女主连续三次变向斩击,速度一次比一次快——男主第一次侧身避开、第二次贴地躲过、第三次干脆矮身钻入她剑锋下方近身,反手横斩女主腰侧;女主凌空后翻堪堪躲开,落地瞬间衣摆被剑气削开一角;男主趁她落地瞬间欺身直刺,女主侧身堪堪避开剑尖擦过肩侧,衣料应声裂开,同时反手一记重击震得男主剑身发出金属哀鸣、虎口震裂似地后退两步。\n\n[0:17–0:21] 超广角跟拍,两人剧烈缠斗中撞向环境\n两人剑刃绞缠近身角力,忽然同时脱手震开各自后退,紧接着几乎同时再度暴起冲向对方——这一冲带倒了身旁一排烛台,烛火被撞灭又被剑气余波重新点燃,两人在倒地的烛台与四溅的烛油中继续近身缠斗,剑刃碰撞产生密集火花,地面积水被踏起层层水雾。\n\n[0:21–0:26] 特写转全景交替,剪辑跟随攻防节奏(非空转镜头)\n双方招式速度达到全片顶点:斩、刺、格挡、反击在两三秒内连续发生,每一次碰撞都有清晰的身体反馈——女主被震得踉跄半步随即反手补上一剑,男主格挡后手臂剧烈震颤仍强行反击;蓝绿剑气缠绕成螺旋光流,两人的呼吸声与兵刃声交织成密集的节奏感,全程无一帧人物静止。\n\n[0:26–0:29] 超广角全景,剧烈镜头震动,跟随最终对撞\n双方在剑锋交汇的瞬间同时使出全力一击,两股能量对撞爆发出席卷全殿的蓝绿交织光潮,冲击波将两人同时震飞后退数米,地砖与柱身被震裂,烛火大片熄灭,烟尘弥漫整个神殿,镜头剧烈震颤后画面渐趋失焦泛白。\n\n[0:29–0:30] 固定机位,画面渐缓\n烟雾缓缓弥散,两人分别单膝或站立稳住身形,胸口剧烈起伏、握剑的手因手臂力竭仍在颤抖,残存的烛火星星点点重新亮起,画面定格于两人对峙的宏大空镜。\n\n【通用限制】\n\nNever redesign faces. Never change costumes. Never replace the temple. Never introduce additional characters. No face drift. No costume drift. No environment drift. No duplicated people. No dialogue. No narration. No subtitles. No text. No watermark. 全程镜头必须跟随人物具体动作运动,禁止人物静止时镜头单独旋转或空转。",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@liluocheng13",
|
||
"sourceUrl": "https://x.com/liluocheng13/status/2098447487266914317"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-30-second-cinematic-luxury-jewelry-advertisement-video-in-a-warm-and-8d47861d9581",
|
||
"title": "晨光中的蓝宝石项链",
|
||
"description": "产品广告分镜",
|
||
"image": "/inspiration-thumbs/seedance/seedance-created-a-30-second-cinematic-luxury-jewelry-advertisement-video-in-a-warm-and-8d.webp",
|
||
"mode": "video",
|
||
"prompt": "Created a 30-second cinematic luxury jewelry advertisement video in a warm and elegant style.\nThe video opens with a beautifully decorated bedroom, soft morning sunlight, and a premium jewelry gift box placed on a wooden table.\nA woman gently picks up the elegant box, creating a delicate and emotional unboxing moment.\nThe camera moves into cinematic close-up shots of her face and hands as she reveals the jewelry.\nA sparkling blue gemstone pendant is shown in detailed macro shots with soft golden lighting.\nShe wears the necklace gracefully, highlighting its elegant design and luxurious shine.\nThe scene continues with a peaceful morning moment near the window, holding a cup in warm sunlight.\nClose-up shots capture the pendant sparkling naturally against her skin with realistic shadows and reflections.\nThe video ends with a premium jewelry box displaying the complete matching jewelry set.\nSoft cinematic lighting, warm golden tones, luxury commercial aesthetic, smooth camera movements, shallow depth of field, photorealistic details, 9:16 vertical format.",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2097194787564658942"
|
||
},
|
||
{
|
||
"id": "seedance:nawalsehar-seedance-ai-9cff7acb6229",
|
||
"title": "女子车手险胜山地自行车决赛",
|
||
"description": "运动极限",
|
||
"image": "https://media.goodcase.ai/media/poster/nawalsehar-seedance-ai-9cff7acb6229.jpg",
|
||
"mode": "video",
|
||
"prompt": "Ultra-photorealistic cinematic vertical video of an Olympic-level mountain-bike final featuring exactly two elite racers, one female and one male, competing head-to-head on a steep, technical downhill MTB course. Both riders launch together at full speed, aggressively navigating rugged rocks, exposed roots, loose gravel, steep drops, jumps, and muddy corners.\n\nThe female racer takes an early lead, attacking technical sections with precise body positioning and controlled braking. The male racer closes the gap through a deep muddy corner, spraying dirt and water as both riders push their suspension and tires to the limit. They emerge side-by-side into the final section, sprinting aggressively toward the finish line.\n\nFinal sequence: dramatic telephoto shot as both riders accelerate at maximum effort, handlebars nearly aligned, with the female racer crossing the finish line just a fraction of a wheel ahead of the male racer.\n\nPremium Olympic sports cinematography, dynamic low tracking shots, fast side angles, close-up wheel and suspension shots, slow-motion jump footage, realistic telephoto finish shot, natural motion blur, subtle camera vibration, authentic race-day atmosphere, realistic tire traction, suspension compression, braking, cornering, jump physics, dirt displacement, body movement, and human biomechanics.\n\nBright natural daylight, realistic shadows, detailed mud and gravel textures, cinematic depth of field, crisp photorealistic details, high-energy professional sports-film aesthetic, authentic mountain-bike race audio, intense tire and chain sounds, 30-second duration.\n\nNo CGI appearance, no extra racers, no spectators blocking the riders, no impossible jumps, no teleportation, no floating bikes, no unrealistic physics, no distorted anatomy, no changing riders or equipment, no excessive camera shake, no text, no logos, no watermark.",
|
||
"category": "sports-extreme",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2094294374381441152"
|
||
},
|
||
{
|
||
"id": "seedance:oggii-0-seedance-ai-137e0e907dfd",
|
||
"title": "纽约街头怪事连发的单镜头随拍",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/cases/6c85b5596419.jpg",
|
||
"mode": "video",
|
||
"prompt": "Vertical 9:16 smartphone vlog, shot on iPhone 17 Pro. ONE SINGLE UNINTERRUPTED HANDHELD TAKE, ~30 seconds, no cuts, no editing — every transition happens only through the vlogger panning, tilting, zooming or walking. Brisk, snappy pacing: quick whip pans, each beat lands in a few seconds, the camera never lingers. Sunny daytime New York City street <<<image_2>>> — brick facades, fire escapes, a sidewalk café, parked cars. The filming style is the core of the video: natural hand micro-shake and walking bounce, slightly floaty digital stabilization, deep focus with everything sharp — no cinematic bokeh, no film look, no color grading. Natural HDR daylight, sky highlights slightly clipped, auto exposure and white balance visibly re-adjusting on every pan between shade and sun, quick autofocus hunting on fast pans, digital zoom bringing a slight quality drop and extra shake. Audio: raw street ambience only — traffic, distant horns, footsteps, chatter, wind brushing the mic, plus the live sounds written into the scenes. No music track, no captions, no watermark. The vlogger's phone IS the camera — it never appears on screen, and she never holds a second phone or any other device. Spontaneous amateur vlog energy.\n\n0:00–0:05 — Front camera, selfie mode: the vlogger <<<image_1>>> films herself at arm's length while walking down the sidewalk, her face a touch overexposed by daylight. She starts excitedly: \"Guys! I just—\" — behind her shoulder, a couple <<<image_3>>>walking the opposite way passes right beside her; a beat later the guy stops and turns back, head over his shoulder, staring straight at her — the exact reference pose — while his girlfriend , gripping his hand, glares at him in outraged disbelief, mouth open. They hold the exact reference tableau; his stare reads odd and unreadable, not flirty. She catches them in her own selfie frame, cuts off mid-word and reacts instantly, without breaking stride: \"...What was that?\" — and keeps walking.\n\n0:05–0:09 — Same take, no cut: she flips the phone to the rear camera and whips it to the RIGHT — a sidewalk café. By the entrance, a guy <<<image_4>>> stands at a microphone on a stand, a small speaker beside it looping a soft instrumental backing. He leans in, takes a breath to sing the first line — and bursts out laughing instead, turning away and covering his mouth, then waves it off and resets toward the mic. The vlogger laughs quietly behind the camera.\n\n0:09–0:13 — Without cutting, the camera slides and zooms further RIGHT along the same café terrace: at one table a woman <<<image_5>>> is mid-meltdown — crying, shouting, jabbing an accusing finger across the terrace — while her friend <<<image_5>>> leans in, holding her back. Quick punch-in digital zoom to the opposite table: the cat <<<image_5>>> sits upright behind a plate of salad, perfectly calm and unimpressed. Autofocus hunts for a split second on the zoom.\n\n0:13–0:17 — Without cutting, the camera TILTS UP the facade directly above the café awning: a second-floor open window of the same brick building, a fire escape beside it. Quick digital zoom in — the image gets slightly softer and shakier — the dog <<<image_6>>> sits in the window with its eyes closed, chin lifted, blissfully soaking up the warm golden sunlight hitting the facade. She melts behind the camera: \"Awww, look at him...\"\n\n0:17–0:21 — The camera drops back down and swings FORWARD — a few steps ahead of her on the same sidewalk stands a couple in office attire, mid-argument. The guy <<<image_7>>> leans in toward the woman, talking heatedly, both hands raised mid-gesture; the woman <<<image_7>>> doesn't even glance at him — she smiles down at the phone in her hand, her other arm extended toward his face, flat palm raised in a firm \"stop, talk to the hand\" gesture, exactly matching the reference poses. The vlogger steps around them, the camera holding on the pair as she half-laughs: \"What is going on?\"\n\n0:21–0:25 — Same take: she whips the camera to the LEFT, across the two-lane road — a sedan parked at the opposite curb. Shaky digital zoom onto the driver's window: a man <<<image_8>>> sits behind the wheel, one hand draped over the top of the steering wheel, staring straight into the lens with a heavy, unblinking suspicious look, his eyes slowly tracking her as she passes. She says flatly: \"...What is his problem?\"\n\n0:25–0:30 — The camera swings back forward: ahead at the corner of the block, a guy <<<image_9>>> stands in profile by a red brick wall, heatedly arguing with the wall itself — both hands gesturing, leaning in, making his case to the bricks like a real debate. Quick shaky digital zoom toward him as she approaches, his agitated voice rising under the street noise. She flips to the front camera — her speechless, wide-eyed face fills the frame — then flips back to the rear camera: he's still going at it. The take ends mid-argument, no cut.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@oggii_0",
|
||
"sourceUrl": "https://x.com/oggii_0/status/2093568957727064554"
|
||
},
|
||
{
|
||
"id": "seedance:im-shahid7-seedance-ai-b4d2ba40a750",
|
||
"title": "丈夫误把洗衣求助当浪漫邀约",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/aa596f802fe1.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second hilarious animated sequence in the exact same warm, elegant 3D cartoon/Pixar-like visual style as the provided storyboard. Maintain the same husband and wife character designs, luxurious cream-colored bedroom and laundry room, cinematic warm lighting, expressive exaggerated facial reactions, and smooth comedic timing.\nScene 1 — 0–3 sec:
The husband is relaxing in bed reading a book. Suddenly, he notices his wife's bra and top being thrown out from another room onto the floor. He slowly lowers his book and stares at them with wide, suspicious eyes. In his imagination, this clearly looks like his wife is preparing for a romantic moment with someone inside.\nScene 2 — 3–6 sec:
The husband immediately jumps up excitedly and rushes to the mirror. He sprays mouth freshener, applies perfume, fixes his hair, and gives himself a confident, seductive smile. He is convinced something romantic is happening and that he should quickly join his wife.\nScene 3 — 6–9 sec:
Looking handsome and confident, he slowly and dramatically opens the door, expecting a romantic surprise. His expression suddenly changes from excitement to complete confusion.\nScene 4 — 9–12 sec:
Reveal the truth: his wife is simply doing laundry. She is pulling freshly washed clothes from the washing machine one by one and tossing them onto the floor because she needs help carrying them. She looks at her husband standing there, fully dressed up and smelling of perfume.\nScene 5 — 12–15 sec:
The wife immediately takes advantage of him, smiling innocently as she stacks a huge pile of wet clothes into his arms. The husband becomes completely trapped under the mountain of laundry. His romantic excitement disappears instantly, and he walks away slowly with a sad, moody, defeated expression while the wife happily continues doing laundry.\nComedy style: exaggerated facial expressions, fast misunderstanding setup, dramatic reveal, visual humor, smooth character animation, cinematic framing, warm luxury interior, same character consistency and visual style throughout.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@im_shahid7",
|
||
"sourceUrl": "https://x.com/im_shahid7/status/2091754978348339299"
|
||
},
|
||
{
|
||
"id": "seedance:nawalsehar-seedance-ai-9c596f42c2e8",
|
||
"title": "Seedance 都市女高管临危不乱电影感短片",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/media/poster/nawalsehar-seedance-ai-9c596f42c2e8.jpg",
|
||
"mode": "video",
|
||
"prompt": "A Western female executive in her early 30s exits a modern office building carrying a laptop bag while a professional Western male bodyguard in his mid-30s, wearing a fitted dark business suit, discreet earpiece, leather shoes, and sunglasses, escorts her toward a black executive SUV in a busy business district. The bodyguard maintains a protective position slightly behind and to her left, calmly scanning the surroundings while pedestrians and traffic move naturally around them. As they approach the SUV, the client smiles and says, \"Thanks for today.\" Before she reaches the vehicle, an unknown man suddenly approaches and attempts to grab her arm. The bodyguard immediately steps between them, shields the client with his body, extends one arm to guide her backward, and uses a controlled wrist redirection and forearm block to stop the approach without unnecessary force. The client moves safely behind him toward the SUV while he maintains a balanced defensive stance and keeps visual awareness of both people. He then opens the rear passenger door, allows the client to enter safely, checks the surroundings, closes the door, and calmly maintains distance from the approaching individual. The SUV starts smoothly and drives away as the bodyguard enters the front passenger seat. Ultra-realistic Hollywood action thriller, photorealistic modern city environment, authentic executive protection tactics, realistic defensive martial arts, physically accurate human biomechanics, natural walking and reaction movements, realistic body positioning and weight transfer, natural facial expressions and breathing, accurate vehicle physics, continuous gimbal tracking shot, smooth cinematic camera movement, natural daytime lighting, authentic city traffic and pedestrian ambience, realistic footsteps, vehicle doors, clothing movement, and engine sounds, no narration, non-graphic action, seamless continuous storytelling, consistent characters and environment throughout, no weapons, blood, injuries, exaggerated impacts, superhero movements, CGI appearance, plastic skin, text overlays, logos, watermarks, or abrupt transitions.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2089583619484639598"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-867cf0ce0743",
|
||
"title": "智能手机旅行 Vlog:日本武道馆体验",
|
||
"description": "一段轻松的智能手机 Vlog,记录了一位韩国女性在传统的日本乡村道场学习武术的过程。",
|
||
"image": "https://media.goodcase.ai/cases/c1c5e14de6d8.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 20-second ultra-realistic casual smartphone travel vlog featuring the same Korean woman in her early 20s throughout. She has a petite oval face, brown eyes, natural coral lips, fair realistic skin and long straight black hair. Maintain identical facial identity, hairstyle, body proportions and appearance with no morphing or identity drift.\n\nTRAVEL OUTFIT: Cream oversized knit sweater, dark blue straight-leg jeans, white low-top sneakers and small crossbody bag. Hair in a loose low ponytail with natural strands.\n\nTRAINING OUTFIT: Off-white cotton keikogi-style jacket, matching white training pants and plain dark navy beginner belt. No logos, text or patterns. Keep this outfit identical throughout training.\n\nSTYLE: Genuine handheld smartphone footage, imperfect framing, subtle camera shake, autofocus shifts, natural exposure, slight motion blur, realistic skin, blinking and body movement. No cinematic shots, drones, gimbals, beauty filters or commercial look.\n\nLOCATION: Quiet Japanese countryside neighborhood and a small authentic wooden dojo with traditional architecture, wooden floors and natural daylight. No famous landmarks.\n\n0:00–0:04: She walks toward the dojo while filming herself, excited and curious. She says naturally in Korean:\n“오늘은 일본 무술을 직접 배워볼게요!”\nShe briefly shows the dojo entrance, then returns to selfie mode.\n\n0:04–0:07: Inside the dojo, she is now wearing the training uniform. She adjusts her sleeves. A friendly instructor bows respectfully; she bows back slightly awkwardly and smiles.\n\n0:07–0:11: Instructor demonstrates a simple beginner stance and controlled hand movement. She copies it awkwardly, places one foot incorrectly, then tries again after the instructor calmly corrects her posture.\n\n0:11–0:15: She attempts a slow beginner stance transition with controlled defensive arm movement, briefly loses balance, regains footing and laughs naturally. Instructor smiles encouragingly. Keep movements safe and beginner-friendly.\n\n0:15–0:18: Natural jump cut. Same woman and identical outfit/appearance. She repeats the sequence with noticeably better balance but still looks like a beginner. She smiles proudly.\n\n0:18–0:20: Outside the dojo in soft late-afternoon light, she films herself, slightly out of breath and smiling. She says:\n“생각보다 어렵지만 정말 재미있어요!”\nShe gives a small wave and lowers the phone.\n\nAUDIO: Natural Korean female voice with accurate lip-sync. Footsteps, fabric movement, dojo ambience, distant neighborhood sounds and light wind. No music or dramatic effects.\n\nFINAL RULES: Photorealistic, authentic smartphone vlog, believable physics and beginner-level martial arts. No fighting, exaggerated movements, action choreography, famous landmarks, logos, brands, subtitles, text, watermarks or visual effects.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@SimplyAnnisa",
|
||
"sourceUrl": "https://x.com/SimplyAnnisa/status/2093978574692679983"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-character-consistency-same-young-adult-female-traveler-throughout-same-face-ba84d28e2cf0",
|
||
"title": "年轻女游客的伦敦城市之旅",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-character-consistency-same-young-adult-female-traveler-throughout-same-face-ba84d.webp",
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"mode": "video",
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"prompt": "Character consistency: Same young adult female traveler throughout, same face, hairstyle, body proportions and outfit, realistic skin, natural expressions, cinematic photorealistic travel-vlog style, smooth camera movement, realistic lighting. No face changes, no outfit changes.\n0–5 sec — Arrival 🇬🇧\nYoung female traveler arrives in London, walking out of Heathrow Airport with a small suitcase, excited expression, cinematic establishing shot of London atmosphere, natural handheld vlog camera movement.\n5–10 sec — Big Ben & Westminster\nShe walks near Big Ben and Westminster, looks at the landmark and smiles toward the camera, quick selfie-style vlog shot followed by a wide cinematic view of Big Ben and the River Thames.\n10–15 sec — Tower Bridge\nShe explores Tower Bridge, walking across the bridge while filming herself, London skyline in the background, natural tourist atmosphere, smooth tracking shot.\n15–20 sec — London Street\nShe walks through a beautiful London street with classic red buses, black cabs and historic buildings, briefly stops at a cozy café, takes a coffee and continues exploring.\n20–25 sec — London Eye\nShe stands beside the London Eye during golden hour, looks toward the camera with a happy travel-vlog expression, camera slowly circles around her with the London skyline behind.\n25–30 sec — Final London Shot\nShe walks along the River Thames at sunset, turns toward the camera and smiles, cinematic aerial pull-back revealing London skyline, warm golden-hour lighting, beautiful travel-vlog ending.\nOverall: photorealistic, cinematic 4K, natural movement, realistic London environment, smooth transitions between locations, consistent character, consistent clothes, consistent face, no text, no watermark.\n\n#FlovaAI #Flovacpp",
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"tags": ["GPT 6 Astra"],
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"sourceId": "seedance",
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||
"credit": "@noorlewisx",
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||
"sourceUrl": "https://x.com/noorlewisx/status/2105529187494928887"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-when-the-chef-turns-dinner-into-a-whole-performance-3e51a9b0793e",
|
||
"title": "烈焰翻锅的餐厅主厨",
|
||
"description": "美食 ASMR",
|
||
"image": "https://media.goodcase.ai/cases/23cf7e177f01.jpg",
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"mode": "video",
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||
"prompt": "When the chef turns dinner into a whole performance. 🔥👨🍳🥘\n\nCreated with Seedance 2.5\n\nPrompt\nCreate a 15-second cinematic 3D animated cooking sequence inside a professional modern restaurant kitchen. Show a young male chef wearing a white chef jacket and red apron confidently cooking with a large black wok. Start with a medium shot of the chef tossing the wok with a serious, focused expression → cut to a dramatic close-up as flames burst from the pan while he continues cooking → show colorful vegetables including carrots, red bell peppers and bok choy flying dynamically through the air as he flips the wok → camera moves around the chef as he skillfully catches the ingredients back into the pan → finish with a close-up of the chef plating the freshly cooked colorful vegetables onto a clean white plate with glossy sauce. Warm cinematic restaurant lighting, realistic fire and smoke, detailed food textures, smooth character animation, natural hand and body movement, dynamic camera angles, cinematic depth of field, vibrant colors, polished high-end 3D animation, expressive facial animation, satisfying cooking-action atmosphere. No text, subtitles, logos or watermark.",
|
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"category": "food-asmr",
|
||
"sourceId": "seedance",
|
||
"credit": "@AynahhX",
|
||
"sourceUrl": "https://x.com/AynahhX/status/2102946546035945875"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-grandpa-saw-it-25cbcf811a44",
|
||
"title": "彩铅武士大闹书桌后归位",
|
||
"description": "Grandpa saw it.. Finally.. 🙄😬 Just a rand…",
|
||
"image": "https://media.goodcase.ai/cases/d7930f78d7cc.jpg",
|
||
"mode": "video",
|
||
"prompt": "Grandpa saw it.. Finally.. 🙄😬 \n\nJust a random idea and a start Image! 👐\n\n🎥 Powered by Seedance 2.5 in @imagineart_creo\n\nPrompt 👇\n\n【参考图使用规则】\n\n@image1 为本片的起始帧。严格继承其构图、机位、光照、色调与全部物件的空间关系。\n\n【起始帧的内容】一张深色木质书桌上摊开着一本厚厚的速写本,书页泛黄、纸面有细微的纤维质感。左页上是一个用蓝色彩铅以极其密集、潦草、反复叠加的线条画成的武士——侧身弓步,双手握着一把出鞘的长刀,刀尖向右延伸;人物周围布满杂乱的排线与涂抹痕迹,页面左侧写着蓝色的手写日文字迹,左上角画着一颗蓝色的星芒。右页上是一个用红色彩铅以同样风格画成的武士——与蓝色武士呈镜像的弓步对峙姿态,双手握刀,刀尖向左延伸,两把刀的刀尖在书页的中缝处几乎相接;页面右上角写着一个大大的红色\"侍\"字,左上角有红色的手写字迹。\n\n一支蓝色彩铅斜放在左页下方,一支红色彩铅斜放在右页下方,笔尖都朝向书页中央。\n\n【背景陈设】书桌后方的暗处依次摆着:一只米黄色的粗陶笔筒,筒身有黑色墨迹字样,底下垫着一块圆形木托;一尊深色的金属武士雕像,手持长枪,姿态威武;一幅装在深色木框里的书法挂轴,白纸上写着一个巨大的黑色\"魂\"字,下方盖着一枚红色印章;一只深棕色的皮质旧箱子,带黄铜搭扣;一只木质笔筒,里面插着一排毛笔与画笔,笔杆朝上;几本堆叠的旧书,书脊上有红白相间的标签;一副黑框眼镜随意搁在桌上;桌面散落着几件小物。\n\n【光】整个房间处于低照度中,一束温暖的侧光从画面左上方斜射进来,照亮摊开的书页与两支彩铅,背景的陈设沉入柔和的暗部。光线里漂浮着细小的尘埃。\n\n第 0 帧必须与 @image1 完全一致,动作从此处自然开始,严禁重新构图、变换机位、改变光照或倒退。\n\n【角色:@bluesamurai 与 @redsamurai】\n\n两名角色完全由彩铅线条构成,是从书页上活过来的素描。\n\n@bluesamurai:全身由密集、潦草、反复叠加的蓝色彩铅线条构成,没有实体的皮肤、布料或金属质感——他就是一团会动的线条。轮廓是一名日本武士:发髻高束、宽肩、和服上衣与袴、赤足,双手握一把蓝色线条构成的长刀。他的线条边缘毛糙、不连续,运动时线条会像被风吹动一样轻微抖动、重组、拖出残留的笔触。\n\n@redsamurai:结构与 @bluesamurai 完全相同,但全身由红色彩铅线条构成,握一把红色线条的长刀。\n\n【两者的体型·必须严格遵守】两人只有速写本上画着的那么大——大约一支彩铅的长度,相对于书桌、笔筒、书本、眼镜这些日常物件来说非常小。他们的头顶大约只到那支蓝色彩铅的粗细的几倍。\n\n他们绝对不得变大、不得变成真人尺寸、不得超过书桌上物件的比例。整场打斗中,周围的笔筒、书本、雕像、箱子对他们而言都像建筑物一样巨大。\n\n【破坏的逻辑·必须严格遵守】他们个头很小,所以房间的破坏绝不是靠蛮力造成的,而是靠速度与连锁反应:踩过、撞倒、割断、推落、掀翻、引发连环倒塌。\n\n刀锋可以割断绳结、划破纸面、切开笔杆;冲撞可以推倒笔筒、掀翻书堆、撞歪相框;落地可以震得桌面上的小物跳起。一件东西倒下会撞倒下一件。\n\n严禁他们像巨人一样把家具击碎。所有破坏必须符合\"两个小小的东西在桌面上高速乱窜\"的物理。\n\n【全局画风】\n\n混合渲染,两种质感必须同时存在且分明:\n\n@bluesamurai 与 @redsamurai 是纯粹的彩铅素描——二维的、线条的、有纸面颗粒感的笔触,绝不得变成写实的立体人物、绝不得长出皮肤或布料质感。即使离开纸面在空中飞跃,他们依然是一团会动的彩铅线条。\n\n书桌、房间与所有物件是极其写实的实景摄影质感:木纹的深浅、陶器的釉面、金属的反光、纸张的纤维、皮革的磨损、尘埃在光束中的漂浮,全部照片级真实。\n\n两者的融合必须自然:素描角色在真实的桌面上投下淡淡的影子,他们的线条在移动时会在纸面与桌面上留下短暂的彩铅痕迹。\n\nARRI Alexa 35 电影质感,高动态范围,2.39:1 宽银幕,浅景深,轻微 35mm 胶片颗粒。\n\n【对白规则】\n\n本片没有任何台词。全片没有对白、没有旁白、没有内心独白。所有文字都是画面说明,绝对不得念出、不得配音。\n\n声音只有:书页翻动的沙沙声、彩铅在纸上划过的沙沙声、细小的金属刀刃碰撞声、物件倾倒与滚落的声响、陶器碎裂声、纸张撕裂声、笔杆断裂声,以及最后的门轴吱呀声与脚步声。\n\n【运镜规格总纲】\n\n全程一镜到底,绝对禁止硬切、剪辑、黑屏转场与定格。\n\n微距镜头,机位始终保持在桌面的高度或略高,像一台在桌面上穿行的微型摄影机。大量使用贴着桌面的低角度跟拍、沿桌面的高速横移、绕物件的环绕、跟随角色跃上笔筒时的急速抬升。\n\n浅景深:跟随角色时背景的陈设保持柔和的虚化,只有角色与他们正在破坏的那件物品是清晰的。\n\n镜头只能穿过真实存在的空隙,不穿过物件、书页或桌面。\n\n【密度要求】\n\n6—24 秒之间,每秒必须呈现 4—6 次清晰的攻防状态变化。绝不允许一招一停、互相等待、轮流表演。速度快至巅峰,但不是快进,不用模糊残影掩盖动作——每一次挥刀都有明确的起手、轨迹与收势。\n\n【0.0—3.0 秒|风】\n\n画面与 @image1 完全一致。一阵轻风从画面外吹来。\n\n摊开的书页边缘开始轻轻颤动、掀起、落下。光束中的尘埃被吹得斜向流动。那支红色彩铅在纸面上极轻微地滚动了几毫米。\n\n风停。一切安静了半秒。\n\n然后——@bluesamurai 的线条动了。构成他手臂的那一束蓝色排线轻轻地重新排列了一下。紧接着 @redsamurai 握刀的手指线条也动了。\n\n运镜:从 @image1 的机位极缓慢地向书页中缝推进,景深随之变浅。\n\n【3.0—6.0 秒|活过来】\n\n两个素描同时从纸面上\"剥离\"出来——他们的线条从二维的页面上立起、卷曲、获得厚度,但依然是线条。纸面上留下他们原本躺着的位置:两块空白的、只剩下周围杂乱排线的纸页。\n\n@bluesamurai 站直了,肩膀的线条舒展开来。@redsamurai 甩了一下刀,红色的线条在空中拖出一道残留的笔触,随即消散。\n\n两人隔着书页中缝对视。\n\n然后同时冲了出去。他们脚下的纸面被踩出细小的褶皱与彩铅拖痕。\n\n运镜:贴着纸面的低角度,从中缝处仰拍两人立起的过程,在他们起步的瞬间沿中缝急速后退。\n\n【6.0—11.0 秒|书页上的交锋】\n\n两把刀在书页正中相撞,发出细小而清脆的金属声,接触点炸开一小蓬彩铅的粉末——一半蓝一半红。\n\n他们在摊开的书页上高速交锋:突刺、格挡、下压、横斩、后跃、踏纸借力、翻滚。每一次落脚都在纸面上留下一小块颜色的污迹,每一次挥刀都在空中拖出短暂的彩色笔触残影。\n\n@redsamurai 一记横斩落空,刀锋划过纸面——书页上被割开一道长长的口子,纸边翻卷起来。\n\n@bluesamurai 踏着翻卷的纸边跃起,从上方劈下;@redsamurai 举刀横格,被压得单膝跪进纸面的褶皱里。\n\n那支蓝色彩铅被两人的动静震得滚了半圈。\n\n运镜:贴纸面跟随两人在书页上的移动,随跃起急速抬升,随劈落急速下降。\n\n【11.0—16.0 秒|离开书本】\n\n@redsamurai 蹬开压下的刀,借力后翻跃出书页,落在旁边的木质桌面上。@bluesamurai 立刻追出。\n\n战场转移到桌面上。他们在一副黑框眼镜之间穿行——@redsamurai 踩上镜腿借力弹起,眼镜被踢得翻了个面滑出去半尺。\n\n@bluesamurai 沿桌面低姿冲刺,一记突刺;@redsamurai 侧身让过,刀尖扎进桌面的木纹里,拔出时带起一小片木屑。\n\n两人缠斗着撞向那堆旧书——最上面的一本被撞得滑落,砸在桌面上发出闷响,带得下面两本也散开,书页哗啦啦地翻动。\n\n运镜:从书本边缘跃出时镜头跟随翻越,随后贴桌面横移跟拍,撞倒书堆时被震得轻微后退。\n\n【16.0—21.0 秒|连锁崩塌】\n\n@redsamurai 沿着散落的书脊奔跑,跃上那只米黄色的粗陶笔筒的边缘。@bluesamurai 蹬着圆形木托追上去。\n\n两人在笔筒的口沿上交手——极窄的圆形边缘上,刀影翻飞。@bluesamurai 一记扫击逼得 @redsamurai 后退,脚下打滑——他伸手抓住笔筒沿稳住身体,但整只笔筒被这股力量晃动起来。\n\n笔筒摇了两下,倒了。\n\n它从木托上滚落,撞上旁边装着毛笔的木筒,毛笔们哗啦一声全部倾倒散开,笔杆滚了满桌。其中一支毛笔滑下去,撞倒了那只皮质旧箱子的黄铜搭扣,箱盖弹开。\n\n@bluesamurai 在倾倒的笔杆之间跳跃,@redsamurai 在滚动的笔筒上保持平衡,两人的刀始终没有停。\n\n运镜:随两人跃上笔筒急速抬升,笔筒倾倒时镜头随之倾斜下坠,随后贴桌面跟随连锁倒塌的路径。\n\n【21.0—24.5 秒|最高密度】\n\n密度提升到全片最高。\n\n两人在一片狼藉中高速缠斗:滚动的笔杆、散开的书页、翻倒的笔筒、弹开的皮箱。每秒五到七次的攻防转换——刺、格、拨、斩、卸、踏、翻、靠。\n\n@redsamurai 蹬着那尊金属武士雕像的底座弹起,雕像被震得歪向一侧;@bluesamurai 从空中劈下,刀锋擦过那幅\"魂\"字挂轴的画框——画框被撞得歪斜,从架子上滑下来靠在墙边。\n\n桌面上的一只小物被踢飞出去,在桌沿弹了一下,掉进了黑暗里。\n\n运镜:极小半径贴身环绕两人,刀刃接触点始终清晰,背景的混乱在浅景深中虚化成一片色块。\n\n【24.5—26.5 秒|门声】\n\n远处传来一声木门被推开的吱呀声,接着是拖鞋踩在木地板上的脚步声,正在靠近。\n\n两人在半空中同时僵住——刀尖相抵,两双线条构成的眼睛同时转向门的方向。\n\n安静了半秒。\n\n然后他们同时撒手,朝书本狂奔。\n\n运镜:在门声响起的瞬间镜头完全停住,稳定锁定僵在半空的两人,随后急速跟随他们冲向书本的路线。\n\n【26.5—28.5 秒|归位】\n\n两人跃回摊开的书页上。\n\n@bluesamurai 冲回左页,@redsamurai 冲回右页,各自滑进纸面上那两块空白的位置里——他们的线条重新塌平、摊开、融回纸张的纤维中,恢复成原来那个弓步握刀的对峙姿势。\n\n最后一根还在抖动的红色线条也静止了下来。\n\n书页上只剩下两幅画。只是那道被刀划开的口子还在,纸边还翻卷着。\n\n运镜:从他们奔跑的高度急速下降至贴纸面的角度,在他们塌回纸面的瞬间稳定锁定,随后缓缓上升。\n\n【28.5—30.0 秒|爷爷】\n\n一个身影出现在画面的边缘——一位年迈的日本老人,穿着素色的和式居家服,花白的短发,脸上布满皱纹,手里还端着一只热气腾腾的茶杯。\n\n他停在门口,抬起头。\n\n镜头随他的视线扫过整个房间:翻倒的陶笔筒、滚了满桌的毛笔、散落的书本、歪斜的\"魂\"字挂轴、弹开的皮箱、翻了面的眼镜、满地的狼藉。\n\n老人的眼睛慢慢睁大了。他的嘴微微张开。茶杯在他手里停住,热气继续向上飘。\n\n他看向桌上摊开的那本速写本——上面只有两幅安安静静的彩铅素描。\n\n最后一帧:老人站在门口,端着茶杯,目瞪口呆地看着一屋子的狼藉;桌上那本速写本静静地摊着,左页是蓝色的武士,右页是红色的武士,两把刀的刀尖在中缝处相抵,一动不动。画面自然收束。\n\n运镜:从桌面缓缓摇向门口的老人,随他的视线扫过狼藉的房间,最后回到那本安静的速写本上,缓慢后拉至广角。不定格,不摆造型——茶杯的热气还在飘,被割破的纸边还在轻轻颤动。\n\n【全局约束与防崩条件】\n\nmasterpiece, highest quality。混合渲染:纯彩铅线条的角色 + 照片级真实的房间。\n\n@bluesamurai 全程是蓝色彩铅线条,@redsamurai 全程是红色彩铅线条。两者的颜色绝不互换、绝不混色、绝不变成实体人物、绝不长出皮肤或布料质感。\n\n两人的体型全程保持在速写本上画着的那么小,绝不放大、绝不变成真人尺寸。\n\n全场只允许存在两把刀,都是线条构成的。严禁武器复制或尺寸漂移。\n\n破坏只能单向累积:倒下的笔筒、散落的毛笔、翻倒的书本、歪斜的挂轴、弹开的皮箱、被割破的纸页,全部永久保持损坏状态,绝不复原。\n\n破坏必须由实际接触触发。禁止物件无缘无故倒下,禁止破坏早于接触。\n\n房间的光照方向全程一致,绝不改变。\n\n老人只在 28.5 秒之后出现,此前绝对不得入画。他全程不说话、不进入房间、不触碰任何东西,只是站在门口看着。\n\n【负面提示词】\n\n角色变成实体人物,角色长出皮肤,角色长出布料质感,角色变成 3D 模型,角色变成真人,角色失去线条质感,线条变成实心色块,蓝色武士变红,红色武士变蓝,两人颜色混淆,颜色互换;\n\n角色变大,角色变成真人尺寸,角色比笔筒高,角色比书本大,体型漂移,角色站在地板上,角色离开桌面;\n\n角色用蛮力砸碎家具,角色徒手掀翻书桌,角色击碎墙壁,破坏不符合体型,物件凭空爆炸,物件无缘无故倒下,破坏早于接触;\n\n老人提前出现,老人在 28.5 秒之前入画,老人走进房间,老人说话,老人拿起速写本,老人碰倒东西,出现第二个人,出现其他角色,出现宠物;\n\n角色在老人出现时还在动,角色没有归位,角色归位姿势错误,角色归位到错误的页面,纸上的画消失,纸上出现第三幅画;\n\n出现台词,出现对白,旁白,内心独白,念出动作描述文字,念出运镜说明,字幕,Logo,UI,水印;\n\n一招一停,互相等待,轮流表演,摆 pose,长时间蓄力,全片慢动作,定格帧,快进感,跳帧加速,重复招式,原地乱挥,动作没有重量;\n\n彩色能量,发光特效,气功,火焰,雷电,激光,魔法光效,粒子特效,漫画速度线;\n\n房间恢复整洁,倒下的笔筒复位,毛笔回到笔筒,书本自动叠好,挂轴自动扶正,被割破的纸自动愈合;\n\n明亮的房间,白天,阳光直射,日光灯,现代办公室,空荡的桌面,室外场景,光照方向改变;\n\n硬切,多机位剪辑,黑屏转场,镜头瞬移,持续晃动,过量滚转,镜头穿过物件或桌面,低清晰度,卡顿,卡通渲染,电子游戏过场感,过曝,过度锐化。",
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"sourceId": "seedance",
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"credit": "@abulu8",
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"sourceUrl": "https://x.com/abulu8/status/2101376938258624640"
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},
|
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{
|
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"id": "seedance:seedance-pov-you-try-to-make-a-cute-kitten-vlog-and-your-kitten-chooses-violence-d052169bcc1d",
|
||
"title": "萌宠自拍变小猫突袭现场",
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"description": "宠物与动物",
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"image": "https://media.goodcase.ai/media/poster/seedance-pov-you-try-to-make-a-cute-kitten-vlog-and-your-kitten-chooses-violence-d052169bcc1d.jpg",
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"mode": "video",
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||
"prompt": "POV: you try to make a cute kitten vlog and your kitten chooses violence\n\nSeedance 2.5 on @PixVerse \n\nPrompt ↓\n\nREFERENCE & SUBJECT CONSISTENCY\n\nUse \"@image1\" as the exact visual reference for the woman. Preserve her identity, facial features, hairstyle, body proportions, clothing, skin texture, and overall appearance consistently throughout the entire clip. Do not redesign, beautify, age, de-age, or alter her appearance.\n\nUse exactly ONE small tabby kitten throughout the entire video. The same kitten must remain physically continuous from beginning to end, with consistent fur pattern, eye color, size, whiskers, ears, paws, and body proportions. No second kitten, no other animal, no duplicate subject.\n\n---\n\nFORMAT & CAMERA\n\n30-second single continuous handheld selfie video, vertical 9:16, realistic smartphone front-camera footage.\n\nThe woman is holding the phone herself with one outstretched arm. The phone is the camera. Tight chest-up framing keeps both her face and the kitten visible most of the time.\n\nPlain indoor environment with soft natural daylight coming through a nearby window. No cinematic lighting, no studio look, no color grading. Natural smartphone white balance and exposure.\n\nThe camera should have subtle human arm drift, tiny wrist movements, occasional handheld jitter, imperfect framing, and natural re-centering. Do not stabilize the footage excessively.\n\nNo cuts, no transitions, no camera operator, no third-person angle, no zoom.\n\n---\n\n0–5 SEC — QUIET START\n\nThe video begins already in progress.\n\nThe woman is holding the small tabby kitten gently against her chest with one hand while her other arm holds the phone at selfie distance.\n\nHer face is close to the lens and the kitten's head rests beside her chin.\n\nShe looks down toward the kitten rather than directly performing for the camera. Her expression is relaxed and affectionate.\n\nShe quietly murmurs to the kitten in a casual everyday voice. The kitten remains slightly restless in her hand, blinking and moving its ears.\n\nHer thumb slowly rubs the fur behind one of the kitten's ears.\n\nThe camera drifts slightly downward and then naturally re-centers on both faces.\n\nKeep the movement casual and unpolished, like a genuine phone recording rather than a staged performance.\n\n---\n\n5–9 SEC — FIRST REACTION\n\nThe kitten suddenly shifts its body inside her grip.\n\nShe notices the movement and gives a small nose-laugh while looking at it.\n\nThe kitten twists its upper body and raises one front paw.\n\nIt suddenly swats directly toward her chin.\n\nShe reacts immediately and naturally — a sharp intake of breath, head pulling backward, eyes squeezing shut for a moment.\n\nThe unexpected movement makes her burst into genuine laughter.\n\nHer shoulders shake and the phone in her outstretched hand briefly becomes slightly shaky.\n\nA few loose strands of her tied-back hair swing across her cheek.\n\nShe looks back at the kitten while laughing.\n\n---\n\n9–13 SEC — FIRST DIALOGUE\n\nStill laughing and catching her breath, she looks toward the kitten and then briefly toward the phone.\n\nHer laughter interrupts her breathing and makes her words slightly broken and imperfect.\n\nShe says frontally, with her mouth clearly visible:\n\n\"Ow— okay, okay, I get it—\"\n\nThe delivery should not sound rehearsed.\n\nThe line is spoken through genuine laughter, with a small breath between words.\n\nThe kitten gives one thin, quiet mewl while remaining against her chest.\n\nHer thumb instinctively continues rubbing the kitten's fur as if trying to calm it down.\n\n---\n\n13–18 SEC — KITTEN SCRAMBLES UP\n\nThe kitten suddenly tries to climb upward from her chest toward her shoulder.\n\nIts front paws grip the ribbed edge of her top.\n\nThe fabric visibly wrinkles and shifts under its paws.\n\nShe reacts with a surprised little yelp followed immediately by another burst of laughter.\n\nHer body leans slightly away from the kitten while her supporting hand adjusts underneath it.\n\nThe camera moves with her arm and briefly loses perfect centering before naturally coming back to both of them.\n\nShe catches the kitten's hind legs with her palm before it can climb completely onto her shoulder.\n\nHer expression remains amused and unguarded.\n\n---\n\n18–22 SEC — PULLING KITTEN BACK\n\nShe gently slides the kitten back down onto the center of her chest.\n\nThe kitten squirms in her hand but does not escape.\n\nShe laughs under her breath while trying to keep hold of it.\n\nOnce the kitten is secure again, she presses her cheek gently against the top of its head.\n\nShe closes her eyes for a brief moment and gives a soft affectionate laugh.\n\nThen she puffs a small breath into the kitten's fur.\n\nHer laughter continues as tiny hiccupping giggles between uneven breaths.\n\nKeep the interaction physically believable — the kitten's fur compresses naturally against her cheek and springs back slightly.\n\n---\n\n22–26 SEC — SECOND PAW\n\nThe kitten's ears flick backward.\n\nIts head turns slightly.\n\nOne front paw slowly rises again.\n\nShe notices it and immediately pulls her face back with a half-amused, half-defensive expression.\n\nBefore she can fully react, the kitten lifts its paw toward her face again.\n\nShe laughs harder, shoulders bouncing.\n\nThe phone shakes slightly from her laughter.\n\nThe camera briefly turns a little toward the nearby window as her arm shifts, producing one subtle natural auto-exposure hunt.\n\nExposure settles again without any cinematic correction.\n\nHer face, skin texture, kitten fur strands, and whiskers remain sharply detailed despite the movement.\n\n---\n\n26–30 SEC — FINAL LENS REACH\n\nThe kitten suddenly reaches its paw forward toward the phone.\n\nThe paw moves directly toward the front camera.\n\nThe woman pulls her head backward while laughing.\n\nHer arm holding the phone instinctively moves away from the kitten.\n\nThe framing drifts and dips naturally.\n\nThe kitten's paw becomes large in the near foreground, partially entering the corner of the frame.\n\nAllow one brief natural focus-breathing moment as the paw approaches the lens, while the woman's face and kitten remain visually coherent.\n\nShe laughs through the reaction and starts to say:\n\n\"You little—\"\n\nBut the sentence is cut off naturally by her laughter.\n\nHer laugh cracks and swallows the rest of the words.\n\nThe kitten remains supported securely against her chest.\n\nThe final image is imperfectly framed, with the woman's shoulders still bouncing from laughter and the kitten squirming in her hand as the clip ends naturally.\n\nDo not create a posed ending.\n\n---\n\nPERFORMANCE & PHYSICAL REALISM\n\nThe woman's laughter must be physical and unpolished rather than performed.\n\nHer eyes naturally crease and close during stronger laughs. Her shoulders and chest move with her breathing. Her breathing becomes uneven after laughing. Small pauses, inhalations, nose-laughs, interrupted syllables, and imperfect timing are encouraged.\n\nThe kitten should behave like a real young kitten: unpredictable small movements, ear flicks, paw movements, slight squirming, subtle body weight shifts, and natural attempts to climb.\n\nHer hands must maintain believable support of the kitten throughout. Never let the kitten float, teleport, duplicate, or change position without physical movement.\n\n---\n\nCAMERA & IMAGE QUALITY\n\nNatural smartphone front-camera optics.\n\nSubtle handheld jitter.\n\nNatural arm drift.\n\nSmall framing errors.\n\nNatural re-centering.\n\nOne brief auto-exposure adjustment when she turns slightly toward the window.\n\nOne brief focus-breathing moment when the kitten's paw approaches the lens.\n\nNo artificial camera shake.\n\nNo cinematic depth of field.\n\nNo dramatic lighting.\n\nNo beauty filter.\n\nNo skin smoothing.\n\nKeep individual kitten fur strands, whiskers, her natural skin texture, and fine hairs around her temple sharply visible during movement.\n\n---\n\nAUDIO\n\nDiegetic audio only.\n\nNo background music.\n\nNo soundtrack.\n\nNo voice-over.\n\nNo added cinematic sound effects.\n\nCapture natural fabric rustling as the kitten climbs, subtle clothing movement, one thin kitten mewl, the woman's quiet murmuring at the beginning, nose-laugh, sharp intake of breath, surprised yelp, unguarded laughter, small hiccupping giggles, uneven breathing, and the two spoken lines.\n\nDialogue must be spoken by the woman naturally and frontally with her mouth visible.\n\nDialogue:\n\n\"Ow— okay, okay, I get it—\"\n\n\"You little—\"\n\nThe second line must remain incomplete and be swallowed by laughter.\n\n---\n\nSTRICT NEGATIVE CONSTRAINTS\n\nExactly ONE woman.\n\nExactly ONE kitten.\n\nNo other animals at any point.\n\nNo duplicate kitten.\n\nNo duplicate woman.\n\nNo extra limbs.\n\nNo extra fingers.\n\nNo changing clothing.\n\nNo changing hairstyle.\n\nNo identity drift.\n\nNo face morphing.\n\nNo kitten transformation.\n\nNo teleportation.\n\nNo cuts.\n\nNo transitions.\n\nNo zoom.\n\nNo third-person camera.\n\nNo external camera.\n\nNo reference sheet.\n\nNo character sheet.\n\nNo split screen.\n\nNo subtitles.\n\nNo captions.\n\nNo on-screen text.\n\nNo logo.\n\nNo watermark.\n\nNo background music.\n\nNo voice-over.\n\nNo cinematic color grading.\n\nNo artificial beauty retouching.\n\nNo staged acting.\n\nMaintain one continuous uninterrupted 30-second handheld selfie recording from beginning to end.\n\n#pixverse #pixversecpp",
|
||
"category": "pet-animal",
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2096540586866270337"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-beautiful-young-east-asian-woman-with-long-straight-black-hair-wearing-a-sof-d4ab346c8461",
|
||
"title": "雨日独居女孩的静谧时光",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-a-beautiful-young-east-asian-woman-with-long-straight-black-hair-wearing-a-sof-d4ab346c8461.jpg",
|
||
"mode": "video",
|
||
"prompt": "A beautiful young East Asian woman with long straight black hair, wearing a soft off-white oversized sweater and matching loose pants, spends a quiet day alone in a high-rise apartment. Her mood is calm, slightly melancholic, and contemplative. She first gazes out a rain-streaked window at the city below, chin resting on her hand. Then she pours steaming coffee from a glass carafe into a mug in a bright kitchen. Next she sits on a couch reading a book in warm afternoon light. Later she sits cross-legged on the wooden floor wearing large headphones, eyes closed, surrounded by scattered vinyl records and an open book. Finally, at night, she writes in a notebook by the window with the glowing city skyline behind her. Soft natural lighting, cinematic, peaceful, minimalist aesthetic, smooth transitions.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2096105365419209139"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-photorealistic-cinematic-korean-romance-film-set-on-a-university-campus-during-b356b4a071ad",
|
||
"title": "樱花校园下的温柔告白",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/f96d3a7e9239.jpg",
|
||
"mode": "video",
|
||
"prompt": "Photorealistic cinematic Korean romance film set on a university campus during peak cherry-blossom season. Two longtime friends walk together beneath blooming cherry trees in the warm late-afternoon light. They talk casually before the woman gradually becomes nervous and slows down.\n\nShe finally stops, takes a breath, and softly confesses that she has liked him for a long time. The man is genuinely surprised, pausing to process her words rather than reacting dramatically. She admits she was afraid he might stop being her friend.\n\nAfter a quiet emotional pause, he smiles warmly and reassures her. He gently takes her hand, and they continue walking together beneath the cherry trees as petals drift naturally around them.\n\nNatural Korean actors, subtle facial expressions, realistic walking and body language, soft spring breeze, authentic university atmosphere, cinematic depth of field, realistic skin and clothing, natural lighting, gentle handheld camera movement, emotional Korean-drama aesthetic, soft piano soundtrack, realistic environmental sound.\n\nNo exaggerated acting, no forced romance, no robotic movement, no CGI appearance, no distorted anatomy, no changing faces or clothing, no floating petals, no unrealistic wind, no text, subtitles, logos, or watermark.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2095372757890687162"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-cinematic-cozy-lifestyle-video-of-a-young-woman-spending-a-p-b80e5f5782e0",
|
||
"title": "女孩在绿意咖啡馆的悠闲午后",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-15-second-cinematic-cozy-lifestyle-video-of-a-young-woman-spending-a-p-b.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second cinematic cozy lifestyle video of a young woman spending a peaceful afternoon at a charming café. Use the provided facial reference to maintain her exact identity, facial structure, skin tone, hair, and overall appearance throughout the entire video. Her face should remain naturally hidden or partially obscured in every shot by her hair, camera angle, or framing, while still using the reference for accurate character consistency.\n\nCharacter & outfit: She wears a soft white feminine top, light blue relaxed-fit jeans, a pink gingham shirt casually tied over one shoulder, a delicate heart necklace, and carries a cream canvas tote bag. Keep the outfit, accessories, hairstyle, and character completely consistent.\n\n0–3 sec — Arriving at the café:\nShow her walking toward a small, charming café surrounded by greenery. Capture her from behind and from the side as she approaches the glass entrance, gently holding her tote bag. Warm afternoon sunlight creates a soft, peaceful atmosphere.\n\n3–6 sec — Entering:\nShe opens the café door and walks inside. Reveal a cozy interior with warm cream walls, wooden tables, vintage-style shelves filled with cups, soft wall lamps, a small bakery counter, and a cute checkerboard tile detail. Camera follows her naturally from behind, keeping her face hidden.\n\n6–9 sec — Exploring the café:\nShe slowly looks around the café, browsing the menu and pastry display. Show close-up details of her hand holding the tote strap, her pink gingham shirt, coffee cups on shelves, handwritten menu boards, and warm ambient lighting.\n\n9–12 sec — Coffee moment:\nShe sits at a small wooden table beside a window overlooking lush greenery. A freshly prepared latte is placed in front of her with beautiful heart-shaped latte art. She gently picks up the cup and enjoys the cozy moment, with her face still outside the frame or covered by her hair.\n\n12–15 sec — Peaceful ending:\nCamera moves into a top-down shot of the latte on the table, her hands resting beside the cup and the cream tote bag nearby. She takes a slow sip, then the camera gently pulls back to reveal the warm café atmosphere.\n\nVisual style: cozy café aesthetic, warm natural sunlight, soft golden tones, realistic textures, subtle film grain, shallow depth of field, gentle handheld camera movement, candid lifestyle photography, peaceful weekend mood, natural human movements, cinematic realism.\n\nImportant: Maintain one identical character throughout. Do not change her facial features, hairstyle, body proportions, clothing, necklace, or tote bag. Her face should never be clearly revealed, but the facial reference must still be used to preserve her identity. Vertical 9:16, 15 seconds, realistic cinematic video, smooth transitions, no text, no subtitles, no logos., what will be the caption for this",
|
||
"sourceId": "seedance",
|
||
"credit": "@sophiaparkerr_",
|
||
"sourceUrl": "https://x.com/sophiaparkerr_/status/2095143773978190187"
|
||
},
|
||
{
|
||
"id": "seedance:seharshinwari-seedance-ai-fef37a593d87",
|
||
"title": "赖床少年穿错鞋的上学早晨",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/media/poster/seharshinwari-seedance-ai-fef37a593d87.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second cinematic live-action family comedy titled “FIVE MORE MINUTES.”\n\nFORMAT & STYLE:\nHyper-realistic photorealistic live action, 4K, vertical 16:9, 24fps cinematic film look, natural early-morning lighting, realistic skin, hair, fabric and physics, subtle handheld camera movement, smooth tracking shots, shallow depth of field, natural color grading and professional filmmaking. The scene should feel like a genuine family moment filmed in a real home, with natural acting and believable expressions.\n\nCHARACTER CONSISTENCY:\nMOTHER — South Asian woman around 40, medium complexion, dark hair tied in a simple low bun, wearing a comfortable light-grey long-sleeve home outfit. Warm but slightly frustrated personality.\n\nSON — South Asian teenage boy, 16–17 years old, medium complexion, messy dark-brown hair, wearing a navy-blue T-shirt and grey sweatpants. Sleepy, slightly lazy teenage personality.\n\nKeep both characters exactly consistent throughout the entire video: same faces, age, hairstyle, clothing, body proportions and skin tone.\n\nLOCATION:\nA realistic, comfortable family home in the morning. The son's bedroom contains a single bed with a grey-and-white striped blanket, wooden bedside table, digital alarm clock, school backpack, books and everyday personal items. The hallway, stairs and kitchen must clearly belong to the same house. Warm sunlight enters through the bedroom window.\n\n0–4 SEC — FIRST WAKE-UP:\nWide cinematic shot of the bedroom. The alarm clock reads 7:00 AM. The son is deeply asleep under the blanket. The mother quietly opens the door, enters and looks at him.\n\nShe says naturally:\n“Wake up, it's time for school.”\n\nThe son barely reacts.\n\n4–7 SEC — FIVE MORE MINUTES:\nClose-up of the sleepy son. He slowly opens one eye, pulls the blanket closer and quietly mumbles:\n“Five more minutes…”\n\nHe immediately turns away and falls asleep again.\n\nThe mother looks at him with a tired, slightly frustrated expression.\n\n7–10 SEC — AGAIN:\nThe mother returns and gently shakes his shoulder.\n\n“Come on, get up now.”\n\nThe son pulls the blanket over his head.\n\n“Five more minutes…”\n\nThe mother pauses, takes a breath and looks toward the ceiling in disbelief. Keep the humor subtle and realistic.\n\n10–17 SEC — MORNING CHAOS:\nCreate a quick, coherent montage showing the mother's attempts to get him ready:\n• She opens the curtains.\n• She prepares breakfast in the kitchen.\n• She calls him from the hallway.\n• She picks up his school backpack.\n• She searches around the bedroom for a missing shoe.\n• She returns to find him still lying in bed.\n\nThe son remains sleepy but gradually wakes up. Keep the same house, wardrobe and props throughout.\n\n17–21 SEC — TOO LATE:\nThe son suddenly notices the time and realizes he is late.\n\nHis expression changes instantly.\n\nHe jumps out of bed, quickly gets dressed, grabs his backpack and rushes downstairs. The mother follows behind him, amused and frustrated.\n\n21–24 SEC — FINALLY READY:\nAt the front door, the son stands ready to leave with his backpack.\n\nThe mother looks relieved.\n\nFinally.\n\nHe opens the door.\n\nShe suddenly notices something and stops him.\n\n24–27 SEC — THE REVEAL:\nClose-up of the son's feet.\n\nHe is wearing two completely different sneakers:\none black sneaker and one grey sneaker.\n\nHe slowly looks down at them.\n\nHis expression changes from confidence to complete disbelief.\n\n27–30 SEC — FUNNY ENDING:\nTwo-shot of mother and son.\n\nThey look at each other for one silent second.\n\nBoth suddenly start laughing.\n\nThe son shakes his head and runs back upstairs to change his shoes while the mother remains at the door laughing.\n\nEnd naturally on the mother's amused expression.\n\nCINEMATOGRAPHY:\nUse realistic 35mm and 50mm cinematic lens aesthetics, natural rack focus, smooth camera pushes, subtle handheld movement, realistic motion blur and shallow depth of field. Use wider shots to establish the home and close-ups for the comedy beats. Avoid excessive camera movement.\n\nAUDIO:\nNatural morning ambience, birds outside, distant traffic, footsteps, fabric movement, alarm clock and household sounds. Use natural-sounding dialogue with realistic pauses. Add very subtle playful background music during the montage and ending.\n\nSTRICT CONSISTENCY & QUALITY:\nKeep the same two characters, bedroom, hallway, kitchen, backpack, alarm clock and clothing throughout. The two mismatched shoes must remain visually consistent in the final reveal. No changing faces, hairstyles, ages or outfits. No duplicate characters, extra fingers, extra limbs, distorted hands, warped faces, floating objects, sudden environment changes, unrealistic physics, random props, logos or watermarks. No supernatural effects or exaggerated VFX.\n\nThe final result should look like a professionally filmed, relatable family comedy with natural performances, clear storytelling and a satisfying visual punchline.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@SeharShinwari",
|
||
"sourceUrl": "https://x.com/SeharShinwari/status/2091810238836220283"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-hero-use-image1-as-the-exact-hero-identity-024fcfb7c316",
|
||
"title": "八角笼激战中的逆转击倒",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/474b42d3e724.jpg",
|
||
"mode": "video",
|
||
"prompt": "Duration: 30 seconds | Aspect Ratio: 16:9 | Style: Ultra-photorealistic live-action Hollywood MMA action.\n\nHERO: Use image1 as the exact hero identity. Preserve his face, facial structure, hairstyle, physique and proportions consistently in every shot. He wears black MMA shorts with a red waistband, black fingerless MMA gloves, bare feet and wrist tape. His skin becomes naturally sweaty during the fight.\n\nRIVAL: Tall, heavily muscular bald fighter with a short dark beard, tribal tattoo covering the left shoulder/upper arm, white-and-royal-blue MMA shorts, blue gloves and bare feet. After Shot 03, maintain a small realistic cut above his right eyebrow.\n\nLOCATION: Packed night arena, eight-sided steel cage, overhead rig lights through haze, cool blue cinematic palette with warm skin highlights, realistic crowd, sweat and atmospheric depth. Referee wears a white shirt and black trousers and remains mostly at frame edges.\n\nSEQUENCE:\n00:00–02 High-angle 24mm wide, bell rings, both fighters leave corners, slow crane descent.\n02–04 35mm Steadicam arc, fighters circle; rival throws a probing jab.\n04–06 FAST 50mm handheld, hero slips and lands jab-cross, opening a small cut on rival's right eyebrow.\n06–08 FAST 40mm OTS, rival throws hook-cross-hook; hero blocks and parries.\n08–10 SLOW-MO 85mm close-up, heavy hook snaps hero's head, sweat sprays; speed ramp as he hits cage.\n10–12 40mm handheld, hero pinned against fence, rival flurries; rack focus to hero's determined eyes.\n12–14 FAST 28mm tracking, hero slips hook, lands liver shot and spins away.\n14–16 SLOW-MO 85mm, hero's uppercut lifts rival's chin, sweat suspended in rim light.\n16–18 FAST 35mm, rival throws wild cross; hero ducks and lands three-punch combo.\n18–20 65mm slow orbit, both exhausted fighters trade heavy close-range punches.\n20–22 FAST 28mm push-in, hero unleashes four-punch barrage, driving rival to fence.\n22–24 EXTREME SLOW-MO 100mm profile, hero slips overhand and lands decisive right cross to jaw; brief silence, then massive impact.\n24–27 Ground-level 24mm wide, rival collapses, referee waves off fight, hero steps back.\n27–30 35mm low-angle Steadicam push-in, hero raises gloves in exhausted relief; crane pull-up reveals roaring arena, cut to black.\n\nSOUND: Crowd roar, bell, breathing, canvas footsteps, realistic glove impacts. Low drone, cello, taiko and strings build toward knockout, brief silence at impact, then orchestral hit and emotional piano/strings finale.\n\nQUALITY: Realistic physics, anatomy, sweat, skin texture, cinematic motion blur and subtle film grain. No cartoon, CGI look, plastic skin, face changes, wardrobe changes, duplicated fighters, extra limbs/fingers, deformed hands, warped faces, impossible punches, jitter, flicker, oversaturation, text, watermark or logos.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Xaroon_x",
|
||
"sourceUrl": "https://x.com/Xaroon_x/status/2107412153577935128"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-an-exactly-30-second-16-9-24fps-4k-ultra-photorealistic-live-action-u-62fcf5559f5a",
|
||
"title": "女大学生在意外降雪的清晨踏雪上学",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/04a8dee607c7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an exactly 30-second, 16:9, 24fps, 4K ultra-photorealistic live-action university vlog following the same European brunette woman in her mid-20s through an unexpected snowy morning.\n\nShe wakes expecting rain, opens the curtains, and discovers the entire city covered in heavy fresh snow. She quickly dresses in a cream thermal sweater, dark jeans, charcoal coat, beige scarf, gloves, boots and dark university backpack. She prepares hot chocolate, takes a quick sip, then steps outside into the snowfall.\n\nShow realistic snow compression and footprints, visible breath, steam from the hot chocolate, natural wind movement in her hair and scarf, backpack inertia, careful walking on slippery snow, realistic slush and traffic, and snow naturally accumulating on cars, trees, buildings and clothing.\n\nShe walks through the snow-covered city while filming herself with an authentic handheld smartphone. Include natural side-tracking and environmental angles showing snowy streets, cafés, pedestrians, cars and the university campus. She arrives at university, enters the warm hallway and quietly says:\n\n“Okay… this is actually the best morning ever.”\n\nCut naturally to black at exactly 30 seconds.\n\nUse authentic smartphone imperfections: subtle hand shake, autofocus breathing, exposure adjustment, rolling-shutter artifacts, realistic motion blur and imperfect framing. Maintain identical face, hair, body proportions, wardrobe and backpack throughout.\n\nNatural diegetic audio only: alarm, bedsheets, curtains, clothing, milk pouring, spoon, mug, steam, door, wind, snow crunch, traffic, slush, footsteps and university ambience. No music or narration.\n\nNegative prompt: CGI appearance, animation, fantasy snow, glowing snow, impossible physics, floating objects, teleportation, weather changes, unrealistic sliding, distorted hands, extra fingers, face drift, body distortion, wardrobe changes, duplicated people or objects, fake snow particles, impossible reflections, excessive slow motion, subtitles, captions, logos, watermark, background music.",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2107345257495138416"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-video-featuring-a-beautiful-korean-schoolgirl-in-a-neat-nav-bbf2963e71f3",
|
||
"title": "韩国少女的雪山村庄之旅",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/aacb79532b6c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second video, featuring a beautiful Korean schoolgirl in a neat navy school uniform with a white shirt, ribbon tie, blazer, pleated skirt, and long dark hair, keeping her face, hairstyle, outfit, and proportions consistent throughout the entire video. Start with a cinematic wide shot of her walking toward a modern school building, then transition naturally into a peaceful snowy mountain village surrounded by traditional Korean-style wooden houses and dramatic snow-covered mountains. Show her walking through the quiet snowy path while the camera follows her with smooth cinematic movement and natural winter lighting. Add a close-up selfie-style moment where she smiles gently at the camera, followed by wide scenic shots revealing the beautiful winter landscape. Show two brown horses calmly eating hay in a snowy field as the girl approaches them and stands beside the wooden fence, creating a warm and emotional connection. Use realistic snow, natural body movement, subtle wind in her hair and clothing, detailed horse movement, and authentic environmental textures. Transition into a cozy traditional wooden house where she enters through the door and looks around naturally, then show her sitting near a large window with a warm cup of drink while looking at the snowy village outside. Add subtle hand-drawn doodle elements around key moments, such as small hearts, snowflakes, stars, arrows, and simple travel-style sketches, integrated naturally without covering the subject. Keep the entire video photorealistic, cinematic, warm, emotional, and immersive, with seamless transitions, realistic camera motion, consistent character identity, and no artificial-looking faces, distorted hands, extra limbs, outfit changes, or random objects.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2104443916695347682"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-this-cozy-cinematic-coffee-video-featuring-the-beautiful-atmosphere-of-14430e640031",
|
||
"title": "现代咖啡馆里的暖调咖啡时光",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/a567712ff52d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created this cozy cinematic coffee video, featuring the beautiful atmosphere of a modern café. The video begins with a warm cup of coffee placed on a marble table, creating a calm and inviting mood. Close-up shots capture the espresso flowing smoothly from the coffee machine into the cup. The rich coffee details, creamy texture, and warm lighting make every scene feel realistic and visually appealing. The background shows a lively café environment with natural movement and a relaxing atmosphere. Smooth camera movements and cinematic angles bring the coffee-making process to life. The combination of soft lighting, detailed visuals, and ambient café vibes creates a premium cinematic experience. This video captures the simple beauty of coffee moments in a creative and engaging way.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2102330407404572896"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-day-in-the-life-montage-of-an-aesthetic-young-east-asian-woman-4-118d4c7b1425",
|
||
"title": "都市女生从晨起到入眠的一天",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/329523203a1b.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic \"Day in the Life\" montage of an aesthetic young East Asian woman, 4K resolution, soft natural lighting, realistic cinematic colors, and film grain. \n\nScenes Sequence:\n1. Waking up in a bright, cozy bed with white linens, soft morning sunlight.\n2. Drinking warm coffee from a takeaway paper cup outdoors.\n3. Splashing water on her face in a clean bathroom, then applying mascara in front of a mirror.\n4. Stepping out of a classic building wearing an oversized brown blazer, walking down a tree-lined city boulevard.\n5. Strolling through busy city streets while looking at her smartphone, wearing a leather jacket.\n6. Sitting peacefully in a warm, brick-walled cafe reading a book next to a latte, then enjoying a healthy salad bowl.\n7. Returning home, taking off her jacket, washing her face, and finally getting into bed under soft white blankets, falling asleep peacefully.\n\nStyle: Cinematic film style, depth of field, subtle motion, cozy lifestyle vlog, 35mm lens shot, soft color grading.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ZorviaLux",
|
||
"sourceUrl": "https://x.com/ZorviaLux/status/2101900075647778976"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-live-action-action-thriller-at-night-du-239e011a781f",
|
||
"title": "暴雨夜滑过装卸门逃生",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/8d05ba0230d3.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic live-action action-thriller at night during heavy rain. A young woman trapped inside an old industrial building discovers a partially open mechanical loading door and times her escape as two pursuers close in. She slides beneath the heavy door, struggles with realistic friction and backpack movement, rolls onto the rain-soaked pavement, and escapes into a dark service lane.\n\nShow realistic human biomechanics, inertia, momentum, gravity, friction, center-of-mass shifts, realistic loading-door mechanics, backpack physics, rain and water dynamics, wet-surface traction, vehicle spray, and physically accurate material interactions. Use handheld chase cinematography, low floor-level shots during the escape, close-ups of the mechanical door, exterior tracking shots, and a final static wide shot. Camera movement should have natural operator inertia and subtle handheld shake.\n\nUse only diegetic sound: heavy rain, breathing, footsteps, metal mechanisms, water splashes, distant traffic, echoes, and thunder. Natural nighttime lighting with realistic wet reflections, shadows, depth of field, and motion blur. End with the woman hidden behind a concrete wall as the pursuers run past, followed by an empty rain-soaked street and a cut to black.\n\nNo CGI, animation, superhero abilities, impossible parkour, teleportation, weightless objects, exaggerated slow motion, unrealistic physics, distorted anatomy, duplicate characters, text, logos, or watermark.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2100082784018821414"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-realistic-aaa-third-person-open-world-gameplay-sequenc-70896856a838",
|
||
"title": "里约街头误拿包裹追逐战",
|
||
"description": "游戏 UI 直播",
|
||
"image": "https://media.goodcase.ai/cases/a766a24fcbfe.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-realistic AAA third-person open-world gameplay sequence set in a densely populated Brazilian neighborhood inspired by Rio de Janeiro.\n\nThe video must look like genuine next-generation GTA-style gameplay captured directly from a playable open-world game — not a cinematic film. Use a consistent third-person gameplay camera positioned naturally behind the protagonist, realistic player-controlled movement, seamless environmental interaction, physically accurate collisions, natural NPC behavior, detailed Brazilian surroundings, and believable game-world physics.\n\nMAIN CHARACTER:\nUse the uploaded character image as the exact identity reference for the protagonist. Preserve her face, facial proportions, hairstyle, hair color, skin texture, body proportions and overall identity consistently throughout the entire sequence. She is a young Korean woman in her early 20s with long black hair, wearing a casual summer outfit with a pastel-lavender top, loose white cargo pants and sneakers. Her clothing, face and hairstyle must remain completely consistent from beginning to end.\n\nOPENING — 0–3 SECONDS:\n\nBegin immediately in playable third-person view.\n\nShe is casually walking along a busy Brazilian residential street.\n\nThe environment instantly establishes Brazil: dense hillside homes, colorful painted walls, Portuguese storefront signs, overhead electrical cables, parked compact cars, motorcycles, pedestrians, small neighborhood businesses, tropical plants and realistic street clutter.\n\nWithout warning, a motorcycle delivery rider pulls up nearby and places a sealed cardboard package on a low wall while checking his phone.\n\nThe protagonist looks at it.\n\nA contextual gameplay prompt appears:\n\n“TAKE PACKAGE [E]”\n\nShe looks around.\n\nShe takes the package.\n\nImmediately:\n\nMISSION STARTED\n“DON'T GET CAUGHT WITH THE PACKAGE”\n\n3–8 SECONDS:\n\nThe delivery rider looks up.\n\nHe realizes the package is gone.\n\nA red alert appears:\n\n“PACKAGE STOLEN”\n\nHe points toward her and starts chasing.\n\nShe freezes for half a second, realizes what is happening, then runs.\n\nThe camera smoothly follows her like authentic third-person gameplay.\n\nShe runs downhill through a crowded Brazilian street, narrowly passing pedestrians and motorcycles.\n\nNPCs react naturally — some step aside, one briefly looks back, another continues walking while barely acknowledging the chaos.\n\n8–15 SECONDS:\n\nShe cuts through a narrow alley between houses.\n\nThe rider follows on foot.\n\nShe jumps over a low concrete barrier and continues running.\n\nA motorcycle passes extremely close in front of her.\n\nShe instinctively stops for a fraction of a second.\n\nA notification appears:\n\n“BAD DECISION”\n\nShe immediately turns down another street.\n\nHer stamina bar visibly drops.\n\n“STAMINA LOW”\n\nShe reaches a small local football court where several people are playing.\n\nA ball suddenly rolls directly into her path.\n\nShe kicks it aside without stopping.\n\nThe players briefly react as she runs through.\n\n15–22 SECONDS:\n\nShe reaches a steep hillside street.\n\nShe looks back.\n\nThe delivery rider is still chasing her.\n\nShe notices an open doorway beside a tiny neighborhood shop and quickly ducks inside.\n\nThe rider runs past.\n\nThe screen briefly displays:\n\n“THEY LOST YOU”\n\nShe quietly steps back outside.\n\nThe rider suddenly appears at the other end of the street.\n\n“THEY FOUND YOU”\n\nShe panics and runs again.\n\n22–27 SECONDS:\n\nShe finally reaches a small Brazilian house matching the address printed on the package.\n\nShe looks at the label.\n\nThen at the house number.\n\nA subtle objective updates:\n\n“DELIVER PACKAGE”\n\nShe rings the doorbell.\n\nA Brazilian woman opens the door.\n\nThe protagonist hands her the package.\n\nThe woman checks the address and happily accepts it.\n\nObjective instantly changes:\n\n“DELIVERY COMPLETE”\n\n27–30 SECONDS:\n\nThe exhausted delivery rider finally arrives.\n\nHe stops.\n\nLooks at the protagonist.\n\nLooks at the woman.\n\nLooks at the package.\n\nHe slowly realizes that the protagonist accidentally delivered it to the correct address.\n\nHe is completely confused.\n\nThe protagonist gives him an innocent smile and casually walks away.\n\nFinal HUD notification:\n\n“MISSION COMPLETE”\n“CHAOS +250”\n\nThe rider remains standing there, speechless.\n\nGAMEPLAY & VISUAL STYLE:\n\nUltra-photorealistic AAA open-world game graphics with realistic human characters, detailed facial animation, physically based materials, realistic skin, individual hair strands, natural cloth movement, accurate shadows, global illumination, realistic reflections, detailed road surfaces and authentic environmental imperfections.\n\nBrazil must be visually recognizable through authentic environmental details rather than exaggerated stereotypes.\n\nUse realistic Rio-inspired hillside neighborhoods, dense residential streets, Portuguese signage, Brazilian motorcycles and compact cars, local stores, football culture, tropical vegetation, concrete walls, balconies, utility poles and tangled overhead wiring.\n\nNPCs should have varied appearances, clothing, animations and reactions. No duplicated-looking crowds.\n\nAll physics must be grounded: the cardboard package has believable weight, pedestrians react naturally to collisions, motorcycles have realistic acceleration and suspension, clothing responds naturally to movement, and characters maintain consistent proportions.\n\nCAMERA:\n\nStrictly authentic third-person open-world gameplay perspective.\n\nNo cinematic establishing shots.\nNo drone shots.\nNo slow-motion hero shots.\nNo dramatic camera transitions.\nNo movie-style depth of field.\nNo impossible camera movements.\n\nThe camera should behave as if a player is controlling the character in a real AAA open-world game.\n\nHUD:\n\nUse a restrained GTA-inspired gameplay HUD integrated naturally into the screen:\n\n- circular minimap\n- health bar\n- stamina bar\n- mission objective tracker\n- contextual interaction prompts\n- alert indicators\n- small gameplay notifications\n\nThe interface should feel like part of an actual AAA game rather than an overlay added afterward.\n\nNEGATIVE REQUIREMENTS:\n\nNo anime.\nNo cartoon.\nNo cel shading.\nNo mobile-game graphics.\nNo fantasy.\nNo exaggerated physics.\nNo gore.\nNo distorted faces.\nNo changing character identity.\nNo changing clothing.\nNo inconsistent package size.\nNo duplicated NPCs.\nNo teleporting objects.\nNo floating objects.\nNo rubbery character movement.\nNo cinematic movie shots.\nNo unrealistic facial expressions.\nNo artificial-looking crowds.\n\nThe final result should feel like a completely authentic 30-second gameplay clip from a huge, photorealistic AAA open-world game set in Brazil, funny because of the situation and gameplay mechanics, not because the visuals are exaggerated.",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@john_my07",
|
||
"sourceUrl": "https://x.com/john_my07/status/2099832403305079015"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-high-end-cosmetic-product-commercial-8k-resolution-cinematic-lighting-studio-88b6d439e00b",
|
||
"title": "金色液流环绕的焕亮面霜广告",
|
||
"description": "产品广告分镜",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-high-end-cosmetic-product-commercial-8k-resolution-cinematic-lighting-studio-88b6d439e00b.jpg",
|
||
"mode": "video",
|
||
"prompt": "High-end cosmetic product commercial, 8K resolution, cinematic lighting, studio setup with neutral beige tones. A blonde model wearing a strapless white top extends a white tube with gold accents labeled \"APIS GLOW\" directly toward the camera. Extreme close-up shot of a thumb pressing down on the pump dispenser, squeezing out a drop of smooth white cream. Macro shot of the white cream being smoothly applied and gently spread onto a woman's glowing cheek, highlighting realistic skin texture and moisture. Cut to the model holding the tube next to her face, smiling gracefully. Conclude with a dynamic product shot of the white and gold cosmetic tube standing centered against a warm, radiant background, wrapped in a shimmering, golden liquid swirl with flying droplets Professional commercial cinematography, soft focus depth of field, sleek aesthetic.\n\n#polloai",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2095713859000729956"
|
||
},
|
||
{
|
||
"id": "seedance:nawalsehar-seedance-ai-669ce18aacb5",
|
||
"title": "韩国夏日骑车购物日常",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/nawalsehar-seedance-ai-669ce18aacb5.jpg",
|
||
"mode": "video",
|
||
"prompt": "30-Second Cinematic\n\nUltra-photorealistic Korean summer lifestyle video following a young woman as she unlocks her city bicycle, places her crossbody bag in the front basket, and naturally rides through a peaceful residential neighborhood.\n\nShe slows down, turns realistically, parks beside the grocery store, locks her bicycle, and enters the supermarket. She casually selects a few groceries—apples, milk, and a snack—then pays at the checkout.\n\nAfter placing the groceries securely in the bicycle basket, she unlocks the bike, mounts naturally, and cycles home along the same street.\n\nFocus on realistic human movement, bicycle balance, pedal motion, braking, tire contact, momentum, wind, clothing and hair movement, grocery-bag weight, and authentic everyday sounds. Smooth cinematic camera movement, natural lighting, realistic depth of field, and continuous cause-and-effect action.\n\nNo teleportation, instant acceleration, floating objects, distorted anatomy, changing clothes or bicycle, exaggerated wind, CGI appearance, or action-movie movement.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2093215704946467157"
|
||
},
|
||
{
|
||
"id": "seedance:nawalsehar-seedance-ai-e50de3d2896e",
|
||
"title": "Seedance 单板滑雪地形公园流畅滑行短片",
|
||
"description": "运动极限",
|
||
"image": "https://media.goodcase.ai/media/poster/nawalsehar-seedance-ai-e50de3d2896e.jpg",
|
||
"mode": "video",
|
||
"prompt": "A young snowboarder drops into an alpine terrain park, carves smoothly down the slope, performs a controlled 180° jump and freestyle butter, then finishes with a clean stop. Ultra-realistic winter sports documentary, physically accurate snowboard physics, authentic human movement, natural English lip-sync, bright winter daylight, immersive mountain ambience, and seamless story continuity throughout.",
|
||
"category": "sports-extreme",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2088854230626865490"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-this-ai-video-will-make-you-scare-94834d7de536",
|
||
"title": "双马尾女孩觉醒紫光力量反击霸凌",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/6c19aba88b03.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-realistic live-action supernatural action sequence set inside a large school restroom. The scene combines grounded handheld cinematography with exaggerated, high-impact supernatural VFX. It should feel like a chaotic live-action anime fight captured with a real cinema camera, while keeping realistic human anatomy, physical reactions, clothing physics, debris, lighting, and environmental interaction.\nMAIN CHARACTER: A young woman in her early 20s with long blonde hair containing subtle pastel-green sections, styled into two playful pigtails with colorful round hair accessories. She wears a fitted bubblegum-pink short-sleeve top, a short green-and-brown plaid pleated skirt, white crew socks, and chunky white platform sneakers. Keep her face, hairstyle, clothing, proportions, and identity perfectly consistent throughout.\nOPPONENTS: Four young men wearing coordinated school uniforms: white short-sleeve shirts or white school blazers, striped neckties, beige trousers, and white sneakers. One heavier-built student carries a bright blue plastic bucket.\nLOCATION: A slightly worn institutional school restroom with glossy brown tiled walls, beige tiled flooring, gray toilet-stall partitions and doors, exposed sinks, mirrors, dispensers, and circular fluorescent ceiling lights. Keep the environment grounded and believable rather than futuristic.\n0:00–0:03 — MYSTERIOUS OPENING: Start extremely low to the floor with a tight close-up of the woman's chunky white sneakers. Her legs are crossed awkwardly as she sits or crouches against the wall. Slowly tilt upward to reveal her pink shirt, plaid skirt, colorful pigtails, and tense face. She looks frightened, exhausted, and cornered.\n0:03–0:07 — THE BULLIES APPROACH: Cut to a low POV from approximately her seated position. Four uniformed young men stand over her, laughing and looking down confidently. The center student holds the bright blue bucket. Use a slightly wide lens so the men appear imposing from the low perspective. They move closer as though preparing to humiliate her.\n0:07–0:10 — POWER AWAKENS: Suddenly, an intense purple-magenta supernatural energy begins glowing around both of the woman's fists. The energy looks volumetric and physical: brilliant violet cores, magenta edges, glowing particles, tiny electrical arcs, sparks, and smoky energy trails. Purple light realistically illuminates her hands, skirt, legs, floor tiles, walls, and nearby characters.\nShe abruptly rises.\nThe boys' expressions instantly change from amusement to shock.\n0:10–0:14 — FIRST STRIKE: Use a dramatic close tracking shot as she lunges toward the closest student and throws a powerful glowing punch.\nAt the instant of impact, her fist leaves a long purple energy trail through the air.\nThe glowing fist connects with his face in stylized slow motion. His cheek and hair react naturally to the force while purple sparks explode outward from the contact point. Use subtle camera shake and a short speed ramp at impact.\nNo blood or graphic injury.\n0:14–0:17 — BUCKET ATTACK: Another student swings or throws the blue plastic bucket toward her.\nShe reacts immediately, striking or deflecting it with her glowing fist. The bucket violently changes direction and flies across the restroom.\nThe supernatural impact sends a visible pressure wave through the room.\n0:17–0:20 — ENVIRONMENTAL DESTRUCTION: The flying opponent or bucket crashes into the restroom stalls. A gray stall partition fractures dramatically. Tiles crack, dust bursts into the air, fragments scatter across the floor, and pieces of the partition collapse.\nUse realistic debris physics, dust clouds, tiny fragments, and reactive camera shake.\nShe remains in the foreground with both fists glowing intensely.",
|
||
"sourceId": "seedance",
|
||
"credit": "@sipteaandcoffee",
|
||
"sourceUrl": "https://x.com/sipteaandcoffee/status/2105973783597350946"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-cinematic-ultra-realistic-17-second-live-action-food-sequence-showing-6c9fa0508f22",
|
||
"title": "乡村厨房蒜香炒青菜的制作过程",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-2-5-create-a-cinematic-ultra-realistic-17-second-live-action-food-sequence-showin.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic, ultra-realistic 17-second live-action food sequence showing the complete preparation of glossy stir-fried Chinese greens in a warm, rustic home kitchen. Begin with an overhead close-up of fresh leafy greens being washed thoroughly in a large ceramic bowl filled with water. Capture realistic water movement, droplets, crisp green leaves, and natural hand movements.\n\nTransition smoothly to a wooden cutting board as the greens are arranged and chopped into neat bite-sized pieces with a sharp kitchen knife. Show detailed vegetable textures, realistic knife movement, and small pieces falling naturally onto the board.\n\nCut to a black wok heating over a strong blue gas flame. Add sliced garlic and the chopped greens into the hot wok. Capture the sizzling oil, rising steam, subtle smoke, and realistic heat reactions as the vegetables begin to soften while maintaining their vibrant green color.\n\nUse dynamic close-ups as the greens are tossed and stirred repeatedly with a metal spatula. Show glossy oil coating the stems and leaves, garlic pieces moving naturally through the wok, and authentic cooking physics. Include a wider cinematic shot revealing the cook working in the warm, lived-in kitchen.\n\nEnd with a beautiful macro close-up of the finished stir-fried greens arranged neatly on a white ceramic plate, topped with golden garlic slices and surrounded by a light glossy sauce. Slowly push the camera toward the dish as steam rises gently and the fresh green texture catches the warm kitchen light.\n\nUltra-photorealistic cinematic live-action food commercial, authentic Asian home cooking, realistic human hands, fresh leafy greens, detailed vegetable textures, natural water droplets, sharp knife movement, sizzling wok, blue gas flame, realistic steam and heat, glossy vegetables, garlic slices, physically accurate cooking physics, warm rustic kitchen lighting, wooden surfaces, macro food photography, shallow depth of field, smooth camera movement, overhead shots, close-ups, natural motion, subtle film grain, appetizing presentation, 17 seconds, vertical 9:16, no text, no logos, no watermark, no cartoon look, no plastic CGI appearance, no distorted hands, no artificial food textures.",
|
||
"sourceId": "seedance",
|
||
"credit": "@aynellex",
|
||
"sourceUrl": "https://x.com/aynellex/status/2105869869216342141"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-short-film-46-sec-16-9-photorealistic-hollywood-sci-fi-action-dys-dae506414152",
|
||
"title": "末日公路女骑士逃离外星战舰",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/b48c78c785ba.jpg",
|
||
"mode": "video",
|
||
"prompt": "CINEMATIC SHORT FILM, 46 sec, 16:9, photorealistic Hollywood sci-fi action, dystopian highway apocalypse. Cold steel-grey sky, burning orange explosions, volumetric god rays, anamorphic lens, film grain. HERO: muscular woman, curly dark hair, olive tank top, black jeans and boots, fierce expression. BIKE: matte-black futuristic armored motorcycle, twin fat front wheels, white glowing headlights, mounted cannon.\n\n1 (0-2s): Low-angle front tracking, hero races toward camera on a wrecked highway, burning car and black smoke behind.\n2 (2-4s): Side-front tracking, bike leans through a curve under an overpass, headlights flaring.\n3 (5-6s): Extreme close-up of the bike's armored cannon and engine, her hand on the handlebar, motion blur.\n4 (7-9s): Tight close-up of her face low over the bike, intense eyes, wind-blown curls, shallow depth of field.\n5 (10-11s): Wide low-angle, giant black alien warship over the highway fires an orange beam, ground explosion.\n6 (12-14s): Huge fireball erupts, hero's tiny silhouette speeds away, yellow car blurs past.\n7 (15-16s): Side close-up, hero crouched on the bike, engulfed in orange fire and smoke.\n8 (17-18s): Ground-level shot of rusted abandoned cars, open doors, a boot flies through the frame.\n9 (19-21s): Blonde woman in black leather jacket aims a heavy sci-fi rifle at camera, burning wreckage behind.\n10 (22-23s): Frontal tracking, hero bursts out from under a dark overpass, smoke columns behind.\n11 (24-26s): Driver POV down the highway, collapsed overpass and debris ahead, lone black car in the lane.\n12 (27-28s): Wide side shot, bike launches off a broken concrete slab, front wheel high.\n13 (29-33s): Slow-motion low-angle, hero and bike airborne against dramatic clouds and god rays, red taillight glowing.\n14 (34-36s): Close-up, rear wheel hits a broken slab and explodes in a fireball, sparks and debris, slow motion.\n15 (37-38s): Wide ground-level, debris-covered highway, overturned burning car, tiny hero falling through the sky.\n16 (39-42s): Hero lands and skids into a low crouch, one knee and hand down, fire behind her.\n17 (43-46s): Medium close-up, she rises, fierce eyes, wall of orange fire exploding behind her, freeze on hero pose.\n\nMOTION: fast tracking, whip pans, slow-motion airborne beat, handheld shake on explosions, realistic physics, consistent character and bike design.\n\nNEGATIVE PROMPT: cartoon, anime, CGI look, plastic skin, deformed face, bad hands, extra limbs, extra wheels, changing bike design, inconsistent character, blurry, low resolution, flicker, morphing, warped anatomy, text, subtitles, watermark, logo, oversaturated, duplicate characters, unnatural motion\n\n#AIVideo #AIArt #AIFilm #CinematicAI #SciFi #ActionScene #Midjourney #GenerativeAI",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2104789066562547945"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-ultra-realistic-cinematic-rap-music-video-featuring-a-confident-young-8cad375cc1ea",
|
||
"title": "韩国女歌手跨场景舞台说唱",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/bb9a4f80c61a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a ultra-realistic cinematic rap music video featuring a confident young Korean woman in her early 20s with long dark-brown hair tied in a high ponytail. She wears a black cropped jacket, fitted white top, dark cargo pants, black sneakers, silver earrings, and a black wristwatch.\n\nOpen backstage at a massive concert venue as she walks toward the stage, headphones around her neck, surrounded by lights, equipment and crew. Cut to her performing confidently under intense stage lights as a huge crowd raises phones and reacts to the beat.\n\nTransition through multiple visually distinct locations: a rainy neon-lit city street, an elevated runway surrounded by skyscrapers, a sunlit grassy field, an atmospheric old street at night, and a futuristic concert stage. Keep her character, face, hairstyle and overall styling consistent while naturally adapting her outfit to each environment.\n\nShow energetic performance shots, confident walking, close-ups of her eyes and expressions, rhythmic hand gestures, slow-motion hair movement, dramatic low-angle shots, wide crowd shots, and smooth cinematic camera movements synchronized with the rap beat.\n\nUse hard cuts, match cuts, whip pans, low-angle tracking shots, handheld performance footage, subtle slow motion, realistic lens flares and dynamic lighting. Build toward a final wide shot of her performing onstage as thousands of phone lights illuminate the audience.\n\nUltra-realistic live-action quality, authentic skin texture, realistic fabric and hair physics, detailed environments, cinematic depth of field, natural motion blur, high-end music-video cinematography, energetic rap atmosphere.\n\nAudio: original energetic rap beat, deep bass, crisp drums, atmospheric synths, crowd chants and natural stage ambience. No narration, no subtitles, no logos, no watermark, no cartoon or CGI appearance.\n\nMade on Higgsfield",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2104412786570981576"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-31-second-ultra-realistic-cinematic-action-sequence-set-in-a-destroyed-230c67b382c9",
|
||
"title": "机械翼女英雄决战巨兽",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/a2a7550bd21d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 31-second ultra-realistic cinematic action sequence set in a destroyed modern city, featuring a powerful female superhero in a sleek black futuristic armored suit with glowing red details, running through a city street as a massive explosion erupts behind her, then transition into a dark urban passage where she moves at high speed with dramatic camera tracking, powerful mechanical wings emerging from her armor as she prepares for battle, followed by intense close-up shots of her fighting a huge monstrous creature with glowing red eyes and massive strength, show fast aerial movements, powerful punches, kicks, sparks, smoke, flying debris and realistic impact effects, then capture her flying through the city with large black mechanical wings glowing with red energy before landing dramatically on the damaged road, maintain consistent character appearance, armor design, face, wings and creature throughout the entire video, with dark blue cinematic lighting, red highlights, realistic destruction, dynamic camera movement, dramatic slow motion moments, detailed textures, volumetric smoke, cinematic depth of field and high-end Hollywood-style visual effects, ending with the superhero standing firmly in the destroyed city as smoke and debris move around her.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2104390191352103147"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-0-3-5s-keep-the-girl-in-the-exact-same-position-pose-movement-camera-angle-485cd1ba6c76",
|
||
"title": "金翼少女与钢铁侠的高空交锋",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/432fa1f0c6d9.jpg",
|
||
"mode": "video",
|
||
"prompt": "VIDEO-TO-VIDEO — USE THE PROVIDED VIDEO AS THE EXACT MOTION/SHOT REFERENCE.\n\n0–3.5s: Keep the girl in the exact same position, pose, movement, camera angle and background; she is climbing/holding the structure while golden energy/wings appear behind her. Replace ONLY her identity/appearance with the supplied GIRL REFERENCE IMAGE.\n\n3.5–5.5s: Iron Man appears exactly as in the reference video — same armor, face, proportions, flight pose, camera angle and movement. DO NOT change Iron Man.\n\n5.5–8.5s: Return to the girl; preserve the exact original body position, facial direction, movement, environment and golden energy. Change ONLY the girl's identity to the supplied reference image.\n\n8.5–12s: Girl falls/floats through the sky exactly like the original video, with the same wings, body motion, camera movement, scale and background.\n\n12–15s: Girl moves/falls beside the structure exactly as shown; preserve all motion, perspective, lighting and golden effects.\n\n15–18s: Close shot of the armored character/girl moving onto the structure; preserve the exact original action, framing and camera movement, replacing only the girl's identity.\n\n18–20.5s: Final hero shot — girl stands exactly like the original, same golden wings, armor, pose, environment, lighting and camera framing; ONLY her face/identity/appearance comes from the supplied GIRL REFERENCE IMAGE.\n\nIRON MAN: absolute character lock — same identity, armor, face, proportions, colors, movement and appearance throughout.\nGIRL: replace ONLY with the supplied reference image while preserving original pose, body motion, clothing/armor structure, wings and scene.\nNO new actions, NO changed camera, NO scene changes, NO reverse motion, NO U-turn, NO 180° flip, NO camera flip, NO text, NO logos, NO extra characters.\nCinematic realistic quality, seamless frame-to-frame continuity.",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2103734886511128914"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-young-east-asian-woman-in-a-dark-maroon-camisole-matching-detached-sleeves-an-25cf0ab044b1",
|
||
"title": "触碰碎晶的厨房幻变",
|
||
"description": "过程变身蒙太奇",
|
||
"image": "https://media.goodcase.ai/cases/24bce42db365.jpg",
|
||
"mode": "video",
|
||
"prompt": "A young East Asian woman in a dark maroon camisole matching detached sleeves and black cargo pants stands in a bright modern kitchen As she touches objects like a ceramic mug a metal kettle the wooden dining table shelves and the view outside the window each item shatters and transforms into dynamic crystal particles The room around her dissolves and shifts into a sleek minimalist industrial loft space featuring exposed concrete walls, large windows overlooking a bright coastal city harbor and professional video production equipment set up around her. Cinematic warm sunlight streams through the window highlighting floating dust and sparkling glass fragments in the air captured with smooth camera movements and a soft focus depth of field.",
|
||
"category": "process-transformation-montage",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2100431886543978896"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-photorealistic-film-still-of-a-young-east-asian-woman-with-long-strai-ac7663c201b5",
|
||
"title": "废墟教室里的末日少女",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/ddc3cc02abd6.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic photorealistic film still of a young East Asian woman with long straight black hair, cracked round wire-rim glasses, dirty face with orange soup stains, wearing a stained oversized olive green military jacket over a messy white collared shirt and dark clothes, sitting at a rusty wooden desk in an abandoned dilapidated classroom with peeling walls, broken ceiling, chalkboard drawings of schoolgirls behind her, holding a glass laboratory beaker filled with chunky orange tomato soup and greens, melancholic distant expression, looking slightly to the side, golden hour sunlight streaming through torn white fabric hanging over large broken windows, plants growing inside the ruined building, dusty atmospheric haze, shallow depth of field, moody post-apocalyptic survival aesthetic, high detail, 35mm film grain",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2099739612155621444"
|
||
},
|
||
{
|
||
"id": "seedance:zyrellix-seedance-ai-4c3d3564611d",
|
||
"title": "校园少女觉醒超能力反击霸凌者",
|
||
"description": "打斗编排",
|
||
"image": "/inspiration-thumbs/seedance/zyrellix-seedance-ai-4c3d3564611d.webp",
|
||
"mode": "video",
|
||
"prompt": "High-octane action sequence set in a sunny school parking lot between modern parked cars. A female high school student in a blue blazer uniform gets gang-punched and thrown to the ground by three bullies. She slowly rises from the pavement, her eyes igniting with bright cyan glowing energy while a subtle pink energy aura radiates around her body. Cinematic fast-paced hand-to-hand combat, supernatural speed, dynamic acrobatics, and martial arts kicks as she fights off her attackers. She leaps onto a car, performs an explosive superhero ground-pound landing that creates a shockwave sending attackers flying, and ends in a dramatic close-up combat stance. Ultra-realistic cinematic lighting, motion blur, fast camera tracking, 8k resolution, superhero action movie style.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2094749308587540483"
|
||
},
|
||
{
|
||
"id": "seedance:laviniavelle-seedance-ai-760bfc70f748",
|
||
"title": "九尾狐少女激战仓库佣兵",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/083316cac7e7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Live-action anime-style hybrid fox girl Kitsune Gumiho warrior with long blonde pigtails realistic fox ears, claws, and nine large, bushy, light orange and white fluffy tails She is wearing a modern Japanese school uniform with a white short sleeved collared shirt, dark green pleated skirt, red tie tactical shoulder straps, fingerless gloves, and high top sneakers Dynamic fast-paced martial arts fight sequence inside a gritty, dimly lit industrial warehouse filled with concrete pillars, wooden pallets, and volumetric skylight beams. She dodges strikes and spin kicks against heavily armored mercenary thugs and a giant muscular brute boss, using her tails for balance and sweeping attacks Cinematic camera angles dynamic action cuts low-angle shots, motion blur during combat, realistic textures, photorealistic CGI action scene Unreal Engine 5 render 8k resolution.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2094609588142379101"
|
||
},
|
||
{
|
||
"id": "seedance:zyrellix-seedance-ai-b83a3b47ae61",
|
||
"title": "从雨巷涟漪到极光之眼",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/media/poster/zyrellix-seedance-ai-b83a3b47ae61.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a completely original, hyper-realistic cinematic video sequence with one continuous, immersive camera journey connecting every environment through creative visual transformations.The sequence begins with an extreme macro close-up of wet asphalt in a quiet dark urban alley at night. Soft glowing neon lights reflect across the rain-covered pavement. A single raindrop falls into a shallow puddle, creating perfectly visible circular ripples. The camera rapidly pushes directly toward the center of the ripple, and the liquid surface organically transforms into the next environment.The camera emerges into a magnificent grand ballroom illuminated by elegant warm chandeliers. Numerous couples move naturally across the spacious ballroom floor in sophisticated formal clothing. The camera smoothly glides between the dancers and gradually focuses on an elegant woman. She naturally turns toward the camera. The camera moves closer and closer to her eye, then pushes directly into the pupil, using the eye as the transition point.Inside the pupil, the scene transforms seamlessly into a vast open desert under dramatic natural light. Endless golden sand dunes extend toward the horizon. A gigantic naturally formed quartz crystal rises from the dunes, catching sunlight and producing intricate realistic refractions. The camera moves directly toward the crystal and passes through its geometric internal structure, following the refracted light.The refracted light seamlessly becomes the reflection on a cracked smartphone screen. The smartphone is lying face-up on wet street pavement. The camera continues through the reflected surface and then suddenly tilts upward, following distorted building reflections from the wet surroundings toward the glass facade of a towering modern skyscraper.\nThe camera continues rising smoothly along the skyscraper's reflective glass surface until it reaches the top. The camera looks upward into the open sky, and the sky gradually transforms into a deep underwater perspective looking upward toward shimmering rays of sunlight penetrating the dark blue ocean.Two enormous humpback whales swim gracefully through the deep water, creating a majestic sense of scale. One whale makes a powerful natural movement with its tail, sending a wave-like motion through the surrounding water. That moving water gradually transforms into thick freezing fog rolling across an enormous icy frozen lake.The frozen lake is surrounded by a vast dark landscape beneath a clear star-filled night sky. Bright green aurora lights begin dancing naturally across the distant horizon. The aurora becomes increasingly fluid and concentrated, with its glowing green patterns slowly converging toward the camera.The swirling aurora seamlessly transforms into the glowing green iris of a realistic human eye. The camera is extremely close to the eye at first. The iris gradually and naturally transitions from vivid green into a subtle blue-hazel color. The camera slowly pulls backward, revealing more of the eye and surrounding face. The eye remains calm and natural, then gently blinks once, creating a peaceful cinematic ending.Maintain the exact scene progression and visual story from beginning to end. Every transition must feel continuous, intentional, fluid, and visually connected. Preserve the key visual elements: wet neon pavement, raindrop ripple, grand ballroom, elegant woman, eye transition, desert dunes, giant quartz crystal, cracked smartphone, towering glass skyscraper, underwater whales, icy frozen lake, green aurora, and the final blue-hazel eye.Use completely original visual compositions and environments. Do not imitate or recreate any specific existing movie, advertisement, music video, commercial, artwork, character, celebrity, or recognizable copyrighted scene. No logos, brands, famous characters, celebrity likenesses, or recognizable intellectual-property elements.\nVisual style: hyper-realistic cinematic photography, physically realistic environments, natural human appearance, realistic water and atmospheric effects, detailed textures, sophisticated lighting, volumetric illumination, realistic reflections, cinematic depth of field, macro photography, smooth camera choreography, seamless optical transformations, immersive scale, high-end cinematic production quality, ultra-detailed 8K-quality visuals.Avoid abrupt cuts, distorted anatomy, unnatural faces, duplicated subjects, text, logos, watermarks, recognizable copyrighted imagery, or copied visual compositions.\n\n#polloai",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2094267571943932216"
|
||
},
|
||
{
|
||
"id": "seedance:hustlexr-seedance-ai-23a0d0b1e1ff",
|
||
"title": "韩国女子雨雪漫游伦敦巴黎莫斯科",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/61f7d74461b9.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with Seedance 2.5\n\nPrompt ⬇️\n\nULTRA-REALISTIC PHONE FOOTAGE\n\nOne adult Korean woman, same recognizable face, skin tone, body proportions and gold hoop earrings throughout. Real skin pores, natural blinking, believable expressions and consistent identity. She personally films herself with a smartphone. No beauty filter, CGI, plastic skin or cinematic over-processing.\n\nCAMERA: authentic handheld phone footage, slight arm movement, natural walking shake, autofocus shifts, exposure changes, realistic phone HDR and mild compression. Fast but understandable editing. Every city must be immediately recognizable.\n\n00:00–00:05 — LONDON 🇬🇧\n\n0:00–0:02.5 — Rainy Soho street. Selfie shot. She walks under a clear umbrella wearing a dark olive raincoat, grey knit, burgundy scarf, black skirt, tights and burgundy boots. Wet pavement, red double-decker bus and classic London architecture behind her. She smiles:\n\n“London is freezing today!”\n\n0:02.5–0:05 — She quickly turns the phone away from herself. A clean upward tilt reveals Big Ben and Westminster through the rain. She briefly points toward it. A torn blue-grey paper sheet naturally sweeps across the lens.\n\n00:05–00:10 — PARIS 🇫🇷\n\n0:05–0:07.5 — The paper tear reveals nighttime Paris. She is now wearing a beige open trench coat, cream knit, silk scarf, black trousers and burgundy ankle boots, hair in a high messy bun. She walks past warm cafés carrying a fresh crêpe, takes one bite and smiles:\n\n“Paris at night… wow.”\n\n0:07.5–0:10 — She immediately turns the phone upward, revealing the Eiffel Tower fully illuminated against the night sky. The tower lights sparkle naturally. A navy paper sheet quickly peels across the frame.\n\n00:10–00:15 — MOSCOW 🇷🇺\n\n0:10–0:12.5 — The paper opens onto a snowy Moscow street. She now wears a cream faux-fur coat, burgundy turtleneck, brown trousers and dark brown boots, with loose wavy hair. Snow lands naturally on her coat and hair. She holds a steaming blini, takes one bite and smiles:\n\n“Okay… this is beautiful.”\n\n0:12.5–0:15 — She turns the phone upward while snow falls, revealing Saint Basil’s Cathedral with its colorful domes. She raises her gloved hand toward the camera, laughing softly. Her hand naturally covers the lens as the recording ends.\n\nREALISM LOCK: Every transition must preserve the same woman. City-specific clothing and hairstyles change only during the paper transition. Realistic weather, food, crowds, architecture, lighting and physical movement. No duplicated people, distorted hands, floating objects, fake faces, subtitles, logos, watermarks or artificial CGI appearance.\n\nAUDIO: authentic rain, footsteps, traffic, café ambience, food-stall sounds, wind, distant voices and snowfall ambience. No background music.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@HustleXR",
|
||
"sourceUrl": "https://x.com/HustleXR/status/2092492677384437909"
|
||
},
|
||
{
|
||
"id": "seedance:zyrellix-seedance-ai-cd1e800467b5",
|
||
"title": "地中海悬崖上的茉莉橄榄香氛",
|
||
"description": "产品广告分镜",
|
||
"image": "https://media.goodcase.ai/media/poster/zyrellix-seedance-ai-cd1e800467b5.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic 3D product commercial for a luxury fragrance set against a sun-drenched Mediterranean coastal cliff overlooking vibrant turquoise water, hyper-realistic, 8k resolution, photorealistic lighting, ray-traced glass reflections, shot on 35mm anamorphic lens, 60fps smooth action: Extreme macro shot starting on the thick clear glass base of a square fragrance bottle with light refracting across stone, smooth tilt-up to reveal the pale green liquid inside, the silver metallic Medusa seal centered on the front, and the silver engraved cap. Small white jasmine blossoms and olive leaves frame the bottle on a rugged stone ledge. Dynamic cut to a close-up of green olives hanging from lush branches with glowing sunbeams piercing through against a deep blue sky. Rapid transition showing the silver bottle cap smoothly popping off into the sky, revealing the nozzle, followed by an ultra-macro shot of the nozzle spraying a fine mist of fragrance in slow motion as sunlight catches the microscopic droplets. Fast forward-zooming whip shot moving through a breezy Mediterranean olive grove, emerging out onto a high cliff ledge where the perfume sits above a shimmering ocean cove. A crystal-clear glass sphere expands and engulfs the scene with glowing green olive leaves swirling through the air around it. Final centered hero shot of the fragrance bottle sitting proudly on the sunlit stone ledge, subtle water reflections beneath it, olive branches framing the top, bright lens flare streaming from above, hyper-detailed commercial aesthetic.",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2091760321866186908"
|
||
},
|
||
{
|
||
"id": "seedance:chengzilhy-seedance-ai-a4dce9879ac5",
|
||
"title": "金发女孩被戳脸后撒娇委屈",
|
||
"description": "手机动态壁纸已经进化到这种程度了吗? 每天点亮屏幕,心情都跟着变好了。😂 右边是原视…",
|
||
"image": "https://media.goodcase.ai/cases/d8a275aaed82.jpg",
|
||
"mode": "video",
|
||
"prompt": "手机动态壁纸已经进化到这种程度了吗?\n每天点亮屏幕,心情都跟着变好了。😂\n\n右边是原视频,喜欢拿去做动态壁纸\n不只好玩,其实还能做成 AI 视频小副业!\n\nSeedance 2.5制作 \nPrompt🔽\n\n参考上传图片中的同一位成年女性角色,保持脸型、五官、浅金色长发、空气刘海、深蓝色花朵发夹、妆容与整体造型一致。\n\n生成一段 8 秒、9:16 竖屏、固定机位、一镜到底的正面超近景人物视频。\n\n整体表演:软萌、调皮、可爱、娇俏,带一点自然撒娇和假装委屈感。\n重点表现眼神、嘴唇、眉毛、脸颊和轻微头部跟随产生的真实微表情。\n0–1.5 秒\n\n女主正视镜头,神态柔和可爱,嘴唇自然微张后轻轻合拢。\n伴随呼吸,头部和下巴产生极小幅自然移动。\n\n1.5–3.7 秒\n眼睛先慢慢向画面左侧移动,偷偷侧瞄旁边。\n头部稍晚才向同方向轻微跟随,移动幅度明显小于眼神,形成调皮、偷偷观察的感觉。\n\n3.7–4.6 秒\n\n自然完成一次双眼眨眼。\n视线重新回到镜头,头部同时轻轻回正,恢复软萌自然的表情。\n4.6–5.2 秒\n\n眼睛先向下看,下巴随后轻微降低。\n一只手从画面右下方自然进入,食指缓慢靠近画面右侧脸颊。\n女主观察手指,嘴唇开始轻轻向前收拢。\n\n5.2–6.6 秒\n食指轻轻按压脸颊,脸颊产生真实柔软的轻微凹陷。\n接触瞬间女主双眼短暂眯起,头部顺着触碰产生极轻微的受力让位和侧倾。\n\n随后重新睁眼看向镜头:\n\n眉头轻轻收拢 + 下唇微微鼓起 + 嘴角轻微向下\n形成调皮可爱、撒娇式的假装委屈表情。\n6.6–8 秒\n\n食指离开脸颊,脸颊自然回弹,头部轻轻回正。\n\n委屈表情连续释放:\n嘴唇放松 → 眉头舒展 → 自然快速眨一次双眼。\n\n最后重新正视镜头,嘴唇轻轻微张,恢复甜甜、软萌、略带调皮感的自然表情。",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@Chengzilhy",
|
||
"sourceUrl": "https://x.com/Chengzilhy/status/2091477403239596328"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-91732a69f379",
|
||
"title": "河狸与猩猩的水果大战",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-made-with-seedance-2-91732a69f379.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic high-quality 3D animated short film set in a beautiful sunlit forest meadow, featuring two adorable anthropomorphic animal characters: a small fluffy brown beaver-like creature with big expressive eyes, a tiny tuft of hair, soft rounded body, and a dark furry gorilla-like companion.\n\nScene 1 — Peaceful Beginning:\nWide cinematic shot of the two cute animals sitting together on lush green grass in a bright forest. The small brown animal happily eats a banana while the dark gorilla-like character watches beside him. Warm golden sunlight filters through the trees, soft depth of field, floating dust particles, beautiful colorful environment.\n\nScene 2 — Funny Reaction:\nCut to an extreme close-up of the brown character's face. His expression suddenly changes from happy to suspicious and annoyed. Use exaggerated cartoon facial animation, expressive eyes, subtle head movement, detailed soft fur, cinematic shallow depth of field.\n\nScene 3 — Emotional Gorilla:\nExtreme close-up of the gorilla-like character with enormous expressive eyes. Tears begin streaming down his face in an exaggerated but adorable emotional reaction. His eyes reflect the surrounding forest and sunlight. Make the moment funny, cute, and emotionally expressive.\n\nScene 4 — Argument:\nMedium-wide shot of both characters sitting in the meadow. The brown animal becomes angry, his cheeks turning red, while the gorilla reacts dramatically. Exaggerated facial expressions and body language, playful comedy, smooth character animation.\n\nScene 5 — Wooden Bat:\nClose-up of a large wooden stick/bat entering the frame. The brown character grabs it with determination while the gorilla looks shocked. Use a comedic action-movie style camera push-in and dramatic timing.\n\nScene 6 — Chase/Fight:\nDynamic wide shot as the two characters run and playfully fight across the grassy meadow. The brown animal swings the wooden stick while the gorilla dodges and reacts dramatically. Fast but smooth camera movement, comedic choreography, expressive faces, flying grass particles, cinematic motion blur.\n\nScene 7 — Calm After Chaos:\nClose-up of the brown character looking directly toward the camera with a cute, slightly mischievous expression. His expression gradually changes into a happy smile. Warm sunlight creates a beautiful glowing rim light around his fur.\n\nScene 8 — Fruit Discovery:\nWide shot near a large tree. The small animal discovers a colorful pile of fresh fruit and happily sits down beside it. Apples, peaches, grapes and other colorful fruits fill the foreground. Soft sunlight and dreamy forest background.\n\nScene 9 — Hero Fruit Shot:\nCinematic close-up of the adorable brown character sitting among the colorful fruit, smiling directly at the camera. Bright blue sky, lush green trees, vibrant fruit colors, soft golden sunlight, highly detailed realistic fur, polished animated-film quality.\n\nScene 10 — Grand Finale:\nEpic wide cinematic shot of a large group of cute forest animals gathered together around a huge colorful fruit display. Rabbits, small mammals, bears and other adorable animals celebrate together in a joyful festival atmosphere. Colorful fireworks explode in the sky above the forest. Include a festive vertical red banner with Chinese-style celebratory writing in the center. Everyone looks happy and excited.\n\nVisual Style:\nPremium cinematic 3D animation, adorable character design, realistic soft fur, expressive oversized eyes, Pixar-quality feel, vibrant colors, warm natural sunlight, global illumination, realistic shadows, shallow depth of field, detailed environments, smooth facial animation, exaggerated comedic expressions, polished movie-quality rendering.\n\nCamera:\nUse cinematic establishing shots, extreme close-ups, medium shots, tracking shots, slow push-ins, dynamic action camera movement and smooth transitions. Maintain consistent character appearance throughout every scene.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2105256819623129130"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-realistic-funny-heartwarming-handheld-phone-video-of-a-real-looking-2ef2ca810aff",
|
||
"title": "乌鸦拥抱灰猫后结伴同行",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/493560c6a359.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a realistic, funny, heartwarming handheld phone video of a real-looking black crow and a realistic fluffy gray cat inside a simple apartment hallway.\n\nThe gray cat wears a small pink bow attached naturally to the top of her head. The bow stays securely in place throughout the entire video.\n\n0–3 sec:\nThe crow stands in the middle of the hallway, looking around naturally. The gray cat appears in the distance and notices the crow. She immediately runs toward him with excited, playful energy.\n\n3–6 sec:\nThe cat reaches the crow. The crow turns toward her and gently spreads both wings around the cat, creating the appearance of a sweet little hug. The cat leans into the crow affectionately. Their interaction should feel spontaneous and physically believable.\n\n6–10 sec:\nAfter the hug, the crow starts walking forward down the hallway while the gray cat walks closely beside him. They move together like an unlikely little pair of friends. The crow occasionally looks toward the cat while walking.\n\n10–12 sec:\nThe cat briefly looks up at the crow, then they continue walking away together.\n\nVisual style\n\nExtremely realistic animals\n\nReal crow anatomy, feathers, feet and beak\n\nRealistic fluffy gray cat fur and natural movement\n\nSmall pink bow on the cat's head\n\nOrdinary apartment hallway\n\nHandheld smartphone camera\n\nSlight camera shake and imperfect framing\n\nNatural indoor lighting\n\nSlightly compressed, 144p/low-quality viral social-media video aesthetic\n\nMild motion blur and phone-camera autofocus\n\nNo cinematic color grading\n\nNo CGI appearance\n\nNo cartoon look\n\nNo exaggerated facial expressions\n\nNo human hands\n\nKeep the animals anatomically realistic while making the hug physically believable\n\nSpontaneous, funny, wholesome internet-video feeling\n\nSingle continuous shot, no cuts or transitions",
|
||
"sourceId": "seedance",
|
||
"credit": "@soulful__ai",
|
||
"sourceUrl": "https://x.com/soulful__ai/status/2103056454395855115"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-16-9-widescreen-30-seconds-dola-continuous-engine-f6be640f9715",
|
||
"title": "餐桌甜点世界里的迷你女子",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/076ab7ec2e3c.jpg",
|
||
"mode": "video",
|
||
"prompt": "16:9 widescreen, 30 seconds, Dola Continuous Engine.\nSTYLE LOCK: Inspired by classic late-1960s Irwin Allen television production \"Land of the Giants\". Authentic 1968 television aesthetic. Practical miniature sets. Optical compositing. Slight matte-line separation between actress and background. Rear-projection feel. Eastmancolor television colors: warm skin, saturated red and yellow, slightly cyan shadows. Soft image sharpness. Mild film grain. Analog broadcast texture. Vintage studio lighting: one hard key from upper left, warm fill from the right, no rim light. Camera: static wide shots and slow television zoom lens only. No handheld. No modern lens flare.\nCHARACTER LOCK: @[Image 1](image_1) is the only person. She remains identical in every frame: 1960s Korean mini dress with [sleeve and neckline classic 1960s makeup with winged liner and pale pink lips, white heels. Dress, hair, makeup and shoes never change .\nSETTING LOCK: an enormous 1960s dining table seen from her scale; she is the size of a salt shaker. White tablecloth hanging from the edge to the floor in long vertical folds. On the tabletop from left to right: a tall glass of milk with condensation beads, a giant slice of chocolate layer cake with thick frosting and a single lit birthday candle, a large silver spoon and fork crossed beside it, a bowl of vanilla ice cream with one huge cherry on top, a folded white napkin. Warm wooden tabletop. Pale yellow wall in the background. Props are practical scale with slightly soft edges.\n0–4 seconds:\nStatic wide from floor level. The tiny woman climbs the hanging tablecloth, gripping the folds with both hands, one heel finding a fold below her. The cloth sways slightly under her weight. She looks up toward the table edge.\n4–7 seconds:\nSlow zoom in as she pulls herself over the edge, kneels, then stands upright on the tabletop. Her eyes widen and her mouth opens, gaze drawn toward the flickering candle flame on the cake. Her hands stay half raised.\n7–11 seconds:\nStatic wide from behind her at her eye level. The dessert spread stretches across the table like a city skyline: the cake slice looms like a frosted mountain, the candle flame taller than she is, the milk glass glowing like a white tower, the spoon lying across the foreground like a bridge.\n11–15 seconds:\nShe walks toward the cake, heels tapping the tabletop. Thick ridges of frosting drip down its side. The lit candle flickers above, casting warm moving light across her face. She touches the frosting edge with one hand and looks up along the flame.\n15–19 seconds:\nShe climbs onto the cake's bottom layer, sits, scoops a bit of frosting with both hands, smiles, tastes it, licks her fingers, and looks left and right. Medium shot, slow zoom in to her face, candlelight flickering warmly on her skin.\n19–23 seconds:\nShe stands and walks farther across the tabletop, stepping around the giant cherry from the ice cream bowl, passing between the spoon and the napkin. Static wide, then a slow pan following her.\n23–26 seconds:\nShe stops beside the milk glass, looks up along the tall glass, and laughs with one hand resting on it. Condensation beads glisten and catch the light on her face.\n26–28 seconds:\nA massive shadow sweeps across the tabletop from the right and covers the milk glass and the cake. Her laugh stops. She lowers her hand and turns to face the right side of frame.\n28–30 seconds:\nHOLD. Camera fully static medium-wide shot. She stands facing screen right, feet together, right hand half raised at chest height, left hand at her side. The milk glass directly at her left, the cake slice behind her, the shadow across the whole tabletop. Her face is turned to the right, not yet tilted upward. Nothing moves for two full seconds.\nAudio\nCheerful 1960s adventure television music, playful brass and strings. At 26 seconds the music thins to one held string note that continues to the end, with a faint fading birthday-music-box",
|
||
"sourceId": "seedance",
|
||
"credit": "@oggii_0",
|
||
"sourceUrl": "https://x.com/oggii_0/status/2100474286599500015"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-810bf41bfd44",
|
||
"title": "男孩与幼龙的热带奇遇",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/275cccb1d045.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \n Create a cinematic, high-quality 3D animated fantasy adventure scene in a lush tropical jungle near a beautiful tropical coastline. A cute young boy with messy dark hair and a small white baby dragon are playing together on giant green leaves, with the baby dragon holding a woven ball. Suddenly, a huge majestic green-and-gold dragon appears and flies overhead, creating a sense of excitement and danger. The boy runs through the jungle while the giant dragon follows him. He eventually hides inside a rocky cave with the little white dragon, both looking nervous as the enormous dragon approaches the cave entrance.\n\nThe scene then shifts into a magical emotional moment: the giant dragon is revealed to be friendly, carrying the adorable white dragon on its back. The boy comes out of the cave and happily interacts with the dragons. End with the boy and the baby dragon sitting together beside a colorful round fruit on the sandy beach, smiling peacefully, while the majestic dragons stand in the background near the ocean.\n\nStyle: premium cinematic 3D animation, adorable expressive characters, Disney/Pixar-inspired fantasy aesthetic, detailed dragon scales and fur, vibrant tropical vegetation, dramatic sunlight, realistic shadows, beautiful blue sky, cinematic depth of field, smooth character animation, dynamic camera movements, emotional storytelling, highly detailed environment, polished movie-quality rendering, 16:9, 4K....",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@aaassa120",
|
||
"sourceUrl": "https://x.com/aaassa120/status/2098468425421259070"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-cinematic-american-county-fair-vlog-fol-91dbd461f973",
|
||
"title": "夏夜乡村集市烟火漫游",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/bd4c4dca3cf7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic cinematic American county-fair vlog following a young American woman through a warm summer evening. Start with her entering a small rural fair as golden light fades, then riding the Ferris wheel, sharing a fresh funnel cake, trying a ring-toss game, wandering through families and local vendors, listening to a live country band, and watching fireworks light up the night.\n\nMake the fair feel genuinely local and lived-in, with dusty paths, pickup trucks, food stalls, wooden booths, string lights, children, families, farmland and glowing carnival rides. Maintain identical character appearance and clothing throughout.\n\nUse realistic handheld 2026 vlog cinematography, natural expressions, subtle camera movement, authentic evening lighting, realistic crowd behavior and physically accurate motion. Capture detailed food, snow-like powdered sugar, ride mechanics, thrown rings, fireworks, drifting smoke, wind and reflections.\n\nUse only natural fairground audio and live music with short, synchronized American English dialogue. No narration, subtitles, CGI, animation, fake crowds, impossible physics, floating camera, logos or watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2097901351049294063"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-ai-slop-is-getting-a-superhero-origin-story-now-6bf9d6b99f45",
|
||
"title": "高中餐厅少女觉醒翡翠超能力",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-ai-slop-is-getting-a-superhero-origin-story-now-6bf9d6b99f45.jpg",
|
||
"mode": "video",
|
||
"prompt": "AI slop is getting a superhero origin story now\n\nOne cafeteria incident and suddenly she unlocked emerald powers 🙀\n\nSeedance 2.5 on @lovart_ai\n\nPrompt ↓\n\nCreate a cinematic, photorealistic 30-second live-action video set inside a modern American high school cafeteria during lunch. A beautiful young female student with shoulder-length blonde hair, wearing a loose gray hoodie, dark jeans, white sneakers and a black backpack, walks between crowded tables while students eat, talk and interact around her.\n\nStart with a natural medium shot of the girl walking through the busy cafeteria. Use realistic handheld camera movement, shallow depth of field, warm cinematic lighting, natural skin texture, realistic facial expressions and authentic high-school atmosphere.\n\nAs she reaches the center of the cafeteria, a male student suddenly knocks a tray from her hands. She looks down for a moment before slowly raising her palms. A mysterious emerald-green energy begins glowing around her fingers. Tiny particles and sparks rise from the floor as a supernatural aura develops around her body.\n\nTransition smoothly into an intense superhero-style action sequence. The male student charges toward her, but she quickly sidesteps and moves behind him with extraordinary speed. She performs a series of precise martial-arts-inspired strikes, powerful kicks and rapid defensive movements while green energy follows her hands and feet.\n\nUse cinematic slow motion during the strongest impact, followed by rapid handheld cuts. Students quickly leave their tables and move toward the cafeteria walls. Chairs slide across the floor while trays and cups fall naturally. Emerald light reflects realistically across tables, windows and characters, with subtle volumetric lighting, dust, sparks and motion blur.\n\nInclude a dramatic moment where the girl performs a powerful flying kick surrounded by bright emerald energy, sending the opponent backward into an empty row of tables.\n\nNear the end, silence returns to the cafeteria. The glowing energy fades away and she calmly picks up her backpack and walks toward the doors. End with a medium close-up of her face with a calm, confident expression.\n\nVisual style: photorealistic Hollywood superhero movie, cinematic color grading, realistic teenage/high-school environment, detailed faces, natural skin, realistic clothing and hair physics, realistic lighting, subtle film grain, shallow depth of field, professional cinematography, dynamic camera movement, high-detail VFX, realistic particle effects, 4K cinematic quality.\n\nCamera: handheld tracking shots, medium shots, close-ups, low-angle action shots, smooth whip-pans, controlled motion blur, occasional slow motion during attacks.\n\nAspect ratio: 16:9.\nDuration: approximately 30 seconds.\nNo text, no subtitles, no logos, no watermark, no distorted faces, no extra fingers, no unnatural anatomy.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2096147092188311749"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-photorealistic-30-second-modern-korean-countryside-vlog-featuring-a-young-korea-7311510bcc86",
|
||
"title": "韩国山村的午后漫游",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-photorealistic-30-second-modern-korean-countryside-vlog-featuring-a-young-korea-7311510bcc86.jpg",
|
||
"mode": "video",
|
||
"prompt": "Photorealistic 30-second modern Korean countryside vlog featuring a young Korean woman in her mid-20s exploring a peaceful mountain village during late afternoon. She wears a loose cream knit top, olive-green jacket, beige trousers, white sneakers, and a small canvas crossbody bag. Keep her identity, hairstyle, clothing, and proportions consistent throughout.\n\nShe arrives by a small rural bus, steps off at a quiet roadside stop, and films herself saying, “Today I'm spending the day in a little mountain village.” She walks through narrow village roads, showing traditional houses, gardens, bicycles, firewood, and green mountain slopes before saying, “It’s so quiet here… I love it.”\n\nShe discovers a tiny family-run shop, greets the elderly shopkeeper, and enjoys a simple homemade Korean meal outside. She tastes the hot soup and smiles genuinely, saying, “Oh wow… this is really good.” She walks beside green fields, gently touching the plants as the wind moves through them, and says, “I could honestly stay here all day.”\n\nEnd at golden hour overlooking the village and mountains. She turns the phone toward the sunset, smiles, and says, “This was such a nice little escape. I’ll definitely come back.”\n\nAuthentic 2026 smartphone vlog aesthetic, natural handheld movement, imperfect framing, realistic autofocus and exposure changes, natural walking shake, genuine expressions, spontaneous reactions, realistic Korean village atmosphere, physically accurate human movement, clothing, hair, plants, steam, bus motion, and environmental interactions. Natural location audio only, no background music, no voice-over, no subtitles.\n\nNo CGI, no artificial faces, no beauty filters, no robotic acting, no staged posing, no cinematic-commercial perfection, no drone shots, no excessive stabilization, no changing identity, clothing, or hairstyle, no distorted anatomy, no impossible physics, no floating objects, no text, logos, or watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2095733454461907437"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-an-explosive-motion-graphics-driven-character-reveal-trailer-in-16-9-e-97abc37074ae",
|
||
"title": "蓝发街头少女极速跃动",
|
||
"description": "动漫风格锁定",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-an-explosive-motion-graphics-driven-character-reveal-trailer-in-16-9-e-97a.webp",
|
||
"mode": "video",
|
||
"prompt": "Create an explosive, motion-graphics-driven character reveal trailer in 16:9, exactly 13 distinct cuts, 60 fps. AO is a cool, composed anime streetwear girl with a chin-length vivid blue bob with messy bangs, sharp ice-blue eyes, a light-blue knit beanie, an oversized white zip-up hooded windbreaker with blue drawstrings and a blue utility pocket on the left sleeve, a white crop top, light-blue drawstring shorts with a small barcode tag, and chunky white-and-blue platform sneakers. Preserve her exact face, proportions, hairstyle, outfit, materials, accessories and colors throughout; never redesign her.\n\nThis film is 80% bold graphic design in motion and 20% character action: giant kinetic typography, hard-edged shapes, split-screens, flat color fields, barcode strips, UI ticks, halftone, speed lines and shutter flashes. Palette: ice blue, cobalt, white, silver-grey, black. Style: premium AAA motion-graphics title sequence x streetwear campaign film. Every graphic element moves fast and snaps hard on the beat.\n\nCUT 01 | 0.00–1.00s — Pure graphics: a massive cobalt circle slams onto a white field, two black bars wipe across, tiny UI ticks and a barcode strip flicker; the letters A and O punch in one after another with heavy impact shake.\n\nCUT 02 | 1.00–2.00s — The O becomes a porthole: extreme close-up of her ice-blue eye inside it, glancing up; RGB split flash, then the circle shatters into shards of flat color.\n\nCUT 03 | 2.00–3.10s — Black frame with an enormous white AO; she sprints in from frame left and power-slides across the baseline of the typography, speed lines and ice-blue streaks trailing, shards of the letters kicked up like sparks. Whip-pan out.\n\nCUT 04 | 3.10–4.00s — Split-screen triptych of flat cobalt/white/ice-blue panels; in each panel her silhouette performs a different move in stroboscopic freeze: takeoff, tuck, landing. Huge vertical text FULL SPEED scrolls behind the panels.\n\nCUT 05 | 4.00–5.10s — She leaps through a giant rotating ring of typography reading NO BRAKES NO LIMITS; camera tracks her mid-air spin in slow motion as the letters scatter, then snap-zoom on her confident face.\n\nCUT 06 | 5.10–6.00s — Hard cut: white editorial card, huge black JUMP with a cobalt slash; she vaults over the word itself, palm planted on the J, legs whipping across frame; the word compresses like a spring under her hand and rebounds.\n\nCUT 07 | 6.00–7.00s — Ice-blue field with a black diagonal stripe; she drops into a low street-dance spin and sweeps one leg across the frame, then snaps upright in three stroboscopic freeze frames, each ghost tinted in a different palette color. Giant outlined text SPIN rotates 180 degrees behind her in sync with the movement, while thin cobalt motion arcs trace her silhouette and collapse into a sharp circular graphic at the final pose.\n\nCUT 08 | 7.00–8.00s — Kinetic type barrage: the words COOL / FAST / CLEAN / BLUE slam in one per beat with shutter flashes and camera shake, while she slides on her knees across the foreground, jacket flaring, frost particles bursting from her sneakers.\n\nCUT 09 | 8.00–9.00s — Black frame, giant white wireframe grid tilting in 3D; she runs up the grid like a wall, kicks off, and hangs in the air as everything freezes; a cobalt circle stamps around her frozen pose like a target lock with UI brackets and data ticks.\n\nCUT 10 | 9.00–10.10s — Freeze releases into a burst: she dives toward camera through layered flat-color panes that shatter one by one like glass shutters, each shattering pane revealing a bigger letter of A-O; foreground wipe with her sneaker.\n\nCUT 11 | 10.10–11.10s — Rapid-fire poster montage: four full-screen graphic posters of her in different action poses (mid-flip, sliding, landing, hands-in-pockets) snap past with hard cuts, each with different bold layout, oversized numbers 01–04, barcodes and slashes.\n\nCUT 12 | 11.10–13.00s — Hero moment on a clean white cyclorama: she lands a final backflip dead center in slow motion, straightens with hands in pockets, and a shockwave of concentric cobalt rings, wind streaks and shattered typography blasts outward from her landing; brief iconic freeze with her faint confident smile, overexpose to white.\n\nCUT 13 | 13.00–15.00s — Final identity card: enormous black AO dominates a pale white field with translucent ice-blue rings, technical arcs, halftone and a rough black circular emblem containing a ghosted snow-crystal/barcode motif; she stands relaxed overlapping the letters, wind rippling her jacket; one last ice-blue pulse sweeps through the typography and a frost-ring flash punctuates the end.\n\nEDITING: Extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, RGB splits, shutter flashes, impact shakes and speed ramps. Every cut must feel compositionally different. Typography is always fully readable before the character overlaps it.\n\nNo weapons, no combat, no fire; all energy comes from motion design, wind, frost, glass and her parkour-style athleticism.\n\nBGM: Hard-hitting electronic / drum-heavy future bass with aggressive drops, risers, sub hits and glitch fills locked to every cut. Sneaker impacts, whooshes, glass shatters and typography slams are rhythmic sound-design elements. Peak at CUT 12 and end with a cold electronic logo stinger.\n\nPremium AAA quality, anime-inspired cinematic rendering, stylish and explosive, strong graphic-design identity, consistent character design, exactly 13 cuts.",
|
||
"category": "anime-style-lock",
|
||
"sourceId": "seedance",
|
||
"credit": "@ChillaiKalan__",
|
||
"sourceUrl": "https://x.com/ChillaiKalan__/status/2095005119134020059"
|
||
},
|
||
{
|
||
"id": "seedance:chillaikalan-seedance-ai-20190731dd06",
|
||
"title": "GPT Image 2 + Seedance 2.5 三十秒电影级短片",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/540ec77e9e16.jpg",
|
||
"mode": "video",
|
||
"prompt": "30-SECOND CINEMATIC SHORT\nCreate a 30-second cinematic sequence with the visual discipline of a major feature film. The world is entirely made from paper, cardboard, ink, and delicate handcrafted materials.\n00:00–00:05 — THE FIRST FOLD\nBegin with an extreme macro shot of a blank sheet of textured paper.\nA single fold slowly forms across its surface.\nLens: 100mm macro\nCamera: Completely static\nSoft daylight moves across the paper as the fold continues.\nCut precisely as the paper reaches its final shape.\n00:05–00:11 — THE CITY EMERGES\nTransition into a 50mm shot.\nThe folded paper begins forming miniature streets and architectural structures.\nBuildings rise naturally from the surface through carefully constructed paper folds.\nThe camera slowly tracks sideways.\nTiny windows catch the light.\nNothing feels computer-generated; every surface should have believable paper fibers, folds, shadows, and imperfections.\n00:11–00:17 — THE REVEAL\nMove into a 35mm shot.\nThe camera pulls backward.\nThe small arrangement is revealed as an enormous handcrafted paper city stretching across a large table.\nRoads connect different districts.\nBridges cross miniature rivers.\nPaper trees move gently from an unseen breeze.\n00:17–00:23 — MORNING\nTransition into a slow overhead crane shot.\nWarm sunlight gradually spreads across the paper city.\nShadows from the buildings become longer and more defined.\nTiny paper windows begin reflecting the sunlight.\nThe camera continues rising, revealing the geometric relationship between the streets and buildings.\n00:23–00:27 — THE DETAIL\nCut to an 85mm close-up.\nFocus on a tiny paper clock mounted on one building.\nThe clock moves forward by one minute.\nRack focus from the clock to the miniature skyline behind it.\n00:27–00:30 — FINAL IMAGE\nReturn to an extreme wide shot.\nThe entire paper city sits beneath a large studio window.\nThe morning light completely fills the miniature world.\nCamera slowly pulls backward until the city becomes a small object within the larger room.\nFade to black.\nCINEMATOGRAPHY\nLarge-format feature-film aesthetic.\n100mm macro for texture.\n85mm for detail.\n50mm for natural perspective.\n35mm for environmental shots.\nControlled dolly and crane movements.\nRealistic depth of field.\nNatural focus transitions.\nSoft motion blur.\nSubtle lens imperfections.\nNo artificial camera shake.\nMATERIAL DIRECTION\nEvery surface must visibly behave like physical paper.\nVisible paper fibers.\nNatural folds.\nTiny imperfections.\nSoft cardboard edges.\nRealistic contact shadows.\nBelievable paper thickness.\nNatural material deformation.\nLIGHTING\nSoft morning daylight.\nLarge window as the primary source.\nNatural bounce light.\nGentle shadows.\nSubtle warm highlights.\nNo artificial neon effects.\nNo excessive visual effects.\nCONTINUITY\nThe same paper city throughout the entire sequence.\nBuildings maintain identical shapes and positions.\nRoads remain connected.\nPaper materials remain consistent.\nNo random transformations.\nNo flickering.\nNo duplicated structures.\nNo sudden environmental changes.\nDIRECTOR’S NOTE\nTreat this as a miniature feature film, not a visual-effects demonstration.\nThe camera should discover the world gradually.\nStart intimate.\nReveal scale.\nReturn to detail.\nFinish wide.\nThe audience should feel that they are watching a real handcrafted world photographed with a cinema camera.\nPhotorealistic 4K • tactile materials • feature-film cinematography • sophisticated lighting • realistic miniature photography • cinematic depth • precise camera movement • seamless visual continuity.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@ChillaiKalan__",
|
||
"sourceUrl": "https://x.com/ChillaiKalan__/status/2088866007918268515"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-a-magical-3d-animated-fairy-tale-scene-featuring-a-young-girl-wearing-a-black-h-cf1194730635",
|
||
"title": "头巾女孩与小鸭兔子的月夜提灯漫游",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/2a36c8531837.jpg",
|
||
"mode": "video",
|
||
"prompt": "A magical 3D animated fairy-tale scene featuring a young girl wearing a black hijab and a beautiful vintage rose-pink dress, accompanied by a cute fluffy yellow duckling and a tiny brown rabbit. Inside a cozy cottage bedroom, moonlight shines through a round window filled with pink roses. The duckling and rabbit join the girl as she picks up a glowing lantern and opens the wooden cottage door. They walk together through a charming village under a bright full moon, surrounded by thatched-roof cottages, blooming roses, glowing fireflies, and a beautiful starry sky. The girl gently kneels beside the adorable animals near a giant magical tree with a tiny round wooden door glowing warmly from within. Cinematic camera movements, expressive characters, detailed textures, soft moonlight, warm lantern lighting, vibrant colors, whimsical fantasy atmosphere, smooth character animation, consistent character designs, high-quality Pixar-style 3D animation, enchanting storytelling, 16:9 widescreen, 4K quality.\n\n#FlovaAI #CPP",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2106604455151980846"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-9e1f21c2fdf5",
|
||
"title": "混合现实家居 Vlog 动画",
|
||
"description": "这是为 Seedance 2.0 Mini 设计的一款复杂创意提示词,将逼真的家居 V…",
|
||
"image": "https://media.goodcase.ai/media/poster/vlog-9e1f21c2fdf5.jpg",
|
||
"mode": "video",
|
||
"prompt": "【风格】真人+二维手绘混合创意短视频(Live-Action × 2D Hand-drawn Animation),竖屏9:16,真实家居实拍质感(Photorealistic Home Vlog)+ 镜中倒影为扁平赛璐璐手绘动画(Flat Cel-Shading, Clean Linework),俏皮反转,8K超清\n【时长】12秒\n【场景】明亮的现代家居客厅:浅木地板、奶白墙面,墙边立一面黑色粗框全身穿衣镜,镜旁挂一顶草帽,背景有矮柜和钢琴一角,柔和室内自然光\n【角色】主角@图片1(严格保持参考图容貌、发型与粉色连衣裙高跟鞋造型);镜中倒影为同一主角的二维手绘动画版:同脸型同发型同穿搭,扁平色块+干净线稿,动作与真人镜像同步但带轻微卡通夸张(肢体弹性、幅度放大10%)\n【规则】真人始终在镜子外的现实空间,倒影始终是手绘动画;两次身份反转时空间互换但风格规则不变;换装在节拍瞬间完成,镜内外同步换装\n\n[00:00-00:01] 镜头1:开场钩子(Hook Close-up)\n近景:主角@图片1对镜头露出狡黠一笑,侧身指向身后的穿衣镜;快速甩镜(Whip Pan)转到镜子正面。\n\n[00:01-00:04] 镜头2:镜前共舞(Mirror Duet)\n中景固定机位,画面同时容纳真人侧背影与镜面:主角穿参考图粉色连衣裙对镜起舞——指镜、侧踢、转身、摸头发卡点动作。\n镜中倒影是二维手绘版的她,同款粉裙,动作镜像同步,但每个动作末尾带一点Q弹的卡通余摆,脚下白袜配的是手绘平底鞋。\n音效:轻快流行舞曲起,鼓点与每个动作卡点。\n\n[00:04-00:05.5] 镜头3:反转一·走出镜子(Role Swap)\n节拍重音上:手绘女孩单脚迈出镜框站到现实房间前景,线稿风格保持不变,与实拍地板形成风格反差;同一瞬间真人主角出现在镜子里面,扶着镜框探头张望,一脸惊讶。\n音效:重音\"咚\"+俏皮\"啵\"的出框音。\n\n[00:05.5-00:08] 镜头4:换装二·灰调街头(Outfit Swap 2)\n再次重音,两人瞬间互回原位并同步换装:主角换灰色短款卫衣+灰色迷你裙+运动鞋(脸 and 发型不变),高马尾。\n真人与手绘倒影继续镜前共舞:扭胯、交叉步、抬膝,卡通版动作幅度更夸张,裙摆甩出弹性弧线。\n音效:节拍延续,换装瞬间配\"唰\"声。\n\n[00:08-00:11] 镜头5:换装三·奶油裙(Outfit Swap 3)\n第三次重音换装:淡黄色泡泡袖蓬蓬连衣裙+棕色短靴,双马尾。\n两人隔着镜面对拍呼应:真人叉腰摆胯,手绘版单脚跳配夸张笑脸;最后一拍两人同时定格同一姿势。\n音效:节拍推向最高点。\n\n[00:11-00:12] 镜头6:卡通收尾(2D Ending)\n手绘女孩再次跨出镜框、大步走近镜头占据前景半个画面,对镜头做一个俏皮的\"嘘\"手势并眨眼;背景镜子里真人主角笑着摆手。\n画面戛然定格收尾,不淡出。\n音效:音乐急停+一声手绘风\"叮\"。",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2080168687072379128"
|
||
},
|
||
{
|
||
"id": "seedance:ugc-f0cd0dd33284",
|
||
"title": "带有动画效果的 UGC 肉类广告",
|
||
"description": "一个极具创意的手机风格广告提示词,融合了真人实拍与卡通角色互动,适用于食品营销。",
|
||
"image": "https://media.goodcase.ai/media/poster/ugc-f0cd0dd33284.jpg",
|
||
"mode": "video",
|
||
"prompt": "A highly realistic 12-second vertical UGC-style commercial filmed on a smartphone in a bright modern kitchen. A cheerful young creator holds up a pack of fresh premium meat and says excitedly, \"You have to see how fresh this is!\" As the package is opened, a mischievous orange cartoon cat with expressive eyes quietly sneaks toward the counter while a tiny clever brown mouse pops out and grabs a small piece of meat, triggering a funny, fast-paced chase. The creator laughs naturally while seasoning and cooking the meat in a sizzling pan. Cinematic macro shots show juicy texture, bubbling juices, golden caramelization, and rising steam. The cat and mouse comically stop, mesmerized by the delicious aroma, while the creator takes a bite, smiles directly at the camera, and says, \"Now that's seriously delicious!\" End with the product pack in focus and the text: \"Fresh Taste. Every Bite.\" Ultra-realistic food details, natural handheld camera movement, authentic UGC vibe, warm daylight, soft shadows, HDR, 4K, lifelike textures, realistic physics, smooth transitions, energetic pacing, premium commercial quality.",
|
||
"category": "ugc-creator-review",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@RuzainaMeer",
|
||
"sourceUrl": "https://x.com/RuzainaMeer/status/2079141591449739775"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-1080p-ultra-realistic-early-2000s-dv-camcorder-home-video-o-50568dbba578",
|
||
"title": "首尔情侣逛街约会与电梯甜吻",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/9a9893a7d434.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic early-2000s DV camcorder home video of a young Korean couple spending a casual afternoon shopping in Seoul. The girl wears a fitted pastel pink top, cream-white pajama-style pants, white sneakers, and a small shoulder bag, with long dark hair in a loose ponytail. Her boyfriend wears a loose white T-shirt, dark jeans, and white sneakers.\n\nThey walk through shops together, share an orange ice cream, playfully feed each other, and laugh. He notices a cute toy she likes and secretly buys it for her, surprising her outside the store. They then play bowling, teasing each other after their turns. Later, they enter an elevator alone. He gently fixes her ponytail and moves a loose strand of hair from her face. They exchange shy smiles and share a brief natural kiss before laughing as the elevator doors open.\n\nKeep the same faces, outfits, hairstyles and appearance throughout. Raw handheld DV footage, imperfect framing, autofocus hunting, slight camera shake, faded summer colors, soft digital detail, natural motion blur and authentic early-2000s home-video feel. Natural ambient audio, laughter and conversation. No music, subtitles, cinematic commercial look, CGI, anime, beauty filters or slow motion.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2105135568078381416"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-realistic-30-second-cinematic-vlog-style-video-featuring-a-young-korea-9c4eed813d4d",
|
||
"title": "韩国乡村女孩的菜摊日常",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-realistic-30-second-cinematic-vlog-style-video-featuring-a-young-korea-9.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a realistic 30-second cinematic vlog-style video featuring a young Korean girl working as a vegetable seller at a small countryside village market in Korea. She looks natural and friendly, wearing a simple cream knitted sweater, dark brown apron, comfortable rural clothing, and her brown hair tied in a loose messy bun with soft bangs. The video should feel like a real person's daily-life vlog, not like a commercial or polished AI advertisement.\n\nStart with a wide handheld shot of the girl walking toward her small vegetable stall in the morning. The stall is surrounded by fresh leafy greens, radishes, carrots, tomatoes, potatoes, green onions, and other locally grown vegetables. Show a peaceful Korean countryside in the background with small houses, mountains, trees, and a few village market stalls.\n\nAt around 3 seconds, move into a natural medium close-up as she smiles at the camera and casually greets the viewers. She then starts arranging fresh vegetables on the wooden counter. At 6 seconds, a local customer approaches the stall and asks for some vegetables. Show the girl smiling, selecting fresh vegetables by hand, checking their quality, and placing them into a small reusable bag.\n\nAround 10–14 seconds, show detailed close-up shots of her hands weighing the vegetables on an old-fashioned market scale and packing them carefully. Keep realistic hand movements and natural facial expressions. At 14–17 seconds, the customer pays her, and she politely accepts the money with a warm smile and thanks the customer.\n\nFrom 17–20 seconds, show a wider view of the busy village market, with several customers walking around while she continues arranging vegetables and serving people. At 20–23 seconds, she picks up a fresh bunch of leafy greens, holds them toward the camera and briefly talks to the viewer as if filming a casual daily vlog, saying something natural like “These are fresh today!”\n\nFrom 23–26 seconds, show the stall becoming slightly busier, with another customer arriving while she continues working naturally. At 26–28 seconds, cut to a close-up of her smiling face. She looks directly into the camera with a warm, genuine expression and gives a small friendly wave.\n\nEnd with a peaceful wide shot of the vegetable stall, the Korean countryside and mountains in the background, while she continues working. Add a subtle natural ending feeling, like a real day-in-the-life vlog.\n\nVisual style: photorealistic Korean countryside, authentic village market atmosphere, natural skin texture, realistic facial expressions, realistic hands, fresh vegetables, soft morning sunlight, subtle shadows, shallow depth of field, cinematic but not overly polished, warm natural colors, documentary-style realism.\n\nCamera style: handheld smartphone/vlog camera, gentle camera shake, occasional close-ups, medium shots and wide establishing shots, natural focus transitions, slight imperfect framing, realistic movement, no excessive camera effects.\n\nImportant: Keep the same Korean girl, same face, hairstyle, outfit and apron throughout the entire video. Maintain strong character consistency between every shot. Make the customers and background people look natural and realistic. Avoid artificial-looking faces, distorted hands, extra fingers, floating objects, unnatural body movements, sudden outfit changes, excessive beauty filters, or an overly cinematic commercial appearance.\n\nThe overall feeling should be wholesome, peaceful, authentic and intimate — like watching a Korean girl documenting an ordinary day while helping her family run a small countryside vegetable stall.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2103702041365557449"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-beautiful-korean-girl-walking-confidently-through-a-traditional-korea-7363b4ff0354",
|
||
"title": "韩服少女奔过古代市集",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/60d94a178cfc.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a beautiful Korean girl walking confidently through a traditional Korean marketplace, wearing an elegant historical outfit, with long black hair flowing naturally and a detailed ancient Korean street surrounding her. At one second, the camera gently moves closer as she walks through the busy crowd, keeping her face clear, realistic, and consistent. At two seconds, show her passing wooden market stalls, traditional Korean houses, hanging lanterns, and merchants while people move naturally around her. At three seconds, she suddenly begins running through the crowded marketplace, with her hair, clothes, and body movement responding naturally to her speed. At four seconds, use a smooth cinematic tracking shot from the front as she runs between the stalls while the background moves naturally. At five seconds, switch to a dramatic side angle showing her determined expression, realistic footsteps, flowing hair, and detailed traditional clothing. At six seconds, follow her from behind as she runs deeper into the ancient street, with sunlight, dust, lanterns, and moving people creating a cinematic atmosphere. At seven seconds, smoothly move the camera around her while maintaining perfect character consistency, realistic facial features, natural skin texture, and believable motion. At eight seconds, finish with a wide cinematic shot of the Korean girl continuing forward through the beautiful historical marketplace, with photorealistic details, natural lighting, realistic physics, smooth camera movement, and no distortion.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2102260032348078455"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-korean-girl-created-a-video-showing-a-cozy-and-natural-lifestyle-moment-in-a-379af9561c48",
|
||
"title": "暖光卧室里刷手机的韩国女孩",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/e213734bd48b.jpg",
|
||
"mode": "video",
|
||
"prompt": "A Korean girl created a video, showing a cozy and natural lifestyle moment in a beautifully decorated bedroom. She is casually sitting on her bed while holding her smartphone and scrolling through the screen. Her long wavy brown hair moves naturally as she looks at her phone with a relaxed expression. Warm bedside lighting creates a soft, peaceful evening atmosphere around her. The camera captures realistic facial expressions, natural hand movements, detailed skin texture, and authentic Korean lifestyle aesthetics. The bedroom features a neatly arranged bed, soft pillows, indoor plants, and warm minimal home decor. Use smooth cinematic camera movement with a natural depth of field and subtle focus transitions. The overall video should feel photorealistic, candid, and naturally filmed rather than AI-generated, with soft colors and realistic lighting. Create the video in a vertical 9:16 composition with high-quality cinematic details.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaayat",
|
||
"sourceUrl": "https://x.com/aiwithaayat/status/2101159687677005989"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-okay-this-feels-straight-out-of-gta-4dcfe15565a6",
|
||
"title": "女外科医生的医院急救任务",
|
||
"description": "游戏 UI 直播",
|
||
"image": "https://media.goodcase.ai/cases/9377bc7b94f2.jpg",
|
||
"mode": "video",
|
||
"prompt": "Okay this feels straight out of GTA\n \nSeedance 2.5 on @itsPolloAI \n\nPrompt\n\nCreate a 30-second ultra-realistic AAA third-person medical action game mission set inside a modern Japanese hospital, with the feel of premium GTA-style gameplay.\nNAGI: Use the exact same NAGI identity and face from @ Image1 throughout. Young Japanese female surgeon with long straight black hair, blunt bangs, blue surgical scrubs, cap, mask, gloves, and hospital shoes. Perfect character consistency.\n\nGAMEPLAY: One continuous playable third-person over-the-shoulder take from 0–27 seconds. Natural running, turning, grabbing equipment, opening doors, interacting with machines, and performing procedures. No montage or random cuts. One hard cut only at 27 seconds.\n\nHUD throughout:\nTOP LEFT: NAGI / DOCTOR LV. 12\nTOP CENTER: MISSION: SAVE THE PATIENT\nBOTTOM RIGHT: HEALTH: 100% / TIME: 03:42\n\n0–4s — CHECK VITALS\nNAGI rushes into the emergency room, checks the unconscious patient's unstable monitor, and connects the monitoring equipment.\nHUD: OBJECTIVE 1/5 — CHECK PATIENT VITALS → OBJECTIVE COMPLETE\n\n4–8s — STABILIZE\nShe connects an IV and adjusts the patient's oxygen support. The monitor becomes slightly more stable.\nHUD: OBJECTIVE 2/5 — STABILIZE PATIENT → OBJECTIVE COMPLETE\n\n8–12s — COLLECT TOOLS\nNAGI runs to the preparation area, opens a medical cabinet, grabs a sterile surgical tray, receives another instrument from a nurse, and rushes back.\nHUD: OBJECTIVE 3/5 — COLLECT SURGICAL TOOLS → OBJECTIVE COMPLETE\n\n12–17s — SURGERY\nShe enters the operating room, positions herself beside the patient, surgical lights activate, and she performs the critical procedure with controlled, non-graphic movements.\nHUD: OBJECTIVE 4/5 — COMPLETE CRITICAL PROCEDURE\n\n17–22s — COMPLICATION\nThe monitor suddenly alarms and vital signs drop. NAGI immediately checks the monitor, adjusts support equipment, signals the team, and continues the procedure.\nHUD: WARNING — PATIENT UNSTABLE → STABILIZE PATIENT\n\n22–27s — SAVE PATIENT\nNAGI completes the final step. The monitor becomes steady, the alarm stops, and the team relaxes.\nHUD: OBJECTIVE 5/5 COMPLETE → PATIENT STABLE → SURGERY SUCCESSFUL → MISSION COMPLETE\n\n27–30s — FINAL SHOT\nOne hard cut to a locked frontal gameplay-style shot outside the operating room. NAGI walks out exhausted but relieved and removes her mask while a nurse follows. Through the glass, the team monitors the patient.\n\nFinal HUD: MISSION COMPLETE / PATIENT SAVED / RANK: S\n\nVISUAL STYLE: Photorealistic AAA game-engine graphics, realistic Japanese hospital, detailed medical equipment, natural character physics, realistic lighting, reflections, shadows, cloth and glove movement, subtle camera shake. No anime, cartoon, fantasy, superhero effects, or gore.\n\nAUDIO: Hospital ambience, footsteps, monitor beeps, equipment sounds, emergency alarm, Japanese nurse/NAGI dialogue, and tense AAA game music building toward the mission completion.",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2100429151719075851"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-60-second-ultra-photorealistic-korean-summer-travel-vlog-featuring-a-y-78cc70e21f19",
|
||
"title": "韩国女生的隐秘海滩夏日之旅",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-create-a-60-second-ultra-photorealistic-korean-summer-travel-vlog-featuring-a-y-78cc70e21f19.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 60-second ultra-photorealistic Korean summer travel vlog featuring a young Korean woman in her mid-20s exploring a secluded coastal beach. Natural dark hair, minimal makeup, white linen shirt, denim shorts, sandals and canvas shoulder bag.\n\nStart with her filming herself on a small Korean bus as the ocean appears between green hills. She gets off at a quiet coastal stop and discovers a hidden beach with turquoise water, pale sand and fishing boats. She removes her sandals, walks barefoot along the shoreline, collects a seashell and reacts naturally when cold water reaches her feet.\n\nShe then changes into a tasteful one-piece swimsuit and swims in the clear ocean with realistic human movement, buoyancy, waves and wet hair. Back on shore, she changes clothes, enjoys a cold Korean drink and snack while sitting beside the sea.\n\nEnd during golden hour as she walks barefoot along the shoreline carrying her sandals, with warm sunlight, long shadows and gentle waves.\n\nAuthentic 2026 smartphone vlog style, handheld camera, natural expressions, realistic skin, hair, clothing, sand and water physics. English dialogue only, natural beach ambience, no music, no CGI, no animation, no subtitles or watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2096087387164320223"
|
||
},
|
||
{
|
||
"id": "seedance:case-c290f40d8f85",
|
||
"title": "韩国校园天台日落场景",
|
||
"description": "一个精美的照片级真实感提示词,描绘了韩国校园生活中,两名学生在日落时分追逐被风吹散的作…",
|
||
"image": "https://media.goodcase.ai/cases/e7d1edca5df7.jpg",
|
||
"mode": "video",
|
||
"prompt": "photorealistic live-action Korean high-school rooftop scene at sunset. Use the provided references to preserve Seolran and Mujin’s exact faces, hairstyles, body proportions, school uniforms, and the real rooftop environment. Exactly two students are present. A strong sudden gust of wind hits the rooftop and scatters their loose homework papers across the concrete. Seolran and Mujin react naturally and immediately run in different directions trying to catch the flying pages. Papers blow realistically around their legs and across the rooftop, some sliding along the ground while others briefly lift into the air. They chase the pages with natural hurried movements, occasionally almost catching one before the wind pulls it away. Mujin manages to grab several pages and tries to hand them back to Seolran, but another gust sends one page directly toward her face. The paper gently lands against her face for a moment. She freezes in surprise, pulls it away, looks at Mujin, and they both burst into natural laughter. End with them standing together collecting the remaining papers while the warm sunset and distant mountains remain in the background. Use 7 distinct handheld camera shots: wide rooftop establishing shot, low angle following the papers, side tracking shot while they run, close-up of their hands grabbing papers, medium shot of them chasing in opposite directions, close-up when the paper hits Seolran’s face, and a final wide sunset shot of both laughing and gathering the homework. Make it feel like authentic Korean school-life footage rather than a commercial: realistic smartphone/cinema-camera texture, natural sunset lighting, believable wind physics, realistic paper movement, natural hair and uniform movement, subtle handheld camera shake, imperfect autofocus, natural facial expressions, realistic skin texture and breathing, spontaneous body movement and genuine laughter. No exaggerated comedy, no slow motion, no music, no subtitles, no logos, no watermarks, no CGI, no fantasy, no extra people, no distorted hands or anatomy.",
|
||
"category": "cinematic-narrative-short",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Aqsahere_",
|
||
"sourceUrl": "https://x.com/Aqsahere_/status/2091001743035564070"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-0-basketball-gets-a-whole-lot-more-fun-with-a-giant-fluffy-opponent-1b871f4125da",
|
||
"title": "女孩与巨型白狗吉祥物的球场嬉戏",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-2-0-basketball-gets-a-whole-lot-more-fun-with-a-giant-fluffy-opponent-1b871f4125d.webp",
|
||
"mode": "video",
|
||
"prompt": "Basketball gets a whole lot more fun with a giant fluffy opponent. \nJust a playful Korean-style moment full of energy and smiles.\n\nCreated on seedance 2.0\n\n Prompt\n\nA beautiful Korean girl with long dark hair, wearing a fitted black sleeveless top, black athletic shorts, and white sneakers, is playing basketball on an outdoor orange-colored basketball court surrounded by lush green trees. A cute oversized white cartoon-style dog mascot with black floppy ears is standing opposite her, holding and bouncing a basketball. The scene begins with a wide cinematic shot showing the girl facing the giant dog character near the basketball hoop. She playfully interacts with the mascot while dribbling the basketball, creating a fun and charming atmosphere. The camera smoothly moves between wide shots and medium close-ups, capturing the girl's natural expressions, flowing hair, realistic body movement, and the mascot's cute reactions. At the middle of the video, the girl steps closer to the camera while holding the basketball, looking confident and slightly playful. The giant dog character remains visible in the background, reacting humorously to her movements. Toward the end, she moves back toward the basketball hoop and prepares for another playful basketball moment while the mascot is seen in the foreground. Photorealistic Korean girl, natural skin texture, realistic facial features, consistent identity, detailed hair strands, realistic athletic movement, cinematic outdoor lighting, soft overcast daylight, shallow depth of field, smooth handheld camera movement, realistic basketball court textures, natural shadows, high-detail 4K cinematic quality, playful K-drama-inspired visual style, no face distortion, no extra fingers, no unnatural body movement, no text or watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2107340030536741222"
|
||
},
|
||
{
|
||
"id": "seedance:case-d0f11d1ff17c",
|
||
"title": "珠宝精品店武术动作大片",
|
||
"description": "一段充满动感的电影级动作片段,讲述了一位身着翡翠绿丝绸礼服的女英雄在奢华精品店内击败窃…",
|
||
"image": "https://media.goodcase.ai/cases/7ec5d2e5421a.jpg",
|
||
"mode": "video",
|
||
"prompt": "A dynamic, cinematic action sequence inside a luxury jewelry boutique at night. A confident young woman with long dark hair, olive skin, and sharp green eyes is the hero. She wears an elegant emerald silk evening gown and gold earrings. Three masked thieves in black tactical gear attempt a robbery, and she single-handedly defeats them with fast, precise martial arts choreography. She vaults over glass display cases, shattering them in dramatic slow motion as diamonds, pearls, and glass shards scatter and sparkle through the air like rain, catching warm spotlight beams. She slides across a marble counter, throws one attacker into a shelf of watches, and disarms the last with a spinning kick. At the end, she stands calm amid the glittering wreckage, picks up a single diamond ring, examines it in the light, and looks directly into the camera with a faint smile. Dynamic handheld camera, whip pans, slow-motion inserts, moody warm lighting with deep shadows, realistic physics, high production value, cinematic style, 4K.",
|
||
"category": "combat-choreography",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@mimu_ai1",
|
||
"sourceUrl": "https://x.com/mimu_ai1/status/2091215411341930633"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-4k-action-sequence-in-a-dark-movie-theater-e3b25997b000",
|
||
"title": "影院跃入遗迹的魔法对决",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/8f2e179a3808.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic 4K action sequence in a dark movie theater. A young Asian woman with long black hair and a green long-sleeve top is eating popcorn, watching a sci-fi blockbuster on screen. Suddenly, a robotic cyborg villain with glowing red eyes leaps out of the movie screen into the theater. The environment instantly shatters and transitions into an epic ancient ruin courtyard with stone columns under a stormy sky. Dynamic camera movement tracking intense hand-to-hand combat between the woman wielding swirling green magical energy and the metallic cyborg casting purple spell circles. High-budget Hollywood blockbuster aesthetics, dramatic lighting, particle effects, slow-motion impacts, and hyper-realistic textures.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AvelyrahnAI",
|
||
"sourceUrl": "https://x.com/AvelyrahnAI/status/2105158267437548020"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-paet-1-create-a-30-second-ultra-photorealistic-cinematic-live-action-fantasy-w-53cdfb689944",
|
||
"title": "巨蛇枪手穿越奇幻西部小镇",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/fd0c1cea6aa5.jpg",
|
||
"mode": "video",
|
||
"prompt": "PAET 1- Create a 30-second ultra-photorealistic cinematic live-action fantasy-western sequence.\n\nDO NOT USE AN UPLOADED REFERENCE VIDEO.\n\n==================================================\nCHARACTERS — IDENTICAL THROUGHOUT\n==================================================\n\nGIANT SNAKE:\nEnormous prehistoric snake, massive muscular body and broad head, rough brown/tan/dark-olive scales, pale beige face, amber eyes with vertical pupils, realistic teeth, wet gums/saliva. Worn dark-brown/black cowboy hat.\n\nGREEN REPTILIAN GUNSLINGER:\nSmall green frog/reptile humanoid, textured green skin, large bulging eyes, brown cowboy hat, rugged brown western clothing, dark-metal revolver.\n\nDRAGON RIDER:\nRugged brown/tan clothing and protective headgear.\n\nDRAGON:\nLarge dark-scaled dragon, horns/spikes, muscular body, reddish-brown/orange leathery wings. Additional dragons may appear.\n\nKeep all characters, costumes, colors, faces, proportions and textures consistent.\n\n==================================================\nENVIRONMENT\n==================================================\n\nGritty western/medieval fantasy town: aged stone, dark timber, towers, rooftops, dust, smoke and debris. Bright cloudy daylight, cinematic sunlight, volumetric haze, realistic shadows and depth of field.\n\n==================================================\nSHOT SEQUENCE\n==================================================\n\n0–3s: Low-angle close-up of giant snake body rushing past camera.\n\n3–6s: Green reptilian gunslinger on snake's back; huge snake head enters frame.\n\n6–9s: Snake approaches the character. Tense close composition.\n\n9–12s: Snake coils through town, pushing dust and debris.\n\n12–15s: Snake moves through dark wooden/stone interior.\n\n15–18s: Camera tilts toward old buildings and a swinging glass lantern.\n\n18–22s: Bright hazy exterior with strong sunlight, dust and smoke.\n\n22–26s: Extreme close-up of snake beneath cowboy hat; amber eye and slightly open mouth visible.\n\n26–28s: Snake lunges toward camera; revolver becomes prominent.\n\n28–30s: Extreme close-up of snake face with revolver in foreground.\n\nEND with snake face close to camera and revolver visible. No fade, title or black screen.\n\n==================================================\nCAMERA / AUDIO\n==================================================\n\nEnergetic cinematic pacing. Low angles, tracking shots, close-ups, controlled handheld/gimbal movement, realistic optics, depth of field and motion blur.\n\nEnglish dialogue:\n“What the hell is that?”\n“Stay on him.”\n“Keep moving!”\n“Don’t let it see us.”\n“Get ready.”\n\nAdd realistic snake movement, growls, breathing, wind, dust, wood creaks and weapon sounds. Add synchronized English subtitles.\n\n==================================================\nQUALITY\n==================================================\n\nMaximum Seedance 2.5 quality. Ultra-photorealistic live action, realistic materials, lighting and physics.\n\nNO cartoon, anime, game graphics, plastic CGI, morphing, flickering, character changes, costume/hat changes, eye-color changes, scale changes, duplicates, extra limbs, distorted faces or unnatural physics.",
|
||
"sourceId": "seedance",
|
||
"credit": "@itxsarmadd",
|
||
"sourceUrl": "https://x.com/itxsarmadd/status/2100432617912893711"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-cinematic-realistic-lifestyle-video-following-a-young-korean-universi-2c52e69d07a3",
|
||
"title": "韩国女大学生充实的一天",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/a8765c7dd1ac.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic, realistic lifestyle video following a young Korean university girl through a peaceful and productive day.\n\nStart with her commuting to campus by city bus in the morning. Then show her studying in a bright university classroom with a laptop, notebook, and books. Continue with her working on assignments in a cozy library or café while drinking coffee.\n\nNext, show her walking through campus in the rain with a transparent umbrella, smiling naturally. Then cut to her enjoying a warm bowl of Korean-style soup at a small local restaurant.\n\nAt sunset, show her standing on a beautiful rooftop overlooking the city, enjoying the golden-orange sky. Then show her meeting three Korean girlfriends and taking a fun selfie together.\n\nEnd with the main girl riding home on a modern train at night, looking through the window at the glowing city lights, followed by a warm close-up of her smiling peacefully.\n\nStyle: photorealistic Korean lifestyle, cinematic storytelling, premium commercial quality, natural expressions, realistic skin and hair, soft lighting, smooth camera movements, shallow depth of field, detailed environments, emotional and cozy atmosphere, 4K, no text, no logos, no watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2099369971206013374"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-ai-travel-vlog-of-a-stylish-young-woman-exploring-a-vibrant-europea-0eaef30bc5e3",
|
||
"title": "落日古城漫游与街角咖啡",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/b6616f3bcc10.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic AI travel vlog of a stylish young woman exploring a vibrant European old town at sunset. She has long flowing dark hair and wears a white cropped top, lightweight oversized jacket and beige shorts. She walks confidently through narrow cobblestone streets surrounded by colorful historic buildings, cozy cafés, local shops and warm glowing street lights.\n\nShe looks naturally into the camera and speaks directly to the audience with a friendly, energetic personality. Add a natural young female English voiceover with clear pronunciation, realistic conversational tone and subtle emotion. Make her speech perfectly synchronized with her lip movements.\n\nVoiceover dialogue:\n“Hey everyone! I’m exploring this beautiful city today, and honestly, every street feels like a movie. The atmosphere here is incredible, and I can’t wait to show you what I find!”\n\nCut to her buying a local pastry from a small street bakery. She smiles and says:\n“This looks absolutely delicious. I had to try it!”\n\nThen she sits at an outdoor café enjoying coffee while watching people pass by:\n“Sometimes the best part of traveling is simply slowing down and enjoying the moment.”\n\nFinal shot: she walks toward a beautiful viewpoint overlooking the city as the sun sets. She turns toward the camera and says:\n“Okay, this view is definitely the highlight of my day. Would you come here?”\n\nNatural facial expressions, accurate lip-sync, realistic female English voice, subtle breathing and pauses, natural hand gestures, realistic skin texture, subtle hair movement, authentic handheld vlog camera, smooth camera tracking, shallow depth of field, realistic background people, cinematic golden-hour lighting, soft lens flare, photorealistic, 4K, highly detailed, natural motion, premium travel-film aesthetic.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@CaliraVal",
|
||
"sourceUrl": "https://x.com/CaliraVal/status/2097184908250845406"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-cinematic-documentary-showing-the-evolu-c0bf04a67f0e",
|
||
"title": "从宇宙诞生到人类文明",
|
||
"description": "宠物与动物",
|
||
"image": "https://media.goodcase.ai/cases/abd3f250edd5.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic cinematic documentary showing the evolution of the universe and life on Earth in one seamless journey.\n\nBegin with the Big Bang and the expansion of space, then show matter forming, the first stars, galaxies, supernovae, and the birth of the Solar System and Earth. Transition to volcanic early Earth, cooling oceans, primitive single-celled life, complex marine organisms, life moving onto land, prehistoric forests, dinosaurs, early mammals, primates, hominins, and finally modern Homo sapiens.\n\nEnd with a modern human looking toward the horizon as the camera rapidly pulls back from Earth to the Moon, Solar System, and Milky Way, connecting humanity to the universe.\n\nUse continuous cinematic camera movement, seamless transitions through time and scale, realistic physics, scientifically inspired environments, natural motion, detailed animal anatomy, realistic lighting, HDR, and premium documentary cinematography.\n\n16:9, ultra-realistic, photorealistic, emotionally powerful, scientifically grounded. No text, labels, narration, fantasy, cyberpunk, neon, or futuristic elements.",
|
||
"category": "pet-animal",
|
||
"sourceId": "seedance",
|
||
"credit": "@RuzainaMeer",
|
||
"sourceUrl": "https://x.com/RuzainaMeer/status/2096837494000308685"
|
||
},
|
||
{
|
||
"id": "seedance:shamiweb3-seedance-ai-a624f0561664",
|
||
"title": "大学夜场少女烈焰觉醒决战",
|
||
"description": "打斗编排",
|
||
"image": "/inspiration-thumbs/seedance/shamiweb3-seedance-ai-a624f0561664.webp",
|
||
"mode": "video",
|
||
"prompt": "Core Theme\nUniversity field, one take fight scene. Two fighters, hand to hand combat with real stunts and kicks. Fight ends with the girl's fire power awakening. She finishes him with a decisive final blow. Continuous shot, no cuts, no edits. 16:9 aspect ratio.\n\nCharacter Appearance Lock\n\nFIGHTER A (Boy)\nAsian male, around 20 years old. Short black hair, slightly covering forehead. Almond-shaped brown eyes, defined jawline. Fitted white athletic tank top. Yellow lemon-colored shorts, black sneakers. Confident, relaxed posture, athletic build.\n\nFIGHTER B (Girl)\nJapanese female, early 20s, striking model-like features. Lean, tall, athletic figure. Silver-lavender hair, chin length bob with straight fringe. Sharp, focused amber eyes. Pink acrylic short skirt, high-shine finish. Cropped white top. Pink knee-high socks, white sneakers. Fast, agile, aggressive fighting style — real kicks, spins, and strikes.\n\nEnvironment Lock\nUniversity open ground, trimmed grass field with dirt patches. White painted field lines. Overhead campus lamp posts casting pools of light. Everything outside the light pools is deep shadow. University buildings faintly visible in the background darkness. Dust and grass kick up on every impact, roll, and landing.\n\nTimeline\n\n0.0–2.5s: Fighter A stands behind Fighter B. Right palm covers her mouth from behind. She grabs at his wrist, eyes sharp and furious. She drives her elbow into his ribs, breaks free, spins out. She lands in a fighting stance, dust rising.\n\n2.5–5.0s: She rolls her shoulders, cracks her neck. Walks forward with slow, aggressive confidence. Speaks clearly in English to camera: \"You really thought you could catch me off guard?\"\n\n5.0–7.0s: He sprints forward, throws a right hook. She ducks low, sweeps his front leg. He stumbles, catches balance, resets stance.\n\n7.0–9.0s: He throws a straight right jab. She parries with her left forearm, steps in. Delivers a sharp right knee strike to his side. He staggers back two steps.\n\n9.0–12.5s: He lands a glancing punch on her shoulder. She barely reacts, grabs his wrist, twists. Executes a real hip-throw, slams him to the ground. He rolls once, pushes up onto one knee, breathing hard.\n\n12.5–16.0s: Camera pushes in on her face. Sweat, dirt, sharp determined eyes. First orange-red flame threads flicker along her fingertips. Threads crawl up her arms to her shoulders. Her eyes begin to glow amber-orange from within. The lamp posts start flickering irregularly.\n\n16.0–18.0s: She exhales sharply, rolls her wrists. Small flames bloom across both palms. Fabric of her top singes faintly at the edges. Heat distortion ripples the air around her.\n\n18.0–21.0s: Camera circles her fast. He rises, throws a desperate punch. She sidesteps, grabs his arm, flame licking her grip. Grass scorches in a ring beneath her feet. Flame trails follow every movement of her limbs.\n\n21.0–23.0s: She unleashes a flurry — spinning back kick, followed by a jumping roundhouse. Each strike leaves a brief trail of fire in the air. He blocks two, takes the third across the jaw. He drops to one knee, dazed, smoke rising off his shoulder.\n\n23.0–27.5s: She plants her feet, pulls both fists back, flames coiling tight around her forearms. Steps in with full aggression, drives a flaming knee strike upward into his chest. Impact releases a burst of fire and sparks outward.\n\n27.5–30.0s: He's launched back, lands hard, skidding through dirt. She stands over him, flames dying down her arms to embers. Breathing hard, one fist still smoking. Lamp posts dim to near darkness. Only the fading orange glow lights her face. Then everything goes dark.\n\nLighting\nExtremely dark night, deep shadows. Lamp posts as rim light on shoulders and hair. Warm orange-red glow after her power appears, casting light on both fighters.\n\nSound Design\nLocation sound only. Grass and dirt scraping, fabric rustling. Sharp impact sounds, heavy breathing, grunts. Flame ignition crackle building to a low roar. Lamp buzz as they flicker. Her line delivered clearly at 2.5–5.0s. Sharp exhale and crackle at the final blow. Total silence at the very end. No background music throughout.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@ShamiWeb3",
|
||
"sourceUrl": "https://x.com/ShamiWeb3/status/2093476169396183428"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithaly-seedance-ai-95054b3a6379",
|
||
"title": "韩国女孩的夏日西瓜日常",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithaly-seedance-ai-95054b3a6379.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second 16:9 ultra-photorealistic Korean summer lifestyle video following a young Korean woman through a natural summer routine: walking to a neighborhood fruit market → choosing a watermelon → carrying it home → washing and cutting it → enjoying the first bite.\n\nKeep the same woman, outfit, watermelon, locations, lighting, and time of day throughout. Use realistic human movement, natural walking, crouching, lifting, carrying, cutting, and eating. The watermelon must have believable weight, with realistic grip, balance, inertia, and cutting resistance.\n\nShow a lively Korean market, sunny residential street, and cozy apartment kitchen with authentic environmental details. Use smooth documentary-style camera movement, natural daylight, realistic depth of field, and subtle summer breeze.\n\nInclude authentic sounds of market activity, footsteps, running water, knife cutting, kitchen ambience, and natural eating sounds. Optional dialogue: “This one looks good.”\n\nNegative Prompt: No CGI appearance, weightless watermelon, floating objects, teleportation, distorted hands, extra fingers, changing character or clothing, instant cutting, unrealistic physics, robotic movement, excessive wind, artificial skin, text, logos, or watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2092464281404965030"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-b7d2a3d9d7f2",
|
||
"title": "东京手机美食 Vlog",
|
||
"description": "一份高度详细的提示词,用于创作具有照片级真实感的东京美食 Vlog,旨在模仿手机拍摄的…",
|
||
"image": "https://media.goodcase.ai/media/poster/vlog-b7d2a3d9d7f2.jpg",
|
||
"mode": "video",
|
||
"prompt": "Ultra-realistic smartphone food vlog set in a charming neighborhood in Tokyo, Japan. The entire video must look like it was genuinely recorded on a modern flagship smartphone by a real female creator, not like a cinematic production or AI-generated video. 0–5 seconds: A young Japanese woman walks through a narrow Tokyo side street in the early evening, holding her smartphone at arm’s length and casually talking to the camera. Traditional Japanese shopfronts, vending machines, bicycles, small signs, utility wires, pedestrians and warm storefront lights create an authentic neighborhood atmosphere. Natural handheld movement and slight framing imperfections. 5–10 seconds: She notices a tiny hidden dessert café and turns the camera toward its entrance with an excited reaction. She walks inside while continuing the vlog. The camera naturally adjusts exposure from the bright street to the warmer interior. 10–16 seconds: Show the staff preparing a fresh strawberry cream dessert. Realistic strawberries, whipped cream, soft cake layers and small details of the preparation. The creator moves the phone closer for a natural food close-up while autofocus subtly shifts between the dessert and her hand. 16–22 seconds: She receives the dessert, holds it directly toward the phone camera, then takes a spoonful and tastes it. Her reaction should be spontaneous and believable, with subtle facial expressions rather than exaggerated acting. 22–27 seconds: She smiles, takes another small bite and turns the camera slightly to show the cozy café interior, Japanese customers naturally sitting in the background and warm practical lighting. 27–30 seconds: She walks back outside onto the Japanese street, looks directly into the phone camera and naturally says, “Okay, this place was actually so good!” She smiles and ends the recording casually. Authentic Japanese environment, realistic human behavior, natural walking physics, real-looking food textures, accurate skin texture, natural hair movement, realistic reflections, imperfect smartphone framing, subtle autofocus hunting, automatic exposure adjustments, slight handheld shake, natural motion blur, realistic low-light smartphone noise, true-to-life colors, detailed background activity, genuine vlog energy, high-resolution smartphone footage, photorealistic, documentary realism, no cinematic camera moves, no drone shots, no artificial slow motion, no CGI appearance, no text, no subtitles.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2088605003112235033"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-9fb55ff34947",
|
||
"title": "金色窗前父女温暖相拥",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/f756f122401b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a heartwarming cinematic 3D animated scene in a warm, cozy family living room during golden hour. A cute toddler girl with curly light-brown hair, wearing a simple white sleeveless dress and white socks, stands shyly behind a sheer white curtain near a large sunlit window. She looks playful and curious, gently peeking through the curtain.\n\nCut to her young father, a handsome brown-haired man wearing a light beige button-up shirt with rolled sleeves and blue jeans, sitting in the living room. He suddenly notices his little daughter and looks surprised and concerned. He quickly gets up from the sofa, moves around it, and searches for her with expressive facial reactions.\n\nThe father walks toward the bright window and suddenly spots the little girl. His expression changes from worry to pure happiness. He smiles warmly, reaches toward her, gently picks her up in his arms, and lifts her slightly into the air.\n\nThe little girl laughs joyfully with her eyes closed while her father looks at her lovingly. He hugs her close and spins gently in place. End with a beautiful wide shot of the father holding his laughing daughter in front of the glowing window, warm sunlight streaming through the curtains, soft lens flare, peaceful family atmosphere.\n\nStyle: high-quality cinematic 3D animation, expressive Pixar-inspired character animation, adorable child expressions, realistic fabric and hair movement, detailed cozy living-room environment, warm golden-hour lighting, soft volumetric sunlight, shallow depth of field, smooth natural character motion, emotional storytelling, polished animated-film quality, cinematic composition, 4K detail.\n\nCamera: start with a close-up of the toddler behind the curtain, slowly push in, cut to a medium shot of the father noticing her, follow his movement with smooth tracking shots, use expressive close-ups for his facial reactions, then transition to a gentle handheld-style push-in as he picks her up, finishing with a wide cinematic shot.\n\nNo text, no subtitles, no watermark, no distorted hands, no extra fingers, no duplicate characters, consistent character identity throughout.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2104541346711343205"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-high-energy-15-second-commercial-using-the-provided-image-as-the-exact-4036c7836b02",
|
||
"title": "复古饮品女孩快节奏广告",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/9284a7f764ee.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a high-energy 15-second commercial using the provided image as the exact visual reference. Keep the same girl, outfit, sunglasses, turquoise tiled booth, Fish Creative branding, and drink.\n\nThe video should feel very fast, playful, trendy, and energetic, with constant movement and quick cuts.\n\n0–3 sec: Start with a rapid camera push-in toward the girl. She grabs the Fish Creative drink and immediately brings it toward the camera.\n\n3–6 sec: Quick close-up of the drink → whip-pan to her face → she gives a confident playful look and takes a quick sip.\n\n6–9 sec: Fast camera movement around her as she presents the drink with energetic hand gestures. She moves naturally and confidently, keeping the product visible.\n\n9–12 sec: Rapid product shots: drink close-up → Fish Creative logo → whipped cream → her smiling face. Use quick snap transitions between each shot.\n\n12–15 sec: Camera quickly pulls back. She raises the drink toward the camera in a bold advertising pose, ending with the drink prominently in the foreground.\n\nVisual direction: extremely fast-paced, energetic commercial, dynamic handheld camera, rapid push-ins, whip pans, quick zooms, snap transitions, lively body movement, punchy timing, vibrant retro aesthetic, cinematic lighting, subtle film grain.\n\nImportant: No slow movements, no slow motion, no static shots, no long pauses. Keep the girl actively moving and interacting with the drink throughout the entire 15 seconds.",
|
||
"sourceId": "seedance",
|
||
"credit": "@soulful__ai",
|
||
"sourceUrl": "https://x.com/soulful__ai/status/2103844376120340877"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-little-summer-night-energy-in-the-city-8c19306e1d7c",
|
||
"title": "地铁疾驰中的粉裙夏夜女孩",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/45126b890927.jpg",
|
||
"mode": "video",
|
||
"prompt": "A little summer-night energy in the city ✨🌸\n\nPink dress, passing trains, and a whole lot of attitude.\n\nThat hair flip + subway rush = cinematic perfection 🎬\n\nMade with AI ✨\n\n#AIVideo #AIContent #AIArt #Cinematic #FashionFilm\n\nSeedance 2.5 \n\nPrompt \n\nPhotoreal cinematic ~9 seconds, high-end fashion-film look. A young German woman with long wavy blonde hair, olive-tan skin, sharp brows, and glossy lips. A pale pink flower is pinned behind her right ear. She wears a pink spaghetti-strap mini dress with small black polka dots and carries a woven straw shoulder bag. Soft glam makeup, gold jewelry, warm skin highlights. Location: underground subway platform at night. Yellow safety strip on the platform edge, tiled walls, overhead fluorescent lights. A silver metro train streaks behind her in heavy motion blur — windows, doors, and at one moment an Japanese flag graphic on the passing car. Shot sequence, continuous energy: Medium close-up, she looks over her shoulder into camera while the train screams past behind her. Profile: she brings a lip wand or finger to her mouth, applying gloss as hair lifts in the train wind. She turns, hair swinging, eyes on camera, slight smirk. Wider on the platform: she touches her collarbone / strap, dress and bag readable, train still moving in the background. Head tipped back, hair flying, chin up, train with the flag ripping through frame. She looks back and smiles. Fast hair flip — hand rakes through hair, back partly to camera. Tight close-up: she blows a kiss to lens, fingers near lips, flower still in hair. Camera: mixed handheld fashion-cam and locked beauty close-ups. Shallow depth of field on her face, background train smeared into silver-and-light streaks. Practical station lighting plus a warm key on her skin. Color: creamy highlights, rich dark hair, the pink flower and red lips pop against cool subway metal. Motion: hair and dress always moving from train rush / her own turns. No extra people in focus. Mood: confident, flirty, summer-night city girl, music-video energy. Audio direction: upbeat dance-pop / Latin-pop, lyrics in the vein of “she got that vibe… dance all night… eyes on me.” Train rumble low under the track. Style keywords: photoreal fashion film, subway platform, motion-blur train, polka-dot sundress, pink hair flower, straw bag, glossy lips, hair flip, blow kiss, shallow focus, night metro lighting, 4K, no text overlay. Character lock (use with the reference still): Same German woman 📷dp.jpg as the daylight field photo: long blonde center-parted waves, pink flower over the right ear, pink black-polka-dot sundress, woven bag, warm skin, full lips. Keep identity consistent across every shot.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Harry_thingss",
|
||
"sourceUrl": "https://x.com/Harry_thingss/status/2103494748132770038"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-girl-enters-a-small-late-night-medical-drug-store-holding-a-prescription-tir-dc48c521bdae",
|
||
"title": "深夜药店的扭曲异变",
|
||
"description": "恐怖悬疑",
|
||
"image": "/inspiration-thumbs/seedance/seedance-a-girl-enters-a-small-late-night-medical-drug-store-holding-a-prescription-tir-dc.webp",
|
||
"mode": "video",
|
||
"prompt": "A girl enters a small late-night medical drug store holding a prescription, tired and slightly anxious; realistic Korean horror, narrow aisles filled with medicine boxes, glass cabinets, cold fluorescent lighting, quiet empty atmosphere.\nShe approaches the counter and asks the pharmacist for her medicine while he searches the shelves.\nHer fingers freeze around the prescription; repeated scanner beeps echo through the silent store as the fluorescent lights begin flickering.\nShe suddenly stares toward the medicine aisle, sensing something behind her.\nHer fingers begin twitching uncontrollably, slowly curling into unnatural positions.\nShe violently convulses against the counter; the pharmacist stumbles backward as medicine bottles fall from the shelves.\nShe collapses behind the counter, one arm twitching at an unnatural angle, her limbs becoming rigid and distorted.\nShe slowly rises again with wide unfocused eyes, a slack face, bent joints, and unnaturally twisted limbs.\nHer head tilts at a broken angle as she stares directly at the pharmacist without blinking.\nThe pharmacist backs away in terror as her arms suddenly bend backward at the elbows.\nHer jaw stretches impossibly wide, revealing an unnatural scream that echoes through the pharmacy.\nShe suddenly lunges forward over the counter with explosive speed, forcing the pharmacist to run.\nShe vaults over the counter with backward-bending limbs, moving unnaturally fast between the narrow aisles.\nShe stands completely still between the medicine shelves, wide unfocused eyes staring toward the entrance.\nA customer enters and freezes when she slowly turns her head toward them.\nHer fingers twitch as her bent joints and distorted limbs begin moving again.\nShe suddenly lunges down the aisle, knocking medicine boxes and bottles from the shelves.\nThe customer runs toward the exit and trips over a fallen basket.\nThe pharmacist grabs a fire extinguisher and pulls the pin with shaking hands.\nWhite powder blasts into her face; she recoils into a glass medicine cabinet, her limbs folding at unnatural angles.\nShe slowly rises from the cloud, powder covering her face, wide unfocused eyes locked on the pharmacist.\nHer jaw drops and stretches impossibly wide again as she suddenly lunges toward him.\nHe sprays the extinguisher continuously while backing toward the entrance.\nShe crashes through the glass door, her bent limbs twisting unnaturally as shards scatter across the empty nighttime street.\nThe pharmacist and customer stare through the shattered doorway in silence.\nFinal CCTV angle from inside the medical store; empty aisles, flickering lights, scattered medicine boxes.\nA single medicine box slowly falls from a shelf. Cut to black.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2101329280651391384"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-beautiful-korean-girl-wearing-a-soft-white-summer-dress-and-a-natural-straw-s-6188dbb51acc",
|
||
"title": "溪畔白裙少女的夏日野餐",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/192e5ae8a25a.jpg",
|
||
"mode": "video",
|
||
"prompt": "A Beautiful Korean Girl wearing a soft white summer dress and a natural straw sun hat, with a fresh and elegant Korean lifestyle aesthetic. She has short, softly wavy dark hair, minimal makeup, and a gentle natural expression. She enjoys a peaceful summer day beside a beautiful mountain stream. She sits near the water, calmly eating a slice of watermelon and enjoying the refreshing atmosphere. She walks slowly around the cozy outdoor space while adjusting her hat and looking at the scenery. Sunlight softly shines through the trees, creating warm cinematic highlights and natural lens flares. A white curtain moves gently in the summer breeze beside the wooden house. She carries a small picnic basket and enjoys the quiet countryside surroundings. The camera captures close-ups, medium shots, and smooth cinematic wide shots. Photorealistic, warm, dreamy, peaceful Korean summer vlog style, natural colors, soft lighting, realistic motion, and cinematic 4K quality.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaayat",
|
||
"sourceUrl": "https://x.com/aiwithaayat/status/2100423982898115050"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-cute-polished-cinematic-3d-animated-video-exactly-15-seconds-long-u-690962672ddc",
|
||
"title": "红卷发高髻瞬间散开",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/b5dece5b616b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cute, polished cinematic 3D animated video, exactly 15 seconds long, using the attached character sheet as the strict visual reference.\n\nCHARACTER\n\nA cute young Black girl with warm medium-brown skin, large expressive brown eyes, soft rounded facial features, and very thick, dense, tightly defined red curls with lots of volume and individual coils. She wears the same white long-sleeve top and light lounge pants from the reference.\n\nKeep her face, skin tone, body proportions, outfit, red hair color, and character design identical throughout the entire video.\n\nSCENE\n\nShe sits directly in front of her bedroom vanity mirror in a cozy pastel bedroom. Warm soft lighting, cute feminine decor, polished stylized 3D animation, expressive facial acting, cinematic depth of field.\n\n15-SECOND ACTION\n\n0–3 sec :\nShe looks into the mirror and quickly but carefully brushes her huge curly hair section by section. She gathers the brushed sections toward the back of her head.\n3–7 sec :\nShe gathers all her hair upward and twists it into a high bun. She uses the brush to smooth the front hairline and side sections backward, making those areas sleek and neat while the gathered hair remains visibly curly and voluminous.\n\n7–9 sec :\nJust as the bun looks perfect, one stubborn curly strand springs out from the side.\nShe notices it in the mirror and gives an annoyed little look.\n\nShe quickly brushes the strand backward, tucks it into the bun, and secures the bun with several small hairpins.\n\n9–11 sec :\nShe checks herself in the mirror and smiles proudly, satisfied that the bun is finally secure.\n\n11–15 sec :\nPOP! POP! POP!\n\nThe hairpins fly loose and the bun completely unravels.\nHer entire mass of thick, dense red curls instantly falls back down around her shoulders, returning to the huge curly hairstyle from the beginning.\n\nShe freezes, stares at herself in the mirror, and gives an exaggerated annoyed, defeated expression.\nEnd on her frustrated face for a comedic beat.\n\nVISUAL & MOTION\n\nSmooth high-quality 3D animation, cute exaggerated expressions, natural hand movements, realistic curly-hair physics, bouncy individual curls, subtle camera movement, soft cinematic lighting, and polished character animation.\n\nUse quick but readable cuts between the vanity medium shot, brushing close-up, bun close-up, stray curl, hairpins, and final reaction.\n\nIMPORTANT: The loose hair must be extremely curly and dense, not wavy or straight. The front and side hair becomes sleek only while she intentionally brushes it backward for the bun. When the bun breaks, all the hair returns to its original large, tightly curled, voluminous state.\n\nNo text, subtitles, logos, watermark, extra characters, or changes to her appearance.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@soulful__ai",
|
||
"sourceUrl": "https://x.com/soulful__ai/status/2100050884835332169"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-30-second-alpine-winter-vlog-montage-featuring-the-same-young-woman-cf96bc6f9a40",
|
||
"title": "雪山村庄冬日度假之旅",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/fb98a7289e21.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic 30-second alpine winter vlog montage featuring the same young woman exploring a snow-covered mountain village during a cozy winter getaway. Shot like an authentic luxury travel diary with handheld camera movement, candid moments, soft overcast daylight transitioning to warm firelight, dreamy 35mm film aesthetics, cool-toned color grading with warm amber accents, shallow depth of field, natural skin texture, atmospheric lighting, and cinematic storytelling. Maintain the same woman throughout every scene: dark hair, youthful appearance, natural makeup, relaxed happy expression — identity locked to the reference image. Format: 4K cinematic video, 24fps, 35mm film grain, realistic handheld camera, soft focus, cool-warm contrast palette, travel documentary style.\n\nScene 1 (0-4s) — Arrival at the Chalet Village: A crisp winter morning, light snow falling. She steps out of a wooden chalet doorway wearing a cream cable-knit sweater, faux-fur-trimmed parka, and a knit beanie, breath visible in the cold air. Camera trails her from behind down a snowy cobblestone lane lined with timber cottages, then swings into a close-up as she turns and smiles, saying softly, \"Okay, this already feels like a movie.\"\n\nScene 2 (4-8s) — First Ski Run: She glides down a gentle beginner slope, snow spraying softly at her skis, pine trees blurred past on either side. Low chase shots from behind, then a front-facing GoPro-style angle catching her laughing as she wobbles slightly and steadies herself.\n\nScene 3 (8-12s) — Snow-Covered Pine Forest Walk: A worm's-eye view looking up through frosted pine branches, pale sunlight filtering through with soft lens flares on ice crystals. Cut to a close-up of her walking through untouched snow, mittened hand trailing along a low branch, murmuring, \"It's so quiet here it feels unreal.\"\n\nScene 4 (12-16s) — Cozy Café Break: She sits by a frosted window inside a small timber café, wrapped hands around a steaming mug of hot chocolate topped with whipped cream. Warm interior light contrasts the blue-white world outside. Close-up on the marshmallows melting, her contented half-smile as she watches snow drift past the glass.\n\nScene 5 (16-20s) — Sledding Adventure: She sits on a wooden sled at the top of a gentle hill, pushes off, and speeds down laughing, hair flying loose from under her beanie. Camera tracks alongside at sled height. She tumbles softly into a snowbank at the bottom, laughing, and calls toward the camera, \"Don't film this part — okay, keep filming it.\"\n\nScene 6 (20-24s) — Christmas Market Exploration: A glowing evening market strung with warm fairy lights, snow settling on wooden stalls, the smell of roasted chestnuts implied through steam rising from vendor carts. She weaves through the crowd sampling mulled cider and gingerbread, face lit by string lights and lantern glow. Cinematic close-ups of her eyes widening at the taste, lights blurred into soft bokeh behind her.\n\nScene 7 (24-27s) — Golden Sunset Over the Peaks: A wide silhouette shot of her standing on a snowy overlook as the sun dips behind the mountain range, sky shifting from pale gold to soft violet, her scarf drifting in the wind. She tilts her face toward the fading light, one hand holding her beanie in place.\n\nScene 8 (27-30s) — Fireside Night Reflection: A cabin interior at night, fireplace glowing, snow visible through a frosted window behind her. She sits curled up on a wool blanket, mug in hand, firelight flickering across her face. Final intimate close-up as she looks directly into the lens with a soft, warm smile, saying, \"Goodnight from the mountains.\"\n\nCamera Style: Authentic travel vlog cinematography, handheld camera shake, smooth cinematic transitions, slow push-ins, natural drifting movement, occasional POV shots, realistic autofocus hunting, subtle motion blur.\n\nVisual Style: Cozy alpine winter film, boutique travel-brand aesthetic, soft diffused daylight with warm firelight interiors, realistic skin texture, cinematic shallow depth of field, nostalgic 35mm film look, cool-warm contrast tones, natural unscripted expressions, emotional storytelling.\n\nAvoid: cartoon style, CGI look, plastic skin, unrealistic face, inconsistent character appearance, changing hairstyle, extra fingers, distorted body, artificial lighting, oversaturated colors, blurry face, unnatural movements, duplicate people.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@eshal__ai",
|
||
"sourceUrl": "https://x.com/eshal__ai/status/2097564912851759244"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-photorealistic-30-second-cinematic-tropical-travel-vlog-montage-set-in-b2ef30929284",
|
||
"title": "夏威夷海岛旅行日记",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/d80e9e4736b4.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a photorealistic 30-second cinematic tropical travel vlog montage set in Hawaii, featuring the SAME beautiful 20-year-old adult East Asian-American woman throughout the entire video. Use the uploaded reference image as the primary visual reference for her overall appearance, hairstyle, styling, outfit, and proportions. Preserve strong character consistency from beginning to end: same face, dark hair, natural skin texture, facial proportions, body proportions, hairstyle, and recognizable appearance. Do not change her identity or appearance between scenes.\n\nCHARACTER & STYLE:\nA beautiful 20-year-old adult woman with a youthful but clearly adult appearance, dark black-brown hair, natural makeup, soft expressive features, relaxed confident personality, and an effortless American vacation aesthetic. She has a fashionable, feminine, slightly bold tropical-resort style. Her expressions should feel candid and natural rather than posed.\n\nWARDROBE — KEEP CONSISTENT:\n She wears a cream/beige open-knit crochet off-the-shoulder beach top, loosely draped over a simple white fitted camisole/bikini-style top, paired with high-waisted white distressed denim shorts. The crochet top is airy, oversized, and slightly sheer as naturally created by open-knit fabric, with tasteful resort styling. She wears minimal delicate accessories.\n\nHAIRSTYLE:\nDark hair gathered into a low, slightly messy bun, with loose strands naturally framing her face. Two small tropical flowers, one white and one pink, are tucked into the bun. Keep the hairstyle and flower placement consistent throughout the daytime scenes. Natural wind movement in her hair.\n\nIMPORTANT CONSISTENCY:\nThe woman must remain the exact same person in every shot. Maintain identical facial features, skin tone, hairstyle, flower placement, body proportions, and overall appearance. Keep the same cream crochet top, white underlayer, and white denim shorts throughout the daytime scenes. Do not randomly change her clothing, hairstyle, age, face, or body shape. Natural realistic anatomy and realistic hands.\n\nVIDEO FORMAT:\n4K photorealistic cinematic video, 24fps, 30 seconds, 35mm film aesthetic, subtle authentic film grain, realistic handheld travel-vlog cinematography, natural autofocus adjustments, shallow depth of field, realistic motion blur, soft highlights, natural skin texture, warm vintage color grading, atmospheric lighting, cinematic composition, documentary-style realism.\n\nOVERALL VISUAL MOOD:\nDreamy luxury Hawaii summer vacation, warm tropical atmosphere, authentic travel diary, feminine and fashionable, relaxed confidence, natural candid moments, beautiful ocean scenery, golden sunlight, nostalgic 35mm film look. Avoid looking like a commercial with overly perfect poses; make it feel like an expensive but authentic personal travel vlog.\n\nSCENE 1 — HAWAII ARRIVAL & TROPICAL CITY WALK — 0–4 SECONDS:\nBeautiful Hawaiian morning. The woman walks casually through a bright tropical street wearing the exact reference outfit: cream crochet off-the-shoulder top, white fitted underlayer, high-waisted white distressed denim shorts, and tropical flowers in her low bun. Palm trees, tropical plants, colorful architecture, small cafes, and casually walking people in the background. Camera begins behind her at waist level, following naturally as she walks, then smoothly moves around to a three-quarter front angle. She turns slightly toward the camera and gives a genuine relaxed smile. Warm sunlight catches the edges of her hair. Natural breeze moves the crochet fabric and loose hair strands.\n\nSCENE 2 — BEACH DISCOVERY — 4–8 SECONDS:\nShe arrives at a wide beautiful Hawaiian beach. She walks barefoot along the shoreline in the same outfit, carrying her sandals casually in one hand. Crystal-blue ocean waves gently reach her feet. Capture cinematic low-angle shots of her bare feet stepping through wet sand, water reflections, and small waves. Cut to a medium-wide shot of her walking toward the ocean with distant volcanic mountains behind her. She looks happy and relaxed, enjoying the moment. Realistic ocean movement, natural sunlight, subtle lens flare.\n\nSCENE 3 — PALM TREES & OCEAN CLIFF — 8–12 SECONDS:\nStart with a cinematic worm's-eye view looking upward through tall tropical palm trees. Golden sunlight streams through the leaves with subtle natural lens flares. Smooth transition to the woman standing near a safe rocky ocean viewpoint, still wearing the exact same reference outfit and flower-decorated bun. Wind gently moves her hair and crochet top. She looks toward the Pacific Ocean with a peaceful expression. Camera slowly pushes in from behind her shoulder into a cinematic side profile.\n\nSCENE 4 — BEACHFRONT CAFE — 12–16 SECONDS:\nShe sits at a cozy stylish beachfront cafe beside a large open window. Same outfit and hairstyle. A fresh tropical drink sits on the table beside her sunglasses and small personal accessories. She casually takes a sip while looking outside at the ocean. Capture intimate cinematic close-ups of her hand holding the drink, condensation on the glass, tropical fruit, sunlight across the table, ocean waves outside, and her relaxed thoughtful expression. Warm sunlight creates soft highlights on her face. Authentic candid travel-diary feeling.\n\nSCENE 5 — OCEAN ADVENTURE — 16–20 SECONDS:\nShe is now enjoying calm turquoise Hawaiian water on a small surfboard, wearing the same tasteful white underlayer with the cream crochet top removed for practical water activity while keeping the same overall styling and character appearance. Keep the white high-waisted shorts only if physically realistic for the water activity; otherwise use tasteful coordinated white resort swimwear. Do NOT alter her face, hairstyle, or body proportions. Camera moves at water level around her as gentle waves pass by. Sunlight sparkles across the turquoise ocean. Tropical coastline and mountains appear in the background. She laughs naturally toward the camera, creating an authentic vacation moment.\n\nSCENE 6 — HAWAIIAN NIGHT MARKET — 20–24 SECONDS:\nTransition into a vibrant Hawaiian night market filled with warm hanging lights, tropical decorations, food stalls, lanterns, colorful signs, and natural crowds. For this evening scene, she changes into a simple elegant white resort dress while maintaining the exact same face, hairstyle, and recognizable appearance. She walks through the market, samples tropical fruit and local street food, and reacts with a genuine delighted smile. Cinematic close-ups of tropical fruit, food preparation, glowing lanterns, her expression, and colorful nighttime bokeh. Realistic handheld camera movement.\n\nSCENE 7 — GOLDEN SUNSET — 24–27 SECONDS:\nWide cinematic shot of the SAME woman standing barefoot at the ocean shoreline during golden sunset. She wears a flowing lightweight white resort dress. Orange, pink, and golden colors fill the sky and reflect across the water. Gentle waves move around her feet. She stands peacefully looking toward the horizon. Camera slowly pulls backward, creating an emotional cinematic travel-film ending. Natural wind moves the dress and her hair.\n\nSCENE 8 — HOTEL NIGHT REFLECTION — 27–30 SECONDS:\nNighttime luxury high-rise hotel room and balcony overlooking sparkling Hawaiian city lights. The same woman wears an elegant simple white resort outfit. Warm interior lighting contrasts with the cool tropical night outside. She stands on the balcony while sheer curtains move gently in the warm breeze. Cut to a final intimate close-up of her relaxing on the hotel bed, looking warmly into the camera with a peaceful, confident smile. End with a subtle cinematic focus pull from her eyes to the sparkling city lights beyond the balcony.\n\nCAMERA:\nAuthentic handheld travel-vlog cinematography, subtle natural camera shake, smooth gimbal-like movement when appropriate, slow push-ins, gentle tracking shots, occasional POV shots, realistic autofocus breathing, natural rack focus, shallow depth of field, cinematic close-ups, wide establishing shots, low-angle beach shots, water-level camera movement, subtle motion blur, realistic lens characteristics.\n\nLIGHTING:\nNatural Hawaiian sunlight, soft morning light, warm golden-hour sunlight, realistic tropical reflections, subtle lens flares, atmospheric evening lighting, warm cafe lighting, realistic nighttime bokeh. No artificial-looking studio lighting.\n\nCOLOR & TEXTURE:\nWarm nostalgic 35mm film color grading, soft tropical highlights, realistic skin tones, subtle film grain, natural contrast, gentle vintage character, cinematic depth of field, realistic fabric texture, realistic ocean reflections, detailed tropical vegetation.\n\nREALISM:\nPhotorealistic live-action appearance. Realistic human anatomy, realistic hands and fingers, realistic hair strands, realistic fabric physics, realistic water physics, natural walking and body movement, believable facial expressions, natural blinking and breathing. Make the footage feel like it was captured by a professional travel filmmaker on a real Hawaiian vacation.\n\nNEGATIVE PROMPT:\nNo cartoon, no animation, no CGI appearance, no plastic skin, no artificial beauty filter, no overly airbrushed skin, no distorted face, no changing identity, no inconsistent facial features, no changing ethnicity, no changing age, no body distortion, no exaggerated body proportions, no unnatural anatomy, no extra fingers, no missing fingers, no malformed hands, no duplicate person, no duplicate limbs, no warped clothing, no floating objects, no unnatural hair, no hairstyle changes without the specified outfit transition, no flickering face, no facial morphing, no blurry face, no unnatural expressions, no stiff movements, no robotic motion, no oversaturated colors, no excessive lens flare, no unrealistic lighting, no fake-looking ocean, no text, no watermark, no logo.\n\nFINAL PRIORITY:\nCharacter consistency and photorealism are the highest priorities. The uploaded reference image should strongly guide the woman's appearance and daytime outfit. Preserve her recognizable appearance across every scene while creating a seamless, dreamy, authentic Hawaii luxury travel vlog.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ZaraIrahh",
|
||
"sourceUrl": "https://x.com/ZaraIrahh/status/2097191553991328162"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-seedance-2-5-on-12c7aabe6be5",
|
||
"title": "京都女孩的悠闲午后",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/9cbf6cc383b4.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 on @TapNow_AI \n\nPrompt\n\nCreate a 30-second, 16:9 ultra-realistic handheld lifestyle vlog following the same young Japanese woman in her 20s through an ordinary afternoon in Kyoto. Keep her face, identity, hairstyle, body, outfit, accessories, and proportions perfectly consistent in every shot.\n\nShe wears a tight pastel green halter top, straight-leg light denim jeans, yellow canvas sneakers, a small tan tote bag, and thin gold hoop earrings throughout.\n\nNew scenario: A quiet afternoon in Kyoto\n\n0–5s — Leaving home\n\nShe steps out of a small traditional Kyoto townhouse into a quiet residential lane. She checks the sky, adjusts the strap of her tote bag, and notices the camera. She gives a small smile and says naturally:\n\n「今日は、ゆっくりしよう。」\n\nShe starts walking, and the camera follows a little late.\n\n5–11s — Small flower shop\n\nShe stops at a tiny neighborhood flower shop, looks at a bucket of fresh flowers, and gently touches a small yellow flower. She smiles and says:\n\n「この色、好きだな。」\n\nShe buys one small flower, places it carefully in her tote bag, and walks outside. The camera briefly loses focus on her hands before finding her face again.\n\n11–17s — Quiet café\n\nShe enters a small local café, orders an iced tea, and sits near the window. She looks outside at the passing bicycles and old wooden buildings, then turns toward the camera and says softly:\n\n「こういう時間、落ち着くね。」\n\nShe takes a sip, notices the camera still filming, and gives a slightly amused smile.\n\n17–23s — Narrow walking street\n\nShe leaves the café and walks through a narrow street lined with small shops. A delivery bicycle passes unexpectedly, and she steps aside with a little laugh. She looks back at the camera and says:\n\n「あ、びっくりした。」\n\nShe continues walking, holding her tote bag naturally at her side.\n\n23–27s — Canal-side pause\n\nShe reaches a quiet canal-side path in the late afternoon. She sits on a low stone ledge, places her drink beside her, and takes the small flower out of her tote bag. She looks at it for a moment, then watches the water. The wind moves her hair naturally, and she gives a small, genuine smile.\n\n27–30s — Walking home\n\nShe stands, puts the flower back into her tote bag, and starts walking away. After a few steps, she looks back at the camera and says:\n\n「また、ゆっくり歩こうね。」\n\nShe continues walking as the camera follows behind. Recording naturally ends around 29.5 seconds.\n\nFilming style\n\nGenuine footage filmed casually by a close friend on a smartphone or compact camera. Handheld shake, imperfect framing, autofocus hunting, exposure pumping, natural motion blur, mild digital noise, occasional late camera reactions. No gimbal, drone, cinematic choreography, slow motion, beauty filter, or commercial look.\n\nCamcorder aesthetic\n\nAuthentic early-2000s MiniDV / consumer camcorder footage, as if someone found an old family tape from around 2002–2005.\n\n4:3 home-video framing\n\nSlight handheld shake\n\nImperfect framing\n\nAutofocus hunting\n\nOccasional exposure pumping\n\nMild blown highlights\n\nSoft digital sharpness\n\nInterlaced-looking motion characteristics\n\nSubtle motion blur\n\nLow dynamic range\n\nFaded, slightly warm colors\n\nRealistic digital noise\n\nTiny compression artifacts\n\nOccasional accidental micro-zoom\n\nImperfect white balance\n\nSlight lens flare when sunlight hits the lens\n\nNatural camera operator mistakes\n\nDo not make the footage excessively degraded. It should still be clear enough to see her face and environment.\n\nRealism\n\nThe most important goal is believability.\n\nAccurate human biomechanics, grounded feet, continuous objects, realistic walking, sitting, drinking, and handling of the flower. Consistent architecture and wardrobe. Hands must remain anatomically correct with five fingers. Clothes must move naturally with her body and wind.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithAliya",
|
||
"sourceUrl": "https://x.com/AIwithAliya/status/2096134503966388296"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-photorealistic-30-second-modern-japanese-summer-festival-travel-vlog-featuring-a03ea7f9a5ee",
|
||
"title": "蓝色浴衣少女的夏日祭烟火夜",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-photorealistic-30-second-modern-japanese-summer-festival-travel-vlog-featuring-a03ea7f9a5ee.jpg",
|
||
"mode": "video",
|
||
"prompt": "Photorealistic 30-second modern Japanese summer-festival travel vlog featuring a young Japanese woman in her mid-20s wearing a pale blue floral yukata, simple obi, wooden geta sandals, small shoulder bag, and delicate earrings. Maintain consistent identity, hairstyle, clothing, and proportions throughout.\n\nShe walks into a lively local summer festival at dusk, filming herself as glowing paper lanterns sway above crowded streets. She says, “Okay, I just got to the summer festival, and it already looks amazing.”\n\nShe stops at a food stall, watches a vendor prepare a hot festival snack, tastes it, and reacts naturally: “Oh wow… that’s really good.” She then tries a traditional festival game, misses the first attempt, laughs, and succeeds on her second try.\n\nShe continues through the crowd, greeting friendly vendors and enjoying the atmosphere. As she enters a quieter side street lined with traditional wooden houses, distant fireworks suddenly appear above the rooftops. She looks up in surprise and says, “Oh—look!”\n\nThe final moments reveal a beautiful fireworks display illuminating the evening sky. She turns briefly toward the camera with a genuine smile and says, “This is the perfect way to end the night.” The camera naturally tilts upward as a final firework fills the sky.\n\nAuthentic 2026 smartphone travel-vlog aesthetic, natural handheld movement, realistic autofocus and exposure adaptation, genuine expressions, spontaneous reactions, realistic crowd behavior, physically accurate human movement, yukata fabric, hair, lanterns, food steam, game physics, fireworks, lighting, and sound. Natural festival ambience with footsteps, crowds, sizzling food, laughter, wind, insects, fireworks, and realistic delayed thunder. No background music, narration, subtitles, logos, or watermark.\n\nNo CGI appearance, artificial faces, beauty filters, robotic acting, staged posing, duplicated people, floating objects, impossible physics, unrealistic fireworks, excessive stabilization, drone shots, oversaturated colors, excessive slow motion, changing identity, hairstyle, clothing, or anatomy.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2095743606698979637"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithnatalia-seedance-ai-7890280c705d",
|
||
"title": "红发女孩的唇油抓取挑战",
|
||
"description": "时尚造型册",
|
||
"image": "/inspiration-thumbs/seedance/aiwithnatalia-seedance-ai-7890280c705d.webp",
|
||
"mode": "video",
|
||
"prompt": "TITLE: “SHE WANTED IT. SHE GOT IT.”\n\nCreate an exactly 15-second, 9:16 vertical cinematic fashion video featuring the uploaded red-haired girl as the single main character. Use her uploaded photo as the exact facial and identity reference. Do not change her face, facial features, skin tone, body proportions, or red hairstyle across any shot.\n\nVISUAL STYLE\n\nGlossy RED + CHROME SILVER Y2K BADDIE aesthetic, futuristic makeup fantasy world, high-fashion commercial, ultra-polished beauty campaign, dramatic studio lighting, glossy reflections, sparkling particles, fast camera movements, energetic editing, luxurious and playful atmosphere.\n\nCHARACTER / OUTFIT\n\nShe wears a full Y2K baddie outfit:\n\nMetallic silver cropped halter baby tee with red rhinestone details\nUltra-low-rise red baggy cargo pants with silver zippers and hardware\nCropped shiny silver moto jacket worn slightly off one shoulder\nSilver platform sneakers with red accents\nTiny glossy red shoulder bag with silver chain\nChunky silver hoop earrings, layered silver necklaces, rings and silver belly chain\nTiny red-tinted futuristic sunglasses with silver frames\nLong chrome-silver nails with red French tips\nSharp black winged eyeliner, icy silver eyeshadow, glossy red lips\n\n0–3 SEC — ENTER THE MAKEUP WORLD\n\nStart with an extreme close-up of her red-tinted Y2K sunglasses. Quick camera pullback reveals her walking confidently through a surreal oversized makeup world.\n\nGiant lipstick tubes, enormous blush palettes, floating makeup brushes, glossy cosmetic bottles and sparkling beauty particles surround her. Everything is dominated by red, chrome silver and reflective surfaces.\n\nShe walks toward camera with a confident baddie attitude, red hair moving dramatically, then gives a subtle smirk.\n\n3–6 SEC — SHE SPOTS THE CLAW MACHINE\n\nFast whip-pan to a huge futuristic transparent claw machine glowing with red and silver neon.\n\nInside are dozens of Rhode lip oils displayed like luxury prizes, surrounded by floating hearts, rhinestones, glossy cosmetic charms and silver sparkles.\n\nShe stops, removes her sunglasses, looks directly at the prize and gives a confident “I need that” expression.\n\n6–11 SEC — THE CLAW BATTLE\n\nRapid-fire montage with energetic cuts:\n\nClose-up of her chrome nails grabbing the joystick.\n\nShe aggressively moves the claw left and right.\n\nExtreme close-up of her focused eyes.\n\nHer red hair whips across the frame.\n\nThe claw moves directly above a Rhode lip oil.\n\nShe presses the button.\n\nCLAW DROPS — MISS.\n\nShe slowly looks at the machine with an unimpressed baddie stare.\n\nShe tries again, carefully positioning the claw.\n\nCLICK.\n\nThe claw locks perfectly onto the lip oil.\n\n11–15 SEC — SHE WINS\n\nThe claw lifts the Rhode lip oil into the air.\n\nThe entire machine flashes with red and chrome lights.\n\nThe prize drops into the collection slot.\n\nShe grabs it confidently, holds it beside her face and gives the camera a victorious smirk.\n\nCamera rapidly circles around her as the makeup world erupts with red hearts, silver stars, rhinestones, lipstick doodles and sparkling particles.\n\nEnd on a dramatic beauty close-up of her holding the lip oil.\n\nFINAL TYPOGRAPHY\n\nLarge glossy chrome typography appears:\n\nSHE WANTED IT.\nSHE GOT IT.\nUse fast cuts, whip pans, snap zooms, speed ramps, match cuts and rhythmic transitions throughout. Keep the video fashion-forward, playful, confident, luxurious and intensely Y2K, with red and chrome silver dominating every frame.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithNatalia",
|
||
"sourceUrl": "https://x.com/AIwithNatalia/status/2094428843214037102"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithaly-seedance-ai-bb7055074a13",
|
||
"title": "女骑手穿越险峻山径抵达山谷",
|
||
"description": "运动极限",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithaly-seedance-ai-bb7055074a13.jpg",
|
||
"mode": "video",
|
||
"prompt": "A mountain biker conquers rugged trails, rocks, and sharp turns before reaching a stunning valley view.\n\nCreated with Seedance 2.5.\n\nPrompt\n\nUltra-photorealistic 30-second 16:9 mountain-bike action video. Same female rider, bike, clothing, trail, and daylight throughout. Show her starting on a mountain ridge, accelerating naturally downhill, navigating roots, rocks, gravel, and tight corners with realistic braking, balance, tire traction, and suspension movement. Finish as she exits the forest and stops at a scenic valley viewpoint. Cinematic tracking shots, realistic outdoor physics, natural forest ambience, bike sounds, wind, and breathing. No dialogue, CGI look, impossible jumps, teleportation, distorted anatomy, text, logos, or watermark.",
|
||
"category": "sports-extreme",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2092111337686262077"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-30-second-ultra-realistic-cinematic-fpv-travel-film-showcasing-the-fut-10f862c76c6a",
|
||
"title": "穿越土耳其霓虹古城、碧海与热气球天空",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/313dd39b0f8a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-realistic cinematic FPV travel film showcasing the futuristic energy, natural beauty, and cultural character of TURKEY. Blend cyberpunk technology with Istanbul’s historic architecture, vibrant streets, Mediterranean and Aegean coastlines, and spectacular night imagery. Use extreme-speed FPV drone movement, hyperlapse, seamless spatial transitions, and dense but controlled flash-cut editing. 8K cinematic realism, photorealistic environments, realistic crowds and vehicles, dramatic lighting, smooth motion blur only during rapid transitions, premium commercial cinematography. No text, logos, subtitles, or watermarks.\n\n[0–6s] — CITY FROM THE SKY\nBegin above Istanbul at sunrise, surrounded by mist and clouds. An FPV drone dives rapidly between modern skyscrapers before sweeping toward the Bosphorus. The scene transitions from warm daylight into blue-hour neon as the city below comes alive. Cars create flowing light trails while the camera races through vibrant streets, revealing Istanbul’s futuristic energy beside historic architecture.\n\n[6–12s] — TECHNOLOGY & HISTORY\nUse rapid cinematic match cuts: a modern tram glides through the city, instantly transitioning into a close-up of a traditional Turkish coffee being prepared; a speeding ferry cuts across the Bosphorus, followed by a dramatic aerial reveal of the Hagia Sophia and Blue Mosque. Turkish street life, glowing shopfronts, crowded avenues, and modern architecture flash together in rhythmic visual transitions.\n\n[12–18s] — SPATIAL FOLD TO THE COAST\nA moving object passes directly across the lens and becomes a seamless transition into the Turkish coastline. The camera bursts over crystal-clear turquoise water near Antalya and races along dramatic Mediterranean cliffs. Speedboats cut through the sea, white spray exploding behind them. Transition toward Cappadocia as hot-air balloons suddenly fill the sky above the surreal rock formations.\n\n[18–24s] — TURKEY IN MOTION\nThe camera dives between Cappadocia’s towering rock formations and rapidly transitions to a bustling Istanbul street at golden hour. Match-cut between a Turkish flag waving in the wind, a crowded bazaar, traditional architecture, modern city traffic, and people enjoying the coastline. Use fast but visually coherent transitions that emphasize Turkey’s contrast between ancient heritage and modern life.\n\n[24–30s] — THE GRAND FINALE\nNight falls instantly. The camera rises above Istanbul and reveals the Bosphorus illuminated by thousands of city lights. A massive coordinated drone light show forms elegant abstract shapes above the skyline while boats move across the glowing water below. The camera pulls rapidly backward and upward into an enormous aerial panorama, revealing Istanbul stretching across both sides of the Bosphorus.\n\nEnd with a powerful wide cinematic shot of the illuminated city, water, bridges, historic landmarks, and night sky.\n\nSTYLE: ultra-realistic 8K cinematic travel film, photorealistic Turkey, extreme FPV drone cinematography, high-speed hyperlapse, seamless spatial transitions, dynamic match cuts, realistic crowds and vehicles, detailed architecture, natural atmospheric haze, volumetric light, cinematic depth of field, realistic reflections, subtle motion blur only during fast transitions, HDR, premium tourism-commercial quality.\n\nCOLOR: begin with warm natural daylight, transition into cool blue and cyan tones during futuristic city sequences, use rich turquoise and golden tones along the coast, then finish with deep blue night and warm city lights.\n\nAUDIO: cinematic electronic pulse building with the speed of the visuals, Istanbul street ambience, ferry horns, traffic, waves, wind, subtle traditional Turkish instrumental textures, then a powerful musical rise for the final aerial reveal. No spoken dialogue.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Naiknelofar788",
|
||
"sourceUrl": "https://x.com/Naiknelofar788/status/2106439652278411435"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-cinematic-ultra-realistic-30-second-live-action-food-sequence-showing-f550d5208324",
|
||
"title": "韩式脆皮辣酱炸鸡制作",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/bf247d7db513.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic, ultra-realistic 30-second live-action food sequence showing the complete preparation of crispy Korean-style glazed chicken in a warm home kitchen. Begin with an overhead close-up of raw chicken pieces being carefully cut into bite-sized chunks on a wooden cutting board. Transition smoothly to a stainless-steel bowl as the chicken is coated with a creamy white seasoned mixture, showing realistic hand movements and detailed food textures.\n\nMove into a dynamic close-up of the coated chicken being lowered into hot oil. Capture the bubbling oil, golden batter, steam, sizzling particles, and gradual transformation as the pieces become deeply golden and crispy. Use macro shots to emphasize the crunchy exterior and realistic frying physics.\n\nCut to a dark pan as thick glossy red Korean-style sauce is poured in, followed by finely chopped garlic. Show the sauce slowly heating and bubbling, becoming rich, sticky, and glossy. Add the crispy fried chicken into the pan and toss it repeatedly with chopsticks until every piece is evenly coated in the vibrant red glaze.\n\nEnd with a beautiful close-up of the finished crispy chicken arranged on a white ceramic plate, covered in shiny red sauce and topped with sliced green onions and sesame seeds. Slowly push the camera toward the dish as the glaze catches the warm kitchen light, emphasizing the crunchy texture and appetizing details.\n\nUltra-photorealistic cinematic live-action food commercial, realistic human hands, authentic Korean-style cooking, detailed food textures, crispy batter, bubbling hot oil, realistic steam and heat, glossy sauce, natural kitchen lighting, warm wooden surfaces, macro food photography, shallow depth of field, smooth camera movement, overhead shots, close-ups, realistic frying physics, rich colors, subtle film grain, appetizing presentation, physically accurate ingredients, 30 seconds, widescreen 16:9, no text, no logos, no watermark, no cartoon look, no plastic CGI appearance, no distorted hands, no artificial food textures.",
|
||
"sourceId": "seedance",
|
||
"credit": "@aynellex",
|
||
"sourceUrl": "https://x.com/aynellex/status/2105532781258571918"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-20-seconds-cinematic-japanese-style-scene-of-a-young-schoolgirl-walki-fe8957e6d21c",
|
||
"title": "少女漫步黄昏铁道与花田",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/041ac6e8fa3b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a 20 seconds cinematic Japanese-style scene of a young schoolgirl walking alone through a quiet Japanese residential street during warm golden-hour sunlight, shown from behind as she slowly approaches a railway crossing with a train passing in the background, then transitioning to a close-up of her face and flower-decorated hair as she watches the train, followed by a wider shot of her standing near a quiet canal with soft evening light reflecting on the water, then showing her gently touching small white flowers in a golden field, with close-up shots of her hand and the flowers moving naturally in the breeze, gradually transitioning to a wide sunset landscape with the girl standing peacefully in the field, and finally ending with a warm close-up of her face as she softly looks toward the camera, maintaining the same character, hairstyle, school uniform, realistic skin details, natural expressions, smooth cinematic camera movement, soft depth of field, warm sunset lighting, realistic Japanese environment, subtle film grain, peaceful emotional atmosphere, and a dark fade-out at the very end.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2105508431067332749"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-cinematic-ultra-realistic-wuxia-style-video-set-at-night-in-5d900610e1fc",
|
||
"title": "红衣剑客夜战古村",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/bb3e5d9a0d51.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second cinematic, ultra-realistic wuxia-style video set at night in an ancient Chinese village, with traditional wooden buildings, a stone-paved street, a small arched bridge, misty mountains in the background, and many glowing red lanterns hanging along the street. A beautiful young woman in an elegant flowing red traditional Chinese Hanfu walks calmly toward the camera, with long dark hair styled traditionally and a serious, confident expression. As she moves closer, the camera slowly pushes in and follows her naturally, capturing the lantern light, fabric movement, atmospheric mist, and realistic footsteps. Around the middle of the scene, she suddenly stops and confidently draws a glowing red magical sword, holding it horizontally in front of her while her expression becomes focused and powerful. The camera moves into a dramatic close-up of her face and sword, showing realistic skin texture, detailed hair, glowing reflections, and cinematic depth of field. Several mysterious black-clothed attackers appear around her, rushing toward her from different directions, creating a tense martial-arts atmosphere. She swiftly turns and performs powerful choreographed sword movements, blocking and striking the attackers with fast but believable movements while the glowing sword leaves subtle red light trails. The attackers are knocked down onto the stone street around her, while she remains standing confidently in the center with her sword raised, surrounded by red lanterns and light mist. End with a wide cinematic shot slowly pulling back to reveal the woman standing alone among the fallen attackers, ancient village buildings and mountains behind her, maintaining consistent character appearance, realistic motion, cinematic lighting, detailed textures, dramatic atmosphere, smooth camera movement, 16:9 aspect ratio, 30 seconds, no text, no watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2105162931847807476"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-4k-shot-a-fierce-female-warrior-with-long-hair-and-tactical-leather-fae21d1a88b3",
|
||
"title": "女战士与机械巨兽末日突袭",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "/inspiration-thumbs/seedance/seedance-cinematic-4k-shot-a-fierce-female-warrior-with-long-hair-and-tactical-leather-fae.webp",
|
||
"mode": "video",
|
||
"prompt": "Cinematic 4K shot, a fierce female warrior with long hair and tactical leather gear falling from the sky alongside a hairless Sphynx cat onto a cracked, ruined concrete rooftop in an apocalyptic city with a massive tornado spinning in the background. The warrior lands on one knee, summons glowing golden energy in her palm, and strikes the ground. Intricate sci-fi nano-armor plates instantly snap and wrap around her arms and body, glowing with bright orange energy lines. The small Sphynx cat suddenly transforms into a massive, terrifying horned cybernetic beast. The armored female warrior and the monstrous beast stand side-by-side, charging forward into battle amid smoke, dust, and dramatic cinematic lighting. High-speed dynamic camera tracking, photorealistic, action-packed sci-fi blockbuster style.\n\n#Flovaai #Flovacpp",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@AvelyrahnAI",
|
||
"sourceUrl": "https://x.com/AvelyrahnAI/status/2104086835081416893"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-the-entire-video-is-captured-on-a-modern-smartphone-by-a-beautiful-young-adult-744573fb93ba",
|
||
"title": "前排女孩记录狂热演唱会",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/fd17a0c91b83.jpg",
|
||
"mode": "video",
|
||
"prompt": "“FRONT ROW GIRL”\n30 SECONDS | 9:16 | PHOTOREALISTIC SMARTPHONE CONCERT VIDEO | SEEDANCE 2.5 | MULTISHOT\nCAMERA\nThe entire video is captured on a modern smartphone by a beautiful young adult woman standing directly against the front-row barricade at a massive sold-out concert featuring a fictional male singer.\nIt feels like authentic personal phone footage uploaded immediately after the concert.\nFront-facing selfie camera mixed with quick flips to the rear camera.\nNatural arm movement.\nHandheld shake.\nImperfect framing.\nOccasional face cropping.\nAutofocus hunting.\nExposure pumping from intense stage lights.\nDigital sharpening.\nHigh-ISO noise in dark areas.\nRolling-shutter distortion during fast movement.\nAccidental fingers near the lens.\nNo professional camera.\nNo cinematic gimbal.\nNo drone.\nNo polished concert-film cinematography.\nCHARACTER\nYOUNG WOMAN:\nBeautiful adult woman in her 20s.\nLong dark hair.\nNatural attractive facial features.\nMinimal glamorous concert makeup.\nGold hoop earrings.\nSimple necklace.\nFitted black concert outfit with a stylish leather jacket.\nShe looks like a real concertgoer, not a professional model.\nNatural skin texture.\nSlight perspiration from the heat and crowd.\nHer hair becomes increasingly messy as she moves and dances.\nShe is genuinely excited to be seeing the fictional headliner from the front row.\nFICTIONAL HEADLINER:\nOriginal male singer in his late 20s.\nDark curly hair.\nShort beard.\nBlack layered stage outfit.\nDistinctive but completely original appearance.\nHandheld microphone.\nConfident live-performance presence.\nHe performs directly toward the front-row audience.\nDo not resemble any real-world singer or celebrity.\nSETTING\nMassive sold-out stadium concert at night.\nShe is standing directly against the barricade.\nThe stage is only a few meters away.\nThe fictional singer is performing directly in front of her.\nThousands of fans behind her.\nHands and smartphones constantly entering the frame.\nSecurity personnel between the barricade and stage.\nHuge LED screens.\nDeep red stage lighting.\nWhite spotlights.\nHeavy atmospheric haze.\nSmoke drifting through the stage lights.\nThe entire environment feels loud, crowded and physically overwhelming.\nSTORY\n00:00–00:02.5 — SELFIE\nFront-facing smartphone camera.\nShe is already in the front row, smiling directly into the camera.\nHer hair moves from the crowd and stage fans.\nShe raises one arm and screams excitedly:\n“I’M SO CLOSE!”\nThe stage is visible behind her.\n\n00:02.5–00:05 — THE SINGER APPEARS\nShe quickly flips the camera to the rear camera.\nThe fictional singer walks toward the front of the stage.\nMassive red lights illuminate him.\nThe phone struggles to expose the scene.\nHer hand shakes from excitement.\nSeveral fans’ phones appear in front of the lens.\n\n00:05–00:07.5 — CLOSE\nShe digitally zooms toward the fictional singer.\nHe approaches the edge of the stage.\nThe camera briefly loses focus.\nIt locks back onto him.\nHe is only a few meters away.\nThe woman screams off-camera.\n\n00:07.5–00:10 — BACK TO SELFIE\nThe phone flips back to her face.\nShe is laughing and screaming.\nHer eyes are wide with excitement.\nThe crowd behind her is jumping.\nShe turns the camera slightly sideways, trying to fit herself and the stage into the same frame.\n\n00:10–00:12.5 — THE PERFORMANCE\nRear camera again.\nThe fictional singer performs directly toward the front row.\nHe holds the microphone toward the audience.\nThe crowd sings along.\nThe phone shakes heavily as she jumps.\nA raised arm briefly blocks the entire frame.\n\n00:12.5–00:15 — EYE CONTACT\nShe moves the phone around the obstruction.\nThe fictional singer becomes visible again.\nHe looks directly toward the front-row section.\nFor a brief moment, he appears to make eye contact with her.\nThe phone becomes surprisingly steady.\nShe freezes for half a second.\nThen screams.\n\n00:15–00:17.5 — CHAOS\nFront-facing camera.\nShe turns the camera back toward herself.\nShe is laughing uncontrollably.\nHer hair is messy.\nRed stage light illuminates one side of her face.\nShe shouts:\n“NO WAY!”\nThe camera shakes violently.\n\n00:17.5–00:20 — LIGHTS OUT\nRear camera.\nThe stage suddenly goes dark.\nThousands of phone flashlights appear throughout the stadium.\nThe camera slowly moves across the audience.\nFans are singing together.\nHer breathing and laughter are audible close to the microphone.\n\n00:20–00:22.5 — LIGHT EXPLOSION\nThe stage suddenly erupts in intense red and white light.\nThe fictional singer appears at the front of the stage.\nThe crowd explodes.\nShe raises her phone higher.\nThe image briefly becomes overexposed.\n\n00:22.5–00:25 — FRONT ROW\nThe fictional singer walks directly along the edge of the stage.\nThe camera follows him.\nFans reach toward him.\nSecurity is visible below.\nHer phone struggles to focus between hands, phones and the performer.\nNatural motion blur.\n\n00:25–00:27.5 — SELFIE REACTION\nThe phone flips back to her.\nShe is completely overwhelmed, laughing and shouting while trying to catch her breath.\nHer friends are visible behind her.\nEveryone is screaming.\nThe stage remains visible over her shoulder.\n\n00:27.5–00:30 — FINAL RECORDING\nRear camera.\nThe fictional singer stands beneath enormous red lights.\nThousands of phones glow behind the barricade.\nThe woman holds her phone as high as possible.\nThe frame is tilted.\nHands partially block the performer.\nThe crowd screams.\nThe phone suddenly drops slightly as she jumps.\nThe recording ends abruptly.\nLIGHTING\nAuthentic live-concert lighting.\nDeep red dominant lighting.\nWhite spotlights.\nDark shadows.\nLED screen illumination.\nStrong backlighting.\nStage haze.\nOccasional lens flare.\nBright lights causing temporary smartphone exposure clipping.\nNatural skin tones whenever lighting allows.\nNo beauty lighting.\nHUMAN PERFORMANCE\nThe woman must behave like a genuine excited fan.\nShe laughs.\nShe screams.\nShe dances.\nShe loses her framing.\nShe forgets the camera is recording.\nShe reacts naturally to the fictional singer.\nShe does not constantly pose.\nShe does not behave like an influencer filming an advertisement.\nThe surrounding crowd behaves independently.\nAUDIO\nRAW SMARTPHONE AUDIO.\nMassive crowd screaming.\nFans singing.\nThe fictional singer’s amplified voice.\nHeavy bass distortion.\nMicrophone clipping.\nNearby fans shouting.\nThe woman’s laughter and screaming close to the microphone.\nOccasional muffled audio when the phone moves against clothing or another person.\nNo studio-quality vocals.\nNo added soundtrack.\nNo cinematic sound design.\nVISUAL CHARACTER\nPhotorealistic modern smartphone footage.\nNatural smartphone HDR.\nHigh-ISO noise.\nDigital sharpening.\nSubtle compression artifacts.\nRolling-shutter distortion.\nAutofocus hunting.\nExposure pumping.\nNatural motion blur.\nOccasional blown highlights.\nRealistic skin texture.\nRealistic hair movement.\nNo beauty-filter smoothing.\nNo plastic skin.\nNo perfect framing.\nNo professional camera look.\nThe footage should look indistinguishable from a real fan’s concert video.\nCONTINUITY\nSame woman throughout.\nSame hairstyle.\nSame outfit.\nSame jewelry.\nSame concert.\nSame front-row position.\nThe phone remains the only recording device.\nThe fictional singer remains consistent.\nSelfie camera and rear camera transitions must feel physically motivated by the woman flipping her phone.\nThe crowd becomes progressively more chaotic as the performance intensifies.\nThe woman’s hair and clothing become naturally more disheveled from dancing and crowd movement.\nNO MUSIC VIDEO.\nNO PROFESSIONAL CONCERT FILM.\nNO MODEL POSES.\nNO STAGED REACTIONS.\nNO PERFECT CAMERA MOVEMENT.\nNO AI-SLOP.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Diplomeme",
|
||
"sourceUrl": "https://x.com/Diplomeme/status/2102613869365772296"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-video-featuring-beautiful-korean-words-and-a-warm-nostalgic-korean-55c2c5e05a13",
|
||
"title": "韩国乡村母子夏日晚骑",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/81c4826df86a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a video, featuring beautiful Korean words and a warm, nostalgic Korean countryside lifestyle style. Show a loving Korean mother and three young children enjoying a peaceful summer evening in a traditional rural Korean village, with warm golden-hour sunlight, old tiled-roof houses, stone walls, green rice fields, and a calm countryside atmosphere. Begin with the mother gently opening an old wooden door, then transition into a cinematic tracking shot of her riding a bicycle with the children happily cycling alongside her through the village road. Capture natural childhood laughter, soft bicycle movements, flowing clothes, and authentic family interactions with realistic Korean facial features and expressions. Move into wider cinematic shots of the family cycling beside lush rice fields and a small stream, creating a peaceful sense of freedom and nostalgia. Show the mother sitting beside the children near the field, sharing fresh fruit and snacks while they smile and talk together. Use beautiful natural lighting, soft sunset glow, subtle film grain, shallow depth of field, realistic textures, and smooth cinematic camera movement. End with a wide emotional shot of the family sitting together beside the quiet stream under a large tree as the sun sets behind the rice fields. Photorealistic live-action, cinematic Korean family film aesthetic, warm colors, gentle pacing, authentic emotions, 16:9 composition, highly detailed, natural physics, no artificial-looking faces.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2100817795214954593"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-realistic-aaa-third-person-open-world-gameplay-video-s-405ad1ebb338",
|
||
"title": "日本乡村车站盗窃逃亡",
|
||
"description": "游戏 UI 直播",
|
||
"image": "https://media.goodcase.ai/cases/5864458476ef.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-realistic AAA third-person open-world gameplay video set in a beautiful rural Japanese town. Use the attached image only as the reference for the young Korean female character; keep her face, long straight black hair, long flowing skirt, white sneakers, and appearance consistent.\n\nShe walks toward a rural train station, notices a commuter's suitcase, and a “△ TAKE” prompt appears. She grabs it, triggering “SUITCASE STOLEN” → “+30 POINTS” → “ALARM RAISED” → “WANTED ★” → “OBJECTIVE: ESCAPE.” She runs away, drops the heavy suitcase (“ITEM DROPPED”), then enters a convenience store and steals a packaged snack: “SNACK STOLEN” → “+20 POINTS” → “ALARM RAISED.”\n\nShe escapes the store, knocks over empty delivery cartons (“CHAOS +20”), narrowly avoids a delivery truck (“NEAR MISS +15”), and continues through the village while the commuter chases her. She reaches a pedestrian bridge over a river as the detection meter changes “DETECTION 68%” → “DETECTION 32%” → “DETECTION 0%.” The wanted level clears: “WANTED LEVEL CLEARED” → “+100 ESCAPE BONUS.”\n\nShe sits by the river, eats the snack, and calmly looks toward the mountains. Finish with “MISSION COMPLETE”, “STATION SNATCH”, “TOTAL SCORE: 185”, “CHAOS BONUS +50.”\n\nUse an authentic third-person gameplay camera, realistic physics, NPC reactions, natural motion blur, subtle camera shake, detailed Japanese countryside, realistic lighting and AAA game-engine graphics.\n\nHUD must be minimal and event-based. English text only, exact spelling, no gibberish.\n\nNegative: anime, cartoon, animation, illustration, mobile-game graphics, CGI look, cinematic movie shots, excessive violence, gore, distorted anatomy, duplicated characters, changing face/outfit, random text, subtitles, watermark, excessive HUD.",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2099464101525393596"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-photorealistic-video-of-a-beautiful-young-asian-woman-with-long-str-366de2211ee1",
|
||
"title": "地铁站台上的轻舞女孩",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/79f6b2d7a1dd.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic photorealistic video of a beautiful young Asian woman with long straight black hair, wearing a fitted white long-sleeve top and a short dark pleated skirt, walking and gently dancing on a modern underground subway platform. A subway train is stopped in the background. She moves naturally and confidently, occasionally turning and looking toward the camera while her hair flows with her movement. Another woman appears walking in the background. Modern metro station architecture, dark tiled floor, illuminated overhead fluorescent lights, realistic train windows and doors, shallow depth of field, smooth cinematic camera movement, natural body motion, realistic skin texture, subtle motion blur, professional fashion-video aesthetic, high detail, photorealistic, 4K, cinematic lighting, vertical 9:16 composition.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zoyavelle",
|
||
"sourceUrl": "https://x.com/Zoyavelle/status/2099372756102164923"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-high-end-cinematic-live-action-scene-inside-a-modern-american-high-sch-5470a0729ac7",
|
||
"title": "神秘能量席卷高中走廊",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/59fd69f75b3d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a high-end cinematic live-action scene inside a modern American high school hallway, with rows of metal lockers, large windows, realistic students in the background, and natural indoor daylight.\n\nA young blonde female student wearing a loose off-white shoulder-drop sweater, black skirt, black backpack straps, and delicate layered necklaces walks through the crowded hallway. Keep her facial features, hairstyle, outfit, body proportions, and backpack completely consistent throughout the entire video.\n\nBegin with a medium cinematic shot showing the girl surrounded by other students near the lockers. Slowly push the camera toward her as she looks down, creating a tense and emotional atmosphere. Suddenly, a mysterious glowing pink-red energy effect appears and rapidly moves through the hallway, creating a dramatic supernatural moment. The surrounding students react naturally and move away in panic.\n\nUse dynamic handheld camera movement during the action, realistic motion blur, subtle lens flare, shallow depth of field, natural skin texture, realistic hair movement, cinematic lighting, detailed school environment, volumetric light, realistic shadows, and premium Hollywood-style visual quality.\n\nTransition between wide shots, medium shots, close-ups, and tracking shots smoothly. End with a close cinematic shot of the girl walking directly toward the camera through the hallway, looking shocked and emotionally tense.\n\nPhotorealistic live-action, cinematic color grading, realistic physics, highly detailed environment, natural facial expressions, smooth character movement, dramatic storytelling, 4K, high dynamic range.\n\nNo subtitles, no captions, no text, no logos, no watermark, no background music.\n\n#ai #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️\n#flovaai #visualstorytelling #seedance25",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2098646751205019978"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-video-in-soft-anime-style-of-a-fluffy-white-cat-with-big-sparkling-te-5d65967aaf57",
|
||
"title": "白猫与青年在晨光公寓相拥",
|
||
"description": "动漫风格锁定",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-created-a-video-in-soft-anime-style-of-a-fluffy-white-cat-with-big-sparkling-te-5d65967aaf57.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a video in soft anime style of a fluffy white cat with big sparkling teal eyes living in a bright modern apartment with large windows overlooking a sunny city skyline. The cat sits peacefully on the wooden windowsill, then walks gracefully toward the camera across the polished wooden floor. Close-up shots capture its cute face, twitching whiskers, and curious expression. It stands proudly in the sunlight, sits down elegantly, then playfully pounces after a small white ball. Later the cat looks up hopefully at a young man with dark wavy hair sitting at the dining table eating a sandwich, jumps onto a chair, and climbs onto the man’s lap. The man gently holds and hugs the cat while it nuzzles his hand and face. The video ends with them cuddling warmly on the grey sofa, the cat yawning contentedly in his arms under soft morning light.",
|
||
"category": "anime-style-lock",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2096085776735912274"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithaly-seedance-ai-6f6d5447be56",
|
||
"title": "韩国夏夜市场的烧烤初尝",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "/inspiration-thumbs/seedance/aiwithaly-seedance-ai-6f6d5447be56.webp",
|
||
"mode": "video",
|
||
"prompt": "A Korean woman in her mid-20s walks naturally through a lively evening market filled with glowing food stalls, colorful signs, conversations, footsteps, sizzling grills, drifting steam, and a gentle summer breeze.\n\nShe notices a Korean BBQ-style stall and slows down to watch the vendor grill fresh meat and vegetables. Realistic sizzling, smoke, steam, subtle flames, metal tongs, and natural food physics make the cooking feel completely real.\n\nShe smiles and says, “That smells so good.”\n\nShe chooses her food, receives the tray naturally, carefully carries it through the crowd, and finds an outdoor communal table. She pulls out a chair, sits down, places the tray on the table, and prepares for her first bite.\n\nUsing chopsticks, she picks up the freshly grilled food, pauses for the steam, takes a bite, and reacts with a genuine smile. 😋\n\n“Perfect for a summer night.” 🌙\n\nThe camera slowly pulls back, revealing the glowing stalls, busy pedestrians, outdoor seating, drifting smoke, warm lights, and atmospheric Korean summer night.\n\n🎥 Ultra-photorealistic | Cinematic documentary style | Natural handheld/gimbal movement | Realistic human biomechanics | Authentic Korean market atmosphere | Physically accurate objects, food, smoke, heat & crowd behavior | Natural dialogue & lip sync | Immersive ambient audio | 16:9\n\n🚫 No AI look, robotic movement, teleportation, floating objects, distorted hands, extra fingers, foot sliding, duplicated people, unrealistic crowds, giant flames, excessive smoke, instant transitions, changing faces/outfits, impossible camera movement, text overlays, logos, or watermarks.\n\n🎯 Sequence: Enter → notice grill → watch cooking → choose food → receive tray → walk → sit → first bite → genuine reaction → cinematic market reveal.\n\nPriority: Every action must follow naturally from the previous one, with realistic gravity, weight, friction, momentum, balance, heat, airflow, and material interaction throughout.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2092843818664313185"
|
||
},
|
||
{
|
||
"id": "seedance:synthesarah-seedance-ai-636eef3e35c4",
|
||
"title": "徒步者与猕猴的歪头较量",
|
||
"description": "宠物与动物",
|
||
"image": "https://media.goodcase.ai/media/poster/synthesarah-seedance-ai-636eef3e35c4.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 on @Lart_AI\n\nA simple wildlife moment turns into a hilarious head-tilt battle. \n\nLoved how natural and photorealistic the monkey’s reactions turned out.\n\nTry it here: https://lartai.com/?TG=10794\n\nPrompt below 👇\n\nCreate a completely original 15-second photorealistic comedy video set in a peaceful tropical forest. A young adult male hiker stands on a wooden observation platform, safely observing a realistic macaque monkey sitting on a nearby tree branch. 0–4 seconds: The hiker quietly notices the monkey and raises his camera to take a photograph. The monkey looks directly toward the camera with natural curiosity. 4–8 seconds: The hiker slowly lowers the camera. The monkey tilts its head to one side. The hiker tilts his own head slightly in the opposite direction. The monkey pauses, then tilts its head again in the same direction as the hiker. 8–12 seconds: The hiker changes his head position once more. The monkey watches carefully and repeats the movement. The hiker begins smiling, amused by the coincidence. 12–15 seconds: The monkey suddenly loses interest, turns around casually, and starts grooming itself. The hiker looks at the camera with a confused, amused expression, as if thinking, “Okay… never mind.” VISUAL STYLE 100% original visual presentation, photorealistic live-action appearance, natural wildlife photography, realistic macaque anatomy and fur, authentic tropical vegetation, soft natural daylight, realistic shadows, subtle camera movement, realistic depth of field, natural colors, detailed environmental textures. ANIMAL BEHAVIOR The monkey must behave like a genuine wild animal. No talking, no human clothing, no human-like walking, no exaggerated expressions, no physical contact with the person. The humor comes from the natural coincidence of the monkey copying the hiker's head movement. AUDIO Natural forest ambience, birds, insects and gentle leaves moving in the breeze. Very subtle original playful background music. No recognizable music or audio from existing media. RESTRICTIONS Do not reference or recreate any existing movie, television show, advertisement, viral video, fictional character, celebrity, copyrighted character, recognizable filmmaker's style, branded product, or existing media scene. No logos, no text, no subtitles, no watermark. No cartoon, no animation, no CGI appearance, no fantasy elements, no violence, no dangerous interaction. Create an entirely original, harmless, photorealistic wildlife comedy scene.",
|
||
"category": "pet-animal",
|
||
"sourceId": "seedance",
|
||
"credit": "@SyntheSarah",
|
||
"sourceUrl": "https://x.com/SyntheSarah/status/2092181568534282494"
|
||
},
|
||
{
|
||
"id": "seedance:im-shahid7-seedance-ai-055a8fd88784",
|
||
"title": "Seedance 2.5 动画能力实测短片",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/cf94b02a1c93.jpg",
|
||
"mode": "video",
|
||
"prompt": "Animation in Seedance 2.5 is absolutely mind blowing \nMade with Sd 2.5 on @ImagineArt_X \nPrompt \n\nshading, cinematic light-dark relationships, with localized fusion of ink splash and flying white, high-speed brushes, smear frames, airbrush scratches, and exaggerated yet logically consistent high-speed afterimages for motion. Not xianxia, not a showcase of game skills—core focus is realistic martial arts pursuit under extreme speed disparities.\n\nScene: The \"Cloudbreak Temple\" at dusk right after a heavy rain stops—a massive abandoned ancient temple amid cliffs and mountains, featuring a three-story wooden main hall, deep brown massive wooden pillars, bluish-black wet tiles, half-collapsed corridors, stone courtyards, bell tower, broken railings, cliffside stone bridges, ancient pines, and tattered prayer flags. Western dark clouds split open to reveal an orange-red sunset, with warm golden slanting light piercing into the cold bluish-gray temple grounds; damp stone slabs and tile surfaces reflect characters and effects, while mist, dust, falling leaves, and broken tiles float in the air.\n\nCharacter A: White-haired wandering swordsman \"Bai Jin,\" adult male, lean and wiry build, silver-white long hair, black narrow-sleeved crossover martial robe, deep black short jacket, dark red waist sash, black bound-leg pants and lightweight martial boots, with faint dark purple vein-like patterns on the side of his neck and chest. Combat abilities: extreme high-speed lightness skill \"Purple Lightning Dragon Step,\" meridian-severing palm strikes, heavy leg technique \"Cloud-Cleaving Mountain Breaker.\" Purple effects solely represent high-speed movement, not energy attacks.\n\nCharacter B: Black-robed swordsman \"Shen Yan,\" adult male, black disheveled medium-long hair, ink-black and deep gray narrow-sleeved combat attire, gray-black short cloak, long sword in a deep black scabbard at the waist. Skilled in concealed-blade swordsmanship and tile-stepping footwork reliant on judgment, but speed clearly far inferior to Bai Jin. Throughout the first half, he's constantly suppressed.\n\n0.0–1.0 seconds: \nAction kicks off right in the first second. 20mm ultra-wide ground-level low-angle shot, camera nearly hugging the wet bluish stone ground. Bai Jin dominates the huge foreground, one black martial boot looming enormous due to perspective, body crouched low almost skimming the ground, while dozens of meters away in the distance, Shen Yan stands in the stone courtyard before the main hall. Bai Jin suddenly kicks off explosively, cracking the stone slab beneath into a spiderweb pattern, pooled water blasting backward into a fan-shaped spray, long hair and robe hem fully trailing straight back. Camera immediately follows tight on his body, wooden pillars, stone steps, prayer flags, and eaves streaking into high-speed lines along the motion path. Bai Jin enters \"Purple Lightning Dragon Step,\" forming a continuous high-speed trajectory of bright white-purple core, deep purple body, magenta edges, and minimal greenish color fringing.\n\n1.0–2.5 seconds: \nBai Jin streaks at high speed into the stone courtyard but holds off on attacking right away. He first flashes past Shen Yan's left side, leaving a black human afterimage, white air trail, and sliced-through pooled water from the airflow; in the next instant, he whips around a massive wooden pillar from the right rear. Shen Yan whips his head around quickly searching for the target, hand already on the hilt but not swinging wildly. Camera suddenly pushes in tight on Shen Yan's eyes, pupils first scanning left, then snapping sharply right. In the next frame, Bai Jin cuts in from the side-rear. Bai Jin uses two aligned finger joints to swiftly brush aside Shen Yan's raised scabbard, then immediately follows with a palm root burst from point-blank range, slamming heavily into Shen Yan's face side. Contact must be crystal clear: cheek compresses first, head twists off-axis, hair and rainwater whip to the other side,",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@im_shahid7",
|
||
"sourceUrl": "https://x.com/im_shahid7/status/2089582697815683568"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithelisia-seedance-ai-0084e9601557",
|
||
"title": "Seedance 2.5 地下设施超写实动作戏",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithelisia-seedance-ai-0084e9601557.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic, ultra-realistic action movie scene inside a large underground parking garage at night. A beautiful young woman with long dark brown hair, wearing a black leather jacket, fitted white crop top, black mini skirt, black tights and black ankle boots, walks confidently through the parking area. Several aggressive male attackers suddenly approach her from different directions.\n\nShe immediately fights them with fast, powerful martial-arts movements. Show realistic hand-to-hand combat, punches, blocks, dodges, kicks and throws. Include a close-up of her punching a male attacker in the face, his head reacting naturally to the impact, followed by dynamic wide shots of her fighting multiple attackers simultaneously.\n\nUse parked black and silver cars, concrete pillars, underground parking signs, wet reflective floor and cinematic practical lighting in the background. Add dramatic blue and warm orange lighting, realistic shadows, subtle atmospheric haze and reflections on the cars.\n\nCamera style: cinematic Hollywood action film, dynamic handheld camera, smooth tracking shots, low-angle shots, wide establishing shots, medium shots and dramatic close-ups. Add realistic motion blur during fast movements, natural hair movement, realistic clothing physics and convincing fight choreography.\n\nThe woman should remain visually consistent throughout the entire video, with the same face, hairstyle, outfit and body proportions. The attackers should also remain realistic and consistent.\n\nUltra-realistic human skin, detailed facial expressions, physically accurate movement, realistic anatomy, high-detail environment, cinematic depth of field, professional color grading, dramatic atmosphere, 4K, photorealistic, 24fps, anamorphic cinematic look.\n\nNo text, no subtitles, no watermark, no distorted faces, no extra fingers, no duplicated people, no unnatural body movements.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithElisia",
|
||
"sourceUrl": "https://x.com/AiwithElisia/status/2089580979560337437"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-extremely-fast-paced-luxury-fashion-editorial-video-using-th-83bef02d5153",
|
||
"title": "报纸丛中的勃艮第红时尚女郎",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/119dc36001b8.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second extremely fast-paced luxury fashion editorial video using the reference image. The woman must remain lying in the exact same pose throughout the entire video — no standing, walking, sitting up, or pose changes. Keep her exact facial features, burgundy hair, identity, and styling consistent.\n\nThe video should feel like a rapid fashion campaign, with constant visual movement and very quick cuts every 0.3–1 second, synced tightly to a punchy fashion beat.\n\n0–2s: Start with the overhead shot of her lying among newspapers. Rapid push-in → immediate cut to her applying red lipstick.\n\n2–4s: Ultra-fast beauty cuts:\nlips → lipstick swipe → sunglasses → red nails → pearl earrings → eyes.\nEach shot lasts only a fraction of a second, with quick snap zooms and whip transitions.\n\n4–6s: Back to the full overhead composition. She adjusts her sunglasses while newspapers rapidly fly across the frame. Camera makes a quick circular move around her.\n\n6–9s: Faster macro montage:\nlipstick closing → glossy lips → sunglasses catching light → nails gripping newspaper → earrings swinging → burgundy hair moving.\nUse aggressive editorial cuts, speed ramps, and flash-like transitions.\n\n9–12s: Return to her lying pose. She casually applies lipstick again as newspapers swirl rapidly around her and red rose petals fall from above, creating layered motion around the completely still fashion pose.\n\n12–15s: Rapid sequence of eyes → lips → sunglasses → nails → earrings, then a sudden overhead pullback revealing the entire newspaper-covered composition. Newspapers fly directly across the lens and create the final transition.\n\nVisual style: high-fashion magazine campaign, cinematic overhead photography, dramatic hard sunlight, deep shadows, glossy beauty lighting, realistic skin and hair, rich burgundy/red accents, luxury editorial aesthetic, energetic camera movement, very fast cutting, speed ramps, whip transitions, snap zooms, motion blur, beat-synced editing.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithNatalia",
|
||
"sourceUrl": "https://x.com/AIwithNatalia/status/2103481825096278257"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-character-reference-main-character-identity-aab5b85707ca",
|
||
"title": "都市女性从晨起到入眠的一天",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/6eaa8e31f359.jpg",
|
||
"mode": "video",
|
||
"prompt": "CHARACTER REFERENCE: @image1 = main character identity. Preserve exact face, eyes, nose, lips, skin tone, hairstyle, and body proportions across all scenes. Cinematic 4K, 35mm lens, soft natural lighting, realistic skin texture, subtle film grain.\n\nSCENES SEQUENCE:\n1. MORNING: @image1 opens eyes under soft white bed linens in warm sunlight.\n2. COFFEE: @image1 walks outside sipping coffee, blurred street background.\n3. GETTING READY: @image1 splashes water on face and applies mascara in bathroom mirror.\n4. LEAVING HOME: @image1 steps out of classic building in oversized brown blazer, walks down tree-lined street.\n5. CITY WALK: @image1 walks busy street in a leather jacket while checking smartphone.\n6. CAFE: @image1 reads a book beside a latte, then eats a fresh salad in a brick-walled cafe.\n7. EVENING: @image1 returns home, takes off jacket, washes face, dries with towel, gets into bed, and falls asleep.\n\nSTYLE: photorealistic, shallow depth of field, gentle tracking camera, lifestyle vlog aesthetic.\nNEGATIVE: character identity drift, different woman, generic face, 3D, CGI, anime, beauty filter. --ar 9:16",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2102628377463275651"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-get-ready-for-a-pure-adrenaline-rush-a8a9f11d2ea3",
|
||
"title": "白西装绅士的霓虹节拍漫步",
|
||
"description": "音乐卡点 MV",
|
||
"image": "/inspiration-thumbs/seedance/seedance-get-ready-for-a-pure-adrenaline-rush-a8a9f11d2ea3.webp",
|
||
"mode": "video",
|
||
"prompt": "Get ready for a pure adrenaline rush. 🔥😎\n\nTHE BOSS SWAGGER (Ft. Baasha × Jailer) \n\nTwo eras. One #Thalaivar One Boss. 💥\n\n🎥 Powered by Seedance 2.5 in @higgsfield\n\n#Superstar #Rajinikanth \n#TheBossSwagger @rajinikanth\n\nPrompt 👇\n\n【参考图使用规则】\n\nimage1 为本片唯一角色的外貌与造型参考。角色的面孔、发型、胡须、体型、服装与配饰严格参考 image1,全片所有镜头中绝对不得改变。\n\naudio1 为本片的配乐,时长 28 秒。全片的剪辑切点与人物的身体动作必须与 audio1 的节拍严格同步。\n\n只提取 image1 中的视觉设计。严禁生成角色三视图、灰色摄影棚背景、细节格、6ft 183cm 尺寸标注、FRONT VIEW / SIDE VIEW / BACK VIEW / FRONT CLOSE-UP / TOP-DOWN VIEW 字样、SUNGLASSES / GREY-STREAKED HAIR / RED CRAVAT / RED SASH / WHITE BLAZER / WHITE DRESS SHOES 等标签文字与水印。\n\n【角色造型·全片锁定】\n\n一名 6 英尺高的南印度成年男性,温暖的深肤色。浓密蓬松、带波浪的黑色头发,发间夹杂明显的灰白发丝。浓密修剪整齐的全脸胡须与八字胡,同样带灰白。\n\n服装:米白色的修身西装外套与同色西裤;白色开领衬衫;颈部系一条鲜艳的红色丝质领巾;腰间束一条宽大的红色丝质腰封;白色皮质系带正装皮鞋,细黑色鞋底边。\n\n配饰:一副小巧的圆形墨镜,细金色镜框,全程戴着。\n\n【墨镜镜片锁定】\n\n墨镜的镜片是固定的深紫灰色,全片每一个镜头都完全相同。霓虹、闪光灯与街灯的反光可以在镜片表面滑过,但镜片本身的颜色绝不改变——绝不变成紫色、红色、蓝色、粉色或任何其他颜色,绝不变透明。\n\n【身份锁定】\n\n他的面孔、灰白发丝、胡须、米白西装、红色领巾、红色腰封、圆形金框墨镜与白色皮鞋在所有镜头中必须完全一致。\n\n每一个镜头中都必须有他,而且只有一个他。绝不出现空镜头,绝不出现两个或更多的他。\n\n【人物尺寸·他必须足够大】\n\n在每一个镜头的每一帧中,他在画面中的高度都不得小于画面高度的三分之一。他的面部表情与手部动作必须始终清晰可辨。\n\n绝不出现他在画面中只是一个小点、被环境吞没、看不清表情的镜头。即使是广角镜头,他也必须足够近、足够大。\n\n【本片最核心的规则·这是活动影像,不是照片】\n\n这是一支真实拍摄的动态影像,不是一组照片、不是幻灯片、不是海报。\n\n每一个镜头都是一段正在发生的短动作,有开始、有过程、有结束。每个镜头的第一帧,他就已经在动——正在迈步、正在转头、正在抬手。每个镜头的最后一帧,他仍然在动。他在任何镜头里都绝不从一个静止的姿态开始,也绝不在一个静止的姿态中结束。\n\n在每一个镜头之内,他的身体始终活着:\n\n行走的步态真实而连续,重心在两腿之间交换,肩膀随步伐自然起伏;\n米白西装的下摆、衣袖与红色腰封随动作摆动、褶皱不断变化;\n头发被风或动作带动,发丝持续飘动;\n胸口随呼吸起伏;\n面部肌肉不断变化——下颌、嘴角、眉毛、脸颊都在动。\n\n即使在节奏较缓的镜头中,他的动作只是放慢,绝不停止。\n\n【环境也必须活着】\n\n每一个镜头的环境中都必须有真实的运动:雨在落、霓虹在闪、灯在明灭、风在吹、树叶在摇、车在驶过、行人在远处走动、蒸汽在飘、水面在反光。没有一个镜头的背景是静止的。\n\n背景中招牌上的文字保持模糊、虚焦、不可辨认。\n\n【镜头语言】\n\n机位:每个镜头之内机位完全锁定在三脚架上,绝对静止。不推、不拉、不摇、不移、不环绕、不变焦。画面中的一切运动只来自人物与环境,绝不来自镜头。\n\n禁止任何后期伪造的运动:禁止数字缩放、禁止数字平移、禁止在一张静态画面上做缓慢推移的\"肯·伯恩斯\"效果。\n\n剪辑:镜头之间全部是干净利落的硬切,每一次切换都换成一个完全不同的机位角度。\n\n镜头:以 14—16mm 超广角镜头为主,贴近人物时产生明显的广角透视畸变。机位高度大胆变化:极近脸部、贴地仰拍、高处俯拍、背面肩后视角。经常利用前景中虚化的物件框住画面。\n\n人物始终位于画面中央。\n\n能量来源:全片的冲击力来自机位角度的高速切换与每个画面内真实的运动,不来自镜头的甩动,也不来自定格的英雄海报。\n\n绝对不得使用溶解、淡入淡出、划像、叠化、闪白、黑场或任何转场特效。\n\n【音画同步】\n\n全片的节奏由 audio1 驱动,节拍约为 144 BPM。每一个硬切都精确落在 audio1 的鼓点上。\n\n人物动作中最关键的那一下——挑眉、打响指、耸肩、抬下巴、手指触碰墨镜、脚步落地——都踩在 audio1 的鼓点上。\n\n在 audio1 节奏较缓的两个段落(5.52—8.05 与 12.27—14.80),人物的动作随之放慢、舒展,但依然持续在动。\n\n【嘴部锁定·绝对禁止对口型】\n\n他全片一个字都不说、一句都不唱。他的嘴全程闭合,嘴唇只在坏笑与半笑时嘴角向一侧上扬,笑的时候嘴唇依然闭合,不露牙齿。\n\n他绝不张嘴、绝不开合嘴唇、绝不做出任何说话或唱歌的口型。即使 audio1 中有人声或歌词,他的嘴也绝对不得跟随。他与音乐的连接只通过身体完成。\n\n【举止】\n\n他带着极其强大的气场——不慌不忙、从容、自信、带着一点戏谑的松弛。他的步伐带着摇摆,每一个手势干脆利落,但做完之后身体立刻继续流动,绝不僵住。\n\n他的表情藏在墨镜之后,情绪通过下颌的角度、闭合嘴唇的弧度、眉毛的高低、头部的倾斜、肩膀的松紧、手部的动作传达。\n\n【声音】\n\n全片唯一的声音是 audio1。没有任何对白、人声、旁白、歌词、环境音效或额外的配乐。所有文字都是画面说明,绝对不得念出、不得配音。\n\n【画面】\n\n电影级布光:暖色实景光源配合冷色霓虹光,高时尚感的调色。高动态范围,9:16 竖屏,35mm 胶片颗粒 20%。\n\n背景中的路人始终处于远处与虚焦中,绝不进入前景、绝不与他互动、绝不遮挡他。\n\n━━━━━━━━━━━━━━━━━━\n\n【分镜表】\n\n0.00–1.32 | 14mm 超广角,镜头离他的脸极近,脸部有明显的广角畸变 | 他从画面一侧一步踏进来,头微微前探,下巴收紧,胸口随呼吸起伏,嘴唇闭合,一个强烈的凝视 | 霓虹夜街,身后的霓虹招牌在闪烁,霓虹的光在他的深紫灰色镜片表面滑过\n\n1.32–3.01 | 贴地低角度广角,镜头放在路面上 | 他从中景距离大步走向镜头,越走越近,雨水打在他的西装肩上,红色腰封与西装下摆随步伐摆动;走到画面前方时一侧眉毛从墨镜框上方挑起,那一步的落地正好踩在鼓点上 | 雨中的斑马线,雨滴持续落下,积水倒映着车灯并被他的脚步踩碎\n\n3.01–5.52 | 站台上的中景,他的上半身与腰封完整入画 | 他沿着站台边缘走向镜头,边走边抬手比出手指枪,手腕在鼓点上一抖,随后把手插回裤袋继续走,嘴角一侧扬起 | 地铁站台,一列地铁在他身后呼啸而过,车窗灯光一格格从他身后掠过,气流把他的头发与衣摆吹起\n\n5.52–8.05 | 荷兰角倾斜的中景,前景有一根虚化的路灯杆 | 节奏放缓:他放慢脚步继续走着,缓缓抬起一根手指轻触墨镜镜框,指尖沿镜框滑下,头随之微微侧转,胸口随呼吸起伏,晚风吹动他的发丝 | 城市人行道,傍晚,街灯一盏盏亮起,远处行人虚焦地走过\n\n8.05–9.74 | 背面四分之三的肩后视角 | 他背对镜头向深处走去,西装后摆随步伐摆动;走到一半回头侧脸一瞥,肩膀在鼓点上轻松一耸 | 阳光斑驳的公园小径,树叶在风中摇动,光斑在他背上不断移动\n\n9.74–12.27 | 从天花板高处俯拍,他占据画面中央的主要部分 | 他走过一排空车位,边走边用手指整理颈间的红色领巾,把它捋平,随后抬头向上看向镜头,嘴角扬起半笑 | 空旷的地下停车场,一排冷白顶灯,其中一盏在闪烁\n\n12.27–14.80 | 侧面低角度中景 | 节奏放缓:他沿栏杆缓步走着,一只手在身前缓缓划出一个优雅的花式手势,手指展开又收拢;风把他的头发与领巾吹起,他的头慢慢转向镜头 | 城市楼顶步道,傍晚的天际线,远处的灯光一盏盏亮起,风吹动一面旗\n\n14.80–16.50 | 极低角度仰拍,镜头几乎贴地 | 他大步走向镜头,每一步落地都带着分量,走到画面中央时猛地抬起下巴,强烈的凝视,头发随这一下甩动 | 夜晚的地下通道,头顶昏黄的灯管一盏接一盏,远处车灯掠过\n\n16.50–18.18 | 斜侧面中景,前景有一根虚化的柱子 | 他边走边在鼓点上打一个响指,随即手指指向镜头,身体随节拍轻晃着继续前行 | 机场航站楼,巨大的玻璃窗外一架飞机在滑行,远处旅客拖着行李走过\n\n18.18–19.89 | 正面中景 | 他在不断闪烁的闪光灯中走向镜头,闪光在他的脸与西装上此起彼伏;他挑起一侧眉毛,用一根手指把墨镜推正 | 红毯入场处,两侧虚焦的摄影师不停按下快门\n\n【19.89—23.27|瞬移段落·全片唯一的瞬移】\n\n这一段落与全片其他镜头不同:机位固定为从他正上方垂直向下俯拍,他的头顶、肩膀与身体占据画面中央的主要部分,大小足够清晰地看见他的面部。在这一段落的 4 个镜头中,机位、景别、他在画面中的位置与大小完全一致,只有他脚下的地面在每次硬切时瞬间换成一个全新的世界。\n\n这一段落的 4 个镜头必须快速切换,每个镜头约 0.8 秒,比全片其他镜头明显更快。\n\n连续动作:他的头从低垂着,一点一点向上抬起,这个抬头动作跨越 4 次切换连续进行,每一次切换时从上一帧的位置精确地接着往下走,绝不重置、绝不跳回起点。到最后一个镜头时,他完全仰头,直视正上方的镜头,闭合的嘴角扬起一个半笑。\n\n每次切换,照在他身上的光也随新世界改变。\n\n19.89–20.72 | 大理石宫殿大厅繁复的彩色拼花地面 | 他的头低垂\n20.72–21.57 | 体育场的绿色草坪与白色场地线 | 他的头抬起一些\n21.57–22.40 | 豪华游艇的柚木甲板,一条条木纹 | 他的头继续抬起\n22.40–23.27 | 雨中湿透的石板广场,积水倒映着灯光 | 他完全仰头直视镜头,半笑\n\n━━━━━━━━━━━━━━━━━━\n\n23.27–24.74 | 侧面低角度中景 | 他快步走过小巷,走到画面中央时头部猛地一偏,墨镜镜片表面划过一道反光——一个锐利的侧目 | 东京霓虹小巷,雨后湿滑的地面倒映着霓虹,红灯笼在风中摇晃\n\n24.74–26.45 | 贴地的蚂蚁视角仰拍 | 他从通道尽头的强光中大步走出,剪影逐渐显出细节,一直走到镜头近前,英雄式地抬起下巴 | 体育场的球员通道,尽头是刺眼的球场灯光,光线中有飘动的雾气\n\n26.45–28.00 | 14mm 超广角,镜头离他的脸极近,脸部有明显的广角畸变——与开场第一个镜头相呼应 | 他一步走近镜头,用一根手指把墨镜往下拨一点,露出镜框上方的眼睛,眨一下眼,闭合的嘴角扬起一个半笑;他的头发与领巾仍在被风轻轻吹动,胸口仍在随呼吸起伏,直到最后一帧 | 电影院大堂,暖色的灯光,身后的霓虹招牌在闪\n\n━━━━━━━━━━━━━━━━━━\n\n【负面提示词】\n\n墨镜镜片变色,镜片变成紫色,镜片变成红色,镜片变成蓝色,镜片颜色在镜头间变化,镜片变透明;\n\n人物在画面中太小,人物被环境吞没,看不清人物的表情,远景中人物只是一个小点;\n\n瞬移段落中机位改变,瞬移段落中他的位置移动,瞬移段落中抬头动作重置,瞬移段落的镜头太慢,瞬移段落的动作跳回起点;\n\n静态照片感,幻灯片,照片拼贴,海报感,定格,冻结帧,人物一动不动,人物模特般僵硬,蜡像般静止,人物从静止姿态开始,人物在静止姿态中结束,姿态凝固,衣服不动,头发不动,没有呼吸,面部表情凝固,背景静止,环境没有运动;\n\n数字缩放,数字平移,肯·伯恩斯效果,在静态画面上缓慢推移,假运镜,镜头内推拉,镜头内摇移,镜头内环绕,镜头内变焦,手持晃动,镜头甩动;\n\n对口型,嘴唇与音乐同步,嘴唇随歌词开合,唱歌的口型,说话的口型,张嘴,嘴巴开合,嘴唇蠕动,哼唱,唱歌,说话,露齿大笑,张嘴大笑,舌头可见;\n\n镜头中没有人物,空镜头,只有场景没有人,出现两个他,人物复制,分身,镜像人物;\n\n画面与 audio1 不同步,切点不在鼓点上,动作不踩节拍,生成其他背景音乐,替换 audio1,混入其他音乐,添加音效;\n\n换脸,面孔改变,面孔在不同镜头间不一致,发型改变,灰白发丝消失,胡须消失,体型改变,人物变年轻,人物变老;\n\n换装,西装变色,米白西装变成纯白或灰色,红色领巾消失,红色腰封消失,红色变成其他颜色,脱下外套,皮鞋变色,墨镜消失,墨镜被摘下,墨镜变成其他款式;\n\n人物不在画面中央,人物偏离中心,人物出画;\n\n溶解,淡入淡出,划像,叠化,闪白,黑场,转场特效,慢动作,快进感,跳帧,多个镜头合并成一个;\n\n路人进入前景,路人与他互动,人群遮挡他,出现第二个主角;\n\n背景招牌上出现清晰可读的文字,背景出现乱码文字,出现对白,出现人声,旁白,歌词,字幕,Logo,UI,水印,屏幕文字,念出画面说明文字;\n\n角色三视图,灰色摄影棚背景,细节格,6ft 字样,183cm 字样,FRONT VIEW 字样,图片原有文字;\n\n卡通渲染,动漫风格,3D 塑料质感,低清晰度,过曝,过度锐化,蜡像皮肤,电子游戏过场感。\n\n💥 This Prompt is particularly tailored for Thalaivar's style and mannerisms. You can replace your characters and change locations with Thalaivar's style. I also added style and camera motion info in the comments, you can extend the clip with it. 💥",
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"category": "music-beat-sync-mv",
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"sourceId": "seedance",
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"credit": "@abulu8",
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"sourceUrl": "https://x.com/abulu8/status/2102427507861725344"
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},
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{
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"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-live-action-korean-countryside-lifestyl-46d44b9fcd35",
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"title": "韩国乡村夏日水枪追逐战",
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"description": "手持 UGC Vlog",
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"image": "https://media.goodcase.ai/cases/0b6e8f28de59.jpg",
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"mode": "video",
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"prompt": "Create a 30-second ultra-photorealistic live-action Korean countryside lifestyle vlog showing a playful summer water-gun battle between a young Korean woman and three village children.\n\nBegin with the woman walking through a quiet Korean village when the children surprise her with a playful water-gun attack. She laughs, joins the game, and the friendly battle turns into a spontaneous chase through the sunlit village streets.\n\nShow authentic Korean countryside details including traditional homes, stone walls, gardens, trees, bicycles, narrow paved roads and warm summer sunlight. Keep all characters, clothing, water guns and environment perfectly consistent.\n\nCapture realistic water-gun pressure, fluid dynamics, gravity, air resistance, droplets, splashes, wet clothing, wet hair, running biomechanics, friction, momentum and natural environmental reactions. Water should behave like real pressurized liquid rather than artificial beams.\n\nUse modern 2026 handheld cinematic-vlog cinematography with dynamic tracking shots, close-ups, over-the-shoulder angles, realistic autofocus, natural camera inertia and occasional wide village views.\n\nNatural diegetic audio only: children's laughter, footsteps, water-gun sounds, water impacts, leaves, birds, insects and authentic Korean reactions. No music, narration or subtitles.\n\nEnd with everyone completely soaked and laughing together as sunlight catches the falling water droplets in the peaceful village street.\n\nNo CGI, animation, fantasy water, impossible physics, dangerous behavior, distorted faces or hands, duplicated children, changing clothing, excessive camera movement, logos or watermark.",
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"category": "handheld-ugc-vlog",
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"sourceId": "seedance",
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"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2099725518677655596"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-part-1-0-30s-2c2d4b4a09b6",
|
||
"title": "汽泡托起少女飞越水果山海",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/05ec57c8f832.jpg",
|
||
"mode": "video",
|
||
"prompt": "PART 1 (0–30s)\n— 16:9, 4K, seedance 2.5 render quality\n— 6 cuts, handheld reality / weightless dreamworld, one graphic match cut\n\nCAMERA BEHAVIOR CONTRACT: in the REAL WORLD the camera is HANDHELD — organic micro-shake, human weight, drift and correction. CRITICAL: during the ascent (CUT 3) the handheld camera is PLANTED ON THE GROUND — the operator does not fly, does not crane, does not dolly; they stand on the kitchen floor and TILT UP, tracking her from below as she rises away, hands trembling slightly with the effort of craning back. In the DREAMWORLD the handheld dies: weightless, silk-smooth flight cam.\n\nDREAMWORLD RULE — PHOTOREAL SURREAL: top-tier CGI rendered with physical realism — true atmospheric haze, aerial perspective, realistic cloud volumes, physically correct liquid. The surrealism is in WHAT exists: an endless glowing turquoise sky over a luminous sparkling-water ocean; slow-motion FRUIT MOUNTAINS — mountain-scale formations of giant glossy limes, cherries and pineapple wedges fused with erupting cyan-liquid peaks; balloon-sized carbonation bubbles rising with real refraction.\n\nCharacter: woman from @Image 1 — same facial features, same long dark layered waves, unchanged — wearing a flowing pale-turquoise linen sundress, barefoot, morning stillness turning to wonder. The Aqua Lagoon can stays in her hand through the entire sequence.\n\n[0–3s] CUT 1 — THE SIP. Handheld medium, kitchen morning light: she pops the tab — crack and hiss → raises the can → tilts back → one gulp. Her eyes widen mid-swallow.\n\n[3–6s] CUT 2 — THE BUBBLES. Handheld tight on the can at her lips: a stream of glowing, oversized carbonation bubbles escapes the can's mouth → they multiply → swirl around her arms and shoulders → and as they gather beneath her, her bare feet peel off the kitchen floor. Contact, lift, weightlessness — in that order. She gasps a laugh.\n\n[6–15s] CUT 3 — THE ASCENT (one continuous ground-locked shot, into the match). Camera PLANTED on the kitchen floor, low wide angle, tilting up to follow her: she rises through the room wrapped in the bubble stream, hair floating, cream walls and soft aqua cabinets sliding down past frame edges → above her the ceiling BREAKS OPEN — plaster and beams parting outward in slow motion, dust drifting weightless, morning light flooding down → she passes through → keeps rising into open blue sky → grows smaller against the sky, bubbles trailing beneath her. Frame trembles slightly with the strain of the tilt. FREEZE THE GEOMETRY of the final frame: her small silhouette centered high in frame against open sky, still rising, arms slightly out, bubble trail below.\n\n[15–19s] CUT 4 — THE OTHER SKY (MATCH CUT). GRAPHIC MATCH: first frame mirrors the previous final frame exactly — same silhouette, same position, same scale, same bubble trail — but the sky is now the luminous TURQUOISE of the dreamworld and the handheld shake is gone: weightless smooth cam. Hold the matched composition 0.5s → she decelerates at the apex, levels out, takes in the view: vast turquoise sky, glowing sparkling-water ocean far below, fruit mountains on the horizon. The bubble stream disperses around her like released balloons.\n\n[19–27s] CUT 5 — AROUND THE MOUNTAINS. She flies happily, banking in a wide arc AROUND the fruit mountains — skimming past a mountain-scale lime ridge, weaving along a pineapple-slice cliff face with cyan liquid cascading off it in slow motion, cherries tumbling past like giant red planets. Camera ORBITS her as she flies, closing in gradually — wide orbit → tightening — turquoise dress vivid against the deeper turquoise sky.",
|
||
"sourceId": "seedance",
|
||
"credit": "@aaassa120",
|
||
"sourceUrl": "https://x.com/aaassa120/status/2098830419794030708"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-kiss-kiss-d141755d3737",
|
||
"title": "雨夜豪车后座的霸总虐恋短剧",
|
||
"description": "强制爱 Kiss kiss💋 霸总做派,带血强吻,尺度还是有点大😄 Seedanc…",
|
||
"image": "https://media.goodcase.ai/cases/8ada40dbf001.jpg",
|
||
"mode": "video",
|
||
"prompt": "强制爱 Kiss kiss💋\n\n霸总做派,带血强吻,尺度还是有点大😄\n\nSeedance 2.5 prompt 👇\n\n时长:25秒\n比例:16:9横屏\n人物参考:\n@ \n 女主, \n@\n 男主\n语言:无对白、无旁白\n文字:无字幕\n音频:紧张暧昧音乐、雨声、车流声、三次耳光声、急促呼吸、衣料摩擦\n\nGLOBAL CONTINUITY\n\n女主:\n使用\n\n 锁定成年女主的五官、脸型、肤色和身份。穿黑色高领修身连衣裙。性格倔强、冷漠,面对男主靠近时明确反抗。\n\n男主:\n使用\n\n 锁定成年男主的五官、脸型、肤色和身份。黑色短发向后梳,穿黑色暗纹西装、黑色衬衫。被扇后逐渐失去克制。\n\n司机:\n中年男性,黑色司机制服、白色手套。只在后视镜中短暂出现,不说话、不回头。\n\n场景:\n雨夜行驶中的黑色豪华加长轿车。黑色真皮后排、深色木纹内饰、星空车顶、暖色阅读灯。车窗布满雨滴,窗外蓝红霓虹高速掠过。\n\n整体表演:\n成年演员表演的强冲突爱情微短剧。三次巴掌必须真实清楚,男主头部必须沿受力方向偏转;亲吻、咬唇、分开与再次靠近必须有明确因果。所有拉扯均为安全表演,男主手掌只扣住下颌和后颈,不挤压喉咙。\n\nSHOT 1(00:00-00:02.00)欲吻与第一巴掌\n\n00:00-00:00.70\n男主坐在女主左侧,缓慢向她靠近,目光从她眼睛落到嘴唇。女主身体轻微后仰,眼神冷漠,右手开始抬起。\n\n00:00.70-00:01.10\n男主闭眼继续靠近,但嘴唇尚未接触女主。\n\n女主突然挥出右手,一巴掌准确扇中男主左脸。\n\n动作顺序:\n右肩带动手臂→右手掌接触男主左脸→清脆耳光声→男主头部猛地偏向右侧。\n\n00:01.10-00:02.00\n女主迅速收回右手,冷冷盯着男主。男主保持偏头姿势半秒,随后缓慢转回,眉骨压低,神情由错愕转为愤怒。\n\nCamera:\n车内双人中近景,完整拍清女主手臂轨迹与男主受力反应。禁止用模糊或闪白掩盖巴掌。\n\nSHOT 2(00:02.00-00:06.00)第一次强吻与咬唇\n\n00:02.00-00:02.70\n男主转回后突然逼近,一手扣住女主后颈,一手抓住她肩膀,将她拉向自己。\n\n女主双手抵住男主胸口,试图保持距离。\n\n00:02.70-00:04.20\n男主吻住女主。女主身体紧绷,手掌持续推抵男主胸口;男主保持后颈和肩膀的控制姿势。\n\n00:04.20-00:04.80\n女主在拉扯中突然咬住男主下唇。男主眉心骤然收紧,因疼痛立即后撤。\n\n00:04.80-00:06.00\n两人分开。男主下唇和嘴角出现一点暗红血迹,只是少量渗血。女主快速喘气,仍然愤怒直视他。两人都不触碰或观察伤口。\n\nCamera:\n先用双人近景呈现拉扯,再切到能够看清咬住下唇的侧面特写。不能使用舌头特写。\n\nSHOT 3(00:06.00-00:08.50)第二巴掌\n\n00:06.00-00:06.60\n男主嘴角带着少量血迹,再次向女主靠近。女主左肩向后蓄力,左手快速抬起。\n\n00:06.60-00:07.10\n女主用左手一巴掌扇中男主右脸。\n\n动作顺序:\n左臂横向挥动→左手掌接触男主右脸→第二声耳光→男主头部被打得偏向左侧。\n\n00:07.10-00:08.50\n男主向左偏头,停顿约0.7秒。他慢慢转回来,嘴角仍带一点血迹,眼神变得更冷。\n\n女主左手停在胸前,身体靠紧座椅,保持防备。\n\nCamera:\n固定双人中景,第二巴掌必须与第一巴掌方向相反。\n\nSHOT 4(00:08.50-00:12.00)第二次强吻与第三巴掌\n\n00:08.50-00:09.20\n男主突然伸手,一手扣住女主后颈,另一手托住她的下巴,使她转向自己。手掌不能压住喉咙。\n\n00:09.20-00:10.70\n男主再次吻住女主。动作比第一次更快、更强势。女主双手抓住男主衣领,身体向后抵住座椅,随后用力向侧面挣脱。\n\n00:10.70-00:11.10\n女主成功偏开脸,嘴唇分开。她右手已经抬起,男主还保持前倾姿势。\n\n00:11.10-00:11.60\n女主第三次挥出右手,再次扇中男主左脸。\n\n动作顺序:\n右手快速横扫→掌心击中左脸→第三声耳光→男主头部再次偏向右侧。\n\n00:11.60-00:12.00\n男主动作停住,脸偏向右侧。女主收回右手,靠着座椅急促呼吸。\n\nConstraints:\n第三巴掌必须发生在第二次亲吻结束后,不能边吻边打,不能漏掉嘴唇分开的动作。\n\nSHOT 5(00:12.00-00:13.50)司机反应\n\nCamera:\n切至前排驾驶舱和车内后视镜。\n\n司机双手握住方向盘,继续注视道路。他短暂向上移动视线,通过后视镜看见后排两人,眉毛轻抬,露出一个很淡的吃瓜笑意,随即立刻看回前方。\n\n司机不说话、不转头、不改变车速。\n\n后视镜中可模糊看见男主重新靠近女主,但不能抢走司机镜头重点。\n\nSHOT 6(00:13.50-00:25.00)最终长吻\n\n00:13.50-00:14.50\n镜头切回后排。男主与女主沉默对视。男主脸颊有轻微红印,嘴角仍保留少量血迹。\n\n男主伸手托住女主下巴,迫使她抬起脸;另一只手绕到女主后颈。女主眉心收紧,双手抵住男主胸口。\n\n00:14.50-00:15.30\n男主缓慢靠近。两人的嘴唇距离从十厘米缩短至完全接触。\n\n女主先睁眼看着男主,接触后才闭眼。\n\n00:15.30-00:19.00\n最终亲吻开始。男主一手托住女主后脑,另一手扶住她肩背;女主双手仍抓住男主胸前衣料。\n\n亲吻连续不中断。车身经过弯道轻微晃动,两人随惯性靠得更近。\n\n00:19.00-00:22.00\n两人自然调整一次头部角度,但嘴唇保持接触。男主的动作由强硬逐渐变得稳定;女主肩膀逐渐放松,抓住西装的手指不再用力推开。\n\nCamera:\n从右侧近景缓慢环绕到左侧近景,始终保留双方手部和面部,不能只拍嘴唇。\n\n00:22.00-00:25.00\n镜头缓慢穿过布满雨滴的车窗拉到车外。黑色轿车行驶在雨夜高架道路上,后排车窗内仍能看到两人相拥亲吻的剪影。\n\n最终亲吻从15.3秒持续到25秒,约9.7秒,直到最后一帧都不分开。\n\nPERFORMANCE CONSTRAINTS\n\n- 全片恰好三次巴掌,不能少、不能多。\n- 第一巴掌:女主右手打男主左脸。\n- 第二巴掌:女主左手打男主右脸。\n- 第三巴掌:女主右手再打男主左脸。\n- 第一巴掌发生在男主欲吻但尚未接触时。\n- 第一巴掌后男主吻回去,女主咬破男主下唇。\n- 咬唇后男主嘴角只出现一点血迹。\n- 第二巴掌后发生第二次亲吻。\n- 第二次亲吻结束后才发生第三巴掌。\n- 司机镜头位于第三巴掌之后。\n- 最终亲吻持续至片尾。\n- 所有人均为成年人。\n- 后颈控制只表现强势姿态,手掌不能挤压喉咙或造成窒息。\n\nNegative:\n任何字幕,任何屏幕文字,旁白,对白,只有一次巴掌,只有两次巴掌,出现第四次巴掌,巴掌顺序错误,左右手错误,击打脸侧错误,耳光打空,女主抚摸男主脸,女主擦拭血迹,观察伤口,男主第一次就吻到女主,漏掉第一次欲吻未成,漏掉咬唇,女主咬错自己的嘴唇,大量出血,喷血,第二巴掌前没有分开,第三巴掌发生在司机镜头后,最终亲吻过短,最终吻提前结束,机械亲吻,嘴唇融合,鼻子穿模,张嘴过大,掐喉咙,窒息动作,人物换脸,男女主身份互换,司机坐到后排,司机持续回头,汽车无人驾驶,车内空间变化,窗外静止,多余手臂,多余手指,字幕,水印,Logo",
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2094792293941182498"
|
||
},
|
||
{
|
||
"id": "seedance:oggii-0-seedance-ai-5ed8176ffb89",
|
||
"title": "韩国女生辣味挑战崩溃实录",
|
||
"description": "美食 ASMR",
|
||
"image": "https://media.goodcase.ai/media/poster/oggii-0-seedance-ai-5ed8176ffb89.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic personal home-video of a young Korean woman confidently accepting a spicy food challenge from her friend, only to completely unravel as the heat kicks in. No reference image.\nMAIN SUBJECT\nYoung Korean woman in her early 20s, casual and playful energy, natural makeup, expressive face that shifts from smug confidence to genuine distress.\nHair tied back in a high ponytail to \"keep it out of the way,\" a few loose strands already escaping, small stud earrings.\nWearing an oversized gray hoodie with sleeves pushed up, loose sweatpants, sitting cross-legged on the floor like she's settling in for battle.\nMaintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video.\nSETTING\nA cozy, lived-in living room floor setup, late afternoon light coming through the window.\nA low coffee table covered with a spread of increasingly spicy tteokbokki/ramen bowls lined up in a row, a stack of napkins, a carton of milk and a glass of water nearby \"just in case,\" a phone propped against a water bottle timing things, a half-eaten snack bag pushed aside, and a blanket tossed on the couch behind her. Ordinary, slightly messy, very real.\nCAMERA / VISUAL AESTHETIC\nRaw personal footage filmed by her friend on a phone, strong handheld vlog shake throughout.\nCamera bounces slightly with the friend shifting position to get better angles of her face. Autofocus hunts between the steaming bowls and her face. Mild motion blur when she reaches for water in a panic. Exposure shifts slightly as the afternoon light changes. Visible digital noise, slightly warm color cast from the window light.\nNo stabilization, no cinematic polish — it should feel like a real video shot for a group chat dare.\n00:00–00:05 — THE CONFIDENT SETUP\nShe rolls up her sleeves theatrically, cracking her knuckles over the bowls like she's about to do something serious.\nShe looks into the camera, completely unbothered, smug smile.\n\"This is nothing. I grew up eating spicy.\"\n00:05–00:10 — FIRST BITE\nShe picks up the first, mildest bowl and takes a confident bite, chewing casually, nodding like it's easy.\n\"See? Nothing.\"\nThe camera stays steady, her friend clearly unimpressed off-camera: \"That one's basically ketchup, keep going.\"\n00:10–00:15 — THE SHIFT\nShe moves to the second, spicier bowl. A few bites in, her nodding slows. Her eyes start to water slightly, and she reaches for the water glass \"just to wash it down,\" still trying to act casual.\nHer voice comes out slightly strained: \"It's — it's fine, it's just warm.\"\nThe camera pushes in slightly, catching the sweat starting to form on her forehead.\n00:15–00:20 — LOSING COMPOSURE\nShe hits the hottest bowl. One bite in, her whole face changes — eyes wide, fanning her open mouth with her hand, grabbing for the milk carton and drinking straight from it.\nShe sets it down hard, breathing fast, pointing at the bowl accusingly.\n\"Okay — okay that one's not normal, that's not — \"\nThe camera shakes as her friend bursts out laughing off-camera.\n00:20–00:25 — FULL MELTDOWN\nShe grabs a napkin, fanning her tongue with her hand while making a pained noise, rocking slightly where she sits.\nShe reaches for the water again, chugs it, immediately regrets that too and grabs the milk back.\nHer friend, off-camera, barely able to film straight from laughing: \"You said you grew up eating spicy?!\"\nShe shoots a watery-eyed glare at the camera without being able to respond, still fanning her mouth.\n00:25–00:30 — FINAL MOMENT\nShe slumps back against the couch, defeated, milk carton clutched to her chest, face flushed and eyes still watering.\nShe looks at the camera, voice hoarse and pathetic.\n\"...I don't grow up eating spicy. I lied.\"\nShe weakly gives a thumbs down as the frame shakes with her friend's laughter, and the footage cuts abruptly to black.\nAUDIO\nNatural location sound only:\nChewing, sniffling, exaggerated exhales and gasps, milk carton opening and gulping sounds, napkin rustling, her friend's genuine off-camera laughter throughout, glass clinking against the table, and handheld camera noise.\nNo music. No narration. No artificial sound effects.\nSpoken lines: \"This is nothing. I grew up eating spicy.\" / \"See? Nothing.\" / \"That one's basically ketchup, keep going.\" (friend) / \"It's — it's fine, it's just warm.\" / \"Okay — okay that one's not normal, that's not —\" / \"You said you grew up eating spicy?!\" (friend) / \"...I don't grow up eating spicy. I lied.\"\nFINAL FEEL\nGenuine, escalating physical comedy built entirely on real reactions to real heat — confident denial collapsing into full surrender. Funny, relatable, unscripted-feeling, the kind of video that gets sent straight to a group chat with \"lmaooo.\"\nNo exaggerated acting beyond real spice reactions. No fake toughing-it-out — the comedy comes from how fast and how completely her composure breaks.",
|
||
"category": "food-asmr",
|
||
"sourceId": "seedance",
|
||
"credit": "@oggii_0",
|
||
"sourceUrl": "https://x.com/oggii_0/status/2094267751477232053"
|
||
},
|
||
{
|
||
"id": "seedance:johnagi168-seedance-ai-792fb30bed36",
|
||
"title": "水上人形墙螃蟹蹲挑战",
|
||
"description": "最近这个螃蟹蹲也是挺火的🔥咱也整一个📺 还是来源日本老哥丰富多彩的玩法😂 只需上…",
|
||
"image": "https://media.goodcase.ai/cases/41f55c86bd5d.jpg",
|
||
"mode": "video",
|
||
"prompt": "最近这个螃蟹蹲也是挺火的🔥咱也整一个📺\n\n还是来源日本老哥丰富多彩的玩法😂\n\n只需上传一张自己图片输入下面提示词即可生成同款视频🎬\n\nSeedance 2.5 prompt 👇\n\nSEEDANCE 2.5|水上人形墙挑战\n\n【风格】真人水上综艺闯关节目(Live-Action Water Game Show),明快饱和色彩,盛夏正午自然光,真实广播级摄影,快速剪辑,轻喜剧节奏,真实重力与水体物理,4K高清\n【时长】15秒\n【画幅】16:9横屏\n【语言】中文男声画外解说,主角没有正式台词,仅保留呼吸、用力声和落水前的短促惊叫;无字幕\n【场景】大型户外水上综艺竞技场,碧蓝泳池中央架设橙色狭长挑战平台,平台尽头是一块沿隐藏轨道匀速前进的浅蓝色厚实人形墙板;墙板中央开着“头部居中、双肘横向打开、双手抱头、双腿大幅分开下蹲”的螃蟹深蹲人形孔洞。泳池对面是坐满观众的半圆形看台,上方覆盖大型白色遮阳棚。\n\n【人物角色卡】\n@图片1 命名“夏妍”,水上综艺闯关者。人物脸部、身形、发型、妆容、服装及配饰完全继承参考图,不增加或修改任何外观元素。\n角色目标:在移动人形墙到达前,快速看懂孔洞姿势并让身体穿过。\n表演轨迹:自信亮相 → 看清题目后短暂震惊 → 急忙调整姿势 → 以为已经成功 → 察觉尺寸不合 → 被墙体推落水 → 浮出水面后不服气地瞪向镜头。\n表演方式:偏真实综艺反应,不故意卖萌,不从第一秒就夸张;所有表情变化必须由墙体移动、身体接触和落水结果依次触发。\n\n[00:00-00:02.00] 镜头1:第二关开始(Close-up Hook)\n正面近景:夏妍站在橙色平台中央,泳池和浅蓝色人形墙板位于她身后。镜头使用中长焦压缩背景,观众席轻微虚化。\n\n[00:00-00:00.80]\n夏妍直视镜头,保持自信从容的笑容,肩膀自然放松。背景传来机械装置启动的“咔嗒”声和低沉电机声。\n\n【中文男声画外解说】“第二关,开始!”\n\n解说声音明亮有力,像现场综艺主持人,不能使用新闻播音腔。\n\n[00:00-00:00.80-00:02.00]\n机械运转声逐渐接近。夏妍的笑容停住,眼睛突然睁大,嘴唇自然张成小圆形;她先看镜头,再迅速转动眼睛观察身后的挑战墙。\n\n反应不能提前出现,必须在机械声响起之后才从自信变为意外。\n\n【中文男声画外解说】“这次是——超级螃蟹蹲!”\n\n“超级螃蟹蹲”提高音量并拉长尾音,配短促综艺铜管音效。\n\n[00:02.00-00:05.00] 镜头2:看懂姿势,马上就位(Wide Shot → Rear Three-quarter)\n硬切全景:完整展示橙色平台、泳池、浅蓝色人形墙板和观众席。人形墙从平台远端沿直线轨道缓慢向夏妍移动,全程保持垂直,速度稳定。\n\n[00:02.00-00:03.00]\n夏妍迅速转身面向人形孔洞,先上下扫视孔洞轮廓,确认头、双肘、躯干和双腿的位置。\n\n她小跑两步靠近墙板前方的定位区域,脚底与平台接触真实,不打滑、不瞬移。\n\n[00:03.00-00:05.00]\n后侧三分之二机位:夏妍双手抬到脑后,手指交叠,双肘向左右打开;双脚快速向两侧分开,膝盖向外,身体重心逐渐下沉。\n\n【中文男声画外解说】“双腿打开,重心压低,双手抱头!”\n\n解说节奏与动作同步:\n\n“双腿打开”对应双脚向两侧移动;\n“重心压低”对应身体进入深蹲;\n“双手抱头”对应双手在脑后交叠。\n\n身体动作必须依次完成,禁止三种动作同一帧突然出现。\n\n[00:05.00-00:09.00] 镜头3:姿势对了,尺寸不对(Symmetrical Front Shot)\n切到墙板正面的对称全景。摄影机隔着人形孔洞拍摄夏妍,她的头、手臂、躯干和双腿分别对准对应开口。\n\n[00:05.00-00:06.20]\n夏妍保持双手抱头和宽距深蹲,左右调整脚步,再把身体向孔洞中心移动几厘米。\n\n她先低头检查双脚位置,再抬眼看向正在接近的墙板。嘴唇轻轻抿住,呼吸加快。\n\n[00:06.20-00:07.50]\n墙板继续沿轨道匀速前进。夏妍把重心压得更低,让双肘和双腿尽量贴合孔洞边缘。\n\n她短暂闭眼用力,肩膀轻微抬高;重新睁眼时,瞳孔扩大,嘴唇张开,发现孔洞比预想中更紧。\n\n【中文男声画外解说】“姿势很标准——”\n\n前半句语气兴奋,像在宣布她即将成功。\n\n[00:07.50-00:09.00]\n墙板距离她越来越近。她保持姿势不敢乱动,只能轻微转动眼睛观察两侧孔洞边缘。\n\n孔洞边缘逐渐靠近她的双肘和腿部,但尚未发生接触。她脸上的自信一点点消失,嘴巴微张,呼吸停顿半拍。\n\n【中文男声画外解说】“可这个洞……好像小了点!”\n\n“可这个洞”后停顿约0.3秒;“小了点”降低音量,带明显不妙的预感。\n\n背景音乐在此处暂停一个重拍,只留下墙体机械声和观众吸气声。\n\n[00:09.00-00:10.50] 镜头4:没穿过去(Side Shot / Physical Comedy)\n切到平台侧面中全景,同时看见人形墙、夏妍和她身后的泳池边缘。\n\n[00:09.00-00:09.50]\n墙板到达夏妍的位置。孔洞边缘先轻轻接触她身体外侧,她立即意识到无法完全穿过,双眼睁大,手从脑后松开,掌心向前寻找支撑。\n\n反应必须由接触触发,禁止提前站起或提前后仰。\n\n【中文男声画外解说】“糟了,没卡进去!”\n\n[00:09.50-00:10.50]\n墙板继续保持原有速度向前,无法通过孔洞的夏妍被平稳推向平台边缘。\n\n她的重心逐渐越过脚后跟,脚掌先在平台上向后滑动小段距离;随后膝盖伸展、身体向后倾斜、双臂在身体两侧快速摆动维持平衡。\n\n到达平台边缘时,她先半坐到边缘,双腿因惯性向上抬起,然后整个身体向后落入泳池。\n\n禁止墙板突然加速,禁止夏妍主动起跳;落水必须来自墙板持续推动和身体重心后移。\n\n夏妍在离开平台瞬间发出短促自然的“啊!”声。\n\n[00:10.50-00:12.50] 镜头5:巨大落水水花(Water Impact / Real Fluid Physics)\n[00:10.50-00:11.20]\n侧面宽景:夏妍背部和身体后侧首先接触水面,双腿随后落水。\n\n入水点瞬间炸开大片白色水花,水柱向上和向两侧扩散;细小水滴形成真实抛物线,较重水团迅速回落。\n\n【中文男声画外解说】“还是被推下水了!”\n\n“下水了”与最大水花同时出现。\n\n【音效】低沉落水声、大片水花声、观众惊呼。\n\n[00:11.20-00:12.50]\n镜头继续停留在落水区域。夏妍完全没入水中,只剩白色泡沫、扩散涟漪和逐渐回落的水滴。\n\n泡沫由密到疏,水面波纹向泳池四周传播。人形墙停在平台边缘,不能倒下、弯曲或落入水中。\n\n背景音乐短暂停顿,随后以轻快鼓点重新进入。\n\n[00:12.50-00:15.00] 镜头6:不服气的回马枪(Water-level Push-in)\n切到接近水面的正面中景。\n\n[00:12.50-00:13.20]\n夏妍从水下浮出,先露出头部,再露出肩膀。她闭着眼睛呼出一口气,水从脸部和下巴连续滴落。\n\n她张开双臂划水保持身体稳定。湿水只能改变表面状态,不得改变人物脸部、发型结构、服装结构或身份特征。\n\n[00:13.20-00:14.00]\n夏妍睁开眼睛,确认镜头就在前方。她没有立刻生气,而是先抿紧嘴唇,把两边脸颊缓慢鼓起来。\n\n摄影机在水面高度轻轻向前推进,景别由中景变为近景。背景观众和平台逐渐虚化。\n\n【中文男声画外解说】“挑战失败——”\n\n在“失败”后停顿,让观众看清她逐渐变化的表情。\n\n[00:14.00-00:15.00]\n近景:夏妍鼓着脸颊,微微压低眉毛,直勾勾盯住镜头,像是在责怪节目组把洞做小了。\n\n她保持这个表情到最后一帧,不能提前松气、微笑或移开视线。下巴滴下一条连续水线,水面围绕肩膀产生细小波纹。\n\n【中文男声画外解说】“但是气势满分!”\n\n“满分”与观众欢呼和掌声同步。最后0.3秒定格在她鼓脸瞪镜头的表情上,形成明确喜剧收束。\n\n【完整中文旁白】\n“第二关,开始!”\n“这次是——超级螃蟹蹲!”\n“双腿打开,重心压低,双手抱头!”\n“姿势很标准——可这个洞……好像小了点!”\n“糟了,没卡进去!”\n“还是被推下水了!”\n“挑战失败——但是气势满分!”\n\n【声音设计】\n全程使用活泼、节奏明确的中文水上综艺男声解说,语气自然、有现场感,不使用机械播音腔。\n背景音乐为轻快综艺铜管、鼓点和短促悬念停顿;不能遮盖解说和关键音效。\n保留墙板机械运转声、脚步声、用力呼吸、观众惊呼、巨大落水声、水下气泡声、结尾欢呼与掌声。\n夏妍没有正式对白,只在用力时短促呼气、落水前自然惊叫;禁止无台词时持续张嘴对口型。\n\n【物理与连续性要求】\n夏妍全片严格继承人物参考图,不能改变脸部、体型、发型、服装或配饰。\n人形墙始终为同一块厚实墙板,孔洞形状、大小和方向保持不变;墙板沿隐藏轨道直线匀速移动。\n夏妍必须先看孔洞、再摆姿势、再被墙体接触、再失去平衡、最后落水,动作顺序不能颠倒。\n身体不能穿过实体墙板;墙板也不能穿透身体。接触后由持续推力改变她的重心,使她自然向后跌入泳池。\n落水后人物必须先完全没入水中,再从同一落水位置附近浮出;禁止从水下瞬移到镜头前。\n水面、水花、泡沫、水滴和涟漪遵循真实流体运动;湿水状态持续到结尾。\n群众只作为虚化背景观众,不生成单独人物特写,不抢夺主角焦点。",
|
||
"category": "sports-extreme",
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2092536240436363328"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-49dbf66ad64f",
|
||
"title": "电影感护肤美妆 Vlog",
|
||
"description": "一份详细的脚本式提示词,用于制作护肤美妆 Vlog,包含女性展示产品使用的分镜头序列,…",
|
||
"image": "https://media.goodcase.ai/media/poster/vlog-49dbf66ad64f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic vertical 9:16 beauty vlog style, 4k resolution, ultra-realistic textures, clean lighting, and smooth camera stabilization.\nScene & Timeline Choreography \n00:00 - 00:02\nVisual: A young woman with short, platinum-blonde hair and a glowing complexion looks directly into the camera with an excited expression inside a bright, modern white-tiled bathroom while holding a small yellow rubber duck under her chin.\nVoice Over: (Playful, surprised intake of breath or light chuckle)\n00:02 - 00:05\nVisual: She smiles warmly while looking down at the yellow rubber duck in her hand, then looks back up toward the camera with a playful expression.\nVoice Over: \"Okay, wait...\"\n00:05 - 00:07\nVisual: She brings a bottle of orange skincare serum up close to the camera, showcasing the label clearly while speaking with an enthusiastic expression.\nVoice Over: \"I literally cannot believe how good this is.\"\n00:07 - 00:08\nVisual: A close-up shot of her hands dispensing a drop of the translucent, glossy serum onto her fingertip and rubbing it gently against her palm.\nVoice Over: (Soft ambient bathroom sounds / gentle product texture application)\n00:08 - 00:10\nVisual: Close-up of her face as she gently pats and applies the serum onto her cheek, highlighting her radiant skin and smooth application.\nVoice Over: \"Look how it just melts in...\"\n00:10 - 00:13\nVisual: Medium shot showing her full outfit—an off-the-shoulder white long-sleeve top, dark brown leather shorts, and white thigh-high stockings—standing by the bathroom counter with plants and a towel, gently touching her glowing cheek.\nVoice Over: \"...my skin already feels insane.\"\n00:13 - 00:15\nVisual: She holds up the orange serum bottle again, flashing a wide, radiant smile directly at the camera while speaking excitedly.\nVoice Over: \"Okay, I'm obsessed. I'm not going back!\"",
|
||
"category": "fashion-lookbook",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@IsabellaHan_",
|
||
"sourceUrl": "https://x.com/IsabellaHan_/status/2081055849556877749"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-ultra-realistic-cinematic-sci-fi-war-film-15-seconds-16-9-60fps-handheld-ca-8b3a4a994544",
|
||
"title": "废墟工厂中的机甲战士与无人机",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-ultra-realistic-cinematic-sci-fi-war-film-15-seconds-16-9-60fps-handheld-ca-8b3a4.webp",
|
||
"mode": "video",
|
||
"prompt": "Ultra-realistic cinematic sci-fi war film, 15 seconds, 16:9, 60fps, handheld camera, desaturated gray-blue color grade, overcast sky, film grain. Keep the character from the reference image identical in every shot: same face, same weathered gray-green armor with clear visor helmet and glowing amber visor trim. Location: ruined industrial wasteland, rusted factory towers, smoking chimneys, scrap piles, small fires, puddles. Enemies: small hovering quad-drones with glowing blue eyes, one with a red eye.\n\n0-2s: Close-up of the soldier's face behind the visor, tense, dirt on face, drones flying behind him. Camera slowly pushes in.\n2-4s: Tight shot, he ducks and turns fast, armor shoulder fills the frame, red-eyed drone above.\n4-6s: Low wide shot, he crouches behind a concrete barrier, explosion and smoke in the background, blue light glowing on his wrist.\n6-8s: Side shot, he rises and fires a plasma rifle at a drone, sparks burst from the drone.\n8-10s: Wide shot, a hit drone flips and spins away through the air, he stands in firing stance, more drones circling.\n10-12s: Medium shot, he swings his arm with a glowing blue wrist gauntlet, then a close-up of the blue energy charging in his fist, face determined.\n12-13s: Wide shot, blue energy dome shield erupts around him at the barrier, drones fly around.\n13-15s: Camera slowly pulls back to a huge wide shot, tiny soldier in the center of the wrecked factory field, smoke and flames, drones in the sky.\n\nNegative prompt: face change, different character, armor change, cartoon, anime, CGI look, plastic skin, blur, low quality, distorted hands, extra limbs, deformed helmet, flicker, warping, text, watermark, logo, subtitles, oversaturated colors, bright daylight, morphing, inconsistent lighting\n\n#AIVideo #SciFi #CinematicAI #AIArt #FutureWar #Cinematic #AIFilm",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2104432266235851168"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-photorealistic-lifestyle-video-of-a-beautiful-young-korean-woman-with-cdc93272602d",
|
||
"title": "首尔女子的优雅日常",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/ec9f9061aaa1.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic photorealistic lifestyle video of a beautiful young Korean woman with long dark brown hair, natural makeup and delicate facial features, living an elegant everyday life in Seoul. Scene 1: she is inside a cozy modern apartment with warm beige tones, large floor-to-ceiling windows with soft white curtains, gray sofa, wooden coffee table and indoor plants. She wears a cream cardigan over a white camisole and casually walks through the room while holding a coffee mug. Scene 2: she walks alone through a quiet narrow Seoul residential street surrounded by traditional Korean and modern brick buildings, utility poles and parked cars, natural daylight, realistic urban atmosphere. Scene 3: she enters an underground subway entrance through a glass-covered stairway. Scene 4: she sits at an office desk wearing an elegant beige blazer and white blouse, working naturally on a computer beside a takeaway coffee, bright modern office with large windows. Scene 5: she walks through a beautiful traditional Korean hanok alley at golden hour, wearing a light beige/cream dress, holding a cup, warm sunlight shining directly behind her, traditional wooden houses and hanging lanterns, soft lens flare. Natural human movements, subtle expressions, realistic hair and clothing motion, cinematic composition, shallow depth of field, soft natural lighting, realistic skin texture, professional DSLR cinematography, 35mm lens, smooth camera movement, atmospheric, high detail, photorealistic, film look, 4K.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zoyavelle",
|
||
"sourceUrl": "https://x.com/Zoyavelle/status/2101893707897381209"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-an-ultra-realistic-cinematic-live-action-video-using-the-uploaded-refere-4e8d758c342e",
|
||
"title": "定格人群中的神秘微笑",
|
||
"description": "时间冻结与倒放",
|
||
"image": "https://media.goodcase.ai/cases/15605829a601.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an ultra-realistic cinematic live-action video using the uploaded reference image as the exact visual reference for the woman, her face, hairstyle, outfit, proportions, crowd, environment, lighting, and composition. A young woman with a sleek short dark bob, fitted black turtleneck, black trousers, black shoes, and minimal jewelry walks calmly through a dense crowd. She reaches the center and stops completely still while the surrounding people suddenly begin moving in rapid, perfectly synchronized motion—turning their heads, shifting positions, raising their arms, and stepping in unison. The woman remains completely motionless and expressionless as the chaotic movement suddenly stops, leaving the entire crowd frozen mid-action.\n\nThe woman remains standing perfectly still at the center of the frozen crowd, calmly looking around while every person remains locked in their exact position. The camera slowly pushes closer toward her as the silent crowd stays completely motionless in the background. She then looks directly into the lens and gives a subtle mysterious smile. Photorealistic skin, realistic anatomy, natural lighting, believable physics, shallow depth of field, authentic handheld camera movement, and natural ambient sound. No anime, cartoon, illustration, CGI look, morphing, duplicated people, distorted faces, teleportation, floating objects, exaggerated effects, subtitles, logos, or watermark.",
|
||
"category": "time-freeze-rewind",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2100414408069669001"
|
||
},
|
||
{
|
||
"id": "seedance:laviniavelle-seedance-ai-2e945550d885",
|
||
"title": "红瞳女术士巨石摧毁城堡",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/cases/2037ea91856a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic dark fantasy action sequence, dynamic low-angle wide shots and extreme close-ups. A young East Asian female sorceress with short black hair, wearing a traditional black hanbok with red trim, stands in the middle of a medieval battlefield at sunset under a moody pink and orange sky. Surrounding her are fallen soldiers in plate armor and scattered swords. Close-up on her intense gaze as her eyes glow deep red. She performs intricate martial hand seals (mudras). As she touches the ground, small pebbles hover into the air, telekinetically lifting swords and massive boulders from the earth. In the background, a massive stone castle wall begins to crack and crumble. The hovering rocks gather high in the sky, merging into a colossal floating boulder. With a sharp hand gesture, she hurls the massive rock down, slamming it into the fortress in a giant explosion of dust and shockwaves. High contrast cinematic lighting, epic fantasy VFX, motion blur, hyper-detailed, 8k resolution, photorealistic, 24fps film style.\n\n#polloai",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2094262382478737792"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-luxury-streetwear-fashion-film-combining-rapid-outfit-change-e7f858674b8c",
|
||
"title": "未来街头时装七套造型变换",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/e0cce170b7e2.jpg",
|
||
"mode": "video",
|
||
"prompt": "DURATION: 15s | FORMAT: 16:9\n\nCreate a 15-second luxury streetwear fashion film combining rapid outfit changes, premium editorial layouts, and beat-synced graphic transitions.\n\nCore Structure:\nWide Hero Shot → Graphic Reveal → Beauty Close-Up → Dynamic Fashion Angles → Final Signature Frame\n\nCharacter Lock:\n- Same female model throughout entire video\n- Maintain identical face, skin tone, body proportions, hairstyle identity, and appearance\n- Keep character near center frame at all times\n- No facial drift or character replacement\n\n0.0–1.5s\nMinimal gray concrete studio.\nModel stands confidently at center frame.\nCamera locked.\nMassive metallic text \"NO LIMITS\" expands behind her.\nEditorial elements appear:\nGeometric lines, serial numbers, frame guides, measurement marks, catalog graphics.\nStudio transforms into a luxury campaign cover.\n\n1.5–3.0s\nQuick push-in to beauty close-up.\nModel slowly raises chin toward camera.\nNatural eye contact.\nHair moves gently.\nBackground becomes monochrome silver editorial texture with glossy magazine reflections.\n\n3.0–4.5s\nLOOK 01.\nOversized luxury streetwear outfit.\nFull-body fashion pose.\nBackground changes into futuristic editorial layout with giant typography and campaign graphics.\n\n4.5–6.0s\nLOOK 02.\nStructured denim couture outfit.\nMedium shot.\nModel takes a smooth side step.\nTypography slides rapidly across frame.\nSilver, charcoal, and electric blue dominate.\n\n6.0–7.5s\nLOOK 03.\nModern monochrome sportswear.\nModel turns naturally.\nHair follows with realistic motion.\nBackground becomes layered graphic panels with coordinates, technical markings, and oversized numbers.\n\n7.5–9.0s\nLOOK 04.\nContemporary athleisure outfit.\nLow-angle shot.\nModel places one hand in pocket.\nSubtle confident smile.\nLarge chrome typography animates with the beat.\n\n9.0–10.5s\nLOOK 05.\nAvant-garde runway outfit.\nStylish fashion pose.\nRapid camera push-in.\nBackground fully restructures into a fresh editorial composition.\n\n10.5–12.0s\nLOOK 06.\nLuxury varsity-inspired outfit.\nCamera pulls back slightly.\nModel stands tall.\nWhite jacket with metallic details.\nLong platinum silver hair.\nElegant grayscale editorial graphics behind her.\n\n12.0–13.5s\nLOOK 07.\nSharp contemporary power suit.\nModel walks confidently toward camera.\nPace increases.\nBackground becomes dark charcoal and silver magazine design.\nLarge titles, frame guides, serial numbers, and graphic elements animate rapidly.\n\n13.5–15.0s\nFINAL HERO SHOT.\nSleek futuristic black fashion outfit.\nModel stands confidently at center frame.\nClean medium shot.\nBackground simplifies.\nOnly elegant editorial graphics remain.\nFinal campaign signature appears.\nFreeze frame on final beat.\n\nSTYLE:\nLuxury streetwear campaign.\nPremium fashion photography.\nFuturistic editorial magazine design.\nHigh-end commercial advertising.\nGrayscale base with silver and electric blue accents.\nOversized typography.\nTechnical graphics.\nGeometric grids.\nThin frame lines.\nSubtle photographic texture.\nNew outfit and layout every 1–1.5 seconds.\nBeat-synced transitions.\nControlled camera movement.\nPremium studio lighting.\n\nAVOID:\nFace changes.\nIdentity drift.\nCharacter replacement.\nBody deformation.\nExtra limbs.\nHand distortions.\nProportion inconsistencies.\nMessy typography.\nExcessive camera shake.\nRandom backgrounds.\nCartoon style.\nLow-quality CGI.\nWatermarks.\nSubtitles.\nVisual glitches.\n\nFinal result should feel like a luxury streetwear campaign, futuristic fashion editorial, premium commercial photoshoot, and rhythm-driven fashion music video.",
|
||
"sourceId": "seedance",
|
||
"credit": "@itxabdullaa",
|
||
"sourceUrl": "https://x.com/itxabdullaa/status/2105517564277436767"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-afd5597e849a",
|
||
"title": "韩国女孩初次体验农场挤牛奶",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/c91264b21dc1.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\nUsing @openart_ai\n\nPrompt \n\nCreate a 30-second, 1080p ultra-realistic personal home-video showing a young Korean woman visiting a traditional countryside farm and learning how to milk a cow. No reference image.\n\nMAIN SUBJECT:\nA naturally pretty Korean woman in her early 20s, realistic skin texture, minimal makeup, long black hair tied in a loose low ponytail. She wears a simple pale-yellow cotton T-shirt, relaxed blue jeans, white sneakers, and a small beige crossbody bag. Keep the same face, hairstyle, clothing, body proportions, and appearance throughout.\n\nSETTING:\nA small traditional Korean countryside farm on a warm summer afternoon. Old wooden barn, cows, hay, buckets, farming tools, green fields and simple farmhouse surroundings. Everything should feel authentic, ordinary and lived-in.\n\nCAMERA:\nThe camera is ALWAYS IN FRONT OF THE GIRL, never behind her. A friend films her while standing or walking backward in front of her using a handheld smartphone/early-2000s consumer DV camcorder. Her face stays clearly visible. Strong natural handheld shake, imperfect framing, autofocus hunting, exposure changes, slight motion blur, soft digital detail and mild image noise.\n\nNO cinematic camera movements, NO gimbal, NO drone, NO rear shots, NO polished commercial look, NO beauty filter.\n\nTIMELINE\n\n0:00–0:05 — Entering the Barn\nThe girl walks toward the camera with her friend filming from directly in front. She looks excitedly at the cows and smiles. She says in Korean:\n“오늘 소 젖 짜는 걸 배워볼 거예요.”\n\n0:05–0:10 — Getting Ready\nHard cut. She sits beside a calm cow while an experienced farmer demonstrates how to position the bucket and gently milk. The camera stays in front, showing her face and hands naturally.\n\n0:10–0:15 — Awkward First Attempt\nShe tries milking herself. At first she squeezes incorrectly and barely gets any milk into the bucket. She looks confused, then laughs at herself.\n“어? 왜 안 나오지?”\n\n0:15–0:21 — Trying Again\nHard cut. The farmer calmly shows her the correct hand movement. She tries again while the friend films from the front. This time milk starts flowing into the bucket. Her face immediately lights up.\n\n0:21–0:26 — She Gets It\nShe continues successfully, looking proudly toward the camera. She laughs and says:\n“됐다! 진짜 된다!”\n\n0:26–0:30 — Happy Ending\nShe stands beside the cow holding the small bucket and smiles at the camera. She gently pats the cow and gives a little wave.\n“오늘 진짜 재밌었어요. 안녕!”\nNatural cut to black.\n\nAUDIO:\nOnly real farm sounds: cow mooing, bucket sounds, footsteps, birds, insects, distant farm activity and natural conversation. No music and no narration.\n\nOVERALL STYLE:\nIt must look like a genuine friend-recorded memory from an ordinary farm visit—not a movie or advertisement. Front-facing coverage throughout, with natural reactions and imperfect handheld footage.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2102363821784617343"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-close-to-medium-shot-of-a-young-east-asian-woman-standing-under-a-w-e896c3026c7e",
|
||
"title": "雨中檐下吃苹果的女孩",
|
||
"description": "时尚造型册",
|
||
"image": "/inspiration-thumbs/seedance/seedance-a-cinematic-close-to-medium-shot-of-a-young-east-asian-woman-standing-under-a-w-e.webp",
|
||
"mode": "video",
|
||
"prompt": "A cinematic close-to-medium shot of a young East Asian woman standing under a weathered wooden porch during heavy rain. She wears a wet black baseball cap, a slightly translucent wet white oversized t-shirt, and a beige tote bag strap over her shoulder. Her dark hair is tied in a messy bun with wet strands sticking to her face and neck. White wired earphones are in her ears.\n\nRain pours steadily from a rusty metal downpipe, dripping off the corrugated roof. Lush green forest and misty mountains fade into the background. Soft natural lighting, cool teal-green color grade, shallow depth of field, filmic grain, melancholic and quiet atmosphere.\n\nSequence:\n- She looks down, then slowly raises her hand to adjust her wet cap.\n- She takes out white earphones and inserts them one by one.\n- She leans against the wooden post and gazes out at the rain.\n- She extends her palm into the falling rain, watching droplets hit her hand.\n- Close-up: she wipes a shiny red apple with a white cloth.\n- She takes a large bite of the apple, juice dripping from her lips and chin.\n- She chews slowly, looking sideways with a calm, slightly distant expression while rain continues to fall.\n\nUltra-realistic, 35mm film look, natural skin texture with rain droplets on face and cap, wet fabric details, no makeup, quiet rainy-day mood.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithElisia",
|
||
"sourceUrl": "https://x.com/AiwithElisia/status/2102269278489903244"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-beautiful-korean-girl-in-a-dreamy-vintage-countryside-setting-d034c6ea3f5d",
|
||
"title": "少女的复古乡野慢时光",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/8cc77dab2e8b.jpg",
|
||
"mode": "video",
|
||
"prompt": "A beautiful Korean girl in a dreamy vintage countryside setting.\nShe wears a delicate white dress with black ribbon details and a lace headband.\nShe rides a classic bicycle through a peaceful wildflower meadow under warm sunlight.\nShe later relaxes on the grass beneath a tree, quietly reading a book.\nShe walks across a small wooden bridge while holding a book above her head.\nThe scene changes to a cozy vintage home where she carefully cuts a fresh watermelon.\nA nostalgic old television and rustic interior create a warm retro atmosphere.\nShe spends a quiet moment beside a colorful aquarium filled with swimming fish.\nThe video has soft cinematic lighting, gentle camera movement, and a dreamy nostalgic mood.\nCreate a beautiful 25-second cinematic montage with realistic details, natural motion, and a warm vintage aesthetic.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2101911177962090931"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-handheld-slightly-shaky-vlog-style-footage-following-a-young-woman-with-long-c-62874cf2f39c",
|
||
"title": "卷发女孩的纽约秋日漫步",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/7472d1bd1d84.jpg",
|
||
"mode": "video",
|
||
"prompt": "Handheld, slightly shaky vlog-style footage following a young woman with long curly dark hair, oversized tortoiseshell sunglasses, and gold hoop earrings as she walks through New York City. She wears a cream shearling teddy coat with black leather trim and toggle buttons over a short black skirt, black sheer tights, and black platform sneakers, with a black crossbody bag. The sequence opens with her exiting a building through glass revolving doors onto a sidewalk lined with storefronts, then cuts to her walking away from camera down a busy street past pedestrians in suits, then a close-up of her sipping from a plastic water bottle at a crosswalk with a yellow NYC taxi passing behind her, and finally her walking away from camera down a sunlit, tree-lined path in a park scattered with autumn leaves, benches on either side. Natural daylight, golden-hour warmth in the park shots, candid documentary energy, 9:16 or 16:9 handheld camera movement, realistic skin and fabric texture, shallow depth of field on close-ups.\nWant me to tailor it for a specific model (Sora, Veo, Runway, Kling)? They each respond a bit differently to camera/style phrasing.\n#Flovaai #Flovacpp @Flovaai_Japan",
|
||
"sourceId": "seedance",
|
||
"credit": "@CaliraVal",
|
||
"sourceUrl": "https://x.com/CaliraVal/status/2100476402940215610"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-realistic-slice-of-life-video-about-a-young-woman-spen-99acdb41e54d",
|
||
"title": "天台落日前修好旧收音机",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/836da0926bec.jpg",
|
||
"mode": "video",
|
||
"prompt": "CONCEPT:\nCreate a 30-second ultra-realistic slice-of-life video about a young woman spending a quiet evening on an apartment rooftop, trying to get an old battery-powered radio working before sunset.\n\nThe entire story happens in one location. No shopping, no café, no market, no journey, and no walking-home sequence.\n\nThe charm comes from tiny realistic actions, environmental sounds, and her reaction when the radio suddenly works.\n\nFORMAT:\n30 seconds • 16:9 • 1080p • photorealistic live-action • authentic handheld consumer-camera footage\n\nMAIN CHARACTER\n\nA young Moroccan woman in her early 20s with naturally curly dark hair tied loosely with a fabric band.\n\nShe wears a faded mustard sweatshirt, relaxed dark jeans, white canvas sneakers, and a thin silver necklace.\n\nKeep her face, hair, clothing, necklace, age, body proportions, and identity completely consistent.\n\nLOCATION\n\nAn ordinary apartment rooftop in Casablanca, Morocco, shortly before sunset.\n\nThe rooftop contains:\n\n- Concrete walls\n- Old plastic chairs\n- Several potted plants\n- Water tanks\n- Laundry lines\n- A small wooden table\n- A dusty portable radio\n- Neighboring apartment buildings\n- Satellite dishes\n- Laundry moving gently in the breeze\n\nWarm late-afternoon sunlight gradually changes as the scene progresses.\n\nNo famous landmarks or recognizable brands.\n\nCAMERA STYLE\n\nRecorded by a friend using an older consumer camcorder.\n\nThe camera should feel physically present on the rooftop.\n\n- Handheld movement\n- Slight natural shake\n- Imperfect framing\n- Occasional autofocus hunting\n- Exposure shifts when pointed toward the sunset\n- Mild digital noise\n- Slight compression\n- Natural motion blur\n- Ordinary color reproduction\n- No stabilization\n- No artificial bokeh\n- No commercial cinematography\n\nSHOT BREAKDOWN\n\n0–5 SECONDS — THE RADIO\n\nStart with a close shot of an old dusty portable radio sitting on a small wooden table.\n\nThe woman enters the frame and picks it up.\n\nShe turns the power knob.\n\nNothing happens.\n\nShe taps the side of the radio.\n\nShe looks at the camera.\n\n“Come on…”\n\n---\n\n5–10 SECONDS — TRYING AGAIN\n\nShe opens the battery compartment.\n\nThe camera moves closer over her shoulder.\n\nShe removes the batteries and checks them.\n\nOne battery is slightly loose.\n\nShe adjusts it and puts everything back together.\n\nA small click.\n\nStill nothing.\n\nShe gives the radio an annoyed look.\n\n---\n\n10–15 SECONDS — THE ANTENNA\n\nShe pulls the antenna upward.\n\nThe antenna makes a tiny metallic clicking sound.\n\nShe rotates the radio toward different directions.\n\nThe camera follows her movement.\n\nSuddenly, a burst of static comes through the speaker.\n\nShe immediately stops moving.\n\n---\n\n15–21 SECONDS — FOUND IT\n\nShe slowly turns the tuning dial.\n\nStatic.\n\nMore static.\n\nThen a faint, completely original radio melody comes through.\n\nHer expression changes into a genuine smile.\n\nShe looks toward the camera.\n\n“There.”\n\n---\n\n21–26 SECONDS — SUNSET\n\nShe places the radio on the table.\n\nShe pulls a plastic chair closer and sits down.\n\nThe camera slowly shifts away from her toward the rooftop horizon.\n\nThe radio continues playing softly.\n\nWind moves the laundry behind her.\n\nShe quietly listens.\n\n---\n\n26–30 SECONDS — LITTLE ENDING\n\nShe suddenly reaches over and lowers the radio volume.\n\nShe looks at the sunset.\n\nThe camera moves slightly closer from behind.\n\nShe doesn't say anything.\n\nThe shot ends naturally on her sitting beside the radio as the sunlight fades.\n\nAUDIO\n\nAuthentic rooftop ambience only:\n\n- Wind\n- Distant traffic\n- Birds\n- Laundry fabric moving\n- Radio static\n- Dial clicks\n- Battery compartment clicks\n- Plastic chair scraping concrete\n- Quiet original radio melody\n- Natural breathing\n\nNO ADDED BACKGROUND MUSIC.\n\nThe radio melody must be original and not imitate a recognizable copyrighted song.\n\nREALISM / PHYSICS\n\nThe radio must behave like a real old battery-powered device.\n\nThe tuning dial should physically rotate.\n\nThe antenna should extend realistically.\n\nThe static should change naturally as the radio is rotated.\n\nThe laundry should respond subtly to the wind.\n\nThe chair should scrape slightly when moved.\n\nSunlight and shadows should remain physically consistent throughout.\n\nHands must interact naturally with the radio and battery compartment.\n\nNEGATIVE PROMPT\n\nCGI, 3D render, animation, plastic skin, beauty filter, artificial face, face morphing, identity drift, extra fingers, malformed hands, duplicated people, floating objects, impossible radio mechanics, fake static, unrealistic antenna movement, teleportation, object duplication, excessive HDR, oversaturated colors, heavy cinematic grading, artificial bokeh, fake film grain, studio lighting, perfect stabilization, drone footage, commercial advertisement aesthetic, exaggerated acting, subtitles, captions, logos, watermarks, recognizable brands, copyrighted music, wardrobe changes, hairstyle changes, continuity errors.\n\nFINAL LOOK\n\nThe final footage should feel like someone casually filmed a quiet evening on a rooftop and happened to capture a small moment that felt worth remembering.\n\nDon't force emotion.\n\nDon't make the sunset overly dramatic.\n\nKeep the imperfect camera movement, ordinary rooftop clutter, realistic wind, slight autofocus mistakes, and natural pauses.\n\nSimple moment. Real environment. Genuine reaction.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ChillaiKalan__",
|
||
"sourceUrl": "https://x.com/ChillaiKalan__/status/2099707127267049912"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-bright-clean-beauty-commercial-of-a-young-southeast-asian-woman-with-fair-gl-546b189243cf",
|
||
"title": "浴室里的清透护肤晨间流程",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/06011798971c.jpg",
|
||
"mode": "video",
|
||
"prompt": "A bright, clean beauty commercial of a young Southeast Asian woman with fair glowing skin, dark hair pulled neatly back, wearing a simple white camisole, standing in a modern bathroom with pastel mint and peach tiled walls, a round gold-rimmed mirror, and a white marble counter. Soft natural lighting, fresh and airy aesthetic, high-end skincare ad look.\nShe smiles at the camera while holding a light-blue Wardah Lightening Gentle Wash tube. Cut to close-up of her hands on the marble counter picking up a Wardah Lightening Serum dropper bottle among other matching light-blue tubes and a cream jar. She pulls the dropper out with a drop of serum falling. Then she gently pats the lightweight serum onto her cheek with her fingertips, skin looking dewy and radiant. Next she holds a Wardah Lightening Day Cream jar, unscrews the white lid, and applies a small amount of white cream to her face with a glowing finish. Final shot: she stands behind the full product lineup arranged neatly on the counter (Gentle Wash tubes, serums, day cream jar, toner) with both hands framed under her chin, smiling softly.\nCinematic beauty commercial style, shallow depth of field, soft highlights on skin, clean product packaging in matching powder-blue and white, no text overlay, photorealistic, 9:16 vertical.",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2099360578741354744"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-an-ultra-realistic-cinematic-commercial-for-a-fictional-premium-wireless-4edc18232149",
|
||
"title": "戴耳机的女子漫步都市,静享天台落日",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/94eb3d1f1cb9.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an ultra-realistic cinematic commercial for a fictional premium wireless headphone brand called AURA.\nFeature a stylish young woman with long dark hair, natural makeup, a fitted pastel-blue sleeveless top, white denim shorts, oversized cream shirt worn open, white sneakers and a small shoulder bag. Maintain consistent character, outfit and headphone design throughout.\nShe walks through a lively downtown street filled with traffic, conversations and city sounds. She puts on the sleek AURA headphones, and the noisy environment instantly fades into a rich, immersive soundtrack.\nAs the music builds, she walks through a coffee shop, crosses a busy pedestrian street and enters a modern shopping district. Use smooth tracking shots, low-angle walking shots, facial close-ups, headphone detail shots and cinematic reflections.\nCut to golden hour as she reaches a rooftop terrace. She adjusts the headphone controls, closes her eyes and enjoys the music while the city glows behind her.\nEnd with a slow push-in toward the headphones as she turns toward the skyline.\nVoiceover:\n“Your world is full of noise.\nBut your moment belongs to you.\nAURA brings every beat, every detail, and every feeling closer.\nPut them on. Find your sound.”\nStyle: Premium lifestyle technology commercial, photorealistic, cinematic lighting, realistic skin and hair, natural fabric movement, shallow depth of field, smooth camera motion, sophisticated sound design, warm golden-hour finale.\nNegative: No headphone morphing, identity drift, outfit changes, distorted anatomy, duplicated people, excessive CGI, subtitles, captions, random text, watermark, or inconsistent product design.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2107081013583089797"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-one-continuous-modern-american-office-entrance-security-desk-badge-gate-d42d0ee6b30a",
|
||
"title": "迟到员工潜行闯关遭监控识破",
|
||
"description": "游戏 UI 直播",
|
||
"image": "/inspiration-thumbs/seedance/seedance-one-continuous-modern-american-office-entrance-security-desk-badge-gate-d42d0ee6b.webp",
|
||
"mode": "video",
|
||
"prompt": "SETTING & CAMERA\nOne continuous modern American office: entrance → security desk → badge gate → glass corridor → open office → whiteboard aisle → Jessica’s desk. Morning light, hard floors, realistic office furniture. A white PTZ security camera is already mounted above/right of her desk and must remain there throughout.\n\n0–25.5s: continuous third-person tracking, usually 1.5m behind Jessica’s right shoulder. Realistic follow-lag, whip-pans to threats, no hidden cuts or teleportation.\n25.5s: hard cut to fixed frontal medium close-up showing Jessica, her desk, and the PTZ camera.\n\nHUD: Minimap bottom-left; STAMINA/COMPOSURE top-left; DETECTION top-center; SPRINT/CROUCH/INTERACT/SLIDE bottom-right. Opening: “LATE — 12 MIN” / “OBJECTIVE: REACH YOUR DESK UNDETECTED.”\n\n0–7s — SECURITY GUARD\n\nJessica sprints through the entrance with her bag. The guard notices her. She hides behind a large planter instead of confronting him, dropping low as he approaches with his radio. Detection rises 58% → 91%. When he looks away, she quietly slips out, badges through the gate, and continues. The guard notices the closing gate but does not chase. Detection falls to 34%.\n\n7–13s — HR CART\n\nHR pushes a tall cart loaded with folders toward Jessica. She accidentally brushes the glass, then quickly crouches behind the cart and moves with it, staying hidden as HR checks both sides. She circles behind the cart when HR looks away, then breaks cover and runs once the corridor is clear. HR never clearly sees her. Detection peaks at 96%, then drops to 40%.\n\n13–18s — DEPARTMENT HEAD DISCOVERY\n\nThe department head appears at a T-junction and notices Jessica's reflection through the glass. He turns toward her. A large solid-red “!” flashes exactly twice above him. Only afterward, DETECTION turns red: “ALERT.” He calls, “Hey! Hold on!” Jessica turns and says, “Oh, crap!” He follows her route.\n\n18–23.5s — WHITEBOARD ESCAPE\n\nJessica races through the open-office aisle, grabs a wheeled whiteboard, and pulls it diagonally across his path. He brakes before hitting it and immediately circles around. Jessica squeezes through the remaining gap between the whiteboard and desk using a low side-slide, keeping her bag tight to her body, then immediately gets up and runs. He remains behind her.\n\n23.5–25.5s — FALSE SUCCESS\n\nJessica reaches her desk, drops into the chair, puts the bag underneath, and starts typing while catching her breath. The department head searches the rear aisle but cannot see her. DETECTION falls to 0%. Green “MISSION COMPLETE” appears. Jessica smiles with relief.\n\n25.5–30s — CCTV TWIST\n\nAt 26.2s, the pre-installed PTZ camera physically whirs, pans and tilts toward Jessica, then its red indicator illuminates. She slowly looks up toward it and freezes. Remove “MISSION COMPLETE.” Show “CCTV DETECTED”, followed by red “MISSION FAILED.” She mutters, “You've got to be kidding me.” Hold her defeated expression, the red-lit camera, and failure HUD until the end.\n\nPHYSICS & RESTRICTIONS\nReal footsteps, shoe friction, breathing, bag movement, glass reflections, radio, badge gate, cart/whiteboard/chair wheels, keyboard sounds, and PTZ motor. No teleportation, clipping, frictionless movement, clones, identity changes, distorted hands, plastic skin, impossible reflections, or furniture hitting people. Only the department head pursues Jessica. The guard and HR associate never chase her. The CCTV camera must physically turn; the HUD must not replace the physical camera action.",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithJessica",
|
||
"sourceUrl": "https://x.com/AIwithJessica/status/2104392249400594823"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-creative-30-second-video-cinematic-lifestyle-road-trip-short-film-with-a-warm-337c32f26878",
|
||
"title": "闺蜜自驾奔赴山间落日",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/d09b6ce7bc99.jpg",
|
||
"mode": "video",
|
||
"prompt": "Creative 30-second video, cinematic lifestyle road-trip short film with a warm, natural and nostalgic atmosphere, following two young women as they enjoy a spontaneous day together. Begin with a playful low-angle shot from inside a shopping cart, capturing the fun and carefree mood as one girl pushes the cart through a bright store. Transition into intimate close-up moments of the two friends laughing and choosing drinks and snacks together, keeping their faces, hairstyles and outfits consistent throughout the video. Show them leaving the store and getting into a car, followed by dynamic cinematic shots of the vehicle driving along a scenic road during golden hour. Capture detailed reflections on the car, smooth tracking shots, passing landscapes and warm sunlight creating a realistic travel-film feeling. As the sun sets, reveal the car parked at a beautiful mountain viewpoint surrounded by layered hills and a glowing orange sky. End with the two friends sitting together outdoors, sharing food, laughing naturally and enjoying the peaceful evening, with soft cinematic lighting, realistic skin texture, natural expressions, shallow depth of field and subtle film grain.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaayat",
|
||
"sourceUrl": "https://x.com/aiwithaayat/status/2103701422252683461"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-cinematic-travel-vlog-video-815fcf7733e4",
|
||
"title": "年轻女子登机入座望向舷窗",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/62236d5874ab.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic cinematic travel-vlog video.\n\nSUBJECT:\nA beautiful young adult woman with long, layered brown hair with subtle natural highlights, wearing a white crop top, loose blue jeans, and carrying a brown shoulder bag.\n\nSCENE & ACTION:\n0–7s: She naturally walks down the aisle of a modern commercial airplane. Use a medium close-up tracking shot from slightly in front and to the side. Her hair moves naturally as she walks. Passengers, overhead compartments, seats, windows, and realistic cabin details remain visible in the background.\n\n7–13s: She reaches her seat and stops naturally. The camera gently pans with her movement as she places her brown shoulder bag underneath the seat in front of her. Show realistic hand movement and accurate interaction between the bag, seat, and floor.\n\n13–19s: She stands up and casually adjusts her layered hair with one hand. The camera performs a subtle tilt and gentle push-in while maintaining a natural medium close-up. Her expression remains relaxed and authentic.\n\n19–26s: She turns and smoothly sits in her seat. Capture realistic body mechanics, natural clothing folds, hair movement, and believable weight distribution. Background passengers continue subtle natural movements.\n\n26–30s: She settles comfortably into the seat and looks toward the airplane window, then briefly toward the camera with a relaxed travel-vlog expression. The camera gently stabilizes while retaining subtle handheld realism.\n\nCAMERA:\nHandheld cinematic camera, medium close-up, smooth tracking, gentle panning and tilting, subtle natural camera shake, realistic depth of field, natural motion blur, occasional slight focus adjustment, no abrupt camera movements.\n\nLIGHTING:\nBright natural-looking airplane cabin lighting mixed with soft daylight coming through the windows. Realistic skin illumination, soft shadows, accurate reflections, natural exposure.\n\nVISUAL STYLE:\nUltra-realistic live-action footage, premium travel vlog aesthetic, authentic commercial airplane interior, realistic skin texture, individual hair strands, physically accurate fabric, realistic materials, natural color grading, cinematic 4K detail, believable background activity, true-to-life proportions and perspective.\n\nMOTION & PHYSICS:\nNatural human walking, realistic hair physics, accurate hand-object interaction, believable sitting motion, realistic fabric movement, physically correct shadows and reflections.\n\nNEGATIVE:\nNo CGI appearance, no cartoon look, no plastic skin, no beauty-filter effect, no exaggerated expressions, no unnatural body movements, no warped anatomy, no extra fingers or limbs, no deformed hands, no flickering, no object morphing, no duplicated passengers, no unstable background, no sudden cuts, no unrealistic camera movement, no identity changes.\n\nOVERALL:\nMake the entire 30-second sequence feel like authentic footage captured inside a real airplane by a professional travel vlogger, with seamless continuity between every action and highly realistic human and environmental motion.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@Goodmanprotocol",
|
||
"sourceUrl": "https://x.com/Goodmanprotocol/status/2103533820263944679"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-video-30-seconds-in-a-dark-cinematic-thriller-style-featuring-a-yo-e28795a408d6",
|
||
"title": "女子夜逃地下通道",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/173f5e3dd399.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a video, 30 seconds, in a dark cinematic thriller style, featuring a young woman walking alone toward a large modern building at night. She slowly looks around with a worried and alert expression as the camera moves from a wide establishing shot into a close-up angle of her face. Suddenly, she turns and starts running toward a narrow underground concrete passage, carrying a shoulder bag while her footsteps echo through the empty corridor. Use smooth tracking shots, handheld movement, realistic body motion, overhead industrial lights, deep shadows, and subtle blue-green cinematic tones. As she runs deeper inside, red emergency lighting gradually appears and creates a tense atmosphere. The camera follows closely from behind and shifts between wide, side, and low-angle shots to increase suspense. Near the end, she reaches a heavy door, pushes it open, and rushes outside into the dark night. Keep the visuals photorealistic, cinematic, atmospheric, and emotionally intense, with natural lighting, realistic textures, smooth motion, and no on-screen text or watermark.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2100886741972640200"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-luxury-perfume-commercial-10-seconds-9e609d896ad2",
|
||
"title": "优雅女性轻嗅蔚蓝香水",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/9d1f1635086e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic luxury perfume commercial, 10 seconds. A elegant woman with slicked-back dark hair, wearing a black long-sleeve blouse with puffed shoulders, stands against a soft pale blue-grey studio background. She holds a dark navy square glass bottle of Bleu de Chanel Eau de Parfum with both hands toward the camera, presenting it. Close-up of her fingers removing the black cap, revealing the silver spray nozzle. She sprays a fine mist onto her inner wrist in a bright window-lit setting. She then lifts her wrist to her face, closes her eyes, and inhales the scent with a subtle satisfied smile. Final shot: the bottle fills the frame in sharp focus while she is softly blurred behind it. Soft natural lighting, shallow depth of field, high-end fashion film aesthetic, slow elegant movements, premium commercial look.\nVoiceover: “Getting ready, one final touch. Bleu de Chanel, make it yours.”",
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithElisia",
|
||
"sourceUrl": "https://x.com/AiwithElisia/status/2100818214754128101"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-photorealistic-commercial-shot-on-a-golden-hour-beach-a-deep-sea-bl-43af1656032b",
|
||
"title": "金色海滩上的深海蓝香水",
|
||
"description": "产品广告分镜",
|
||
"image": "https://media.goodcase.ai/cases/9dd3e480d96c.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic photorealistic commercial shot on a golden hour beach A deep sea blue glass perfume bottle covered in micro water droplets rests on a wet rock, backlit by the setting sun glittering over gentle ocean waves Soft lens flare and warm golden reflections glimmer across the water The scene seamlessly cross dissolves to a stunning woman wearing a flowing white deep V dress standing on the sandy shore She sprays the fragrance onto her neck with her eyes closed in bliss surrounded by a fine mist catching the golden sunlight then looks directly into the camera with a gentle confident smile holding the bottle Photorealistic 8K resolution, dynamic lighting, high end luxury aesthetic shallow depth of field.",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2100071299968032968"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-dark-fantasy-video-bbf9e9ec916a",
|
||
"title": "月下遗迹中的圣光女武神",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/cases/6ebfa3cc8947.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic dark fantasy video. A young woman in a blood-stained white dress swallows a glowing sword of pure white light. Divine energy bursts from her, her eyes flash solid blinding white, and massive white feathered angel wings erupt from her back with a floating halo above her head. She transforms into a radiant archangel holding a luminous glowing weapon, fighting shadowy demonic monsters with glowing red eyes in ancient stone ruins under a full moon. Beams of holy light crash from the sky into the ground, vaporizing the dark creatures. Ultra-detailed, 8k resolution, cinematic lighting, epic motion effects, unreal engine 5 render style.\nAI Image Prompt (For Midjourney / DALL-E 3 / Stable Diffusion)\nEpic dark fantasy screenshot, a female archangel warrior in a blood-splattered white dress standing in ancient stone ruins under a full moon. She has glowing white eyes, a luminous halo, and massive magnificent white wings fully spread out. She holds a vertical staff of blinding white light touching the ground. Massive pillars of celestial light beam down into a circular courtyard surrounding her, dark fantasy mood, hyper-realistic detail, 8k resolution, cinematic film still. --ar 16:9",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithSaif7",
|
||
"sourceUrl": "https://x.com/AiwithSaif7/status/2098623698773196856"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-premium-photorealistic-cinematic-30-second-live-action-food-commercial-67403ea43ed5",
|
||
"title": "艾莎午夜烘焙可颂与空咖啡杯",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-premium-photorealistic-cinematic-30-second-live-action-food-commercial-6.webp",
|
||
"mode": "video",
|
||
"prompt": "⤵️ \n\nCreate a premium photorealistic cinematic 30-second live-action food commercial using BOTH reference images:\n\n@Image1 = ELSA MASTER CHARACTER REFERENCE\n@Image2 = MASTER STORYBOARD\n\nIMPORTANT REFERENCE PRIORITY:\nUse @Image1 as the definitive identity reference for Elsa.\nUse @Image2 as the definitive visual and chronological guide for the entire video.\n\nFollow the 15 storyboard panels in @Image2 from beginning to end.\nDo not treat the storyboard as 15 separate still images.\nRecreate each panel as real cinematic live-action footage and connect every shot naturally.\n\nDURATION:\nExactly 30 seconds.\n\nFORMAT:\n16:9 landscape.\n\nSHOT STRUCTURE:\n15 shots, approximately 2 seconds each.\n\n==================================================\nCHARACTER CONSISTENCY\n==================================================\n\nThe SAME Elsa from @Image1 must appear throughout the entire video.\n\nPreserve her exact:\nfacial identity,\nfacial proportions,\ngreen eyes,\ncopper-red hair,\nfreckles,\nskin tone,\nbody proportions,\nage appearance,\nand recognizable features.\n\nDo not redesign her face.\nDo not generate a different woman.\nDo not change her identity between shots.\n\nKeep her bakery outfit exactly consistent with @Image1:\nsame clothing,\nsame colors,\nsame apron,\nsame trousers,\nsame footwear.\n\nNatural human anatomy.\nNatural hands and fingers.\nRealistic facial expressions.\nRealistic hair movement.\n\n==================================================\nOVERALL CINEMATIC STYLE\n==================================================\n\nHigh-end premium food commercial.\n\nPhotorealistic live-action cinematography.\n\nStylish boutique bakery at night.\n\nWarm amber tungsten lighting inside.\nCool blue nighttime light entering through large windows.\n\nStone preparation counters.\nNatural pale wood.\nBrushed stainless-steel equipment.\nDark glass windows.\nElegant professional bakery atmosphere.\n\nStrong contrast between cool midnight exterior and warm bakery interior.\n\nBeautiful shallow depth of field.\n\nNatural cinematic lens characteristics.\n\nRich golden pastry tones.\n\nHighly detailed realistic food textures.\n\nEverything must feel physically real.\n\nNO magical transformations.\n\n==================================================\nSHOT 1 — 0:00–0:02\nBAKERY ENTRY / HOOK\n==================================================\n\nRecreate the first storyboard panel.\n\nElsa approaches the quiet bakery at night.\n\nShe enters through the glass door and looks toward the empty preparation counter.\n\nCamera begins wide and makes a controlled cinematic push toward her.\n\nHer expression is calm and subtly amused.\n\nDoor movement and reflections must be physically realistic.\n\n==================================================\nSHOT 2 — 0:02–0:04\nINGREDIENTS\n==================================================\n\nMedium tracking shot.\n\nElsa reaches the stone counter.\n\nShe places flour, butter, eggs and a mixing bowl onto the work surface.\n\nEach object has believable weight and contact.\n\nHer movements are efficient and confident.\n\nKeep her face and outfit consistent with @Image1.\n\n==================================================\nSHOT 3 — 0:04–0:06\nFLOUR CLOUD\n==================================================\n\nExtreme macro.\n\nElsa opens the flour bag.\n\nA realistic fine flour cloud rises through the warm bakery light.\n\nIndividual particles are visible.\n\nThe flour naturally drifts toward camera.\n\nThe cloud fills most of the frame and becomes the visual transition.\n\n==================================================\nSHOT 4 — 0:06–0:08\nDOUGH\n==================================================\n\nTop-down cinematic shot.\n\nFlour and liquid combine naturally.\n\nElsa mixes and kneads the dough with realistic hand pressure.\n\nShow believable dough elasticity and texture.\n\nSmall amounts of flour move across the counter.\n\nFast but controlled movement.\n\n==================================================\nSHOT 5 — 0:08–0:10\nBUTTER MACRO\n==================================================\n\nExtreme close-up.\n\nA cold block of butter is sliced into thin pieces.\n\nKnife movement is precise and rhythmic.\n\nTiny butter flakes separate naturally.\n\nWarm highlights reflect from the knife and butter.\n\n==================================================\nSHOT 6 — 0:10–0:12\nROLLING\n==================================================\n\nLow side-angle tracking shot.\n\nElsa rolls the dough into a long thin sheet.\n\nThe rolling pin moves naturally across the stone surface.\n\nFine flour particles lift slightly with the movement.\n\nCamera tracks with the rolling pin.\n\n==================================================\nSHOT 7 — 0:12–0:14\nBUTTER LAYERS\n==================================================\n\nOverhead shot.\n\nButter pieces are arranged over the dough.\n\nElsa folds the dough over itself.\n\nShe presses it firmly with the rolling pin.\n\nShow clear laminated layers.\n\nThe folding action should feel precise and satisfying.\n\n==================================================\nSHOT 8 — 0:14–0:16\nSECOND FOLD\n==================================================\n\nExtreme macro.\n\nThe dough folds again.\n\nCamera follows the folding motion closely.\n\nThin buttery layers become visible.\n\nUse the physical fold as a natural match transition into the next action.\n\nNo magical effects.\n\n==================================================\nSHOT 9 — 0:16–0:18\nCROISSANT SHAPING\n==================================================\n\nMedium overhead shot.\n\nElsa cuts the dough into clean triangular pieces.\n\nShe rolls each triangle from the wide end toward the tip.\n\nSeveral realistic crescent-shaped croissants appear across the baking tray through fast continuous hand movements.\n\n==================================================\nSHOT 10 — 0:18–0:20\nEGG WASH\n==================================================\n\nExtreme food macro.\n\nElsa brushes glossy egg wash across the croissants.\n\nThe surface becomes visibly shiny.\n\nThe final brush stroke travels toward the camera and briefly fills the frame.\n\nUse the brush movement as a motivated visual transition.\n\n==================================================\nSHOT 11 — 0:20–0:22\nOVEN\n==================================================\n\nDynamic low-angle shot.\n\nElsa carefully slides the tray into a professional bakery oven.\n\nWarm orange oven light illuminates her hands and the pastry.\n\nShe pushes the tray inside.\n\nThe heavy oven door closes toward camera.\n\nUse the physical door closure as the transition.\n\n==================================================\nSHOT 12 — 0:22–0:24\nGOLDEN REVEAL\n==================================================\n\nThe oven door opens.\n\nA realistic wave of hot steam escapes toward the lens.\n\nBeautiful golden-brown croissants are revealed inside.\n\nElsa removes the tray carefully.\n\nThe warm golden lighting becomes more prominent.\n\nThe pastry must look freshly baked, crisp and realistic.\n\n==================================================\nSHOT 13 — 0:24–0:26\nCRISPY CROISSANT\n==================================================\n\nExtreme macro food cinematography.\n\nElsa takes one croissant.\n\nShe gently breaks it open.\n\nThe crisp outer shell cracks naturally.\n\nMultiple flaky laminated layers separate.\n\nWarm steam escapes from the center.\n\nTiny pastry crumbs fall naturally onto the counter.\n\nEmphasize realistic texture and satisfying physical detail.\n\n==================================================\nSHOT 14 — 0:26–0:28\nFIRST BITE\n==================================================\n\nMedium close-up.\n\nElsa takes a bite.\n\nShe pauses.\n\nHer expression shows quiet satisfaction.\n\nNo exaggerated reaction.\n\nShe looks directly toward the camera.\n\nA tiny eyebrow movement adds personality.\n\nMaintain exact Elsa identity.\n\n==================================================\nSHOT 15 — 0:28–0:30\nFINAL COMEDIC PUNCHLINE\n==================================================\n\nBegin with a close-up of Elsa reaching for a coffee cup.\n\nShe confidently picks it up.\n\nShe tilts the cup.\n\nNothing comes out.\n\nThe cup is completely empty.\n\nShe looks down at the empty cup.\n\nThen slowly raises her eyes toward the camera.\n\nOne eyebrow lifts slightly.\n\nOne corner of her mouth rises into a subtle amused expression.\n\nHold the final reaction.\n\nEnd cleanly on Elsa's face.\n\n==================================================\nCAMERA LANGUAGE\n==================================================\n\nUse varied professional cinematic camera work:\n\nwide establishing shot,\ncontrolled push-in,\nmedium tracking,\nextreme macro,\ntop-down,\nlow-angle tracking,\noverhead,\nfood macro,\ndynamic oven shot,\nmedium close-up.\n\nAvoid repetitive framing.\n\nCamera movement must feel physically motivated.\n\nUse realistic depth of field.\n\nUse natural motion blur.\n\nUse controlled speed ramps only when physically appropriate.\n\n==================================================\nTRANSITIONS\n==================================================\n\nUse ONLY motivated physical transitions:\n\nflour cloud,\nrolling pin movement,\ndough fold,\negg-wash brush,\noven-door closure,\nsteam reveal.\n\nTransitions should feel seamless and professionally edited.\n\nDo not use random digital effects.\n\nDo not make it look like a slideshow.\n\n==================================================\nSOUND DESIGN\n==================================================\n\nCreate a premium cinematic food-commercial soundscape.\n\nSubtle rhythmic electronic music underneath.\n\nSynchronize every physical action with sound:\n\nglass door click,\ningredient placement,\nflour burst,\ndough slap,\nmixing,\nknife cutting butter,\nrolling pin,\ndough folding,\ntray movement,\negg brush,\noven door,\nsteam hiss,\npastry crack,\ncrispy bite.\n\nDuring the final coffee reveal:\n\nmusic suddenly becomes very quiet.\n\nBrief comedic silence when Elsa discovers the cup is empty.\n\nEnd naturally.\n\n==================================================\nPHYSICS & REALISM\n==================================================\n\nRealistic flour particle simulation.\n\nRealistic dough deformation.\n\nRealistic butter behavior.\n\nRealistic egg-wash movement.\n\nRealistic pastry expansion.\n\nRealistic oven heat.\n\nRealistic steam.\n\nRealistic crumbs.\n\nRealistic hand-object interaction.\n\nCorrect object weight.\n\nNatural shadows and contact.\n\nNo floating objects.\n\nNo impossible hand movements.\n\n==================================================\nNEGATIVE RULES\n==================================================\n\nNO face morphing.\nNO identity drift.\nNO different Elsa.\nNO hairstyle changes.\nNO wardrobe changes.\nNO extra fingers.\nNO deformed hands.\nNO distorted anatomy.\nNO duplicated objects.\nNO floating ingredients.\nNO magical effects.\nNO cartoon appearance.\nNO CGI-looking human.\nNO readable text.\nNO logos.\nNO brand names.\nNO subtitles.\nNO captions.\nNO watermark.\n\nFINAL GOAL:\n\nA coherent, photorealistic, premium 30-second cinematic food commercial starring the exact Elsa from @Image1.\n\nThe complete visual progression must follow @Image2 from the first frame to the final coffee punchline.\n\nThe result should feel professionally directed, beautifully photographed, physically believable, fast-paced but elegant, highly satisfying, and completely original.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ElsaSofia__AI",
|
||
"sourceUrl": "https://x.com/ElsaSofia__AI/status/2095105440392818697"
|
||
},
|
||
{
|
||
"id": "seedance:ayzalnooor24521-seedance-ai-890aad58385a",
|
||
"title": "少女在日本山巅记录春日风光",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/media/poster/ayzalnooor24521-seedance-ai-890aad58385a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a credited 14-second cinematic video on Japanese mountain view, featuring a consistent young East-Asian woman with long dark hair, a beige sweater, and a backpack arriving at a breathtaking mountain viewpoint. She calmly raises her smartphone and starts recording the stunning scenery around her. The camera smoothly follows her movement and transitions into a beautiful panoramic view of the lush green valley. A red cable car glides naturally across the mountainside while soft pink cherry blossoms move gently in the breeze. The camera reveals a traditional Japanese multi-tiered pagoda surrounded by peaceful mountain scenery. Wide cinematic shots capture majestic snow-capped peaks under soft natural daylight. End with the woman smiling peacefully while filming the expansive landscape on her phone, creating a refreshing and adventurous travel moment.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2093192618599755890"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-he-survived-the-first-impact-9892d09f9a57",
|
||
"title": "陨石中的装甲战士迎战机器人与第二次天降危机",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/55e8203fe55d.jpg",
|
||
"mode": "video",
|
||
"prompt": "He survived the first impact. The second one is coming. \n\nCreated On Seedance 2.5.\n\nPrompt 👇 \n\nVISUAL STYLE: Ultra-cinematic science fiction, photorealistic CGI, dark futuristic city at night, dramatic blue-orange lighting, realistic smoke, fire, sparks, debris, atmospheric rain, powerful camera movement, high-detail environments, blockbuster action-film quality.\n\nMAIN CHARACTER: One mysterious adult male warrior, athletic build, short dark hair, black futuristic armored suit with subtle glowing blue energy lines, metallic boots and gloves. His face, hairstyle, armor design, colors, body proportions, and weapon configuration must remain 100% identical throughout the entire video.\n\n0–5 SECONDS\n\nA gigantic burning meteor crashes into an abandoned futuristic city street at night. The camera follows the meteor from the sky as it impacts the exact center of the street, creating a powerful shockwave. Cars are pushed aside, windows shatter, smoke and sparks fill the air.\n\n5–10 SECONDS\n\nWithout changing location, the camera moves closer to the smoking meteor. The cracked surface begins glowing blue from within and slowly splits apart. The same mysterious armored man steps out from inside the meteor and stands in the crater as smoke moves around him.\n\n10–15 SECONDS\n\nBefore he can move, several hostile futuristic combat robots emerge from the surrounding smoke and buildings, forming a circle around him. He slowly looks around, raises his right hand, and blue energy begins traveling through the glowing lines of his armor.\n\n15–20 SECONDS\n\nHis armor activates with mechanical components unfolding naturally over his arms and shoulders. He suddenly charges forward from the exact position where he was standing. He strikes the nearest robot, spins into another, and sends it crashing into a parked vehicle. The other robots immediately attack him.\n\n20–25 SECONDS\n\nThe largest robot charges from directly behind him. The man turns at the last moment, catches its massive fist with both hands, and releases a concentrated blue energy shockwave. The robot is thrown backward through the same street, destroying several already-damaged vehicles and walls.\n\n25–30 SECONDS\n\nThe dust slowly clears. The man remains standing in the crater, breathing heavily, with the same damaged-but-intact armor. He looks upward toward the sky. The camera follows his gaze and reveals a second gigantic meteor entering the atmosphere, far larger than the first.\n\nEnd on his face as blue light from the approaching meteor reflects across his armor.",
|
||
"sourceId": "seedance",
|
||
"credit": "@NoOneIsHere2603",
|
||
"sourceUrl": "https://x.com/NoOneIsHere2603/status/2106981270085656888"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-a-beautiful-korean-girl-with-long-naturally-wavy-black-hair-soft-realistic-fa-395221129a13",
|
||
"title": "乡间行车与审讯室里的紧张对谈",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/16f4a80a4412.jpg",
|
||
"mode": "video",
|
||
"prompt": "A beautiful Korean girl with long, naturally wavy black hair, soft realistic facial features, natural skin texture and subtle makeup, wearing a clean white casual jacket over a simple gray top, sitting inside a quiet interrogation room across from a serious middle-aged Korean man. Begin the video with a cinematic rear tracking shot of a sleek white modern sedan driving along a long tree-lined countryside road in bright daytime, with rows of tall trees on both sides, green fields and distant hills in the background. Smooth realistic camera movement follows the car from behind as it drives naturally along the road. Transition into a dimly lit, realistic interrogation room with muted gray-green tiled walls and a metal table. Show the Korean girl sitting calmly across from the man, initially looking down and appearing nervous and thoughtful. Cut to a close-up of the man's serious face as he looks downward, then return to the girl as she slowly raises her eyes and begins speaking with a tense but controlled expression. Include natural blinking, subtle facial movements, realistic breathing, slight head movements and emotionally believable eye contact. Gradually move the camera closer to her face for an intimate cinematic close-up, capturing her worried eyes and restrained emotions. End with a wider shot showing both characters sitting opposite each other across the table. Photorealistic Korean drama cinematography, natural human expressions, realistic skin and hair, soft cinematic lighting, shallow depth of field, subtle film grain, smooth transitions, realistic shadows, professional camera work, dramatic but natural atmosphere, no exaggerated acting, no text, no subtitles, no logos, no watermark, consistent character appearance throughout. Duration: 45 seconds, aspect ratio: 16:9, cinematic widescreen, 24fps, high-detail photorealistic video, smooth motion, 4K quality.",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaayat",
|
||
"sourceUrl": "https://x.com/aiwithaayat/status/2106971134449320256"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-15-second-photorealistic-cinematic-fantasy-action-sequence-featuring-a-b55a1fd3c9b6",
|
||
"title": "月夜竹林中的武士猫大战忍者",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/570360e6e8a1.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second photorealistic cinematic fantasy action sequence featuring a small anthropomorphic warrior cat battling masked ninjas in a mysterious moonlit bamboo forest. Begin with a wide low-angle establishing shot moving slowly through tall dark bamboo stalks, mist-covered ground, glowing warm Japanese lanterns hanging between the trees, and a huge full moon illuminating the fog → reveal the small warrior cat standing confidently on a curved bamboo arch, wearing detailed dark-blue samurai armor, a flowing dark cape, leather accessories, and a wide traditional straw hat, with a katana at his side → transition into a dynamic tracking shot as multiple masked black-clad ninjas emerge from the surrounding mist, forming a threatening circle around the tiny warrior → cut to a dramatic close-up of the cat as his eyes become intensely focused and he draws his sword, a brilliant electric-blue magical energy beginning to glow along the blade → suddenly transition into a fast cinematic action shot as the warrior cat leaps high into the air above the ninjas, cape and clothing reacting naturally to the movement, swinging his glowing blue sword in a powerful arc → follow with a low-angle tracking shot through the bamboo as the cat rapidly moves between attacking ninjas, leaving elegant blue energy trails through the mist → cut to a wide shot showing multiple ninjas being knocked backward while the warrior remains centered and controlled → transition into a slow-motion heroic landing as the cat lands on a moss-covered rock, glowing sword held low at his side while the surrounding enemies stagger behind him → final shot becomes a heroic low-angle wide shot of the tiny warrior standing proudly beneath the enormous full moon, bamboo trees towering around him, mist drifting across the forest floor, cape gently moving in the wind, and the brilliant blue sword glowing against the dark night.\n\nVisual style: ultra-photorealistic fantasy film, realistic fur and facial details, detailed samurai armor, believable fabric and fur movement, realistic sword physics, atmospheric volumetric moonlight, natural fog, cinematic depth of field, dramatic composition, high-detail bamboo forest, realistic shadows, premium VFX, smooth character animation, dynamic camera movement, epic fantasy adventure atmosphere, 4K detail.\n\nNegative prompt: cartoon, anime, low resolution, plastic fur, deformed face, extra limbs, extra weapons, duplicate characters, distorted hands or paws, inconsistent armor, changing character design, identity drift, floating objects, unrealistic sword movement, excessive motion blur, oversaturated colors, text, subtitles, watermark, logo, frame glitches, unnatural physics.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Elvorya",
|
||
"sourceUrl": "https://x.com/Elvorya/status/2106237323046486362"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-cinematic-action-video-sequence-seedance-2-5-style-30d7698a3264",
|
||
"title": "超能力女学生街头抵挡导弹击毁直升机",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/d0acac113279.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic action video sequence, Seedance 2.5 style,\nScene 1: A young Asian schoolgirl with black hair and a backpack sprints down the middle of a wide empty city avenue flanked by skyscrapers while two military attack helicopters fly low overhead. \n\nScene 2: Close-up of a helicopter rocket pod firing smoke-trail missiles, cutting to the schoolgirl spinning around sharply as wind whips her hair.\n\nScene 3: Slow-motion shot, her loafers glow with blue magical energy as she leaps high into the air over the street, avoiding missiles that trigger massive fiery explosions behind her.\n\nScene 4: Tracking shot of the girl running forward as a barrage of guided missiles flies straight down the highway toward her.\n\nScene 5: Close-up of her face with glowing green eyes; she thrusts her hand forward, projecting a powerful translucent green energy shield that halts the incoming missiles mid-air.\n\nScene 6: She sends a shockwave of green energy forward, causing both attack helicopters to explode mid-air in massive balls of fire and crash onto the street.\n\nScene 7: Medium shot of the girl standing confidently with glowing green eyes, making a finger-gun gesture saying \"Boom\", then turning around and walking calmly away down the empty street between skyscrapers.\n\n#Flovaai #Flovacpp",
|
||
"sourceId": "seedance",
|
||
"credit": "@AvelyrahnAI",
|
||
"sourceUrl": "https://x.com/AvelyrahnAI/status/2106235620771451322"
|
||
},
|
||
{
|
||
"id": "seedance:case-429376496e25",
|
||
"title": "电影感韩国市场购物之旅",
|
||
"description": "一份全面的视频脚本,用于生成一位年轻韩国女孩在时尚市场购物的序列。在包括服装摊位和自动…",
|
||
"image": "/inspiration-thumbs/seedance/case-429376496e25.webp",
|
||
"mode": "video",
|
||
"prompt": "A young Korean girl shopping in a busy Korean fashion market.\nKeep the SAME Korean girl, SAME face, SAME hairstyle, SAME outfit, SAME body proportions, and SAME black handbag throughout the entire video. Maintain strong character and visual consistency between every shot.\n\nScene 1 — 0–2 sec:\nThe Korean girl walks through a lively Korean market and stops at a clothing stall. She looks through a large rack filled with beautiful dresses. Show colorful Korean signs, crowded shoppers, warm indoor lighting, and a realistic Korean market atmosphere. Use a smooth medium side-tracking shot.\n\nScene 2 — 2–4 sec:\nShe carefully selects a dress from the rack and examines the fabric and details with her hands. Use a cinematic close-up of her hands and the dress, followed by a subtle close-up of her face reacting positively.\n\nScene 3 — 4–6 sec:\nShe holds the selected dress against herself and checks her appearance in a large mirror inside the shop. Show her reflection clearly. Use a smooth medium shot with shallow depth of field and natural realistic movement.\n\nScene 4 — 6–8 sec:\nShe decides to buy the dress. A Korean shop assistant neatly folds the dress and places it into a clean shopping bag. Show a close-up of the packing process, hands, dress, and shopping bag.\n\nScene 5 — 8–10 sec:\nThe girl leaves the clothing stall carrying the shopping bag in one hand and her black handbag on her shoulder. She walks naturally through the busy Korean market. Use a smooth tracking shot from the front/side.\n\nScene 6 — 10–12 sec:\nShe reaches an AUTOMATIC ESCALATOR going DOWN from the market. She steps onto the moving downward escalator and begins descending while holding her shopping bag. Make it clearly an escalator, NOT normal stairs. Use a rear three-quarter tracking shot following her downward.\n\nScene 7 — 12–14 sec:\nWhile riding down the escalator, show a cinematic close-up of the girl looking slightly upward and around at the market. Her hair moves naturally with her movement. Keep the escalator clearly visible behind and beside her.\n\nScene 8 — 14–15 sec:\nWide rear shot as she reaches the bottom of the downward escalator and walks away into the busy Korean market crowd, still carrying her shopping bag. End with a smooth cinematic fade-out.\n\nVisual style: photorealistic, cinematic Korean fashion-market atmosphere, warm soft lighting, realistic skin texture, natural facial expressions, shallow depth of field, subtle film grain, realistic crowd movement, smooth camera motion, premium commercial look, high detail, 4K quality.\n\nImportant: Keep the same girl's identity and appearance consistent in every shot. The transition from the market to the escalator must feel continuous and realistic. The escalator must be an AUTOMATIC MOVING DOWN ESCALATOR, not stationary stairs.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@ayzalnooor24521",
|
||
"sourceUrl": "https://x.com/ayzalnooor24521/status/2095356156487127394"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-miniature-hand-drawn-2d-animated-girl-with-curly-black-hair-a-pink-apron-ye-8c5512b15aed",
|
||
"title": "迷你厨娘的巨型爆米花大作战",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/93059543df7b.jpg",
|
||
"mode": "video",
|
||
"prompt": "A miniature hand-drawn 2D animated girl with curly black hair, a pink apron, yellow sneakers, and a tiny wooden spatula, making a giant bowl of popcorn inside a realistic full-sized kitchen.\n\nStyle\nMixed-reality hybrid animation combining playful 2D hand-drawn doodle character art with a photorealistic live-action kitchen. Whimsical stop-motion physics, expressive line animation, exaggerated scale, warm cinematic lighting, playful food-preparation energy, and detailed cooking sound effects.\n\nCamera & Framing\nMacro close-ups, dramatic low angles, overhead kitchen perspectives, fast tracking shots, extreme close-ups, and shallow depth of field emphasizing the tiny chef against gigantic kitchen objects.\n\nAudio & Scene Breakdown\n\nVisual: The tiny chef struggles to drag a giant corn kernel across the countertop, finally pushing it toward an enormous glass bowl.\n\nVisual: She climbs onto a giant butter cube, slides down its smooth surface, and lands beside the bowl as kernels begin bouncing around her.\n\nVisual: She jumps onto a giant wooden spoon and uses it as a seesaw, launching herself directly into the bowl.\n\nVisual: The kernels suddenly begin popping around her. She dodges exploding popcorn pieces while using the spoon to push them into a growing pile.\n\nVisual: One enormous popcorn piece launches her into the air. She lands on top of it and rides it across the countertop like a tiny fluffy vehicle.\n\nVisual: She grabs a giant salt shaker, struggles to tilt it, and accidentally creates a huge shower of salt that covers the popcorn and sends her sliding across the counter.\n\nVisual: She reaches the finished bowl, climbs a giant popcorn piece, and proudly places a tiny piece of caramel on top.\n\nVisual: The camera pulls back to reveal the giant bowl of popcorn. The tiny chef sits beside it, exhausted and proud—until a huge hand suddenly grabs the entire bowl and walks away.\n\nShe stares at the empty countertop in complete disbelief.\n\nAudio: Kernel rattles, spoon clinks, popcorn popping, tiny footsteps, bowl vibrations, salt shaker sounds, sliding effects, comedic impacts, playful upbeat music, no dialogue.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2105619247393321169"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-young-woman-matching-the-exact-facial-features-hairstyle-and-identity-of-th-b6d15d2c2b4f",
|
||
"title": "卧室梳妆与红裙变装日记",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/e311103e4b8d.jpg",
|
||
"mode": "video",
|
||
"prompt": "A young woman matching the exact facial features, hairstyle, and identity of the reference image (consistent character throughout all shots) is filming a \"Get Ready With Me\" style video in a softly lit, modern bedroom with a vanity mirror and warm ambient lighting.\n\nOpening scene (casual look):\n\nShe is wearing comfortable knee-length fitted shorts (extending just over the knees) and a simple sleeveless crop top. Natural look, no makeup. She smiles at the camera and casually greets, creating a relaxed, vlog-style tone.\n\nSequence of shots (fast-paced, smooth cuts, ~10–15 shots total):\n\nClose-up of her tying her hair into a loose bun\n\nApplying face wash at the sink, soft water splashes, natural lighting\n\nGently patting her face dry with a towel\n\nSkincare routine (serum, moisturizer) in front of mirror\n\nSitting at vanity applying makeup step-by-step (foundation, eyeliner, lipstick)\n\nShe occasionally looks into the camera and subtly explains each step (natural lip movement, expressive gestures)\n\nInsert aesthetic close-ups: makeup brushes, mirror reflections, soft bokeh lighting\n\nTone & style:\n\nCinematic but vlog-inspired, smooth camera motion, shallow depth of field, soft highlights, natural skin texture, realistic lighting. Maintain facial consistency across all shots.\n\nTransition:\n\nQuick montage with rhythmic cuts as she completes her look.\n\nFinal reveal scene:\n\nShe steps back into frame fully dressed in an attractive yet modest red outfit (elegant, tasteful, non-revealing, flattering silhouette). Hair styled neatly, confident posture.\n\nShe does a subtle twirl or pose, smiles warmly at the camera, and gives a final confident look.\n\nEnding shot:\n\nSoft close-up with warm lighting, slight camera push-in, she looks directly into the lens with a satisfied expression.\n\nTechnical tags:\n\n1080p, cinematic lighting, consistent character identity, smooth transitions, natural motion, realistic skin tones, high detail, depth of field, vlog + cinematic hybrid style.",
|
||
"sourceId": "seedance",
|
||
"credit": "@CaliraVal",
|
||
"sourceUrl": "https://x.com/CaliraVal/status/2105534258932781142"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-use-the-uploaded-reference-image-as-the-visual-base-c3d793ce4d91",
|
||
"title": "花海中重演的离别记忆",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/5d497a6ff612.jpg",
|
||
"mode": "video",
|
||
"prompt": "-\n\nUse the uploaded reference image as the visual base. Maintain the same characters, same golden-hour flower field setting, same wardrobe, same color grading (warm gold, soft pink, dreamy sunset light) throughout. Do not change the characters' appearance, clothing, or the location.\n\n- **0:00–0:01** — A woman with long curly brown hair, wearing a white flowing dress and a flower crown, runs through a dreamy field of yellow, white, and pink flowers, trying to catch up to someone ahead of her. A distant fairytale castle is visible on the horizon.\n- **0:01–0:03** — She reaches out and gently places her hand on the shoulder of a man ahead of her, who is dressed in medieval knight armor with a dark red cloak.\n- **0:03–0:04** — Close-up on her face looking up, windswept hair, flowers in her crown catching the light — in this moment, the world around her begins to fade into a memory.\n- **0:04–0:06** — The scene transitions into a flashback: a little girl with the same curly brown hair and flower crown reaches out and gently touches the shoulder of a little boy in front of her, both standing in the same flower field.\n- **0:06–0:07** — Close-up of the little boy turning to look at her with a soft, curious expression.\n- **0:07–0:09** — The little boy quietly turns away and starts walking forward, away from her, through the flowers.\n- **0:09–0:10** — The little girl is left behind, her small hand still reaching out toward him.\n- **0:10–0:13** — Cut back to the present: the woman feels the same pain, holding her hand to her heart as the memory fades away.\n- **0:13–0:14** — The knight continues walking forward, emotionally distant, leaving her behind once again.\n- **0:14–0:15** — She kneels down in the flower field, overwhelmed with heartbreak, face in her hands — some moments stay with us forever.\n\n**End title card:** \"Some moments take you back forever...\" with theme tags: Love | Memory | Time | Always",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithWania",
|
||
"sourceUrl": "https://x.com/AIwithWania/status/2102283267957506141"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-pretty-young-woman-with-dark-hair-in-a-loose-ponytail-gold-hoop-earrings-bu-1ad8515a8ecf",
|
||
"title": "雨天偶遇温暖书店",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/2cd34149a98b.jpg",
|
||
"mode": "video",
|
||
"prompt": "A pretty young woman with dark hair in a loose ponytail, gold hoop earrings, burgundy long-sleeve top and beige trench coat. Soft, natural young female voice speaking casually to camera in a warm, slightly British/neutral accent, like a personal vlog.\nShe starts by a rain-streaked window looking out at wet cobblestone streets and says:\n“Yeah, I definitely wasn't planning on going anywhere today, but staying home sounded boring.”\nShe puts on her trench coat, steps out the black front door into light rain, walks on shiny cobbles, smiles and says:\n“Okay, maybe this was a bad idea.”\nShe notices a warm glowing independent bookshop, stops surprised:\n“Wait, I've never been in here.”\nShe goes inside, browses wooden shelves, picks up a book and says:\n“Okay, this was worth leaving the house for.”\nCut to her sitting by a rainy cafe window sipping coffee from a brown paper cup:\n“This is exactly what I needed.”\nShe walks down a long empty cobblestone street at golden hour with coffee and a paper bag, sunlight flaring through her hair, then turns to camera smiling:\n“Okay, I'm really glad I went out.”\n“Random plans are usually the best ones.”\nSoft natural lighting, wet reflections, cozy cinematic color grade, handheld but smooth camera, quiet rain and footsteps under her voice. Warm, slightly melancholic then happy mood. No text on screen.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2101901362850353176"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-live-action-korean-countryside-lifestyl-12eefbcbb2e1",
|
||
"title": "韩国乡村骑行与溪边分享",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/d19692b6e416.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic live-action Korean countryside lifestyle vlog following a young Korean woman through a spontaneous afternoon adventure. Begin with her leaving her village home on a bicycle before three local children challenge her to a friendly race through the quiet countryside.\n\nShow an authentic Korean rural village with traditional houses, stone walls, vegetable gardens, rice fields, narrow roads, trees and a peaceful stream beyond the village. Keep the woman, children, bicycles, clothing and environment perfectly consistent throughout.\n\nCapture realistic cycling biomechanics, pedaling, steering, braking, balance, bicycle momentum, wind, hair and clothing movement, flowing water, grass, leaves and natural sunlight. Every movement should follow believable real-world physics.\n\nUse modern 2026 handheld cinematic-vlog cinematography with realistic autofocus, subtle camera movement, bicycle-height tracking shots, intimate close-ups and wide countryside views.\n\nNatural diegetic audio only: bicycle chains, tires, brakes, birds, insects, wind, children's laughter, flowing water, snack packaging and authentic Korean dialogue with accurate lip synchronization. No music, narration or subtitles.\n\nEnd with the woman and children sitting beside the stream, sharing snacks as their bicycles rest nearby and warm sunlight filters through the trees.\n\nNo CGI, animation, artificial movement, impossible physics, distorted faces or hands, changing outfits, duplicated children, floating objects, excessive camera shake, logos or watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2099368044287947194"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-an-11-second-cinematic-dark-fantasy-scene-featuring-a-beautiful-blonde-f-b09877c0a2d2",
|
||
"title": "穿越风暴云海的女王与黑鸦",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/cases/f04a8b6ff554.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an 11-second cinematic dark-fantasy scene featuring a beautiful blonde female warrior queen wearing intricate medieval silver-and-black metallic armor and a delicate dark crown.\n\nSCENE 1 — 0–3 seconds:\nBegin with a dramatic top-down aerial shot. The warrior is flying/falling through thick stormy clouds with her arms stretched outward like she is diving through the sky. Her long blonde hair and pieces of her clothing move naturally in the powerful wind. Far below, a vast fantasy landscape is barely visible through the mist. The camera rapidly moves downward toward her while maintaining a powerful cinematic perspective.\n\nSCENE 2 — 3–5 seconds:\nTransition smoothly into a frontal tracking shot as she moves through the clouds. Her armored shoulders and arms remain extended. Her expression is serious, fearless and emotionally intense. Soft sunlight breaks through the clouds behind her, creating a dramatic halo around her silhouette. Tiny particles and mist pass rapidly across the camera lens.\n\nSCENE 3 — 5–9 seconds:\nCut into an extreme cinematic close-up of her face. A huge majestic black raven/eagle suddenly flies beside her face, its dark feathers contrasting against her pale skin and blonde hair. The bird moves extremely close to her, almost touching her cheek. Feathers are released into the air and float dramatically around them. She looks directly ahead with an intense, mysterious expression.\n\nSCENE 4 — 9–11 seconds:\nThe bird slowly moves away while she turns her head toward it. Her expression changes subtly from determination to curiosity and emotion. Wind continues moving her hair and armor naturally. The background remains filled with bright clouds and atmospheric mist.\n\nVISUAL STYLE:\nEpic high-budget fantasy film, photorealistic CGI, dark medieval fantasy, dramatic natural lighting, realistic metallic armor, highly detailed skin and hair, volumetric clouds, atmospheric fog, floating feathers, realistic bird movement, cinematic depth of field, subtle film grain, anamorphic lens characteristics, rich shadows, dramatic contrast, sophisticated color grading.\n\nCAMERA:\nSmooth aerial tracking, fast cinematic push-in, gradual transition to extreme close-up, shallow depth of field, realistic handheld micro-movement during the close-up, carefully controlled focus pulls, cinematic composition.\n\nMOTION:\nNatural wind physics, realistic hair movement, physically accurate feathers, believable bird flight, flowing fabric, subtle facial expressions and eye movement. No exaggerated or cartoonish motion.\n\nMOOD:\nMysterious, powerful, emotional, majestic, supernatural and epic — like a scene from a premium dark-fantasy feature film.\n\nMaintain consistent facial identity, anatomy and armor throughout the entire video. No face distortion, no extra limbs, no duplicated bird, no unnatural body movement, no text, no subtitles, no watermark.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@Noor_ul_ain43",
|
||
"sourceUrl": "https://x.com/Noor_ul_ain43/status/2097879315912552864"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-1080p-16-9-ultra-realistic-2000s-style-home-video-recordin-1fe5edfad3ab",
|
||
"title": "台北旧巷里的夏日晚行",
|
||
"description": "复古伪纪录",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-30-second-1080p-16-9-ultra-realistic-2000s-style-home-video-recordin-1fe.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p, 16:9 ultra-realistic 2000s-style home video recording style video, featuring an ordinary Taiwanese summer evening.\n\nMain subject: The entire video is shot from the perspective of a young Taiwanese woman in her early 20s, with natural, realistic skin tone, light makeup, dark brown long hair styled in a low bun, with a few strands of hair. She is wearing a soft black long-sleeved knitted top, wide-leg light gray shorts, white vintage sneakers, carrying a dark black backpack, and wearing a silver bracelet. Please ensure that the face, hairstyle, clothing, proportions, and accessories remain completely consistent.\n\nSetting: A quiet old residential alley in Taipei, with small apartments, potted plants, bicycles, old walls, power poles, and a small snack shop, a water dispenser, and potted plants. Full of life, peaceful, and real; no brands, advertisements, tourist attractions, or elaborate commercial activities.\n\nPhotography: The original consumer DV shooting style from the early 2000s, intense hand-held shaking, imperfect composition, search for autofocus, exposure changes, dynamic blur, faded colors, soft digital details, slight noise, and unexpected zoom. Stabilizer, sky lanterns, drones, cinematic lenses.\n\nTimeline:\n00:00-00:05: Take out an eco-friendly shopping bag, lock the door, check the keys, tidy up hair, smile at the camera, and walk down the alley.\n\n00:05-00:10: Buy a small bag of green grapes from a small grocery store. Take a bite, react to the sour taste, make a funny face, laugh, and hand the fruit to the camera.\n\n00:10-00:15: Walk and eat the fruit. A little dog notices her and wags its tail, she crouches down to let it smell her hand. The dog follows her for a short distance before leaving.\n\n00:15-00:20: The dry leaves on the tree fall on her shoulders and hair. She looks up, shakes off the leaves, and the camera zooms in and gets close to her face. She says: Here it comes again?\n\n00:20-00:25: Sit briefly on the low wall, finish eating the fruit, and a taxi passes by. The neighbor is watering the flowers. The wind blows her hair and clothes; she wipes her hands and adjusts her bag.\n\n00:25-00:30: Walk to the end of the alley, turn around with a playful smile, say: Let's go. Turn the corner; the camera follows; suddenly switches to black screen.\n\nSound: Only natural ambient sounds, bird songs, insect sounds, footsteps, bicycle bells, distant motorcycle sounds, tree leaves, store sounds, dog movements, neighborhood sounds, and the noise of operating a camera. No music, voiceover, subtitles, titles, logos, watermarks, or special effects.\n\nContinuity: Real dogs and environmental actions. No repeated characters, distorted faces, deformed hands, extra fingers, instant movements, or clothing changes. Warm, leisurely, feminine, playful, intimate, with a nostalgic feeling of forgotten summer memories.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@harboriis",
|
||
"sourceUrl": "https://x.com/harboriis/status/2097564633242779830"
|
||
},
|
||
{
|
||
"id": "seedance:oggii-0-seedance-ai-8f11307a9239",
|
||
"title": "全州韩屋村韩服茶旅日记",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/oggii-0-seedance-ai-8f11307a9239.jpg",
|
||
"mode": "video",
|
||
"prompt": "FORMAT: 30 seconds | 16:9 | Ultra-photorealistic live-action | Continuous handheld vacation vlog\n\nPreserve the exact face, hairstyle, identity, skin tone, facial features, and body proportions from <<<image_1>>> throughout the entire video. The same woman must appear consistently in every shot.\n\nVISUAL STYLE: Authentic late-2000s personal vacation vlog recorded on a cheap handheld flip camera. Extremely raw and imperfect footage. Heavy natural camera shake, awkward handheld framing, occasional partial face crops, sudden reframing, autofocus hunting, exposure fluctuations, blown highlights, slightly soft image quality, warm faded colors, mild digital noise, compression artifacts, and subtle motion blur. No cinematic camera movements, no gimbal stabilization, no polished composition, no modern color grading, no beauty filter, no artificial sharpness.\n\nOutfit: rented pastel pink hanbok with a cream jeogori top, hair styled in a traditional low braid with a small ribbon, white cotton socks, black traditional flat shoes. The entire video must feel like one genuine recording captured by a friend on a daytime trip through Jeonju Hanok Village, South Korea, not a staged commercial or cinematic recreation.\n\n00:00–00:04 — DAYTIME ARRIVAL\nThe woman walks down a sunny stone-paved lane lined with traditional hanok houses, tourists strolling nearby in colorful hanbok.\nThe camera bounces gently behind her, then swings around to her smiling face.\nShe says:\n\"Look at me, I finally get to wear a hanbok!\"\n\n00:04–00:08 — TRADITIONAL TEA HOUSE\nShe steps into a small traditional tea house courtyard with wooden benches and hanging paper lanterns.\nThe camera focus hunts between a steaming teapot and her face as she sits down.\nShe watches an elderly tea master pour tea with careful, practiced movements.\n\n00:08–00:12 — FIRST SIP\nShe picks up the small ceramic cup, blows on it, takes a sip.\nHer expression shows pleasant surprise.\nShe turns to the camera and says:\n\"It's so fragrant, I love it already.\"\nThe camera operator chuckles softly off-screen.\n\n00:12–00:16 — CHATTING WITH THE TEA MASTER\nShe sits cross-legged at the low table, chatting with the tea master, who explains something while gesturing at the teapot.\nShe nods, laughs at a joke, and awkwardly attempts to pour tea herself, spilling a little.\nEveryone at the table laughs naturally, no exaggerated acting.\n\n00:16–00:20 — HANJI CRAFT ATTEMPT\nA nearby craft table has traditional hanji paper fans being decorated.\nShe sits down and tries painting a simple pattern on a fan, her lines coming out slightly crooked.\nShe holds it up to the camera, laughing, and says:\n\"Okay, I'm definitely not an artist.\"\n\n00:20–00:24 — WALKING THE VILLAGE\nShe walks along the hanok streets, fan in hand, passing shops, rooftops, and other tourists in hanbok.\nA group of children in hanbok run past giggling; she waves and laughs.\nThe camera swings briefly toward the rooftops before returning to her.\n\n00:24–00:27 — QUIET MOMENT\nShe stops at a scenic overlook where rows of curved hanok roofs stretch into the distance under the afternoon sun.\nFor a moment there's no dialogue — just wind, distant chatter, and birds.\nShe smiles and says:\n\"This view is unreal.\"\n\n00:27–00:30 — NATURAL ENDING\nShe starts walking again, then turns back toward the camera with a playful grin, fan waving gently.\n\"Okay, hanbok day complete. See you next time!\"\nShe laughs, spins slightly in her hanbok, and keeps walking.\nThe camera lingers a moment longer before the footage naturally ends with a slight shake and imperfect cut.\n\nAUDIO\nNatural location sound only:\n- wind rustling paper lanterns\n- distant tourist chatter\n- footsteps on stone pavement\n- teapot pouring sounds\n- birds\n- children laughing and playing\n- fabric rustling from hanbok movement\n- faint distant street vendor calls\n- subtle camera handling sounds\n\nNo intentional background music track — only naturally occurring ambient sound from the environment.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@oggii_0",
|
||
"sourceUrl": "https://x.com/oggii_0/status/2091820691100496381"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-an-ultra-realistic-korean-zombie-horror-sequence-inside-an-old-apartment-29ede13fb50e",
|
||
"title": "深夜电梯中的丧尸镜像与女子逃生",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/22c428f45089.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an ultra-realistic Korean zombie-horror sequence inside an old apartment elevator at night. A woman in a long golden light-cream one-piece dress enters alone, carrying a shopping bag. The elevator stops between floors, the lights flicker, and the floor indicator glitches to 13. A dark figure appears only in the mirror, whose reflection slowly becomes infected with pale skin, milky eyes, and dark veins. The mirror cracks as an infected hand reaches through. The doors open to a nonexistent dark floor where infected silhouettes rush toward her. She barely escapes as the doors slam shut. When the elevator reaches the 12th floor, she exits—but her reflection stays behind, smiles, then suddenly lunges toward the camera. Cut to black.\n\nStyle: Ultra-realistic Korean zombie horror, claustrophobic elevator, cinematic handheld camera, flickering fluorescent lights, photorealistic skin, realistic reflections, tense atmosphere, dark shadows, natural facial expressions.\n\nNegative prompt: Cartoon, anime, stylized CGI, exaggerated gore, distorted anatomy, extra limbs, inconsistent face, unrealistic reflections, floating objects, text, subtitles, watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2105862212422074725"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-vlog-eae9734adb51",
|
||
"title": "Seedance 2.5 欧洲老城清晨旅拍 vlog",
|
||
"description": "15 秒五镜头旅拍:自拍行走、街景平移、进店 POV 到咖啡收尾,主打全片人物一致性与…",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-2-5-vlog-eae9734adb51.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second ultra-photorealistic travel vlog featuring the SAME young European woman throughout the entire video. She has natural skin texture, subtle facial imperfections, realistic hair movement, authentic body proportions, and completely natural expressions. The video must look like genuine footage recorded by a real travel creator, NOT AI-generated or cinematic CGI.\nSHOT 1 — 0–3 seconds:\nSelfie-style handheld footage. The woman walks naturally down a beautiful European old-town street in the morning. She holds a small vlog camera at arm's length, looks directly into the lens and gives a subtle genuine smile. Natural walking bounce, slight handheld shake, realistic breathing and hair movement. Background includes pedestrians casually walking, parked bicycles, small cafés, textured historic buildings and soft morning sunlight.\nSHOT 2 — 3–6 seconds:\nShe turns the camera away from herself toward the street. A natural handheld pan reveals detailed European architecture, outdoor café tables, people having coffee, bicycles passing and a small bakery. The camera movement is imperfect and human, with slight exposure adjustment as it moves from shadow into sunlight.\nSHOT 3 — 6–9 seconds:\nCut naturally back to selfie footage. She continues walking and briefly says something casually to the camera with natural lip movement and relaxed facial expressions. A light breeze moves a few strands of her hair. People pass behind her naturally without looking at the camera. Realistic depth, authentic street ambience and subtle camera shake.\nSHOT 4 — 9–12 seconds:\nPOV-style footage from her camera as she enters a small local café. The camera moves naturally through the doorway toward a wooden table with a freshly prepared coffee and a small pastry. Realistic reflections on glass, steam rising subtly from the coffee, natural indoor lighting, background conversations and realistic movement.\nSHOT 5 — 12–15 seconds:\nShe sits outside the café and turns the camera back toward herself. She takes a small sip of coffee, looks into the lens and smiles naturally. The camera remains handheld and slightly imperfect. Background pedestrians, bicycles and café activity continue moving naturally. End with a subtle realistic focus shift from her face toward the street behind her.\nVISUAL REQUIREMENTS:\nAbsolute photorealism, real-world physics, realistic human motion, authentic handheld smartphone/vlog camera behavior, natural skin pores and texture, realistic eyes and hair, physically accurate lighting and shadows, natural exposure changes, realistic reflections, detailed European environment, believable background pedestrians, consistent face and clothing across every shot.\nAvoid overly smooth camera movements, artificial beauty filters, plastic skin, exaggerated expressions, perfect symmetry, CGI appearance, dramatic movie-style transitions, unrealistic background motion, floating objects, warped hands, distorted faces or AI-looking details.\nThe final result should feel like an actual 15-second travel vlog filmed spontaneously by a real European woman on a high-quality handheld camera.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["x", "seedance-2.5", "vlog", "travel"],
|
||
"sourceId": "seedance",
|
||
"credit": "@SyntheSarah",
|
||
"sourceUrl": "https://x.com/SyntheSarah/status/2087737206459044262"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-17-second-ultra-realistic-cinematic-vertical-video-featuring-the-woman-6be0338020cb",
|
||
"title": "火山爆发变成爆米花海",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/d81423b0e9e5.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 17-second ultra-realistic cinematic vertical video featuring the woman from the provided character reference.\n\nUse the newly provided female character reference as the ONLY identity reference for the main character. Do NOT use the face or identity of the woman visible in the storyboard.\n\nUse the provided 13-panel Master Storyboard as the exact visual, chronological and action guide for the entire video.\n\nCHARACTER CONSISTENCY:\nPreserve the exact facial identity of the provided woman throughout the entire video, including her facial structure, eyes, nose, lips, skin tone, long dark hair, body proportions and recognizable appearance.\n\nHer identity must remain unchanged in every shot.\n\nKeep the character visually consistent from beginning to end. No face drift, no identity change, no hairstyle transformation and no replacement character.\n\nThe wardrobe should be adapted naturally for the volcanic adventure while maintaining a believable, consistent outfit throughout the sequence.\n\nIMPORTANT:\nThe Master Storyboard controls the scenes, actions, camera progression, timing and visual composition.\nThe provided character reference controls ONLY the identity and appearance of the main woman.\n\nDo not copy the storyboard woman's face.\n\nSTORY AND ACTION:\n\nSHOT 1 — 0:00–0:02\nBegin with the woman holding an enormous transparent bag completely filled with unpopped popcorn kernels near the edge of a massive volcanic crater.\n\nUse a close-to-medium cinematic perspective showing her, the giant popcorn bag and the glowing crater in the background.\n\nShe looks toward the crater with curious anticipation.\n\nSHOT 2 — 0:02–0:03\nMove closer as she looks down toward the crater.\n\nHer expression changes slightly as she watches the glowing lava below.\n\nThe giant popcorn bag remains firmly in her hands.\n\nSHOT 3 — 0:03–0:04\nShe releases the giant popcorn bag.\n\nThe transparent bag begins falling downward into the crater.\n\nUse a dynamic camera movement following the falling bag.\n\nKeep the bag physically consistent and clearly visible.\n\nSHOT 4 — 0:04–0:05\nThe bag hangs above the glowing lava crater.\n\nUse a dramatic overhead perspective looking down into the circular volcanic formation.\n\nThe bag continues descending naturally under gravity.\n\nThe glowing lava illuminates the transparent plastic and popcorn kernels.\n\nSHOT 5 — 0:05–0:06\nThe bag falls closer toward the lava.\n\nIncrease the sense of speed while maintaining realistic gravity and physical motion.\n\nThe camera follows the bag toward the center of the crater.\n\nSHOT 6 — 0:06–0:08\nThe crater suddenly erupts.\n\nA powerful vertical volcanic burst rises from the center.\n\nThe popcorn bag is caught in the eruption.\n\nUse a dramatic wide overhead shot showing the full scale of the crater.\n\nSHOT 7 — 0:08–0:09\nThe eruption transforms into an enormous explosion of freshly popped popcorn.\n\nThousands of realistic popcorn pieces burst upward and outward.\n\nUse a fast cinematic camera push into the popcorn cloud.\n\nEach popcorn piece should have believable individual motion.\n\nSHOT 8 — 0:09–0:10\nThe popcorn explosion fills the frame and transitions into the interior of a small vehicle or cabin.\n\nPopcorn rushes through the space and begins accumulating everywhere.\n\nUse strong forward motion as the popcorn wave moves toward the camera.\n\nSHOT 9 — 0:10–0:12\nThe cabin rapidly fills with popcorn.\n\nPopcorn rises from the floor and piles naturally around the seats and interior surfaces.\n\nThe volume increases continuously until the woman is surrounded.\n\nDo not make the popcorn appear instantaneously.\n\nSHOT 10 — 0:12–0:14\nThe camera pushes through the popcorn toward the woman.\n\nShe is partially buried in the enormous pile, with her upper body and face clearly visible.\n\nShe looks toward the camera and begins laughing.\n\nPopcorn moves naturally around her shoulders and arms.\n\nSHOT 11 — 0:14–0:15\nClose-up of the woman emerging from the popcorn.\n\nShe smiles directly toward the camera.\n\nA few popcorn pieces rest naturally in her hair and on her shoulders.\n\nWarm orange volcanic light illuminates her face.\n\nSHOT 12 — 0:15–0:16\nShe gathers a large handful of popcorn with both hands.\n\nShe brings it toward her mouth with a playful, delighted expression.\n\nKeep the popcorn pieces physically consistent and naturally positioned.\n\nSHOT 13 — 0:16–0:17\nExtreme close-up final moment.\n\nShe happily eats the popcorn while looking toward the camera.\n\nShe smiles playfully with popcorn around her.\n\nEnd on her satisfied expression.\n\nCAMERA:\nUse motivated cinematic camera movement throughout:\nhandheld close-ups, overhead crater shots, dynamic tracking, dramatic push-ins, macro popcorn details and an intimate final close-up.\n\nUse subtle speed changes only where they enhance the eruption and popcorn explosion.\n\nPHYSICS:\nRealistic gravity.\nRealistic falling motion.\nRealistic volcanic eruption dynamics.\nRealistic popcorn expansion and flight.\nRealistic popcorn accumulation and weight.\nRealistic interaction between the woman and the popcorn.\n\nNo teleportation.\nNo duplicated character.\nNo duplicate popcorn bags.\nNo changing clothing.\nNo face drift.\nNo distorted hands.\nNo floating objects without physical cause.\n\nAUDIO:\nNatural environmental sound combined with cinematic action sound design.\n\nInclude wind around the crater, deep volcanic rumble, falling-object sounds, eruption impact, rushing air, popcorn impacts, cabin movement and the woman's natural laughter.\n\nNo dialogue.\nNo narration.\nNo subtitles.\nNo text overlays.\nNo logos.\nNo watermark.\n\nFINAL LOOK:\nUltra-realistic live-action cinematic footage with a surreal comedy-adventure feeling.\n\nThe sequence must follow the 13-panel Master Storyboard exactly in chronological order.\n\nThe newly provided woman must remain the same recognizable person from the first frame to the last frame.\n\nOnly the character identity is changed. Everything else from the storyboard remains unchanged.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ElsaSofia__AI",
|
||
"sourceUrl": "https://x.com/ElsaSofia__AI/status/2104753404627268008"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-ultra-cinematic-cyberpunk-tactical-infiltration-sequence-shot-like-a-hi-785161245e4c",
|
||
"title": "霓虹雨夜能量核心劫掠",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/94152049398d.jpg",
|
||
"mode": "video",
|
||
"prompt": "-\n\nCreate ultra-cinematic cyberpunk tactical infiltration sequence, shot like a high-budget futuristic action film. Photorealistic humans, realistic anatomy and movement, detailed tactical gear, neon cyan/crimson lighting, volumetric rain, wet reflections, atmospheric fog, realistic physics, anamorphic cinematography, shallow depth of field, dynamic camera movement, seamless transitions. Maintain identical characters, costumes and environment throughout.\n\n00:00–00:03 — A vast futuristic metropolis at night, heavy rain and neon skyscrapers disappearing into mist. A female operative in a sleek wet black tactical suit and hood surveys the city. Extreme close-up of her eyes reflecting neon lights. Her male teammate checks a rugged holographic tactical tablet.\n\n00:03–00:07 — The team attaches to a futuristic drone-deployed rappelling cable and descends a massive glass skyscraper. Dynamic aerial and low-angle tracking shots, rain streaking across reflective glass. They land silently on a balcony.\n\n00:07–00:11 — The squad moves through an exterior glass corridor protected by horizontal red laser grids. One operative hacks a futuristic glass door using a compact electronic device. Blue electrical pulses travel through the lock; security shuts down. They enter silently.\n\n00:11–00:16 — A massive research chamber reveals a glowing blue-white spherical energy core suspended inside a red laser lattice. The female lead scans it with her holographic tablet. Technical data and energy readings appear. Slow cinematic orbit around the core and team.\n\n00:16–00:20 — A futuristic elevator descends into the secure facility. Red emergency lighting pulses. Doors open to reveal the three-person squad in black tactical gear. Low-angle hero shot as they step out in synchronized formation.\n\n00:20–00:24 — The female operative extracts the brilliant blue energy core from its holographic containment field. Blue light illuminates her face and armor. She locks it inside a sophisticated metallic energy case with a mechanical click.\n\n00:24–00:28 — Alarms erupt. Red lights flash as the squad sprints through a glass corridor and leaps from the skyscraper. Mechanical bat-like glider wings deploy from their tactical suits with realistic articulated movement. They transition from freefall into controlled flight above the neon metropolis. Camera pulls far back as the squad disappears into the storm carrying the glowing energy core.\n\nSTYLE: Photorealistic cyberpunk noir, Hollywood sci-fi action, practical-looking tactical equipment, realistic rain and water physics, wet metallic surfaces, volumetric fog, cinematic lens flares, subtle film grain, HDR, dramatic contrast, physically accurate shadows, realistic faces, hands and fabric.\n\nCAMERA: Anamorphic lenses, wide establishing shots, extreme close-ups, low-angle hero shots, aerial tracking, handheld pursuit, smooth crane movements, dramatic push-ins, natural motion blur.\n\nQUALITY: Ultra-detailed 4K, coherent character continuity, seamless transitions, realistic physics and anatomy. No glitches, subtitles, logos, text or watermark.\n\nCreated with Seedance 2.5.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithWania",
|
||
"sourceUrl": "https://x.com/AIwithWania/status/2104539047213576643"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-short-ultra-realistic-cinematic-horror-action-sequence-set-inside-a-q-9afbbee52258",
|
||
"title": "寂静实验室外的感染者",
|
||
"description": "恐怖悬疑",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-short-ultra-realistic-cinematic-horror-action-sequence-set-inside-a-q-9a.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a short, ultra-realistic cinematic horror-action sequence set inside a quiet Japanese high-school science laboratory during an afternoon class. A female science teacher is demonstrating an experiment when the lights suddenly flicker and every digital display in the room turns off at the same time. A strange scratching sound comes from inside a locked storage cabinet.\n\nThe teacher cautiously approaches the cabinet, but before she can open it, the glass windows violently shake. One student notices dark handprints appearing on the outside of the glass even though there is nobody there. The classroom door suddenly slams shut and locks itself.\n\nThe teacher tells everyone to stay calm and uses a metal laboratory stand to force the door open. Just as the students begin escaping into the hallway, one of the emergency lights reveals several infected figures standing motionless at the far end of the corridor.\n\nThe students rush back into the laboratory and quickly push tables against the entrance. The teacher discovers that the infected are reacting to sound, so everyone becomes completely silent. A student accidentally drops a glass beaker.\n\nThe sound echoes through the hallway.\n\nAll the infected figures slowly turn toward the laboratory.\n\nThe teacher raises one finger, silently telling everyone not to move. The camera slowly pushes toward the barricaded door as dozens of footsteps begin approaching from outside. The screen cuts to black just before the door starts shaking violently.\n\nPhotorealistic live-action horror, authentic Japanese high-school science laboratory, realistic teenage students and teacher, natural handheld cinematography, subtle practical effects, believable physical movement, atmospheric fluorescent lighting, realistic shadows, tense pacing, authentic facial reactions, cinematic depth of field, muted horror color grading, diegetic environmental sound only. No music, narration, excessive gore, graphic injuries, animation, anime, cartoon style, artificial CGI appearance, distorted anatomy, subtitles, text, logos, or watermark.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@ElsaSofia__AI",
|
||
"sourceUrl": "https://x.com/ElsaSofia__AI/status/2100903709492613245"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-8k-hyper-realistic-action-sequence-dark-atmospheric-ancient-east-asia-291b879b5764",
|
||
"title": "青衣女侠酒馆激战群卫",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/0776af25179a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic 8k hyper-realistic action sequence dark atmospheric ancient East Asian wooden inn an elegant female martial artist in flowy pale green and white traditional Hanfu robes takes a quick sip from a black wine jug before throwing it into the air fast-paced Wuxia fight combat, wooden tables shattering into splinters, atmospheric dust and misty fog dramatic volumetric backlight streaming through wooden window slats rapid dynamic low angle camera movement whip pans fluid acrobatics dodging and striking multiple guards in red and black armor ends in slow motion as she stands victorious among fallen opponents, moody lantern-lit atmosphere, 9:16 aspect ratio, ultra-detailed, photorealistic, 4k.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2098987614581997681"
|
||
},
|
||
{
|
||
"id": "seedance:ciri-ai-seedance-ai-e714d09df6ce",
|
||
"title": "京都夏日晚归的DV记忆",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/a11f34c4375f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary summer evening in the life of a young Japanese woman. No reference image.\nMAIN SUBJECT\nYoung Japanese woman in her early 20s, naturally pretty, realistic skin texture, minimal makeup, soft and cheerful personality.\nShoulder-length dark brown hair worn down with a simple clip pinning back one side, a few loose strands framing her face. Wearing an oversized light-yellow short-sleeve shirt, denim shorts, white canvas sneakers and a thin gold anklet.\nMaintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video.\nSETTING\nA quiet older residential neighborhood in Kyoto during a warm summer evening. Narrow paved streets, low wooden houses, hanging laundry, vending machines, telephone poles, tangled overhead wires, a small corner convenience store, a shrine gate visible in the distance, cicadas humming in the trees, and long tree shadows stretching across the road.\nEverything should feel lived-in, ordinary and peaceful. No tourist attractions, advertisements, recognizable brands or commercial activity.\nCAMERA / VISUAL AESTHETIC\nRaw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder.\nStrong handheld shake, imperfect framing, autofocus hunting, exposure shifts, occasional motion blur, faded colors, soft digital detail, mild noise, accidental zooms and natural camera imperfections.\nNo stabilization, drone footage, gimbal movement, dramatic lighting or polished commercial cinematography.\n— OUTSIDE THE HOUSE\nShe steps outside holding a small paper fan. She slides the door shut, glances at her reflection in a window, and looks toward the camera with a shy laugh.\nA warm evening breeze rustles the nearby wind chimes as she starts walking down the street.\n— CONVENIENCE STORE STOP\nShe reaches the small corner store and buys a popsicle.\nShe steps outside, unwraps it, takes her first bite and scrunches her face happily at the taste.\nShe notices her friend filming and waves the popsicle toward the camera with a grin before taking another bite.\n— WALKING HOME\nShe continues down the quiet street while eating.\nA small dog tied outside a shop barks softly and wags its tail. She kneels down and gently scratches behind its ears.\nThe dog's owner calls it back and she stands, giggling as she walks on.\n— SMALL ACCIDENT\nShe walks past a low hanging laundry line when a stray sheet brushes against her head.\nShe stops, startled, then realizes what happened and bursts out laughing.\nShe pats down her hair while her friend zooms clumsily toward her face.\nShe looks directly into the camera and says:\n\"Mou, yamete!\" (\"Come on, stop it!\")\n— QUIET MOMENT\nShe reaches a small stone step near a shrine gate and sits down for a moment.\nShe finishes the popsicle while watching fireflies begin to flicker faintly near the bushes.\nA gentle breeze moves her hair. She tucks a loose strand behind her ear and looks around peacefully.\n— FINAL MOMENT\nShe stands up and continues walking home.\nAfter a few steps, she turns back toward the camera with a soft playful smile and says:\n\"Hayaku kite.\" (\"Come on, hurry up.\")\nShe keeps walking down the dim lane as the streetlights flicker on, while the camera follows behind.\nShe disappears around the corner and the recording abruptly cuts to black.\nAUDIO\nNatural location sound only: cicadas, wind chimes, footsteps, distant bicycle bells, a vending machine hum, sliding doors, rustling laundry, faint conversations and subtle camera-handling noise.\nNo music. No narration. No artificial sound effects.\nOnly the two spoken lines specified above.\nFINAL FEEL\nThe entire video should feel like a forgotten summer recording from the early 2000s.\nWarm, gentle, casual, slightly playful, intimate and nostalgic.\nNo dramatic events, no exaggerated acting, no model poses and no polished cinematic shots.\nThe realism should come from ordinary surroundings, natural expressions, small accidents, realistic environmental movement and imperfect camcorder operation.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
|
||
"sourceUrl": "https://x.com/Ciri_ai/status/2093200782887657696"
|
||
},
|
||
{
|
||
"id": "seedance:elsasofia-ai-seedance-ai-48cf6dd47273",
|
||
"title": "女教师的一天",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/304fc327d7a1.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made this video with GPT IMAGE 2 + seedance 2.5 via \n@higgsfield \n\nPrompt ⤵️\n\nDURATION: 30 seconds\nASPECT RATIO: 16:9\n\nDURATION: 30 SECONDS\n\nCreate an ultra-photorealistic cinematic professional female teacher lifestyle vlog.\n\nREFERENCE PRIORITY:\n\n@IMG1 = MAIN FEMALE TEACHER\n@IMG2 = SCHOOL EXTERIOR\n@IMG3 = CLASSROOM\n@IMG4 = TEACHING ACTION\n@IMG5 = NOTEBOOK CHECKING\n@IMG6 = SCHOOL EXIT\n\nCHARACTER CONSISTENCY:\n\nThe EXACT SAME woman from @IMG1 must appear throughout the entire video.\n\nPreserve her exact face, facial features, hairstyle, skin tone, body proportions, age appearance and overall identity.\n\nShe remains the SAME teacher throughout every scene.\n\nKeep her professional teacher outfit consistent after she gets dressed.\n\n--------------------------------------------------\n\n0–4 SECONDS — LEAVING HOME\n\nThe teacher prepares for her school day at home.\n\nShe picks up her professional tote bag containing notebooks and teaching materials.\n\nShe checks her phone briefly.\n\nShe puts on her shoes, picks up her bag and leaves home.\n\nCAMERA:\nQuick cinematic morning lifestyle shots.\n\nClose-up of the bag and notebooks.\n\nMedium shot as she walks out the door.\n\nNatural morning light.\n\n--------------------------------------------------\n\n4–8 SECONDS — SCHOOL ARRIVAL\n\nUse @IMG2.\n\nThe teacher arrives at the school.\n\nShe walks through the main entrance carrying her tote bag.\n\nShe walks across the school courtyard toward the building.\n\nShe enters the school.\n\nCAMERA:\nWide establishing shot of the school exterior.\n\nSmooth tracking shot following her toward the entrance.\n\n--------------------------------------------------\n\n8–12 SECONDS — CLASSROOM PREPARATION\n\nUse @IMG3.\n\nThe teacher enters her classroom.\n\nShe places her tote bag on the teacher's desk.\n\nShe organizes her notebooks and teaching materials.\n\nShe picks up a marker.\n\nShe briefly checks the whiteboard and prepares the lesson.\n\nStudents gradually settle into their desks.\n\nCAMERA:\nMedium classroom shot.\n\nBrief close-ups of notebooks, marker and teaching materials.\n\n--------------------------------------------------\n\n12–20 SECONDS — TEACHING\n\nUse @IMG4.\n\nThe teacher stands at the front of the classroom.\n\nShe writes a simple lesson heading or diagram on the whiteboard.\n\nShe turns toward the students.\n\nShe explains the lesson using natural hand gestures.\n\nShe points toward the board.\n\nOne student raises a hand.\n\nThe teacher acknowledges the student and responds with a natural smile.\n\nStudents remain attentive.\n\nCAMERA:\nWide classroom shot.\n\nMedium shot of teacher.\n\nBrief close-up of her writing.\n\nOver-the-shoulder shot from the students' perspective.\n\nNatural classroom interaction.\n\n--------------------------------------------------\n\n20–25 SECONDS — NOTEBOOK CHECKING\n\nUse @IMG5.\n\nThe lesson has finished.\n\nThe teacher sits at her desk.\n\nShe picks up a student's notebook.\n\nShe reads the work.\n\nShe turns a page.\n\nShe makes a few simple corrections with a pen.\n\nShe sees a well-completed answer and gives a small approving smile.\n\nShe places the notebook on a neat stack of checked work.\n\nCAMERA:\nMedium shot.\n\nBrief close-up of notebook and hand.\n\nClose-up of her satisfied expression.\n\n--------------------------------------------------\n\n25–30 SECONDS — SCHOOL EXIT\n\nUse @IMG6.\n\nThe school day is finished.\n\nThe teacher organizes her papers into her tote bag.\n\nShe leaves the classroom.\n\nShe walks through the school corridor toward the main entrance.\n\nShe exits the school building.\n\nThe camera follows her from behind as she walks away.\n\nFinish with a wide cinematic shot of the school exterior and the teacher walking toward the exit.\n\nShe gives a subtle relaxed smile.\n\nCUT TO BLACK.\n\n--------------------------------------------------\n\nCAMERA STYLE:\n\nPremium cinematic educational lifestyle vlog.\n\nSmooth professional tracking.\n\nNatural handheld feel.\n\nWide establishing shots.\n\nMedium lifestyle shots.\n\nClose-ups for important details.\n\nOver-the-shoulder classroom shots.\n\nGentle cinematic pull-back at the ending.\n\nNo excessive camera shake.\n\nNo unnecessary fast camera movement.\n\n--------------------------------------------------\n\nREALISM:\n\nNatural walking.\n\nNatural classroom interaction.\n\nRealistic writing.\n\nRealistic notebook handling.\n\nRealistic teacher gestures.\n\nNatural student reactions.\n\nRealistic school environment.\n\nNatural facial expressions.\n\nRealistic hands and fingers.\n\nNo exaggerated acting.\n\nNo distorted hands.\n\nNo extra fingers.\n\nNo face morphing.\n\nNo identity changes.\n\n--------------------------------------------------\n\nCONTINUITY:\n\nSame female teacher throughout.\n\nSame face.\n\nSame hairstyle.\n\nSame professional outfit.\n\nSame school environment.\n\nSame classroom.\n\nSame teaching materials.\n\nNo different teacher.\n\nNo random outfit changes.\n\nNo cartoon.\n\nNo anime.\n\nNo futuristic school.\n\nNo text overlays.\n\nNo logos.\n\nNo watermark.\n\nFINAL FEELING:\n\nA realistic cinematic glimpse into a professional teacher's normal school day.\n\nHOME → SCHOOL → CLASSROOM PREPARATION → TEACHING → NOTEBOOK CHECKING → SCHOOL EXIT.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ElsaSofia__AI",
|
||
"sourceUrl": "https://x.com/ElsaSofia__AI/status/2092569909859647951"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-camera-look-dv-16mm-tape-camcorder-handheld-pov-by-chase-sometimes-propped-o-0c13a3b39062",
|
||
"title": "偶像女孩的周末健身复盘",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/25684d90f464.jpg",
|
||
"mode": "video",
|
||
"prompt": "CAMERA/LOOK: DV 16mm tape camcorder, handheld POV by CHASE; sometimes propped on gym mat/bench/shelf. Shaky, imperfect framing, cut-off faces, delayed focus, clumsy zooms, occasional overexposure/flickering auto-exposure. Soft blurry tape texture, faint noise, bloomed gym lights, muted contrast, realistic skin, subtle period timestamp. Camcorder never visible.\n\nSTYLE: Reflective end-of-week gym vlog, calm/summary-driven, nostalgic, warm and satisfied with genuine fatigue/pride.\n\nCHASE: Korean idol, 20s; long black hair loosely tied, glowing slightly sweaty skin, big expressive eyes, slim athletic build. Modest long-sleeve athletic top, loose joggers/fitted leggings, fully covered arms/torso, sneakers, towel around neck, no jewelry.\n\nSETTING: Quiet gym mat area after evening session; mirror wall, water bottle, duffel bag, wall clock past closing, soft overhead lights, vent hum.\n\n45s / 13 CUTS:\n\n1 (~3s, propped medium): Sits on mat catching breath, tired smile. “Okay, that's officially the last session of the week.”\n2 (~3s, handheld close): Drinks water. “Push day, legs, core — I actually hit everything I planned.”\n3 (~2.5s, macro): Hands grip condensation-covered bottle. Ambient only.\n4 (~3.5s, handheld montage): Blurry week flashbacks—barbell rack, treadmill display, chalked hands, mirror mid-set; faint laugh, ambient gym sound.\n5 (~3s, propped medium): Stretches overhead. “Leg day still wrecked me the most, not gonna lie.”\n6 (~2.5s, low angle from mat): Laughs, shakes head. “My legs are still shaking a little, actually.”\n7 (~3s, handheld): Looks toward mirror; wandering focus. Ambient only.\n8 (~3s, handheld close): Wipes sweat with towel. “Honestly this was one of the more consistent weeks I've had in a while.”\n9 (~2.5s, macro): Sneakers shift on mat, slightly loose lace. Ambient only.\n10 (~3.5s, propped medium): Sits back, sentimental. “Some days I really didn't want to show up, and I came anyway.”\n11 (~2.5s, handheld): Proud smile, wipes face. “But I'm actually really happy with how this week went.”\n12 (~3s, handheld): Clumsy tilt/zoom as she grabs duffel; zipper/rustling only.\n13 (~4s, arm's-length selfie): Stands and walks toward exit, relaxed wave, dim gym behind. “Alright, resetting this weekend — see you guys next week.”\n\n#Flovaai #Flovacpp",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2104187027935973745"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-authentic-ugc-style-social-media-video-featuring-a-stylish-y-7f98cb8ca02a",
|
||
"title": "时尚女生分享新款日常通勤包",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/6f9c836263a0.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second authentic UGC-style social media video featuring a stylish young woman casually showing and using her new everyday bag. The video must feel like a real creator filmed it for TikTok or Instagram—not a polished commercial or cinematic product advertisement.\n\nThe woman should feel natural and relatable, with genuine facial expressions, casual movements and conversational delivery. Use realistic smartphone camera footage with natural indoor and outdoor lighting, slight handheld movement and authentic framing.\n\nShe starts by holding the bag in front of the camera and says:\n\n“Okay, I think I just found my new everyday bag.”\n\nShe turns the bag around and casually shows its sleek color, overall shape, logo, straps and exterior pockets. Keep the bag clearly visible while she talks, but keep her face and reactions in frame.\n\nShe opens the bag and shows what she carries inside: laptop, phone, wallet, sunglasses, notebook, cosmetics and everyday essentials. She demonstrates the compartments naturally, showing how easily everything fits without making it feel like a scripted product demonstration.\n\nShe then puts the bag on and films herself in a mirror, showing how it looks with her outfit. She adjusts the straps, turns slightly and says:\n\n“I love that it actually looks cute without feeling like I'm carrying a huge bag.”\n\nContinue with casual clips of her using it throughout her day: leaving home with the bag, walking outside, entering a café, placing it beside her while having coffee, taking her laptop out, then putting everything back inside before heading out again.\n\nInclude natural handheld close-ups of the logo, zipper, compartments, straps and interior, but avoid overly polished product shots. The girl should remain the main subject.\n\nEnd with her walking outside while wearing the bag, then turning the camera toward herself and saying:\n\n“It fits everything I need, looks good with basically everything, and honestly… this is definitely my new everyday bag.”\n\nStyle\n\nAuthentic smartphone UGC, natural lighting, handheld camera movement, casual framing, realistic skin texture, genuine expressions, natural pauses, imperfect but believable camera movements, relatable creator energy and spontaneous social-media storytelling.\n\nImportant: This must remain pure UGC. No cinematic commercial cinematography, studio lighting, dramatic slow motion, elaborate camera movements, professional voiceover, dramatic music, product-only sequences, excessive product close-ups, subtitles, captions or watermark.\n\nMaintain the exact same bag design, color, logo, materials and proportions throughout the entire video.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2103689025676828948"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-live-action-nighttime-action-thriller-i-6b47b28a64e9",
|
||
"title": "深夜地铁站以一敌三",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/5961bf756f48.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic live-action nighttime action-thriller inside an almost-empty underground train station. A woman finds herself surrounded by three unarmed attackers. She stays calm, evades their advances, redirects their momentum, and uses the station environment to create space without superhuman movement.\n\nAs the confrontation intensifies, the approaching train transforms the atmosphere—rails begin vibrating, loose paper moves across the platform, wind builds through the tunnel, and headlights sweep across the station. Keep every movement physically believable with realistic biomechanics, friction, momentum, balance, collisions, and environmental interaction.\n\nUse cinematic handheld tracking, wide shots for clear fight geography, tight reaction shots, low-angle train footage, realistic fluorescent lighting, natural motion blur, autofocus, and subtle camera vibration. Diegetic audio only: footsteps, breathing, impacts, metal scraping, rail vibration, train horn, rushing air, braking, and doors opening.\n\nEnd with the train arriving as the woman catches her breath, turns away from the attackers, and walks toward the open doors.\n\nNo CGI look, animation, superhero abilities, wire-fu, flying bodies, weapons, gore, impossible physics, distorted anatomy, duplicated characters, excessive camera shake, dangerous track behavior, subtitles, logos, or watermark.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2101173902307467397"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-pixar-quality-3d-animated-asmr-comedy-short-aboard-a-warm-l-0338f10f2018",
|
||
"title": "Pixar 风格海盗厨师 ASMR 喜剧短片:Seedance 2.5 逐秒分镜 Prompt",
|
||
"description": "AI & tech content creator Nomi AI 分享的 Seeda…",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-30-second-pixar-quality-3d-animated-asmr-comedy-short-aboard-a-warm-l-03.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second Pixar-quality 3D animated ASMR comedy short aboard a warm, lantern-lit pirate ship galley.\n\nSTYLE: Premium cinematic 3D animation, expressive characters, polished feature-film quality, warm amber lighting, realistic food textures, cinematic depth of field, playful slapstick humor, gentle ship movement and crisp immersive food ASMR.\n\nCharacters: A large, burly, bearded pirate chef wearing a worn apron, and a mischievous bright-green parrot constantly trying to steal ingredients. Keep both characters visually consistent throughout.\n\n0–4s\n\nExtreme close-up of the parrot stealing a garlic bulb. The pirate's hand suddenly slams beside it. They freeze and stare at each other. Brief record-scratch silence. The pirate flicks the parrot away; it spins through the air and lands on a pot rack pretending nothing happened.\n\n4–8s\n\nThe pirate rapidly chops garlic with crisp ASMR. The parrot tiptoes toward a tomato. Garlic hits hot oil with a huge sizzle, startling the parrot and sending it tumbling off the rack. Metal cups clang.\n\n8–14s\n\nFast cinematic cooking montage: tomatoes sizzling, herbs being torn, olive oil pouring in golden slow motion, sauce bubbling and the pirate confidently stirring the skillet. Layer detailed chopping, sizzling, pouring and bubbling ASMR.\n\n14–19s\n\nThe parrot spots the food and secretly tries to drag the skillet away. Its tiny body strains comically across the wooden floor. The pirate slowly turns around and stares. The parrot freezes while still holding the handle, then innocently whistles and lets go.\n\n19–24s\n\nThe pirate finishes cooking with a dramatic skillet toss. Steam rises as the glossy dish is plated. The parrot watches hungrily, trying to look innocent.\n\n24–30s\n\nInstead of scolding the parrot, the pirate prepares a tiny plate of sauce and bread and slides it across the table. The parrot happily bounces and eats beside him. They exchange a satisfied look as the ship gently sways.\n\nEnd with a wide cinematic shot of the cozy galley glowing under amber lanterns, subtle ocean sounds and wooden ship creaks, with one soft playful accordion note fading out.\n\nNo dialogue, no subtitles, no text. Maintain strong character consistency, natural physics, smooth animation, cinematic framing and detailed food ASMR throughout.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithNomi",
|
||
"sourceUrl": "https://x.com/AiwithNomi/status/2099872759866380704"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-cinematic-korean-folk-horror-ritual-inside-a-dark-traditional-korean-w-a9cbf4e1b64b",
|
||
"title": "韩屋驱邪仪式后的未尽阴影",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/5feefb17c82d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic Korean folk-horror ritual inside a dark traditional Korean wooden house. Keep the Word character’s face, hairstyle, outfit, and appearance perfectly consistent. She kneels weakly inside a salt circle surrounded by candles, incense, rice, and Korean talismans while worried family members watch and a shaman prepares the ritual. The shaman begins chanting as her fingers twitch, her body trembles, her head suddenly moves unnaturally, dark veins spread across her skin, and her eyes gradually turn completely black. Her body convulses violently as the shaman throws rice and salt around the circle.\n\nThe woman suddenly rises unnaturally while the shaman presses a burning talisman against her forehead. A powerful wind tears through the closed room, shaking candles, scattering papers, and whipping her hair and clothing. The talisman catches fire, flames surge, and she collapses onto the wooden floor, completely still. After a tense silence, her eyes reopen normally and the family rushes toward her in relief while the exhausted shaman watches carefully.\n\nEnd with a wide aftermath shot showing scattered salt, burnt talismans, melted candles, incense smoke, and ritual objects across the floor. Everything appears finished until one untouched talisman begins releasing a faint trail of dark smoke. The camera slowly moves toward it, leaving the supernatural threat unresolved. Realistic Korean folk horror, cinematic lighting, deep shadows, practical fire and smoke, dramatic camera movement, natural acting and sound design, no gore, no subtitles, no watermark, no anime or cartoon style.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2099836457430974932"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-d625f4097d92",
|
||
"title": "水獭伙伴的西瓜田夏日",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/d0d6ec323037.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a cinematic, ultra-cute 3D animated short film in a bright, whimsical countryside watermelon field under a clear vivid blue sky.\n\nThe main character is a small, chubby, adorable brown otter-like animal with soft plush fur, a round face, huge expressive glossy eyes, tiny ears, rosy cheeks, a small dark nose, and a cute blue patterned scarf tied around its neck. Keep the character design consistent throughout the entire video.\n\nOpening shot: the little character walks happily through a dry sandy path surrounded by a lush watermelon field. The warm morning sunlight creates soft cinematic shadows and beautiful highlights on its fur. A large green leaf provides shade above its head. Use a low-angle, child-friendly cinematic camera with shallow depth of field.\n\nThe character discovers large ripe watermelons scattered throughout the field. It becomes excited, smiles brightly, and approaches one of the watermelons. Show detailed watermelon textures, realistic green stripes, tiny soil particles, grass, and natural environmental details.\n\nThe character picks up a large watermelon slice and happily eats it. Capture close-up shots of its adorable facial expressions, sparkling eyes, tiny mouth movements, and joyful reactions. The watermelon slice should have juicy red flesh, black seeds, and a fresh realistic texture.\n\nCut to a relaxing scene where the character sits comfortably under a colorful beach umbrella on a small woven lounge chair, wearing a cute straw hat and enjoying the sunny afternoon. The atmosphere is peaceful, warm, playful, and summery.\n\nThen show the character returning to the watermelon field and interacting with an enormous watermelon. Introduce a second adorable character: a small round fluffy blue animal with huge expressive eyes and soft plush fur. The blue character approaches curiously and interacts playfully with the brown character.\n\nThe two characters share watermelon together. Show them sitting side by side, smiling, looking at each other, and enjoying the fruit. Include funny, heartwarming facial expressions and subtle body movements.\n\nFinal shot: both adorable characters sit together in the watermelon field, each holding a juicy watermelon slice, smiling happily toward the camera. A giant watermelon and green vines fill the background. Warm golden sunlight, soft breeze, cinematic depth of field, vibrant colors, wholesome friendship atmosphere.\n\nVisual style: high-end cinematic 3D animation, Disney/Pixar-inspired quality without copying any specific character, ultra-detailed soft fur, expressive oversized eyes, realistic materials, polished character animation, beautiful global illumination, volumetric sunlight, soft shadows, vibrant but natural colors, detailed countryside environment, smooth camera movements, shallow depth of field, cinematic composition, charming facial animation, high production value.\n\nCamera: mix of wide establishing shots, low-angle tracking shots, medium character shots, extreme close-ups of facial expressions and watermelon, gentle camera push-ins, smooth cinematic transitions.\n\nAspect ratio: 9:16 vertical.\nMood: adorable, wholesome, funny, relaxing, heartwarming, sunny summer adventure.\nQuality: ultra-high-definition, polished cinematic animation, highly detailed, smooth motion, consistent characters throughout.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2098952788835467439"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-16-9-1080p-ultra-photorealistic-archival-video-of-everyday-9b6f33c925e9",
|
||
"title": "1989年西柏林街头日常",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/cases/e2155c7772af.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 16:9, 1080p ultra-photorealistic archival video of everyday Berlin street life in 1989.\n\nThe entire video must look like genuine footage recorded in 1989 with an unusually good professional video camera. It should feel like a real archival recording that has been digitized in HD, not a modern recreation, not a movie, and not an AI-generated vintage filter.\n\n**MAIN FOCUS:**\nThe video is primarily about ordinary daily life on the streets of West Berlin in 1989. Crowded sidewalks, people walking in different directions, period-correct taxis (Mercedes W123s), Trabants and Wartburgs passing through traffic, buses, storefronts, street vendors, newspaper kiosks, and the constant movement of the city. The camera should feel like someone documenting the everyday routine of Berlin, not showcasing its architecture or politics.\n\n**SCENE SEQUENCE:**\n- **0–5s:** Street-level view from a busy West Berlin sidewalk (e.g. near Kurfürstendamm). A crowd of pedestrians walks past the camera in both directions. Mercedes taxis, Trabants, and older European cars move through the street. Natural handheld camera movement.\n- **5–10s:** A crowded avenue intersection. People wait at the crosswalk, then begin crossing. Buses, taxis, and traffic move through the frame. The camera slowly pans with the street activity.\n- **10–15s:** A closer street-level view of everyday pedestrians, storefronts with German signage, newspaper kiosks, and passing cars. People carry shopping bags, talk to each other, and go about their normal routines. Natural, unscripted-looking movement.\n- **15–20s:** A slightly wider street view showing a busy Berlin avenue filled with pedestrians and traffic. Buildings are visible only as part of the background. A section of the Berlin Wall or period signage may appear naturally in the distance, but the street activity remains the focus.\n- **20–25s:** Another crowded sidewalk and intersection. Trabants, taxis, buses, pedestrians, and storefronts create a constantly moving urban scene. The camera gently follows the flow of people.\n- **25–30s:** Final street-level view of a busy avenue, with pedestrians crossing, cars passing, and traffic continuing naturally. End like a real archival recording, without a dramatic cinematic conclusion.\n\n**CAMERA & CINEMATOGRAPHY:**\nReal 1989 professional video-camera footage. Mostly street-level, eye-level, and slightly elevated sidewalk viewpoints. Natural handheld and vehicle-mounted camera movement, slow pans, gentle zooms, slight camera vibration, occasional imperfect framing, and realistic motion blur. The camera should feel operated by a real person filming the city, with small imperfections and natural timing. No modern drone footage, no gimbal-smooth movement, no impossible camera angles, and no dramatic cinematic camera moves.\n\n**IMAGE QUALITY:**\nSurprisingly sharp and detailed for 1989, with clear pedestrians, cars, storefronts, and street details. Slightly soft image edges, natural lens rendering, mild analog video noise, subtle highlight bloom, gentle chromatic aberration, and a very subtle late-1980s video texture. The footage should look like an unusually good archival camera recording, not degraded VHS.\n\n**COLOR & LIGHTING:**\nOvercast or soft natural daylight typical of Berlin, realistic diffuse sunlight, slightly muted highlights, natural shadows, and authentic 1989 color reproduction. Colors should be realistic and slightly desaturated compared with modern digital footage, but still natural. No modern cinematic teal-and-orange grading, no excessive contrast, no fake film look, and no heavy retro effects.\n\n**HISTORICAL AUTHENTICITY:**\nEverything must look correct for West Berlin in 1989: period-correct Mercedes taxis, Trabants, Wartburgs, buses, storefronts, German-language advertisements and signage, period clothing, and architecture of the era. No modern vehicles, smartphones, LED billboards, contemporary advertisements, or post-reunification skyline elements.\n\n**REALISM:**\nNatural traffic movement, believable pedestrians, realistic reflections, accurate building geometry, and physically correct lighting. People should move naturally and independently, with varied walking speeds, gestures, and directions. Cars must have realistic proportions, wheels, reflections, and motion, including the distinct boxy shape and two-stroke-engine character of Trabants. Buildings must remain stable and geometrically accurate.\n\n**EDITING:**\nUse several connected street-level shots with natural archival-video pacing. Most shots should be crowded sidewalks, intersections, and busy avenues. Keep building, Wall, and skyline shots to a minimum. Buildings should mainly appear as background elements behind the people and traffic. Use simple cuts between shots, like genuine archival footage from one recording session. No flashy editing, no music-video style, no artificial cinematic transitions, and no text or subtitles.\n\n**FINAL RESULT:**\nThe viewer should genuinely feel that they are watching real Berlin footage filmed in 1989 with an unusually good HD camera. It should feel like an ordinary day in the city, full of people, cars, traffic, and natural street activity. The realism of the pedestrians, cars, lighting, and camera behavior is more important than cinematic beauty.\n\n**NEGATIVE PROMPT:**\nAI-generated appearance, CGI, modern Berlin, post-reunification skyline, modern cars, smartphones, LED screens, contemporary clothing, non-period signage, fake vintage filter, excessive film grain, VHS scanlines, heavy VHS distortion, oversaturated colors, teal-orange grading, cinematic movie look, drone footage, gimbal smoothness, impossible camera movement, empty streets, deserted sidewalks, excessive building shots, architectural showcase, warped buildings, duplicated pedestrians, distorted cars, flickering architecture, text, subtitles, logos, watermarks.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@oggii_0",
|
||
"sourceUrl": "https://x.com/oggii_0/status/2097563915354063328"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithkhan-seedance-ai-2ee8c62c7d26",
|
||
"title": "Seedance 参考图角色的墨镜耳机 UGC 短片",
|
||
"description": "达人测评",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithkhan-seedance-ai-2ee8c62c7d26.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, jewelry, and overall appearance consistently throughout the video. Change her top to a fitted sleeveless top in Orange and keep it consistent. Use the uploaded sunglasses, earbuds, retail packaging, and carrying cases as locked product references. Preserve exact product shapes, colors, materials, proportions, buttons, lenses, hinges, charging case, and details throughout.Create an ultra-\n\nrealistic UGC luxury lifestyle review filmed inside a modern luxury bedroom during warm golden hour. Use natural window light, soft shadows, realistic skin texture, subtle handheld smartphone movement, shallow depth of field, and premium commercial-quality cinematography.0–5 seconds:The woma\n\nn sits on the ed\nge of the bed with the orange product packaging beside her. She looks into the camera, smiles, and says:“Okay, these two have se\nriously upgraded my everyday routine.”5–11 seconds:She picks up the sunglasses, ope\nns the orange packaging, and slowly reveals them. She rotates the sunglasses toward the camera while saying:“The sunglasses immediately caug\nht my attention—the finish, the shape, everything feels so premium.”11–18 seconds:She puts on the sungla sses and looks tow\nard the window, then turns back toward the camera. She says:“They’re lightweight, comfortable, and h\nonestly look even better in natural light.”18–24 seconds:She picks up the earbuds and o\n\npens their chargin\ng case. Show a detailed macro shot of the earbuds and case as she says:“And the earbuds are the perfect everyday compan\nion—small, sleek, and ridiculously easy to carry.”24–30 seconds:She places the sunglasses and earbuds \n\ntogether beside th\neir orange packaging, then picks both up and smiles directly at the camera.“If you love accessories that actually look as good as t\nhey perform, these are definitely worth checking out.”End with a slow cinematic push-in toward both products on th\n\n: ultra-realistic UGC, authentic creator energy, natura\n\nl expressions, perfect lip sync, realistic hand movements, premium fashion/lifestyle aesthetic, macro product details, accurate reflections, realistic materials, warm golden-hour lighting, handheld smartphone cinematography, 4K HDR, no subtitles, no watermarks, no invented logos, no on-screen text.",
|
||
"category": "ugc-creator-review",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2089686478100341051"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-an-exactly-30-second-16-9-24fps-hyper-realistic-korean-live-action-act-7ac2c14074ec",
|
||
"title": "咖啡馆女子制服挑衅男子后淡定喝咖啡",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/f9ef37f3074d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an exactly 30-second, 16:9, 24fps hyper-realistic Korean live-action action-comedy scene inside one modern café. All characters are adults. Keep the café layout, screen direction, tables, chair and sofa consistent.\n\nPYONA sits calmly when an arrogant man approaches and says, “야, 비켜.” He kicks her chair, making it jerk sideways and causing her to fall realistically. He smirks, convinced he has won.\n\nPYONA slowly rises, looks at him and says, “너 지금 뭐 한 거야?” He reaches for her. She catches his wrist, redirects his momentum and sends him stumbling into an empty table. He throws a desperate punch; she ducks, strikes his midsection, grabs his jacket and redirects him into the table again.\n\nHe panics and charges. PYONA sidesteps at the last second, redirects his momentum and sends him stumbling backward into the soft sofa. The sofa compresses naturally as he crashes into it.\n\nA stunned silence follows. Customers stare. PYONA calmly returns to her table, fixes the chair, sits down and takes another sip. She glances toward the sofa. The terrified man sinks lower into the cushions. Cut to black.\n\nGrounded physical choreography throughout: clear contact, realistic weight, momentum, friction, balance and furniture reactions. Cinematic handheld camera with clear impact framing and consistent spatial direction.\n\nNatural café ambience only: footsteps, chair scraping, impacts, rattling cups, clothing movement, breathing and customer reactions. No music, narration or cartoon sound effects.\n\nNegative prompt: duplicated characters, changing faces, impossible physics, premature falls, invisible strikes, floating bodies, teleportation, excessive camera shake, excessive slow motion, blood, gore, broken bones, head impacts, supernatural force, subtitles, captions, logos, watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2106975147806576802"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-photorealistic-cinematic-fantasy-adventure-sequence-following-ed6de8b09ab5",
|
||
"title": "白领晨间咖啡穿越恐龙世界",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-30-second-photorealistic-cinematic-fantasy-adventure-sequence-following-.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second photorealistic cinematic fantasy adventure sequence following a sharply dressed businessman through an ordinary morning in a busy modern city. Begin with a warm golden-hour tracking shot moving through a downtown street surrounded by towering glass skyscrapers, yellow taxis, pedestrians, and long cinematic shadows → reveal the businessman wearing a dark navy suit, white shirt, and tie, calmly walking through the crowd while holding a takeaway coffee and papers → transition to a dynamic street-level shot as a woman accidentally bumps into him, causing papers, coffee, sunglasses, and pigeons to scatter dramatically through the air → cut to a cinematic close-up as he reaches toward the floating coffee cup while strange golden magical particles begin appearing around him → suddenly reveal the coffee cup surrounded by glowing blue magical energy as the entire city begins filling with swirling particles → transition into a dramatic low-angle shot looking upward between enormous skyscrapers as the atmosphere transforms into a powerful vortex of golden dust and blue energy → cut to a spectacular portal sequence as a huge glowing blue circular gateway opens and pulls the businessman through the air, his suit and tie reacting naturally to the force while he desperately holds onto his coffee → transition through the blue portal into a mysterious ancient rainforest filled with enormous trees, dense ferns, mist, moss-covered ground, and shafts of soft sunlight → reveal the businessman crashing onto the forest floor, still holding his coffee, then slowly standing up in confusion → suddenly cut to an intense close-up of a gigantic realistic T-Rex-like dinosaur emerging from the dense jungle and roaring directly toward him → transition into a fast dynamic tracking shot as the businessman runs across a massive fallen tree while the dinosaur charges aggressively behind him → cut to a spectacular wide shot of him sprinting across a rope suspension bridge above a raging jungle river as the enormous dinosaur follows him → transition into an action close-up as he grabs a hanging jungle vine and swings dramatically beside a massive waterfall while the dinosaur leaps across the gap behind him → final shot becomes a heroic cinematic wide-angle view of the businessman standing on a moss-covered rock in the prehistoric forest, calmly drinking his coffee while a brilliant glowing blue portal opens behind him, surrounded by mist, waterfalls, enormous trees, floating magical particles, and dramatic sunlight breaking through the canopy.\n\nVisual style: ultra-photorealistic live-action fantasy adventure, premium Hollywood cinematography, realistic human character, realistic dinosaur creature, natural skin texture, physically accurate motion, cinematic depth of field, anamorphic lens, volumetric lighting, atmospheric fog, realistic water and particle effects, dramatic scale, smooth camera movement, high-detail environments, immersive cinematic realism, 4K quality.\n\nCharacter continuity: keep the exact same businessman throughout the entire sequence, identical face, hairstyle, age, body proportions, navy suit, white shirt, tie, black shoes, and coffee cup; no identity drift, no wardrobe changes, no character redesign.\n\nNegative prompt: cartoon, animation, stylized CGI, plastic skin, fake-looking human, identity drift, changing face, changing clothes, duplicate character, extra people appearing suddenly, deformed hands, extra fingers, extra limbs, distorted body, unrealistic dinosaur anatomy, floating objects, broken physics, jittery motion, excessive motion blur, warped buildings, artificial environment, low detail, oversaturated colors, text, subtitles, logos, watermark, UI elements.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Elvorya",
|
||
"sourceUrl": "https://x.com/Elvorya/status/2105171530703413334"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-miniature-hand-drawn-2d-animated-girl-with-messy-black-hair-an-orange-shirt-f86eb9a18721",
|
||
"title": "迷你涂鸦女孩的桌面滑板之旅",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/fc748d69e189.jpg",
|
||
"mode": "video",
|
||
"prompt": "Subject\nA miniature hand-drawn 2D animated girl with messy black hair, an orange shirt, teal shorts, striped socks, and a yellow backpack, riding a tiny orange skateboard across real-world office desk items.\nStyle\nMixed-reality hybrid animation combining 2D hand-drawn doodle character art with a realistic live-action desk environment. Features playful stop-motion physics, smooth line animations, and lighthearted background music layered with miniature skateboard rolling and grinding sound effects.\nCamera & Framing\nClose-up macro shots, dynamic low-angle tracking perspectives, and tilt-shift shallow depth-of-field focusing on the tiny skateboarder as she navigates large household objects.\nAudio & Scene Breakdown\n00:00 - 00:02\nVisual: Macro shot of the tiny 2D skateboarder balancing between two giant human fingertips on her miniature orange board before pushing off.\n00:03 - 00:05\nVisual: Low-angle tracking shot as she performs a kickflip off the edge and lands smoothly onto a wooden desk surface.\n00:06 - 00:08\nVisual: Side-profile shot grinding across the edge of an orange wooden ruler and launching up a curved piece of white paper like a halfpipe.\n00:09 - 00:14\nVisual: Dynamic camera angle as she drops into the rim of a ceramic mug filled with dark coffee, riding around the inner wall before launching back out.\n00:15 - 00:20\nVisual: Tracking shot following her as a human hand draws a green crayon path on notebook paper, grinding over a white eraser and hopping over spiral notebook rings.\n00:21 - 00:24\nVisual: Air shot as she jumps off an open notebook, performing a trick mid-air over a computer keyboard and desk surface.\n00:25 - 00:30\nVisual: Close-up as she launches into the air, does a 360 spin with her board, and lands precisely back onto the gap between the two giant human fingertips where she started.",
|
||
"sourceId": "seedance",
|
||
"credit": "@harboriis",
|
||
"sourceUrl": "https://x.com/harboriis/status/2104106520808157221"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-historical-dramatization-an-original-cinematic-reconstruction-inspired-by-the-f70171db6cd8",
|
||
"title": "冲绳战场军医冒火救援伤兵",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/f418b0166cc2.jpg",
|
||
"mode": "video",
|
||
"prompt": "30 seconds | 16:9 | hyper-realistic historical war-film recreation | documentary realism | MULTISHOT\n\nHISTORICAL DRAMATIZATION — An original cinematic reconstruction inspired by the Battle of Okinawa in 1945. The story follows a fictional U.S. Army combat medic attempting to evacuate wounded soldiers from an exposed battlefield. Do not recreate any specific scene, character, dialogue, costume design, camera composition, or sequence from any existing film.\n\nCORE CONCEPT\nA young combat medic remains behind after his unit moves forward. Instead of becoming part of the fighting, he moves through smoke, mud and artillery fire searching for wounded soldiers and bringing them toward safety. The sequence emphasizes courage, exhaustion, confusion and the physical reality of a battlefield rather than glorifying combat.\n\nSETTING\nOkinawa, Japan — spring 1945. Rugged limestone escarpment, muddy defensive positions, damaged vegetation, smoke-filled battlefield, earthworks, abandoned equipment, scattered ammunition crates, military stretchers and distant artillery. Overcast tropical sky gradually brightening toward morning.\n\nCHARACTERS\nMAIN MEDIC — Fictional American Army combat medic, mid-20s, exhausted face, short regulation haircut, olive-drab 1940s combat uniform, steel helmet, canvas medical bag, field dressings and worn boots.\n\nWOUNDED SOLDIER 1 — Young American infantryman, exhausted and injured, period-correct uniform and equipment.\n\nWOUNDED SOLDIER 2 — Another fictional infantryman trapped farther across the exposed ground.\n\nBACKGROUND SOLDIERS — Period-accurate American and Japanese forces visible only as distant silhouettes through smoke. No identifiable real individuals.\n\nSTORY — MULTISHOT VISUALS\n\n00:00–02.5 — DAWN\n24mm wide establishing shot of an Okinawa battlefield covered in smoke and mist. Exhausted American soldiers move between muddy defensive positions while distant artillery flashes across the horizon. MAIN MEDIC stands alone near a damaged defensive position, scanning the battlefield.\n\n02.5–05 — DISCOVERY\n50mm handheld tracking shot as the medic hears a faint voice. He moves through smoke and discovers WOUNDED SOLDIER 1 lying behind a collapsed section of earthwork. The medic immediately kneels and checks him.\n\n05–07.5 — FIRST AID\n85mm intimate close-up of the medic applying a field dressing. His hands shake slightly from exhaustion. Mud and sweat cover his face. Distant artillery causes the ground to tremble.\n\n07.5–10 — CARRY\n35mm handheld shot. The medic pulls the wounded soldier onto his shoulders and begins moving through the mud. His boots sink into the wet ground. He struggles under the weight but continues.\n\n10–12.5 — INCOMING FIRE\nA distant artillery impact throws dirt into the air nearby. The medic instinctively drops low, shielding the wounded soldier with his body. Smoke rolls across the frame.\n\n12.5–15 — HEAR ANOTHER VOICE\nThe medic looks toward a distant voice coming through the smoke. He realizes another wounded soldier is still behind him. After a brief moment of hesitation, he turns around and moves back.\n\n15–17.5 — SECOND CASUALTY\n50mm handheld movement through dense smoke. The medic reaches WOUNDED SOLDIER 2, who is trapped beside damaged equipment. The medic pulls debris away and checks his condition.\n\n17.5–20 — IMPROVISED STRETCHER\n35mm close tracking shot. The medic uses a canvas sheet and available wooden poles to construct a crude field stretcher. His movements are rushed but practical and believable.\n\n20–22.5 — EXTRACTION\nWide 24mm shot. The medic drags the improvised stretcher across exposed muddy ground. Smoke obscures the battlefield behind him while artillery flashes intermittently in the distance.\n\n22.5–25 — THE ESCARPMENT\nThe medic reaches the edge of the rocky escarpment. He lowers himself carefully and begins moving the wounded soldier toward a safer lower position.\n\n25–27.5 — HUMAN MOMENT\n85mm close-up. The wounded soldier looks up at the medic. The medic briefly reassures him with a calm expression before continuing. No heroic speech, no exaggerated emotion.\n\n27.5–30 — FINAL REVEAL\n24mm wide shot from behind the medic. He helps both wounded soldiers toward a sheltered position while the enormous Okinawa battlefield stretches behind them through smoke and morning light. The camera holds on the scale of the battlefield as the three figures become small against the landscape.\n\nCAMERA\nLarge-format historical cinema camera language combined with embedded war-correspondent realism. 24mm for battlefield scale, 35mm for movement and action, 50mm for human interaction, 85mm for intimate details. Handheld shoulder-mounted movement, natural camera shake, imperfect framing, realistic focus changes, atmospheric obstruction from smoke and dust. No modern drone aesthetic, no impossible camera movement.\n\nLIGHTING\nSoft overcast Okinawa morning light, cold gray atmosphere, muted sunlight through smoke, warm distant artillery flashes, natural skin highlights and subtle atmospheric haze. No theatrical spotlighting.\n\nPHYSICS\nRealistic body weight, fatigue, mud resistance, stretcher weight, smoke movement, artillery shockwaves, falling debris, clothing movement and ground interaction. The medic struggles physically under the wounded soldier’s weight. No superhuman strength or impossible movement.\n\nHUMAN PERFORMANCE\nExhaustion is visible in posture, breathing and movement. The medic behaves professionally but is visibly frightened and tired. Wounded soldiers respond naturally to pain and shock. Background soldiers move independently and react to distant impacts without synchronized choreography.\n\nAUDIO\nAuthentic battlefield soundscape: distant artillery, rifle fire far across the battlefield, shouting, heavy breathing, boots in mud, equipment rattling, stretcher fabric stretching, wind through vegetation and debris impacts. Music is extremely restrained and secondary to environmental sound.\n\nVISUAL CHARACTER\nPhotorealistic live-action historical war cinematography. Natural skin texture, authentic 1945 uniforms, weathered equipment, mud, sweat, smoke, atmospheric depth, realistic film grain and subtle highlight halation. No plastic skin, no videogame appearance, no exaggerated color grading.\n\nCOLOR GRADE\nMuted olive greens, dirty browns, gray-blue atmospheric shadows, warm skin tones and restrained highlights. Slightly desaturated period-war-film palette while maintaining natural colors.\n\nHISTORICAL REALISM\nPeriod-correct American military equipment, clothing, medical supplies, terrain and battlefield environment. No modern weapons, vehicles, helmets, medical equipment, tactical gear or technology.\n\nCONTINUITY\nMAIN MEDIC, both wounded soldiers, uniforms, equipment, medical bag, weather and battlefield geography remain consistent across all shots. Wounds remain visually consistent without graphic gore. The sequence progresses logically from discovery → treatment → evacuation → second rescue → extraction.\n\nFINAL QUALITY TARGET\nThe footage should feel like an extraordinarily realistic 1945 battlefield documentary captured by a professional war cinematographer, with the emotional intensity of a major historical film but without reproducing any existing movie scene. The realism comes from human performance, physical exhaustion, practical battlefield detail, smoke, mud, sound and environmental scale.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@Diplomeme",
|
||
"sourceUrl": "https://x.com/Diplomeme/status/2100458083831234699"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-use-reference-image-1-as-the-absolute-and-permanent-identity-reference-for-the-5f134d9dd064",
|
||
"title": "雪夜古寺双雄决战",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/7c02be4843e5.jpg",
|
||
"mode": "video",
|
||
"prompt": "AAA PRE-RENDERED GAME CINEMATIC | DARK FANTASY WUXIA | SOULSLIKE BOSS FIGHT | ULTRA-PHOTOREALISTIC CGI | SEEDANCE OPTIMIZED\n\nREFERENCE PRIORITY — STRICT:\n\nREFERENCE IMAGE 1 = MAIN CHARACTER: MALE TIDE REAVER\n\nUse Reference Image 1 as the absolute and permanent identity reference for the main character, Male Tide Reaver.\n\nPreserve his exact same face throughout the entire video with NO FACE CHANGE.\n\nMaintain:\n\nexact facial identity,\n\nexact facial structure,\n\nsame eyes,\n\nsame eyebrows,\n\nsame nose,\n\nsame beard,\n\nsame hairstyle,\n\nsame hair length and shape,\n\nsame masculine features,\n\nsame skin tone,\n\nsame body proportions.\n\nHis identity must remain perfectly consistent in every shot, camera angle, action pose, slow-motion shot and close-up.\n\nNO identity drift.\n\nNO face replacement.\n\nNO face morphing.\n\nNO gender change.\n\nNO hairstyle change.\n\nREFERENCE IMAGE 2 = GATOTKACA CYBER-RONIN ASSASSIN\n\nUse Reference Image 2 as the absolute and permanent identity reference for Gatotkaca Cyber-Ronin Assassin.\n\nPreserve his exact same:\n\narmor,\n\nhelmet,\n\nflaming horns,\n\nmask,\n\nfacial structure,\n\nbody proportions,\n\nsilhouette,\n\naccessories,\n\nmaterials,\n\ncolors,\n\nrobes,\n\nweapon design,\n\ngiant ancient sword.\n\nNo armor change.\n\nNo weapon change.\n\nNo horn change.\n\nNo identity drift.\n\nREFERENCE IMAGE 3 = CINEMATIC STORYBOARD REFERENCE\n\nUse Reference Image 3 exclusively as the storyboard, cinematic composition, shot design, camera angle, framing, pacing, action staging and visual sequence reference.\n\nFollow the cinematic structure and shot progression of Reference Image 3.\n\nIMPORTANT:\n\nReference Image 3 controls ONLY:\n\ncamera angles,\n\ncinematic composition,\n\nshot framing,\n\ncharacter positioning,\n\naction choreography,\n\nmovement direction,\n\nscene progression,\n\npacing,\n\nslow-motion moments,\n\nenvironmental destruction continuity.\n\nDo NOT copy the character identities from Reference Image 3.\n\nThe characters must always remain:\n\nReference Image 1 = Male Tide Reaver.\n\nReference Image 2 = Gatotkaca Cyber-Ronin Assassin.\n\nCHARACTER COSTUME RULE — STRICT:\n\nMale Tide Reaver must wear the exact same armor, clothing, outfit layers, cloak, accessories, materials, colors and overall silhouette shown in Reference Image 1.\n\nGatotkaca must wear the exact same armor, clothing, robes, helmet, horns, accessories, materials, colors and overall silhouette shown in Reference Image 2.\n\nDO NOT change their clothing to match different characters from the storyboard.\n\nInstead:\n\nKeep Reference Image 1 and Reference Image 2 character identities and costumes exactly the same while recreating the cinematic poses, camera shots and action choreography from Reference Image 3.\n\nSTYLE:\n\nAAA dark fantasy cinematic realism.\n\nSekiro × Ghost of Tsushima × Black Myth Wukong × Final Fantasy XVI CGI cinematic.\n\nUltra-photorealistic pre-rendered game cinematic.\n\nNo anime.\n\nNo cel shading.\n\nNo gameplay.\n\nNo HUD.\n\nNo UI.\n\nNo subtitles.\n\nNo text.\n\nNo logos.\n\nENVIRONMENT:\n\nA colossal ancient Japanese mountain temple interior during winter.\n\nThe entire battle takes place indoors.\n\nMassive wooden pillars.\n\nAncient stone flooring.\n\nWeathered beams.\n\nLarge ceremonial lanterns.\n\nColossal guardian statues.\n\nTattered banners.\n\nOpen temple architecture revealing a raging snowstorm outside.\n\nCold moonlight pours through openings.\n\nSnow continuously drifts into the temple.\n\nFloor contains snow accumulation, ice patches, water puddles, cracked stone and battle debris.\n\nEvery footprint remains visible.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Xaroon_x",
|
||
"sourceUrl": "https://x.com/Xaroon_x/status/2098778827283394729"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-seedance-2-5-dc01b3250bb4",
|
||
"title": "Seedance:Seedance 2.5 手机遥控变装👚📱",
|
||
"description": "Seedance 2.5 手机遥控变装👚📱 prompt 👇 Duration:…",
|
||
"image": "https://media.goodcase.ai/cases/bf76fb08150a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 手机遥控变装👚📱\n\nprompt 👇\n\nDuration: 20秒\nAspect ratio: 9:16\nOverall style: POV男友第一人称短剧,真实手机手持轻微呼吸晃动,室内自然光通透,手机滑动+点击瞬间换装,节奏轻快甜宠,竖屏\n\n【场景】明亮客厅/卧室,落地窗自然光,背景简洁温馨,地面干净无杂物\n【角色】女主(@图片1,开场穿角色原本服装);男主为POV视角,全程不露脸,仅画面下方出现持手机的男性手\n【道具】一部现代全面屏手机,竖持。屏幕是简洁时尚穿搭App:上方大预览图,下方横向可滑动的服装卡片。每次滑动有跟手惯性,点击卡片时屏幕轻微缩放+短震反馈\n\nSHOT 1(00:00-00:03.5)开场展示\n画面:POV,女主站画面中央,开心地原地转半圈展示穿搭,双手轻提衣摆,眼睛亮亮看镜头。\n台词:女主:\"老公,看我今天穿得怎么样?\"\n音效:室内底噪,衣料轻响。\nConstraints: 女主全身入画,开场服装=角色原本服装。\n\nSHOT 2(00:03.5-00:06.5)掏出手机+第一次滑动\n画面:画面下方男主手举起手机入镜,屏幕亮起,显示穿搭App。拇指从右向左滑过卡片,停在@衣服1的卡片上,预览图放大。\n台词:男主(画外音,慵懒):\"还行。换这套看看。\"\n音效:屏幕滑动轻摩擦声。\nConstraints: 手机屏幕清晰可读,卡片上能看出是@衣服1;男主只出手,不露脸。\n\nSHOT 3(00:06.5-00:09.5)第一次点击瞬变\n画面:拇指点在@衣服1卡片上,屏幕短震。点击落下的同一帧,女主服装瞬间变成@衣服1,站位、姿势、发型完全连续;她低头看衣服,瞪大眼张嘴,再抬头看镜头。\n台词:女主(惊讶):\"诶?!\"\n音效:清脆\"滴\"+换装\"叮\",衣料展开微响。\nConstraints: 换装发生在点击同一帧,单帧瞬变;可加一道从上到下扫过身体的柔和微光;禁止叠化、黑闪、人物跳位。\n\nSHOT 4(00:09.5-00:13)第二次滑动+点击瞬变\n画面:拇指再次左滑,卡片停在@衣服2,点一下。同一帧女主换成@衣服2;这次她反应过来,脸颊微红,手指绞在身前,害羞小幅扭身,眼神躲闪又忍不住看镜头。\n台词:男主(画外音):\"这套也行。\"\n女主(小声):\"你……乱点。\"\n音效:滑动声+\"滴\"+\"叮\",轻快音乐渐起。\nConstraints: 滑动必须完整看见从@衣服1卡片滑到@衣服2;换装仍是点击同一帧硬切。\n\nSHOT 5(00:13-00:16.5)第三次滑动+点击瞬变\n画面:再滑到@衣服3,点一下。同一帧换成@衣服3;女主已经习惯,咬一下下唇,抬手整理新衣服领口/裙摆,眼神带点得意看镜头。\n台词:女主:\"这套……还挺好看的嘛。\"\n音效:\"滴\"+\"叮\",音乐节奏加快半拍。\nConstraints: 三次反应递进:惊讶→害羞→得意;每次都有小动作,禁止呆立。\n\nSHOT 6(00:16.5-00:20)第四次滑动+点击+收尾\n画面:最后一滑停在@衣服4,拇指点下。同一帧女主瞬变为@衣服4;她直接笑出来,上前一步凑近镜头,狡黠眯眼。手机仍举在画面下方,屏幕停在@衣服4预览。\n台词:男主(画外音,满意):\"这套定了。\"\n女主(笑着凑近,嗔怪):\"你好坏啊——我好喜欢!\"\n音效:\"滴\"+\"叮\",音乐在女主台词落点收在甜甜重拍。\nConstraints: 结尾女主凑近但不过分贴脸;手机始终在画面下方可见;服装顺序锁定:开场=原本 → @衣服1 → @衣服2 → @衣服3 → @衣服4,不可乱。\n\n【导演铁律】\n1. 换装铁律:每次换装发生在“点击”同一帧,单帧瞬变。女主站位、姿势、发型、脸型跨越换装帧完全连续,只有服装改变。\n2. POV铁律:镜头=男主眼睛,全程轻微手持呼吸晃动;男主只出手+画外音,禁止露脸。\n3. 手机铁律:每次必须先滑动再点击,滑动跟手、卡片切换清楚;禁止凭空换装、禁止不看屏幕直接变。\n4. 服装引用:开场=@图片1原本衣服;第1次=@衣服1;第2次=@衣服2;第3次=@衣服3;第4次=@衣服4。\n5. 台词口型清晰,与点击节拍对齐。\n\nNegative: 叠化换装,黑闪,白闪,烟雾,旋转遮挡,人物瞬移,姿势断裂,脸型变化,发型变化,鞋子乱变(除非衣服图自带),露男主脸,横屏,字幕,水印,Logo,背景突然更换,多人入画,宽松居家服除非衣服图就是,镜头剧烈抖动,手机屏幕模糊不可读。",
|
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"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
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"credit": "@johnAGI168",
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||
"sourceUrl": "https://x.com/johnAGI168/status/2097320255139795072"
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},
|
||
{
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||
"id": "seedance:seedance-2-5-the-monster-was-once-the-love-of-her-life-1bb15d3221de",
|
||
"title": "隧道追逐与海边旧梦:她拥抱怪物恋人",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/4f9237295f95.jpg",
|
||
"mode": "video",
|
||
"prompt": "The monster was once the love of her life.\n\nSeedance 2.5 on Higgsfield\n\nPrompt\n\nCreate a 27-second ultra-realistic cinematic psychological thriller sequence with a dramatic transition between a terrifying present moment and a beautiful romantic memory.\n\nOverall visual style: premium Hollywood psychological thriller, photorealistic live action, realistic skin texture and pores, natural hair movement, believable fabric physics, dramatic practical lighting, shallow depth of field, subtle film grain, anamorphic cinematic composition, realistic motion blur, strong emotional acting. 2.39:1 widescreen. No text, no subtitles, no logos.\n\nCHARACTERS\n\nWoman: Young woman in her mid-20s with long dark-brown hair, expressive brown eyes and natural realistic features. She wears an elegant sleeveless fitted black dress. Keep her face, hairstyle, clothing and body proportions perfectly consistent.\n\nMan: Young man in his late 20s, tall and lean, dark hair, wearing an elegant white dinner jacket, white shirt, black bow tie and black trousers.\n\nIn the frightening present-day scenes, the man appears severely transformed: his exposed hand and portions of his skin are dark, charred and corpse-like, with rough burned texture and unnatural gray-black fingers. Keep the effect cinematic rather than excessively graphic.\n\n00:00–00:06 — TERRIFYING CHASE\n\nOpen inside a long underground pedestrian tunnel with cold turquoise-green fluorescent lighting, tiled walls, concrete ceiling beams and repeating rectangular ceiling lights disappearing into the distance.\n\nThe woman runs desperately toward camera.\n\nHer long hair whips violently behind her. She is breathing hard, terrified and repeatedly looking over her shoulder.\n\nBehind her, the man in the white dinner jacket runs after her.\n\nUse a fast backward tracking camera, staying directly in front of the woman. Alternate briefly between a tight frightened facial close-up and a wider side-tracking shot showing both characters sprinting through the tunnel.\n\nThe man stretches one arm toward her.\n\nCut to an extreme close-up of his horrifying blackened, damaged hand getting closer and closer to her bare shoulder.\n\nJust before his fingers touch her—\n\n00:06–00:12 — MATCH CUT INTO THE MEMORY\n\nMake a seamless visual match cut.\n\nThe frightening dark hand instantly becomes the man's normal healthy hand, positioned in exactly the same place.\n\nThe cold turquoise tunnel transforms into a beautiful sunset beach.\n\nWarm golden sunlight floods the frame.\n\nThe woman is now laughing happily while running barefoot beside the ocean. Her black dress flows naturally in the sea breeze.\n\nThe man is completely normal and handsome again, still wearing his elegant white dinner jacket.\n\nHe playfully reaches toward her shoulder while chasing her.\n\nShe turns around laughing.\n\nThey run together along the shoreline, holding hands and smiling.\n\nGolden sun reflects across the ocean behind them. Wind moves their hair and clothing. Their body language shows that this was once a deeply happy relationship.\n\nUse dreamy handheld tracking, warm backlighting, natural lens flare and intimate close-ups.\n\nThe sequence should briefly feel like a completely different film: romantic, nostalgic, peaceful and genuinely joyful.\n\n00:12–00:13 — SNAP BACK TO REALITY\n\nWithout warning, smash-cut back to the cold underground tunnel.\n\nSame framing.\n\nSame reaching-hand composition.\n\nBut his hand is once again dark, damaged and frightening.\n\nAll warm colors disappear instantly.\n\nReturn to harsh cyan-green fluorescent lighting and deep shadows.\n\n00:13–00:20 — CORNERED\n\nThe woman reaches the end/side of the tunnel and backs against the tiled wall.\n\nShe has nowhere left to run.\n\nShe suddenly pulls out a small black knife and holds it defensively with both hands.\n\nHer hands shake badly.\n\nShe is crying, breathing rapidly and staring at the approaching man.\n\nCamera slowly pushes toward her face.\n\nHer expression changes from pure terror to confusion and recognition.\n\nThe man approaches slowly instead of attacking.\n\nShow an extreme shallow-focus shot of his damaged hand cautiously reaching toward her.\n\nShe raises the knife—\n\nbut cannot bring herself to use it.\n\nTears fill her eyes.\n\n00:20–00:27 — EMOTIONAL REVEAL\n\nThe man steps close.\n\nInstead of hurting her, he suddenly embraces her tightly.\n\nShe freezes for a fraction of a second.\n\nThen recognition overwhelms her.\n\nThe knife lowers out of frame.\n\nShe wraps both arms around him.\n\nShe begins sobbing uncontrollably against his shoulder, gripping the back of his white jacket as if she has finally found someone she believed she had lost.\n\nHold an intimate close-up on her face over his shoulder.\n\nHer makeup is slightly disturbed by tears. Her breathing is uneven. Her hands tremble against his back.\n\nThe frightening figure is revealed emotionally as someone she once deeply loved.\n\nSlowly push closer to her crying face and her hand clutching his jacket.\n\nEnd without explaining whether the man is real, dead, imagined, remembered, or something supernatural.\n\nThe audience should be left with the unsettling feeling that the terrifying chase and the beautiful beach memory are connected.\n\nCAMERA + EDITING\n\nUse energetic tracking during the chase, intimate handheld movement during the beach memory, and slower controlled push-ins during the emotional ending.\n\nThe most important visual transition is:\n\ncharred hand reaching toward shoulder → identical composition of healthy hand reaching toward shoulder on the beach → charred hand again in the tunnel.\n\nThe match cuts must feel extremely precise so the past and present visually overlap.\n\nMaintain perfect character identity and wardrobe continuity throughout.\n\nRealistic skin pores, natural facial asymmetry, individual hair strands, genuine tears, realistic wet eyes, subtle sweat, natural blinking and breathing. Avoid plastic skin, beauty filters, CGI-looking faces, warped hands, extra fingers, inconsistent clothing, identity changes, exaggerated horror gore or artificial expressions.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2106808592523571360"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-60-second-ultra-realistic-cinematic-lifestyle-vlog-featuring-a-beautif-66af21e259a1",
|
||
"title": "韩国女孩的咖啡时光与城市漫步",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-2-5-create-a-60-second-ultra-realistic-cinematic-lifestyle-vlog-featuring-a-beaut.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 60-second ultra-realistic cinematic lifestyle vlog featuring a beautiful young Korean woman with long dark brown hair, soft natural makeup, and a gentle smile. She wears a delicate white floral dress with a light cream cardigan and carries a small white handbag.\n\n**Scene 1:** She stands outside a modern aesthetic café surrounded by lush green plants and glass windows. She holds an iced coffee, takes a sip, gently adjusts her hair, and smiles naturally at the camera.\n\n**Scene 2:** Close-up cinematic shots of her face as she enjoys her coffee. Soft sunlight illuminates her face. She looks relaxed and happy, with subtle natural movements.\n\n**Scene 3:** She walks along a beautiful city street during golden hour, wearing the same outfit. The camera follows her from behind and captures elegant side-profile shots.\n\n**Scene 4:** She arrives at a rooftop viewpoint overlooking a beautiful city skyline during sunset. The golden sun slowly sets behind the buildings. She sits on a bench, gazes at the sunset, and enjoys the peaceful atmosphere.\n\n**Scene 5:** At blue hour, she walks along a modern urban street with glowing streetlights and passing cars. The camera captures her beautiful side profile and flowing hair in a cinematic tracking shot.\n\n**Scene 6:** Nighttime outdoor café with warm fairy lights hanging overhead. She sits at a cozy wooden table with her iced coffee and handbag. She smiles at the camera, raises her drink, takes a sip, and waves goodbye with a cheerful expression.\n\n**Visual style:** Ultra-realistic 4K, photorealistic skin texture, natural facial expressions, cinematic depth of field, soft lighting, warm golden-hour tones, beautiful bokeh, smooth camera movements, professional color grading, realistic hair physics, natural body movements, aesthetic Korean lifestyle vlog, dreamy peaceful atmosphere.\n\n**Camera:** Mix of wide shots, medium shots, close-ups, slow-motion details, smooth tracking shots, and gentle cinematic transitions.\n\n**Mood:** Peaceful, romantic, cozy, elegant, dreamy everyday life.\n\nMaintain perfect character consistency, identical facial features, hairstyle, clothing, and accessories across all scenes. No distorted hands, no flickering, no face changes, no unnatural movements, no text, no watermark.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ZorviaLux",
|
||
"sourceUrl": "https://x.com/ZorviaLux/status/2106230270282313997"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-a-young-woman-with-long-dark-brown-hair-and-a-beauty-mark-on-her-cheek-wakes-in-15f786e0335f",
|
||
"title": "年轻女子的居家日常与日落阳台",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/e51fd0c5ac9d.jpg",
|
||
"mode": "video",
|
||
"prompt": "A young woman with long dark brown hair and a beauty mark on her cheek wakes in white bedding, eyes closed, then opens them and smiles. She sits up in cream silk pajamas and stretches both arms overhead, eyes closed, sun cutting across the room and casting her shadow on the wall. She walks away from camera through a bright bedroom toward floor-to-ceiling glass doors, sheer curtains, ocean and palms outside, now in a white crop tank and beige wide-leg trousers. She slides the door open, profile in the light, hair lifting. Cut to a kitchen: she pours steaming coffee from a steel kettle into a speckled ceramic cup on marble, then cups the mug with both hands and sips, eyes lowered. She waters lush houseplants barefoot in a soft yellow midi dress, sunlight through big windows. Close-up of water droplets on a green leaf. She leans in and smells a small white flower, smiling. She steps onto a balcony at sunset, back to camera, city and palms below, then turns in profile holding the steaming cup on the rail, eyes closed, content. Wide shot: she stands at the railing in the yellow dress, garden and skyline (including a tall spire) glowing behind her.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2105899978396987489"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-some-goodbyes-are-harder-than-war-itself-084c2515a324",
|
||
"title": "朝鲜王朝城门前的离别之吻",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/b1dd62e208c8.jpg",
|
||
"mode": "video",
|
||
"prompt": "Some goodbyes are harder than war itself. 🥹❤️\n\nOne last embrace. One last kiss.\nAnd a promise to come home. 🏮\n\n🎥 Powered by Seedance 2.5 in @YouArtStudio\n#kdrama #YouArtCPP #YouArt\n\nPrompt 👇\n\nCharacter & Scene Image References (TAGGED — bind each tag to its reference image)\nHusband = soldier husband sheet (black sangtu + manggeon, dark navy Joseon military jeogori/baji, quilted dark vest with crossed straps, mid-calf leather boots, sheathed hwando on left hip, lean athletic build, steadfast tender face). Use Husband for every shot of the husband.\nWife = wife sheet (jjokjin meori with wooden binyeo, cream/ivory jeogori, dusty rose chima, white beoseon + traditional shoes, tear-bright eyes, soft aching face). Use Wife for every shot of the wife.\nGate = Joseon hanok gate plate (partially open dark wooden daemun under tiled eaves, stone-mud wall, packed-earth threshold, dim interior corridor with warm lantern glow, cool dawn/blue-hour exterior). Use Gate as locked geography for all shots.\n\nScene Geography (immutable · Gate)\nKiss and farewell happen at the threshold of Gate: Husband stands on the courtyard/outside side ready to leave toward the road; Wife stands at the open door leaf turning toward the warm interior. Hand-grab and lip kiss happen just outside under the eaves. No second location, no battlefield cutaway.\n\nKEY PROP (HARD LOCK)\nPROP-SWORD: one sheathed hwando on Husband's LEFT hip — black scabbard with muted gold fitting, secured by the same dark sash. Visible in wide/medium shots; never swaps sides, never disappears, never becomes a different weapon.\nPROP-HAND: when he grabs her, it is her RIGHT wrist/hand; contact continuity must match across cuts.\n\nImmutable Character Facts\nHusband: late-20s Joseon soldier; restrained love; pulls her back into a passionate but still sageuk-restrained lip kiss.\nWife: mid-20s wife; tearful, brave; forehead kiss first; vows she will wait at this door every day.\n\nDramatic Goal\nDawn goodbye that breaks open: soft vow → forehead kiss → she turns inside → he grabs her hand → passionate Korean-style lip kiss. Relationship shift = love spoken through body more than words.\n\nContinuous Timeline (30s)\n0–4s — Status quo: cool dawn at Gate; Husband stands outside in full travel kit, PROP-SWORD on left hip; Wife at the open threshold, teary, hands lightly on his chest/sleeves.\n4–10s — First probe / vow: Wife, soft Korean through tears: 「부디 무사히… 어서 돌아오세요. 매일 이 문 앞에서 기다릴게요.」 He listens, jaw tight, eyes wet but controlled.\n10–16s — Forehead kiss + turn: She hugs him, rises on toes, presses a tender forehead kiss (lips to his forehead / brow — not the mouth yet). Teary eyes. She releases, turns toward the warm interior of Gate, one step inside.\n16–23s — Pull-back escalation: Husband's hand shoots out, grabs her RIGHT wrist/hand, pulls her back across the threshold into him. Breath hitch. Bodies close under the eaves of Gate.\n23–27s — Passionate Korean lip kiss: He cups her face / waist; they kiss on the lips — deep, aching, sageuk-passionate (closed-to-soft-open mouth, lingering press, micro head tilt, tear-salt emotion) — NOT Western over-the-top making-out, NOT comedy, NO tongue spectacle. Hold on eyes half-closed, fingers clutching fabric.\n27–30s — Resonant outro: Kiss breaks to a forehead rest / shared breath; her teary eyes; his thumb brushes her cheek; PROP-SWORD still on his left hip; hold on their profiles against Gate as dawn wind moves her chima.\n\nKorean Dialogue (verbatim)\nWife: 「부디 무사히… 어서 돌아오세요. 매일 이 문 앞에서 기다릴게요.」\n(Optional soft underspoken from Husband only if needed, otherwise silence after her line): 「기다리면… 꼭 올게.」\n\nMicro-expressions & Performance\nNotice → Process → Suppress → Leak → Act.\nPrefer: tear sheen without ugly-cry collapse, eyelid tremble, breath catch, sleeve clutch, wrist grab impact, kiss linger, after-kiss forehead rest.\nEmotion is adult married love — tender then urgent — never juvenile.\n\nCamera Workflow\nWide establish Gate dawn → medium two-shot vow → close on her teary eyes → forehead-kiss insert → her turn inward → whip-soft reverse as he grabs her hand → tight two-shot lip kiss → extreme close lips/eyes briefly → lingering profile hold. Let silence carry the kiss. No modern handheld chaos, no whip-pan spam.\n\nSound\nQuiet dawn sageuk ambient at Gate: distant birds, soft wind, wood gate creak, cloth rustle, breath, a single distant rooster optional. Dialogue and kiss breath above any score. If score, low gayageum/strings under the kiss only — never melodrama stings.\n\nHard Prohibitions\nNO English/Chinese dialogue placeholders. NO modern props/phones/zippers. NO PROP-SWORD side-swap or weapon morph. NO identity drift from Husband or Wife. NO Gate layout change. NO second location. NO explicit sexual content beyond a passionate sageuk lip kiss. NO cartoon crying / screaming / wide-open mouth comedy. NO burned-in subtitles/text/watermark. NO plastic wax skin. NO filler past the kiss hold.",
|
||
"sourceId": "seedance",
|
||
"credit": "@abulu8",
|
||
"sourceUrl": "https://x.com/abulu8/status/2105362930640605330"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-85d87b5e88f3",
|
||
"title": "蓝围巾小鸭的桃园甜蜜时光",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/a016d8237ace.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a 30-second vertical 9:16 heartwarming 3D animated short film featuring an adorable fluffy yellow duckling wearing a soft blue scarf, exploring a beautiful peaceful peach orchard beside a sparkling stream.\n\nSCENE 1 — 0–6 sec:\nShow the cute yellow duckling walking happily through a lush green orchard beside a small crystal-clear stream. Peach trees are filled with ripe, juicy peaches, with colorful wildflowers and soft grass surrounding the area. The duckling looks around curiously, smiling and enjoying the sunny morning. Gentle cinematic camera movement, warm golden sunlight, soft depth of field.\n\nSCENE 2 — 6–12 sec:\nCut to a close-up of a large ripe peach hanging from a tree branch. The peach gently sways in the breeze before falling naturally toward the shallow stream. Show detailed peach texture, soft leaves moving in the wind, sparkling water reflections and beautiful bokeh in the background.\n\nSCENE 3 — 12–18 sec:\nThe duckling notices the peach floating in the shallow water. It happily waddles toward it and carefully picks it up with its little wings. Water droplets splash around its feet as it lifts the peach, creating a cute playful moment.\n\nSCENE 4 — 18–24 sec:\nThe duckling sits beside the stream and prepares the peach in a large green leaf bowl. Show the duckling happily mixing and arranging fresh peach pieces with a tiny wooden spoon. Its blue scarf moves gently in the breeze. Keep the character design perfectly consistent.\n\nSCENE 5 — 24–30 sec:\nClose-up of the adorable duckling standing in the orchard, holding a fresh peach with both wings. It takes a happy bite and smiles directly toward the camera. Warm sunlight streams through the trees behind it, creating beautiful golden rays. The duckling looks joyful and satisfied.\n\nVISUAL STYLE:\nHigh-quality cinematic 3D animation, adorable family-friendly character design, soft fluffy feathers, expressive large glossy eyes, detailed orange beak and feet, realistic fur/feather texture, beautiful natural lighting, warm pastel colors, cinematic depth of field, soft volumetric sunlight, realistic water reflections, subtle wind movement, polished animated-movie quality.\n\nCAMERA:\nSmooth cinematic camera movements, gentle tracking shots, slow push-ins, close-ups, natural transitions, shallow depth of field, stable framing.\n\nMOOD:\nCute, wholesome, peaceful, joyful, magical and heartwarming.\n\nIMPORTANT:\nMaintain the exact same duckling appearance, yellow fluffy feathers, large expressive eyes, orange beak, orange feet and blue scarf throughout the entire video. No text, no subtitles, no logos, no watermark, no character deformation, no extra limbs, no sudden style changes.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2104397688511103374"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-30-second-video-photorealistic-4k-shallow-depth-of-field-6ce03eafaeba",
|
||
"title": "少女骑行田野静享乡间夏日",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/c88f2168e48e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic 30-second video, photorealistic, 4K, shallow depth of field. A beautiful young East Asian woman with long flowing black hair, wearing a cream off-shoulder knitted sweater, denim shorts, and white sneakers. She rides a silver city bicycle with a wicker basket full of yellow, purple and white wildflowers along a dirt path through a vast field of white daisies and rolling green hills under a bright blue sky with fluffy clouds. Hair blowing in the wind, gentle smile.\nCut to her lying on her back in the grass under a tree with dappled sunlight, holding an open book, peaceful expression, eyes half-closed.\nThen close-up of her hands gently dipping into a clear pebble-bottomed stream.\nShe walks away from camera pushing the bicycle along the path beside the stream.\nGolden hour: she sits on the grass by the river with the bicycle parked behind her, looking toward the sunset reflecting on the water.\nDrone shot pulls back revealing her small figure sitting beside a winding river through lush green fields and rice paddies, village houses in the distance, warm sunset light.\nFinal shot: silhouette of the woman sitting by a calm lake watching a vivid orange sunset, sky glowing with warm colors.\nMood: peaceful, nostalgic, slow-living Japanese countryside summer, dreamy and serene. Soft natural lighting, gentle camera movements, filmic color grading.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2104061053898228130"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-d38a88505bc8",
|
||
"title": "母鸡护雏与老鹰夺粮",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/aeba38bf8829.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \n Create a 28–30 second vertical 9:16 cinematic 3D animated short film with a stylized family-friendly cartoon aesthetic. The story follows a brave, expressive brown hen trying to protect her chicks from a dangerous hawk. Keep the same character designs, colors, proportions, facial features, and visual style throughout the entire video.\n\nScene 1 — Mountain cliff:\nAt golden hour, a brown hen with detailed layered feathers, a red comb, expressive eyes, and a large rounded body carefully walks along the edge of a high rocky mountain carrying a large beige cloth sack on her back. The sky is filled with soft pink and orange clouds, warm sunlight creates beautiful rim lighting around her feathers, and the camera slowly tracks beside her. She looks tired but determined.\n\nScene 2 — Climbing the cliff:\nThe hen struggles while climbing a steep rocky cliff using a thick twisted rope covered with small green leaves. She holds the rope tightly with her wings and feet while looking upward with a worried but determined expression. Use a dramatic vertical camera angle showing the huge height of the cliff and the clouds far below. Her feathers and the sack move naturally with her movement.\n\nScene 3 — Emotional close-up:\nCut to an extreme close-up of the hen's face. Her large golden-brown eyes, long eyelashes, beak, comb, and detailed feathers are clearly visible. She looks directly ahead with a serious, slightly exhausted expression. Use shallow depth of field and warm cinematic lighting.\n\nScene 4 — The nest:\nReveal a large nest made from branches on the mountain. Several tiny fluffy baby chicks are inside the nest, happily looking upward. The hen approaches them carrying the beige sack. Suddenly, a large aggressive hawk appears behind them with powerful wings spread wide. The hawk has sharp yellow eyes, a hooked beak, realistic feather details, and an intimidating expression.\n\nScene 5 — Hawk steals the food:\nThe hawk lands near the nest and grabs the large cloth sack with its powerful talons. The hen looks shocked and terrified. The hawk lifts the sack and pours golden grain/food into the nest while the baby chicks excitedly look at the falling food. The hen watches in disbelief, creating a funny unexpected moment rather than violence.\n\nScene 6 — Hen's reaction:\nCut to a dramatic close-up of the hen. Her eyes become wide with surprise and frustration, then her expression changes into an exaggerated angry cartoon expression. Her eyebrows lower, her beak opens as if she is shouting, and her wings move dramatically. Use a quick cinematic push-in toward her face.\n\nScene 7 — Hawk confrontation:\nShow the hawk flying directly toward the hen with its enormous wings fully spread. The hen stands in front of her chicks, raising one wing defensively to protect them. Behind them is a rustic dark wooden barn/farm building with stacked hay bales. The sky has become slightly darker and more dramatic. Use dynamic camera movement and strong wind effects.\n\nScene 8 — Farmyard:\nTransition to a peaceful rustic farmyard. The mother hen stands proudly beside several fluffy yellow chicks. A beige cloth sack sits on the straw-covered ground. Hay bales are stacked beside a large wooden barn. The chicks walk and play around the sack while the hen looks protective and alert.\n\nScene 9 — Hawk flies away:\nThe hawk suddenly grabs the cloth sack and flies upward, beating its wings powerfully. The hen looks upward in disbelief while the chicks continue moving around her feet. The hawk flies across the cloudy sky and disappears into the distance.\n\nFinal shot:\nEnd with the hen standing sadly but protectively beside her little chicks in the warm farmyard. The chicks gather around her feet. Use a slow cinematic camera pull-back, soft sunset light, realistic feather movement,",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2102580065972486422"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-live-action-personal-vlog-following-a-k-b250d2f1d098",
|
||
"title": "韩国山村女大学生通勤日记",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/c89893451942.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic live-action personal vlog following a Korean university student in her early 20s living in a peaceful rural Korean mountain village. Show her natural morning routine, walking to the village bus stop, catching the regional bus, traveling through rice fields and hills, attending a university lecture, chatting quietly with friends, then taking the bus home toward the village at sunset.\n\nKeep her identity, hairstyle, cream sweater, beige jacket, blue jeans, sneakers, backpack, and proportions consistent throughout. Use authentic modern 2026 smartphone/camera footage in 16:9 with subtle handheld movement, natural autofocus and exposure changes, realistic depth of field, and genuine Korean countryside and university atmosphere. No retro or VHS aesthetic.\n\nMake every movement physically believable: realistic walking biomechanics, balance, friction, inertia, backpack weight, fabric and hair movement, bus braking and suspension, tire traction, acceleration, turning, window reflections, natural shadows, and believable human interactions. Every action should naturally lead into the next with no teleportation, floating objects, foot sliding, or impossible motion.\n\nUse only diegetic audio: birds, footsteps, wind, doors, bus engine and brakes, transit-card beep, classroom ambience, writing, chairs, student conversations, and evening traffic. No music, narration, subtitles, or voice-over.\n\nEnd with an exterior shot of the bus traveling along a winding rural road toward the distant village as evening light falls, then fade naturally to black.\n\nNo CGI look, animation, distorted hands, extra fingers, duplicated people, changing faces or outfits, robotic movement, repetitive walking cycles, exaggerated camera shake, fantasy elements, text overlays, logos, or watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2101906866921955737"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-global-photorealistic-cinematic-16-9-5664e8f27fb3",
|
||
"title": "从石器到星际能量的飞行进化",
|
||
"description": "过程变身蒙太奇",
|
||
"image": "/inspiration-thumbs/seedance/seedance-global-photorealistic-cinematic-16-9-5664e8f27fb3.webp",
|
||
"mode": "video",
|
||
"prompt": "GLOBAL: Photorealistic cinematic 16:9. Each scene directly continues the previous; exact final frame = next Start/Reference Frame. Preserve same subject, position, orientation, motion, lighting, background and camera. ALWAYS SCREEN-LEFT → SCREEN-RIGHT. Never reverse, U-turn, 180° rotate, flip camera, change trajectory, disappear or touch ground. No text/logo/watermark/UI.\n\n1 — CHIMP → STONE:\nRealistic chimpanzee in ancient dry wilderness at golden hour throws a rough dark stone toward the horizon. Stone stays airborne, travels LEFT → RIGHT slightly upward. Camera tracks it continuously. End with stone visible near RIGHT. Exact frame → 2.\n\n2 — STONE → ARROW:\nSame stone, same frame and motion. While flying LEFT → RIGHT, it physically cracks and transforms into a wooden arrow: arrowhead RIGHT, feathers LEFT. Background smoothly becomes early historical/archery era. End with complete arrow. Exact frame → 3.\n\n3 — ARROW → BULLET:\nSame arrow continues LEFT → RIGHT and progressively becomes a realistic metallic firearm bullet: shaft → body, arrowhead → FRONT/RIGHT, feathers → REAR/LEFT. Background smoothly becomes early-modern industrial/firearm era. End with bullet. Exact frame → 4.\n\n4 — BULLET → MISSILE:\nSame bullet continues LEFT → RIGHT and physically becomes a realistic military missile: body lengthens, nose RIGHT, fins and rocket engine REAR/LEFT. Background smoothly becomes modern industrial/military. End with missile. Exact frame → 5.\n\n5 — MISSILE → FIGHTER JET:\nSame missile continues LEFT → RIGHT and transforms into an advanced realistic fighter jet: fuselage expands, wings unfold, cockpit RIGHT, stabilizers/engines LEFT. Background smoothly becomes modern high-altitude aviation. End above Earth with atmosphere visible. Exact frame → 6.\n\n6 — FIGHTER JET → ORBITAL RING:\nSame jet continues LEFT → RIGHT and progressively transforms into a gigantic futuristic orbital ring: wings curve into rings, fuselage expands into connected sections, concentric rings form. No replacement spaceship. Background becomes advanced near-space technology with Earth below. End with ring moving LEFT → RIGHT. Exact frame → 7.\n\n7 — ORBITAL RING → ENERGY SPHERE:\nSame ring continues LEFT → RIGHT. Rings rotate; blue-white energy flows inward as the structure contracts into one brilliant energy sphere. Background becomes deep futuristic space, Earth distant. Sphere keeps LEFT → RIGHT. Exact frame → 8.\n\n8 — SPHERE → POINT OF LIGHT:\nSame sphere continues LEFT → RIGHT, compresses into a tiny brilliant point and accelerates toward RIGHT with subtle light trail. Camera pulls back to reveal deep-black star field. Point becomes smaller and fades into distance. No reversal, U-turn or explosion.\n\nNEGATIVE: new/different object, replacement, sudden cut/morph, background or lighting jump, right-to-left, reverse, backward, U-turn, 180° rotation, camera flip, trajectory change, disappearance, falling, ground impact, teleportation, duplicates, random spaceship/aircraft, distorted anatomy, cartoon, low-quality CGI, text, subtitles, logo, watermark, Like, Follow, Share, UI.\n\n#AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️ #visualstorytelling #ai #supercool_hq\n#aicreation",
|
||
"category": "process-transformation-montage",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2099728570625188123"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-3d-pixar-style-animated-short-of-a-beautiful-young-woman-with-long-7a1efe5f0a2a",
|
||
"title": "阳光厨房里的巧克力蛋糕烘焙",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/5bff35ac6f3a.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic 3D Pixar-style animated short of a beautiful young woman with long wavy chestnut-brown hair, large sparkling blue-green eyes, soft rosy cheeks and a gentle smile, wearing a cream sleeveless top and a beige apron with the text \"@Logolumos\" printed on the chest. She is in a bright, sunlit modern kitchen with warm wooden cabinets, marble countertop, a window with plants, and golden hour sunlight streaming in. Photorealistic lighting, shallow depth of field, ultra-detailed textures, high-end 3D animation quality.\n\nSequence:\nShe cracks a brown egg into a glass bowl already containing several egg yolks.\nShe pours white sugar over the yolks.\nShe simultaneously pours golden oil from a measuring cup and white milk from a glass pitcher into the bowl.\nShe sifts white flour through a metal sieve into the wet mixture.\nShe sprinkles dark cocoa powder onto the flour mound.\nShe whisks everything into a rich, glossy dark chocolate batter.\nShe brushes melted butter onto a rectangular metal baking pan.\nShe pours the thick chocolate batter into the pan with a spatula.\nShe slides the pan into a preheated oven.\nShe looks at her wristwatch with a slightly worried expression while waiting.\nThe cake rises and bakes inside the glowing oven.\nShe opens the oven wearing oven mitts and pulls out the perfectly baked dark chocolate cake.\nShe proudly presents the finished round chocolate cake on a cooling rack, smiling at the camera.\n\nWarm, inviting, cozy cooking atmosphere, smooth camera movements, professional food-commercial quality, 8k, highly detailed.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithElisia",
|
||
"sourceUrl": "https://x.com/AiwithElisia/status/2095381006031503710"
|
||
},
|
||
{
|
||
"id": "seedance:zyrellix-seedance-ai-e5b8b3460bc0",
|
||
"title": "暗黑镜面精华液护肤广告",
|
||
"description": "产品广告分镜",
|
||
"image": "https://media.goodcase.ai/media/poster/zyrellix-seedance-ai-e5b8b3460bc0.jpg",
|
||
"mode": "video",
|
||
"prompt": "A luxury, 8K ultra-realistic cinematic skincare commercial for \"AURELIA SKIN HYDRATION SERUM\" shot on 35mm lens in high-end studio lighting against a dark pitch-black background.\nThe video opens with a macro extreme close-up of a clear glass serum dropper filled with viscous, bubbly liquid as a pristine drop slowly forms at the tip. Cut to slow-motion liquid physics as the drop falls and creates smooth, elegant circular ripples across a reflective black surface. Reveal a centered hero shot of the frosted glass bottle with a white dropper top and crisp black typography reading \"AURELIA SKIN HYDRATION SERUM\" standing on a glossy mirror surface. Macro close-up shot of a gorgeous East Asian model with dewy, radiant skin as a pipette applies serum to her cheek, followed by her fingers gently massaging the glowing serum into her skin. She smiles softly at the camera, holding the product bottle beside her face in soft-focus fashion lighting. Ends on a crisp, static high-fashion shot of the product bottle centered on the dark reflective surface.\nShot at 60fps slow motion, smooth cinematic camera pans, dramatic rim lighting, soft key light, hyper-detailed skin textures, commercial advertisement quality.",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2091393149805756450"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-a-little-old-school-workout-session-0961a80c4b9b",
|
||
"title": "千禧年初东京女孩的健身日常",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/c78ca7501f3e.jpg",
|
||
"mode": "video",
|
||
"prompt": "A little old school workout session.🏋️♀️\n\nSeedance 2.5 on @openart_ai \n\nPrompt \nCreate a highly photorealistic 30-second early-2000s Japanese gym day vlog featuring ONE consistent young Japanese woman from the provided character reference. Preserve her exact face, hairstyle, hair length, body proportions, outfit, shoes and accessories throughout. No identity drift, outfit/hairstyle changes.\n\nERA LOCK — JAPAN 2003–2004: Authentic Tokyo neighborhood, period-accurate gym, old equipment, lockers, paper notices, vending machines, older cars, early-2000s sportswear and interiors. No smartphones, smartwatches, wireless earbuds, modern machines, LED screens or modern branding.\n\nCAMERA / REALISM: Genuine friend-recorded MiniDV camcorder footage. Handheld, imperfect framing, slight shake, autofocus hunting, exposure shifts, soft DV detail, digital noise and natural motion blur. Use varied front, side, three-quarter, medium, occasional close-up, mirror and brief OTS shots. Camera sometimes walks beside her or films from in front. Not cinematic, DSLR, 4K, VHS or a retro filter.\n\nEXACT STORY — KEEP THIS ORDER\n\n0–4s: In her Japanese bedroom, she picks up gym bag, packs towel + water bottle, puts on sneakers and leaves apartment.\n4–7s: Walks through a normal Tokyo neighborhood toward the gym, mostly front/side angles.\n7–9s: Arrives at small period-accurate gym, pauses, opens door, enters.\n9–11s: Reception desk → greets staff → checks in → enters gym area.\n11–13s: Puts gym bag in locker, closes it and keeps the key.\n13–16s: Warm-up on old treadmill, natural front/side shots.\n16–19s: Simple weight machine → close-up of hands adjusting it → light controlled set.\n19–21s: Open area → simple stretches, arms overhead and leg stretches.\n21–23s: Water fountain → drinks from bottle → wipes face with towel.\n23–26s: Returns to locker → opens it → retrieves gym bag/towel → closes locker.\n26–28s: Walks to reception and exits gym. Outside, takes a refreshing breath and adjusts shoulder bag.\n28–30s: Walks home through early-evening Tokyo, filmed naturally from front/side. Camera drifts slightly to reveal the surrounding street.\n\nCONTINUITY LOCK: Every action must physically happen before the next. No teleportation, skipped transitions, repeated scenes, reversed actions, location jumps or duplicated objects/people. Same gym bag, towel, bottle and shoes throughout.\n\nNatural moderate workout, believable effort and movement. She should not constantly smile or pose; only occasional natural glances toward camera.\n\nFINAL STYLE: A spontaneous, intimate early-2000s Japanese everyday memory captured by a friend on a consumer MiniDV camcorder — authentic, imperfect and genuinely recorded.",
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2106247874296062303"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-create-a-20-second-ultra-realistic-cinematic-camping-vlog-featuring-a-young-jap-e6f181daf03b",
|
||
"title": "日本女孩松林独自露营,夜闻异响",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/41d7375ef261.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 20-second ultra-realistic cinematic camping vlog featuring a young Japanese woman with straight black hair and bangs, wearing a dusty pink outdoor jacket.\n\nScene 1 (0–4 sec): Selfie-style vlog in a beautiful pine forest during golden hour. She smiles at the camera while holding a beige tent bag and excitedly introduces her solo camping adventure. Natural handheld camera movement, realistic facial expressions.\n\nScene 2 (4–7 sec): Wide cinematic shot of her setting up a beige camping tent among tall pine trees. She happily raises both hands to celebrate after pitching the tent. Warm sunlight filters through the forest.\n\nScene 3 (7–12 sec): Nighttime campfire scene. She sits on a folding camping chair, roasting a marshmallow on a stick. Close-up of her gently blowing on the toasted marshmallow, with realistic firelight illuminating her face.\n\nScene 4 (12–16 sec): She sits beside the campfire holding a glowing marshmallow, enjoying the peaceful night in the forest. Natural expressions, cozy atmosphere, realistic shadows and warm orange lighting.\n\nScene 5 (16–20 sec): Inside her illuminated tent at night, she smiles at the camera while holding a camping lantern. Suddenly, she hears a mysterious noise outside, opens her eyes wide, and pulls her sleeping bag up to her nose with a cute, surprised expression.\n\nVisual style: Photorealistic live-action, 4K, cinematic depth of field, natural skin texture, realistic lighting, smooth camera transitions, authentic outdoor atmosphere, detailed facial expressions, cozy solo camping aesthetic.\n\nAudio: Natural forest ambience, birds chirping, gentle wind, crackling campfire, subtle fabric sounds, and soft nighttime forest ambience. No background music, no subtitles, no text, no watermark.\n\nConsistency: Maintain exactly the same woman, hairstyle, outfit, facial features, and tent throughout all scenes.",
|
||
"sourceId": "seedance",
|
||
"credit": "@ZorviaLux",
|
||
"sourceUrl": "https://x.com/ZorviaLux/status/2105892094032404502"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-use-the-character-sheet-as-the-visual-reference-4c9544885bba",
|
||
"title": "落跑新娘驾红色古董车逃婚",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/2be5bcc1326a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the character sheet as the visual reference. Preserve the bride’s exact face, hairstyle, dress, body proportions, and accessories throughout the entire video. 16:9 landscape.\n\n0–3 sec — THE ESCAPE\nA church wedding is happening when the bride suddenly bursts through the giant church doors and sprints down the steps, still holding her bouquet. Her expression is determined but hilariously excited. Her veil and dress fly wildly behind her. Camera rapidly tracks backward in front of her as she runs. A few confused wedding guests appear in the background, realizing what is happening.\n3–5 sec — GET TO THE CAR\nShe spots a bright red 1950s vintage car waiting at the curb. She kicks off one white bridal heel while running, then throws herself toward the driver's door. Fast whip-pan follows her movement.\n\n5–8 sec — PEEL OUT\nShe jumps into the car, slams the door, starts the engine and PEELS AWAY at ridiculous speed. Tires squeal, a tiny cloud of smoke appears, and her long white veil gets caught in the closing door and streams dramatically behind the car. The bouquet lands on the passenger seat.\n8–11 sec — CHAOS\nRapid comedic interior cuts:\nBride gripping the steering wheel and laughing → her veil whipping around her face → bouquet bouncing around the passenger seat → her other bridal heel flying through the air → wedding guests running helplessly behind the disappearing car.\n\n11–15 sec — SHE’S FREE\nDynamic side tracking shot of the red car racing down a sunny vintage highway. The bride drives one-handed, completely carefree. She looks into the rearview mirror, sees the church disappearing in the distance, grins, then blows a huge pink bubblegum bubble.\nFinal frame:\nThe red car speeds toward the horizon, veil flying behind it.\n\nStyle: fast-paced physical comedy, playful rebellious energy, 1950s Americana, saturated red vintage car, creamy white wedding dress, warm golden sunlight, cinematic vintage film grain, slightly painterly realism, realistic motion, energetic camera movement, whip pans, quick cuts, exaggerated but believable comedy.\nImportant: No slow motion, no sad mood, no dramatic romance, no dialogue, no text, no extra brides, no face changes, no outfit changes, no distorted hands, no morphing.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Caden_Flux",
|
||
"sourceUrl": "https://x.com/Caden_Flux/status/2105228156085137501"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-1080p-ultra-realistic-early-2000s-consumer-dv-home-video-i-9723105bbada",
|
||
"title": "首尔旧街的夏日约会回忆",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-30-second-1080p-ultra-realistic-early-2000s-consumer-dv-home-video-i-972.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p, ultra-realistic early-2000s consumer DV home video in an ordinary older Seoul neighborhood on a warm late-summer afternoon.\nCharacters:\nA naturally beautiful adult Korean woman in her early 20s, realistic skin, minimal makeup, long loose slightly wavy dark-brown hair with a small cream hair clip. She wears a soft powder-blue sleeveless fitted top, a short cream pleated skirt, white ankle socks, brown-and-white retro sneakers, a pale-blue shoulder bag, thin gold hoops and a simple watch. Use the uploaded reference only for facial identity and keep her appearance consistent.\nHer adult Korean boyfriend wears a light-gray oversized T-shirt, dark-green relaxed jeans, white sneakers and a faded canvas backpack. Keep both characters consistent throughout.\nStory:\n — She waits outside her old apartment building for her boyfriend, checking her watch and looking down the street. She spots him approaching, smiles and says, “Finally!” He smiles and walks toward her. They start walking together.\n05–10 — They visit a tiny local drink shop. She picks up a cold bottled yogurt drink, shows it to him and playfully says, “I want this one.” He laughs while she pays.\n10–15 — Outside the shop, she opens the bottle and takes a sip. The drink tastes sour, and she tries to hide her reaction before laughing at herself. Her boyfriend laughs with her.\n15–21 — They sit together on a quiet apartment stairway. A light breeze moves her hair and skirt naturally. Her boyfriend notices a strand of hair across her face and gently moves it aside. She smiles and says, “Thank you.”\n21–26 — They walk back through the neighborhood together. She briefly steps into a bright patch of sunlight, immediately moves back into the shade because of the heat, and laughs. They continue walking side by side, casually talking.\n26–30 — They reach her apartment entrance and stop. She looks at him with a warm smile. He steps closer, they share a brief natural kiss, then smile at each other. She turns toward the entrance while holding the half-finished drink, looks back at him one more time and smiles. The camera remains recording for an extra moment, loses focus, sunlight washes across the frame, then hard-cuts to black.\nVisual style:\nRaw early-2000s DV footage: handheld shake, imperfect framing, accidental zooms, autofocus hunting, exposure shifts, faded summer colors, soft digital detail, subtle motion blur, no stabilization or polished cinematic camera movement. It should feel casually filmed by a friend, spontaneous and nostalgic rather than staged.\nEnvironment & audio:\nOlder Seoul residential lanes, low apartments, faded concrete, AC units, utility wires, bicycles, stairways and tiny local shops. No brands, logos, landmarks or recognizable signage. Natural ambience only: footsteps, refrigerator hum, bottle opening, distant scooters, birds, wind, neighborhood voices and natural laughter. No music, subtitles, captions, narration, watermarks or random text.\nConsistency & realism:\nKeep both faces, hairstyles, outfits, accessories, bags and bottled drink identical throughout. Realistic hands, fingers, hair, walking, sitting, kissing and clothing physics. Natural romantic interaction, subtle expressions and believable body language. No distorted faces, extra fingers, duplicated people, CGI look, artificial acting, impossible movement or cinematic polish. The final result should feel like a genuine imperfect summer home-video memory.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2104060877540610239"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-047ffd7fe651",
|
||
"title": "宝宝爬出卧室亲吻爸爸",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/0915b72793bd.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a heartwarming cinematic 3D animated short film in a high-quality family-animation style, vertical 9:16.\n\nA cute chubby baby with big expressive eyes, soft brown hair, realistic baby proportions, wearing a simple white onesie, is in a warm cozy bedroom with his sleeping young mother.\n\nSCENE 1 — 0–5 seconds:\nThe baby sits behind his sleeping mother on a comfortable bed and gently touches and plays with her hair. The mother sleeps peacefully with her head resting on a soft pillow. The baby smiles mischievously and looks at her with curiosity. Warm golden morning sunlight enters through sheer curtains. Cozy wooden bed, bedside lamp, soft blankets, peaceful family atmosphere. Cinematic close-up shots, shallow depth of field, soft volumetric lighting.\n\nSCENE 2 — 5–9 seconds:\nThe baby slowly crawls over the bed toward the edge. The mother begins to wake up and looks surprised as she realizes the baby is moving away. She raises her head and reaches toward him. The baby continues crawling with an excited expression. Natural character movement and realistic baby gestures.\n\nSCENE 3 — 9–13 seconds:\nThe baby carefully climbs down from the bed and crawls across the bedroom floor toward the open doorway. The camera follows from behind at the baby's eye level. Warm wooden flooring, soft morning light, cozy home interior, cinematic tracking shot.\n\nSCENE 4 — 13–16 seconds:\nThe baby crawls through the hallway toward the entrance of the home. The camera smoothly follows behind him as he moves across the polished wooden floor. His tiny hands and knees move naturally. Emotional, playful family atmosphere.\n\nSCENE 5 — 16–19 seconds:\nA loving young father appears and picks up the baby in his arms. The father smiles warmly and looks at his child with affection. The baby happily touches his father's face and gives him a gentle kiss on the cheek. Warm indoor lighting, emotional close-up, beautiful family moment.\n\nSTYLE:\nPremium cinematic 3D animation, adorable family-friendly aesthetic, expressive characters, realistic soft skin and hair, detailed facial expressions, physically accurate lighting, warm golden color palette, soft shadows, realistic cloth and blanket textures, smooth natural body movement, cinematic depth of field, subtle camera motion, high-end animated movie quality, polished rendering, emotionally wholesome storytelling.\n\nCAMERA:\nSmooth cinematic camera movement, close-ups, medium shots, low-angle baby perspective, gentle tracking shots, shallow depth of field, natural focus transitions.\n\nIMPORTANT:\nMaintain consistent character identity throughout the entire video. Keep the baby’s facial features, hairstyle, clothing, body proportions and appearance consistent. Keep the mother and father visually consistent between scenes. No text, no subtitles, no watermark, no distorted anatomy, no extra fingers or limbs, no flickering, no sudden character changes.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2103436558422638792"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-photorealistic-highly-entertaining-korean-seoul-lifestyle-v-dfbb820be92e",
|
||
"title": "首尔女孩从早到夜的欢乐日常",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/27f0b1d36426.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second photorealistic, highly entertaining Korean Seoul lifestyle video featuring the SAME adult Korean woman throughout. Keep her face, hairstyle, outfit, accessories and overall appearance perfectly consistent in every shot.\n\nCharacter: Adult woman with long soft dark hair, natural realistic skin, fresh minimal makeup, expressive eyes and genuinely playful facial expressions.\n\n0–3 sec: She opens her Seoul apartment door confidently, takes one step outside, suddenly realizes she forgot something, freezes with a funny expression, turns around and runs back inside. Fast comedic camera push-in + whip transition.\n\n3–7 sec: She comes running back outside and catches the Seoul bus at the last second. She looks at the camera with a tiny proud smile. Dynamic tracking shot.\n\n7–11 sec: Seoul convenience store she grabs iced coffee, a cute dessert and snacks. The dessert nearly slips from her hand, but she catches it perfectly and smiles.\n\n11–15 sec: Subway ride through Seoul. She enjoys her dessert by the window, watches the city passing by and makes a playful expression at her reflection.\n\n15–20 sec: Lively Korean street-food market. She tries spicy tteokbokki, reacts dramatically to the heat, laughs and grabs water while her friends tease her.\n\n20–25 sec: Golden-hour Han River. She and her friends ride bicycles together, playfully racing and laughing. Smooth side-tracking camera.\n\n25–30 sec: Nighttime rooftop convenience-store seating. They share snacks and dessert while Seoul glows behind them. Camera smoothly pulls backward and upward, revealing the beautiful Seoul skyline.\n\nStyle: Premium Korean lifestyle commercial × cinematic vlog, cute, playful, energetic, natural expressions, smooth camera movement, realistic Seoul locations, beautiful lighting, cinematic daylight-to-night transition, photorealistic 16:9 landscape.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@MissDelulu9",
|
||
"sourceUrl": "https://x.com/MissDelulu9/status/2102254554398228983"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-15s-cinematic-fantasy-action-69629478b3c4",
|
||
"title": "火焰长矛英雄决战石巨像",
|
||
"description": "分镜表转视频",
|
||
"image": "https://media.goodcase.ai/cases/4f05b16f382b.jpg",
|
||
"mode": "video",
|
||
"prompt": "15s cinematic fantasy action. REFERENCE IMAGE 1 is the EXACT STORYBOARD. Follow its 20 frames, timing, shot order, camera angles, poses, actions, composition and transitions exactly. REFERENCE IMAGE 2 is ONLY the male character identity. Replace the female warrior in Image 1 with the exact male from Image 2. Preserve his face, wavy dark hair, full beard, skin tone, body proportions and black outfit. Keep the flaming spear, ruined fortress, cracked stone floor, fog and grey-blue cinematic lighting.\n\n00:00–00:00.6 F1: Hero jumps from above with flaming spear.\n00:00.6–00:01.2 F2: Hero lands in deep crouch, dust bursts.\n00:01.2–00:01.8 F3: Hero stands as stone golems appear.\n00:01.8–00:02.4 F4: Golems surround him; spear ready.\n00:02.4–00:03.0 F5: Hero makes first powerful spear swing.\n00:03.0–00:03.6 F6: Spear hits golem; sparks and rocks explode.\n00:03.6–00:04.2 F7: Hero spins, flaming trail, hits multiple golems.\n00:04.2–00:05.0 F8: Another golem falls among debris.\n00:05.0–00:05.8 F9: Hero pauses and sees larger threat.\n00:05.8–00:06.6 F10: Massive stone golem rises through fog.\n00:06.6–00:07.4 F11: Giant close-up, blue-white eyes glowing.\n00:07.4–00:08.2 F12: Hero faces giant, spear diagonal.\n00:08.2–00:09.0 F13: Giant steps toward hero.\n00:09.0–00:09.8 F14: Hero charges with spear raised.\n00:09.8–00:10.6 F15: Spear hits giant; huge orange explosion.\n00:10.6–00:11.4 F16: Giant staggers; rocks fly.\n00:11.4–00:12.2 F17: Giant collapses; dust spreads.\n00:12.2–00:13.0 F18: Hero stands in dust with burning spear.\n00:13.0–00:14.0 F19: ENORMOUS stone face emerges behind ruins; blue eyes ignite.\n00:14.0–00:15.0 F20: Final wide shot; hero faces colossal face.\n\nPRIORITY: Image 1 controls the complete video sequence and choreography. Image 2 controls ONLY male identity. Maintain exact identity, costume, weapon, environment, scale, lighting and geography. No female, extra heroes, modern objects, cartoon style, text, subtitles or watermark.",
|
||
"category": "storyboard-grid-to-video",
|
||
"sourceId": "seedance",
|
||
"credit": "@Xaroon_x",
|
||
"sourceUrl": "https://x.com/Xaroon_x/status/2100595334833422793"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-25-second-cinematic-ai-music-video-music-mv-with-a-clear-short-music-f253288afbbe",
|
||
"title": "雨夜霓虹中走向黎明的女歌手",
|
||
"description": "音乐卡点 MV",
|
||
"image": "https://media.goodcase.ai/cases/ab8461f87268.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 25-second cinematic AI music video / music MV with a clear short musical story.\n\nSTYLE:\nHigh-end cinematic pop music video, emotional but modern, photorealistic, realistic human movement, natural facial expressions, dramatic night lighting, beautiful neon city atmosphere, professional music-video cinematography, smooth camera movements, realistic physics, consistent character identity throughout the entire video.\n\nMAIN CHARACTER:\nA beautiful young female singer with long dark hair, expressive eyes, natural realistic face, subtle makeup, elegant modern black outfit, confident but emotional personality. Keep exactly the same face, hairstyle, body proportions and outfit throughout every scene.\n\nMUSIC:\nCreate an original emotional modern pop song with a cinematic beat.\nFemale vocal, soft emotional singing at the beginning, gradually building into a catchy powerful chorus.\nModern pop production with atmospheric synths, soft piano, subtle drums and a strong beat drop near the middle.\nThe music should feel emotional, cinematic and memorable.\n\nVOCAL / LYRICS:\n\n0–5 seconds:\nSoft female singing:\n\"One more night, I call your name...\"\n\n5–11 seconds:\nThe beat slowly builds while she sings:\n\"Running through the memories,\nnothing feels the same...\"\n\n11–19 seconds:\nBeat becomes stronger and she sings the main chorus with emotion:\n\"But I'm still here, I'm still alive,\nleaving yesterday behind.\"\n\n19–25 seconds:\nMusic becomes instrumental and emotional.\nNo additional lyrics.\nEnd with a beautiful cinematic musical outro.\n\nSTORY AND VISUALS:\n\nSCENE 1 — 0–5 SEC:\nRainy neon city at night.\nThe female singer walks alone down a beautiful empty street.\nWet pavement reflects colorful city lights.\nShe looks emotional but calm.\nCamera starts with a cinematic wide shot and slowly moves toward her face.\nShe looks into the camera and softly sings:\n\"One more night, I call your name...\"\nNatural lip-sync matching the lyrics.\nRain falling naturally, realistic reflections, cinematic depth of field.\n\nSCENE 2 — 5–11 SEC:\nShe continues walking through the glowing city.\nAs she sings:\n\"Running through the memories, nothing feels the same...\"\nShow quick cinematic memory flashes around her:\nwarm sunlight, laughing, walking through a beautiful location, then the memories disappear.\nUse smooth transitions between memories and reality.\nCamera moves around her in a slow 180-degree cinematic motion.\nHer expression becomes more emotional.\nPerfect lip-sync.\n\nSCENE 3 — 11–15 SEC:\nThe beat suddenly becomes stronger.\nShe enters an empty subway station and walks toward the camera.\nLights flicker subtly with the beat.\nCamera tracks backward smoothly as she sings:\n\"But I'm still here...\"\nHer expression changes from sadness to confidence.\nRealistic walking, natural hair movement and realistic clothing physics.\n\nSCENE 4 — 15–19 SEC:\nShe reaches a rooftop overlooking a massive glowing city.\nWind moves her hair naturally.\nShe performs the chorus:\n\"I'm still alive,\nleaving yesterday behind.\"\nCamera slowly circles around her while the city lights create a spectacular cinematic background.\nMusic reaches its emotional peak.\nStrong but natural performance, accurate lip-sync.\n\nSCENE 5 — 19–22 SEC:\nThe music drops into an emotional instrumental section.\nClose-up of her face.\nShe takes a breath and smiles slightly.\nThe rain stops.\nThe first warm light of sunrise begins appearing behind the buildings.\nSlow cinematic push-in toward her face.\n\nSCENE 6 — 22–25 SEC:\nBeautiful transition from night into sunrise.\nShe turns away from the camera and walks toward the warm morning light.\nCamera pulls back into a wide aerial-style cinematic shot.\nThe city is glowing beneath the sunrise.\nShe keeps walking forward confidently.\nEnd on a beautiful cinematic wide shot as the music fades out.\n\nCAMERA:\nProfessional music-video cinematography.\nSmooth dolly movements, slow push-ins, cinematic tracking shots, subtle handheld moments, 35mm lens look, shallow depth of field for close-ups, wide-angle shots for the city and rooftop, realistic motion blur.\n\nVISUAL QUALITY:\nPhotorealistic, cinematic, high detail, realistic skin texture, realistic eyes, realistic hair, realistic rain, realistic reflections, natural lighting, physically accurate movement, premium music-video quality, no cartoon look.\n\nAUDIO:\nOriginal music only.\nClear female vocals.\nLyrics must be sung naturally and rhythmically.\nAccurate lip-sync.\nMusic and vocals should sound like a professionally produced modern pop song.\nNo spoken dialogue.\n\nCONTINUITY:\nMaintain exactly the same female character, face, hairstyle, body proportions and clothing across every scene.\nNo face changes.\nNo identity changes.\nNo extra fingers or distorted hands.\nNo unnatural body movement.\nNo random text, logos, subtitles or watermarks.\nNo sudden costume changes.\n\nFORMAT:\nVertical 9:16.\n25 seconds.\nDesigned for X/Twitter and short-form social media.",
|
||
"category": "music-beat-sync-mv",
|
||
"sourceId": "seedance",
|
||
"credit": "@CaliraVal",
|
||
"sourceUrl": "https://x.com/CaliraVal/status/2099725385571389852"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-video-in-a-cinematic-ultra-realistic-storytelling-style-a-cute-brow-b80e0e8035f5",
|
||
"title": "棕熊幼崽驾驶复古蓝车穿越农场",
|
||
"description": "宠物与动物",
|
||
"image": "https://media.goodcase.ai/cases/b215059fa39f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a video in a cinematic, ultra-realistic storytelling style: a cute brown bear cub walks across a peaceful countryside farm toward an old vintage blue car parked near a rustic wooden barn. The bear curiously approaches the car, climbs inside, and naturally sits in the driver’s seat with its paws on the steering wheel. The camera captures close-up details of the bear’s realistic fur, expressive eyes, tiny paws, and the aged interior of the classic car. The car then starts moving slowly along a wet rural road, creating subtle reflections and natural motion. Wide cinematic shots reveal green fields, hay bales, a small farmhouse, and warm golden-hour sunlight in the background. Use smooth camera movements, realistic depth of field, soft lens flare, natural shadows, detailed textures, and authentic environmental lighting. The overall mood should feel charming, adventurous, cinematic, and slightly playful, with realistic animal movement and believable interaction with the car, filmed like a high-budget wildlife movie.",
|
||
"category": "pet-animal",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2099404551199809774"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-this-looks-like-a-diet-plan-with-an-unexpected-ending-1f3e59cb4c4a",
|
||
"title": "末日爆炸前的餐厅狂吃",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-this-looks-like-a-diet-plan-with-an-unexpected-ending-1f3e59cb4c4a.jpg",
|
||
"mode": "video",
|
||
"prompt": "This looks like a diet plan with an unexpected ending.\n\nSeedance 2.5 on @Flovaai\n\nPrompt\nCreate a premium photorealistic live-action cinematic disaster comedy featuring two beautiful young Korean women with clearly different faces, hairstyles, body proportions, and fashion styles. WOMAN 1 sits screen left, wearing a stylish elegant outfit, with only a small green salad in front of her. WOMAN 2 sits screen right, with a completely different beautiful face and different fashionable outfit, enjoying a hamburger, pizza, and red tteokbokki. They sit in a luxurious modern restaurant beside a huge floor-to-ceiling window overlooking a dense city skyline. WOMAN 1 sadly stares at her salad and envies WOMAN 2's feast until a colossal distant explosion suddenly erupts across the city, sending orange-white light and a powerful pressure wave that shakes the window and rattles the plates. Realizing the world might be ending, WOMAN 1 immediately abandons her diet, slides her salad aside, and urgently starts eating the pizza and hamburger. WOMAN 2 watches in disbelief, but another shockwave hits and she instantly joins the frantic feast. Finish with both women seriously panic-eating while repeatedly glancing at the enormous apocalyptic cloud outside. Premium large-format cinematic realism, Cooke anamorphic look, realistic physics, natural acting, cinematic orange disaster lighting, subtle handheld urgency after the explosion, no dialogue, no subtitles, no extra characters, no face duplication, and consistent screen positions throughout.\n#Flovacpp",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aqsahere_",
|
||
"sourceUrl": "https://x.com/Aqsahere_/status/2096077108808470604"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-fusia-exact-same-identity-throughout-d0562ff4eacd",
|
||
"title": "冰封巨兽与神速终结斩",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-fusia-exact-same-identity-throughout-d0562ff4eacd.webp",
|
||
"mode": "video",
|
||
"prompt": "Duration: 20s (2×10s)\nFormat: 16:9 | 24fps\nStyle: Ultra-photorealistic live-action Japanese supernatural action, premium Hollywood cinematography, grounded realism, physically believable ice effects, cinematic blue-hour atmosphere.\n\nCONTINUITY LOCK\n\n- Fusia = exact same identity throughout.\n- Fully manifested Bankai from Scene 1 onward.\n- Same abandoned hydroelectric maintenance station.\n- Same Fusia–Boncoz spatial axis.\n- Direct continuity between both scenes.\n- Boncoz remains colossal (3–4× human height).\n\nBANKAI LOCK\n\n- Hakka no Togame = environmental temperature collapse.\n- No beams, projectiles, energy waves, teleportation, or magical auras.\n- Ice spreads physically through water, concrete, metal, moss, and machinery.\n- Real crystalline material behavior only.\n\nSCENE 1 — ENVIRONMENTAL FREEZE\n\nFusia faces Boncoz across the abandoned maintenance yard and calmly declares, \"Bankai... Hakka no Togame.\" Temperature rapidly collapses. Water crystallizes, puddles freeze, pipes and machinery gather frost, and ice spreads naturally through connected surfaces. A ground-level freezing front races across the yard toward Boncoz. The colossal creature struggles as thick crystalline ice climbs over his feet, legs, torso, shoulders, and arms. Final frame: Boncoz remains standing, fully encased in ice except for his exposed head, while Fusia stands composed in fully manifested Bankai.\n\nSCENE 2 — GOD SPEED FINISHING SLASH\n\nContinue directly from Scene 1. Fusia locks eyes on Boncoz, tightens her grip on the crystalline katana, and drops into a launch stance. God Speed activates through one explosive acceleration burst, carrying her instantly across the battlefield. Upon reaching Boncoz, time shifts into cinematic slow motion as she delivers a full-body finishing slash through the frozen giant. Massive fractures erupt through the existing ice shell and spread across his colossal body. Fusia finishes in a low stance as cracks multiply. The fracture network reaches Boncoz's exposed head, freezing it completely. A final catastrophic fracture tears through the entire frozen structure and Boncoz explodes into countless crystalline ice shards while Fusia remains motionless amid the falling debris.\n\nAUDIO\n\nNo music. Cold wind, dripping water, ice crystallization, cracking frost, Boncoz's struggle, God Speed acceleration, impact shockwave, ice fracture, and shattering debris.\n\nNEGATIVE\n\nanime, cartoon, game graphics, glossy CGI, plastic skin, AI faces, energy beams, magical projectiles, teleportation, shrinking scale, repeated freezing, frozen poses, daylight, dead frames, unnecessary pauses.",
|
||
"sourceId": "seedance",
|
||
"credit": "@itxsarmadd",
|
||
"sourceUrl": "https://x.com/itxsarmadd/status/2104896303625105834"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-15-second-cinematic-fantasy-battle-scene-in-a-ruined-ancient-city-at-9ad77dfe2b4e",
|
||
"title": "夕阳废墟中的水火女战士对决",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/76038b16f9d4.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a 15-second cinematic fantasy battle scene in a ruined ancient city at sunset, with dramatic golden skies, burning buildings, smoke, and destroyed stone structures. A powerful blue-clad female warrior with dark hair faces a fierce female fire warrior with pale pink hair and small red horns. The blue warrior controls massive waves of glowing water while the fire warrior creates intense orange flames around her hands and body. Show them charging toward each other with fast, dynamic combat movements, magical energy trails, flying sparks, smoke, and debris. Build the action from a close-up confrontation into a wide cinematic shot of both elemental powers colliding in the center of the battlefield. End with an enormous blue water wave crashing against a giant fire explosion, creating steam, glowing particles, and a spectacular energy shockwave. Use realistic cinematic lighting, detailed characters, smooth camera movement, epic fantasy atmosphere, high-quality VFX, dramatic depth of field, and a powerful movie-trailer style ending.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2104754431434887271"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-seedance-2-5-b4b891450906",
|
||
"title": "首尔清晨迟到的喷嚏",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/403dd099bc97.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5\n\nPrompt\nMain Subject: Young Korean woman, 24, naturally attractive, realistic skin, minimal makeup, long dark hair loosely down. Wearing an oversized maroon hoodie and loose casual pants, carrying a simple canvas shoulder bag. Preserve her exact identity, facial features, hairstyle, body proportions and appearance throughout.\n\nLocation: Small old Seoul apartment in the early morning. Cozy bedroom and entryway with a slightly messy bed, wooden furniture, a small mirror, canvas bag hanging near the door, slippers on the floor and a warm table lamp. A window in the background shows soft, pale morning light.\n\nLighting & Atmosphere: Extremely cozy and intimate early-morning atmosphere. Warm amber light from the bedside lamp mixes with very soft cool daylight entering through the window. Muted cream, brown and maroon tones, soft shadows, slightly underexposed corners and gentle natural light. The apartment should feel warm, quiet and sleepy, like someone has just woken up.\n\nStyle: Ultra-realistic early-2000s Sony MiniDV home video filmed by another person holding the camcorder. Completely candid and unstaged. Natural handheld movement, subtle camera shake, imperfect framing, gentle reframing, occasional autofocus hunting, mild exposure shifts, faded colors, soft contrast, authentic DV compression, subtle low-light digital noise and natural microphone noise. No stabilization or modern cinematic movement.\n\n00:00–00:03: She stands beside her bed, casually putting her canvas shoulder bag on and adjusting the strap. She looks slightly sleepy, with her long hair naturally falling around her face.\n\n00:03–00:06: She suddenly pauses. Her expression subtly changes as she feels a sneeze coming. She looks slightly upward and takes a small breath, trying to hold it back.\n\n00:06–00:09: She closes her eyes and waits, face scrunching just slightly as she tries to sneeze. For a moment it seems like it's definitely coming... but then it disappears.\n\n00:09–00:11: She opens her eyes and relaxes, looking mildly confused and relieved. She gives a tiny exhale and starts adjusting her bag again.\n\n00:11–00:13: Just as she begins walking toward the doorway, the sneeze suddenly comes back. She quickly raises her sleeve toward her face.\n\n00:13–00:15: She gives one small, natural sneeze into her sleeve. She pauses afterward, slightly embarrassed, then notices the camcorder and gives it a tiny amused look as if saying, “Of course you caught that.”\n\nAudio: Natural sound only—quiet apartment ambience, subtle fabric movement, bag strap rustling, soft footsteps, faint distant traffic and her natural breathing. One small realistic sneeze near the end. No music, narration or added sound effects.\n\nMotion Quality: Keep everything smooth, continuous and physically realistic. Her facial expressions should develop naturally rather than changing suddenly. Hair and hoodie fabric should move subtly with her movements. No stuttering, judder, frame skipping, duplicated frames, stop-motion appearance, excessive motion blur, speed changes or low-frame-rate look.\n\nImportant: The sneeze must be small and believable, not comedic or exaggerated. The humor should come entirely from the timing: she thinks the sneeze has disappeared, starts walking again, and then it suddenly happens. Preserve the feeling of an ordinary private morning accidentally captured by someone holding an old family camcorder.",
|
||
"sourceId": "seedance",
|
||
"credit": "@iamahmedfaraz66",
|
||
"sourceUrl": "https://x.com/iamahmedfaraz66/status/2104055932485251394"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-1c477a159370",
|
||
"title": "麦田里鸭宝宝与蓝象的黄昏奇遇",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/8d83518fa370.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a 24-second cute, whimsical 3D animated short film set in a golden wheat field during warm sunset light.\n\nA tiny adorable yellow duckling with big expressive eyes and a long, unusual beak is sitting in a nest made of dry wheat straw. A large, gentle baby-blue elephant with oversized ears approaches the nest curiously.\n\nThe elephant carefully interacts with the tiny duckling, creating a funny and heartwarming size contrast. The duckling walks and waddles through the wheat field while the elephant follows behind. Show playful moments between them with expressive faces and natural cartoon movements.\n\nThe duckling eventually returns to its straw nest and settles down comfortably. The elephant lies peacefully beside a small pond near the wheat field, resting calmly as the sun shines over the landscape.\n\nStyle: high-quality cinematic 3D animation, adorable character design, soft realistic textures, expressive eyes, warm golden-hour lighting, detailed wheat field, gentle depth of field, smooth camera movements, wholesome emotional atmosphere, Pixar-inspired family-friendly animation, cinematic composition, vibrant natural colors, ultra-detailed 4K.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2103672061613019181"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-realistic-10-second-vertical-beauty-product-video-showing-hands-openin-1b5f6c15e630",
|
||
"title": "粉色唇蜜开箱试色与咖啡桌展示",
|
||
"description": "达人测评",
|
||
"image": "https://media.goodcase.ai/cases/5e4823b6d035.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a realistic 10-second vertical beauty product video showing hands opening a small elegant cardboard package containing a premium pink lip gloss. The hands carefully remove the gloss from the box and reveal its sleek reflective silver cap and transparent pink body. The applicator is taken out smoothly and the glossy pink product is swatched on the back of the hand, showing its creamy, shiny texture. Then transition to a close-up of a woman naturally applying the gloss to her lips with precise, gentle movements and realistic skin texture. Finish with the lip gloss standing beautifully on a wooden café table beside two cups of latte with artistic foam, creating a warm lifestyle beauty-ad atmosphere. Use soft natural lighting, realistic shadows, shallow depth of field, smooth handheld camera movement, premium commercial quality, natural skin texture, accurate product details, and seamless transitions.",
|
||
"category": "ugc-creator-review",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2102952087823044888"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-6b9d1c8cec22",
|
||
"title": "粉彩梦境里的荒诞日常",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/cases/7048d46276cb.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a surreal, absurdist cinematic fashion-film sequence based on the reference video.\n\nPreserve the original subject, whimsical pastel aesthetic, vertical 9:16 composition, and continuous dreamlike visual language.\n\nA stylish young man in a delicate pastel outfit performs strange everyday actions in a surreal world filled with fluffy cotton-like clouds, soft pastel props, flowers, and oversized objects. The scene should feel intentionally artificial, playful, bizarre, and visually unpredictable.\n\nSeamlessly transform between multiple surreal environments:\na suburban garden filled with floating fluffy clouds and pastel cleaning objects,\na dreamy pastel diner where a young woman drinks an oversized creamy milkshake while holding a giant fluffy cloud,\nand a quirky pastel office where an enormous inflated pink worm-like cushion creature moves through the room and knocks papers and objects around.\n\nUse smooth surreal transitions rather than hard cuts. Objects should morph naturally from one scene into another. Add subtle glitch distortions, frame tearing, digital warping, elastic object deformation, brief RGB separation, ghosting, and dreamlike motion trails while keeping the characters recognizable.\n\nCamera style: handheld fashion-film cinematography, slow push-ins, gentle tracking shots, occasional sudden zooms, slight fisheye distortion.\n\nVisual style: ultra-realistic live-action mixed with surreal CGI, pastel colors, soft daylight, nostalgic 90s aesthetic, strange dream logic, tactile textures, cinematic lighting, high detail.\n\nMotion should feel physically believable but surreal. Cotton clouds gently float, oversized food moves naturally, fabric reacts to movement, papers fly through the air, and giant objects wobble with convincing weight.\n\nMaintain strong visual continuity and character consistency throughout.\n\nNo text, no subtitles, no logos, no watermark.\nVertical 9:16, cinematic, high detail, smooth motion, surreal glitch aesthetic.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2102717890533482906"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-high-octane-cinematic-action-sequence-on-an-urban-highway-in-tokyo-photoreali-e9963e75b76a",
|
||
"title": "东京高速粉色喷气拖拉机狂飙",
|
||
"description": "汽车与载具",
|
||
"image": "/inspiration-thumbs/seedance/seedance-a-high-octane-cinematic-action-sequence-on-an-urban-highway-in-tokyo-photoreali-e.webp",
|
||
"mode": "video",
|
||
"prompt": "A high octane cinematic action sequence on an urban highway in Tokyo photorealistic 8k resolution, highly detailed motion blur An East Asian woman wearing a white tank top floral pink trousers, and sunglasses on her head driving a custom bright pink tractor fitted with a huge jet engine turbine mounted on the back The sports cars a black modern supercar a red Ferrari SF90 and a silver Lamborghini) race dynamically on the highway The woman presses a bright red booster button on the dashboard engaging the rear jet engine which ignites with intense flames, smoke and an enormous burst of speed leaving high-end supercars behind on the multi-lane expressway A busy Japanese city highway with elevated overpasses skyscrapers city traffic and realistic dynamic motion blur along the road Fast paced camera cuts tracking shots, close-up details of the jet engine ignition front tracking shot of the pink tractor speeding ahead of exotic supercars dynamic lighting dramatic color grading.\n#Flovaai #Flovaccp @Flovaai_Japan",
|
||
"category": "car-vehicle",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2100806296949903511"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-39f1d416f818",
|
||
"title": "花园小鸡从斗气到和好",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/8e79bbb41ddd.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a cute, heartwarming, ultra-realistic 3D animated video in a cinematic family-friendly style.\nA peaceful, sunlit garden path surrounded by lush green plants, tiny white and purple flowers, and a rustic wooden fence in the background. Warm golden-hour sunlight creates soft highlights and natural shadows. The environment feels cozy, magical, and wholesome.\n\nCHARACTERS:\nTwo adorable fluffy yellow baby chicks with soft detailed feathers, tiny orange beaks and feet, expressive oversized eyes, and highly detailed facial expressions.\n\nThe chick on the left is slightly taller and has small feather tufts on its head. The chick on the right is smaller, with two cute little feather puffs resembling tiny pigtails. Both characters have expressive eyebrows and subtle rosy cheeks.\n\nACTION:\nThe two chicks stand together on the garden path, initially looking annoyed at each other. The smaller chick crosses its wings and gives an angry, stubborn expression while the taller chick looks at it with curiosity.\n\nThe taller chick then walks around and interacts playfully with the smaller chick. Their expressions gradually change from irritation and stubbornness to surprise and affection.\n\nBy the end, the two chicks become friendly again. They stand close together, exchange a warm affectionate look, and happily walk side-by-side while smiling.\n\nANIMATION:\nNatural, smooth character movement with believable walking, tiny head movements, blinking, subtle feather motion, expressive eyes, wing gestures, and adorable comedic timing. Emphasize the emotional progression from annoyance to reconciliation.\n\nCAMERA:\nVertical 9:16 composition. Cinematic medium shots and gentle close-ups. Slow, subtle camera movement with a shallow depth of field. Keep both chicks clearly visible and centered throughout the scene.\n\nVISUAL STYLE:\nHigh-end cinematic 3D animation, photorealistic fluffy feathers, detailed eyes, realistic soft lighting, beautiful depth of field, natural environmental textures, warm color grading, soft bokeh, polished movie-quality rendering.\n\nMOOD:\nCute, funny, emotional, wholesome, playful, and heartwarming.\n\nQUALITY:\nUltra-detailed, cinematic, smooth motion, physically believable animation, realistic feather physics, expressive facial animation, 4K quality, clean composition, no text, no watermark.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2099452153039593546"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-completely-natural-30-second-personal-home-video-recording-of-a-young-woman-d-ba2b8388cbcf",
|
||
"title": "天台追逐被风吹跑的袜子",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/f7e2e7da44c2.jpg",
|
||
"mode": "video",
|
||
"prompt": "VIDEO CONCEPT:\nA completely natural 30-second personal home-video recording of a young woman doing something ordinary on a quiet apartment rooftop during a breezy afternoon. She hangs freshly washed clothes, discovers that one sock has blown away, and casually runs after it. The moment feels spontaneous, funny, and completely unplanned.\nFORMAT:\n30 seconds • 16:9 • 1080p • photorealistic live-action • raw consumer camcorder footage\nMAIN SUBJECT\nA young Turkish woman in her early 20s with long dark-brown hair tied loosely in a low ponytail.\nShe wears a faded white T-shirt, loose olive-green trousers, simple house slippers, and a thin silver bracelet.\nKeep her face, hairstyle, clothing, body proportions, and accessories completely consistent throughout the entire video.\nSETTING\nA modest apartment rooftop in Izmir, Turkey, on a warm breezy afternoon.\nThe rooftop has concrete flooring, metal railings, water tanks, plastic buckets, a simple clothesline, neighboring apartment buildings, satellite dishes, potted plants, and laundry moving in the wind.\nThe environment should feel lived-in and ordinary.\nNo famous landmarks, recognizable brands, advertisements, or tourist imagery.\nCAMERA / VISUAL AESTHETIC\nShot on an inexpensive early-2000s consumer digital camcorder.\nHandheld and slightly shaky\nOccasional uneven framing\nNatural autofocus hunting\nSlight exposure changes when pointing toward the bright sky\nMild digital compression\nSubtle image noise\nNatural motion blur\nSlightly faded colors\nNo stabilization\nNo cinematic lens effects\nNo artificial bokeh\nNo polished commercial look\nThe camera operator should behave like a friend casually filming from a few feet away.\nTIMELINE\n0–5 SECONDS — ROOFTOP\nThe camera steps onto the rooftop.\nThe woman is already standing beside the clothesline with a small plastic basket full of freshly washed clothes.\nWind moves several shirts hanging nearby.\nShe looks toward the camera and says casually:\n“It’s really windy today.”\n\n5–12 SECONDS — HANGING CLOTHES\nShe takes a white shirt from the basket and clips it onto the clothesline.\nThe fabric immediately catches the wind and flutters strongly.\nShe laughs quietly and uses both hands to secure it with another clothespin.\nThe camera moves slightly closer.\nNatural sunlight reflects off the metal clips.\n\n12–18 SECONDS — THE SOCK\nShe pulls out a small sock from the basket.\nBefore she can attach it, a sudden gust catches it from her hand.\nThe sock flies across the rooftop.\nShe freezes for half a second.\nThen says:\n“Oh, come on!”\nShe quickly starts walking after it.\n\n18–24 SECONDS — CHASING IT\nThe camera operator follows her with slightly shaky movement.\nThe sock slides across the concrete floor, pushed by the wind.\nShe reaches down but misses it.\nThe sock moves toward a rooftop corner.\nShe laughs while chasing it.\nHer ponytail and loose shirt move naturally in the wind.\n\n24–30 SECONDS — CAUGHT\nShe finally catches the sock near the railing.\nShe holds it up toward the camera with an amused expression.\nShe shakes her head and says:\n“Got you.”\nShe walks back toward the clothesline.\nThe camera remains handheld and slightly imperfect as the recording ends mid-action.\nAUDIO\nOnly natural location sound:\nStrong but realistic wind\nClothes flapping\nPlastic basket movement\nClothespins clicking\nDistant city traffic\nBirds\nFootsteps on concrete\nHer natural laughter\nQuiet neighborhood ambience\nNO MUSIC.\nDialogue should sound spontaneous, slightly imperfect, and naturally recorded from several feet away.\nREALISM / PHYSICS\nWind must affect the environment consistently.\nClothes should flutter according to their size and weight. The lightweight sock should move more easily than the heavier clothing. Hair and loose fabric should respond naturally to gusts.\nThe plastic basket should remain grounded unless physically moved.\nHands must interact correctly with clothespins and clothing.\nNo impossible wind direction changes, floating objects, duplicated clothes, or objects appearing/disappearing.\nMaintain perfect continuity of the woman’s face, hairstyle, outfit, bracelet, and slippers.\nNEGATIVE PROMPT\nCGI, 3D render, animation, game graphics, plastic skin, beauty filter, AI face, face morphing, identity drift, extra fingers, malformed hands, duplicated people, floating objects, impossible physics, fake wind, excessive slow motion, HDR, oversaturation, cinematic color grading, artificial bokeh, dramatic lighting, studio lighting, perfect stabilization, drone footage, commercial advertisement aesthetic, staged acting, exaggerated expressions, subtitles, captions, logos, watermarks, recognizable brands, background music, wardrobe changes, hairstyle changes, continuity errors.\nFINAL LOOK\nThe footage should feel like a random afternoon memory captured by a friend on an old family camcorder.\nThe camera should not behave like a professional filmmaker. Small shakes, missed framing, autofocus adjustments, imperfect exposure, ordinary rooftop clutter, and spontaneous reactions should remain visible.\nMake it feel like a real moment that happened once—not a scene created for a camera.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ChillaiKalan__",
|
||
"sourceUrl": "https://x.com/ChillaiKalan__/status/2099367954232254692"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-korean-countryside-lifestyle-vlog-follo-ffa37a55c3ff",
|
||
"title": "韩国乡村午后买菜漫步",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/4d9d03b36e39.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic Korean countryside lifestyle vlog following a young Korean woman through a spontaneous afternoon in a peaceful village. Begin with her leaving her traditional home to buy groceries, walking along a quiet village road before meeting local children playing with a rubber ball. She briefly joins their game, laughing and playing naturally, then says goodbye and continues to a tiny neighborhood grocery shop.\n\nShow authentic Korean rural life with traditional homes, modest modern houses, narrow paved roads, stone walls, vegetable gardens, utility poles, bicycles, trees, distant rice fields and a small local shop. Keep the woman, children, clothing, shopping bag and environment perfectly consistent throughout.\n\nCapture realistic human movement, walking biomechanics, ball physics, cloth and hair movement, grocery handling, natural bag weight, door and gate mechanics, sunlight, shadows, wind and environmental details. Use modern 2026 handheld cinematic-vlog cinematography with natural autofocus, subtle camera movement, realistic motion blur, eye-level framing and a brief child-height tracking shot.\n\nUse only natural diegetic audio: footsteps, birds, insects, wind, leaves, children's laughter, ball impacts, clothing movement, shopping-bag rustling, shop bell, groceries and authentic Korean dialogue with accurate lip synchronization. No music, narration, subtitles, CGI, artificial movement, impossible physics, changing faces or clothing, logos or watermark.\n\nEnd with the woman walking home in warm golden-hour light, waving back at the children from a distance before entering her home, leaving the viewer with a peaceful, authentic Korean village moment.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2099357930927845736"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-from-one-simple-idea-to-a-cinematic-world-64fbc77bfb9e",
|
||
"title": "女子撑伞漫步雨中街区",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/b86a423f5462.jpg",
|
||
"mode": "video",
|
||
"prompt": ":\n\nFrom one simple idea to a cinematic world. 🎬✨\n\nCreated with Seedance 2.5 — bringing imagination to life, one scene at a time.\n\nOne idea. Endless possibilities. \nPrompt ⤵️ \n\nCreate a highly realistic 30-second cinematic live-action lifestyle video featuring one beautiful adult woman on a normal day in her neighborhood.\n\nCHARACTER:\nA beautiful adult woman with an attractive natural face, fair/light skin tone, expressive eyes, neatly styled hair, and an elegant casual outfit. She should look like a real human being with natural facial features and realistic skin texture.\n\nKeep the exact same woman, face, hairstyle, body proportions, and outfit throughout the entire video.\n\nSTYLE:\nUltra-realistic live-action, premium lifestyle cinematography, natural everyday storytelling, realistic environments, authentic human movement, natural facial expressions, realistic lighting and physics.\n\nIMPORTANT:\nEverything must happen in NORMAL REAL-TIME SPEED.\nNO slow motion.\nNO speed ramping.\nNO exaggerated cinematic slow-motion shots.\n\n00:00–00:05 — LEAVING HOME\n\nThe woman finishes getting ready and leaves her beautiful modern home.\n\nShe picks up her handbag, checks her phone briefly, opens the front door, and walks outside.\n\nShe locks the door and starts walking naturally down a quiet residential street.\n\nUse a natural wide establishing shot followed by a smooth walking shot.\n\n00:05–00:11 — THE JOURNEY\n\nShe continues walking through realistic neighborhood streets.\n\nShow houses, trees, parked cars, sidewalks, and subtle everyday activity.\n\nShe walks naturally while occasionally looking around and enjoying the surroundings.\n\nUse normal-speed tracking shots from the front, side, and slightly behind her.\n\n00:11–00:16 — THE RAIN STARTS\n\nDark clouds suddenly appear overhead.\n\nA few raindrops begin falling.\n\nShe looks up at the sky and realizes it is starting to rain.\n\nWithin a few seconds, the rain becomes noticeably heavier.\n\nHer expression changes to mild surprise.\n\nShe quickly looks inside her handbag.\n\n00:16–00:21 — THE UMBRELLA\n\nShe takes a folded umbrella out of her handbag.\n\nShe stops underneath a tree or near a building entrance.\n\nShe opens the umbrella naturally and holds it above her head.\n\nRain continues falling realistically around her.\n\nShow a close-up of the umbrella opening, followed by a natural medium shot of her walking again.\n\n00:21–00:27 — WALKING IN THE RAIN\n\nShe continues walking toward her destination while holding the umbrella.\n\nWater droplets are visible on the umbrella.\n\nWet roads reflect the surrounding houses, streetlights, and vehicles.\n\nShe carefully walks around a small puddle and continues forward.\n\nKeep the movement completely natural and in real time.\n\n00:27–00:30 — ARRIVAL\n\nShe finally reaches a small cozy café or shop.\n\nShe stops at the entrance, closes the umbrella, shakes off a few raindrops, smiles, and walks inside.\n\nEnd with a clean wide shot showing the rainy street outside and the woman entering the destination.\n\nVISUAL QUALITY:\nPhotorealistic live-action.\nNatural realistic skin texture.\nRealistic rain and water physics.\nAuthentic residential neighborhood.\nNatural daylight transitioning into cloudy rainy weather.\nProfessional handheld/stabilized camera work.\nNatural depth of field.\nRealistic reflections on wet pavement.\nSubtle cinematic atmosphere without exaggerated effects.\n\nNEGATIVE REQUIREMENTS:\nNo slow motion.\nNo speed ramping.\nNo time-lapse.\nNo cartoon or CGI appearance.\nNo face morphing.\nNo identity changes.\nNo duplicate characters.\nNo distorted hands.\nNo unrealistic rain.\nNo floating objects.\nNo random text.\nNo logos.\nNo watermark.\nNo dramatic action.\nNo artificial-looking movement.\n\nVertical 9:16 composition.\nThe final video should feel like a professionally filmed real-life lifestyle commercial.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Alina_with_Ai",
|
||
"sourceUrl": "https://x.com/Alina_with_Ai/status/2098233231774802261"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-clean-minimalist-commercial-beauty-video-aesthetic-with-soft-pastel-purple-a-42d26dd79b36",
|
||
"title": "薰衣草焕亮面膜美妆广告",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/693104e054bd.jpg",
|
||
"mode": "video",
|
||
"prompt": "A clean, minimalist commercial beauty video aesthetic with soft pastel purple and lavender theme and warm luxury lighting.\n\nScene 1: A close up cinematic shot of a dark purple skincare jar labeled Foxtale Skin Radiance Mask\nplaced on a minimalist white circular podium with an open lid revealing a smooth lavender clay mask and small purple flowers scattered around.\n\nScene 2: Macro shot zooming in on a white cosmetic spatula lifting a rich, creamy, whipped lavender purple texture from the jar.\n\nScene 3: A radiant young woman smilingly applying the smooth lavender face mask onto her cheekbone with the spatula and blending it effortlessly.\n\nScene 4: The jar resting on a stone block against a pastel purple background with elegant bold text on the right side reading Detans & Brightens Cleaner Pores Clearer Skin Natural Glow,",
|
||
"sourceId": "seedance",
|
||
"credit": "@AvelyrahnAI",
|
||
"sourceUrl": "https://x.com/AvelyrahnAI/status/2097908289619284300"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-cinematic-photorealistic-travel-video-of-a-stylish-young-woman-arrivin-b321bf4210a0",
|
||
"title": "年轻女子抵达机场登机启程",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/69785ecda416.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic photorealistic travel video of a stylish young woman arriving at an international airport and boarding her flight. She walks through the modern airport terminal while pulling a cream-colored rolling suitcase and carrying a brown leather handbag. Show her checking her boarding pass, walking toward the departure gate, then entering the jet bridge and boarding a commercial airplane. Cut to her finding her window seat inside the aircraft, placing her handbag in the overhead compartment, sitting comfortably, and looking out the window as the plane prepares for takeoff. Realistic airport and airplane details, natural human movement, smooth cinematic camera transitions, soft daylight, shallow depth of field, premium travel-vlog aesthetic, photorealistic, 4K, vertical .",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@CaliraVal",
|
||
"sourceUrl": "https://x.com/CaliraVal/status/2097601187734561047"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-skincare-commercial-vertical-9-16-aspect-ratio-8640fa586f63",
|
||
"title": "水润面霜护肤广告",
|
||
"description": "产品广告分镜",
|
||
"image": "/inspiration-thumbs/seedance/seedance-cinematic-skincare-commercial-vertical-9-16-aspect-ratio-8640fa586f63.webp",
|
||
"mode": "video",
|
||
"prompt": "Cinematic skincare commercial, vertical 9:16 aspect ratio. Starts with a sleek white cosmetic bottle labeled FERMINA covered in water droplets with water splashing dynamically over the top Quick seamless macro transition to a young woman with natural glowing skin pumping cream onto her fingers then gently applying the white moisturizer onto her cheek. Close up on her smooth hydrated skin with a subtle dew effect Ends with the woman smiling softly at the camera, holding the FERMINA product bottle next to her face warm studio lighting minimal clean aesthetic, soft focus background, high-definition commercial style.\n\n#polloai",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2097171135033143553"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithsynthia-seedance-ai-8dd82bc7e6f7",
|
||
"title": "Seedance 参考图角色的房间自拍短片",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithsynthia-seedance-ai-8dd82bc7e6f7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the uploaded reference image as the exact character reference. Preserve her facial identity, eye color, skin tone, hairstyle, makeup, body proportions, jewelry, and overall appearance consistently throughout the entire video. She wears a fitted white sleeveless crop top with bright orange shorts in exact color delicate silver jewelry, and casual home footwear. Keep the orange shorts identical in every scene.\n\nCreate a 30-second ultra-realistic lifestyle room-tour vlog filmed with a handheld smartphone. The atmosphere is warm, personal, playful, and authentic, with natural daylight, cozy bedroom lighting, realistic handheld movement, subtle autofocus shifts, and premium creator-quality cinematography.\n\n0–5s — ROOM INTRO\nShe opens the bedroom door and walks in while filming herself. She smiles at the camera and says, “Come, I'll show you my favorite space.” She gives a quick playful spin, revealing her orange shorts.\n\n5–10s — TWO ROOMS\nShe walks through her first room, showing the cozy bed, vanity, shelves, plants, and decorations. She then walks into her second room and says, “I actually have two little spaces.” Smooth transition between the rooms.\n\n10–14s — WALL PAINTING\nShe stops beside a colorful painting hanging on the wall. She points at it, explains that she loves it, then briefly poses beside it. Camera slowly pushes toward the artwork and back to her face.\n\n14–19s — NEW EARRINGS\nShe sits at her vanity, picks up a new pair of earrings, holds them close to the camera for a detailed close-up, then puts them on and checks herself in the mirror. She smiles and says, “These are my new favorites.”\n\n19–23s — ORANGE OBSESSION\nShe opens a small drawer or accessories box and pulls out an orange hairband. She puts it into her hair, looks at herself in the mirror, and laughs. She says, “I think I'm officially obsessed with orange.” Show subtle orange accents throughout the room.\n\n23–27s — CAT MOMENT\nShe walks back toward the bed and notices her cat. She sits down, gently pets it, plays with it using her hand, and laughs naturally as the cat moves around beside her.\n\n27–30s — FINAL BEDROOM SHOT\nShe relaxes on the bed with the cat beside her, looks into the camera, smiles, and gives a small wave. The camera slowly pulls back, revealing the cozy room, wall painting, orange accents, and warm evening light.\n\nStyle: Ultra-realistic lifestyle vlog, authentic creator energy, natural facial expressions, realistic hair and fabric movement, cozy interior cinematography, warm daylight, shallow depth of field, handheld smartphone feel, smooth transitions, 4K HDR, 24fps, \n\nContinuity: Same girl, same face, same hairstyle, same makeup, same orange shorts, same jewelry, same rooms, same painting, same cat, and consistent props throughout.\n\nNegative Prompt: No subtitles, captions, logos, watermarks, text overlays, facial changes, identity drift, outfit changes, color changes to the shorts, duplicate cat, duplicate people, distorted hands, extra fingers, flickering, unrealistic physics, or artificial-looking skin.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2089681501852237971"
|
||
},
|
||
{
|
||
"id": "seedance:juliaclarky-seedance-ai-f648a434d526",
|
||
"title": "Seedance 三十秒 3D 动画喜剧:妈妈断了 WiFi 之后",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/a13c537747bc.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second premium cinematic 3D animated comedy short film set inside a stylish modern South Asian family home.\n\nFORMAT: 16:9 widescreen, cinematic landscape, feature-film quality.\n\nCHARACTER CONSISTENCY — HIGHEST PRIORITY:\n\nMom is a South Asian woman in her 40s with expressive facial reactions, wearing a modern modest casual home outfit.\n\nSamatha is a young South Asian girl wearing a stylish modern casual outfit.\n\nJohn is a young South Asian boy wearing a modern T-shirt/hoodie and joggers.\n\nThe youngest son is a young South Asian boy wearing modern casual clothes.\n\nGrandma is an elderly South Asian woman wearing an elegant modern outfit and always sitting separately in her own comfortable armchair.\n\nKeep every character’s face, hairstyle, age, body proportions, clothing, and identity consistent throughout every shot.\n\nSTYLE: Premium cinematic 3D animation, realistic stylized characters, highly detailed modern interiors, expressive facial animation, polished feature-film quality, cinematic lighting, realistic materials, smooth character movement, comedic timing, subtle depth of field and sophisticated color grading.\n\n0–5s:\nA stylish modern South Asian home with a spacious living room connected to a contemporary kitchen.\n\nMom is preparing food in the kitchen when she notices Samatha lying upside down across the sofa, completely absorbed in her phone.\n\nMom looks at her in disbelief.\n\nMom says: “Samatha! Can you sit like a normal girl for once?”\n\nSamatha briefly sits straight, then immediately returns to an even more ridiculous position.\n\nMom sighs dramatically and walks away.\n\n5–10s:\nMom enters John’s separate bedroom.\n\nJohn is sitting alone at his gaming PC, wearing large headphones and intensely playing a game.\n\nJohn shouts: “COME ON! GET HIM! GET HIM!”\n\nMom calls: “John!”\n\nHe doesn’t hear her.\n\nMom calls louder: “JOHN!”\n\nStill nothing.\n\nJohn continues gaming.\n\nMom slowly looks directly into the camera with an exhausted deadpan expression.\n\n10–14s:\nMom leaves the room and notices the youngest son coming downstairs.\n\nHe is holding his phone and doing exaggerated Michael Jackson-inspired dance moves while walking down the staircase.\n\nHe suddenly notices Mom and freezes.\n\nHe awkwardly smiles.\n\nYoungest son says: “Hey, Mom.”\n\nMom just stares at him in complete disbelief.\n\n14–19s:\nMom walks toward the Wi-Fi router with determination.\n\nClose-up of her hand switching the router OFF.\n\nCLICK.\n\nImmediately show separate reaction shots of each child in their own location.\n\nSamatha looks at her phone.\n\nJohn removes one headphone.\n\nThe youngest checks his phone.\n\nAll three shout from different parts of the house:\n\n“Mom! WHY?!”\n\nMom crosses her arms.\n\n“If you don't put your phones down and eat your food… NO INTERNET.”\n\n19–26s:\nMom returns to the kitchen and starts serving food.\n\nA few seconds later, she notices something suspicious.\n\nSamatha is secretly back on her phone.\n\nJohn is gaming again.\n\nThe youngest is also using his phone.\n\nMom walks out of the kitchen.\n\n“The Wi-Fi is OFF. How are you guys online?!”\n\nThe camera slowly reveals Grandma sitting completely separately in her own elegant armchair.\n\nShe is casually holding her phone with her hotspot turned on.\n\nGrandma gives a tiny innocent smile.\n\n26–30s:\nMom looks at Grandma.\n\n“I knew it! You gave them your hotspot. They’re literally buying your love!”\n\nGrandma casually shrugs.\n\n“So what? I’m selling it.”\n\nEveryone bursts into laughter.\n\nMom gives Grandma an exhausted look and walks back toward the kitchen.\n\nEnd with a playful sitcom-style freeze frame and comedic music sting.\n\nAUDIO: playful comedic background music, realistic household ambience, exaggerated comedic sound.\n\n#FlovaAI #FlovaCPP",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@JuliaClarky",
|
||
"sourceUrl": "https://x.com/JuliaClarky/status/2089592644725043368"
|
||
},
|
||
{
|
||
"id": "seedance:doctorwasif-seedance-ai-06309648f9fa",
|
||
"title": "Seedance 2.5 七镜头手持手机 vlog 蒙太奇",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/baaf41bb028a.jpg",
|
||
"mode": "video",
|
||
"prompt": "7-shot handheld phone vlog montage, photorealistic snapshot realism, varied angles/cuts, slight tilt/shake, harsh fluorescent gym light mixed with warm high-window afternoon sun, fine film grain. Woman Image1: use reference only for face/hairstyle; fitted heather-grey short-sleeve athletic top, black leggings, tied-back hair with loose strands. Alone in a quiet scuffed gym corner with folded mats, spotted mirror, bench with rolled yoga mat/water bottle. Natural Korean dialogue/reactions, live ambient SFX only, no music/text/logos/watermarks.\n\n1 (0-2s): Rope catches her foot; she stumbles and laughs. Close, low, drifting camera. “아 뭐야 벌써”.\n2 (2-4s): Side close-up of hands/rope resetting; wrist flicks, rope slaps floor twice, then finds rhythm. Shaky follow.\n3 (4-6s): Straight-on steady jump-rope rhythm, focused half-smile, quicker breathing, rope blur. “하나, 둘, 셋…”\n4 (6-8s): Rope hits shin; she winces/laughs, hops once, restarts. Slight upward angle, slow push-in. “Okay, still counts.”\n5 (8-10s): Faster set, sweat at hairline, heavy breathing, rapid rope beats. Straight-on, gentle sway, motion blur.\n6 (10-13s): Rope tangles; she stops, doubles over laughing, hands on knees, shoulders shaking. Camera tilts down. “아 못하겠다 진짜”.\n7 (13-15s): Still laughing/breathless, slowly straightens, wipes eyes, drops rope, grinning. Camera drifts back/up and lingers.\n\nOnly her throughout; authentic fumbling, laughter, breathing, footsteps, rope impacts/drop, faint distant gym ambience. Do not depict/copy the reference image itself.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2089214508233638187"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-young-east-asian-female-traveler-wearing-an-earth-toned-brown-wrap-tunic-rob-a051065475f3",
|
||
"title": "古林旅者邂逅金角白独角兽",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/0bef85b5d75e.jpg",
|
||
"mode": "video",
|
||
"prompt": "A young East Asian female traveler wearing an earth-toned, brown wrap tunic robe with a backpack hiking through a misty, dense ancient forest. She encounters a majestic white unicorn with a glowing golden horn, glowing eyes, and golden light woven through its flowing mane. The unicorn steps on the mossy ground, causing veins of golden magical light to spread along the forest trail, clearing the thick fog and opening into a breathtaking view of a lush mountain valley at sunrise. Cinematic 4k, hyper-realistic, volumetric lighting, epic fantasy atmosphere, soft morning sunbeams.",
|
||
"sourceId": "seedance",
|
||
"credit": "@juliaevee",
|
||
"sourceUrl": "https://x.com/juliaevee/status/2105150663047135672"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-sometimes-love-begins-with-a-simple-glance-7c1e5ac921f4",
|
||
"title": "海滨小镇的初次心动",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/929b3394087a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Sometimes, love begins with a simple glance. A beautiful moment waiting to become a story. \n\nCreated on seedance 2.0\n\n Prompt\n\nA beautiful Korean girl with long, straight black hair walks through a peaceful coastal Korean town during golden hour, wearing a stylish beige trench coat and carrying a handbag. A handsome Korean boy in a dark leather jacket stands near a railway crossing as a vintage tram passes by. The girl slowly approaches him along the seaside street, with warm sunlight glowing on her face. Cinematic camera movements, natural walking motion, realistic facial expressions, soft ocean breeze, and detailed Korean street scenery. Capture their first eye contact with a gentle romantic atmosphere, shallow depth of field, warm color grading, and photorealistic quality. Create a beautiful 15-second cinematic love story with smooth transitions, natural lighting, and emotional storytelling.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaayat",
|
||
"sourceUrl": "https://x.com/aiwithaayat/status/2102607673501892691"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-authentic-handheld-mini-dv-camcorder-footage-with-a-soft-early-digital-video-ae-cb1413d2e1a8",
|
||
"title": "雨天出门的意外小冒险",
|
||
"description": "复古伪纪录",
|
||
"image": "/inspiration-thumbs/seedance/seedance-authentic-handheld-mini-dv-camcorder-footage-with-a-soft-early-digital-video-ae-c.webp",
|
||
"mode": "video",
|
||
"prompt": "Authentic handheld mini-DV camcorder footage with a soft early-digital-video aesthetic. The video should feel like a spontaneous personal vlog filmed throughout the day rather than a professionally produced commercial.\n\nMost shots are recorded by the woman herself in arm’s-length selfie mode, combined with a few naturally positioned external angles and brief first-person POV shots.\n\nKeep the camera imperfect and human:\n\n- Subtle natural hand shake\n- Slightly crooked framing\n- Occasional autofocus hunting\n- Tiny exposure fluctuations\n- Mild motion blur\n- Imperfect zooms\n- Natural reflections\n- Small framing mistakes\n- Realistic handheld movement\n\nNever show the woman setting up, placing, adjusting, or operating a camera. The camera itself must never be visible in the frame.\n\nUse natural jump cuts between locations and perspectives. Avoid overly smooth transitions or cinematic camera movements.\n\nVISUAL LOOK\n\nSoft consumer-DV texture with gentle digital softness, subtle tape character, faint grain, mild highlight bloom, realistic skin texture, slightly muted contrast, and natural colors.\n\nCloudy daylight should feel believable and soft. Wet streets should show realistic reflections, puddles, and subtle highlights.\n\nAvoid:\n\n- Excessive beauty filters\n- Plastic-looking skin\n- Artificial sharpness\n- CGI-looking environments\n- Overly perfect lighting\n- Commercial-style polish\n- Unrealistic environments\n\nSTORY & EMOTIONAL TONE\n\nA spontaneous “I almost stayed home” day that unexpectedly turns into a beautiful little adventure.\n\nEmotional progression:\n\nBored at home → impulsive decision → rainy city walk → unexpected cozy discovery → sunset payoff\n\nShe is playful, feminine, confident, slightly flirty, curious, and naturally expressive.\n\nHer reactions should feel spontaneous and unscripted, as if she is casually sharing an unexpected day with her followers.\n\nMAIN CHARACTER\n\nAn exceptionally beautiful glamorous European brunette woman in her mid-20s.\n\nShe has:\n\n- Expressive almond-shaped brown eyes\n- Long eyelashes\n- Full glossy lips\n- Refined facial features\n- Sculpted cheekbones\n- Delicate straight nose\n- Lightly tanned glowing skin\n- Long, thick dark-brown hair\n\nHer hair is styled in a high ponytail, with a few loose strands naturally becoming visible as the day progresses.\n\nShe has a lean, feminine, athletic physique and a polished social-media-influencer appearance.\n\nMakeup is soft-glam but realistic enough for natural daylight. Preserve realistic skin texture and natural facial movement.\n\nOUTFIT & CONTINUITY\n\nShe wears the same outfit throughout the entire video:\n\n- Fitted deep-burgundy long-sleeve top\n- Elegant high-waisted dark trousers or fitted jeans\n- Lightweight neutral trench coat\n- Clean white sneakers\n- Small shoulder bag\n\nThe burgundy top should remain clearly visible whenever the trench coat is open.\n\nStrict continuity: same woman, same face, same hairstyle, same makeup, same outfit, same accessories, and consistent body proportions throughout every shot.\n\nNo wardrobe changes.\n\nLOCATION\n\nA beautiful modern European city during an overcast rainy afternoon.\n\nEnvironment includes:\n\n- Stone sidewalks\n- Small independent cafés\n- Glass shop windows\n- Historic European architecture mixed with modern streets\n- Passing cars\n- Wet pavement\n- Street lights\n- Trees moving gently in the breeze\n- Cozy bookstore or café\n- Realistic urban details\n\nThe city should feel lived-in and believable. Avoid large crowds dominating the background.\n\n---\n\nSTORYBOARD — 30 SECONDS / 10 CUTS\n\nCUT 01 — 0:00–0:03 | STUCK INSIDE\n\nHandheld selfie footage inside her apartment.\n\nShe stands beside a large apartment window, looking outside at the rain. She briefly turns the camera toward the rainy street, then back toward herself.\n\nShe makes a slightly unimpressed expression.\n\nDialogue:\n“Yeah… I definitely wasn’t planning on going anywhere today.”\n\nShe glances back toward the rain.\n\nNatural facial expression, casual delivery, slight handheld shake.\n\nCUT 02 — 0:03–0:06 | SPONTANEOUS DECISION\n\nQuick natural jump cut.\n\nShe is now leaving the apartment building wearing her burgundy outfit and trench coat.\n\nShe looks into the camera with a playful, mischievous smile while walking toward the entrance.\n\nDialogue:\n“But staying home sounded boring.”\n\nShe steps outside into the rain without posing.\n\nCUT 03 — 0:06–0:09 | RAINY STREET\n\nHandheld walking selfie.\n\nShe walks along the wet European street. Small raindrops are visible on her hair and trench coat.\n\nThe camera is held slightly above eye level with natural movement.\n\nA passing car creates a tiny splash near the pavement.\n\nShe laughs naturally.\n\nDialogue:\n“Okay… maybe this was a bad idea.”\n\nShe smiles despite the rain.\n\nCUT 04 — 0:09–0:12 | CITY DISCOVERY\n\nShe slows down while walking and notices something interesting across the street.\n\nSwitch to a brief first-person POV showing a charming independent bookstore or cozy café glowing warmly through rain-speckled glass.\n\nCut back to her face.\n\nHer expression changes from bored to curious.\n\nDialogue:\n“Oh… wait.”\n\nShe looks toward the place again with genuine curiosity.\n\nCUT 05 — 0:12–0:15 | COZY DISCOVERY\n\nQuick external angle from across the sidewalk.\n\nShe walks toward the cozy bookstore/café while holding her small shoulder bag.\n\nRain continues falling lightly.\n\nShe looks through the window and smiles.\n\nCut to a close handheld selfie as she says:\n\nDialogue:\n“I’ve never actually been in here.”\n\nKeep the framing imperfect and documentary-like.\n\nCUT 06 — 0:15–0:18 | INSIDE\n\nJump cut to the warm interior.\n\nShe walks slowly through the cozy bookstore/café, looking around with genuine interest.\n\nWarm interior lighting contrasts naturally with the cool rainy light outside.\n\nShe briefly picks up a book or looks at a small display.\n\nNo exaggerated acting.\n\nDialogue:\n“Okay, this is actually really cute.”\n\nCUT 07 — 0:18–0:21 | LITTLE MOMENT\n\nHandheld close-up selfie.\n\nShe sits near the window with a warm drink.\n\nRainy streets are visible behind her through the glass.\n\nA few loose strands of hair frame her face.\n\nShe takes a small sip, looks outside, then back at the camera with a satisfied smile.\n\nNo dialogue for a moment — just natural ambient café and rain sounds.\n\nCUT 08 — 0:21–0:24 | RAIN CLEARS\n\nNatural jump cut.\n\nShe is back outside.\n\nThe rain has become lighter. The pavement is still wet and reflective.\n\nShe walks down the street while filming herself.\n\nSoft sunlight begins breaking through the clouds.\n\nShe looks upward and smiles.\n\nDialogue:\n“Okay… I’m glad I left.”\n\nCUT 09 — 0:24–0:27 | SUNSET PAYOFF\n\nBrief external cinematic-but-imperfect angle.\n\nShe walks along a beautiful European street as golden evening light begins appearing between the clouds.\n\nWet pavement reflects the warm sky.\n\nShe turns toward the camera with a relaxed smile.\n\nHer hair moves naturally in the breeze.\n\nKeep the image grounded and realistic rather than overly cinematic.\n\nCUT 10 — 0:27–0:30 | FINAL SELFIE\n\nHandheld selfie at golden hour.\n\nShe stops walking and looks directly into the camera.\n\nShe gives a small playful smile and slightly raises her eyebrows, as if admitting the day turned out better than expected.\n\nDialogue:\n“Maybe going out wasn’t such a bad idea.”\n\nShe turns the camera slightly toward the glowing street and sunset.\n\nNatural jump cut/end.\n\nAUDIO\n\nNatural location sound throughout:\n\n- Light rain\n- Distant traffic\n- Footsteps on wet pavement\n- Subtle café ambience\n- Soft city background noise\n- Gentle wind\n\nDialogue should sound naturally recorded through a small consumer camcorder microphone.\n\nNo dramatic cinematic voice-over.\n\nNo artificial studio-quality audio.\n\nFINAL STYLE RULE\n\nThe entire video should feel like a real spontaneous personal vlog captured on an old consumer mini-DV camera during an unexpectedly beautiful rainy day.\n\nPrioritize natural human behavior, realistic movement, continuity, imperfect handheld framing, believable lighting, authentic expressions, and casual storytelling over polished cinematic perfection.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@CaliraVal",
|
||
"sourceUrl": "https://x.com/CaliraVal/status/2101908933078310950"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-live-action-urban-chase-thriller-set-in-623df1759979",
|
||
"title": "夜市追踪与窄巷脱身",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/f7a5645d8360.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic live-action urban chase thriller set in a crowded evening street market. A young woman realizes a stranger is following her, accelerates into a run, weaves naturally through pedestrians and food stalls, ducks behind a market stall, then suddenly changes direction and disappears into a narrow alley just before the follower arrives.\n\nShow realistic human biomechanics, acceleration, momentum, friction, center-of-mass shifts, crowd reactions, fabric and bag physics, realistic object interaction, and natural environmental movement. Use handheld close-ups, over-the-shoulder shots, low running angles, side tracking, a hidden perspective behind the stall, and a tight alley shot with realistic camera inertia and autofocus.\n\nUse only diegetic sound: footsteps, breathing, crowd chatter, vendors, bicycles, fabric movement, traffic, and echoing alley footsteps. Natural mixed market lighting, realistic shadows, reflections, depth of field, and motion blur. End on a locked-off shot of the empty alley as her footsteps fade away.\n\nNo CGI, animation, superhero movement, impossible parkour, teleportation, unrealistic crowd behavior, distorted anatomy, floating objects, weapons, gore, text, logos, or watermark.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2100462425308901480"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-30-second-short-film-photorealistic-korean-riverside-picnic-aesth-3b0868a31904",
|
||
"title": "江畔野餐偷吃炸鸡的虎帽猫",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/cases/df690a476802.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic 30-second short film, photorealistic, Korean riverside picnic aesthetic, late afternoon golden hour fading into night.A young East-Asian woman with a short black bob sits cross-legged on a beige gingham picnic blanket on green grass beside a wide river. Behind her: a long blue bridge, distant city skyline, and a tall tower. She wears an oversized white-and-blue pinstripe shirt, loose black necktie, sheer tulle overskirt, dark mini skirt, white socks, and black loafers. In front of her: a plastic cup of iced cola, a cardboard fried-chicken box, a small fluffy pom-pom, and extra chicken pieces.A chubby gray-and-white tabby cat wearing a knitted beige tiger hat with ears, stripes, and cartoon teeth sits and walks on the blanket.Shot 1 (0–3s): Wide shot. Girl calmly eats a fried chicken drumstick. The cat rolls on its back, then stands and walks toward her, staring at the chicken.Shot 2 (3–6s): Girl looks at the cat and says clearly in English, soft but firm: “No. This is mine.” The cat rears up on hind legs and bats at her arm like a tiny tiger.Shot 3 (6–10s): Wind blows her hair. She flinches, eyes squeezed shut, mouth open in a comic yell as the cat slaps her sleeve, then she sighs and says clearly: “Okay, okay. Eat. Just eat.”\nShot 4 (10–16s): Cat grabs a drumstick from the box with both paws, sits upright like a person, and nibbles it with eyes half-closed, blissful. Girl watches, then takes another bite of her own chicken.Shot 5 (16–19s): Girl stands up, gathers her tulle skirt, and says clearly: “I’ll come back. Leave it.” She walks out of frame to the left. Cat stays sitting, still holding the drumstick.Shot 6 (19–23s): Time-lapse. Sky turns orange sunset, then deep blue dusk. City lights and bridge lights bloom. Cat finishes eating, flops onto its side, rolls on the blanket, belly up, hat still on.Shot 7 (23–30s): Night. Close-up of the cat sitting neatly on the blanket beside leftover chicken and the cola cup. Soft city bokeh behind. Cat looks slightly guilty, then looks at the empty space where the girl sat, ears drooping. No more dialogue. Soft ambient river wind and distant city hum. End on a still close-up of the tiger-hatted cat.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2100081464469787115"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-handheld-gimbal-feel-mixed-with-a-few-locked-off-tripod-inserts-30703e7bbacd",
|
||
"title": "一罐能量饮料唤醒极速早晨",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/010b66034a34.jpg",
|
||
"mode": "video",
|
||
"prompt": "CAMERA:\nCinematic handheld gimbal feel, mixed with a few locked-off tripod inserts. Camera occasionally rests on counters/surfaces for hands-free product shots. Sluggish, drifting movement in the opening beats; sharp, snappy whip-pans and speed-ramped cuts once the energy kicks in. Camera never appears on screen.\nLOOK:\nOpens desaturated, cool gray-blue color grade, slightly soft focus, low contrast. The moment she drinks, grade snaps to saturated, warm, high-contrast color — vivid oranges/yellows, crisp focus, subtle motion-trail flares on fast movement. Realistic skin tones, light film grain throughout.\nSTYLE:\nBefore/after transformation ad. First third deliberately slow and low-energy; middle/end fast, punchy, triumphant. Comedic payoff at the end. Minimal dialogue — one line only, near the finale — energy carried mainly by music and speed-ramping.\nCharacter\nMAYA — same woman as reference image, 20s. Long dark hair (loose/messy in opening scenes, pulled back and sleek once energized), skin transitioning from dull/tired to visibly glowing. Slim build. Oversized gray sweatshirt in groggy scenes, switching to a fitted color-block \"JOLTCAN\"-branded jacket or tee once energized. Sneakers throughout. Fully covered, modest fit.\nDELIVERY GUY — 20s, uniform, delivery bag, casual unhurried demeanor.\nSetting\nDim apartment bedroom → kitchen counter → sunny city sidewalk → apartment building entrance (finale, same building as opening).\nStoryboard (30s, 9 cuts)\n(~3s, wide shot, dim bedroom) Maya shuffles slowly out of bed, gray desaturated grade, movements heavy and sluggish.\nAudio: Near silence — a single fading alarm-clock beep, then flat low room tone. No music.\n(~2.5s, medium shot, kitchen) She drags herself to the counter, fumbles opening the fridge in slow, groggy motion.\nAudio: Dull, minimal synth drone, very low volume, no rhythm — mirrors her grogginess. Faint fridge hum.\n(~2.5s, macro insert) Close-up: she cracks open a JOLTCAN — the pull-tab snap is sharp and loud.\nAudio: The can-crack triggers one sharp musical hit — a riser + snare crack — landing exactly on the snap sound.\n(~3s, close-up, color shift) She sips; color grade snaps instantly from gray to vivid saturated color, eyes widen, posture straightens.\nAudio: Upbeat electronic-pop beat starts immediately here, ~130 BPM, bright synth stab, energetic bassline kicks in on the beat.\n(~3s, fast handheld, apartment) Speed-ramped shot of her whirling through getting ready — hair, jacket, grabbing her bag — quick snappy cuts.\nAudio: Music at full tempo, punchy bass hits synced to her quick movements.\n(~3.5s, wide fast shot, sidewalk) She power-walks/jogs down a sunny sidewalk faster than normal, confident grin, light motion-blur trails.\nAudio: Music builds with a rising melodic synth hook, steady driving rhythm continues.\n(~3s, quick handheld) Fast montage: she dodges a puddle, weaves around a slow pedestrian, times a street crossing perfectly.\nAudio: Music hits a tight rhythmic peak — percussive, clean, energetic.\n(~4s, wide shot, building entrance) She jogs up and beats the delivery guy to her own door, holding it open for him with an amused grin. She says: \"Guess I'm early today.\"\nAudio: Music briefly ducks under her line, then a light comedic synth \"boing\" sting plays right after she speaks.\n(~3s, logo card) Freeze/blur on her grinning face; white text fades in: \"Fuel your speed\" above the JOLTCAN wordmark.\nAudio: Music resolves into a short, punchy outro hit, clean cutoff — no fade.",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2099717908482207928"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-0-4s-character-a-matching-the-reference-image-livestreams-herself-on-a-dark-672f3482fa3b",
|
||
"title": "夜班列车感染爆发实录",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/757c7a9f50b5.jpg",
|
||
"mode": "video",
|
||
"prompt": "0–4s: Character A, matching the reference image, livestreams herself on a dark night train. Handheld fisheye distortion, shaky framing, timestamp/battery/signal icons visible. She casually pans across passengers before noticing one coughing violently.\n\n4–8s: She whip-pans toward him—pale, sweating, visibly sick. Lights flicker and blackout. Her phone flashlight snaps on, revealing him convulsing. Glitching, dropped frames, exposure shifts, and nervous breathing intensify the found-footage feel.\n\n8–13s: Flashlight reveals bloodshot eyes and dark veins spreading across his neck. He suddenly lunges at another passenger. The camera whips away, cracks/glitches, drops to the floor, then catches the newly bitten passenger convulsing and turning with clouded eyes before lunging again.\n\n13–18s: Chaos erupts. Passengers scramble through the train. @Character A runs down the aisle and escapes through the connecting door with survivors. They barricade it as infected hands claw through the gap and pounding shakes the door.\n\n18–24s: Phone battery drops dangerously low. She briefly films her terrified, sweaty face, then turns back to the violently shaking door. Survivors huddle together under the phone's harsh flashlight while impacts continue.\n\n24–30s: The pounding suddenly stops. Eerie silence. She slowly films the exhausted survivors. The timestamp keeps ticking, signal drops to zero, and the livestream freezes on her frightened face with a final glitch—raw, unresolved found-footage ending.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2098639106712784933"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-stylish-young-woman-wearing-a-bright-green-bomber-jacket-a-colorful-striped-2da70cbfbb51",
|
||
"title": "东京站台弹指穿梭动漫与现实",
|
||
"description": "动漫风格锁定",
|
||
"image": "https://media.goodcase.ai/cases/f92558c80a30.jpg",
|
||
"mode": "video",
|
||
"prompt": "A stylish young woman wearing a bright green bomber jacket, a colorful striped crop top, cargo pants, and pink sneakers walking on an open-air train station platform in Tokyo, Japan. Low-angle medium tracking shot following her as she walks towards the camera. She snaps her fingers, and with each snap, the environment and visual style instantly transform: first into a vibrant anime fantasy sky with clouds and a rainbow sunset, then into a black-and-white manga sketch art style with colored accents, and finally back to realistic live-action. She then laughs and covers her mouth with her hand. Cinematic lighting, smooth motion transitions, 8k resolution, photorealistic detail.",
|
||
"category": "anime-style-lock",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2096961937770697155"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithaly-seedance-ai-173bd8a14072",
|
||
"title": "酒店高层阳台追逃",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithaly-seedance-ai-173bd8a14072.jpg",
|
||
"mode": "video",
|
||
"prompt": "Ultra-photorealistic cinematic 30-second action-thriller set inside a modern upscale hotel room on a high floor at night. An adult professional woman in a practical dark jacket, trousers, and comfortable shoes discovers she is being pursued after securing a mysterious encrypted-looking USB drive inside her travel bag.\n\n0–5s: Tight macro close-up of the USB drive on the hotel desk. She quickly grabs it, looks toward the door, places it inside her travel bag, and closes it. Three sudden knocks freeze her in place.\n\n5–10s: Slow cinematic push toward the hotel door. A heavy knock follows as a muffled male voice says, “Open the door. We know you're inside.” Her expression shifts from confusion to fear. She whispers, “That's not possible,” then cautiously backs away.\n\n10–15s: Extreme close-up of the door handle slowly turning downward. Realistic latch and lock sounds. Cut to her frightened face as she grabs the travel bag and rushes toward the balcony.\n\n15–20s: She slides the glass balcony door open with both hands, physically overcoming the resistance of the track. Cool night air moves her hair and jacket naturally. Behind her, the hotel room door shakes violently from an impact. She steps carefully onto the balcony, maintaining realistic balance near the high ledge.\n\n20–25s: Another powerful impact hits the hotel door. The lock and frame resist before the door finally swings inward naturally around its hinges. A partially visible silhouette appears in the doorway. Loose papers flutter from the sudden airflow as she moves farther onto the balcony.\n\n25–30s: She reaches the railing and looks down at the city far below. She turns toward a neighboring balcony separated by a narrow gap, then looks back toward the approaching silhouette. She grips the railing tightly and whispers, “Think.” Dramatic exterior wide shot reveals the hotel façade, her balcony, and the neighboring balcony.\n\nGrounded movie realism, realistic human acting and biomechanics, accurate gravity, momentum, inertia, friction, balance, door mechanics, sliding glass movement, fabric motion, object weight, natural night lighting, restrained handheld cinematography, realistic depth of field, natural motion blur, practical-effects aesthetic, synchronized dialogue and sound design, distant city ambience, footsteps, breathing, door impacts, lock vibration, glass-door movement, and night wind.\n\nNo superhero physics, no impossible jump, no falling, no teleportation, no floating objects, no exploding door, no broken glass without cause, no exaggerated wind, no robotic acting, no distorted anatomy, no changing face or clothing, no duplicated characters, no impossible camera movement, no CGI appearance, no blood, no gore, no text, no logos, no watermark.\n\nEnd with a hard cut to black at the peak of the cliffhanger.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2094295756878622745"
|
||
},
|
||
{
|
||
"id": "seedance:ethancole-ai-seedance-ai-c8e1a1b52569",
|
||
"title": "Seedance 进阶工作流演示:Prompt 之外的制作全流程",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/ethancole-ai-seedance-ai-c8e1a1b52569.webp",
|
||
"mode": "video",
|
||
"prompt": "Most guides on how to make AI videos stop at Prompt → Generate. That is where a real production workflow begins.\n\nCapCut Seedance 2.5 1080p is now live.\n\nUse AI Image to batch-create characters, products, locations or shot references. Turn them into scenes with AI Video, then use AI Extend in CapCut PC when the story, demonstration or CTA needs more time. Continue forward for the next beat or backward for missing context.\n\nAI Edit handles a specific flaw, Edit Pilot helps with repeated edits, and the multi-track timeline completes captions, audio, transitions, pacing and delivery.\n\n#CapCutPC #AIVideoEditor #CapCutSeedance25 #Seedance251080p",
|
||
"sourceId": "seedance",
|
||
"credit": "@ethancole_ai",
|
||
"sourceUrl": "https://x.com/ethancole_ai/status/2089756837474107511"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-16-9-live-action-24-sec-realistic-high-school-hallway-bright-fluor-a3f73476b5af",
|
||
"title": "高中走廊少女超能力觉醒",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/9c17fdb881c1.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic 16:9 live-action, 24 sec, realistic high school hallway, bright fluorescent lighting, shiny floor, grey lockers, shallow depth of field. Characters: Girl A: long wavy brown hair, blue plaid shirt over white tank top, jeans. Girl B: short dark bob, navy-and-cream letterman jacket with red \"R\".\n\nScene 1 (0-2s): Wide shot. Girl A stands against lockers, Girl B faces her, confronting her. Students walk in the background.\n\nScene 2 (2-4s): Close-up of Girl A, nervous and calm, Girl B's head blurred in the foreground. Cut to Girl B's close-up, smirking.\n\nScene 3 (4-7s): Medium two-shot over Girl B's shoulder. Girl A looks tense and stares back.\n\nScene 4 (7-8s): Girl B slaps Girl A. Girl A's head whips sideways, hair flying, and her eyes flash glowing white.\n\nScene 5 (8-9s): Wide handheld shot. Girl A, eyes glowing, thrusts her arm out, blue-white electric energy crackles along her arm. Students in the hallway watch in shock.\n\nScene 6 (10-15s): Close-up. Girl A's face, glowing white eyes, angry and shaken. Her glowing hand rises toward the camera, energy sparking around her fingers.\n\nScene 7 (16-19s): Wide long hallway shot. Two jocks in varsity jackets rush at Girl A. She unleashes streaks of white energy that hurl them backward through the air.\n\nScene 8 (20-24s): Front-facing tracking shot. Girl A walks down the empty hallway toward the camera, glowing energy on her arms and eyes. The glow fades, her eyes turn normal, and she looks breathless and shocked.\n\nStyle: realistic teen superhero drama, natural skin texture, motion blur on energy effects, smooth camera moves, cool blue-white glow, no text or subtitles. @Flovaai @itsPolloAI @PixVerse @dreamina_ai\n\n#SuperPowers #ShortFilm #AIVideo #Cinematic",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@itsSaira_1",
|
||
"sourceUrl": "https://x.com/itsSaira_1/status/2102994561144434785"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-cinematic-realistic-educational-video-set-inside-a-modern-university-961b27c23385",
|
||
"title": "大学物理课堂的斜轨小球实验",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/c9ea047f8573.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic, realistic educational video set inside a modern university physics laboratory. A confident male physics professor walks into the classroom carrying a coffee cup and a notebook, while students sit attentively in a large lecture hall. The scene then transitions to a hands-on physics experiment where the professor and a group of students gather around a transparent inclined track. A small metallic ball is carefully placed on the track, creating a clear visual demonstration of motion, gravity, acceleration, and energy. Show detailed close-up shots of the transparent rail, metal ball, students observing closely, and the professor guiding the experiment with natural hand movements. Use smooth camera movements, realistic depth of field, natural facial expressions, and authentic classroom interactions to make the experiment feel engaging and believable. Include cinematic laboratory lighting with soft indoor illumination and warm sunlight entering through large windows. End with the professor working at a laboratory table during golden-hour lighting, surrounded by scientific equipment, creating a thoughtful and inspiring academic atmosphere.",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaayat",
|
||
"sourceUrl": "https://x.com/aiwithaayat/status/2102331859657253174"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-ultra-realistic-luxury-skincare-commercial-featuring-an-eleg-f718c3d31bff",
|
||
"title": "水花与白花环绕的奢华保湿霜",
|
||
"description": "产品广告分镜",
|
||
"image": "https://media.goodcase.ai/cases/340e096bbc62.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second ultra-realistic luxury skincare commercial featuring an elegant glass jar labeled “AQUA LUXE – DEEP HYDRATION” in a cool blue, refreshing environment. Start with a soft blue atmospheric background as gentle light rays and subtle water particles create a clean premium mood. Slowly reveal the skincare jar standing on a glossy water surface, with realistic reflections and cinematic depth of field. Gradually move the camera closer while soft highlights glide across the metallic silver lid and glass packaging. Surround the jar with smooth, silky white cream-like waves flowing gracefully around it, creating a luxurious skincare texture. Add floating water droplets and tiny bubbles moving naturally through the scene with realistic physics. Transition into a dramatic splash of crystal-clear water wrapping around the product while keeping the jar perfectly sharp and centered. Introduce delicate white flowers and fresh green leaves around the splash for a fresh hydration-inspired atmosphere. End with a beautiful hero shot of the AQUA LUXE DEEP HYDRATION jar centered against the blue background, surrounded by water droplets, flowers, and soft glowing light, with premium cinematic lighting and flawless product focus.",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aiwithmaha",
|
||
"sourceUrl": "https://x.com/Aiwithmaha/status/2101887507059351894"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-17-18-second-cinematic-fantasy-martial-arts-action-sequence-in-a-vast-53814d0d83b4",
|
||
"title": "银发剑客沙海御风决战",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/7c57f4d17507.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 17–18 second cinematic fantasy martial-arts action sequence in a vast barren desert landscape under a dramatic stormy sky.\n\nA powerful young warrior with long flowing silver-white hair wears an elegant ancient East Asian-inspired white martial-arts robe with layered flowing fabric, dark leather waist details and subtle metallic armor elements. He carries a long sword and moves with supernatural speed and precision.\n\nSHOT 1 — 0:00–0:02\nExtreme close-up / atmospheric opening. The screen begins almost completely filled with swirling beige dust and bright warm sunlight. Dust particles rush rapidly toward the camera, creating a dramatic transition. Strong cinematic motion blur, volumetric light rays, shallow depth of field.\n\nSHOT 2 — 0:02–0:04\nReveal a huge empty desert plain with a tall dark rocky formation in the background. The warrior appears in the distance, moving rapidly across the sand. His white robes and long silver hair whip violently in the wind. Camera tracks his movement with a low, cinematic perspective.\n\nSHOT 3 — 0:04–0:06\nThe warrior launches into an extraordinary martial-arts movement. He swings his sword while rotating through the air. A brilliant blue-white energy trail follows the sword, while a warm orange-golden energy arc sweeps around him. The energy should look physical and luminous, illuminating the surrounding dust.\n\nSHOT 4 — 0:06–0:09\nDynamic overhead/three-quarter camera angle. The warrior spins rapidly across the desert surface. His robe creates large flowing circular shapes. A glowing orange energy ring forms around him while blue-white energy pulses from his sword. Sand rises dramatically beneath his feet and spirals outward.\n\nSHOT 5 — 0:09–0:12\nThe camera pulls back dramatically as a gigantic dust vortex begins forming around the warrior. Thousands of particles and chunks of earth rotate through the air. The warrior remains visible in the center, surrounded by swirling blue-white and golden energy. The scale should feel enormous and supernatural.\n\nSHOT 6 — 0:12–0:14\nWide establishing shot. A massive tornado-like column of sand rises from the desert floor into the dark clouds above. The warrior is partially visible inside the vortex. Several circular disturbances and footprints/craters appear across the sand. Strong contrast between the dark storm clouds and illuminated dust.\n\nSHOT 7 — 0:14–0:16\nFast cinematic push-in through the swirling dust toward the warrior. He emerges from the vortex, sword extended outward. Blue-white energy streams from the blade like a glowing wave. His long hair and robe flow naturally in the powerful wind. Small debris flies past the camera.\n\nSHOT 8 — 0:16–0:18\nFinal heroic close/medium shot. The warrior faces the camera with a calm, intense expression while holding the sword diagonally outward. Silver-white hair moves in the wind, white robe flowing dramatically. Dust and sunlight create a glowing atmospheric background. End on a powerful cinematic freeze-like composition.\n\nVISUAL STYLE:\nEpic high-budget fantasy film, wuxia-inspired supernatural action, photorealistic characters, realistic cloth simulation, realistic hair physics, physically believable dust and debris, volumetric lighting, atmospheric perspective, dramatic storm clouds, cinematic depth of field, anamorphic lens characteristics, subtle film grain, high dynamic range, detailed skin and fabric textures, realistic environmental interaction.\n\nCAMERA:\nFast but controlled cinematic camera movement, low-angle tracking shots, overhead rotation, rapid push-ins, wide establishing shots, dynamic perspective changes, occasional motion blur during supernatural movement. Smooth professional cinematography rather than random camera shaking.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@Noor_ul_ain43",
|
||
"sourceUrl": "https://x.com/Noor_ul_ain43/status/2100085430976930255"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-missing-key-a-schoolgirl-and-a-full-on-gameplay-mission-50048532d82b",
|
||
"title": "日本高中教室钥匙任务",
|
||
"description": "游戏 UI 直播",
|
||
"image": "https://media.goodcase.ai/cases/b603084f5e65.jpg",
|
||
"mode": "video",
|
||
"prompt": "A missing key, a schoolgirl, and a full-on gameplay mission\n\nMade with Seedance 2.5 on @wavespeed_ai \n\nPrompt - 30-Second Photorealistic AAA Gameplay\n\nCreate exactly 30 seconds of photorealistic 4K AAA third-person gameplay inside a realistic Japanese high school on a bright weekday morning. The sequence should feel like a spontaneous story mission with believable movement, natural NPC behavior, realistic physics, and uninterrupted environmental continuity.\n\nCHARACTER:\n20-year-old Japanese schoolgirl with medium-length straight black hair, subtle side bangs, natural youthful facial features, white short-sleeve school blouse, navy ribbon, dark grey pleated skirt, black knee-high socks, white indoor sneakers, and a dark blue shoulder school bag. Maintain identical face, hair, body proportions, clothing, footwear, and accessories from beginning to end.\n\nOBJECT:\nA small red classroom key attached to a simple wooden key tag. The key is fully physical, metallic, reflective, and consistently sized throughout the sequence.\n\n0–5s — THE MISSING KEY\n\nInside an emptying classroom, she searches through a desk drawer and realizes the classroom key is missing. She notices the red key tag underneath a stack of worksheets near the window. She reaches for it, but a sudden gust from the open window pushes the worksheets across the desk and the key drops onto the floor.\n\nHUD: FIND THE CLASSROOM KEY\n\n5–10s — DOWN THE CORRIDOR\n\nShe picks up the key and leaves the classroom. A school announcement begins playing through the hallway speakers. She walks toward the main office while checking the key tag against a handwritten classroom number.\n\nStudents move naturally around her, some entering classrooms, others carrying books and sports bags.\n\n10–15s — WRONG TURN\n\nShe reaches an intersection and realizes she has taken the wrong corridor. She stops beside a wall map of the school and studies it briefly.\n\nA group of younger students rushes past carrying basketballs, causing her to step back against the wall. Once the corridor clears, she turns into a smaller connecting hallway.\n\n15–20s — LOCKED DOOR\n\nShe reaches a shortcut door but finds it locked. She tries the handle once, then notices a stairwell beside it.\n\nShe takes the stairs down one level. Her shoes make realistic sounds against each step while sunlight flickers across the stairwell through the tall windows.\n\nHUD: TAKE THE SHORTCUT\n\n20–26s — LAST SECOND\n\nShe exits the stairwell and reaches the classroom wing just as a staff member begins closing a large sliding partition at the end of the corridor.\n\nShe quickly walks through the remaining opening before it closes, then reaches the classroom door.\n\nShe inserts the key into the lock, turns it naturally, opens the door, and steps inside.\n\nHUD: ROOM UNLOCKED\n\n26–30s — HARD CUT\n\nHard cut to a fixed frontal classroom shot.\n\nShe places the key on the teacher's desk, removes her school bag, and sits down at her usual seat.\n\nThe teacher enters a moment later, notices the unlocked room, and gives her a brief approving look.\n\nShe quietly opens her notebook as the morning lesson begins.\n\nHUD: MISSION COMPLETE\n\nCAMERA:\nUse one grounded third-person camera from 0–26s positioned behind and slightly beside the girl. Maintain natural gameplay-style tracking with realistic camera inertia and subtle operator movement.\n\nThe camera must physically follow the character through classrooms, corridors, stairwell, and doorway. No floating camera, no orbiting shots, no sudden perspective changes, no impossible tracking, and no cuts during the first 26 seconds.\n\nAt exactly 26 seconds, perform one hard cut to the fixed frontal classroom angle.\n\nAUDIO:\nNatural Japanese school ambience: distant student conversations, footsteps, sliding classroom doors, papers moving, school announcements over speakers, stairway echoes, basketballs bouncing in the distance, door handles, key movement inside the lock, fabric movement, subtle breathing, and morning classroom sounds.\n\nNo dramatic music or action soundtrack.\n\nREALISM LOCK:\nNatural student behavior, realistic walking speed, accurate body mechanics, believable collisions, physically correct key movement, realistic wind interaction with paper, authentic Japanese school architecture, varied background activity, natural morning lighting, realistic shadows and reflections, detailed skin and hair, physically based materials, and cinematic AAA game rendering.\n\nNo teleporting, supernatural abilities, impossible shortcuts, parkour, combat, duplicated characters, disappearing objects, changing identity, changing outfit, changing key design, unrealistic physics, exaggerated acting, anime or cartoon style, plastic CGI appearance, floating camera, subtitles, logos, watermarks, or additional cuts.",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2099715492630122925"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-same-young-japanese-woman-throughout-early-20s-fair-warm-skin-natural-minimal-0c9ee9aedee9",
|
||
"title": "京都旧巷里的夏日漫步",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "/inspiration-thumbs/seedance/seedance-same-young-japanese-woman-throughout-early-20s-fair-warm-skin-natural-minimal-0c9.webp",
|
||
"mode": "video",
|
||
"prompt": "⤵️ \nSame young Japanese woman throughout—early 20s, fair-warm skin, natural minimal makeup, straight black hair in a low ponytail with side-swept bangs. Pale-pink oversized t-shirt, black high-waisted shorts, white canvas sneakers, small crossbody bag, thin gold necklace. Keep face, hair, outfit, proportions, and accessories perfectly consistent.\nSetting: Quiet old residential lane in Kyoto with narrow wooden houses, potted bonsai, a bicycle leaned against a wall, a vending machine humming on the corner, a small shrine torii gate visible down the street, overhead power lines, cicadas in the trees. Lived-in, authentic; no brands, ads, tourist crowds, or polished commercial activity.\nCamera: Raw friend-recorded early-2000s consumer DV footage—strong handheld shake, imperfect framing, autofocus hunting, exposure shifts, motion blur, faded colors, soft digital detail, mild noise, accidental zooms. No stabilization, gimbal, drone, or cinematic shots.\nTimeline:\n00:00–00:05: Steps out of a narrow wooden house, small tote bag on shoulder, adjusts her ponytail, smiles at camera, starts walking down the lane.\n00:05–00:10: Stops at the vending machine, buys a cold canned drink, opens it, takes a sip, reacts (too sweet/fizzy), laughs, holds the can toward camera.\n00:10–00:15: A small cat sitting near a doorway notices her. She crouches, holds out her hand, cat sniffs it, brushes against her leg, then wanders off.\n00:15–00:20: A gust of wind sends cherry-blossom-like leaves swirling around her, some land in her hair. She looks up, laughs, brushes them off, awkward camera zoom toward her face. She says, \"Mata?\" (\"Again?\")\n00:20–00:25: Sits briefly on a low stone step, finishes her drink while a bicycle passes and an old neighbor waters plants nearby. Breeze moves her hair and shirt; she wipes her hand and adjusts her bag.\n00:25–00:30: Walks toward the end of the lane, turns back with a playful smile, says \"Ikou.\" (\"Let's go.\") Walks around the corner; camera follows; abrupt cut to black.\nAudio: Natural location sound only—cicadas, birds, footsteps, bicycle bell, distant traffic, vending machine hum, leaves rustling, cat sounds, camera-handling noise. No music, narration, subtitles, captions, logos, watermarks, or artificial effects.\nContinuity: Realistic cat and environmental movement. No duplicated people, distorted faces, broken hands, extra fingers, teleportation, or outfit changes. Warm, casual, feminine, playful, nostalgic forgotten-summer-memory feeling.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ElsaSofia__AI",
|
||
"sourceUrl": "https://x.com/ElsaSofia__AI/status/2097281634370568317"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-hyper-realistic-cinematic-15-second-food-video-in-the-exact-glossy-ult-6f3f25cbf4e6",
|
||
"title": "爆汁生煎包的酥脆出锅时刻",
|
||
"description": "美食 ASMR",
|
||
"image": "https://media.goodcase.ai/cases/b7e548a0f7a9.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a hyper-realistic cinematic 15-second food video in the exact glossy ultra-detailed commercial style of premium Asian street-food ASMR films, with creamy soft lighting, slow-motion juice drips, rising steam and mouth-watering close-ups. \nWooden chopsticks slowly lift a plump white shengjianbao from a black iron pan, black sesame seeds and green onion on top, dough shining under warm light. The bao is torn open in dramatic slow motion as thick golden broth and juicy minced meat filling burst out, sticky amber sauce stretching and cascading downward in long glossy strands while dense white steam swirls upward. Extreme close-up of the savory meatball-like filling as golden liquid continuously drips into a white ceramic spoon, forming perfect heavy droplets. Wide shot of a cast-iron skillet packed with perfectly pleated raw baozi on a gas stove as clear water is poured in, instantly creating thick clouds of steam. Tight shots show the bottoms crisping into golden lace-like crusts while a metal spatula flips them, revealing caramelized crunchy edges. Finished baozi stacked on a blue-and-white plate, one bitten open to reveal steaming pinkish meat and sauce, chopsticks dipping it into dark soy-sesame dipping sauce. Final wide shot of the steaming plate under a warm hanging lamp on a wooden table in a cozy night kitchen, soft steam rising against a dark window with distant city lights.",
|
||
"category": "food-asmr",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2096903888813330826"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-one-continuous-12-second-9-16-ultra-photorealistic-live-action-luxury-68fb630de30b",
|
||
"title": "夕阳广场碰撞后的奢华子弹时间",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/690214d7b539.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create ONE continuous 12-second, 9:16, ultra-photorealistic LIVE-ACTION luxury fashion film. IMPORTANT REFERENCE MAPPING: REFERENCE @IMAGE1 = PRIMARY CHARACTER. Use the FIRST uploaded reference image of the woman. REFERENCE @IMAGE2 = ENVIRONMENT. Use the SECOND uploaded reference image of the square. REFERENCE @IMAGE3 = HERO OBJECT. Use the THIRD uploaded reference image of the sunglasses. Do NOT refer to these images as @Image1, @Image2 or @Image3. Use the reference images according to their upload order. CHARACTER — REFERENCE IMAGE 1 Preserve the exact woman from REFERENCE IMAGE 1 throughout the entire video: same facial identity, facial structure, natural eyes, hairstyle, body proportions, skin appearance, clothing, footwear, jewelry, accessories and overall appearance. Do not copy the original background from REFERENCE IMAGE 1. The protagonist is the ONLY main character. ENVIRONMENT — REFERENCE IMAGE 2 Use REFERENCE IMAGE 2 only for visual language: architecture, atmosphere, warm sunset lighting, materials, monumental scale and cobblestone character. Create a NEW believable cinematic pedestrian space inspired by it. Do NOT reproduce its exact composition, exact camera angle or exact street layout. Provide enough open pedestrian space for natural walking and the collision. Respect real-world spatial logic: pedestrians remain in pedestrian areas, architecture has realistic scale and perspective, no impossible geometry. HERO OBJECT — REFERENCE IMAGE 3 The sunglasses shown in REFERENCE IMAGE 3 are the ONE and ONLY HERO OBJECT. Preserve their recognizable: shape, proportions, oversized shield silhouette, dark continuous lens, thin metallic/gold frame, temples, hinge construction, surface details, colour and material. The SAME physical sunglasses must remain recognizable: when worn by the protagonist, when released, during bullet-time macro inspection, and after landing. Do not redesign, replace, duplicate or regenerate the sunglasses. EXACT OBJECT COUNT Exactly: ONE protagonist. ONE secondary passing person. ONE Labrador. ONE leash. ONE pair of sunglasses from REFERENCE IMAGE 3. ONE takeaway paper coffee cup. ONE plastic drinking lid. ONE silver-grey OPEN clamshell flip phone. No duplicate objects or people. PERSISTENT PHONE There is exactly ONE phone in the entire video. It is a compact early-2000s silver-grey OPEN clamshell flip phone. Upper half: small illuminated display and speaker. Lower half: physical numeric keypad, navigation buttons and microphone. Visible central mechanical hinge. LOCK its appearance throughout: same silver-grey colour, same dimensions, same thickness, same hinge, same display, same keypad, same buttons, same open angle. The same phone is seen in wide, medium and macro shots. It never transforms into another phone. PERSISTENT COFFEE Exactly ONE medium disposable PAPER coffee cup with ONE lightweight plastic drinking lid and dark coffee inside. Same cup, same lid, same coffee and same proportions throughout. Before collision the lid is properly attached. Coffee remains inside until a real physical opening appears. HAND OWNERSHIP Before collision: RIGHT HAND = ONE OPEN flip phone held to the RIGHT ear. LEFT HAND = ONE coffee cup. Sunglasses = naturally worn by the protagonist. After collision: RIGHT HAND = COMPLETELY EMPTY. LEFT HAND = COMPLETELY EMPTY. Nothing replaces the phone or cup. Nothing remains attached to either palm. 0.0–2.0s — CINEMATIC CHARACTER REVEAL Begin with an extreme low close-up of the protagonist’s black leather heeled boots walking naturally across the pedestrian space. Camera performs ONE elegant continuous movement: smooth crane upward + gentle backward tracking. Reveal progressively: boots → legs → ripped light-blue baggy jeans → black corset → white tank top → jewelry/accessories → sunglasses → face → nearly full body. The protagonist wears the SAME sunglasses from REFERENCE IMAGE 3. She holds the SAME OPEN silver-grey flip phone to her RIGHT ear and the SAME coffee cup in her LEFT hand. She is actively having a phone conversation. Show subtle realistic speech: natural lip movement, jaw movement and mouth articulation. Maintain exact identity from REFERENCE IMAGE 1. Premium live-action fashion cinematography. 2.0–3.7s — WALKING / SECONDARY PERSON Maintain smooth frontal tracking. The protagonist continues walking naturally through the pedestrian area. Exactly ONE secondary person approaches from the opposite direction. That person holds exactly ONE leash attached to exactly ONE Labrador. The Labrador walks slightly ahead and gently pulls the person forward. They remain background/supporting elements. Maintain: stable protagonist identity, stable hairstyle, stable clothing, stable sunglasses, same phone, same coffee. 3.7–4.4s — ACCIDENTAL COLLISION As they pass each other, the secondary person’s ELBOW accidentally clips the protagonist’s arm/upper torso. Small, accidental, believable contact. The protagonist naturally recoils backward. This SAME collision causes THREE physical release events. SUNGLASSES The sunglasses from REFERENCE IMAGE 3 receive ONE short realistic outward impulse. They separate naturally from the protagonist’s face. They travel only a short physically believable distance. They do NOT fly toward the camera. COFFEE The SAME coffee cup leaves the LEFT hand. It receives one short outward/downward rotational impulse. The cup tilts and rotates. Because of the rotation and liquid inertia, ONE EDGE of the lightweight plastic lid partially pops loose from the cup rim. The lid does not disappear and does not explode away. A real physical gap forms between lid and rim. ONLY THEN does dark coffee begin escaping through this opening. Initial liquid movement is restrained. PHONE The SAME OPEN clamshell phone leaves the RIGHT hand. It receives one short outward/upward impulse. It keeps the SAME open angle and physical design. The instant it separates from the fingers: RIGHT HAND = EMPTY. The instant the cup separates: LEFT HAND = EMPTY. FACE / HAIR CONTINUITY Preserve the exact face from REFERENCE IMAGE 1 during the entire collision. The natural human eyes already exist behind the sunglasses. When the sunglasses separate, reveal the SAME normal eyes: stable pupils, eyelids, gaze direction, brows, nose, cheekbones and facial symmetry. Do not regenerate or alter the face. Hair remains stable with only subtle realistic inertia. No sudden hairstyle change. 4.4–5.2s — BULLET-TIME ESTABLISHMENT Time decelerates dramatically to approximately 2–3% normal speed. DO NOT immediately go into macro. FIRST show a clear medium-wide frozen view of the entire accident. The protagonist is beginning to fall backward. BOTH HANDS ARE EMPTY. Establish fixed WORLD-SPACE anchors: • sunglasses suspended near their release position; • coffee cup suspended lower and toward the LEFT-hand release side; • partially detached lid still connected to or immediately beside the cup; • restrained coffee beginning to escape through the opening; • OPEN flip phone suspended toward the RIGHT-hand release side. Objects move only microscopically. They do NOT move toward the camera. The CAMERA is the main moving element. 5.2–6.8s — SUNGLASSES HERO INSPECTION The sunglasses remain almost completely stationary at their existing world-space position. CAMERA physically dollies toward them. The sunglasses become larger ONLY because the camera gets closer. Once close, slow the camera dramatically. HOLD. Perform a restrained 20–30 degree camera orbit/parallax around the almost-stationary sunglasses. Reveal: dark shield lens, thin metallic/gold frame, temples, hinges, edges, material thickness, surface reflections, tiny manufacturing details. Use shallow photographic macro depth of field. The protagonist and sunset environment remain softly recognizable in the background. The sunglasses must look like a real luxury fashion accessory photographed with a macro cinema lens, NOT CGI product animation. Complete the inspection before moving away. 6.8–8.3s — COFFEE / LIQUID INSPECTION Only after completing the sunglasses inspection, the CAMERA leaves them at their existing world-space position. Travel diagonally through the frozen scene toward the SAME coffee cup. THE CUP DOES NOT MOVE TOWARD THE CAMERA. Hold a photographic macro close-up. Show: same paper cup, same lightweight plastic lid, ONE partially detached lid edge, clear physical gap, dark coffee escaping ONLY through that gap. Real restrained liquid physics: thin irregular stream, imperfect liquid sheet, several differently sized droplets, realistic surface tension, natural reflections. No explosive splash. No decorative CGI liquid. No perfect artificial shapes. Coffee advances only microscopically during bullet time. Perform a small restrained lateral/parallax camera movement around the cup, lid and droplets. HOLD long enough to see paper texture, plastic texture, liquid thickness and individual droplets. 8.3–9.8s — FLIP PHONE INSPECTION Only after coffee inspection, the CAMERA travels away from the cup. The cup, lid and droplets remain at their existing world-space positions. CAMERA moves through the same frozen scene toward the SINGLE OPEN silver-grey clamshell phone. THE PHONE DOES NOT MOVE TOWARD THE CAMERA. First establish the complete phone silhouette: same silver-grey housing, same upper display, same lower keypad, same central hinge, same open angle. Then CAMERA physically approaches the existing upper display. Extreme photographic macro close-up. The illuminated display reads: BOSS with one small realistic phone number underneath. HOLD. Show: real housing material, hinge, keypad texture, small scratches, surface wear, screen reflections. The phone does NOT transform to reveal its screen. It is the SAME phone seen from the beginning. The protagonist’s RIGHT HAND remains completely EMPTY in the background. 9.8–10.4s — COMPLETE FROZEN TABLEAU After phone inspection, CAMERA performs a fast but perfectly smooth dolly backward. All objects remain at their existing world-space positions. Reveal: same protagonist falling backward, both hands empty, same sunglasses, same coffee cup, same partially detached lid, same suspended coffee droplets, same OPEN flip phone, exactly one secondary person, exactly one Labrador. All positions must remain spatially consistent with the original collision and release trajectories. No object follows the camera. No object teleports. No object regenerates. Brief HOLD on the complete frozen tableau. 10.4–12.0s — TIME RETURNS / PHYSICAL PAYOFF Time suddenly snaps back to normal speed. Gravity and existing momentum resume simultaneously. Every object continues FROM ITS EXISTING WORLD-SPACE POSITION. The protagonist completes her backward fall naturally. The sunglasses continue from their suspended position and land according to their existing momentum and gravity. The coffee cup continues from its own separate position, impacts the cobblestone ground, the partially detached lid reacts naturally, and remaining coffee spills irregularly through the real opening and impact point. The OPEN flip phone continues from its own separate position, hits the ground and makes ONE small physically believable bounce. Objects land at DIFFERENT plausible locations. They do NOT suddenly converge beside the protagonist. CAMERA rapidly tilts/drops toward ground level to follow the final impacts. Finish with a cinematic low-angle composition showing the fallen protagonist and the scattered objects within the same believable sunset environment. Hard cut. BULLET-TIME CAMERA RULE — NON-NEGOTIABLE BULLET TIME = ALMOST-FROZEN PHYSICAL WORLD + FREELY MOVING CAMERA. Objects stay in WORLD SPACE. Camera moves through WORLD SPACE. Close-up is created ONLY by reducing camera-to-object distance. Never: move objects toward the lens, artificially enlarge objects, teleport objects, regenerate macro versions. STRICT CAMERA ROUTE: FULL FROZEN TABLEAU → CAMERA DOLLIES TO SUNGLASSES → HOLD → 20–30° CAMERA ORBIT → CAMERA TRAVELS TO COFFEE → HOLD → SMALL CAMERA PARALLAX → CAMERA TRAVELS TO PHONE → ESTABLISH COMPLETE PHONE → MOVE TO DISPLAY → HOLD → CAMERA DOLLIES BACK TO COMPLETE TABLEAU → TIME RETURNS CONTINUITY / CAUSALITY Wide shot → medium shot → macro shot = SAME physical object viewed from different camera distances. Sunglasses: same object, same design, same trajectory, same world-space identity. Coffee: same cup, same lid, same coffee, same rotation, same world-space identity. Phone: same open clamshell phone, same housing, hinge, keypad, display, open angle and world-space identity. Every visible change must have a physical cause. Collision causes recoil. Collision momentum separates sunglasses. Finger release changes phone position. Hand release + collision momentum rotates cup. Cup rotation/liquid inertia partially opens lid. Coffee escapes only through the physical gap. Camera movement creates apparent object scale. Gravity resumes final fall. Treat the entire sequence as ONE continuous practical-effects event photographed with a motion-control cinema camera. IDENTITY / PROP LOCK ONE protagonist. ONE secondary person. ONE Labrador. ONE leash. ONE pair of sunglasses. ONE coffee cup. ONE lid. ONE OPEN flip phone. Before collision: RIGHT HAND = phone. LEFT HAND = coffee. Sunglasses = worn. After collision: RIGHT HAND = EMPTY. LEFT HAND = EMPTY. Sunglasses = separated. No second phone. No second cup. No second sunglasses. No additional dog. No additional person. No unexplained props. No duplication. No teleportation. No unexplained scale changes. VISUAL PRIORITY 1. exact protagonist identity from REFERENCE IMAGE 1 2. natural eyes and facial anatomy 3. stable hairstyle and body proportions 4. exact clothing and accessories 5. exact sunglasses from REFERENCE IMAGE 3 6. stable phone geometry 7. empty hands after release 8. continuous physical trajectories 9. realistic environment inspired by REFERENCE IMAGE 2 PHOTOGRAPHIC REALISM Ultra-photorealistic LIVE-ACTION. High-budget international luxury fashion campaign. Real human anatomy. Natural skin pores. Natural facial micro-expressions. Detailed realistic hair. Real manufactured sunglasses. Real paper cup. Real plastic lid. Real liquid coffee. Real early-2000s flip phone. Real object mass, inertia, gravity, momentum and surface tension. ARRI Alexa 35 cinematic character. Premium cinema optics. Motivated sunset lighting inspired by REFERENCE IMAGE 2. Controlled highlights. Natural skin tones. Realistic optical depth of field. Shallow macro depth of field during object inspections. Subtle 35mm film texture. Restrained luxury editorial colour grade. Natural colours. Sharp optical clarity. Cinematic photographic texture. Bullet-time must feel like REAL high-speed practical photography with a motion-control cinema camera, NOT CGI product animation. 4K / Ultra HD. Maximum facial detail. Maximum hair detail. Maximum material fidelity. Stable identity. Stable geometry. Stable prop continuity.",
|
||
"sourceId": "seedance",
|
||
"credit": "@oggii_0",
|
||
"sourceUrl": "https://x.com/oggii_0/status/2095410797837226221"
|
||
},
|
||
{
|
||
"id": "seedance:ciri-ai-seedance-ai-b695c8946a86",
|
||
"title": "韩国夜市街头美食旅行随拍",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/d0e3772d205d.jpg",
|
||
"mode": "video",
|
||
"prompt": "FORMAT: 30 seconds | 16:9 | Ultra-photorealistic live-action | Continuous handheld vacation vlog\n\nPreserve the exact face, hairstyle, identity, skin tone, facial features, and body proportions from <<<image_1>>> throughout the entire video. The same woman must appear consistently in every shot.\n\nVISUAL STYLE: Authentic late-2000s personal vacation vlog recorded on a cheap handheld flip camera. Extremely raw and imperfect footage. Heavy natural camera shake, awkward handheld framing, occasional partial face crops, sudden reframing, autofocus hunting, exposure fluctuations, blown highlights, slightly soft image quality, warm faded colors, mild digital noise, compression artifacts, and subtle motion blur. No cinematic camera movements, no gimbal stabilization, no polished composition, no modern color grading, no beauty filter, no artificial sharpness.\n\nOutfit: oversized cream knit cardigan over a plain black turtleneck, straight-leg dark denim jeans, white low-top sneakers, small silver hoop earrings, hair down straight with a loose scarf tied around the neck. The entire video must feel like one genuine recording captured by a friend while traveling through a real neighborhood in Busan, South Korea, not a staged commercial or cinematic recreation.\n\n00:00–00:04 — EVENING ARRIVAL\nThe woman walks down a narrow alley near Gwangjang Market, string lights and steam rising from nearby carts, camera bouncing slightly behind her.\nShe glances back at the camera and says:\n\"Okay, I heard this market has the best street food in Busan!\"\n\n00:04–00:08 — THE FOOD STALLS\nShe arrives at a bustling street food stall lined with sizzling bindaetteok (mung bean pancakes) on a huge flat griddle.\nThe camera zooms in shakily on the pancakes frying, focus hunting between the food and her face.\nShe reacts with wide eyes and says:\n\"Look at the size of that pancake!\"\n\n00:08–00:12 — FIRST BITE\nThe vendor hands her a hot bindaetteok wrapped in paper.\nShe blows on it quickly, takes a bite, chews, eyes light up.\nShe turns to the camera and says:\n\"Oh my gosh, that's so crispy and good!\"\nA faint laugh comes from the camera operator behind her.\n\n00:12–00:16 — CHATTING WITH LOCALS\nShe sits on a small plastic stool at a crowded street counter beside two older local women.\nThey chat animatedly, gesture at the food, and laugh together.\nShe tries to repeat a Korean phrase they teach her, gets it slightly wrong, and everyone laughs warmly.\n\n00:16–00:20 — TRYING TTEOKBOKKI\nA vendor stirs a huge vat of bright red tteokbokki nearby.\nShe steps over, picks up a small paper cup sample with a wooden skewer, tastes it, and her face scrunches from the spice.\nShe fans her mouth and says:\n\"Wow, that's spicier than I expected!\"\nThe vendor and nearby customers laugh at her reaction.\n\n00:20–00:24 — WALKING THE MARKET\nShe strolls further through the market, passing glowing food carts, hanging lanterns, and busy shoppers.\nA few vendors call out greetings; she waves back, holding her half-eaten pancake.\nThe camera swings briefly toward the lively stalls before swinging back to her.\n\n00:24–00:27 — QUIET MOMENT\nShe stops near a quieter corner of the market where steam drifts up from a soup cart.\nFor a moment there's no dialogue — just distant chatter, clinking bowls, and sizzling oil.\nShe smiles softly and says:\n\"This is exactly the kind of night I was hoping for.\"\n\n00:27–00:30 — NATURAL ENDING\nShe starts walking away, then turns back toward the camera with a playful grin.\n\"Okay, street food mission complete. See you next time!\"\nShe laughs, turns, and keeps walking into the market crowd.\nThe camera lingers for a brief moment before the footage naturally ends with a slight shake and imperfect cut.\n\nAUDIO\nNatural location sound only:\n- sizzling griddles and frying oil\n- vendors calling out orders\n- market chatter and haggling\n- clinking bowls and utensils\n- distant K-pop or trot music faintly playing from a shop speaker (ambient only, not soundtrack)\n- footsteps on pavement\n- light evening breeze\n- distant traffic\n- natural human laughter\n- subtle camera handling sounds\n\nNo intentional background music track — only naturally occurring ambient sound from the environment.\n\nSTRICT NEGATIVE REQUIREMENTS\nNo cinematic glamour.\nNo studio lighting.\nNo professional camera movement.\nNo gimbal stabilization.\nNo drone shots.\nNo slow motion.\nNo dramatic lens flares.\nNo modern vlog aesthetic.\nNo perfect framing.\nNo artificial acting.\nNo beauty retouching.\nNo face changes.\nNo identity drift.\nNo hairstyle changes.\nNo outfit changes.\nNo subtitles.\nNo captions.\nNo logos.\nNo watermarks.\n\nThe final result should look like a real, slightly imperfect Korean vacation vlog recorded on a consumer flip camera around 2008–2009, with genuine human reactions, spontaneous interactions, imperfect framing, and the feeling that nothing was rehearsed.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
|
||
"sourceUrl": "https://x.com/Ciri_ai/status/2091842148970996054"
|
||
},
|
||
{
|
||
"id": "seedance:avelyrahnai-seedance-ai-5e3abf0d4710",
|
||
"title": "街头少女变身机甲迎战巨兽",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/avelyrahnai-seedance-ai-5e3abf0d4710.jpg",
|
||
"mode": "video",
|
||
"prompt": "Scene Setup: A cinematic tracking shot of a young woman with dark hair, wearing wireless headphones and a white tank top, walking down a bustling, wet-paved European city street while looking at her smartphone.\n\nThe Threat: She stops and looks up toward the historic stone building rooftops as a terrifying, massive demonic creature with large curved horns and glowing eyes emerges and roars.\n\nThe Transformation: She pulls off her headphones as radiant golden digital energy flows across her body, transforming her casual clothes into an advanced white and black tactical mech suit with glowing yellow core accents and a sleek helmet.\n\nAction & Combat: The armored mecha hero activates powerful shoulder rocket thrusters, blasting off the ground into flight down a chaotic, smoke-filled urban street to battle the towering monsters with fiery energy blasts.\n\nAesthetics: High-end blockbuster movie style, photorealistic textures, dramatic cinematic lighting, dynamic camera motion, and 8k resolution",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@AvelyrahnAI",
|
||
"sourceUrl": "https://x.com/AvelyrahnAI/status/2090083594622435553"
|
||
},
|
||
{
|
||
"id": "seedance:case-365f2a3615b1",
|
||
"title": "韩国城市公交站偶遇",
|
||
"description": "一个逼真的真人实拍提示词,描绘了一名男子在黄昏时分的韩国城市帮助一名女子赶上公交车的场…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-365f2a3615b1.jpg",
|
||
"mode": "video",
|
||
"prompt": "Photorealistic live-action Korean city scene at dusk, with exactly two adult Korean characters. Preserve Seolran and Mujin’s exact faces, hairstyles and natural body proportions from the provided character references, but dress them in realistic casual everyday clothes: Seolran in a light beige cardigan, simple white top, relaxed blue jeans and sneakers; Mujin in a dark casual jacket, plain grey T-shirt, black pants and sneakers.\n\nMujin is already waiting alone at a quiet city bus stop with a backpack, checking the road. A realistic city bus arrives and stops. He boards normally, finds a seat near the window, and the bus begins moving away. A few seconds later, Seolran appears in the distance running toward the bus, clearly late and trying to catch it. The bus has already started moving slowly, so she runs after it while waving toward Mujin. Mujin notices her through the window, immediately gets up, moves toward the front door and signals the driver to stop. The bus slows and the door opens again. Mujin steps down slightly, reaches his hand toward Seolran, and she grabs his hand while still catching her breath. He firmly but naturally pulls her onto the bus, without aggression or exaggerated movement. She quickly steps inside, breathless and relieved, while he gives her a small amused smile. The doors close and the bus drives away.\n\nUse exactly 7 distinct realistic shots: 1) wide shot of Mujin waiting at the bus stop, 2) medium shot as the bus arrives and he boards, 3) interior window shot showing the bus beginning to leave, 4) long street shot revealing Seolran running after the departing bus, 5) handheld interior shot of Mujin noticing her through the window, 6) close exterior shot of Seolran reaching his hand and Mujin pulling her aboard, 7) final interior shot of both standing near the door as the bus drives through the evening city.\n\nMake it look like genuine real-world smartphone footage: natural dusk lighting, realistic bus movement and braking, authentic street ambience, engine noise, footsteps, running sounds, breathing, fabric movement, imperfect handheld camera shake, subtle autofocus shifts, realistic motion blur, natural facial expressions and believable physical interaction. The bus must move at realistic speed and stop naturally. The hand-holding and pulling motion must have correct anatomy, realistic weight and balance. No school elements, no uniforms, no dramatic stunt movement, no slow motion, no music, no subtitles, no logos, no watermarks, no CGI, no exaggerated acting, no extra limbs, no distorted hands, no impossible physics. The entire scene should feel like an ordinary spontaneous moment captured in real life.",
|
||
"category": "cinematic-narrative-short",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2091103923440328783"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-realistic-ugc-video-of-a-young-woman-casually-showcasing-the-lumio-cam-0ef5b6b6aeb9",
|
||
"title": "城市漫游中的LUMIO相机体验",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-realistic-ugc-video-of-a-young-woman-casually-showcasing-the-lumio-cam-0.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a realistic UGC video of a young woman casually showcasing the LUMIO camera while exploring the city. She talks naturally about its compact design, lens, focus and image quality while capturing different everyday moments from creative angles. Include a mix of lifestyle footage and a few glimpses of the photos she takes. Keep the LUMIO branding clearly visible on the camera.\nStyle: authentic creator content, handheld smartphone feel, natural lighting, realistic expressions and premium photography aesthetic.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2104895614412837085"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-arman-exact-same-identity-throughout-334c97a3dc2f",
|
||
"title": "赤焰枪手突袭战场",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/50f3546b5a07.jpg",
|
||
"mode": "video",
|
||
"prompt": "Duration: 20s (2×10s)\nFormat: 16:9 | 24fps\nStyle: Photorealistic live-action Japanese action blockbuster, IMAX cinematography, grounded realism, realistic weapons, smoke, ash, debris, natural motion blur and physical impacts.\n\nCONTINUITY LOCK\n\n- Arman = exact same identity throughout.\n- Dual pistols remain permanently assigned to each hand.\n- Same burned battlefield at 5:00 AM blue hour.\n- Same active tactical army.\n- Direct continuity between both scenes.\n\nGOD SPEED LOCK\n\nNo teleportation. Explosive acceleration with clear movement paths. Bright yellow eyes. Dark crimson aura. Controlled manic smirk.\n\nSCENE 1 — HUNT\n\nArman advances through the battlefield as enemies converge. A rushing attacker swings; Arman evades and drives an elbow into his chin, launching him into debris. Without stopping, Arman pins the enemy and fires three shots. Crimson aura intensifies. God Speed activates. Arman blasts across the battlefield into another enemy cluster, launches into a high jump and unleashes a dual-pistol barrage while airborne. Enemies are scattered and defeated. Final frame: side-profile close-up of Arman's smirk, glowing yellow eyes and crimson aura.\n\nSCENE 2 — CLOSE-COMBAT BREAKTHROUGH\n\nContinue directly from Scene 1. Arman descends while firing both pistols. He lands inside a group of enemies and immediately enters relentless close-quarters combat using cross-fire, pivots, shoulder checks, evasive movement and point-blank shots. Enemy pressure increases from all sides. God Speed activates again, launching Arman through smoke and debris into another formation. He reappears inside the enemy ranks, fires in opposite directions, breaks through the formation and charges directly toward a massive incoming army. End mid-charge.\n\nAUDIO\n\nNo music. Battlefield ambience, footsteps, tactical gear, gunfire, impacts, debris, breathing, restrained laughter, enemy Japanese shouts and God Speed acceleration.\n\nNEGATIVE\n\ncartoon, anime, game graphics, glossy CGI, plastic skin, AI faces, weapon swapping, duplicated pistols, teleportation, frozen poses, repetitive attacks, graphic gore, daylight, hero poses, dead frames, unwanted pauses.",
|
||
"sourceId": "seedance",
|
||
"credit": "@itxsarmadd",
|
||
"sourceUrl": "https://x.com/itxsarmadd/status/2104536535370457576"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-beautiful-korean-girl-walking-calmly-through-a-realistic-modern-school-hallwa-a05c36559178",
|
||
"title": "少女淡定穿行蒙面人校园走廊",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/33b03f920be7.jpg",
|
||
"mode": "video",
|
||
"prompt": "A beautiful Korean girl walking calmly through a realistic modern school hallway, wearing a soft cream-colored turtleneck sweater and elegant pleated skirt, with her brown hair tied in a neat bun and natural bangs framing her face. The hallway is filled with cinematic depth, warm indoor lighting, lockers, classroom doors, and subtle background activity. As she walks forward, several mysterious masked figures move around her in slow motion, creating a surprising action-movie atmosphere while she remains calm and focused. Papers, small objects, and a few flying elements move naturally through the air around her, adding dynamic motion to the scene. The camera smoothly tracks backward in front of her, gradually moving from a medium shot into a close-up while maintaining strong facial consistency and realistic expressions. Her hair and clothing respond naturally to the movement and airflow, with realistic physics and detailed textures. Use cinematic Korean drama aesthetics, photorealistic skin, soft warm color grading, shallow depth of field, natural shadows, smooth camera movement, and high-detail realistic cinematography. Keep the character’s face, hairstyle, outfit, and identity consistent throughout the entire 15-second video, with no distortion, flickering, extra fingers, unwanted text, or watermark.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaayat",
|
||
"sourceUrl": "https://x.com/aiwithaayat/status/2103422559417217260"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-photorealistic-aaa-third-person-action-adventure-gameplay-vi-b1237ef456f0",
|
||
"title": "女探险家勇闯海岛遗迹",
|
||
"description": "游戏 UI 直播",
|
||
"image": "https://media.goodcase.ai/cases/a1590102d56c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second photorealistic AAA third-person action-adventure gameplay video, 16:9, resembling real playable Unreal Engine 5 footage, not a cinematic trailer.\n\nPROTAGONIST — STRICT CONSISTENCY:\nYoung Korean female explorer, mid-20s, natural oval Korean face, dark almond eyes, long dark hair in a low ponytail, athletic realistic build. Same face and body throughout. She wears a burgundy-red sleeveless utility jacket, charcoal long-sleeve shirt, olive cargo pants, rugged boots, climbing gloves, tactical backpack, rope/carbiners, silver magnetic bracelet on right wrist, and curved blade at right hip. Realistic dirt, cloth, hair, and physics.\n\nCAMERA & STYLE:\nNormal third-person player-controlled camera behind/slightly above her. Natural movement, realistic animation, shadows, materials, physics, lighting, and environmental interaction. No cinematic camera sweeps, slow motion, excessive DOF, lens flare, title cards, logos, subtitles, or watermark.\n\nGAMEPLAY SEQUENCE\n\n1. Abandoned Settlement\nShe enters a ruined island settlement with overgrown stone buildings, broken walkways, boats, cliffs, and a distant watchtower. HUD: “Investigate the Abandoned Settlement.”\n\n2. Traversal\nShe climbs platforms and ledges, runs across a beam, jumps a gap, and reaches the watchtower route. Show stamina usage. HUD: “Reach the Abandoned Watchtower.”\n\n3. Hidden Mechanism\nShe discovers a cracked stone wall, activates an ancient mechanism, and opens a hidden underground entrance. Interaction prompt: “Investigate.”\n\n4. Ancient Lift Puzzle\nIn a huge underground chamber, she uses her magnetic bracelet to move metal counterweights onto the correct tracks. Ancient conduits activate and the stone lift starts moving. HUD: “Restore the Ancient Lift.”\n\n5. Boss Fight\nThe lift reaches a temple chamber where a massive stone-and-bronze guardian awakens. She draws her curved blade and fights. HUD: “Defeat the Ruin Sentinel.” Enemy health bar and lock-on indicator appear.\n\n6. Weak Point Mechanic\nGuardian attacks → she dodges → uses the magnetic bracelet to pull off damaged armor → glowing weak point exposed → she strikes it with her blade → boss health decreases. Clearly show DODGE → MAGNET → WEAK POINT → ATTACK gameplay.\n\n7. Flood Escape\nAncient pipes rupture and water floods the chamber. HUD: “Escape the Flooded Chamber.” She runs, jumps broken floors, avoids falling debris, climbs a wall, and reaches the surface.\n\n8. New Mission\nShe reaches a rocky overlook above the ruined island. A mysterious ancient sky temple is visible beyond the mountains. HUD: “Mission Complete: Reach the Surface.” Then: “Investigate the Sky Temple.” She walks toward the new objective, clearly transitioning into the next playable mission.\n\nFINAL REQUIREMENTS:\nSame woman, outfit, face, hairstyle, equipment, environment, and visual quality throughout. Prioritize playable gameplay readability over cinematic beauty. Photorealistic UE5 quality, realistic physics and animation, functional minimal HUD, no gore, no dialogue captions, no logos, no watermark.",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@SimplyAnnisa",
|
||
"sourceUrl": "https://x.com/SimplyAnnisa/status/2101180666205577408"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-use-image1-as-highest-priority-reference-for-haneul-87857bb7ac9c",
|
||
"title": "女主播直播金库劫案逃亡",
|
||
"description": "游戏 UI 直播",
|
||
"image": "https://media.goodcase.ai/cases/e750151cbe91.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use Image1 as, highest-priority reference for HANEUL. Preserve her exact, proportions, skin tone, black blunt-bang short hair, piercings, body type, outfit, accessories, lighting, camera angle, and real streaming setup. She must look like the same real adult Korean woman not stylized, plastic, anime, 3D, duplicated, or face-swapped.\n\nCreate a strictly 30-second, 16:9 1080p realistic open-world crime-action gameplay livestream, fictional characters/vehicles/setting only. One continuous unbroken take, no cuts, transitions, scene changes, subtitles, narration, or full-screen facecam.\n\nFixed layout: gameplay throughout; square 1:1 neon pink-blue facecam bottom-right, never moving/resizing; HANEUL only inside facecam. English-only scrolling chat lower-left with usernames: orri, Joseph, New York Robots, Christopher Clark, Wavers, STOK, Andrea Brown. Fixed HUD: health/armor bottom-left, weapon + ammo beside facecam, cash counter, minimap top-right with GPS route + exactly 2 red guard blips, wanted stars top-center.\n\nGameplay: one female player in dark hoodie/jeans with neck bandana, compact pistol, exactly two armed navy-uniform security guards. No other armed characters; background police cars only during escape. Player takes real damage and remains low-health.\n\n0–5s: crouched in vault while drill finishes, sparks; 0 stars. HANEUL eyes clearly open/focused, natural blinking only. Korean: “Come on... almost through.” Chat: “orri: drill % rising”, “Joseph: keep it quiet.”\n\n5–11s: vault opens → cash grabbed → alarm flashes → two guards approach and fire. Player is visibly grazed, flinches, health drops, wanted level becomes 1. HANEUL sharply widens eyes, gasps, briefly lifts hands. Korean: “Whoa, they found us!” Chat: “STOK: GUARDS INCOMING”, “Andrea Brown: SHE GOT HIT”.\n\n11–19s: intense reckless firefight. HANEUL immediately resumes frantic keyboard/mouse input, eyes wide. Player fires one-handed while holding cash; guards actively flank/fire; glass shatters, metal boxes dent, player takes cover and returns fire. Ammo: 16/48 → 10/48, wanted level 2. Korean: “Don't die! Get them off me!” Chat rapidly scrolls: “Joseph: WATCH THE PILLAR GUY”, “orri: 2 stars already”, “Wavers: FINISH THEM AND RUN”.\n\n19–23s: player fires exactly four decisive shots, each with visible hit reaction: first guard hit, second hit, first collapses, second staggers then falls. Ammo: 10/48 → 8/48 → 6/48 → 4/48. Both guards remain down. Chat: “STOK: BOTH GUARDS DOWN”, “Andrea Brown: GRAB THE REST AND GO”.\n\n23–30s: player grabs final cash, sprints to alley, enters getaway car, smoothly shifts to chase-cam without a cut. Two police cruisers pursue. Car clips trash can, crosses traffic slows police, reaches busy avenue. Health stays flashing red, wanted level stays 2 stars, cash stays increased. HANEUL leans forward, eyes visible and tense, drives while gripping mouse/controls. Korean: “Go, go! We got it, just get us out — we're not clear yet!” Chat: “New York Robots: LOSE THE COPS”, “Christopher Clark: stars haven't dropped”. Final frame remains wanted with police lights behind; no capture, death, clean-escape message, or end title.\n\nAbsolute: exactly 1 HANEUL, 1 player, 2 guards; no duplicates; no weapon switching; guards always armed; realistic synchronized gameplay/facecam reactions; no prolonged closed eyes; no gore; wanted stars remain through final frame.",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2101176910244139187"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-high-end-3d-anime-action-30-seconds-24fps-ultra-sharp-no-watermar-cdb929885bab",
|
||
"title": "全息竞技场双刃对决",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/cases/83f7c59fb471.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic high-end 3D anime action, 30 seconds, 24fps, ultra sharp, no watermark, no logo, no text overlay.Two fighters in a vast teal holographic arena: glowing grid floor, fog, tall white marble pillars, a single vertical cyan light beam in the center.Girl: silver-lavender hair with a pink bow, fierce cute face, white tech sports outfit with a small cat graphic and teal trim, white cyber boots with pink/cyan lights. She dual-wields a massive white greatsword with glowing cyan circuit lines.Opponent: fox-eared white-and-gold cracked helmet with one glowing red eye, long black-and-white hair, green varsity jacket over a white crop top, brown plaid mini skirt, white mechanical legs, jet thrusters on the boots. She fights with a flaming gold katana.\n\n0–4s: low-angle start. Girl charges across the wet teal grid, sword huge in foreground, cyan foot trails. They clash — cyan blade vs gold fire katana, sparks and orange embers.\n\n4–8s: close-up lock. Blades grind, helmet visor cracks, cyan targeting grid flashes across both faces. Girl snarls. Opponent jet-jumps overhead, spinning with a flaming slash.\n\n8–14s: they leap onto two facing marble pillars, then sprint and kick off the same giant white pillar mid-air. Speed-line camera. They land on one cube platform and trade brutal punches and sword hits, motion blur, sparks.\n\n14–20s: both drop and sprint low toward camera, blades dragging the floor, a bright spark line between them. Smash cut to mid-air chase around the cyan beam — girl running with the long sword, opponent flipping above with the katana.\n\n20–25s: brief monochrome flash, then they race side by side through rain-streak motion. High kick from the girl hits the helmet in a gold-white burst. Wide shot: both stand on opposite glowing rings, weapons raised, gold sparkles falling.\n\n25–30s ENDING (same as original): overhead crane shot as they dash into the center. Floor cracks like glass. Extreme close clash — cyan vs gold, shards flying, visor splitting. White-out flash. Arena explodes outward: marble cubes, teal glass, smoke and a huge gold-white blast filling the frame. No logo. Hold the explosion.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2099736869437313431"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-15-second-ultra-realistic-live-water-game-show-scene-ad357b3bb052",
|
||
"title": "水上闯关决胜前意外落水",
|
||
"description": "运动极限",
|
||
"image": "https://media.goodcase.ai/cases/c24bcd06701e.jpg",
|
||
"mode": "video",
|
||
"prompt": "15-Second Ultra-Realistic Live Water Game Show Scene\n\nCreate a high-energy live television water game show, filmed like a premium international sports-entertainment broadcast. A confident young female contestant competes on a huge outdoor obstacle course above a massive swimming pool. Large audience stands, other contestants, cheering, dramatic stadium lighting, multiple broadcast cameras, realistic water physics, and authentic live-TV atmosphere.\n\n0–3 sec — Game 1:\nShe races across floating platforms, jumping quickly from one platform to another while the audience and contestants cheer. She nearly slips but regains balance and reaches the checkpoint.\n\n3–6 sec — Game 2:\nShe immediately faces a rotating obstacle and carefully times her movement, ducking under the spinning bar and climbing over a wet ramp. She lands safely, visibly determined.\n\n6–9 sec — Game 3:\nShe tackles a narrow balance beam above the pool while moving toward the final platform. The camera cuts between her focused face, nervous contestants watching, and the cheering crowd.\n\n9–12 sec — Game 4 / Near Victory:\nShe is only one step away from the finish platform, reaching toward the victory marker. At the last moment, the final obstacle suddenly moves, causing her to lose balance and fall dramatically into the pool. Capture a realistic splash in slow motion as the crowd reacts.\n\n12–15 sec — Emotional Ending:\nShe resurfaces in the pool, clearly frustrated and disappointed. The other contestants look genuinely sad and shocked for her, some shaking their heads sympathetically. She angrily slaps the surface of the water several times, creating dramatic splashes, then looks toward the finish platform with determination. End on a close-up of her frustrated expression as the live-TV camera pulls back.\n\nVisual style: photorealistic, authentic live game-show broadcast, realistic human movements, natural facial expressions, physically accurate water and obstacle reactions, dynamic handheld and crane-camera shots, quick professional TV editing, crowd reactions, dramatic but realistic lighting, 4K HDR, no CGI-looking characters, no artificial/fake appearance, no text or subtitles, no watermark.",
|
||
"category": "sports-extreme",
|
||
"sourceId": "seedance",
|
||
"credit": "@Inshrah_ali_",
|
||
"sourceUrl": "https://x.com/Inshrah_ali_/status/2098621065039647016"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-cinematic-photorealistic-fantasy-world-built-entirely-above-the-clouds-170fd4f7927d",
|
||
"title": "云端未来文明",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-cinematic-photorealistic-fantasy-world-built-entirely-above-the-clouds-1.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic photorealistic fantasy world built entirely above the clouds Start with a breathtaking aerial view of massive fluffy white clouds glowing in warm golden sunlight Smoothly transition into a beautiful futuristic village floating among the clouds with elegant modern white buildings cozy houses lush green gardens colorful flowers and people walking and riding bicycles on soft cloud covered streets Show people enjoying this magical sky world walking cycling gardening, and relaxing Then slowly pull the camera upward and reveal a massive breathtaking floating civilization stretching across the clouds with bridges islands homes gardens and futuristic structures surrounded by endless blue sky and dramatic volumetric clouds Bright cinematic sunlight realistic shadows natural human movement highly detailed environments dreamy but photorealistic, epic scale smooth camera movement, aerial drone shots cinematic depth of field realistic physics 8K, ultra detailed, seamless transitions, inspirational fantasy atmosphere.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@laviniavelle",
|
||
"sourceUrl": "https://x.com/laviniavelle/status/2097622617968751012"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-e2f2af930d0e",
|
||
"title": "蓝围巾小水獭的飞越群山奇旅",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/3bf9f7d54c88.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a 40-second cinematic 3D animated fantasy adventure featuring an adorable chubby otter-like baby animal with soft brown fur, a cream-colored face, large expressive eyes, rosy cheeks, tiny rounded ears, and a blue scarf around its neck.\n\nMaintain the exact same character design, proportions, fur pattern, facial features, blue scarf, and visual style throughout the entire video.\n\nSCENE 1 — Meadow Chase\n\nA beautiful magical mountain meadow during a bright sunny morning. Vast green grass, tiny colorful wildflowers, distant blue mountains, fluffy white clouds, and warm golden sunlight.\n\nThe cute otter character happily runs and flies low across the meadow beside a tiny black-and-white bird carrying a small pink flower. The camera follows them with a smooth cinematic tracking shot. The grass and flowers gently blur in the foreground, creating a sense of speed and depth.\n\nSCENE 2 — Determined Hero\n\nCut to a medium close-up of the otter standing on a small grassy hill. It looks forward with a determined and slightly angry expression, raises one paw, and points toward the distant mountains as if announcing an adventure.\n\nUse expressive facial animation, subtle body movement, soft fur simulation, and cinematic depth of field.\n\nSCENE 3 — Magical Wings\n\nThe otter jumps from the edge of a high cliff overlooking a breathtaking mountain valley.\n\nSuddenly, enormous fantasy bat-like wings unfold from its back. The character begins flying through the sky above the mountains.\n\nUse a dramatic wide aerial shot showing the tiny character against the huge landscape, with sunlight glowing behind the wings.\n\nSCENE 4 — Rocket Adventure\n\nThe otter lands briefly on another cliff and activates a small futuristic rocket device attached to its back.\n\nThe rocket suddenly ignites with bright orange flames and thick dark smoke. The otter launches forward at high speed through the sky.\n\nUse dynamic camera movement, strong motion blur, flying smoke particles, glowing rocket exhaust, and a playful comedic tone.\n\nSCENE 5 — Parachute Landing\n\nAfter the chaotic flight, the otter begins descending toward the mountain meadow.\n\nA colorful rainbow-striped parachute suddenly opens above its head. The character gently floats downward while holding the parachute ropes.\n\nUse a wide cinematic shot with the beautiful valley and mountains in the background, soft clouds, warm sunlight, and drifting atmospheric mist.\n\nSCENE 6 — Sad Moment\n\nThe otter lands safely in a quiet grassy field filled with tiny white flowers.\n\nThe mood suddenly becomes emotional. The character sits alone on the grass, looking sad and disappointed, with lowered eyes and a slightly trembling expression.\n\nUse a slow cinematic push-in toward the character. Warm sunlight remains in the background while the foreground becomes softer and more intimate.\n\nSCENE 7 — Happy Discovery\n\nThe otter suddenly notices something and becomes excited. Its eyes become wide and bright, and it raises both paws happily.\n\nThe mood changes from sadness to joy.\n\nSCENE 8 — Flying Deer\n\nA magnificent magical flying deer appears beside the otter. The deer has large elegant antlers, soft fur, enormous fantasy wings, and a friendly expressive face.\n\nThe otter climbs onto the deer's back and holds onto its fur.\n\nThe deer takes off and flies majestically above the mountain valley while the small bird flies alongside them.\n\nUse a sweeping cinematic aerial shot, golden sunset lighting, volumetric clouds, beautiful mountain scenery, and strong sense of scale.\n\nSCENE 9 — Final Hero Shot\n\nEnd with an emotional close-up of the otter riding on the flying deer.\n\nThe otter looks directly toward the camera with a cute but determined expression while the sunset glows behind it. The camera slowly pushes closer to its face.\n\nPremium cinematic 3D animation, high-quality character rendering, realistic soft fur, expressive eyes, detailed environments, beautiful global illumination, volumetric lighting, cinematic depth of field, smooth character animation, natural motion, atmospheric perspective, subtle motion blur, rich environmental details, whimsical fantasy adventure aesthetic, polished animated-film quality, emotionally expressive storytelling, consistent character identity throughout.\n\n16:9 widescreen, cinematic composition, smooth transitions, professional camera movement, high detail, visually stunning, family-friendly fantasy animation.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2096921381841813588"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-magic-pen-beach-boardwalk-vlog-15-seconds-vertical-9-16-ea4714e1706f",
|
||
"title": "魔法笔点化夜间海滨栈道",
|
||
"description": "POV 长镜头",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-magic-pen-beach-boardwalk-vlog-15-seconds-vertical-9-16-ea4714e1706f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Magic Pen Beach Boardwalk Vlog · 15 Seconds · Vertical 9:16\n[STYLE]\nLive-action + flat pixel-art sprite compositing, first-person night boardwalk magic vlog. 8K photorealistic detail with the authentic look of a real smartphone rear-camera recording. Strong visual contrast between the photorealistic boardwalk and blocky 16-bit pixel-art objects. One continuous handheld smartphone shot. No cuts. No scene transitions.\n[CAMERA]\nRaw, unstabilized handheld smartphone footage: natural walking shake, subtle arm sway, occasional autofocus hunting, realistic exposure shifts between string lights and dark shadows, slight rolling-shutter jelly during fast pans. Natural smartphone night-mode color grading — warm highlights, slightly noisy shadows. Camera whip-pans quickly to follow the marker and each target.\n[LIGHTING]\nString lights and neon signage casting warm, uneven light along the boardwalk. Every real object and every pixel-art object casts a soft glowing rim-light matching the nearest light source.\n[SETTING]\nOne continuous walk along a lively seaside boardwalk at night. Arcade stalls, a carousel, food carts, skateboarders, and the ocean visible in the background. Everyday nightlife, with background crowds and lights moving naturally.\n[PEN — MAGIC RULES]\nThe vlogger's real hand, photorealistic skin and visible pores, holds a glowing yellow marker and remains visible throughout, serving as the visual guide connecting every beat.\nEvery transformation follows the exact same sequence:\nMarker points → Vlogger says \"Zap!\" → yellow pixel-grid lines snap around the target → pixels crystallize outward → the target transforms into a chunky 16-bit sprite with hard-edged pixel shading.\nThe transformed object must preserve its exact size, position, speed, direction, and perspective, remaining perfectly anchored to the real environment. Sprites retain flat pixel shading and are never relit by real-world lighting. Anything they touch reacts with realistic physical interaction.\n[00:00–00:03]\nFirst-person view walking along the boardwalk. The vlogger raises the glowing marker and points at a passing skateboarder.\n\"Zap!\"\nYellow pixel-grid lines snap around the skateboarder, who becomes a blocky 16-bit sprite, still rolling at the same speed and angle.\nSFX: Skateboard wheels + electronic zap + 8-bit chiptune blip.\n[00:03–00:06]\nThe marker swings toward a spinning carousel horse.\n\"Zap!\"\nThe horse pixelates into a chunky retro sprite, still rising and falling on its pole in rhythm with the ride.\nSFX: Carousel music warping into chiptune + pixel crackle.\n[00:06–00:10]\nThe marker follows toward a food cart's spinning sign.\n\"Zap!\"\nA pixel grid wraps the sign; it becomes a glowing 8-bit icon, still spinning at its normal speed.\nSFX: Metallic spin creak + soft digital chime.\n[00:10–00:12]\nThe marker swings toward a seagull gliding overhead.\n\"Zap!\"\nPixel lines trace the bird mid-flight; it becomes a flapping pixel-sprite seagull, continuing its exact flight path.\nSFX: Wing flap + quick zap + sparkle blip.\n[00:12–00:15]\nThe vlogger stops and gives one final, louder:\n\"Zap—!\"\nThe marker spins toward the ocean horizon. A wave of pixels spreads across the entire boardwalk scene, turning it into a glowing retro pixel-art world while the sky remains photorealistic.\nA small blocky \"GAME OVER... NOT!\" pops up above the boardwalk in pixel font.\nFreeze frame.\nSFX: Rising 8-bit arpeggio + pixel-shatter burst + classic arcade \"level complete\" jingle",
|
||
"category": "pov-continuous-take",
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
|
||
"sourceUrl": "https://x.com/Ciri_ai/status/2096441071534559403"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-sci-fi-action-scene-set-on-a-skyscraper-rooftop-overlooking-a-glowi-e0c05ffcf371",
|
||
"title": "霓虹楼顶双英雄封印时空裂隙",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/cases/46f4c2c64145.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic sci-fi action scene set on a skyscraper rooftop overlooking a glowing futuristic night city reminiscent of Times Square. A blonde woman wearing a black leather crop jacket, black turtleneck, high-waisted shorts, and tactical combat boots stands alongside a man in a long dark leather trench coat. Cool-toned night lighting mixed with vibrant blue and warm orange neon backlighting from surrounding digital billboards.The sequence begins with a low-angle tracking shot focusing on combat boots walking forward, panning up to a sharp close-up of the woman's face. The camera quickly transitions to an ultra-wide aerial shot looking down at the illuminated, crowded city streets below, then cuts to an extreme macro close-up of her eye reflecting a glowing temporal portal.Dynamic visual effects feature glowing holographic wrist interfaces, shimmering glass-like time distortions, and glowing white energy particles emanating from her outstretched palm as she projects a spherical forcefield. A giant fracture anomaly in the night sky glimmers overhead. Fast-paced camera movement, 35mm anamorphic lens framing, shallow depth of field, dramatic motion blur, dynamic action stances, ending with a blinding flash of white light that seals the portal, leaving the two heroes standing triumphantly on the ledge. Cinematic, hyper-realistic, 8k resolution, photorealistic film grain.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2095067315608158324"
|
||
},
|
||
{
|
||
"id": "seedance:avelyrahnai-seedance-ai-a392e2711b0d",
|
||
"title": "纽约街头咖啡跌落慢镜头",
|
||
"description": "时间冻结与倒放",
|
||
"image": "https://media.goodcase.ai/cases/a43eb812774d.jpg",
|
||
"mode": "video",
|
||
"prompt": "A stylish young woman walking confidently down a busy New York city sidewalk during golden hour, wearing a dark fitted t-shirt, relaxed dark jeans, and sneakers, talking on her smartphone and holding an iced coffee and a cafe menu, with a golden retriever dog walking on a leash beside her; suddenly, she trips and drops her phone, iced coffee cup, and a \"YA HALA COFFEE - FALL MENU\" flyer mid-stride, causing the items to suspend mid-air in slow motion with magical liquid splashes and floating autumn leaves, transitioning to a macro close-up of the branded coffee cup and a smartphone displaying an incoming call from \"BOSS\" before everything drops back to the pavement in a dynamic, high-octane commercial cinematic style.",
|
||
"category": "time-freeze-rewind",
|
||
"sourceId": "seedance",
|
||
"credit": "@AvelyrahnAI",
|
||
"sourceUrl": "https://x.com/AvelyrahnAI/status/2094420859960045616"
|
||
},
|
||
{
|
||
"id": "seedance:lianaalane-seedance-ai-57edf326d97f",
|
||
"title": "三位女孩漫游日本传统市场",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/d4caf9943352.jpg",
|
||
"mode": "video",
|
||
"prompt": "STYLE: Ultra-realistic cinematic travel vlog, natural handheld camera, vibrant Japanese market, authentic Japanese street atmosphere, realistic crowd movement, warm daylight, natural facial expressions, smooth motion, 4K quality, 16:9.\n\nSCENE 1: Three girls enter a lively traditional Japanese market. Red lanterns, colorful shop signs, food stalls, and crowds surround them. The camera follows them from behind as they walk into the market, looking excited and curious.\n\nSCENE 2: The girls explore the market, looking at traditional Japanese shops and signs. One girl points toward something interesting while the others smile and look in the same direction. The camera moves naturally around them.\n\nSCENE 3: They stop at a Japanese street-food stall and excitedly choose different snacks. Show close-up shots of colorful food, steam rising from the stall, and their happy reactions.\n\nSCENE 4: The girls walk through the busy market while enjoying their drinks and talking together. They laugh naturally as the camera smoothly tracks alongside them, capturing the lively market in the background.\n\nSCENE 5: They enter a small souvenir shop and browse cute Japanese souvenirs. One girl picks up an interesting item and shows it to her friends, making everyone smile and laugh.\n\nSCENE 6: At the end, the girls leave the market happily and look back at the colorful street. One girl waves toward the market as the camera slowly pulls back into a wide cinematic shot.\n\nCAMERA: Smooth handheld travel-vlog movement, wide establishing shots, medium shots, close-ups, natural motion blur, subtle camera shake, realistic autofocus, cinematic tracking shots.\n\nMOOD: Happy, adventurous, friendly, youthful, authentic Japan travel experience.\n\nNEGATIVE PROMPT: No text overlays, no subtitles, no watermark, no distorted faces, no extra fingers, no unnatural body movements, no duplicated people, no face changes, no cartoon look.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2093213626664706410"
|
||
},
|
||
{
|
||
"id": "seedance:missdelulu9-seedance-ai-02009f1f7daf",
|
||
"title": "第一视角凌空组装黑色兰博基尼",
|
||
"description": "汽车与载具",
|
||
"image": "https://media.goodcase.ai/cases/4da7c433c3b6.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second ultra-cinematic action video in strict first-person POV. Bright sunny day, cloudless saturated blue sky, abandoned concrete runway. Two identical male hands wearing black tactical gloves remain visible and consistent throughout. Photorealistic physics, realistic inertia, metallic collisions, natural shadows and reflections. One identical black Lamborghini Aventador remains visually consistent throughout the entire sequence.\n\n0.0–1.8s- The Fall\nThe POV camera suddenly whips upward toward the sky. A completely disassembled black Lamborghini Aventador falls directly toward the viewer. Wheels, tires, rims, engine, suspension, doors, hood, bumpers, carbon-fiber panels, chassis and mechanical components tumble independently through the air. Parts rapidly grow larger as they approach. Intense speed, realistic depth and dangerous proximity.\n\n1.8–3.0s- Last-Second Defense\nThe man instinctively raises both black-gloved hands and crosses them in front of his face. Huge wheels and metallic components rush extremely close to the lens. Strong handheld camera shake, realistic motion blur and rapidly changing depth create extreme tension.\n\n3.0–3.8s- Absolute Freeze\nAt the last possible instant, he violently thrusts both hands forward. Every falling component suddenly freezes in mid-air only a few meters away. Extreme speed instantly becomes complete silence and stillness. Hundreds of parts remain suspended around the viewer at different depths. The camera slowly lowers from the sky toward the floating components.\n\n3.8–5.5s- Controlled Organization\nHe spreads both hands apart and rotates his wrists. The suspended components respond precisely to his movements. Wheels glide sideways, the chassis slowly descends, the engine moves toward the center, and smaller mechanical parts arrange themselves around their intended positions. Each component rotates naturally and aligns with perfect mechanical precision.\n\n5.5–7.5s-Assembly Begins\nHe suddenly thrusts both hands forward. The chassis rapidly locks together. Suspension, drivetrain, engine, transmission and structural components fly into their exact positions. The POV camera pushes forward through the assembly. Parts fly past the lens from multiple directions and connect with realistic metallic impacts and mechanical movement.\n\n7.5–9.8s- Explosive Construction\nThe assembly accelerates dramatically. Doors, hood, bumpers, headlights, mirrors and black carbon body panels fly toward the central frame. His gloved hands perform fast directional gestures, controlling every movement. The camera makes a dynamic orbit-like POV movement around the forming vehicle while never leaving first-person perspective.\n\n9.8–11.0s- Final Transformation\nFour wheels rapidly fly toward the hubs and lock into place. Final carbon-fiber panels snap onto the body one after another. The Lamborghini instantly becomes a pristine, fully assembled black Aventador. Dust and tiny particles naturally fall onto the runway.\n\n11.0–12.5s- Ignition\nA dramatic pause. The right black-gloved hand raises a Lamborghini-style remote key close to the camera. The thumb presses the start button. The headlights immediately illuminate. The engine roars to life, exhaust vibrates and the entire vehicle subtly shakes from the ignition.\n\n12.5–15.0s- Full-Speed Launch\nThe Aventador launches violently forward directly toward the POV camera. The rear tires briefly spin, throwing dust across the runway. The camera remains extremely low and centered. The car rapidly fills the entire frame as acceleration increases. Strong cinematic motion blur, realistic tire movement and aggressive speed ramping build intensity. End with an extreme close approach of the black front end and bright headlights.",
|
||
"category": "car-vehicle",
|
||
"sourceId": "seedance",
|
||
"credit": "@MissDelulu9",
|
||
"sourceUrl": "https://x.com/MissDelulu9/status/2091423578197737772"
|
||
},
|
||
{
|
||
"id": "seedance:mountain-dew-spark-b16d4e23caef",
|
||
"title": "Mountain Dew Spark 涂鸦广告",
|
||
"description": "一个充满活力、面向年轻人的饮料广告提示词,融合了电影级 4K 真人实拍与趣味十足的 2…",
|
||
"image": "https://media.goodcase.ai/cases/72d231948cd0.jpg",
|
||
"mode": "video",
|
||
"prompt": "MOUNTAIN DEW SPARK — “TOO MUCH SPARK” Duration: 15 seconds Aspect Ratio: 16:9 Style: Premium live-action commercial + playful 2D hand-drawn doodle animation, funky, energetic, youthful, colorful, fast-paced. Visual Quality: Ultra-realistic cinematic 4K, crisp product photography, natural skin texture, vibrant commercial lighting, smooth motion, dynamic camera work. CHARACTER: A cool young male in his early 20s, confident and playful, short dark slightly messy hair, expressive face, trendy oversized graphic T-shirt, relaxed baggy cargo pants and clean sneakers. Maintain STRICT face, hairstyle, clothing and identity consistency throughout. 0–4s — THE SPARK Open with a stylish low-angle tracking shot of the boy casually walking through a colorful modern city street while holding a chilled Mountain Dew Spark can. Tiny cute hand-drawn doodles subtly appear around him: stars, lightning bolts, hearts and lemons. He stops. Cut to a macro close-up of the cold can covered in condensation. He cracks it open. PSHHHH! A tiny hand-drawn lightning bolt appears above the can and vibrates with the sound. 4–8s — TOO MUCH SPARK He takes a big sip. Instantly, colorful 2D doodles explode from behind him. Lightning bolts race across the screen, cute lemons bounce past camera, stars pop around his head and cartoon speed lines surround his body. He looks surprised, then grins. Use a quick punch-in camera movement. 8–15s — THE BOOST Suddenly, he launches forward at ridiculous speed. Use rapid whip pans, low-angle tracking shots, dynamic handheld movement and energetic speed ramps as he runs through the city. Every movement triggers a doodle: Footstep → star burst Arm swing → lightning bolt Jump → comic explosion Turn → curved hand-drawn speed lines Smile → tiny floating hearts The doodles physically interact with the live-action environment, wrapping around poles, bouncing off walls and following his movement. At 15 seconds, he races toward a city staircase, preparing to jump onto it. End with a fast forward-moving camera transition that naturally continues into Part 2. CAMERA & EDITING: Fast commercial editing with smooth continuous motion. Use whip pans, crash zooms, low-angle tracking, speed ramps and match cuts. Keep movement flowing naturally so the video feels like one continuous sequence, not separate clips. DOODLE ANIMATION: Cute hand-drawn 2D doodles with imperfect sketch lines, playful expressions and bouncy animation. Playful and cute, never childish. Doodles must interact naturally with the live-action environment. PART 2: MOUNTAIN DEW SPARK — “TOO MUCH SPARK” Duration: 15 seconds Aspect Ratio: 16:9 Style: Premium live-action commercial + playful 2D hand-drawn doodle animation, funky, energetic, youthful, colorful, fast-paced. Visual Quality: Ultra-realistic cinematic 4K, crisp product photography, natural skin texture, vibrant commercial lighting, smooth motion, dynamic camera work. CHARACTER: Continue with EXACTLY the same young male from Part 1. Same face, hairstyle, oversized graphic T-shirt, baggy cargo pants, sneakers and overall identity. STRICT IDENTITY AND OUTFIT LOCK. 0–6s — DOODLE CHAOS Continue directly from Part 1 as the boy jumps onto a city staircase and races upward. Hundreds of cute hand-drawn doodles chase after him. Animated lemons bounce down the stairs. Lightning bolts zigzag beside him. Tiny stars spin through the air. Cartoon flames briefly appear behind his sneakers. Rapidly alternate between: Low-angle running shot Side tracking shot Close-up of sneakers Close-up of his excited expression Overhead shot as doodles spiral around him Use energetic whip transitions synchronized with the music. 6–11s — PRODUCT HERO The boy suddenly stops. Everything freezes. The doodles freeze mid-air around him. He casually spins the Mountain Dew Spark can toward the camera. Transition into a premium macro product close-up: cold condensation, sharp label detail, vibrant commercial lighting and fizzy energy. Hand-drawn lemons and lightning bolts begin orbiting around the can. The camera slowly pushes toward the product while the background remains softly blurred. 11–15s — FINAL EXPLOSION He takes one final sip and smirks directly at camera. On the beat, every doodle in the scene rushes toward him: ⭐ ⚡ 🍋 ❤️ 💥 They explode outward into a giant colorful hand-drawn burst behind him. He stands confidently in the center, holding the Mountain Dew Spark can toward camera. End on a clean premium hero shot of the Mountain Dew Spark can surrounded by playful doodle lightning, stars and fruit. Final feeling: refreshing, energetic, mischievous, funky and irresistibly fun. CAMERA & EDITING: Fast commercial editing with smooth continuous motion. Use whip pans, speed ramps, macro product photography, orbiting camera movement, crash zooms and match cuts. Transitions should be motivated by the character's movement and preserve visual continuity from Part 1. DOODLE ANIMATION: Cute hand-drawn 2D doodles with intermediate sketch lines, playful expressions and bouncy animation. Doodles should physically interact with the live-action world rather than appearing as static overlays. Keep them playful and stylish, never childish. NEGATIVE PROMPT: No character identity changes, no outfit changes, no inconsistent face, no extra fingers, no distorted hands, no warped product, no incorrect can shape, no unreadable logo, no duplicate cans, no floating character, no stiff movement, no random scene changes, no disconnected clips, no excessive motion blur, no dull lighting, no childish cartoon environment, no photorealistic doodles, no messy compositing, no deformed facial features, no text artifacts.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Caden_Flux",
|
||
"sourceUrl": "https://x.com/Caden_Flux/status/2093959770579554517"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-46446d7eafc4",
|
||
"title": "晨光卧室里的母子拥抱",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/5ab37d8ffa31.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a heartwarming cinematic 3D animated video of a young mother and her adorable toddler boy resting together on a cozy bed in a warm, sunlit bedroom. The mother is peacefully sleeping while the little boy slowly wakes up beside her, sits up, stretches, smiles, and playfully interacts with his mother. He gently touches her face and eyebrows, then moves closer and affectionately hugs and kisses her. The mother wakes up, looks at her child with a loving smile, and embraces him warmly. Soft golden morning sunlight streams through the window, creating beautiful warm highlights and gentle shadows. Cozy blankets, pillows, indoor plants, and a peaceful bedroom atmosphere in the background. Highly expressive faces, adorable child expressions, natural body movements, emotional mother-child interaction, detailed skin and hair, soft cinematic lighting, shallow depth of field, smooth camera movement, Pixar-inspired high-end 3D animation, photorealistic textures, emotional storytelling, vertical 9:16, ultra detailed, cinematic quality, 4K.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2104162259065086147"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-video-of-a-beautiful-korean-girl-having-a-playful-dreamy-day-at-a-co-5e55b5b14463",
|
||
"title": "韩国女孩的梦幻游乐场一日",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/826e23a654ac.jpg",
|
||
"mode": "video",
|
||
"prompt": "Created a video of a beautiful Korean girl having a playful, dreamy day at a colorful outdoor playground.\nShe wears a casual white shirt, dark jeans, sneakers, and carries a stylish leopard-print shoulder bag.\nShow her relaxing and playfully lying on a bright yellow playground slide.\nThen transition to her sitting quietly on a swing, looking slightly tired and lost in thought.\nShe later sits on the playground edge wearing a funny orange cone hat, creating a quirky cinematic moment.\nShow her resting peacefully on concrete steps with soft natural daylight and a calm atmosphere.\nEnd with her comfortably sleeping inside a shopping cart filled with basketballs, creating a funny unexpected scene.\nUse realistic facial expressions, natural body movement, cinematic camera motion, soft colors, and photorealistic details.\nKeep the Korean girl’s identity and appearance consistent throughout the entire video, with smooth transitions and a playful cinematic storytelling style.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2101889590621536594"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-live-action-lifestyle-vlog-following-th-97e3a4650dee",
|
||
"title": "韩国村落里的黄昏日常",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/cases/fafb0d6cb597.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic live-action lifestyle vlog following the same 25-year-old Korean woman through a warm late-afternoon in a quiet traditional Korean village. She leaves her tiled-roof home, discovers local children playing with a ball, spontaneously joins them, then remembers her groceries and visits a tiny neighborhood shop before walking home.\n\nMaintain consistent facial identity, hairstyle, outfit, and realistic proportions throughout. Show authentic MiniDV home-video aesthetics: 4:3 consumer footage, natural handheld shake, imperfect framing, autofocus hunting, mild exposure changes, soft contrast, faded colors, subtle DV compression, and no modern cinematic look.\n\nKeep all movement physically believable—realistic walking, running, ball trajectories, hair and clothing motion, door and bell mechanics, grocery-bag weight, wind, gravity, friction, and natural human biomechanics. Use only diegetic village sounds: children laughing, footsteps, ball bouncing, birds, wind, keys, wooden doors, shop bell, groceries, and distant neighborhood ambience. No music or narration.\n\nEnd with her entering home and gently closing the door as warm sunlight fills the quiet village lane and the children's laughter fades into the distance.\n\nNo CGI, animation, beauty filters, plastic skin, modern smartphone aesthetic, cinematic gimbal shots, impossible physics, duplicated people, changing faces or outfits, artificial sound effects, subtitles, logos, or watermark.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2101886695624888440"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-cf24080a2c69",
|
||
"title": "夕阳海滩上小猫赠玫瑰相拥",
|
||
"description": "宠物与动物",
|
||
"image": "https://media.goodcase.ai/cases/f9fd265ba6c5.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nA heartwarming cinematic scene of two adorable fluffy kittens sitting together on a peaceful sandy beach at golden sunset. One kitten has soft orange fur and the other has pure white fluffy fur. The orange kitten gently holds a beautiful red rose and slowly offers it to the white kitten. The white kitten accepts the rose with a sweet, surprised expression. They look at each other affectionately, then move closer and cuddle together in a tender, romantic moment.\n\nWarm golden-hour sunlight, glowing orange sky, calm ocean waves in the background, soft reflections of the sunset on the water, gentle sea breeze, detailed sand texture, natural kitten movements, expressive faces, adorable emotional storytelling, cinematic composition, shallow depth of field, soft dreamy lighting, ultra-realistic fluffy fur, photorealistic quality, smooth camera movement, 4K, vertical 9:16.\n\nNo text, no subtitles, no watermark.",
|
||
"category": "pet-animal",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2101633366311219260"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-hyperrealistic-cinematic-short-video-15-seconds-long-at-24fps-1280x7-f0d4ea15b0a5",
|
||
"title": "霓虹夜市女子一掌击退异星巨虫",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/cases/71ab533bcde7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a hyperrealistic cinematic short video, 15 seconds long at 24fps, 1280x720 widescreen, in the visual style of a high-end supernatural-powers commercial/ad — grounded photoreal live-action look with heavy VFX, night-time neon lighting, and a deliberately understated, unbothered performance from the main character throughout.\n\nCHARACTER: A young woman in her mid-twenties with sleek jet-black hair pulled into a high ponytail with a few loose strands framing her face, sharp defined features, and warm olive skin. She wears a fitted crimson-red silk bomber jacket with gold embroidered dragon detailing over a black fitted turtleneck, slim black trousers, and delicate gold hoop earrings with a thin gold chain necklace. Her expression is calm, composed, and faintly amused even amid chaos. Render her with photoreal skin detail, natural proportions, and keep her exact face, hairstyle, and outfit fully consistent across every single shot and camera angle for the entire 15 seconds — no identity drift, no design changes between cuts.\n\nLOCATION: A rain-slicked night market street in a dense, towering Asian megacity — narrow lane packed with glowing neon signage in red, pink, and cyan, hanging paper lanterns, steam rising from food stalls, puddles reflecting the neon glow underfoot, and tightly packed multi-story buildings with illuminated windows rising into a hazy, overcast night sky. Keep this lighting, architecture, and atmosphere fully consistent across every shot.\n\nCREATURE: A massive bioluminescent alien insectoid monster with an iridescent green-teal-purple segmented carapace, multiple armored clawed legs, and wing-like appendages, crashing through a large market structure/scaffolding in the background and causing the surrounding crowd to flee in panic. Keep its design, color, and proportions consistent in every shot it appears in.\n\nACTION SEQUENCE (chronological, 0:00-0:15, render the complete sequence in this order without skipping or shortening any beat):\n0:00-0:04 — Opens with the main character seen from behind and then in side profile, standing calmly amid a moving, bustling night-market crowd, casually sipping from a beverage can, while neon signage flickers and reflects in the wet street around her and the crowd moves past, establishing a normal, lively night-market atmosphere.\n0:04-0:07 — The giant creature crashes into the background market structure, sending sparks, steam, and debris flying; the surrounding crowd screams and flees in both foreground and background, but the main character remains still and unfazed, continuing to drink calmly even as the creature's massive leg looms close behind her.\n0:07-0:09 — Glowing electric-blue lightning veins begin spreading across her exposed skin (neck, hands, and jacket seams), her ponytail whips upward as if caught in a rising magical energy field, her eyes ignite into glowing electric blue-white with twin light-trails streaming down like glowing tears, and a faint translucent blue force-dome begins forming around her silhouette, reflecting in the wet pavement below.\n0:09-0:11 — She raises one arm and extends her open hand toward the creature, fingers illuminated with crackling light; a searing horizontal beam of white-blue energy erupts from her palm in an extreme close-up, then a wide shot shows the beam connecting directly down the narrow street into the creature in a blinding flash of white light that briefly washes out the neon signage, striking it down amid rising steam and smoke.\n0:11-0:13 — Aftermath beat: she lowers her arm and the lightning fades from her skin as the camera holds on her calm profile, neon reflections flickering back across the wet street; smoke and small ground fires smolder in the background where the creature was struck down, with radial scorch and burn marks fanning out across the wet pavement.\n0:13-0:15 (ending) — She turns and walks calmly away from the destruction with a neutral, unbothered expression, checking her phone casually mid-stride, and approaches a nearby night-market food stall in the foreground (steam rising, hanging lanterns, bottles on display) as smoke continues to rise behind her — the sequence ends on this casual walk-away shot, power fully deactivated, as if nothing happened.\n\nCAMERA WORK: A mix of close medium shots from behind and in profile during the calm opening beats, a wider reactive shot as the creature crashes in, tight close-ups on the skin/eye transformation during the power-activation beat, an extreme close-up on the glowing hand during the beam release, a wide shot for the beam impact, and a following medium shot for the final calm walk-away. Camera movement is subtle and handheld-cinematic, never rushed, contrasting calm framing on the character against chaotic framing of the crowd and creature.\n\nLIGHTING AND COLOR: Cool night ambient lighting throughout, with vivid red, pink, and cyan neon signage reflecting off wet pavement and glass, warm lantern light and food-stall steam in the background, contrasted against the electric blue-white glow of the character's powers and lightning veins, and warm orange fire/ember tones during the aftermath smoke and scorch marks. High dynamic range with strong rim lighting separating the character from the busy neon-lit background in every shot.\n\nSTYLE AND QUALITY: Photoreal hyperrealistic rendering with cinematic film grain, physically-based materials, detailed skin and fabric texture, realistic hair and cloth physics, wet-street reflections, atmospheric steam and smoke particle simulation, sharp foreground focus with natural depth-of-field falloff on the crowd and background chaos, color-graded like a premium commercial, fine 4K-equivalent detail, a tonal contrast between calm character performance and chaotic surrounding energy sustained across the full 15 seconds.\n\nCONSISTENCY AND NEGATIVE CONSTRAINTS: Maintain strong frame-to-frame and shot-to-shot consistency in the main character's facial identity, hairstyle, outfit, and proportions, and in the creature's design, across every camera angle described above. Avoid identity drift, face morphing, warping, flickering, duplicated limbs, extra fingers, distorted anatomy, inconsistent clothing or color between cuts, mismatched lighting direction, unwanted text, logos, watermarks, subtitles, low-resolution artifacts, plastic or waxy skin texture, and unnatural or robotic motion. Preserve natural physics for hair, cloth, smoke, lightning, and light-beam effects throughout. Render the complete 15-second sequence exactly as timed above, from the opening calm shot through the final walk-away shot, without skipping, shortening, or rushing any beat.",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@Viniai_",
|
||
"sourceUrl": "https://x.com/Viniai_/status/2101202565321101780"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-serene-japanese-winter-morning-in-a-traditional-wooden-countryside-house-sno-cb121478d453",
|
||
"title": "雪乡木屋里的冬日清晨",
|
||
"description": "电影感叙事短片",
|
||
"image": "/inspiration-thumbs/seedance/seedance-a-serene-japanese-winter-morning-in-a-traditional-wooden-countryside-house-sno-cb.webp",
|
||
"mode": "video",
|
||
"prompt": "A serene Japanese winter morning in a traditional wooden countryside house, snow-covered tatami room with shoji paper sliding doors, a woman with short black hair wearing a brown fuzzy cardigan over cream sweater, dark pants and fluffy boots, kneeling then standing to slide open the doors revealing a snowy village outside. Soft golden sunlight streaming through frosted windows. She steps onto the wooden engawa porch, crouches to scatter seeds for small sparrows hopping in the fresh snow. Later she sweeps snow off the porch with a traditional straw broom. Inside she kneels on tatami pouring steaming tea from a ceramic teapot into a small cup, holding it with both hands and gazing peacefully out the window. Then she walks away along a snowy path beside the wooden house, wearing a light beige coat, looking out over a picturesque snow-blanketed village with traditional houses, wooden fences, snow-laden pine trees, distant mountains, and chimney smoke rising in the golden sunrise light. Cinematic, peaceful, cozy, highly detailed, natural lighting, photorealistic yet poetic, Studio Ghibli inspired atmosphere, 8k.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2100460643874943066"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-hyper-realistic-cinematic-action-sequence-on-a-bright-urban-road-in-da-7d6b917b4327",
|
||
"title": "未来载具变形垃圾车躲过追捕",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/1b3a14cc3b8b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a hyper-realistic cinematic action sequence on a bright urban road in daytime. Clean streets, light traffic, realistic buildings, natural daylight.\n\nIMPORTANT: Use Reference Image 1 ONLY for the male character. Preserve his exact face, eyes, nose, lips, jawline, hairstyle and skin tone throughout. No face morphing or identity drift.\n\nOpen with a tight close-up of a sleek angular metallic futuristic vehicle speeding forward. Sudden gunfire erupts from off-screen; NO SHOOTERS are visible. Bullets hit the body and ricochet with sharp sparks.\n\nCamera rapidly pulls back to reveal the full vehicle. Police sirens grow louder.\n\nWITHOUT slowing down, the vehicle begins a realistic mechanical transformation while moving. Metallic panels slide, split, fold and reconfigure. Smooth surfaces become dirty, dented, scratched, rusted and uneven. The aerodynamic body becomes rough and boxy. No magic or teleportation. Within seconds it transforms into a grimy dumpster-style garbage truck blending naturally into the street.\n\nThe truck hard-brakes and performs a sharp 180-degree skid turn. Tires screech; dust kicks up. It settles into roadside parking.\n\nCUT TO: Police vehicles rush past at high speed with sirens and lights, completely missing the disguised truck.\n\nIn the foreground, the SAME MALE CHARACTER FROM REFERENCE IMAGE 1 casually loads garbage into the truck. Dress him as a garbage-truck worker while keeping his exact identity and face. He pauses, watches the police pass, turns toward camera and gives a subtle confident wink.\n\nCamera gently pushes in. Sirens fade into city ambience.\n\nFINAL: Hold after the wink, then smoothly FADE TO BLACK. On the fully black screen, centered clean white text slowly fades in: “Wizstar AI”. Hold, then end.\n\nSTYLE: Photorealistic, premium Hollywood action, realistic VFX, natural physics.\n\nNEGATIVE: No shooters, extra characters, identity change, face distortion, cartoon/anime, random cuts, subtitles, watermark, logos.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Xaroon_x",
|
||
"sourceUrl": "https://x.com/Xaroon_x/status/2099012948232483096"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-american-ranch-lifestyle-vlog-following-8c714f97866e",
|
||
"title": "牧场女孩从清晨劳作到黄昏骑行",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/4a1707106d38.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic American ranch lifestyle vlog following the same young ranch woman through one authentic working day, from sunrise to sunset. Begin with her opening the barn and feeding horses, then repairing a wooden fence before saddling a horse and riding across open Western fields.\n\nShow a genuine working ranch with weathered barns, horse paddocks, hay, dirt paths, wooden fences, pickup trucks, green fields and distant hills. Keep the character, horse, clothing and ranch environment perfectly consistent.\n\nCapture realistic horse behavior, riding biomechanics, hoof impacts, dust, grass movement, leather tack, feed, wood, hammer strikes and natural sunlight. Use handheld 2026 documentary-vlog cinematography with close-ups, wide ranch views, realistic autofocus, subtle camera shake and a smooth golden-hour ride.\n\nNatural diegetic audio only: horses, birds, wind, barn sounds, hoofbeats, tools, leather and insects. Short synchronized American English dialogue. No music, narration, subtitles, CGI, artificial movement, impossible physics, logos or watermark.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaly",
|
||
"sourceUrl": "https://x.com/aiwithaly/status/2097917075176178101"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-e33e1ae7c498",
|
||
"title": "小水獭与蓝色新朋友分享冰淇淋",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/dd1c2293bbc7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a heartwarming cinematic 3D animated short film featuring an adorable chubby baby otter in a beautiful sunlit forest.\n\nThe main character is a tiny, fluffy brown otter with a round face, large glossy expressive eyes, soft pink cheeks, a tiny black nose, and a small blue scarf tied around its neck. The character has extremely cute, childlike proportions and soft detailed fur.\n\nScene 1: The video opens in a peaceful woodland during golden hour. Warm sunlight shines through lush green tree leaves, creating beautiful soft bokeh and volumetric light rays. The baby otter is sitting on a large tree branch, playfully holding a pink-and-white ice cream cone. It happily licks the ice cream and enjoys it with an innocent, joyful expression.\n\nScene 2: Show a close-up of the otter's adorable face as it smiles and enjoys the ice cream. Emphasize its sparkling eyes, rosy cheeks, tiny mouth, detailed soft fur, and charming facial expressions.\n\nScene 3: The otter climbs down from the tree and playfully moves through the sunny forest. Use smooth, natural character animation and gentle camera movement. The environment should feel magical, warm, peaceful, and wholesome.\n\nScene 4: On the grassy forest floor, the otter discovers a tiny round pale-blue fluffy creature resting among the plants. The blue creature has soft fur, big expressive eyes, a small round body, and an innocent adorable appearance.\n\nScene 5: The otter approaches the blue creature while holding its ice cream cone. They look at each other curiously and warmly. The otter happily offers the ice cream to its new friend.\n\nScene 6: Show both characters sitting together in the grass, sharing the ice cream and enjoying a sweet friendship moment. Small flowers and petals gently float through the air around them. Warm golden sunlight filters through the trees, creating a dreamy cinematic atmosphere.\n\nScene 7: End with a close-up of the happy otter holding the ice cream cone toward the camera, smiling with its eyes closed and rosy cheeks, while the little blue friend happily appears in the background.\n\nVisual style: high-end cinematic 3D animation, adorable family-friendly character design, soft realistic fur, expressive faces, detailed natural environment, warm golden-hour lighting, shallow depth of field, beautiful bokeh, volumetric sunlight, soft shadows, smooth fluid animation, cinematic camera movements, emotional storytelling, polished animated-film quality.\n\nCamera: cinematic establishing shots, smooth tracking shots, gentle dolly movements, close-up facial shots, low-angle character shots, and soft depth-of-field transitions.\n\nMood: cute, joyful, wholesome, innocent, warm, magical, heartwarming friendship.\n\nNo text, no subtitles, no watermark, no logos, no distorted anatomy, no extra characters.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2097643808620196091"
|
||
},
|
||
{
|
||
"id": "seedance:iamahmedfaraz66-seedance-ai-c5e754c28fb7",
|
||
"title": "Seedance 2.5 十五秒五镜头人物短片",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/b122548113a6.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 \n\nPrompt\n15-sec Seedance prompt — 5 shots\n\nCharacter/style: Young Korean woman, 24, naturally attractive, realistic skin, long dark hair loosely tied back, minimal makeup. Loose cream cardigan, white T-shirt, blue jeans, and silver necklace. Cozy Seoul apartment, warm natural light. Preserve exact identity, outfit, hairstyle, and facial features across all shots. Authentic early-2000s MiniDV: 4:3, handheld shake, slight autofocus hunting, tape grain/compression, imperfect exposure, natural motion. No cinematic polish.\n\nSHOT 1 — 0:00–0:03\nWide MiniDV shot. She walks into frame, notices the camera, fixes her hair and cardigan, then looks into the lens with a shy smile and prepares to pose.\nSHOT 2 — 0:03–0:06\nCut closer. She poses deliberately for a photo, tilting her head and smiling sweetly. After a moment, she struggles to keep a straight face and looks away.\n\nSHOT 3 — 0:06–0:09\nDifferent handheld angle. She tries to compose herself, presses her lips together, then accidentally lets out a tiny laugh. She looks down, embarrassed.\nSHOT 4 — 0:09–0:12\nCut back wider. She makes one final serious pose, holds it for half a second, then completely bursts out laughing. She covers her mouth and bends forward slightly.\n\nSHOT 5 — 0:12–0:15\nCloser shot. Still laughing, she shakes her head and gives up posing. She smiles directly at the camera, walks toward it, and reaches for the lens. Her hand covers the camera.\nCUT TO BLACK at 15 seconds. Keep the laughter spontaneous and natural, with consistent character appearance throughout.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@iamahmedfaraz66",
|
||
"sourceUrl": "https://x.com/iamahmedfaraz66/status/2089683226696577531"
|
||
},
|
||
{
|
||
"id": "seedance:ugc-80d503f66caa",
|
||
"title": "高端饮料 UGC 商业广告",
|
||
"description": "一份全面的提示词,用于制作高端果饮商业广告,涵盖生活方式摄影、微距镜头以及慢动作液体物…",
|
||
"image": "https://media.goodcase.ai/media/poster/ugc-80d503f66caa.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a premium UGC-style beverage commercial featuring a beautiful young woman with long silky dark hair, radiant skin, and a fresh natural look. Bright modern apartment, soft morning sunlight, clean minimalist interior, cinematic handheld camera, ultra-realistic lifestyle photography.\n\nThe video opens with the woman smiling directly into the camera while holding an ice-cold sparkling fruit drink beside her face. She rotates the chilled can playfully in her hand as condensation glistens under the sunlight, then looks into the lens with an excited expression.\n\nShe walks into the kitchen, pops the can open with a satisfying fizz, and immediately takes a refreshing sip. Cinematic macro shots capture sparkling bubbles, tiny water droplets, and cold vapor escaping from the can.\n\nFresh lemons, strawberries, mint leaves, and ice cubes splash through the air in beautiful slow motion as the camera circles around the floating drink. Crystal-clear sparkling liquid pours elegantly into a glass filled with ice, creating refreshing splashes and rising bubbles.\n\nThe woman enjoys another sip while relaxing beside a large window. She smiles naturally, closes her eyes for a moment, and enjoys the refreshing taste as sunlight highlights the cold drink and glowing skin.\n\nShe heads outside for a sunny afternoon walk carrying the drink through a modern park filled with greenery. She laughs, enjoys the weather, and refreshes herself with another sip while walking. Cinematic tracking shots follow her naturally.\n\nThe product becomes the focus with premium rotating hero shots surrounded by floating citrus slices, fresh berries, mint leaves, sparkling water droplets, and shimmering light reflections against a bright clean background.\n\nThe final sequence shows the woman raising the chilled can toward the camera with a bright smile before taking one last refreshing sip. The camera slowly pulls back as she walks away through warm golden sunlight holding the drink.\n\nStyle: premium UGC commercial, realistic lifestyle cinematography, luxury beverage advertising, macro product photography, cinematic handheld and gimbal shots, vibrant fruit colors, sparkling liquid effects, realistic condensation, shallow depth of field, photorealistic, 4K HDR, 16:9 widescreen.\n\nNegative Prompt: No text, no captions, no subtitles, no logos, no labels, no product branding, no watermarks, no duplicate people, no cartoon style, no distorted anatomy, no UI elements, no packaging text visible.",
|
||
"category": "ugc-creator-review",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2076893397256695952"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-what-would-you-do-if-a-stranger-saved-you-by-stopping-a-falling-car-with-one-ha-67b8304dc0da",
|
||
"title": "陌生人单手托车救下女孩",
|
||
"description": "电影感叙事短片",
|
||
"image": "/inspiration-thumbs/seedance/seedance-what-would-you-do-if-a-stranger-saved-you-by-stopping-a-falling-car-with-one-ha-6.webp",
|
||
"mode": "video",
|
||
"prompt": "What would you do if a stranger saved you by stopping a falling car with one hand? 👀🔥\n\nCreated with Seedance 2.5 in @itsPolloAI\n\n30-SECOND CINEMATIC VIDEO PROMPT\n\nCreate an ultra-realistic live-action Korean action-romance scene using the reference storyboard. Keep the SAME two Korean characters, exact faces, hairstyles, outfits, body proportions, and the SAME black car throughout. No identity, wardrobe, hairstyle, or vehicle changes.\n\n0–4s: Woman walks through a modern Korean street wearing earphones. A black car suddenly loses control and flies toward her.\n\n4–8s: Close-up as she notices the car in shock. Cut to the hooded man seeing the danger and reacting instantly.\n\n8–12s: He runs toward her at extreme speed and pulls her away just before impact.\n\n12–16s: They fall safely. She looks up and sees the damaged car falling directly above them.\n\n16–20s: He raises one hand and stops the falling car overhead. She moves closer to him in fear while he holds it.\n\n20–24s: Close-up of his calm, focused face. He pushes the car away and it lands heavily several meters away.\n\n24–28s: They stand up and quietly look at each other with shock, relief, and gratitude as warm sunset light fills the street.\n\n28–30s: Wide rear shot of both against the glowing city skyline. Slow crane backward/upward, then fade to black.\n\nSTYLE: Premium Korean live-action cinema, photorealistic skin, natural expressions, realistic hair/clothing movement, believable gravity and car physics, cinematic depth of field, realistic motion blur, HDR lighting, subtle handheld action shots, smooth emotional shots.\n\nSTRICT LOCK: No AI-looking faces, face changes, body morphing, duplicated people, wardrobe changes, broken hands, unnatural movement, teleporting, or changing car model. Keep all motion realistic and professionally acted.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithWania",
|
||
"sourceUrl": "https://x.com/AIwithWania/status/2102042146392129849"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-a-cinematic-anime-style-scene-of-a-young-female-traveler-skateboarding-downhill-9d0ffb3a7366",
|
||
"title": "少女滑板穿行海滨山城",
|
||
"description": "动漫风格锁定",
|
||
"image": "https://media.goodcase.ai/cases/fcc7eb7c3ab9.jpg",
|
||
"mode": "video",
|
||
"prompt": "A cinematic anime-style scene of a young female traveler skateboarding downhill through a colorful coastal hillside town. She rides smoothly down a winding residential road, carrying a green backpack and orange shoulder bag, while the camera follows behind her in a dynamic tracking shot. Below, a breathtaking turquoise ocean stretches along a curved sandy coastline with white waves crashing against the shore. Colorful houses, utility poles, lush greenery, distant mountains, and enormous fluffy clouds fill the landscape. Strong summer sunlight, vivid blue sky, detailed hand-painted anime aesthetic, subtle wind moving her hair and clothes, realistic skateboard motion, smooth camera movement, atmospheric depth, highly detailed background, adventurous peaceful travel mood, cinematic composition, 9:16 vertical, seamless natural motion.",
|
||
"category": "anime-style-lock",
|
||
"sourceId": "seedance",
|
||
"credit": "@CaliraVal",
|
||
"sourceUrl": "https://x.com/CaliraVal/status/2099357883133726827"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-realistic-4k-cinematic-winter-travel-vlog-in-russia-a77fdcb20b8c",
|
||
"title": "俄罗斯冰雪城市冬日旅行",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/14ca7c582b40.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-realistic 4K cinematic winter travel vlog in Russia. Use the male traveler from image1 as the exact character reference in every shot. Keep his face, hairstyle, facial hair, skin and body consistent.\n\nHe wears the same winter outfit throughout: insulated puffer jacket, knitted beanie, scarf, gloves, dark trousers and waterproof boots. Keep colors and design consistent.\n\n0:00–0:02: Cinematic drone pull-back over a snow-covered Russian city with golden domes, frozen rooftops, ice crystals, pale sunlight and morning haze.\n\n0:02–0:05: Handheld selfie vlog. He walks on a snowy cobblestone street, smiles and talks to camera. Visible breath mist and winter lens flare. Whip pan.\n\n0:05–0:08: Russian winter market with colorful stalls, matryoshka dolls and steaming samovars. Focus on objects, rack focus to his face as he picks up a souvenir, slow push-in, warm grade.\n\n0:08–0:10: Macro of his gloved hand holding a lacquered figurine, frost details, bokeh and subtle camera drift. Match cut.\n\n0:10–0:14: Side tracking shot beside a grand ice-covered historic building, icy reflections, speed ramp 60% to 100%.\n\n0:14–0:16: Dutch tilt and tilt-up revealing a frozen cathedral against a grey winter sky. He looks up in awe.\n\n0:16–0:19: Slow-motion wide shot walking beside a frozen river, blowing snow, distant skyline, cinematic letterbox.\n\n0:19–0:22: Handheld selfie close-up holding a steaming hot drink, satisfied expression, warm grade.\n\n0:22–0:25: Fast montage: palace hallway walk, photographing an ice sculpture, snowy bridge thumbs-up. Rapid cuts and motion blur.\n\n0:25–0:28: Golden-hour overlook of the frozen city, slow push-in toward his silhouette.\n\n0:28–0:29: He faces camera, smiles and waves, subtle lens flare.\n\n0:29–0:30: Cut to black screen. Centered elegant white text fades in: “Wizstar AI”. Music fades to silence.\n\nPhotorealistic, cinematic lighting, realistic snow, natural motion, accurate hands, consistent image1 identity and outfit, no face changes, distortion, cartoon or CGI.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Xaroon_x",
|
||
"sourceUrl": "https://x.com/Xaroon_x/status/2098642605735125046"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-gta-style-chaos-but-the-mission-makes-absolutely-no-sense-b787f991daf0",
|
||
"title": "误抢包裹却完成配送的荒诞追逐",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/b91f5f84dcb1.jpg",
|
||
"mode": "video",
|
||
"prompt": "GTA-style chaos, but the mission makes absolutely no sense. 😂\n\nCreated with Seedance 2.5 on @itsPolloAI \n\nCreate a 30-second realistic AAA third-person open-world game sequence in a lively local Japanese neighborhood. Use the uploaded image as the exact character reference: a young Korean woman in her early 20s with long black hair, pastel-lavender top, white cargo pants and sneakers. Keep her appearance consistent.\n\nShe notices a delivery cyclist carrying a cardboard package, grabs the package, and runs. The cyclist chases her through the streets. She hides behind a parked kei truck, sneaks out, then accidentally crashes into another delivery worker, sending boxes everywhere. She ignores a “RETURN PACKAGE” prompt and runs again. She crosses a pedestrian bridge, briefly leaves the package beside a bench, grabs it when the cyclist arrives, and continues escaping.\n\nShe eventually reaches the address printed on the package and realizes she has accidentally delivered it to the correct recipient. The recipient happily takes it while the exhausted cyclist arrives and looks completely confused. She gives him an innocent smile and walks away.\n\nUse authentic third-person gameplay graphics, realistic 3D characters, detailed village/neighborhood environment, believable physics and NPC reactions. Include a GTA-style HUD with minimap, health/stamina bars, controller prompts, mission objectives, alert markers and notifications such as “PACKAGE STOLEN,” “THEY FOUND YOU,” “BAD DECISION,” “DELIVERY COMPLETE,” “MISSION COMPLETE,” and “CHAOS +150.”\n\nNo anime, cartoon, cel-shading, mobile-game graphics, cinematic movie shots, distorted characters, inconsistent objects, gore or unrealistic physics.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2098615400141619289"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-shot-1-0-0-1-2s-character-a-face-and-outfit-matching-the-reference-image-s-6d712bba22c5",
|
||
"title": "列车玻璃门后的感染者突袭",
|
||
"description": "恐怖悬疑",
|
||
"image": "https://media.goodcase.ai/cases/20e977da4dd0.jpg",
|
||
"mode": "video",
|
||
"prompt": "Shot 1 (0.0–1.2s): Character A, face and outfit matching the reference image, sits calmly in a quiet train car, glancing toward the connecting glass door. Dim cinematic evening lighting, unaware calm before dread.\n\nShot 2 (1.2–2.2s): Faint movement stirs in the next car behind the glass, blurred and distant.\n\nShot 3 (2.2–3.2s): She leans forward slightly, noticing something is wrong, unease building silently.\n\nShot 4 (3.2–4.4s): A passenger in the next car suddenly collapses and begins convulsing, completely silent through the glass.\n\nShot 5 (4.4–5.6s): Wide view of the divider; the collapsed passenger convulses as nearby passengers begin noticing.\n\nShot 6 (5.6–6.8s): Close-up of her face near the glass, confusion turning into fear.\n\nShot 7 (6.8–8.0s): The fallen passenger seizes violently, dark veins spreading across the body.\n\nShot 8 (8.0–9.2s): The passenger rises unnaturally, head twitching, eyes clouding white.\n\nShot 9 (9.2–10.2s): It suddenly lunges at another passenger, triggering chaos.\n\nShot 10 (10.2–11.4s): Survivors on this side recoil from the glass, realizing what is happening.\n\nShot 11 (11.4–12.6s): Wide shot: the next car erupts into silent, distant chaos, passengers scrambling.\n\nShot 12 (12.6–13.8s): She backs away from the glass, hand covering her mouth in horror.\n\nShot 13 (13.8–15.0s): An infected passenger violently slams into the glass; the impact is finally heard.\n\nShot 14 (15.0–16.0s): Survivors jump back as the glass rattles violently.\n\nShot 15 (16.0–17.2s): More infected press against the glass, distorted faces and faint snarls bleeding through.\n\nShot 16 (17.2–18.4s): Cracks spread rapidly across the glass under repeated impacts.\n\nShot 17 (18.4–19.6s): Survivors desperately brace the door with a luggage rack and seat cushions.\n\nShot 18 (19.6–20.8s): A clawed hand punches through the fractured glass, making everyone recoil.\n\nShot 19 (20.8–22.0s): She grabs a metal pole and positions herself between the broken door and the survivors.\n\nShot 20 (22.0–23.2s): The glass shatters completely; infected surge through the frame.\n\nShot 21 (23.2–24.4s): She swings the pole into the first infected, knocking it backward in cinematic slow motion.\n\nShot 22 (24.4–25.6s): Another survivor wedges a luggage rack into the doorway as a makeshift barrier.\n\nShot 23 (25.6–26.8s): Infected claw through the gaps while survivors struggle to hold the barrier.\n\nShot 24 (26.8–28.0s): Wide shot: shattered glass covers the floor as survivors guard the damaged divider.\n\nShot 25 (28.0–30.0s): She stands at the front, pole in hand, staring through the shattered frame at the infected beyond. Cinematic dread-filled ending as silence returns.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2098081350205194721"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-14-77-9-16-576-1024-30fps-de6ac984ad6a",
|
||
"title": "捡到钱立刻花掉的街头反转喜剧",
|
||
"description": "出门在外一定要助人为乐😂 seedance prompt: 【整体设定】 生成14.…",
|
||
"image": "https://media.goodcase.ai/cases/675dae6a1a74.jpg",
|
||
"mode": "video",
|
||
"prompt": "【整体设定】\n生成14.77秒、9:16竖屏、576×1024、30fps的真实街头反转喜剧。成年女性使用预设女角色#1\n\n图片1\n带着装饰眼镜\n\n图片2\n,完整穿着预设服装#3\n\nHRBVhi-bUAAZcSt\n;成年男性使用预设男角色#2\n\nhf_20260702_115248_424b92a4-ca6f-401a-baa3-709ae4b60581hf_20260702_115…\n。严格锁定两人的脸、发型、年龄、肤色、体型和服装,全程不得换脸、换装。\n剧情:女角色正在店门口吃面,男角色从面前经过并掉下一张红色纸币。女角色立刻放下面追出去,捡起纸币交还;男角色摇头表示不是自己的。女角色发现失主不明,随即举着钱冲向旁边鸡架店消费,形成“捡到的钱必须马上花掉”的反转。\n【真实系前缀】\n真实手机街拍质感,白天自然光,普通中国社区商业街,无影视布光、无美颜、无磨皮、无电影调色。前段手机固定在店铺对面,约26mm自然广角;中后段改为真实手持跟拍,带轻微脚步起伏、构图迟疑、自动对焦漂移、曝光呼吸及自然运动模糊。\n人物奔跑、下台阶、蹲下捡钱、转身和挥手均符合真实重心与惯性。预设服装#3的袖口、裙摆或配饰按照动作自然摆动,不缠脚、不穿模、不脱落、不走光。\n【场景与道具】\n开场是一家临街小吃店。女角色坐在玻璃店门前的矮凳上,面前是一张棕色小折叠桌;桌上有一只不锈钢面碗、一双木筷、白色小碟、饮料瓶、调味瓶和少量杂物。左侧放红色拖把桶,右侧有木凳和粉色塑料凳,店内可见窄楼梯、冰柜和菜单海报。\n门前有一级灰色石台阶,外侧是宽阔灰色人行道。街道两边排列蔬菜店、超市和熟食摊,背景为黄红色住宅楼、停放的电动车及自然经过的成年行人。\n关键道具只有一张红色纸币,约手掌长度。纸币从男角色身上掉落,落到人行道中央;女角色亲手捡起并始终拿在右手中,直到结尾。不得复制、变色、变成卡片或凭空消失。\n画面顶部从0.00—11.73秒持续显示白色圆角矩形,内部黑色粗体中文:\n“出门在外一定要乐于助人”\n【人物表演】\n女角色初始状态松弛、专心吃面;看见纸币后先疑惑,再突然警觉;追上男角色时神情认真热心;得知钱不是他的以后短暂思考,随后眼睛一亮,露出想到办法的兴奋表情。\n男角色#2穿黑色短袖上衣、浅蓝色宽松牛仔裤和白色运动鞋,右手拿黑色手机。他走路时略低头看手机;被追上后先疑惑地看女角色,再看纸币,摇头并摆手表示不是自己的。男角色全程没有对白,也不接过纸币。\n【海妖风姿态】\n8.05—8.55秒,男角色摇头离开后,女角色拿着纸币短暂停步。她身体微侧形成流畅S曲线,肩部放松下沉,颈部优雅拉长,下巴微抬,胯部轻微向一侧推出,双腿前后错位;左手指尖只轻触一次发丝。她半垂眼皮,冷感侧视男角色离开的方向,表情克制而危险。\n下一瞬间她眼睛突然亮起,想到消费办法,立即解除姿态并转身奔跑。不得让海妖风姿态破坏追人、捡钱或跑步的动作逻辑;不得添加鱼尾、鱼鳞、水下或魔法效果。\n【严格时间分镜】\n0.00—1.50秒|固定正面全景\n女角色#1坐在店门口矮凳上,身体前倾,用筷子从不锈钢碗中夹起长面条,低头连续吸面。她一手持筷、一手扶碗,注意力全在食物上。面条真实下垂,碗和筷子不得变形。\n1.50—2.70秒|男角色经过\n男角色#2从画面左侧前景进入,边走边低头看手机,横穿镜头向右侧离开,身体短暂遮挡女角色和桌子。一张红色纸币从他裤袋附近自然滑落,飘动两下后平落在人行道中央。他没有察觉,继续向右走远。\n2.70—3.80秒|女角色发现纸币\n男角色离开前景后,纸币清晰留在地面。女角色仍含着一小段面条,先低头看到纸币,再迅速抬眼看向男角色离开的方向。她停止吸面,眉毛抬起、眼睛睁大,确认纸币可能是他掉的。\n3.80—5.77秒|起身追出\n女角色迅速把筷子放回碗边,双手撑住桌面和凳子起身,侧身绕过折叠桌,从一级台阶跨到人行道。动作略显仓促但不撞翻桌子。她跑到纸币旁屈膝下蹲,右手伸向纸币。\n5.77秒硬切至较近的侧前方低机位。\n5.77—6.40秒|捡起纸币\n女角色右手拇指和食指准确夹住纸币边缘,将它从地面提起。她保持半蹲,立刻抬头寻找男角色,发现他在右前方后迅速站起。\n6.40秒硬切至侧面手持跟拍。\n6.40—7.07秒|开始追赶\n女角色右手举着纸币向前奔跑,左臂配合摆动,目光锁定男角色背影。镜头随摄影者快步向右移动,出现轻微真实晃动。她没有说话,只能听见急促脚步和呼吸。\n7.07秒硬切至女角色身后的跟拍视角。\n7.07—7.67秒|追上男角色\n女角色一边跑一边将纸币举到肩膀高度,伸向前方的男角色。男角色听见脚步后停下,转身面向她,神情困惑。\n7.67秒硬切至两人中景。\n7.67—8.05秒|确认失主\n女角色把纸币递到男角色胸前,认真地用眼神询问。男角色先看纸币,再摸一下自己的裤袋,随即摇头,抬起空手左右摆动两次,明确表示这不是他的钱。他不接纸币,不说话,继续从女角色身旁离开。\n8.05—8.55秒|海妖风停顿\n女角色仍捏着纸币,短暂形成海妖风S曲线,半垂眼皮冷感侧视男角色离开的方向,左手指尖轻触一次发丝。她嘴角先保持平直,随后眼睛突然一亮,眉梢抬起,产生新的主意。\n8.55—10.20秒|寻找消费目标\n她猛然转身,头发和服装随惯性甩动,右手把纸币高高举起,快速环顾街道右侧店铺。她发现前方鸡架熟食摊后立即朝它跑去。镜头从身后跟随,行人自然避让但不集体看镜头。\n10.20秒硬切至面向熟食摊的后方跟拍中景。\n10.20—11.73秒|唯一一句对白\n女角色举着纸币冲向带绿白遮阳棚的街边熟食窗口,右臂高举,左臂随跑步摆动。她兴奋、急促、略带喘息地朝窗口老板喊:\n女角色#1:“哥,给我来个鸡!”\n口型逐字同步,必须由女角色说,男角色不得开口。\n画面底部白色黑描边字幕:\n“哥给我来个鸡”\n窗口内老板只抬头看她,不说话。女角色最后一步跨向摊位,纸币仍举在右手中。\n11.73—14.77秒|喜剧冻结结尾\n在女角色举钱奔向窗口的动作峰值突然冻结。顶部白色标题和底部字幕同时消失。画面停留在她背对镜头、右手举钱、左脚抬起的姿态,加入轻微数码放大、边缘运动模糊和短促定格震动,但人物与店铺不得变形,保持至14.77秒结束。\n【声音】\n全片使用轻快高能的电子舞曲节拍,循环一段英文采样:“One, come on, push it, hands up”,音乐随跑步节奏推进。保留吸面声、筷子碰碗声、纸币落地声、脚步、服装摩擦、街道行人及电动车远声。除女角色最后一句外没有任何中文对白、旁白或解说。\n【真实系后缀与负面限制】\n动作因果必须清楚:男角色经过→纸币从他身后掉落→女角色发现并捡起→追上递还→男角色摇头拒收→女角色仍持纸币→转身去熟食摊消费。\n禁止男角色说台词;禁止男角色接过纸币;禁止女角色提前奔向摊位;禁止纸币瞬移、复制或变形;禁止桌椅翻倒、车辆撞人、行人同步回头。禁止换脸、服装变化、错误手指、身体穿模、悬浮奔跑、电影慢动作、无人机镜头、夸张表演、额外字幕、账号标识、水印和平台界面。",
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"tags": ["去 AI 味", "活人感", "写作清单", "人话.skill", "rnskill"],
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"sourceId": "seedance",
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||
"credit": "@john87445528",
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||
"sourceUrl": "https://x.com/john87445528/status/2097656268856905862"
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},
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{
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"id": "seedance:seedance-rainy-streets-green-hills-black-sand-beaches-and-a-little-adventure-across-n-0476951b6e15",
|
||
"title": "雨中新西兰海岸旅程",
|
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"description": "旅行城市漫步",
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"image": "https://media.goodcase.ai/cases/05aa6999193f.jpg",
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"mode": "video",
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"prompt": "Rainy streets, green hills, black-sand beaches, and a little adventure across New Zealand\n\nMade with Seedance 2.5\n\nPrompt ↓ \n\n[GENERATION GOAL]\n30-second cinematic fashion-travel music video following one beautiful sweet slim young woman across New Zealand — starting on a rainy Auckland street, moving through a coastal train journey, green countryside and finally a dramatic black-sand beach where she dances with a friend. She listens to music through white wired earphones and carries a Sony compact camera. Photoreal live-action, energetic editorial pacing, hard cuts only.\n\n[CORE LOOK]\nPremium outdoor fashion commercial meets cinematic road-trip film.\nCool blue rain, emerald greens, volcanic black sand, warm sunset skin tones.\nNatural film grain, subtle lens bloom, realistic moisture and atmospheric perspective.\n24fps, 180-degree shutter.\nNo artificial CGI look, no beauty smoothing, no warped faces, no duplicated people, no random text, no watermarks.\n\n[LEAD]\nGenerate a new original beautiful sweet slim woman in her early 20s.\nHeart-shaped face, bright hazel-brown eyes, long dark wavy hair, soft straight brows, subtle brown eyeliner, naturally glossy peach lips, fair warm skin with realistic freckles across nose and cheeks, slim athletic figure, delicate hands, short glossy pale-pink nails.\nShe has an innocent sweet smile and playful personality.\nNo glasses.\nShe never speaks.\n\nWhite wired earphones in both ears whenever she appears. Cable remains visible.\n\n[FRIEND]\nAppears from 22s onward.\nYoung East-Asian woman, early 20s, short dark bob haircut, oversized pale-yellow sweatshirt, loose denim trousers, white sneakers.\nNo earphones.\n\n[FASHION / PRODUCT]\nLOOK A 0–6.5s:\nRoyal-blue Nike windbreaker, black straight-leg pants, white sneakers, small black shoulder bag. Sony RX100-style compact camera in hand.\n\nLOOK B 6.5–15.5s:\nCream Nike cropped fleece jacket, forest-green cargo skirt over black leggings, silver watch, cream mini backpack.\n\nLOOK C 15.5–30s:\nGraphite Nike lightweight track jacket, loose black trousers, white sneakers, small silver hoop earrings.\n\nNo Adidas. No Puma. Nike branding stays physically correct and understated.\n\n[LOCATIONS]\nLOC 1 — Auckland rainy street:\nGlass towers, wet pavement, neon reflections, green trees, moving pedestrians and buses.\n\nLOC 2 — Historic railway platform:\nDark green station canopy, old benches, rain droplets, passengers waiting naturally.\n\nLOC 3 — Coastal train:\nLarge window, ocean cliffs outside, woman seated beside window.\n\nLOC 4 — Train reflection:\nClose-up of her face reflected in rain-covered glass, city disappearing behind.\n\nLOC 5 — Countryside station:\nWooden platform, green hills, sheep pasture in distance.\n\nLOC 6 — Mountain road:\nLong winding road through emerald hills.\n\nLOC 7 — Waterfall trail:\nWet wooden walkway, huge waterfall behind mist.\n\nLOC 8 — Black-sand beach:\nWide volcanic beach, dark rocks, crashing turquoise-grey ocean.\n\nLOC 9 — Cliff path:\nGrass-covered cliff edge, strong ocean wind.\n\nLOC 10 — Beach café:\nSmall wooden café, surfboards, warm interior lights.\n\nLOC 11 — Coastal overlook:\nTwo wooden benches facing ocean.\n\nLOC 12 — Final beach plaza:\nOpen black-sand area with distant cliffs and sea.\n\n[30-SECOND TIMELINE]\n\n0.0–2.2s\nSHOT 1 — RAIN OPEN\n50mm handheld close-up. Woman walks beneath light rain in LOOK A. Drops collect on blue jacket. She smiles while listening to music.\n\n2.2–3.8s\nSHOT 2 — CAMERA DETAIL\n85mm ECU. Her fingers switch Sony camera mode. White earphone cable crosses jacket naturally.\n\n3.8–6.5s\nSHOT 3 — STREET CROSS\n35mm tracking shot. She crosses wet street, turns toward camera with a small smile. Bus passes behind, creating natural foreground wipe.\n\n6.5–8.6s\nSHOT 4 — PLATFORM CUT\nHard cut on bus wipe. LOOK B. She walks onto railway platform holding camera and cream backpack.\n\n8.6–10.4s\nSHOT 5 — TRAIN ARRIVAL\n24mm. Train enters frame, wind moves her hair and fleece. She looks toward it.\n\n10.4–12.6s\nSHOT 6 — WINDOW\n50mm inside train. She sits beside window, earphones visible, cheek against glass, watching countryside.\n\n12.6–14.2s\nSHOT 7 — REFLECTION\n85mm close. Her face reflected in rain-streaked window. She closes eyes for a second and smiles.\n\n14.2–16.0s\nSHOT 8 — TITLE\nHard cut to countryside station.\nShe steps down from train.\nHuge yellow condensed text:\n【NEW ZEALAND】\nappears vertically beside her as she walks forward.\n\n16.0–18.0s\nSHOT 9 — GREEN HILLS\n24mm wide. LOOK C begins. She walks through a grassy mountain road, camera tracking sideways. Clouds move across distant hills.\n\n18.0–19.8s\nSHOT 10 — WATERFALL\nWide 24mm. She stands near wet wooden trail, turns toward massive waterfall and laughs.\n\n19.8–21.6s\nSHOT 11 — OCEAN REVEAL\nHard cut. She walks over grassy cliff path. Camera starts behind her and gently moves beside her, revealing black-sand beach below.\n\n21.6–23.2s\nSHOT 12 — FRIEND ARRIVAL\nFriend enters from frame right holding two takeaway drinks. Lead turns and laughs.\n\n23.2–25.0s\nSHOT 13 — BEACH WALK\n35mm two-shot. Both walk barefoot along black sand, shoes in hands, laughing naturally. Wind moves their clothes.\n\n25.0–26.4s\nSHOT 14 — CAMERA SNAP\n85mm. Friend takes Sony camera from lead and quickly photographs her. Lead laughs and covers face playfully.\n\n26.4–28.0s\nSHOT 15 — RUN TO WATER\nWide 24mm. Both run toward shallow waves, jackets and hair moving naturally.\n\n28.0–30.0s\nSHOT 16 — DANCE + TITLE\nWide-to-medium. They stop near beach café and dance freely to music, no choreography.\nAt 28.6s bold yellow condensed text hits:\n【KEEP MOVING】\nThen at 29.3s:\n【KEEP DREAMING】\nBoth stacked over the dancing pair.\nLead throws one arm upward and laughs.\nHard cut to black.\n\n[CAMERA / MOVEMENT]\nRain shots: handheld 50mm.\nTrain: locked and intimate 50–85mm.\nLandscape: 24mm with natural atmospheric depth.\nBeach: low 24mm and gentle lateral tracking.\nNo drone orbit.\nNo crash zoom.\nNo artificial slow motion.\nHard cuts motivated by movement.\n\n[PHYSICS]\nRain beads remain physically attached to fabric.\nWet pavement reflects real light.\nHair reacts to wind and moisture.\nEarphone cable never vanishes.\nCamera has realistic weight.\nFleece and nylon wrinkle naturally.\nOcean spray moves independently.\nFootsteps disturb wet sand realistically.\n\n[LIGHTING]\nAuckland: cool cloudy daylight and practical city reflections.\nTrain: soft window light.\nCountryside: diffused cloud light.\nWaterfall: cool mist bounce.\nBeach: overcast coastal light transitioning into warm late-day glow.\nFaces retain realistic skin texture and eye catchlights.\n\n[AUDIO]\nRain hitting jacket.\nStreet traffic.\nTrain brakes and rail vibration.\nCamera shutter.\nDistant waterfall.\nOcean wind.\nFootsteps on wet sand.\nSmall natural laughs.\nNo dialogue.\nNo voiceover.\nNo lyrics.\nOnly two specified English title cards.\n\n[FINAL CONSISTENCY]\nOne original lead throughout.\nFriend only from 21.6s.\nWhite wired earphones remain visible.\nNike is the only fashion-sports brand.\nSony compact camera remains consistent.\nPhotoreal premium live-action.\nNo anime, no 3D, no plastic skin.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2097303258171949530"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-1080p-ultra-realistic-ugc-video-of-a-young-korean-woman-in-48f0e863374c",
|
||
"title": "韩国女孩的周一晨间相机分享",
|
||
"description": "达人测评",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-30-second-1080p-ultra-realistic-ugc-video-of-a-young-korean-woman-in-48f.webp",
|
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"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic UGC video of a young Korean woman in her own bedroom, casually talking to the camera about the new camera she recently bought.\nMAIN SUBJECT\nYoung Korean woman in her early 20s, naturally beautiful, realistic skin texture, minimal makeup, black wavy hair loosely tied into a messy side ponytail with a few loose strands around her face. Wearing a fitted pastel-blue short top, loose cream pajama-style pants and a simple silver necklace.\nMaintain her exact facial identity, hairstyle, outfit, body proportions and overall appearance consistently throughout the entire video.\nSETTING\nHer own cozy bedroom in a normal Korean apartment on a warm Monday morning. She is sitting comfortably on her bed with slightly rumpled white bedding, a pillow behind her, a small bedside table, a few everyday personal items and soft natural sunlight coming through the window.\nThe room should feel lived-in and authentic, not staged or luxurious.\nUGC STYLE\nShe is holding the camera herself or it is casually propped up on the bed in front of her. The framing is slightly imperfect, with natural handheld movement, small autofocus adjustments and occasional exposure changes.\nThe video should feel like a genuine personal vlog recorded for her followers, not a polished advertisement.\nACTION / DIALOGUE\nShe sits cross-legged on the bed, looks into the lens and smiles.\nShe says naturally:\n“Okay, I finally got this camera I’ve been talking about.”\nShe laughs softly and picks up the camera to show it briefly.\n“I’ve only had it for like two days, but I already bring it everywhere.”\nShe sets it back down and leans against the pillow.\n“I wanted something that feels a little more personal than just using my phone.”\nShe looks around her room, then back at the lens.\n“The footage has this old-school look that I really love. It kind of feels like I’m recording memories instead of just posting videos.”\nShe smiles and tucks a loose strand of hair behind her ear.\nNear the end she glances at the clock, laughs and says:\n“Anyway, it’s Monday, I should probably get out of bed.”\nShe reaches toward the camera as if to stop recording, smiling naturally, and the video cuts off mid-motion.\nCAMERA / VISUAL LOOK\nAuthentic UGC with a subtle early-2000s DV-inspired feel: soft digital detail, mild image noise, slight autofocus hunting, natural skin texture and warm morning light. No dramatic lighting or cinematic camera moves.\nAUDIO\nOnly natural bedroom ambience, her voice, subtle fabric movement, distant neighborhood sounds and slight camera handling noise. No music, no narration.\nFINAL FEEL\nRelaxed Korean lifestyle creator content. Warm, feminine, intimate and believable, like a casual Monday-morning vlog filmed in her own room.\nNEGATIVE\nNo commercial acting, no perfect studio lighting, no staged influencer poses, no identity drift, no outfit changes, no distorted hands, no extra fingers, no subtitles, logos, watermarks or AI artifacts.",
|
||
"category": "ugc-creator-review",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2096930655615758734"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithelisia-seedance-ai-4880539d8030",
|
||
"title": "韩屋雨巷里的少女与猫",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithelisia-seedance-ai-4880539d8030.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic 30s video of a slim young Korean woman with long dark hair in a low ponytail, wearing a fitted white t-shirt, baggy light-blue jeans, white sneakers and a white canvas tote bag. She walks through sunny traditional Korean hanok alleys with wooden doors, stone walls and tiled roofs.\n\nShe steps out of a wooden house, walks along brick walls, looks up at the sky, opens an old wooden gate, then walks down a narrow sloping alley. She holds a green Sprite bottle and a peach, sits against a brick wall and drinks. A cute white-tabby cat approaches; she crouches and pets it. Soft smiling close-up.\n\nWeather turns overcast and wet. She walks through puddles holding a shopping basket, shows a coin in her palm, looks up, then sits on a wooden bench, adjusts her shoes and drinks from a green can. Turns to camera with a slight smile.\n\nWarm natural light, cinematic grading, handheld + fisheye shots, shallow depth of field, peaceful Korean village aesthetic.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithElisia",
|
||
"sourceUrl": "https://x.com/AiwithElisia/status/2094345617673978115"
|
||
},
|
||
{
|
||
"id": "seedance:avelyrahnai-seedance-ai-b9cbe06cfc79",
|
||
"title": "白发女特工夜战追兵",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/avelyrahnai-seedance-ai-b9cbe06cfc79.jpg",
|
||
"mode": "video",
|
||
"prompt": "A fierce female secret agent with white hair styled in a bun, wearing a grey maid uniform and a white face mask, runs at full speed down a luxurious dark marble corridor with warm vertical LED strip lighting and floor-to-ceiling glass windows overlooking a moonlit ocean at night, tightly clutching an antique wooden box. Two burly bodyguards in black suits chase her. She leaps into the air and delivers a powerful flying side-kick into the chest of the lead guard, sending him crashing backward. She lands gracefully, turns sharply, kneels to place the wooden box on the floor, and stands up. In a dramatic motion, she pulls off her white face mask and flings it away, tearing off her maid uniform jacket to reveal a sleek white athletic crop top and shorts. She engages in high-speed martial arts combat, leaping into mid-air splits, dodging sword strikes, and executing dynamic counter-attacks against multiple armed opponents in a flurry of motion.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@AvelyrahnAI",
|
||
"sourceUrl": "https://x.com/AvelyrahnAI/status/2093190933256733095"
|
||
},
|
||
{
|
||
"id": "seedance:minuitia-seedance-ai-9da034716c83",
|
||
"title": "红袍法师定格风暴并倒转森林",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/media/poster/minuitia-seedance-ai-9da034716c83.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second multi-shot 16:9 ultra-photorealistic live-action cinematic fantasy sequence.\nThe sequence must look like a real high-end live-action film scene shot on location with a real performer and practical wardrobe. Absolute photographic realism. No 3D look, no CGI feel, no game-engine rendering, no plastic vegetation, no synthetic surfaces, no fantasy illustration aesthetic. Natural skin texture, visible textile fibers, heavy cloth behavior, wet moss, irregular bark, realistic droplets, physically believable wind, real gravity, true inertia, cinematic lens behavior, subtle film grain, restrained cinematic color grading.\nCore concept: a violent supernatural storm tears through the forest. The mage raises her staff high into the air to stop time. At the exact moment the staff reaches upward, time freezes instantly all around her: rain, leaves, broken branches, bark, wood splinters, moss, droplets and debris are suspended motionless in midair. Important: the mage herself is not frozen. She alone remains alive and moving outside stopped time. Her hair continues to flow in the wind, her immense red garment continues to ripple and breathe with natural weight, and she can move her hand through the frozen world. The camera glides through the suspended storm in macro detail, then reveals her gently touching a frozen droplet with her fingertips. She closes her fingers, and the whole forest rewinds violently in reverse. Final shot: a gigantic shattered tree reconstructs itself around her in a breathtaking live-action spectacle.\nSHOT 1 — 0.0–2.0 s.\nWide kinetic establishing shot in the forest, 28mm lens feeling, camera moving through the trees as a violent supernatural storm tears across the landscape. Branches whip, leaves spiral, rain and spray burst through frame, loose bark and splinters fly through the air, ferns bend under sudden force. The mage stands ahead in the distance as a vivid red silhouette against the dark green forest. The storm is chaotic, heavy and physically believable.\nSHOT 2 — 2.0–4.0 s.\nDramatic low-angle medium-wide shot. The mage powerfully raises her tall moss-covered staff high above her head toward the sky. Her stance is rooted and sovereign. Her expression is calm, focused, and absolute. Strong wind pushes through her long red hair and the heavy fibrous strands of her cloak, making them stream and flutter with real weight and texture. She is alive, powerful, and dynamic. The storm continues raging violently around her as she completes the upward gesture.\nSHOT 3 — 4.0–5.0 s.\nExtreme close shot on the staff lifted in the air and on her hand gripping it. At the exact peak of the gesture, time stops instantly. Hard supernatural freeze. Rain droplets, leaves, bark fragments, twigs, mud particles and torn moss become perfectly suspended in the air. The environment freezes absolutely. Important: only the world freezes. The mage remains unfrozen, breathing subtly, with hair and garment still moving in a mysterious residual wind.\nSHOT 4 — 5.0–7.0 s.\nMacro traversal shot through the frozen storm. The camera moves slowly and elegantly through suspended droplets, torn leaves, wood splinters, clumps of wet moss and airborne soil particles, all perfectly still. Shallow depth of field and delicate rack focus. Hyper-detailed water, bark fibers and plant textures. In the background, the mage remains the only moving element in the frame, her red hair drifting softly and her cloak breathing in the wind while everything else is frozen solid in time.\nSHOT 5 — 7.0–9.5 s.\nIntimate close shot transitioning from macro to portrait. The camera passes in front of the mage’s face as she slowly extends one hand into the frozen air. She gently touches a single suspended water droplet with her fingertips. The droplet remains perfectly suspended in space while her hand moves freely around it. Her face is alive, calm and controlled, not frozen. Her eyes study the droplet with quiet mastery. Strands of red hair move across the hood and cheeks, and the edges of her garment subtly ripple. Around her, the storm debris hangs motionless like a halo of suspended destruction.\nSHOT 6 — 9.5–12.0 s.\nClose dynamic shot with a slightly orbiting camera angle. After touching the droplet, the mage slowly closes her fingers. At that exact moment, the entire world reverses direction violently. All suspended elements accelerate backward through their original paths: droplets fly back into rain streams, splinters return into branches, bark fragments reattach, leaves reverse through the air, mud and moss snap back into place. The reverse motion must feel like true time rewinding, not simply objects moving backward. The mage remains centered and controlled while the forest heals around her.\nSHOT 7 — 12.0–15.0 s.\nGrand final shot, dramatic low-angle to medium-wide composition centered on the mage. Around and behind her stands a gigantic tree that had been violently shattered by the storm. In reverse motion, colossal trunk fragments, bark slabs, inner wood fibers, branches, moss and debris reassemble around her at monumental scale. The ancient tree reconstructs itself completely, sealing and becoming whole again while she stands beneath it with her staff still raised or just beginning to lower, hair and garment still moved by the lingering wind. End on a majestic completed composition: the restored towering tree enclosing her presence, the storm gone, the forest returned to impossible stillness, and the mage the only living force beyond time.\nCamera language must be varied and purposeful across the sequence: storm-driven wide shot, low-angle heroic gesture, extreme close-up trigger shot, macro traversal through frozen debris, intimate face-and-hand interaction, dynamic rewind shot, and monumental final reveal. Every angle must feel deliberate, original, cinematic, and worthy of a major film director.\nKeep the supernatural phenomenon grounded in realism. The impossible effect must emerge from fully believable physical materials: water, wood, bark, moss, leaves, mist, cloth, soil, and air. No glowing magic beams, no fantasy energy blasts, no holograms, no stylized VFX overload. The power is expressed through time control, motion contrast, tactile interaction with frozen matter, and physical reversal.\nImportant visual rule: once time is stopped, all environmental elements must be perfectly frozen, but the mage must remain subtly animated. Her hair moves in the wind, her cloak and fibrous garment continue to ripple naturally, and she can deliberately reach out and touch a suspended droplet with her hand.\nNo text, no titles, no captions, no logo, no watermark, no visible UI, no identity drift, no costume change, no staff change, no duplicate character, no malformed hands, no extra fingers, no synthetic skin, no cartoon motion, no low-detail background.\nno music, no subtitle",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@minuitIA",
|
||
"sourceUrl": "https://x.com/minuitIA/status/2092285935056568787"
|
||
},
|
||
{
|
||
"id": "seedance:itxabdullaa-seedance-ai-e415bfb9d10b",
|
||
"title": "Seedance 2.5 仿早期遗失录像质感三十秒短片",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/f9939357c673.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-realistic video that feels like a genuine forgotten early-2000s Korean home-video recording. NOT cinematic, staged, polished, or AI-generated.\n\nMAIN SUBJECT:\n\nYoung Korean woman, early 20s, natural everyday appearance. Oversized faded navy hoodie, white T-shirt, loose beige cargo pants, worn white canvas sneakers, thin silver necklace. Shoulder-length wavy black hair loosely clipped back with wispy strands. Minimal makeup, realistic skin texture and imperfections. Warm, playful personality.\n\nMaintain EXACTLY the same identity, face, hair, clothing, proportions, and appearance throughout.\n\nLOCATION:\n\nQuiet Korean residential neighborhood on a warm late afternoon. Narrow concrete lanes, older low-rise houses, potted plants, bicycles, utility poles, tangled wires, laundry, trees, faded walls, small playground. No shops, advertisements, crowds, or landmarks.\n\nCAMERA:\n\nEarly-2000s consumer MiniDV camcorder filmed casually by her friend. Heavy handheld shake, awkward framing, accidental cropping, autofocus hunting, lens breathing, exposure pumping, motion blur, slight rolling shutter, mild compression, soft faded colors, subtle sensor noise.\n\nNo stabilization, gimbal, cinematic movement, HDR, film look, or modern smartphone aesthetics.\n\n---\n\n00:00–00:04\n\nRecording begins pointed at the pavement before quickly rising to her. She carries a small food container and laughs, saying, “Wait, don't film yet.” Her head is briefly cropped.\n\n00:04–00:08\n\nThey walk uphill. She notices an orange-and-white stray cat beside an old bicycle and crouches to pet it. The camera moves too close and autofocus locks onto the bicycle instead of her.\n\n00:08–00:12\n\nThe cat brushes against her leg. She laughs and tries to pet it, but it walks away. She looks at the camera with an amused expression while her friend laughs behind the camera.\n\n00:12–00:16\n\nThey pass a faded neighborhood notice board. She points at something, then nearly drops the lid of her food container. She catches it and laughs naturally.\n\n00:16–00:21\n\nThey reach a small playground under large trees. She sits on an old swing and gently rocks once or twice. The swing squeaks. Sunlight flickers through leaves while the camera exposure changes entering the shade.\n\n00:21–00:25\n\nShe notices someone off-camera waving and waves back. Her friend says something indistinctly. She laughs, notices her shoelace is loose, and bends down to fix it. The camera awkwardly zooms in and briefly loses focus.\n\n00:25–00:28\n\nShe stands, looks directly into the lens and laughs: “Are you seriously recording all of this?” She walks toward the camera as her friend backs away shakily.\n\n00:28–00:30\n\nShe reaches toward the lens to stop the recording. Her fingers cover the image, the exposure darkens, and the footage abruptly cuts to black.\n\n---\n\nAUDIO:\n\nONLY authentic location sound. No music or cinematic sound design.\n\nFootsteps, fabric rustling, plastic container movement, birds, leaves, distant voices, bicycle sounds, swing squeaks, faint traffic, natural laughter, breathing, camera handling noise, and imperfect compressed dialogue from the built-in MiniDV microphone.\n\nREALISM REQUIREMENTS:\n\nMake it feel like an accidentally recorded personal MiniDV tape.\n\nInclude awkward framing, missed focus, exposure fluctuations, motion blur, compression artifacts, clipped highlights, natural pauses, micro-expressions, imperfect timing, and ordinary environmental details.\n\nAvoid cinematic composition, dramatic lighting, perfect skin, artificial bokeh, smooth movement, slow motion, polished acting, modern color grading, or CGI-looking environments.\n\nKey feeling: an authentic 30-second fragment discovered years later on an old Korean family MiniDV tape.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@itxabdullaa",
|
||
"sourceUrl": "https://x.com/itxabdullaa/status/2088923820744917355"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-aa16a9b40268",
|
||
"title": "樱花园中手捧郁金香的白色萌宠",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/c261173cd641.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate an ultra-cute cinematic 3D animated video of a tiny fluffy white baby animal with a round chubby body, soft dense white fur, huge glossy black eyes, tiny pink nose, rosy cheeks, and adorable innocent facial expressions.\n\nThe character is standing in a beautiful dreamy spring garden beneath blooming pink cherry blossom trees, surrounded by soft pink flowers and petals scattered across a warm stone pathway. Golden-hour sunlight shines through the branches, creating a magical warm glow and soft cinematic bokeh in the background.\n\nThe cute character gently holds a single fresh pink tulip in one paw, looks directly at the camera, and makes subtle adorable movements: gently blinking, slightly tilting its head, softly moving its ears and body, and giving a sweet innocent smile. Around the middle of the video, it makes a tiny surprised “ooh” expression before returning to a cute smile.\n\nCamera remains at the character’s eye level with a slow subtle cinematic push-in. Soft depth of field, realistic fluffy fur detail, delicate flower petals moving gently in the breeze, warm volumetric sunlight, dreamy atmosphere, polished high-end 3D animation, charming fairytale aesthetic, smooth natural motion, consistent character appearance throughout.\n\nVertical 9:16 composition, centered character, close-to-medium shot, cinematic lighting, ultra-detailed, adorable, magical, high quality, smooth animation.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2102218121881014697"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-cinematic-dark-fantasy-transformation-in-16-9-be4105b7a7e5",
|
||
"title": "雾夜森林中的狼人变身",
|
||
"description": "恐怖悬疑",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-a-cinematic-dark-fantasy-transformation-in-16-9-be4105b7a7e5.webp",
|
||
"mode": "video",
|
||
"prompt": "-\n\nCreate a cinematic dark-fantasy transformation in 16:9. A realistic adult man with short dark hair, light stubble and black clothes stands alone in a cold, foggy pine forest at night. Keep the SAME face, body, hairstyle and identity throughout.\n\n0–3s: Medium frontal shot. He bends forward slightly, holding both sides of his head, breathing heavily. Slow push-in. Blue-grey moonlight and drifting fog.\n\n3–6s: Tight close-up. His jaw clenches, expression intensifies and eyes gradually glow amber-orange. Fur appears around temples, cheeks and neck; ears slowly become pointed.\n\n6–10s: Continuous realistic transformation: face turns wolf-like, jaw extends, teeth sharpen, dark brown-grey fur spreads across head, shoulders, arms and torso. Body grows taller and more muscular. No instant morph, cuts, blood or gore.\n\n10–12s: Camera pulls back to reveal one fully transformed realistic werewolf with glowing amber eyes, thick fur, muscular body, clawed hands, wolf-like legs and a natural tail. Full moon behind the trees.\n\n12–15s: Dramatic full-body wide shot. The werewolf stands in fog, breathing heavily, fur moving in the wind, then slowly raises its head toward the moon.\n\nStyle: ultra-realistic live-action, cinematic VFX, volumetric moonlight, deep shadows, realistic fur, natural anatomy, depth of field, subtle motion blur and film grain. Sound: forest wind, heavy breathing, low bass rumble, transformation sounds and deep growl. Exactly ONE man transforms into ONE werewolf. No duplicates, extra creatures, extra limbs, cartoon look or deformed anatomy.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithWania",
|
||
"sourceUrl": "https://x.com/AIwithWania/status/2101908482073252349"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-realistic-hollywood-sci-fi-cinematic-video-following-r-c3fdac6c09f5",
|
||
"title": "云海坠落宇航员唤醒巨型飞船",
|
||
"description": "分镜表转视频",
|
||
"image": "https://media.goodcase.ai/cases/f79a3ebc0ccd.jpg",
|
||
"mode": "video",
|
||
"prompt": "REFERENCE IMAGE 1 = EXACT MALE CHARACTER\nREFERENCE IMAGE 2 = EXACT 30-PANEL STORYBOARD\n\nCreate a 30-second ultra-realistic Hollywood sci-fi cinematic video following REFERENCE IMAGE 2 exactly in sequence, composition, camera movement, action and visual progression.\n\nCHARACTER:\nUse the male character from REFERENCE IMAGE 1 as the ONLY main character. Preserve his exact identity, facial structure, eyes, eyebrows, nose, lips, jawline, beard, moustache, hairstyle, hairline, skin tone, apparent age and body proportions. Never change his face or make him look like another actor. Keep his identity perfectly consistent whenever his face is visible.\n\nTransform his clothing into a realistic futuristic white EVA astronaut suit while keeping his exact face, hair characteristics and body proportions. Suit: white armored panels, dark gray/black technical sections, black gloves, transparent helmet visor, chest controls, life-support backpack, hoses and realistic mechanical joints. Keep the same suit throughout.\n\nSPACECRAFT:\nUse ONE identical futuristic spacecraft throughout. Dark gunmetal/graphite body, large angular armored fuselage, broad swept wings, central cockpit, detailed mechanical structures and large twin rear engines with amber/orange lights. Never redesign, reshape or duplicate the spacecraft.\n\nSTYLE:\nPhotorealistic high-budget Hollywood science-fiction film. ARRI Alexa cinematic look, realistic skin and metal textures, physically accurate reflections, volumetric clouds, atmospheric haze, HDR, cinematic depth of field, subtle film grain, realistic motion blur and natural lighting. 16:9 widescreen. No cartoon/anime/illustration/cheap CGI appearance.\n\n30-SECOND SHOT SEQUENCE:\n\n01 | 00:00–00:01\nExtreme wide aerial view above a gigantic ocean of clouds. Deep blue sky, massive white/gray clouds, warm sunrise in upper-right. Camera slowly moves forward.\n\n02 | 00:01–00:02\nCamera travels through thick volumetric clouds. Golden sunlight breaks through. Tiny distant figure begins appearing in center.\n\n03 | 00:02–00:03\nReveal the male astronaut falling through the clouds, very small in frame, arms and legs extended.\n\n04 | 00:03–00:04\nAstronaut rapidly approaches camera. White EVA suit becomes clearly visible. Dramatic perspective and atmospheric depth.\n\n05 | 00:04–00:05\nAstronaut rotates naturally during free fall. Camera follows him. Face becomes visible through visor.\n\n06 | 00:05–00:06\nMedium close-up. Astronaut stabilizes himself and looks ahead. Clouds softly blurred behind him. Preserve exact face from Reference Image 1.\n\n07 | 00:06–00:07\nHe brings both hands toward his chest and looks down at a small futuristic mechanical device.\n\n08 | 00:07–00:08\nCloser shot. He carefully inspects the metallic gold/bronze device with both black-gloved hands.\n\n09 | 00:08–00:09\nExtreme close-up of hands and device. He activates a mechanism. Small amber light begins glowing.\n\n10 | 00:09–00:10\nMacro device shot. Intricate mechanical components move while the central core glows brighter golden-orange.\n\n11 | 00:10–00:11\nClose-up of astronaut's face. Golden device light reflects naturally across his face and helmet. Focused expression.\n\n12 | 00:11–00:12\nA gigantic spacecraft begins deploying behind him. Large mechanical structures unfold and amber lights appear.\n\n13 | 00:12–00:13\nFrontal reveal. Wide spacecraft wings extend left and right behind the astronaut. Massive scale.\n\n14 | 00:13–00:14\nSpacecraft becomes fully deployed: dark gunmetal body, angular wings, central cockpit and mechanical sections. Camera pulls back.\n\n15 | 00:14–00:15\nLow-angle underside shot. Massive spacecraft passes directly above camera through the clouds.\n\n16 | 00:15–00:16\nCut inside cockpit. Same male character is seated as pilot in the same astronaut suit. Futuristic controls and canopy visible.",
|
||
"category": "storyboard-grid-to-video",
|
||
"sourceId": "seedance",
|
||
"credit": "@Xaroon_x",
|
||
"sourceUrl": "https://x.com/Xaroon_x/status/2101313046383821093"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-ultra-photorealistic-live-action-travel-vlog-about-a-young-w-9b919e31ef80",
|
||
"title": "误入乡间小路邂逅宁静村庄",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/7f546e367986.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-photorealistic live-action travel vlog about a young woman who accidentally takes the wrong rural road and discovers a peaceful countryside village. She checks her phone, follows the unfamiliar path, becomes curious as rooftops appear through the trees, then discovers beautiful homes, gardens, bicycles, a flowing stream, and distant green hills.\n\nShow spontaneous natural reactions, realistic walking and human biomechanics, authentic bag and clothing movement, gentle wind, realistic bicycles, flowing water, gravel and wooden bridge interaction, and physically accurate environmental motion. Use handheld vlog shots, stabilized walking footage, selfie-style moments, over-the-shoulder reveals, natural autofocus, and a final wide cinematic pullback.\n\nUse only natural dialogue and diegetic sounds: footsteps, birds, bicycle bells, wind, distant voices, gravel, and flowing water. Warm late-afternoon sunlight, realistic shadows, reflections, depth of field, and natural 24fps motion. End with her walking peacefully toward the village as the camera slowly pulls back.\n\nNo CGI, animation, fantasy, artificial faces, impossible physics, floating objects, distorted anatomy, duplicated people, changing clothes or faces, unrealistic water, impossible camera movement, subtitles, logos, or watermark.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@nawalsehar",
|
||
"sourceUrl": "https://x.com/nawalsehar/status/2100801502990516476"
|
||
},
|
||
{
|
||
"id": "seedance:missdelulu9-seedance-ai-82f2bf793076",
|
||
"title": "像素衣橱里的秋日森林系换装",
|
||
"description": "时尚造型册",
|
||
"image": "https://media.goodcase.ai/media/poster/missdelulu9-seedance-ai-82f2bf793076.jpg",
|
||
"mode": "video",
|
||
"prompt": "Style: Retro Y2K pixel dress-up game + photorealistic fashion video, cozy early-autumn forest-girl aesthetic, caramel/cream palette, 4K, 30fps, 16:9 vertical, 15 seconds. Realistic human + crisp 2D pixel UI.\n\nCharacter: Adult female. Her face, identity, skin tone, facial features, hair and body proportions must exactly match the reference image throughout. No identity or body changes.\n\nSetting: Cozy vintage bedroom/fashion studio with warm taupe walls, cream rug, wooden vanity, amber lamp, dark-green chair, magazines, dried autumn flowers, clothing rack, coffee table and soft afternoon sunlight.\n\nCamera: Locked full-body vertical shot, front-facing, slightly elevated, 24–28mm. She stays fully visible from head to shoes. No zoom, pan, tilt, shake or camera movement.\n\nAudio: Upbeat retro electronic music + clear 8-bit portal, click, equip, loading and victory sounds. No dialogue or subtitles.\n\n00:00–02.70 - PIXEL PORTAL\n\nEmpty room. A tiny glowing 8-bit portal opens on the floor and expands. A giant brown-and-cream pixel hand pulls her into the room like a game character.\n\nShe wears glossy cream satin pajamas with tiny brown dots, dark piping and white slippers. Copper-orange curly hair with wispy bangs. Eyes closed, relaxed sleepy pose.\n\nPortal disappears and a tiny pixel message appears: “PLAYER LOADED.”\n\n02.70–05.20 -CLOSET MENU\n\nShe wakes, opens her eyes and looks at the camera.\n\nPixel UI appears around the screen: “MIA’S CLOSET”, three pink hearts, pixel star, and five right-side buttons:\n\nTOP / SKIRT / KNIT / SHOES / BONUS\n\nA white pixel cursor appears. Loading meter reads “STYLE ENERGY: 00%” and fills to 100%.\n\nShe stretches with both arms overhead. 8-bit “READY!” sound.\n\n05.20–10.80 -RAPID OUTFIT CHANGES\n\nEvery change follows: cursor → highlight → click → short pause → instant hard cut.\n\nTOP: Satin pajama top → fitted cream-white lace camisole with brown ribbon and woodland embroidery.\n\nSKIRT: Satin pajama pants → brown-and-cream plaid layered mini skirt with lace trim. Vintage star + key necklaces appear.\n\nKNIT: Cocoa-brown fuzzy cropped cardigan appears, worn open. White patterned tights appear.\n\nSHOES: White slippers → cream slouch leg warmers + brown fluffy platform shoes.\n\nBONUS: Button becomes “LUCKY ITEM!” A cream-white beret appears, plus a structured dark-brown vintage handbag in her right hand.\n\nAll changes are instant hard cuts. No morphing, particles, smoke or gradual transformations.\n\n10.80–13.00- STYLE SCORE\n\nUI changes to:\n\nAUTUMN STYLE\n98/100\n COZY . Y2K . VINTAGE . FOREST\n\nShe checks her outfit, adjusts her cardigan, looks at the camera, places her left hand on her waist and holds the handbag with her right hand. Relaxed S-shaped fashion pose, subtle smile.\n\n13.00–15.00- FINAL SCREEN\n\nLarge pixel text:\n\nLEVEL COMPLETE!\nAUTUMN LOOK UNLOCKED\n\nThree hearts flash once. Small pixel leaves and NEW LOOK appear.\n\nShe holds the final pose with natural breathing and tiny head movement. Freeze at exactly 15 seconds. No fade-out or black screen.\n\nFINAL OUTFIT: Cream beret, copper-orange curls, cocoa fuzzy cardigan, cream lace camisole, brown plaid layered mini skirt, vintage necklaces, white patterned tights, cream leg warmers, brown fluffy platform shoes, dark-brown vintage handbag.\n\nNEGATIVE: No face/identity/age/skin/body changes, no camera movement, no anatomy errors, no extra fingers/limbs, no clothing transparency or exposure, no missing outfit pieces, no UI over face, no corrupted text, no watermark/logos, no mirror, no background people, no plastic skin, no CGI/anime look. Human and clothing remain photorealistic; only UI, cursor, portal and effects are 2D pixel art.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@MissDelulu9",
|
||
"sourceUrl": "https://x.com/MissDelulu9/status/2094272120289415188"
|
||
},
|
||
{
|
||
"id": "seedance:lianaalane-seedance-ai-c2d4ba0c6fa2",
|
||
"title": "清晨女子健身房力量训练",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/8fc4f02816b3.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second ultra-realistic morning gym advertisement featuring the same adult woman throughout. Start with her sitting on the edge of her bed in a loose dark-grey T-shirt and grey lounge pants, enjoying soft morning sunlight. She gets ready and smoothly transitions into a modest black full-sleeve high-neck gym top with black workout pants, with full chest coverage. She enters a premium modern gym, performs realistic dumbbell, cable-machine, and battle-rope exercises, then drinks water and looks confidently into the mirror. End with a cinematic shot of her walking through the gym and the text “STRONGER EVERY MORNING” with “YOUR GYM LOGO.” Use realistic skin, natural movements, accurate anatomy, authentic gym details, cinematic lighting, premium commercial quality, and 9:16 vertical format.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Lianaalane",
|
||
"sourceUrl": "https://x.com/Lianaalane/status/2093553083104350554"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithelisia-seedance-ai-45d48a1479db",
|
||
"title": "紫发少女的校园篮球馆超能决战",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithelisia-seedance-ai-45d48a1479db.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a highly cinematic, realistic anime-style action video set inside a large Japanese high-school basketball gymnasium with polished wooden flooring, basketball hoops, court markings, and several female students in matching school uniforms.\n\nThe main character is a young Japanese schoolgirl with short lavender-purple bob hair, pale skin, and a small blue-and-white flower hair clip. She wears a light gray school blazer, white shirt with a pale blue ribbon tie, dark navy pleated skirt, white knee-high socks, and black school loafers.\n\nStart with a medium-wide shot of the lavender-haired girl standing calmly in the center of the gym while several other female students in identical uniforms surround her. The atmosphere is tense and dramatic. She looks focused and emotionless while the other girls appear aggressive and ready to attack.\n\nOne girl suddenly attacks her. The main character reacts quickly, gets knocked down onto the polished wooden floor, and struggles to get back up. Show realistic body movement, impact, sliding across the floor, hair movement, clothing physics, and facial expressions.\n\nThe fight escalates into a fast-paced supernatural action sequence. The lavender-haired girl suddenly demonstrates extraordinary strength and speed, dodging and attacking multiple girls around her. Show dynamic martial-arts-style movements, powerful impacts, fast camera tracking, low-angle shots, handheld cinematic camera motion, realistic motion blur, and dramatic close-ups.\n\nAt one point, the main character confronts another girl at extremely close range and creates a powerful supernatural energy/water-like impact between them. A huge translucent burst erupts from the collision, sending water-like particles and splashes through the air. The impact pushes the opposing girl backward dramatically.\n\nContinue with several fast action shots showing the main character fighting multiple opponents across the basketball court. Other students fall to the floor in the background while she remains composed and powerful.\n\nEnd with the lavender-haired girl standing alone in the center of the gym after the fight. The other students are scattered or lying on the floor behind her. She slowly turns her head toward the camera with a calm, confident expression.\n\nVisual style: ultra-realistic live-action anime adaptation, cinematic Japanese school drama, high-detail faces, realistic skin texture, natural hair physics, realistic school uniforms, physically accurate movement, dramatic action choreography, detailed wooden gym floor reflections, volumetric indoor lighting, subtle film grain, shallow depth of field, realistic shadows, high dynamic range, cinematic color grading.\n\nCamera: cinematic handheld tracking shots, medium shots, wide establishing shots, low-angle action shots, close-ups during impacts, smooth camera transitions, realistic lens perspective, dynamic camera shake during heavy impacts.\n\nLighting: indoor gymnasium lighting with soft overhead lights, realistic reflections on the polished floor, slightly dramatic contrast, natural shadows, cinematic atmosphere.\n\nQuality: photorealistic, extremely detailed, high-end cinematic production, realistic physics, realistic facial expressions, consistent character appearance, smooth motion, natural anatomy, no distortion.\n\nAspect ratio: 16:9.\nDuration: approximately 29 seconds.\nNo subtitles, no text, no logos, no watermark.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@AiwithElisia",
|
||
"sourceUrl": "https://x.com/AiwithElisia/status/2092484929523482818"
|
||
},
|
||
{
|
||
"id": "seedance:ciri-ai-seedance-ai-5ce4a010eef9",
|
||
"title": "通勤列车直达地狱深处",
|
||
"description": "POV 长镜头",
|
||
"image": "/inspiration-thumbs/seedance/ciri-ai-seedance-ai-5ce4a010eef9.webp",
|
||
"mode": "video",
|
||
"prompt": "One continuous 30-second chaotic amateur first-person smartphone video filmed by a standing passenger inside a completely packed magnetic-levitation commuter train. Single unbroken take with no cuts, jump cuts, dissolves, crossfades, double exposures, portals, morphing or artificial scene transitions. The train begins as an ordinary weekday commute on Earth and then physically travels downward on an impossible journey — through subway tunnels into bedrock, into a colossal void beneath the crust, past a soot-blackened waiting platform, through an immense eroded gate, out above a burning plain, down the terraced wall of a vast pit, and into the inhabited depths of Hell. Everything must feel physically connected, as though the same train is genuinely travelling down through each environment.\nThe tone is bureaucratic dread, not horror-movie shock. This is a scheduled service. The route is old, the infrastructure is worn, and the train runs it the way it runs any other line. The horror comes from how ordinary the journey is and how enormous the destination turns out to be.\nThe interior is a completely packed standing-room-only maglev commuter car. Passengers are pressed shoulder-to-shoulder, gripping overhead straps and vertical poles. Backpacks are squeezed between bodies, coats and loose clothing shift with acceleration, straps swing on their inertia, and the entire carriage constantly vibrates and rattles. The camera is a cheap smartphone held at chest height by one standing passenger who grips a pole with the other hand. The phone itself is NEVER visible because the phone is the camera. The framing is crooked, slightly off-centre, partially blocked by shoulders and arms, and imperfect like genuine accidental footage. The camera constantly shakes, rolls, yaws and gets thrown around by acceleration. Use realistic rolling-shutter distortion, autofocus hunting, exposure pumping, blown highlights, crushed noisy shadows, low-bitrate compression, macroblocking and smeared motion blur. It must look like genuine spontaneous smartphone footage, not professional cinematic footage.\nThe camera always looks through the LEFT-SIDE WINDOWS at approximately 90 degrees to the train's direction of travel. The train always travels forward and the outside world always streams past the windows from front-to-back. Never switch to a forward-facing train-nose view. Never show the front of the train. The same carriage, same passengers, same poles, same straps and same windows remain visually consistent throughout the entire journey. The interior is the constant realistic anchor while the outside world becomes increasingly impossible.\n0 to 3 seconds. Begin with an ordinary overcast weekday commute on an elevated urban line. Grey apartment blocks, rooftop water tanks, a scrapyard, overhead wires, a canal and traffic on a road below streak past the left windows at different distances with realistic parallax. The passengers are tired and mostly uninterested — some on phones, some staring out, some talking quietly. A calm public-address chime sounds and an announcer quietly says, \"Next stop: Hell.\" Nobody reacts. One passenger glances up briefly and goes back to their phone. The train accelerates and everyone instinctively tightens their grip as the carriage gives a hard lateral jolt.\n3 to 6 seconds. The line drops into a cutting and then into a tunnel. Tiled subway walls, cable runs, service lights and a passing platform strobe across the windows in hard bands of light and dark, throwing the carriage into stuttering illumination. The tunnel ages as the train descends: modern concrete becomes older brickwork, then rough-cut stone. The fittings become scorched and soot-caked — blackened signal lights, corroded brackets, cabling burnt down to bare metal. This route has been running a long time. The gradient steepens noticeably; passengers lean back against the pitch and the straps hang visibly off-vertical.\n6 to 9 seconds. The tunnel wall becomes raw geology and the train is now clearly descending through the crust at impossible speed. Through the left windows the rock face streaks past in visible strata — pale limestone, dark shale, red iron-stained bands, seams catching the carriage light. The air begins to heat and passengers loosen collars. Then, under the mechanical roar, a sound arrives before anything is visible: a vast, distant, continuous mass of human voices, far away and heavily reverberant, never resolving into individual words. It is not loud. It is simply there, and it does not stop. Two passengers look at each other. Nobody says anything.\n9 to 11.5 seconds. The rock wall falls away entirely and the train emerges into a void larger than a city, with no visible far side. It runs along a ledge on the wall; below the windows the space drops away into darkness. Stone columns kilometres tall stand in the void with strong parallax — near ones sweeping past, distant ones barely shifting. Far below and far ahead, a faint orange glow is already visible. It must already exist in the frame from this moment and grow continuously from here forward without ever popping or suddenly enlarging. The voices are louder here, spread across an enormous space. One passenger near the glass leans forward slightly. Another quietly says, \"Ohh.\"\n11.5 to 14 seconds. The train passes a station. A soot-blackened platform is cut into the rock wall — worn edge, dead lamps, faded markings unreadable under the grime — and figures are standing on it in an orderly queue, waiting, facing the track, completely motionless. They are seen for less than a second at speed, as dark shapes against the platform light, never close enough to read faces. The train does not slow. Nobody boards. The platform is gone behind the carriage. This is the moment the passengers understand. Several stop looking at their phones. Embers begin drifting upward past the windows from below.\n14 to 16 seconds. Ahead, a wall crosses the entire void — a single continuous barrier extending beyond sight in both directions and upward past the ceiling. The train passes through an immense gateway cut into it, an arch hundreds of metres tall, its stone eroded smooth by an unimaginable volume of traffic, its carved markings worn past legibility. For half a second the carriage is in the shadow of the arch and everything goes dark. Then it is through, and the light on the far side is completely different: warm, hard, and coming from below.\n16 to 19 seconds. The train races above a burning plain. Outside the left windows: a vast crusted expanse of dark solidified ground cracked into slow-moving plates with brilliant orange fissures running between them, distant fountains of molten material rising and falling in slow motion because of their true scale, and smoke columns standing kilometres high. Running across it are raised stone causeways, and on the causeways are crowds — dense, continuous, moving slowly, all in the same direction, extending to the limit of visibility. They are seen only as masses at distance, never in detail. The light entering the carriage is now dominant and hard, throwing sharp orange edges on faces, poles and straps with deep black shadows behind them. The interior air is visibly hazy. The voices are constant.\n19 to 21 seconds. The plain ends at the rim of a colossal pit — a shaft so wide the far wall is only a suggestion in the haze. The train races over the edge and begins descending along the interior wall. The wall is terraced: enormous concentric ledges receding downward, each deeper and darker than the last, disappearing into smoke layers. The descent acceleration pushes the passengers down and forward against the poles. Ash begins striking the windows and streaking backward.\n21 to 23 seconds. The terraces are populated. Endless slow processions move along every ledge, strings of figures following the curve of the wall down into the smoke and out of sight, lit from below by the fires beneath them. There is no chaos in it — it is orderly, patient and entirely without end, which is worse. Furnace mouths open in the rock face, glowing white at their throats, and long queues stand before them. Everything is at distance. Nothing is close enough to resolve. The light entering the carriage takes on a deeper red and the fluorescents are overwhelmed. Passengers nearest the window press slightly closer to the glass.\n23 to 25 seconds. Enormous shapes move among the terraces — figures many times the height of the crowds around them, walking slowly along the ledges, their scale established only by comparison. They do not look at the train. Distant winged forms cross beneath the carriage at low altitude with slow heavy wingbeats appropriate to their size and vanish into the smoke. Stone pens and barred openings are cut into the wall in their thousands, receding into the haze like housing. Ash accumulates in the corners of the windows. The carriage is hot enough that the glass fogs and clears in waves.\n25 to 27 seconds. The train reaches the deep layer and the full extent of Hell reveals itself. It is not a city on a human plan and it is not a cavern. It is a continuous inhabited geology extending in every direction — towers of black stone fused into cliff faces, vaults hollowed out of the rock at cathedral scale, rivers of molten material running in cut channels between districts and falling in slow luminous cataracts to levels further down, bridges spanning gaps kilometres across, and everywhere on all of it, crowds. Smoke columns rise for kilometres and flatten against unseen ceilings. Every level is lit by its own fires. The train races along a ridge line through the middle of it; arches and aqueduct spans pass overhead and terraces stream past below the window with violent parallax. It is impossible to see where any of it ends.\n27 to 29 seconds. The depths continue past the windows. The camera struggles badly with the contrast, blowing out the fires and crushing everything else into noise. Ash cakes the corners of the glass. Passengers are pressed against the windows in total silence, faces lit from below in hard orange, expressions stunned and completely still. One person quietly whispers, \"What is that?\" Nobody answers. Autofocus hunts between the ash on the glass and the world beyond it.\n29 to 30 seconds. The fires end. The train passes out of the smoke and the lowest region opens — and it is not burning. It is a vast frozen plain stretching beyond the visible horizon, an impossibly wide sheet of dark grey ice, absolutely still, lit by nothing but a faint pale glow from within itself. Shapes are visible held motionless within it, spaced far apart, receding to the horizon, never shown in detail. Every exterior sound stops at once — the voices, the fires, everything — leaving only the carriage. The heat drops out and frost blooms instantly across the outside of the windows. The scale feels planetary. The passengers stare in complete silence. At approximately 29.7 seconds the calm PA voice says quietly, \"Welcome to Hell.\" The train continues moving. The camera keeps shaking naturally as the frozen expanse extends endlessly beyond the left window.\nLighting\nThe lighting must evolve naturally throughout the journey. Begin with flat overcast daylight around 6500K. In the tunnels use harsh strobing bands from passing service lights against near-total dark, then let the sources become sparse until the carriage's own weak fluorescent tubes are the only illumination. In the void the interior lights fall off into nothing. Then introduce a growing warm orange from below — first a faint wash on the lower half of faces, then mixing with the cold interior white, then completely dominating it: hard, high-contrast, sharp-edged, with deep black shadows. Above the burning plain it should be strong enough to blow out the phone's sensor at the window. In the deep layer it becomes red-orange and omnidirectional from countless fires at every distance. In the final second all warm light vanishes and is replaced by a faint pale luminance from the ice, cold and almost sourceless. All exterior light must enter naturally through the LEFT-SIDE WINDOWS and fall across passengers' faces and clothing at every stage. Do not add artificial interior lighting to create the colours.\nPassengers\nKeep all passengers completely ordinary throughout the journey. Realistic skin texture, subtle capillary variation, natural blinking, breathing, eye movement and imperfect facial symmetry. Clothing has realistic folds and responds to acceleration. Passengers must continuously perform small independent movements: shifting weight, adjusting grip, loosening a collar in the heat, wiping fog from the glass, turning their heads, tightening their hands around poles. Do not make them freeze. Do not make everyone react at the same moment. Do not let them perform dramatic acting.\nTheir emotional progression is subtle: indifference at the announcement → mild confusion in the tunnels → unease when the voices arrive → the exact moment of understanding as the waiting platform passes → dread on the descent → complete stunned silence in the depths. No screaming. Only one soft \"Ohh\" at the first glow and one whispered \"What is that?\" near the end. The most powerful reaction is no reaction — just faces pressed against the glass, lit from below by something that should not exist.\nPhysics\nThe train always travels forward and always downward after the tunnel. Passengers sway according to acceleration and lean against the gradient; straps hang off-vertical on the descents. Loose clothing reacts to movement. Exterior objects have different velocities and distances with strong realistic parallax at every stage — near stone columns sweep past, mid-distance terraces move steadily, distant districts barely shift. Ash and embers must move independently of the train, drifting upward on thermal currents rather than streaming with the carriage. Heat must be expressed physically: window fogging and clearing, haze inside the carriage, frost at the very end. Enormous figures and flying forms must move slowly, because they are enormous. Nothing teleports, nothing freezes, nothing suddenly appears, and nothing changes position without physical cause.\nNo transitions\nThere are absolutely no visual transitions. No dissolves, crossfades, portals, morphing or ghosted overlays. Every environment change happens because the train physically travels into the next environment. The city becomes a cutting, the cutting becomes a tunnel, the tunnel becomes bedrock, the bedrock opens into the void, the void contains the waiting platform, the void ends at the wall, the gateway gives onto the burning plain, the plain ends at the pit rim, the rim becomes a terraced descent, the terraces fill with processions, the processions become the full inhabited depths, and the depths open onto the frozen plain. It must feel like one physically continuous impossible journey where every step is the inevitable consequence of the step before it.\nAudio\nAudio must be entirely diegetic with no music. Use cheap compressed smartphone microphone quality. The train produces a constant deep maglev roar, mechanical clatter, rattling poles, vibrating windows, swinging straps and low-frequency carriage rumble, plus passenger breathing and clothing movement. In the tunnels add hard reverberant slap-back and pressure changes as the train passes openings.\nThe defining sound of this video is the voices. They must arrive at 6 to 9 seconds, before anything is visible, as a distant continuous mass of human voices with enormous reverberation, never resolving into words and never rising to screaming. From that point they never stop. They grow with depth and spread across a wider stereo field as the spaces open up. Beneath them, a very low frequency resonance builds steadily, felt more than heard. Above the burning plain add a broad distant roar and irregular deep concussions at long intervals. Ash strikes the hull as fine irregular ticking. In the depths the voices are vast, layered at many distances, and mixed with immense indistinct industrial-scale sound that never resolves into detail.\nIn the final second every exterior sound stops at once — total silence outside, leaving only the carriage, the passengers' breathing, and ice creaking against the hull. At approximately 29.7 seconds the calm PA voice says quietly, \"Welcome to Hell.\"\nStyle and content limits\nThe overall style must remain dirty photorealistic amateur smartphone footage despite the spectacular environments. Vertical 9:16, real-time speed, no slow motion, no stabilisation, no cinematic camera, no perfect composition, no clean VFX presentation. Use heavy shadow noise, blown highlights, low-bitrate compression, rolling-shutter skew, autofocus hunting, auto-exposure pumping, smeared motion blur and crooked framing. The camera should occasionally be partially blocked by a shoulder, arm or nearby passenger, and should struggle badly with the extreme contrast between fire and darkness.\nHell is conveyed through scale, architecture, crowds at distance, fire, ash and sound. Do not show suffering, injury, bodies, blood, restraints or any graphic content. Every figure outside the train stays a distant silhouette or part of a mass — none is ever close enough for its face or condition to be read. Do not use recognisable religious iconography or legible text of any kind; all markings are eroded past legibility. Do not make it look like a game cinematic or a clean VFX render. The world outside should be overwhelming and physically impossible, but the recording itself must look raw, accidental and believable.\nThe most important rule\nONE SINGLE CONTINUOUS TAKE. No cuts, no jump cuts, no dissolves, no crossfades, no scene resets and no artificial transitions. The same train, same passengers and same camera remain present from beginning to end. The orange glow must be visible as a faint distant smudge from the first cavern and grow continuously and inevitably until it fills the window. The voices must arrive before the fire and never stop until the final second. The heat must build physically across the whole descent so that its total disappearance at the end lands as a shock. The population must emerge gradually — the waiting platform, then crowds on the causeways, then processions on the terraces, then the full inhabited depths — never appearing all at once. End while the train is still moving, the frozen plain extending endlessly beyond the left window, passengers silent, carriage still shaking, the PA announcement fading into the sound of ice.",
|
||
"category": "pov-continuous-take",
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
|
||
"sourceUrl": "https://x.com/Ciri_ai/status/2089939087201558754"
|
||
},
|
||
{
|
||
"id": "seedance:nvtdanh-seedance-ai-52f635503525",
|
||
"title": "躲进木桶一路滚下山的海盗逃亡",
|
||
"description": "15 秒动作喜剧:海盗躲进木桶被追兵撵着一路滚下港口小镇,从集市街、石板坡、长楼梯冲进…",
|
||
"image": "https://media.goodcase.ai/cases/7217475b790a.jpg",
|
||
"mode": "video",
|
||
"prompt": "15s cinematic action-comedy, fast-paced, mid-action from frame one, 6 shots, 9–10 dynamic different camera angles, continuous downhill progression, escalating physical comedy, no repetitive actions, minimal slow motion. STRICT LOCKS: Use uploaded Pirate @Image4, oversized wooden Barrel @Image3, Harbor Town @Image2 and Pirate Ship @Image1 as strict visual references. One unique pirate, one SAME barrel throughout. No clones. Keep character design, costume, barrel proportions and environment consistent. ENVIRONMENT LOCK: Entire chase follows ONE continuous downhill route through the same harbor town: upper market street → steep stone road → long staircase → dock → sea → departing ship. Never change location or travel direction. 0:00–0:02 — HOOK Pirate sprints downhill while several guards chase behind. He dives headfirst into a large wooden barrel to hide. The barrel instantly tips over and begins rolling downhill at high speed. Pirate’s shocked head suddenly pops out through a loose opening. 0:02–0:05 — FIRST OBSTACLE A market cart blocks the road. Pirate sees it and instantly pulls his head back inside. The barrel hits a small wooden ramp beside the cart and LAUNCHES over it. In mid-air, pirate’s arms and legs accidentally stick out from different openings. Hard landing — immediately keeps rolling. 0:05–0:08 — CHAOTIC MARKET The barrel zigzags rapidly between market stalls, baskets and crates. Pirate desperately tries to steer by sticking out one arm → one leg → both arms. Every body movement changes the barrel: swerve → wobble → tilt → recover. Fruit and baskets scatter behind him. 0:08–0:11 — STAIRCASE The barrel reaches a long steep stone staircase. BAM-BAM-BAM-BAM! It violently bounces down the steps without slowing. Every impact throws Pirate differently inside: head pops out → disappears → boots appear → one arm appears → whole upper body briefly shoots upward. 0:11–0:13 — BIG JUMP The staircase ends at the dock. The barrel launches completely off the edge. Huge wide shot reveals open water and the SAME pirate ship moving directly underneath. Pirate slowly sticks his head out, sees the ship below and gives a huge relieved smile. 0:13–0:15 — PAYOFF CRASH! Barrel falls through the ship’s canvas canopy. Quick comedy reveal: Pirate rises dizzy from a huge pile of fish with one fish stuck horizontally in his mouth. The empty barrel continues rolling away across the deck. CUT. MOTION LOCK: Barrel continuously evolves: tip → accelerate → ramp jump → hard landing → zigzag → wobble → staircase bounce → huge jump → crash. Never repeat one rolling motion for long. CHARACTER MOTION LOCK: EVERY major barrel movement MUST cause a new physical-comedy reaction from Pirate. Pirate never remains passive inside the moving barrel. CAMERA: low barrel-level tracking, frontal backward tracking, fast side tracking, overhead market view, close-up during impacts, staircase chase camera, huge harbor wide, airborne side profile, final static comedy reveal. SFX: rapid footsteps, guards shouting in distance, wooden barrel rumbling, market reactions, wood impacts, scattering fruit, rapid staircase impacts, rushing wind, seagulls, harbor ambience, canvas ripping, fish flopping. NO MUSIC.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@NVTDanh",
|
||
"sourceUrl": "https://x.com/NVTDanh/status/2089675418878329009"
|
||
},
|
||
{
|
||
"id": "seedance:youralphamom-seedance-ai-9afbf3248f50",
|
||
"title": "Seedance 2.5 双 prompt 拼接三十秒叙事短片",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/media/poster/youralphamom-seedance-ai-9afbf3248f50.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with Seedance 2.5 using 2 prompts (15s each) + manual stitching.\n\nPROMPT 1: ⬇️\n\n15 seconds, 16:9 horizontal, one continuous photorealistic viral smartphone shot.\n\nAbsurd surreal comedy scene in a small indoor hotel pool. Realistic environment: tiled walls, fluorescent ceiling lights, metal pool ladders at the sides, pool depth markers, white plastic chairs, vending machines, and 6–8 normal-size spectators in swimwear standing around the pool, laughing, cheering, and filming on smartphones.\n\nA giant young sexy blonde woman in her early 20s is floating flat on her back in the pool. Her enormous head, neck, and upper shoulders float naturally on the water surface. Her face is almost horizontal, looking upward toward the ceiling. Wet slicked-back blonde hair spreads slightly in the water. She is exceptionally beautiful, youthful, glamorous, and highly photogenic, with blue eyes, glossy wet skin, and realistic pores.\n\nAt the very first frame, a full-size normal middle-aged man in plaid swim trunks is already standing barefoot with BOTH FEET planted directly on the center of the giant woman’s forehead above her eyebrows. He is holding a white cup.\n\nThe man is approximately 180 cm tall in the world of the scene. He is NOT miniature, NOT toy-sized, NOT dwarf-sized, NOT shrunken. His size, height, head size, and body proportions must match the men standing around the pool. He must also match the human scale of the pool ladders, chairs, and vending machines. Only the woman is gigantic.\n\nThe man is NOT standing on a ladder, NOT standing on the pool edge, and NOT climbing down from anywhere. The pool ladders exist only in the background and never interact with him.\n\nThe giant woman remains lying flat on her back throughout the scene. Her enormous face floats on the water while the full-size normal man stands clearly on top of her forehead. Do not make him grab her nose.\n\nACTION:\n0–3s: Wide poolside smartphone shot. The giant blonde woman floats flat on her back. The full-size normal 180 cm man is already balancing on her forehead with both feet. The crowd behind them laughs and films. She looks upward at him with amused, slightly confused eyes.\n\n3–6s: The man moves quickly and awkwardly across her forehead, taking faster unsteady steps and windmilling his arms while trying not to fall. He should not move carefully or slowly. The crowd reacts louder. The phone camera does a slight shaky push-in.\n\n6–9s: He slips suddenly and slides faster down the slope of her giant face toward her nose and mouth. His white cup flies out of his hand. Her eyes track him and her expression changes from amused confusion to surprised disbelief.\n\n9–12s: She opens her mouth very wide in sudden surprise. He slides directly into the open mouth much faster, feet-first, with a more dramatic loss of balance.\n\n12–15s: He falls completely into her open mouth and disappears fully inside. No part of him remains outside. She closes her mouth, blinks in shock, and the people around the pool erupt in cheers, laughter, raised hands, and excited phone filming.\n\nCAMERA / REALISM:\nOne continuous viral smartphone shot from poolside, slightly handheld, natural framing, mild compression, realistic fluorescent indoor lighting, convincing wet skin, water reflections, and splashes. No cinematic grading. The impossible scale should still look weirdly believable: giant woman floating on the water + full-size normal 180 cm man standing on her face + normal-size crowd behind them.\n\nTONE:\nFunny, surreal, visually shocking, and energetic, but not horror. No gore, no blood, no violence, no body horror.\n\nCRITICAL NEGATIVES:\nNO man on ladder.\nNO man on pool edge.\nNO man climbing into frame.\nNO nose grabbing.\nNO miniature man.\nNO toy-sized man.\nNO dwarf-sized man.\nNO shrunken man.\nNO woman upright in the water.\nNO giant head standing vertically.\nNO scale changes.\nNO broken anatomy.\nNO extra limbs.\nNO glitchy transitions.\n\n----\n\nPROMPT 2 (with a screenshot of the man as a reference): ⬇️\n\n15 seconds, 16:9 horizontal\n\nUse the provided man as the reference identity. Keep his face, hairstyle, age, body type, and plaid swim trunks recognizable. He is the same man from the previous scene.\n\nPhotorealistic absurd surreal comedy continuation. The man is rushing through a huge surreal internal tunnel inspired by a human colon/rectum, but presented like a bizarre water slide. The tunnel is fleshy, pinkish, wet, and organic-looking, with curved tubular walls, but it stays clean and surreal — no gore, no blood, no fecal content. Water rushes around him as if he is riding an impossible fleshy water slide. The man is visible in the frame for most of the sequence, sliding, spinning, yelling, and trying to hold on as he gets carried forward by the rushing water.\n\nThe tunnel gradually opens into daylight. He shoots out of the end of the surreal organic slide into a bright real outdoor waterpark splash pool. Realistic sunny waterpark setting: colorful slides, shallow pool, splashing water, and a crowd of people cheering and clapping as he bursts out and lands in the water. He pops up from the splash, shocked but unharmed, while everyone applauds.\n\nCAMERA STYLE: \ncinematic but still realistic, smooth motion as if the camera follows him inside the tunnel, then a clean wide exterior shot for the final exit. Strong realism, good water physics, clear continuity, exciting but playful tone.\n\nTone: surreal, hilarious, high-energy, impossible but convincing. Not disgusting, not gory, not sexual. More like a bizarre theme-park sequence.\n\nACTION TIMING:\n\n- 0–4s: Inside the surreal organic tunnel, the man slides feet-first through the wet curved passage while splashing water rushes around him.\n- 4–8s: He tumbles and spins through the fleshy water-slide tunnel, still clearly visible, yelling and flailing.\n- 8–11s: The tunnel brightens ahead as daylight appears. He accelerates toward the opening.\n- 11–15s: He blasts out into a real outdoor waterpark pool in a huge splash, the crowd cheers and claps, and he surfaces looking stunned but okay.\n\nImportant: preserve the man’s identity from the reference. Keep him visible for most of the interior ride. Make the internal tunnel feel like a surreal organic water slide, not graphic anatomy. No gore, no fecal imagery, no body horror, no broken limbs, no glitching.\n\n#AIVideo",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@YourAlphaMom",
|
||
"sourceUrl": "https://x.com/YourAlphaMom/status/2089412506716721609"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-83f1f069fe6a",
|
||
"title": "日本网红假日 Vlog",
|
||
"description": "一个专业的 30 秒视频生成提示词,用于制作一段自然、手机拍摄风格的日本网红日常准备 …",
|
||
"image": "https://media.goodcase.ai/cases/9012527ae2ae.jpg",
|
||
"mode": "video",
|
||
"prompt": "【作品】\n美人インフルエンサーの休日。「準備できた、と思ったのに前髪が気になる」。27歳の架空の日本人女性が自宅で撮った30秒の自然なスマホUGC。綺麗で華やかな本人の普段の姿。親しいフォロワーに話す温かい距離感。\n\n【出力】\n縦9:16、30秒、画面いっぱいの映像。左右上下に黒帯を付けない。横長キャンバスの中央に縦動画を埋め込まない。一人、一部屋、一台のスマホによる一続きの撮影。カット、場面転換、分割画面なし。\n時刻は同じテイク内の演技の目安。時刻ごとに新しいショットを始めない。細かな秒数より、自然な発話、物理的な動作、人物の同一性を優先する。\n\n【画像の役割】\n@Image1 = 01_character.png。人物の顔・髪・服装・体格・ピアスの参照。3ビューは同一人物。灰色背景と3分割のレイアウトを動画に持ち込まない。これは開始フレームではない。\n@Image2 = 02_start_frame.png。開始フレームおよび部屋・光・構図・小物配置の基準。最初からこの人物がこの場所に座り、カメラへ伸ばした手を引き戻すところから始める。顔は冒頭から見える。\n両画像の人物は同一人物。Image1で顔と衣装、Image2で構図と室内配置を固定する。\n\n【人物】\n27歳、日本人の美容・ファッション系インフルエンサー。仕事の説明はせず、休日にカフェへ出かける直前。印象的な美しい顔立ちと親しみやすさ。参照画像の卵型の顔、自然な大きさのアーモンド形の目、鼻、柔らかい唇の形を再デザインしない。\n艶のあるショコラブラウン、胸上までのセミロング、顔周りのレイヤー、柔らかなカール、透け感のある前髪。白のクルーネック半袖コンパクトTシャツ、淡いブルーのハイウエストデニム、小さな金フープピアス。短い淡いピンクの爪。ブラウンの繊細なアイメイク、セパレートしたまつ毛、控えめなピーチチーク、ローズベージュの唇。化粧は全編で同じ。\n美しい肌に自然なきめ、微かな毛穴、目元の薄い陰影、肌表面の光を残す。肌荒れや疲労をわざと強調しない。美しさは顔立ちとヘアメイクにあり、顔を滑らかなプラスチックに変えることではない。極端な小顔、巨大な目、顎の先鋭化、肌の光沢の過剰増幅をしない。\n\n【室内と撮影】\nImage2のコンパクトな日本の賃貸の部屋。白壁、淡い木目、画面右のレースカーテン、日中の柔らかい自然光。顔は十分明るく、自然な陰影と血色。背景もある程度判別できる普通のスマホ画角。映画のようなボケや照明、過剰なHDRはない。\n木製テーブル、画面左の楕円の卓上鏡、左手前の開いた生成りのメイクポーチ、手前のアイスラテとコースター、雑誌、右のトープのバッグ、椅子のカーディガンはImage2の配置を保つ。部屋を豪邸、ホテル、撮影スタジオにしない。\nカメラは机の上の固定されたスマホ。冒頭0.5秒で置いた後のわずかな揺れが収まり、終了直前まで固定。撮影しているスマホは画面に映らない。レンズへ伸びる手で顔を隠さない。ズームや横移動をしない。鏡の面は女性に向き、カメラには背面が見える。二人目の顔や撮影機材の反射を追加しない。\n\n【声と自然な振る舞い】\n自然な日本語の標準語。27歳の女性が友達に送る声の近さ。声は温かく明瞭、少し力が抜けている。セールストーク、アナウンス、過剰な甘え声、広告の台詞読みにはしない。日本語と口の動きを同期する。\n視線は目的を持って動く。話しかける時はレンズ、前髪を確認する時は画面左の鏡、バッグをつかむ時は手元を見る。常にカメラを見つめたり、常に微笑んだりしない。\n瞬きと呼吸は自然な頻度。無意味な身振りや眉の上下を続けない。集中して少し静かになる時間を認める。髪は触れたところから動き、指を離した後に重力で少し戻る。顔を向けると毛先とピアスが少し遅れて揺れて収まる。\n\n【演技と台詞:一続きの30秒】\n0.0–3.5秒\nImage2の姿勢から。カメラへ伸ばしていた右手を引き戻し、レンズを見る。軽い達成感のある自然な表情。\n0.5–2.5秒の台詞:「よし、準備できた。」\n終わりを長く伸ばさない。その後は息を一つ。\n\n3.5–8.5秒\n視線が画面左の鏡へ移る。前髪が一束だけ気になる。わずかに頭の角度を変え、右手を上げる。大きく眉をひそめず、小さな気づき。\n4.5–7.5秒の台詞:「……あ、まえがみ、こっちのほうがいいかな。」\n\n8.5–14.0秒\n無言。右手の指先で前髪の小さな束を一度だけ横に整える。指が額や目を貫通しない。前髪の長さや髪の分け目を全面的に変えない。手を下ろして鏡で確認。髪が少し戻ったのを見て、ごく小さく口元が緩む。大げさなリアクションや追加の台詞を入れない。\n\n14.0–21.0秒\nレンズへ視線を戻す。鏡とカメラを何度も往復しない。肩の力が少し抜け、素直な微笑み。\n14.5–19.5秒の台詞:「でる直前になると、きゅうに気になるんだよね。」\n文末の後、短い息混じりの小さな笑い。笑顔は自然に生まれ、固定しない。\n\n21.0–25.5秒\n画面右のバッグへ視線を落とし、左手で持ち手をつかむ。重みのあるバッグを膝の近くまで少し持ち上げる。一つのバッグのまま、形と素材を保つ。グラスや鏡やポーチに当てない。\n22.0–24.2秒の台詞:「今日は、カフェに行ってきます。」\n台詞を言いながら視線をレンズへ戻す。\n\n25.5–30.0秒\nバッグは左手で持ったまま。右手でレンズに向かって小さく一度手を振る。\n26.0–27.5秒の台詞:「じゃ、またね。」\n空いた右手をカメラに伸ばす。最後の約0.7秒に手が近づいて自然にぼけ、画面が少し揺れたところで録画終了。立ち上がって退出するところまで詰め込まない。静止画や黒画面やフェードで終えない。\n\n【音】\n本人の声、呼吸、微かな部屋の環境音、Tシャツの衣擦れ、バッグの革と金具の小さな音、最後にスマホへ触れる音。音は実際の動作に同期。大げさなASMR、効果音、BGM、他人の声、ナレーション、通知音なし。\n\n【厳守】\n五つの指定台詞以外を追加しない。無言の時間を勝手な言葉で埋めない。人物一人。顔・髪・衣装・ピアスは最後まで同一。指の",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@tanabe_fragm",
|
||
"sourceUrl": "https://x.com/tanabe_fragm/status/2096136682055864564"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-b1495c3561d9",
|
||
"title": "企鹅宝宝飞扑拥抱家人",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/3ea9d5fc18dc.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a cute, cinematic 3D animated short film featuring an adorable fluffy baby penguin girl with soft gray-and-white feathers, huge expressive blue eyes, a small black beak, chubby body, tiny black feet, and a small pink bow on her head.\n\nScene 1 — Beginning:\nThe baby penguin stands alone on a colorful striped rug inside a warm, cozy home. She looks slightly shy and innocent, gently moving her head and looking around. Use a vertical 9:16 composition, soft warm indoor lighting, shallow depth of field, detailed fluffy feathers, and cinematic camera movement.\n\nScene 2 — Cute close-up:\nSlowly push the camera toward her face. She looks directly into the camera with huge sparkling eyes, then smiles happily and opens her little beak. Capture adorable facial expressions and subtle feather movement.\n\nScene 3 — Mood change:\nHer expression suddenly becomes serious and determined. She lowers her body close to the floor, narrows her eyes, spreads her tiny wings slightly, and prepares to jump forward like a tiny angry superhero. Keep the camera low and cinematic.\n\nScene 4 — Jump:\nThe penguin suddenly launches herself upward with excitement. Her wings spread wide as she flies toward the camera. Dynamic camera movement, slight slow motion, soft motion blur, detailed feathers, playful cinematic energy.\n\nScene 5 — Flying close-up:\nShow the penguin floating above the camera with her wings fully extended. She looks down with a huge adorable smile, then moves closer toward the lens. Maintain consistent character design, pink bow, blue eyes, gray-white feathers, and warm cinematic lighting.\n\nScene 6 — Couch:\nTransition to a cozy living room with a soft colorful couch. The baby penguin lands beside another larger fluffy penguin lying comfortably on the couch. The larger penguin looks surprised but affectionate.\n\nScene 7 — Affectionate ending:\nThe baby penguin cuddles closely against the larger penguin. They look at each other lovingly, then snuggle together. The baby penguin gently rests her head against the larger penguin, closes her eyes, and gives a sweet affectionate kiss/nuzzle.\n\nVisual style:\nHigh-end cinematic 3D animation, adorable family-friendly character design, ultra-detailed soft feathers, expressive oversized eyes, realistic feather physics, soft warm indoor lighting, beautiful depth of field, smooth natural animation, subtle facial expressions, realistic shadows, cinematic camera movements, polished feature-film quality, 4K, vertical 9:16.\n\nImportant:\nKeep the exact same baby penguin character throughout the entire video. Preserve her face, body proportions, feather colors, blue eyes, pink bow, and overall appearance in every shot. Smooth transitions, consistent environment, natural motion, no character distortion, no extra limbs, no flickering, no text, no watermark.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2101989437181988957"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-a89c5dfcab18",
|
||
"title": "河边吃蓝果的小河狸与鳄鱼",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/3c023d73db44.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \n Create a cute, funny, cinematic 3D animated scene in a realistic cartoon style. A small, adorable brown beaver-like animal is sitting beside a calm river in a lush tropical forest, happily holding and eating a small blue fruit. A curious crocodile slowly approaches from the water behind it, creating a playful and suspenseful moment. The crocodile and the little animal interact in a humorous, harmless way, with exaggerated facial expressions and comedic reactions. Show the animal laughing, moving naturally, and reacting to the crocodile while maintaining a cute and wholesome atmosphere. Beautiful natural daylight, realistic water reflections, detailed fur and skin textures, expressive eyes, cinematic camera movement, shallow depth of field, vibrant colors, smooth character animation, high-quality 3D rendering, Pixar-inspired family-friendly animation, 4K, cinematic composition.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2101851352666452327"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-20-second-lifestyle-montage-of-a-beautiful-young-korean-woman-with-lo-fe357ceb3f6c",
|
||
"title": "首尔青春漫游记",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/f606eaa74d65.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic 20-second lifestyle montage of a beautiful young Korean woman with long straight black hair and bangs exploring Seoul. Soft filmic color grading, shallow depth of field, natural lighting, warm golden and neon tones, 4K, 24fps, smooth tracking shots.\n0-4s: Dusk, quiet narrow residential alley in Seoul. She walks slowly toward camera wearing a bright red Adidas tracksuit with white stripes, white t-shirt underneath, white wired earphones, looking down at a white iPhone in her hands. Small shops, chalkboard signs, brick walls, warm shop lights in background.\n4-7s: Night. Busy Seoul pedestrian crossing with neon signs, blue city bus, crowds of people. She wears a black Adidas tracksuit with white stripes, turns her head back toward camera and smiles softly while walking.\n7-10s: Night. Crowded traditional Korean street food market, steam rising from stalls, hanging yellow signs in Korean. She wears a cream/beige Adidas tracksuit with black stripes, walks through the aisle, picks up a piece of food and eats it, looking satisfied.\n10-13s: Daytime. Traditional Korean palace with red wooden pillars, green tiled roofs, stone steps (Gyeongbokgung style). She wears a dark green Adidas tracksuit with white stripes, walks up the stairs away from camera then turns her head to look at the architecture.\n13-16s: Golden hour sunset by the Han River. City skyline, N Seoul Tower, long bridge, sunlight reflecting on water. She stands in profile wearing a white Adidas tracksuit with black stripes, long hair blowing in the wind, looking toward the sunset.\n16-20s: Night. Narrow traditional hanok-style street with warm cafe lights and street lamps. She wears a blue Adidas tracksuit with white stripes, laughs and walks/runs forward with a female friend wearing a long beige trench coat. They hold hands then start jogging down the street together. Large bold yellow text “KOREA” fades in over the center of the frame as they walk away from camera.\n\nMood: dreamy, youthful, warm, slightly nostalgic Korea travel film. No dialogue. Adidas branding visible but natural, not overly promotional.",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2101539861085946307"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-prompt-created-a-10-second-video-featuring-an-elegant-woman-in-a-sophisticated-9270ca32b49c",
|
||
"title": "金色水岸的白色手袋时尚大片",
|
||
"description": "时尚造型册",
|
||
"image": "/inspiration-thumbs/seedance/seedance-prompt-created-a-10-second-video-featuring-an-elegant-woman-in-a-sophisticated-92.webp",
|
||
"mode": "video",
|
||
"prompt": "Prompt: Created a 10-second video featuring an elegant woman in a sophisticated white tailored suit walking beside a calm waterfront during golden hour.\nShe carries a luxurious quilted white handbag with refined gold hardware, creating a premium fashion-advertising aesthetic.\nBegin with a wide cinematic shot of the woman standing beside the wooden waterfront railing with the glowing city skyline in the distance.\nSlowly move into detailed close-ups of the handbag, highlighting its quilted texture, structured shape, handle, and polished gold clasp.\nShow the handbag resting beautifully on the wooden railing with warm sunlight reflecting across the water behind it.\nTransition to a medium fashion shot capturing the woman’s elegant white suit, confident posture, and graceful movement.\nShe gently adjusts her stylish sunglasses while looking toward the horizon, creating a calm and sophisticated luxury mood.\nUse smooth cinematic camera movements, shallow depth of field, realistic fabric and leather textures, natural skin tones, and soft golden-hour lighting.\nEnd with a wider silhouette shot of the woman walking along the waterfront as the sunlight fades into a warm evening atmosphere.\nPhotorealistic luxury fashion commercial, cinematic composition, premium visual quality, realistic lighting, subtle film grain, and elegant storytelling.",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithaayat",
|
||
"sourceUrl": "https://x.com/aiwithaayat/status/2100863394878525602"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-cinematic-photorealistic-korean-high-school-cafeteria-scene-during-lu-2589cbc19c32",
|
||
"title": "韩国女学生食堂送餐引围观",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/21c5c8041833.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a cinematic, photorealistic Korean high-school cafeteria scene during lunchtime. A beautiful young Korean female student, around 18–20 years old, with long straight black hair, fair natural skin, delicate facial features, and a calm expressive face, walks through a large busy school cafeteria carrying a stainless-steel lunch tray.\n\nShe wears a neat white short-sleeve school uniform shirt with a dark navy ribbon bow/tie, a navy pleated skirt, and a small school name tag. The cafeteria is filled with many Korean high-school students wearing matching white uniforms, sitting at long wooden tables and eating lunch.\n\nOpening shot: wide cinematic shot following the girl as she walks between crowded cafeteria tables carrying her tray. Bright fluorescent ceiling lights, large windows, realistic school cafeteria architecture, natural background activity, shallow depth of field.\n\nCut to a medium close-up of the girl walking toward the camera, looking slightly surprised and opening her mouth as if speaking. Her black hair moves naturally while walking.\n\nCut to a detailed close-up of the stainless-steel cafeteria tray being carried, containing Korean-style school lunch: white rice, fried chicken pieces, sausages, vegetables, side dishes, and red sauce. Another hand holding a spoon appears in the foreground.\n\nTop-down shot of the complete lunch tray placed on the table, showing separate metal compartments filled with rice, fried food, vegetables, and red soup/sauce.\n\nShow the busy cafeteria reaction: several male students suddenly look toward the girl with surprised and curious expressions while eating. Capture natural facial expressions and realistic reactions.\n\nA dramatic close-up of the girl looking directly toward the camera with a confident, slightly serious expression. Her long black hair frames her face, with realistic skin texture, detailed eyes, subtle makeup, and cinematic soft lighting. Background students and cafeteria lights are heavily blurred with natural bokeh.\n\nShow the girl approaching a seated male student and placing/serving the lunch tray near him. The students react naturally, looking surprised and confused. Finish with a wide rear shot of the girl walking away through the crowded cafeteria while carrying the tray, with rows of students visible on both sides.\n\nVisual style: ultra-realistic Korean school drama / K-drama cinematography, photorealistic human faces, realistic skin texture, natural body proportions, authentic Korean school cafeteria, cinematic composition, soft depth of field, realistic fluorescent lighting, subtle handheld camera movement, smooth cinematic transitions, detailed food textures, natural facial expressions, realistic motion, 4K, high detail, professional cinema camera, 35mm and 85mm lens look, natural color grading, atmospheric background blur.\n\nNo text, no subtitles, no watermark, no logos, no distorted faces, no extra fingers, no unnatural body proportions, no cartoon or anime appearance.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zoyavelle",
|
||
"sourceUrl": "https://x.com/Zoyavelle/status/2100810895052165195"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-multi-shot-sequence-with-hard-cuts-between-shots-24a41a628fa3",
|
||
"title": "红玩具鼠让女孩与病猫重获新生",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/2d02f4acb085.jpg",
|
||
"mode": "video",
|
||
"prompt": "Multi-shot sequence with hard cuts between shots. Keep the same characters, cat, environments and visual style throughout. No music or score — only natural diegetic sound.\nSHOT 1\nA dirty, exhausted 18-year-old girl with dark auburn-brown hair in a messy low ponytail, warm brown eyes, faded olive-green military jacket, backpack and gloves, holds a bolt-action rifle inside an abandoned ornate mansion. Sweat, dirt, a cheek scrape and tears cover her face. Her hands tremble. She closes her eyes as a tear rolls down her cheek, then hears a faint sound and slowly lowers the rifle, visibly heartbroken.\nSHOT 2\nOver her shoulder, an infected golden-orange tabby cat sits weakly on the debris-covered parquet floor. Its fur is dirty and matted, eyes cloudy and pale, with small wounds and dark infected veins visible beneath its fur. The cat trembles and lets out a soft, frightened meow.\nSHOT 3\nShe slowly crouches beside the cat, carefully places the rifle on the floor, wipes her tears and gives it a small broken smile. She quietly speaks to the cat in a gentle voice, reaches into her jacket and pulls out a small worn red toy mouse. She gently places it on the floor and nudges it toward the cat.\nSHOT 4\nExtreme low-angle close-up of the small red toy mouse sliding slowly through dust across the cracked parquet floor. It stops directly in front of the cat's paws. The cat looks down at it. Hold on the still toy and the cat's trembling paws.\nHARD CUT / TRANSFORMATION\nSHOT 5\nSame low camera angle and exact toy position, but now on a clean sunny residential basketball court. A healthy golden-orange tabby cat suddenly reaches forward and grabs the toy mouse. Its eyes are clear and warm, fur clean and fluffy, movements energetic and playful. The cat bats the toy around excitedly.\nSHOT 6\nWide shot of the basketball court. The woman gently tosses the toy mouse across the court. The happy cat runs after it, pounces on it, plays with it, then runs back toward her and drops the toy at her feet, ready to play again.\nSHOT 7\nClose-up of the clean, unharmed woman laughing warmly while affectionately scratching the cat behind its ears and gently rubbing its neck. The cat purrs, leans against her hand and happily flicks its tail.\nSHOT 8\nWide peaceful shot. The woman and cat sit together beside a pristine dark-green vintage convertible parked beside the basketball court. She sits on the ground beside the car, opens a small tin of cat food and gently feeds the cat. The cat eats peacefully, then rubs its head against her hand. She smiles and gently strokes its back.\nCONSISTENCY\nSame woman throughout: dark auburn-brown hair, loose low ponytail, warm brown eyes, olive-green military jacket, khaki cargo pants and brown boots.\nSame cat throughout: golden-orange tabby coat, distinctive facial markings, same eye shape, same body size and proportions. Infected, injured and frightened in the mansion; completely healthy, clean, playful and energetic after the transformation.\nMANSION\nAbandoned ornate interior, tall arched windows, torn dark-red curtains, peeling damask wallpaper, shattered gilt mirror, broken furniture, debris, ceiling hole and strong sunlight beams cutting through dusty air.\nCOURT\nClean residential basketball court, white lines, iron fence, flowering shrubs, stone townhouses, warm late-afternoon sunlight and soft natural shadows. Dark-green vintage convertible with chrome trim.\nVISUAL STYLE\nUltra-realistic, photorealistic live-action, natural human and animal movement, handheld camera, shallow depth of field, ARRI Alexa 35 look, warm cinematic grade, subtle film grain. Hard cuts between shots. The transformation must feel instantaneous and visually seamless, with the toy mouse and camera position matching precisely across the cut.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2097289309154091436"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-granny-funny-moment-2c26bc1ac563",
|
||
"title": "浴袍奶奶徒手搬回巨型钢卷",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/cases/1d7aedea8804.jpg",
|
||
"mode": "video",
|
||
"prompt": "Granny Funny Moment\nCreated with Seedance 2.5 on https://t.co/JzQ29rfL3o \n\nPrompt below 👇\nGenerate a continuous 30-second sequence in the style of a real dashcam video, filmed from a car driving behind on an ordinary tree-lined city road in daylight — the dashcam's fixed wide-angle view with the filming car's hood and wiper edge at the bottom of frame, slightly washed-out colors, mild lens distortion, small vibrations from the road, compression artifacts, autofocus staying fixed — exactly the look of viral traffic-camera footage. Ahead: a red semi truck with a long flatbed trailer carrying massive steel coils. Core subject is the same overweight elderly woman in a pale pink floral bathrobe, with tight silver-gray permed curls, walking on the roadside — who, when a giant steel coil breaks loose and rolls off the trailer, calmly stops it with her hands, picks it up, and heaves it back onto the flatbed like it weighs nothing. Tone: absurd but played completely straight, like real footage of something impossible — no reactions from her, pure viral-video energy. Style: raw dashcam realism only — no cinematic grading, no camera movement beyond the car's own driving, no slow motion, zero cuts. Grounded physics on EVERYTHING except her strength: the coil has true massive weight in how it falls, rolls, and lands. The road ahead is otherwise empty of pedestrians; the filming car and the truck both slow safely; nobody is ever in the coil's path; nobody is injured on screen.\n\n阶段一 (0–7s, the drop): Fixed dashcam view following the red flatbed truck at normal traffic distance. A strap visibly snaps on the trailer — one enormous steel coil (taller than a person) tips, slides off the flatbed's edge, and CRASHES onto the asphalt with real catastrophic mass: the road surface cracking under the impact, a bounce of only centimeters despite the drop, dust and grit jumping in a ring, the trailer visibly rocking upward from the released weight. The coil begins rolling toward the roadside on its own momentum, slow and unstoppable, wobbling slightly on its axis. The truck's brake lights flare; it pulls over ahead. The filming car brakes gently, keeping distance, the dashcam view dipping slightly with the deceleration.\n\n阶段二 (7–14s, the stop): Same fixed dashcam view. From the tree-lined sidewalk, the grandma in the floral bathrobe walks into frame at a completely normal unhurried pace, angling to meet the rolling coil — and simply puts both palms flat against its face. The coil stops dead against her hands: her slippers slide backward a few centimeters on the grit as she absorbs its rolling momentum, her body leaning into it at a realistic bracing angle, bathrobe swaying forward from the deceleration — then stillness. She straightens up and looks at the coil the way someone looks at a fallen bag of rice. The truck driver climbs down from the cab far ahead, jogging back, then slowing to a stunned stop mid-road.\n\n阶段三 (14–22s, the lift): Continuous dashcam view. She squats beside the coil with an ordinary, practical motion — hands finding the coil's inner bore and bottom edge — and stands up WITH IT: the coil rising off the ground in her arms, its colossal mass now readable only in the physics around her — her slippers pressing visible marks into the softened asphalt, small stones cracking under her feet, her steps short and flat-footed under the load, the coil's wrapped steel bands creaking. She carries it toward the pulled-over trailer at a normal walking pace, body tilted back to counterbalance, the truck driver backing away with both hands on his head. The dashcam car rolls slowly closer, the view growing, heat shimmer off the road.\n\n阶段四 (22–30s, the throw + walk-off): Same continuous view. At the trailer's side she rocks the coil back once — a real preparatory counter-swing — and HEAVES it up onto the flatbed: the coil arcs a short, heavy, believable trajectory, lands on the trailer bed with a colossal BANG, the entire trailer slamming down on its suspension, tires bulging, the tractor unit bouncing, dust jumping off every surface, and the coil settling into place with one slow half-rotation before going still. The trailer rocks twice more on its springs, settling. She wipes her palms against each other twice — the universal \"done\" gesture — turns, and walks back toward the sidewalk at the same unhurried pace, exiting frame as the truck driver stands frozen beside his trailer. Ends with the dashcam car slowly driving past the scene: the trailer still faintly swaying, the driver staring, the cracked dent in the asphalt where the coil landed sliding past the bottom of frame.\n\n保持一致: Same elderly woman, same pale pink floral bathrobe, same tight silver-gray permed curls (never bald), slippers throughout; the red semi with flatbed trailer and giant steel coils; ONE continuous fixed dashcam shot from the following car — hood and wiper edge at bottom of frame, wide-angle distortion, washed dashcam colors, road vibration, compression-artifact texture, the view moving only with the car's own braking and slow rolling; daylight, tree-lined road; zero cuts. Her demeanor is completely ordinary and unhurried — normal walking pace, practical squat-and-lift, the palm-wipe — played dead straight, no showing off; the comedy IS the contrast between the impossible feat and her total nonchalance. All physics real EXCEPT her strength: the coil falls with catastrophic mass (cracked asphalt, centimeter bounce, trailer rocking upward on release), rolls with slow unstoppable momentum, stops against her hands with her slippers sliding and body bracing, presses her footprints into asphalt during the carry, and lands back on the trailer with full suspension slam, tire bulge, double rebound and a settling half-rotation; secondary motion on dust, grit, bathrobe and the trailer's springs throughout. Road otherwise empty of pedestrians; the driver and filming car always at a safe distance; nobody in the coil's path; nobody injured. No on-screen text, no subtitles, no slow motion, no cuts.\n\nAudio: cabin interior of the filming car — engine idle, faint radio murmur, a soft \"ồ\" from the unseen driver — under the outside sounds carried muffled through the windshield: the strap snapping, the coil's earth-shaking impact and cracking asphalt, its heavy grinding roll, the scrape of her slippers as she stops it, steel bands creaking during the carry, her flat footsteps, the trailer's colossal BANG and suspension slam with double rebound, dust settling, the truck driver's distant exclamation, traffic idling, the filming car slowly accelerating past. No voice-over. No music.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
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||
"sourceUrl": "https://x.com/Ciri_ai/status/2096959231434063990"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-step-05-seedance-2-5-generation-baa99b03bc74",
|
||
"title": "烈日网球场上的迅猛回合",
|
||
"description": "运动极限",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-step-05-seedance-2-5-generation-baa99b03bc74.jpg",
|
||
"mode": "video",
|
||
"prompt": "STEP 05 - SEEDANCE 2.5 GENERATION\nSEEDANCE 2.5 STORYBOARD AS REFERENCE\nFAST CUT 24FPS HANDHELD THROUGHOUT\n\nAESTHETIC: Cinematic sports reel, 20 seconds, 16:9. Natural light, highlight halation. Handheld micro-tremor, never gimbal. Fast cuts every 0.8-1.5s. Motion blur 24fps, 35mm grain. Fixed midday light all 20 seconds: overhead sun, hard short shadows.\n\nCHARACTER: Young athletic woman from REFERENCE IMAGE. Dark brown hair in high ponytail with loose strands, white Nike visor, navy Nike racerback tank with white swoosh, navy pleated tennis skirt with white swoosh, white wristband, fine gold chain with small cross, holding tennis racket. USE REFERENCE IMAGE FOR FACE AND EXACT WARDROBE. Same outfit every single shot. Do not change colors, logos, hair, or jewelry.\n\nLOCATION: Outdoor tennis court. Blue cobalt inside, green outside, white lines. Black fence, empty bleachers. Midday sun.\n\n[0:00-0:01] Extreme close-up top-down. White sneakers and navy skirt hem frame the racket. She spins the racket two rotations from the handle on the blue court.\n\n[0:01-0:02] Close-up face from reference image — eyes bright, half smile, one hand on visor, tosses yellow ball in air, slight dolly-out.\n\n[0:02-0:03] Match cut on ball to overhead top-down. She completes the serve on the baseline. Hard short shadow at her feet.\n\n[0:03-0:05] Medium handheld counter-direction. Violent forehand drive, torso rotating, navy tank twisting, racket cutting air.\n\n[0:05-0:06] Low angle dutch tilt. Running parallel to the net in navy skirt, forehand with motion blur.\n\n[0:06-0:07] Full shot. Jumping to smash overhead against the sky, ponytail and visor catching sun.\n\n[0:07-0:08] Extreme close-up footwork. White sneakers moving fast on blue cobalt court.\n\n[0:08-0:09] Medium through net mesh, slow dolly-in, slow motion. Tucks a loose strand behind ear, lowers racket, same face and navy kit from reference.\n\n[0:09-0:10] Extreme low angle, backlit sun. Serves in slow motion from behind, silhouette of visor, tank, and skirt against sky.\n\n[0:10-0:11] Wide from blurred bleachers. Small figure hitting crosscourt backhand.\n\n[0:11-0:12] Reverse medium handheld other side of the net. Two-handed backhand, weight back, navy outfit identical to reference.\n\n[0:12-0:13] Wide from bleachers. Small figure forehand drive.\n\n[0:13-0:15] Medium handheld counter-direction. Violent forehand drive closing the point.\n\n[0:15-0:17] Hero close-up. Same face as reference image, slight smile, hand near visor, midday sun, navy Nike kit.\n\n[0:17-0:20] Extreme low angle through racket strings. Face from reference behind the strings. Bounces yellow ball twice, brings ball toward lens until it fills the frame.\n\nAUDIO: No dialogue. Diegetic sound only — ball impact, sneaker squeak, breathing, ball bounce, palm wind, fence vibration. No music in engine.",
|
||
"category": "sports-extreme",
|
||
"sourceId": "seedance",
|
||
"credit": "@ShamiWeb3",
|
||
"sourceUrl": "https://x.com/ShamiWeb3/status/2094944675044245596"
|
||
},
|
||
{
|
||
"id": "seedance:chillaikalan-seedance-ai-c67e26cea7cb",
|
||
"title": "欧洲古城清晨咖啡漫游",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/693702114cbc.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5-30-Second Ultra-Photorealistic Travel Vlog Prompt\n\nCreate a 30-second ultra-photorealistic travel vlog that looks exactly like genuine footage spontaneously recorded by a real European travel creator on a high-quality handheld vlog camera. The same young European woman must remain visually identical throughout the entire video: identical face, facial proportions, hairstyle, hair color, skin tone, body proportions, age, wardrobe, accessories, and overall appearance. Maintain strict character consistency across every shot and camera angle.\n\nThe woman should have natural skin pores, subtle facial imperfections, realistic eyes, individual hair strands, authentic hair movement, natural body proportions, realistic hands, and spontaneous human expressions. No beauty filter, no plastic skin, no excessive makeup, no perfect symmetry.\n\nThe entire video must feel like real documentary/travel-vlog footage, not a commercial, music video, cinematic film, 3D render, or AI-generated sequence.\n\nCONTINUITY / CHARACTER LOCK\n\nSame woman in every shot. Young European woman, approximately mid-20s, naturally attractive but completely realistic. Natural complexion with visible pores and tiny imperfections, realistic eyes and eyelashes, natural eyebrows, slightly imperfect hair strands moving independently in the breeze. Same hairstyle and clothing throughout. Authentic posture and walking rhythm. No facial identity drift, no changes in age, hairstyle, clothing, accessories, body shape, or skin tone.\n\nShe carries a small compact vlog camera, held naturally at arm's length during selfie shots. Her grip, fingers, hands, and camera position must remain anatomically realistic.\n\nLOCATION / ATMOSPHERE\n\nA beautiful European historic old-town district in the morning. Narrow stone-paved street, textured centuries-old buildings, colorful but realistic façades, wooden shutters, small cafés, outdoor tables, bicycles, bakery storefront, pedestrians, subtle street activity.\n\nSoft morning sunlight with realistic shadows. Natural atmospheric perspective. Authentic European street ambience. Background people behave independently and naturally, without staring at the camera. No duplicated pedestrians or repeated background characters.\n\nSHOT 1 — 0–5 SECONDS\n\nSelfie-style handheld vlog footage.\n\nThe woman walks naturally down the old-town street while holding a small vlog camera at arm's length. She looks directly into the lens with a subtle, genuine smile.\n\nCamera has realistic handheld movement: slight walking bounce, tiny wrist movements, occasional micro-shake, natural framing imperfections, subtle breathing-related movement. Do NOT stabilize the footage perfectly.\n\nHer hair moves naturally as she walks through a light morning breeze. Her expression remains relaxed and spontaneous. She occasionally blinks naturally.\n\nBehind her: pedestrians walking casually, parked bicycles, café entrances, historic textured buildings and morning activity.\n\nNatural sunlight falls across her face as she moves between partial shade and sunlight. Preserve realistic exposure and skin tones.\n\nSHOT 2 — 5–10 SECONDS\n\nShe naturally turns the camera away from herself toward the street.\n\nCreate an imperfect handheld pan, as if a real travel creator casually redirected their vlog camera.\n\nReveal:\n\n- detailed historic European architecture\n- stone façades and windows\n- outdoor café tables\n- people drinking coffee\n- bicycles moving through the street\n- a small neighborhood bakery\n- subtle morning street activity\n\nThe pan should NOT be perfectly smooth. Include realistic wrist acceleration, tiny framing corrections and slight motion blur.\n\nAs the camera moves from a darker section of the street into direct morning sunlight, produce a subtle automatic exposure adjustment. Highlights and shadows react naturally like a real camera sensor.\n\nNo cinematic transition. No artificial camera glide.\n\nSHOT 3 — 10–15 SECONDS\n\nCut naturally back to selfie footage.\n\nThe same woman continues walking toward the café. She briefly says something casual and conversational to the camera, such as:\n\n“This little street is so beautiful.”\n\nHer lip movement must synchronize naturally with the words. Facial expressions are relaxed and understated. No exaggerated acting.\n\nShe briefly glances toward something in the street and then back at the lens. She blinks naturally. A light breeze moves several individual strands of hair.\n\nPedestrians pass naturally in the background without acknowledging the camera.\n\nMaintain realistic handheld shake, authentic walking bounce, natural breathing, realistic depth of field and believable street ambience.\n\nSHOT 4 — 15–21 SECONDS\n\nTransition naturally into POV footage from her camera.\n\nShe approaches and enters a small independent local café.\n\nThe camera moves through the doorway at normal human walking speed. Slight vertical bounce and subtle wrist movement remain visible.\n\nInside:\n\n- warm natural café lighting\n- wooden tables\n- textured walls\n- realistic glass reflections\n- small background conversations\n- customers moving naturally\n- barista activity in the distance\n- subtle environmental shadows\n\nThe camera approaches a wooden table containing a freshly prepared coffee and a small pastry.\n\nShow subtle realistic steam rising from the coffee. Reflections on the cup and nearby glass should obey real-world lighting.\n\nNo exaggerated steam. No floating objects. No artificial-looking food.\n\nSHOT 5 — 21–26 SECONDS\n\nCut back to selfie footage.\n\nThe same woman is now sitting outside the café at a small table.\n\nShe naturally picks up the coffee, takes a small casual sip, lowers the cup and looks into the camera.\n\nHer expression changes into a subtle authentic smile. Avoid influencer-style posing or exaggerated happiness.\n\nMaintain exact facial identity and wardrobe continuity.\n\nBackground remains alive:\npedestrians walking, bicycles passing, café customers talking, subtle movement of chairs and clothing in the breeze.\n\nCamera remains handheld and slightly imperfect, with realistic micro-shake.\n\nSHOT 6 — 26–30 SECONDS\n\nContinue the selfie shot for a natural ending.\n\nShe keeps a relaxed smile for a moment, then her attention subtly shifts toward the street.\n\nThe camera performs a small natural focus shift from her face toward the street behind her.\n\nHer face gradually becomes slightly softer while the background becomes clearer, like realistic autofocus behavior from a modern vlog camera.\n\nEnd spontaneously rather than dramatically.\n\nNo cinematic fade, no artificial transition, no title card.\n\nCAMERA / PHYSICS\n\nAuthentic handheld vlog-camera behavior throughout.\n\nUse:\n\n- realistic walking bounce\n- subtle wrist shake\n- natural micro-jitter\n- imperfect framing\n- physically accurate motion blur\n- realistic autofocus behavior\n- realistic exposure adaptation\n- natural depth of field\n- physically correct reflections\n- realistic shadows\n- natural skin response to sunlight\n- believable hair physics\n- realistic fabric movement\n- authentic pedestrian movement\n\nCamera should occasionally make tiny human corrections rather than moving perfectly smoothly.\n\nAUDIO / AMBIENCE\n\nNatural location sound only.\n\nInclude subtle:\n\n- footsteps on stone pavement\n- distant conversations\n- café chatter\n- bicycle movement\n- light street noise\n- birds in the distance\n- door opening\n- subtle café interior ambience\n- faint cup movement\n- natural breathing\n\nHer spoken sentence should sound like a real casual vlog recording, with natural voice volume and slight environmental background noise.\n\nNo dramatic soundtrack. No cinematic sound effects.\n\nABSOLUTE REALISM REQUIREMENTS\n\nPrioritize photographic realism over visual perfection.\n\nThe footage should contain the tiny imperfections normally found in genuine handheld travel footage.\n\nAvoid:\n\n- CGI appearance\n- AI-generated look\n- plastic skin\n- beauty filters\n- excessive skin smoothing\n- perfect facial symmetry\n- exaggerated expressions\n- overly cinematic lighting\n- perfect gimbal movement\n- impossible camera movement\n- warped hands\n- malformed fingers\n- distorted faces\n- inconsistent facial identity\n- changing clothing\n- changing hairstyle\n- duplicated pedestrians\n- frozen background people\n- unnatural walking\n- floating objects\n- impossible reflections\n- incorrect shadows\n- artificial depth-of-field\n- excessive bokeh\n- oversaturated colors\n- hyper-sharp artificial textures\n- dramatic transitions\n- commercial/ad-style posing\n\nFinal target: The finished 30-second video must be indistinguishable from a genuine, spontaneously filmed European travel vlog captured by a real person on a premium handheld vlog camera. Every person, object, reflection, shadow, movement, facial expression, hair strand, exposure change and camera motion should obey real-world physics.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ChillaiKalan__",
|
||
"sourceUrl": "https://x.com/ChillaiKalan__/status/2094280707422191705"
|
||
},
|
||
{
|
||
"id": "seedance:noorlewisx-seedance-ai-3f03ebd75247",
|
||
"title": "与日本女孩的一日浪漫约会",
|
||
"description": "电影感叙事短片",
|
||
"image": "/inspiration-thumbs/seedance/noorlewisx-seedance-ai-3f03ebd75247.webp",
|
||
"mode": "video",
|
||
"prompt": "A cinematic first-person POV romantic date montage in Japan featuring a beautiful young Japanese woman with short black hair, straight bangs, fair skin, and a natural makeup look. She wears a rust-red short-sleeve polo shirt, dark blue jeans, white sneakers, and a small black leather shoulder bag.\nThe video starts at a nighttime train station platform. She stands in the open silver train doorway, looking surprised, then reaches her hand toward the camera as if grabbing the viewer’s hand. The train begins to pull away. Quick close-up of her wide-eyed, slightly shocked face as the train moves.\nCut to a bright sunny day: she walks hand-in-hand with the viewer along a green riverside path, looking back over her shoulder with a warm smile, hair slightly blowing in the wind.\nShe playfully peeks between two books in a bookstore, first curious then breaking into a bright smile.\nLow-angle shot of her walking across a zebra crossing in a quiet Japanese residential area.\nShe walks down a narrow traditional alley with wooden houses and looks back at the camera with a soft smile.\nIn a ramen shop she eats: first a close-up of steaming noodles lifted on chopsticks, then she sips soup from a white spoon and looks up at the camera with a happy, slightly shy smile.\nIn a densely packed manga store she holds up a colorful magazine and an open comic page, smiling at the camera.\nIn Nara Park a deer eats a cracker from the viewer’s hand in the foreground while she stands behind it, laughing and holding her bag.\nGolden-hour sunset in a park: she runs toward the camera with arms outstretched, then turns around smiling as warm sunlight flares through the trees. Intimate close-up of her face with eyes closed, peaceful smile, golden light on her skin.\nThe video ends back at the same nighttime train station. A train passes behind her and she looks at the camera with a gentle, content smile.\nStyle: realistic cinematic footage, handheld first-person camera, natural lighting, warm color grading, shallow depth of field, filmic grain, 4K, Japanese slice-of-life aesthetic, romantic and intimate mood.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2093198693717647820"
|
||
},
|
||
{
|
||
"id": "seedance:doctorwasif-seedance-ai-653b4911153b",
|
||
"title": "偶像女孩的高强度间歇训练日志",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/a0192b2ee0cd.jpg",
|
||
"mode": "video",
|
||
"prompt": "CAMERA: DV 16mm tape camcorder, handheld POV/self-shot by CHASE. Occasional propped shots on bench/floor. Shaky framing, soft focus, clumsy zooms, face cutoffs, chaotic movement during exercise, steadier during recovery. Camcorder never visible.\n\nLOOK: Soft blurry tape quality, faint noise, bloomed gym lights, flickering exposure, muted contrast, realistic skin tones. Sweat progressively builds.\n\nSTYLE: High-energy, breathless HIIT vlog. Intense exercise bursts → short recovery beats. Genuine exhaustion and determination.\n\nCHASE: Korean idol in her 20s, long black high ponytail becoming damp, expressive eyes, flushed cheeks, slim athletic build. Modest long-sleeve athletic top, joggers/leggings, sneakers, towel, no jewelry.\n\nSETTING: Evening gym open floor, mats, mirrors, small speaker/phone, water bottle, soft overhead lighting.\n\n30s / 9 CUTS:\n\n1. 3s Propped: Ready on mat, bouncing. “Okay, HIIT round thirty seconds on, let’s go!”\n2. 3s Handheld: Fast jumping jacks. “Okayalready feeling this”\n3. 2.5s Propped: Hands on knees, recovering. “Okay five seconds that’s it”\n4. 3s Low/propped: Intense mountain climbers, sweat visible. Heavy breathing only.\n5. 2.5s Propped: Sitting back, wiping sweat. “Okay, that one’s brutal”\n6. 3.5s Handheld: Burpees, increasing motion blur. “Why did Ipick burpees”\n7. 2.5s Macro: Hands gripping mat, sweat dripping, chest heaving. No dialogue.\n8. 3s Propped: Collapses onto back, laughing breathlessly. “Okay I think I’m dying”\n9. 3.5s Selfie: Slowly sits up, drinks water, tired grin. “Okay, that’s a wrap worth it though. See you guys!”",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@doctorwasif",
|
||
"sourceUrl": "https://x.com/doctorwasif/status/2093191801763233991"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-things-got-out-of-control-the-moment-scooby-spotted-the-sandwich-cf23bc2cdfd4",
|
||
"title": "追逐三明治引发桌面图标大乱",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/cases/13f4d11074d6.jpg",
|
||
"mode": "video",
|
||
"prompt": "Things got out of control the moment Scooby spotted the sandwich 😆\n\nMade with Seedance 2.0 on @PixVerse \n#PixVerseCPP\n\nPrompt below 👇🏻\n\nCreate a 10-second 16:9 animated video using the provided mystery-cartoon desktop image as the EXACT first frame and visual reference.\n\nPreserve the desktop exactly: room, furniture, wallpaper, system bar, app grid, dock, icons, labels, lighting, and layout. Keep the two cartoon characters unchanged in appearance, colors, expressions, proportions, clothing, and classic 2D style.\n\nCamera: Static front view, one continuous shot, no zoom, pan, tilt, or cuts.\n\n0–1.5s:\nOn the RIGHT side, the human runs with a giant sandwich while the dog chases excitedly. Classic cartoon motion, ear flaps, sliding paws, and bouncy clothing.\n\n1.5–2.5s:\nThe human trips over popcorn. The sandwich flies up and knocks 3 desktop icons loose. The icons spin through the air, land above the dock, and bounce. Their original grid spots remain empty.\n\n2.5–3.2s:\nThe dog catches the sandwich and takes a bite. Both characters notice the fallen icons, freeze, exchange worried looks, and pause awkwardly.\n\n3.2–7.8s:\nThey restore the icons one by one:\n\n- Human returns Icon 1.\n- Dog returns Icon 2.\n- Both return Icon 3.\n\nEach icon must visibly leave its position, fly, land, be picked up, carried, and manually placed back into its exact original location. Separate click sound for each restoration. No teleporting, snapping back, duplication, logo changes, or automatic restoration.\n\n7.8–10s:\nAfter restoring the last icon, the dog hides behind the human. The dog peeks out nervously while the human acts innocent. Both glance at the icons, then look at the viewer. Hold a guilty-comedic pose.\n\nDesktop Rules:\nOnly the 3 selected icons may move. Everything else remains perfectly unchanged and stationary.\n\nAudio:\nPlayful mystery-cartoon music, chase rhythm, stumble sound, sandwich impact whoosh, three landing sounds, three restoration clicks, brief silence during the shocked reaction, then music resumes. No dialogue, subtitles, or text overlays.\n\nStyle:\nPremium cinematic 2D cartoon animation, clean outlines, squash-and-stretch motion, consistent colors, subtle shadows, light floor reflections, realistic interaction with the desktop.\n\nFinal Frame:\nDesktop fully restored, all icons back in their original positions, characters on the RIGHT side, guilty-comedic expressions, no missing or duplicate icons, matching the reference image.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@itxabdullaa",
|
||
"sourceUrl": "https://x.com/itxabdullaa/status/2102239560914841864"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-a-complete-red-bull-commercial-using-seedance-2-5-on-3ee7e5338cba",
|
||
"title": "红牛洒满公路后车流集体起飞",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/632778ca5b38.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an explosive, energetic, photorealistic Red Bull commercial that transforms an ordinary highway accident into a rapidly escalating spectacle built around the literal realization of “Red Bull gives you wings.” A Red Bull delivery truck has experienced a minor non-injury accident on a mountain highway, causing hundreds of intact cans to spill across the road and bring traffic to a complete stop, but the frustration of the stranded drivers quickly turns into excitement when one person grabs a can, drinks it, suddenly grows enormous wings, and launches into the sky, triggering a contagious wave of people rushing from their cars, grabbing cans, drinking, transforming, and taking flight until the entire highway erupts into a massive airborne celebration.\n\nThe commercial should build energy continuously rather than repeatedly stopping for reactions, with faster camera movement, aggressive transitions motivated by physical action, dynamic crowd behavior, cans rolling beneath vehicles, doors opening simultaneously, people sprinting between cars, rapid transformations, powerful wing movements, wind blasting across the road, loose clothing whipping through the air, papers flying from vehicles, and increasingly dramatic takeoffs that culminate in dozens of people racing through the sky above the abandoned traffic.\n\nSet the commercial on a spectacular mountain highway during brilliant late-afternoon sunlight, where a Red Bull delivery truck has stopped diagonally across several lanes after a minor accident and its rear cargo section has opened, releasing hundreds of shiny Red Bull cans that scatter across the asphalt between a long line of stopped cars. Nobody is injured and there is no fire, blood, panic, or graphic destruction, while the accident functions purely as the energetic setup that releases the product and interrupts the traffic.\n\nUse premium high-energy sports-commercial cinematography with fast tracking shots, low road-level cameras racing beside rolling cans, aggressive push-ins, sweeping crane movements, vehicle-mounted perspectives, whip pans motivated by action, energetic handheld moments inside the crowd, dramatic aerial tracking, speed ramps around transformations, and powerful upward camera movements during takeoffs, while preserving enough visual continuity that every action clearly causes the next.\n\n[00:00-00:04] RED BULL EVERYWHERE\n\nOpen at maximum energy with a low camera racing inches above the highway behind several Red Bull cans as they roll rapidly across the asphalt, bouncing between stopped tires while car brakes squeal and doors begin opening around them, before whipping upward to reveal the Red Bull delivery truck positioned diagonally farther ahead with hundreds of additional cans scattered across the road. Drivers lean from windows, passengers point toward the cans, horns echo through the mountain pass, and one can spins away from the larger pile before rolling directly toward a person stepping from a sports car.\n\n[00:04-00:08] CRACK IT OPEN\n\nFollow the same can without breaking continuity as the person catches it with one hand, looks toward the enormous spill, grins, snaps the tab open with a sharp CRACK, and drinks while the camera circles rapidly around them and nearby drivers begin grabbing cans for themselves. As the first person lowers the can, their jacket suddenly pulls backward as if caught by a powerful gust, enormous feathered wings burst outward and unfold behind them with enough force to send loose papers and dust sweeping across the road, while the surrounding crowd erupts in astonished shouts.\n\nThe transformed person looks at the wings, looks at the can, smiles, and says, “Okay... that works.”\n\n[00:08-00:13] EVERYONE WANTS ONE\n\nThe first transformation immediately triggers chaos as dozens of people rush from their stationary cars toward the scattered cans, while the camera charges alongside them at road level and follows hands grabbing cans directly from the asphalt before rapidly cutting between tabs snapping open, cans tilting upward, people drinking, eyes widening, clothing beginning to move, and enormous wings unfolding one after another across the highway. Each transformation sends another blast of air through the crowd, causing hair, jackets, newspapers, shopping receipts, and lightweight objects to whip through the frame as the previously ordinary traffic jam becomes increasingly surreal.\n\nA person sees wings explode open beside them, looks excitedly at the Red Bull can in their hand, and shouts, “I’m definitely drinking this!”, before opening it immediately.\n\n[00:13-00:18] TAKEOFF\n\nThe original transformed driver takes several running steps between the stationary cars, spreads their wings completely, and launches powerfully upward as the camera races behind them before tilting vertically toward the sky, while several newly transformed people immediately follow from different parts of the same highway. One person runs across the roof line between two stationary vehicles before lifting safely into the air, another rises directly from the road with several enormous wing beats, while a group farther behind launches almost simultaneously and creates a huge blast of wind that sends abandoned newspapers swirling through the traffic.\n\nKeep accelerating the editing rhythm as every new takeoff motivates the next camera movement, making the road feel increasingly empty while the sky becomes increasingly crowded.\n\n[00:18-00:23] THE HIGHWAY TAKES FLIGHT\n\nTransition into a breathtaking aerial chase as dozens of winged people race above the highway, diving between mountain ridges, banking around one another, climbing through sunlight, and laughing as they discover how naturally they can fly, while the camera moves with the speed and aggression of an extreme-sports commercial rather than observing them passively from a distance. Several flyers race alongside one another above the valley before one dives toward the highway, skims above the abandoned cars, then pulls upward at the last moment as the camera follows into a dramatic vertical climb.\n\nFar below, more people continue drinking and launching from the road, creating a constant stream of new flyers joining the enormous formation overhead.\n\n[00:23-00:27] EVERYONE IS GONE\n\nDive rapidly from the flying crowd back toward the highway and race through the traffic at road level, revealing car after car sitting completely abandoned with doors still open while Red Bull cans roll slowly between the tires and the enormous traffic jam that seemed impossible to escape only seconds earlier has become strangely empty. The camera continues accelerating toward the delivery truck until the driver steps from behind it, looks around at the deserted vehicles, then slowly looks upward and sees hundreds of wings crossing the golden sky above him.\n\nHe looks toward one remaining Red Bull can beside his shoe.\n\nHe smiles.\n\n[00:27-00:30] ONE LAST TAKEOFF\n\nThe driver grabs the can, snaps it open, drinks immediately, and enormous wings unfold behind him as the camera pulls backward from the force of the movement, before he launches straight upward and the camera follows him into the sky where he joins the enormous airborne crowd racing toward the horizon. As everyone sweeps past the camera in one final surge of wings and rushing air, transition cleanly into the Red Bull product hero shot with a chilled can covered in condensation against the open sky.\n\nFinish with:\n\nRED BULL\n\nGIVES YOU WINGS\n\nMaintain relentless forward momentum while preserving strict cause-and-effect continuity, because the truck accident releases the cans, the rolling cans attract the stranded drivers, the first person demonstrates the transformation, witnessing that transformation motivates everyone else to grab cans, simultaneous drinking creates the rapidly expanding wave of wings, the growing number of transformed people triggers the mass takeoff, and the increasingly empty highway naturally reveals that the traffic jam has effectively moved into the sky.\n\nEvery person must physically acquire a Red Bull can before drinking it, every transformation must happen only after drinking, and every person must visibly possess fully developed wings before leaving the ground, while the transformations should feel powerful and instantaneous without becoming grotesque or anatomical. Keep the same truck, vehicles, people, cans, road geography, sunlight direction, scattered objects, and crowd positions consistent throughout, while using speed ramps, energetic tracking, whip pans, low-angle movement, dramatic aerial pursuit, strong wing-generated wind, punchy sound design, rapidly intensifying music, crisp can-opening sounds, rushing air, crowd excitement, and explosive takeoffs to make the commercial feel increasingly energetic until the final brand payoff.",
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"sourceId": "seedance",
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"credit": "@azed_ai",
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"sourceUrl": "https://x.com/azed_ai/status/2100947530431520915"
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},
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{
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"id": "seedance:seedance-cinematic-live-action-rooftop-superhero-fight-featuring-the-exact-male-hero-fro-e5adf4ac41fa",
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"title": "紫能英雄屋顶激战",
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"description": "打斗编排",
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"image": "https://media.goodcase.ai/cases/395a8569e54f.jpg",
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"mode": "video",
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"prompt": "CONCEPT\nCinematic live-action rooftop superhero fight featuring the EXACT male hero from Reference Image 1. Faithfully recreate the reference video's action, pacing, camera language, environment, and movement.\n\nSETTING\nBright daytime urban rooftop with concrete walls, stairs, wires, palm trees, buildings, dust, and hard sunlight. Preserve realistic physics.\n\nCAMERA\nDynamic cinematic action: wide angles, rapid reframing, low angles, close tracking, handheld movement.\n\nCAMERAMAN MOTION\nStart with fast lateral tracking and purple energy. Track and rotate during wall-running. End wider for the aerial impact.\n\nSUBJECT — REFERENCE IMAGE 1 IDENTITY LOCK\nThe hero MUST be the EXACT male character from Reference Image 1. Preserve face, eyes, nose, lips, jawline, skin, hairstyle, hairline, body proportions, physique, age appearance. Do not replace or morph him. He wears a fitted blue-and-white martial-arts outfit. Opponents are adult males in dark tactical clothing. Purple energy surrounds attacks.\n\nACTION TIMELINE\n0–3s HOOK: Fast rooftop tracking with purple energy. Reveal the exact Reference Image 1 hero rushing toward attackers, then wall-running.\n3–7s BUILD UP: Hero runs horizontally along the wall, transitions into combat, and strikes attackers with purple energy.\n7–10s PAYOFF: Hero performs a powerful aerial move and descends with force. The rooftop cracks on impact, sending dust and debris outward. End as dust settles.\n\nAUDIO\nAction: wind, whooshes, impacts, energy, footsteps, concrete breaks, debris crashes. Build intensity to the final impact. Maintain consistent character scale, anatomy lighting, impact timing, and camera direction throughout the sequence.\n\nNEGATIVE PROMPT\nNo identity drift, different face, female hero, morphing, face swap, hairstyle/body changes, costume redesign, duplicates, extra limbs, teleportation, impossible physics, random cuts, new locations/events, cartoon/anime style, plastic skin, uncontrolled purple glow. Preserve live-action realism and Reference Image 1 fidelity.",
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"category": "combat-choreography",
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"sourceId": "seedance",
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"credit": "@Xaroon_x",
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||
"sourceUrl": "https://x.com/Xaroon_x/status/2100507474792948117"
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},
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{
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||
"id": "seedance:seedance-cinematic-fashion-film-of-a-young-woman-with-long-dark-wavy-hair-walking-throug-e952250a9dd3",
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"title": "纽约街头的金色时刻",
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"description": "时尚造型册",
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"image": "https://media.goodcase.ai/cases/f8bb20fa2c8b.jpg",
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"mode": "video",
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"prompt": "Cinematic fashion film of a young woman with long dark wavy hair walking through New York City. She wears oversized brown tortoiseshell sunglasses, gold hoop earrings, a cream sherpa fleece jacket with black leather trim and toggle buttons, a black mini skirt, black tights, and chunky black loafers, carrying a small black shoulder bag. Sequence: she exits a glass-door building, crosses a busy intersection with yellow taxis, glances into a café window, walks the sidewalk, buys a cold water bottle from a street cart, drinks it, sits on a green park bench, then walks away. Natural daylight, golden-hour highlights, smooth handheld and tracking shots, close-ups of her face, hair, and outfit details. Aesthetic street-style, 4K, filmic color grade, shallow depth of field.\nYou can drop that into Sora, Runway, Kling, Luma, or similar tools. Add duration (e.g. “30 seconds”) and aspect ratio (9:16 or 16:9) if the model asks for them.",
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"category": "fashion-lookbook",
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"sourceId": "seedance",
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"credit": "@Zyrellix",
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||
"sourceUrl": "https://x.com/Zyrellix/status/2100435436128882760"
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},
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{
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||
"id": "seedance:seedance-a-young-traveler-experiences-china-through-an-energetic-but-natural-sequence-of-5f719122de15",
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||
"title": "红衣旅人的中国山水都市之旅",
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"description": "",
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"image": "https://media.goodcase.ai/cases/3b0e27c7ac87.jpg",
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"mode": "video",
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"prompt": "30 seconds | 16:9 | premium travel music video / fashion travel film | 2024–2026 commercial grade | MULTISHOT\n\nCORE CONCEPT\nA young traveler experiences China through an energetic but natural sequence of movement, culture, fashion, food, architecture and landscapes. The film feels like a premium Chinese tourism campaign combined with an elite fashion travel film. The traveler is always physically present in the environment. Every location feels photographed rather than generated. Music drives the edit, but the footage retains the imperfections and spontaneity of real travel photography.\n\nCHARACTER\nONE TRAVELER — young adult international traveler wearing a contemporary Adidas travel outfit: premium red Adidas jacket, neutral trousers, sneakers, compact crossbody bag. Natural hair, realistic skin texture, minimal accessories. Same face, clothing, hairstyle, proportions and accessories throughout the entire film. Do not invent additional Adidas branding.\n\nSETTING\nModern and historic China: high-speed railway, Shanghai streets, traditional water-town lanes, Chengdu food streets, ancient architecture, dramatic mountain valleys, elevated viewpoints and vibrant nighttime streets. Real pedestrians, vendors, commuters, vehicles and local activity. Locations feel naturally connected through the journey.\n\nSTORY — MUSIC-DRIVEN MULTISHOT VISUALS\n\n00:00–02.5 — CLOSE-UP HOOK\n85mm close-up of the traveler beside a high-speed train window. Warm sunlight catches the face while reflections of the moving Chinese landscape slide across the glass. Traveler looks outside, then turns toward camera as the first beat begins.\n\n02.5–05 — MOVEMENT\n24mm wide shot from the platform as the traveler walks alongside the departing high-speed train. Wind moves the red jacket naturally. The train accelerates through frame. Cut precisely with the music.\n\n05–07.5 — CITY ARRIVAL\n35mm handheld follow shot as the traveler exits a busy station into a dense Chinese city street. Real pedestrians cross naturally. Electric scooters, taxis and buses move through the background. Camera operator follows slightly behind rather than perfectly framing the subject.\n\n07.5–10 — STREET LIFE\n50mm observational shot. Traveler moves through a crowded neighborhood while a food vendor prepares steaming street food nearby. Traveler briefly stops, watches the preparation and smiles naturally. Steam passes across the foreground.\n\n10–12.5 — CULTURAL TRANSITION\n24mm shot following the traveler through a traditional Chinese water-town street. Stone paths, wooden buildings, bridges and hanging signs surround them. People move naturally through the scene. Traveler crosses a small bridge as sunlight breaks through the buildings.\n\n12.5–15 — FOOD / HUMAN MOMENT\n50mm close-up. A local vendor hands the traveler a freshly prepared dish. Traveler takes a bite and reacts naturally. Shallow depth of field, warm skin tones, authentic background activity and subtle handheld movement.\n\n15–17.5 — MOUNTAIN REVEAL\n24mm deep-focus landscape. Traveler walks up a long stone staircase through dense greenery. Camera follows from behind. As the traveler reaches the top, a vast mountain valley emerges through cool atmospheric mist.\n\n17.5–20 — FASHION MOMENT\n50mm side-tracking shot in golden sunlight. Traveler walks along the mountain viewpoint. Red Adidas jacket contrasts strongly against deep green vegetation. Golden rim light catches the hair and shoulders. Natural wind moves fabric.\n\n20–22.5 — LANDSCAPE / SCALE\n24mm wide. Traveler becomes small against enormous mountains disappearing into mist. Clouds move slowly through the valley. No artificial drone aesthetic; perspective feels like a real elevated camera position.\n\n22.5–25 — NIGHT TRANSITION\n50mm handheld street shot at blue hour. Traveler enters a lively nighttime food district. Warm lanterns, cool ambient light, scooters and pedestrians create layered depth. The music increases in intensity.\n\n25–27.5 — CITY ENERGY\n35mm tracking shot as traveler walks beside a modern riverside district. Reflections ripple across the water. Modern towers illuminate behind them while boats move naturally through the frame.\n\n27.5–30 — FINAL REVEAL\n24mm wide composition from behind the traveler. They stop briefly at the riverside and look across the illuminated skyline. Camera slowly moves backward rather than flying upward. Traveler then continues walking as the music reaches its final beat.\n\nCAMERA\n35mm and 50mm for portraits and human moments, 24mm for landscapes, architecture and stairs, occasional 85mm compression on faces. Shallow DOF on close-ups, deep focus on mountain wides. Handheld and physically motivated tracking movement. Natural camera micro-movement, imperfect framing, subtle autofocus adjustment, realistic exposure adaptation and occasional foreground obstruction. No impossible camera movement, no floating drone aesthetic.\n\nVISUAL / COLOR SETTING\nPremium travel music video / fashion travel film, 2024–2026 commercial grade. Look: photoreal cinema, slight filmic grain, mild halation on highlights, teal-cyan skies, punchy crimson reds, deep forest greens, warm skin, crushed-but-not-crushed blacks.\n\nCOLOR GRADE\nCinematic teal-and-warm, greens slightly cyan, red Adidas pops hard against foliage, golden rim on faces in sun, cool mist in mountain valleys. Maintain realistic skin tones and natural environmental color. No excessive saturation or artificial HDR.\n\nMOTION\n180-degree cinematic shutter, natural motion blur on hair and fabric, 24fps. No soap-opera 60fps look. Movement should retain the subtle imperfections of real location photography.\n\nLIGHTING\nNatural daylight, soft overcast city light, warm direct sunlight, golden-hour rim light, cool mountain mist, practical lanterns and nighttime city illumination. Lighting must originate naturally from the environment.\n\nAUDIO\nPremium contemporary travel soundtrack with subtle modern Chinese-inspired textures. Music drives the transitions and rhythm. Keep authentic location sound underneath: train ambience, station announcements, footsteps, scooters, traffic, vendors, cooking sounds, crowd chatter, wind, birds, distant city noise and riverside ambience. Environmental sound should occasionally become prominent during intimate moments.\n\nREALISM\nNo CGI look, no plastic skin, no beauty-filter smoothing, no extra fingers, no warped architecture, no artificial crowd synchronization, no impossible reflections, no floating objects, no exaggerated depth of field. Realistic skin pores, hair strands, fabric texture, water reflections, atmospheric perspective and human movement.\n\nBRAND CONTROL\nThe only Adidas branding visible is the existing Adidas trefoil already present on the traveler’s garments. Do not invent additional logos, advertisements, storefront branding or branded products. Do not add watermarks or random UI.\n\nEDITING\nMusic-synchronized commercial editing without excessive effects. Cuts are motivated by movement, reflections, steam, architectural shapes, walking direction and changes in light. Use clean match cuts and occasional speed changes only when physically believable. Avoid generic AI transitions, artificial zooms, excessive whip transitions and over-edited montage pacing.\n\nCONTINUITY\nThe traveler remains identical throughout all shots. Preserve face, hairstyle, red Adidas jacket, trousers, sneakers, bag and accessories. Maintain realistic weather and lighting progression from daylight → golden hour → blue hour → night. Each location should feel like part of one continuous journey through China.\n\nFINAL QUALITY TARGET\nThe final film should look like genuine footage captured by an elite travel filmmaker for a major Chinese tourism/fashion campaign—not a collection of AI-generated beauty shots. The realism comes first; the commercial polish comes from cinematography, color, music, editing and art direction.",
|
||
"sourceId": "seedance",
|
||
"credit": "@Diplomeme",
|
||
"sourceUrl": "https://x.com/Diplomeme/status/2099726668164444397"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-one-continuous-video-alley-chase-flows-directly-into-the-golden-field-reveal-vi-f06a4a0721d2",
|
||
"title": "丧尸追逐化作金色田野相拥",
|
||
"description": "电影感叙事短片",
|
||
"image": "/inspiration-thumbs/seedance/seedance-one-continuous-video-alley-chase-flows-directly-into-the-golden-field-reveal-vi-f.webp",
|
||
"mode": "video",
|
||
"prompt": "One continuous video alley chase flows directly into the golden field reveal via a hard light-blowout transition. Sixteen shots, two locations, one unbroken timeline, screen-left-to-right travel maintained through both acts.\nSCENE CONTEXT\nA reanimated corpse in a ruined business suit pursues a sprinting woman down a shuttered warehouse service alley. She gains ground, he loses it on a toppled bin. At her breaking point she stops, turns, and faces him — and in a burst of blinding light she bolts past him out of the alley's open end into open golden grassland, and he is revealed as himself again, human, chasing not to catch her but to reach her. He catches up, she turns into him, and the piece ends in a still embrace. The two settings are physically distinct (alley → field); the transition is carried by a hard light-blowout cut, not a dissolve.\nACTIVE REFERENCES\n<<<image_1>>> (LOCATION — ALLEY): roller shutter wall of horizontal pastel blue-grey slats crossed by one cobalt-blue stripe and one mustard-yellow stripe, rust bleeding down from bolt seams, a maroon plastic wheelie bin with a hinged lid standing against the shutter, a dark vertical steel support beam and a chipped yellow bollard pole at the right edge, cracked stained concrete underfoot. 100% matches the reference.\n<<<image_2>>> (ZOMBIE — MAN, Act 1): adult male of Korean descent, ashen grey-green mottled skin, disheveled dark straight hair dulled with grey dust, grime-stiffened charcoal suit jacket torn at the left shoulder seam over a white dress shirt with rust-brown chest spatter and top buttons torn away, one clouded pale-blue eye and one bloodshot brown eye, deep dried laceration across the forehead above the right brow and a shorter one down the left cheek, cracked lips, jagged yellowed broken teeth, dried blood ringing the mouth and collar. 100% matches the reference.\n<<<image_3>>> (HUMAN — MAN, Act 2 reveal): same Korean man, dark straight hair now clean and styled, warm skin tone restored, clean-shaven jaw with light stubble, navy tailored two-piece suit or navy blazer, white dress shirt, black leather derby shoes, silver wristwatch. No wounds, no grime, no blood.\n<<<image_4>>> (WOMAN, both acts): Korean woman, dark hair parted center and worn loose over the shoulders, warm fair skin, cream ribbed knit zip-up cardigan over a white top, khaki/tan straight-leg trousers, off-white low-top sneakers. 100% matches the reference in Act 1; same wardrobe carries into Act 2.\n<<<image_5>>> (LOCATION — FIELD): wide field of tall golden reeds swaying in the wind, low sun glowing near the horizon with soft warm lens flare, hazy mountain silhouette in the background. 100% matches the reference.\nLOCATION MAP\nAct 1: a single continuous alley running screen-left to screen-right, striped roller shutter as the full backing wall, maroon wheelie bin two-thirds down the run, steel beam and yellow bollard marking the open far end. Act 2: the alley's open end gives directly onto the reed field — she exits the alley mouth and is already running through grass on the far side of the light-blowout cut. Direction of travel stays screen-left to screen-right across both acts without exception.\nFORMAT MODE\nSixteen shots across 30 seconds. Hard cuts unless a transition is specified. Shot 12 carries the one authored transition effect (light blowout) that bridges the two locations. Every cut is authored below — the camera does not cut on its own.\nOPTICS\nAnamorphic spherical hybrid, T2.3 equivalent, for the alley act. Field act shifts to a softer spherical look with warm flare artifacts. Focal lengths vary by shot as specified. Shallow depth of field on close and medium work throughout; deep focus only on the long-lens and wide shots as noted.\nSHOT TIMELINE\nSHOT 1 (00:00.0–00:01.6) — GROUND-LEVEL FEET\nCamera locked off 20cm above the concrete, 24mm wide, square to the alley. Her off-white sneakers hammer through frame left to right at full sprint, kicking dust bursts off the concrete. Two beats later his scuffed grey-toed derby shoes drag through the same path, the left foot turning inward on each step. Rack focus from the near concrete grit to the receding legs. Cuts hard on his trailing foot leaving frame.\nSHOT 2 (00:01.6–00:03.2) — OVER-SHOULDER CHASE CAM\nHandheld at 1.5m directly behind her right shoulder, 35mm, pushing forward at her pace with a live 3cm vertical bounce on each footfall. Her loose dark hair whips back into the lens edge and separates into strands. The striped shutter wall streaks past on the left in horizontal blur. She snaps a look back over her shoulder and he enters the lower right of frame behind her, closer than expected. Exits on a fast whip pan left.\nSHOT 3 (00:03.2–00:04.8) — REVERSE FACE DOLLY\nCamera retreating ahead of her at 1.5m, 50mm, medium close-up front-on, matched exactly to her pace. Mouth open mid-scream, chest heaving, eyes flicking off-camera behind her. Six-degree dutch tilt on entry drifting back to level across the shot. The wall stripes converge and blur behind her head. Exits as her swinging hand crosses the lens and smears the frame.\nSHOT 4 (00:04.8–00:06.2) — ZOMBIE LOW-ANGLE PUSH-IN\nCamera low at 0.6m looking up, 40mm. He lurches directly toward lens, head lolling, jaw grinding, his right hand entering the top of frame reaching past camera. Digital scale-in punch of roughly fifteen percent stacked with a 4Hz handheld vibration. The clouded pale-blue eye catches the bounce light off the shutter slats and goes flat white for two frames. Cuts hard.\nSHOT 5 (00:06.2–00:07.8) — WIDE LATERAL TWO-SHOT\nLateral tracking dolly at 1.6m, 32mm, full-figure wide, moving right at the runners' pace. Both figures in frame against the striped wall, gap holding at roughly one and a half strides. The maroon wheelie bin sits ahead in their path at the right of frame. No effects, no shake — the clean breathing shot of the piece. She breaks left around the bin as the shot ends.\nSHOT 6 (00:07.8–00:09.0) — BIN ARC AND WIPE\nCamera arcs thirty degrees around the wheelie bin at 1.2m, 28mm, as she cuts past it on the outside. The bin's maroon body sweeps into the foreground and fills the frame edge to edge in a soft-focus wipe. The next shot emerges out of the maroon as the bin clears.\nSHOT 7 (00:09.0–00:11.2) — THE NEAR-MISS. SIGNATURE VISUAL EFFECT.\nSpeed drops to approximately twenty percent. High three-quarter angle at 2.2m looking down across her shoulder, 75mm, tight on the cream jacket's shoulder seam. His grey-green fingertips enter frame and graze the wool without gripping — the fabric compresses under the fingertips, then releases and springs back. Individual hair strands hang suspended in the air around her neck. Dust motes float motionless in the pale bounce light. Speed ramps smoothly back to one hundred percent across the final four frames as the fabric snaps free and her shoulder pulls away.\nSHOT 8 (00:11.2–00:12.6) — BIN TOPPLES\nHigh angle at 4m looking almost straight down, 24mm. He shoulder-checks the wheelie bin as he passes. The hinged lid flaps open, the bin tips, and it rolls across the concrete behind them trailing grit. Camera tilts down and drifts right, losing them at the bottom of frame. Cuts hard.\nSHOT 9 (00:12.6–00:14.0) — LOOK-BACK SNAP\nHandheld medium close-up at 1.6m, 50mm, snap-panning right to follow her head turn as she checks behind her. Heavy rolling-shutter smear across the pan. Her hair crosses her face and pulls clear. She registers the widening gap. The smear carries directly into the next frame.\nSHOT 10 (00:14.0–00:15.6) — LONG LENS COMPRESSION\nStatic locked-off telephoto from far down the alley, 135mm, both figures small in frame and stacked against each other by the compression. The wall's horizontal stripes flatten into hard graphic bands. The gap between them is now visibly three strides, clearly wider than it was. Lowest energy point in the edit — no camera movement, no effects, deep haze.\nSHOT 11 (00:15.6–00:17.2) — THE STUMBLE\nStatic low wide at 0.9m, 35mm. His lead foot catches the rolled bin. He pitches forward and drops onto one hand, palm scraping concrete, then hauls himself back up without his head ever leaving her — the eyes track her the whole way down and back. She is already at the right edge of frame, three strides clear and still accelerating.\nSHOT 12 (00:17.2–00:19.5) — THE TURN AND THE BLOWOUT\nShe reaches the open mouth of the alley and, instead of running on, stops dead and turns to face him full-on — chest heaving, no longer fleeing. Camera holds level at 1.8m, 40mm, on the two of them squared off, the open daylight of the alley's end flaring hard behind her. He keeps closing. On his final stride the daylight behind her blooms into total white, overexposing outward from her silhouette until the frame is pure blown-out white for the final two frames. No dissolve — the white is a hard wall the alley disappears into.\nSHOT 13 (00:19.5–00:21.5) — FIELD EMERGENCE\nThe white resolves directly into the reed field, mid-motion, no fade. Wide shot, low sun glowing behind the subjects with soft warm lens flare, hazy mountain silhouette in the background. She is already running left to right through tall golden reeds, laughing now instead of screaming, glancing back over her shoulder. The man — now fully human, clean, in a navy blazer — runs behind her, reaching one arm toward her with a joyful smile. Side-tracking camera at chest height, warm backlight, shallow depth of field, romantic cinematic color grade.\nSHOT 14 (00:21.5–00:24.0) — SIDE-TRACKING RUN\nCamera closer now, continuing the side-track through the reed field. She laughs brightly, hair blowing in the wind; he reaches his hand further toward her, both fully smiling, sun flare intensifying as they move through a patch of brighter backlight. Warm glowing atmosphere, soft golden bokeh, smooth tracking camera motion, no cuts within the shot.\nSHOT 15 (00:24.0–00:27.0) — THE CATCH AND TURN\nCamera holds at 1.6m, 65mm, as he finally reaches her — his outstretched hand meets hers or her arm, and instead of a struggle it becomes a pull-in: she turns into him mid-stride, momentum carrying them into a stumbling half-spin that settles into an embrace, both slightly out of breath, both laughing. Eye contact held for a full beat before her face tips into his shoulder — lashes wet, laughing through what reads as both relief and joy. Warm rim light separates both figures from the golden grass behind them. Slow 4% push-in across the shot.\nSHOT 16 (00:27.0–00:30.0) — WIDE RESOLUTION\nCamera pulls back to 3m, 32mm, wide two-shot of the embrace standing still in the swaying grass, low sun and mountain silhouette centered behind them, lens flare soft across the upper frame. Neither figure moves except gentle breathing, the wind through the grass, and her hand resting on his back. Grain settles. Frame is still when it ends.\nPERFORMANCE\nWoman (Act 1): brows drawn tight, eyes wide and wet with catch-light, jaw dropped in a raw open scream, neck tendons standing with each gasp, chin driving forward on the acceleration beats. Woman (Act 2): the same fear releases into breathless laughter and open relief the instant she crosses into the field.\nZombie (Act 1): jaw hanging slack and grinding, broken teeth bared through split lips, the clouded eye fixed and unblinking while the bloodshot eye tracks her continuously, guttural throat movement on each lunge, no facial expression beyond the mechanical. Man (Act 2): warm, open, smiling, fully human — no trace of the mechanical carried over.\nPHYSICS\nFeet strike concrete with visible dust puffs on every footfall in Act 1; in Act 2 feet part the reeds with a soft rustle and no dust. Her cream jacket snaps and flares with each stride throughout both acts, the open zip flapping. Her loose hair separates into distinct strands and trails behind her head, never tying or clumping. In Act 1 his suit jacket flaps stiff and heavy, the torn shoulder seam gaping wider as he runs, and dried blood on his collar stays static and matte — no new blood, no fresh spatter. In Act 2 his navy blazer moves naturally with his stride, unmarked. The wheelie bin has real plastic weight when struck, the lid hinging loose, the roll decelerating naturally across the concrete.\nLIGHTING\nAct 1: low cool ambient at 4200K, no direct key, both faces lit by bounce off the pale shutter slats, faint cobalt and mustard color spill from the painted stripes, subjects slightly backlit at the rim throughout, heaviest haze at Shot 10. Act 2: warm low-sun backlight at roughly 3200K, strong practical lens flare, soft golden ambient fill, no cool tones remaining anywhere in frame.\nCOLOR GRADE\nAct 1: desaturated teal-cyan base pulled from the blue-grey slats, the mustard stripe and maroon bin plastic the only warm accents, blacks retained rather than crushed. The Shot 12 blowout carries the grade from cool to a clipped, textureless white. Act 2: grade flips to warm amber and gold, gentle highlight bloom, soft filmic contrast, no crushed blacks.\nWARDROBE\nZombie / Man: Act 1 — charcoal wool suit jacket stiff with grime and grey dust, torn open at the left shoulder seam, white dress shirt with rust-brown spatter across the chest and right shoulder, top three buttons torn away, collar askew, dust-caked trousers, grey-scuffed black derby shoes. Act 2 — navy blazer, white dress shirt, clean and unmarked, same build and facial identity as Act 1 minus the wounds and grime.\nWoman: cream wool-blend zip jacket with the zip open to mid-chest and the collar flaring with motion, white ribbed top underneath, tan straight-leg trousers, off-white low sneakers, long dark hair worn loose and untied throughout both acts.\nAUDIO\nAct 1: ragged panicked breathing building to a scream; low guttural groaning on each of his lunges; two distinct sets of footfalls on concrete, hers light and fast, his heavy and uneven; the hollow plastic clatter and roll of the toppled bin; a faint metallic resonance off the shutter door. Shot 12: the ambient sound drops out under the white blowout. Act 2: wind moving through reeds, her breathless laughter, both sets of footfalls softened on grass, no dialogue, near silence under the final still embrace.\nSTYLE\nPhotoreal cinematic horror-thriller shifting into romantic drama. Fine 35mm-style grain throughout, pore-level naturalistic skin detail on both faces, practical prosthetic makeup register on the zombie rather than digital creature rendering in Act 1. No stylization beyond the color grade in either act.\nOUTPUT SETTINGS\n16:9, 24 fps, 30 seconds total. Real-time speed throughout except the specified slow-motion ramp in Shot 7.\nPOSITIVE LOCKS\n<<<image_2>>>/<<<image_3>>> and <<<image_4>>> identities, wardrobe, and (in Act 1) wound placement stay 100% consistent with their references in every frame. The man's facial identity is continuous across the wound/no-wound transition — same bone structure, same hairline — only the condition of the skin and wardrobe changes at the blowout. Her hair stays loose and untied throughout both acts, never tied back. Direction of travel is screen-left to screen-right in every shot without exception across both locations. The gap between them narrows through Shot 7 and widens from Shot 8 through Shot 11 before closing again in the field act. His hand grazes the jacket in Shot 7 and never achieves a grip until the intentional catch in Shot 15. The white blowout in Shot 12 is the only location transition in the piece — no other dissolves or fades occur. Cuts occur only at the sixteen specified timestamps and nowhere else.",
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"category": "cinematic-narrative-short",
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"sourceId": "seedance",
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"credit": "@Ciri_ai",
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"sourceUrl": "https://x.com/Ciri_ai/status/2095154985487253543"
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},
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{
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"id": "seedance:saniaspeaks-seedance-ai-9944afd8cbfa",
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"title": "韩国女生在中国庭院学功夫",
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"description": "手持 UGC Vlog",
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"image": "https://media.goodcase.ai/media/poster/saniaspeaks-seedance-ai-9944afd8cbfa.jpg",
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"mode": "video",
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"prompt": "Smartphone sports vlog featuring one Korean woman in her early 20s learning and practicing traditional Chinese martial arts (kung fu) at an authentic outdoor training courtyard in China. The entire video must look like genuine casual smartphone footage, with imperfect handheld framing, subtle camera shake, realistic autofocus adjustments, automatic exposure changes, slight motion blur, natural walking movement, realistic skin texture, authentic ambient sounds and real-world physics. No cinematic shots, no gimbal, no drone, no beauty filters, no commercial look.\n\nCharacter: The same Korean woman throughout the entire video, petite oval face, brown eyes, natural coral lips, realistic fair skin, long black hair. Maintain perfect character consistency with no face morphing, identity drift or duplicate people.\n\n0:00–0:04 — Training Arrival\nShe stands outside a traditional Chinese martial arts training courtyard in selfie mode, looking excited. She says in Korean: “오늘 중국 무술을 배워볼 거예요!” She turns the phone to show the training area and students practicing in the background.\n\n0:04–0:08 — Getting Ready\nShe changes into a simple traditional-style kung fu training uniform. She stands beside an instructor and carefully copies basic martial arts movements, looking focused but slightly nervous.\n\n0:08–0:12 — First Practice\nShe practices a simple sequence of controlled punches and defensive movements. Her movements are believable for a beginner, with small mistakes and natural corrections rather than perfect professional technique.\n\n0:12–0:15 — Kick Practice\nShe tries a controlled front kick toward a training pad held by the instructor. She slightly loses balance afterward, laughs naturally and looks embarrassed.\n\n0:15–0:18 — Hard Cut / Improved Practice\nHard cut exactly at 0:15. Same woman, same identity and training outfit. She now performs the same basic movements with noticeably better confidence and coordination.\n\n0:18–0:22 — Martial Arts Sequence\nShe performs a short, simple kung fu combination with controlled punches, blocks and footwork. Keep all movements physically realistic, safe and believable.\n\n0:22–0:26 — Training With Others\nShe joins several students practicing synchronized basic movements in the courtyard. Natural sounds of footsteps, clothing movement and distant conversations are audible.\n\n0:26–0:30 — Happy Ending\nBreathing slightly heavily after training, she returns to selfie mode, smiles proudly and says: “생각보다 어렵지만 정말 재미있었어요!” She gives a small wave and naturally lowers the phone to end the vlog.\n\nThroughout the entire video, prioritize authentic smartphone realism: imperfect framing, subtle focus changes, realistic breathing, natural blinking, believable beginner movements, physically accurate body motion, authentic courtyard ambience and spontaneous reactions. The final result should feel like a real personal vlog filmed casually on a smartphone, not an AI-generated action movie or commercial.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2093665693015388426"
|
||
},
|
||
{
|
||
"id": "seedance:avelyrahnai-seedance-ai-2356640051c4",
|
||
"title": "装甲女战士大战多臂外星机械兽",
|
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"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/avelyrahnai-seedance-ai-2356640051c4.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic 8K sci-fi action sequence, an athletic female warrior in advanced tactical military armor with sleek metallic-green plating and shoulder-mounted twin heavy cannons stands on a high-rise rooftop overlooking a sprawling city skyline under an overcast sky. Seamless hard-hitting martial arts combat inside a luxury high-rise penthouse against a fierce, multi-armed white and black alien cyborg monster with glowing blue optical sensors. Dynamic camera tracking, motion blur, visceral punch impacts, breaking glass, realistic lighting, high-end Hollywood blockbuster cinematography, photorealistic texture detail.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@AvelyrahnAI",
|
||
"sourceUrl": "https://x.com/AvelyrahnAI/status/2092500591331385840"
|
||
},
|
||
{
|
||
"id": "seedance:pyona-ai-seedance-ai-47b0906eef64",
|
||
"title": "夜间体育馆水系激战",
|
||
"description": "Seedance 2.5 Prompt Sharing / 30s Prompt : …",
|
||
"image": "https://media.goodcase.ai/media/poster/pyona-ai-seedance-ai-47b0906eef64.jpg",
|
||
"mode": "video",
|
||
"prompt": "SEEDANCE 2.5 — PYONA 水系战斗 / 学校体育馆最终版\n\nUse exactly 1 uploaded image asset.\nimage1 = PYONA唯一且最高优先级人物身份与外观参考。严格保持她可辨识的脸部身份、五官比例、肤色、体型,以及image1中实际存在的服装造型与所有可见配件一致。PYONA的服装、服装颜色、款式、层次、鞋子及所有可见配件必须完全以image1为准,不得额外指定、替换或重新设计成其他服装。PYONA必须始终保持浅粉蓝色短发、自然刘海、白色云朵发夹、蓝色小鱼发夹。浅粉蓝发色绝对固定,禁止黑发、棕发、纯蓝发或其他颜色。人物必须像同一个真实韩国女性自然重新拍摄,禁止换脸感、贴图感、AI塑料皮肤、3D、游戏CG。\n生成严格30秒、16:9横屏、原生4K、24fps、超写实真人韩国超自然校园动作短片。REAL LIVE-ACTION + real Korean school gymnasium + premium transparent-water VFX。无BGM、无字幕、无旁白。\n\n【核心设定】\nPYONA早已完成水系觉醒并熟练掌握能力。本片不是再次觉醒。禁止研究手掌、惊讶自己会控水、停下来欣赏水。\n敌人共5名,全部为成年年轻韩国女性,全部不同脸、不同发型、不同气质。穿同一学校体系女校制服,但领带松散、衬衫略乱、部分加深色开衫或短外套,呈现危险、嚣张、压迫感很强的不良女生气质。禁止甜美偶像感。\n敌人必须真正主动进攻,不排队、不等待、不围着PYONA看她表演。\n\n【场景】\n夜间韩国学校体育馆。中央篮球场、真实木地板、篮球架、边线、墙边折叠垫、球车、器材架、舞台前开阔区域。冷白顶灯,木地板有真实反光。晚间清洁后局部存在薄水痕,饮水区有少量残水,PYONA也可快速凝聚空气湿气。\n空间连续:中央球场 → 边线附近 → 舞台前开阔区域。禁止突然换位置。\n【台词】\n领头者:“어디 가려고?”\n另一名女生:“잡아!”\nPYONA全程无台词。\n【最高优先级动作原则】\nFIGHT AGGRESSIVELY. ZERO CAUTIOUS CHOREOGRAPHY.\n所有动作必须快速、突然、强硬、毫不犹豫。绝对不要温柔推人、轻轻挡开、慢慢滑行、等待对方配合。\nEvery major attack uses committed full-body momentum, visible acceleration, hard physical contact, body compression, immediate loss of balance and believable recovery delay.\nPYONA可以被拳头擦到、被撞到、被抓住,绝不是完美无伤闪避。\n敌人也持续攻击,即使PYONA正在打另一个人,其他人仍然寻找角度冲上来。\n动作必须像真实电影危险打斗,而不是谨慎武术教学。\n【00:00–00:07 — 正面重击 / 完整倒地 / 嘲笑】\n第一镜头必须直接看见PYONA正脸或3/4正面脸,绝对禁止从PYONA背后开始。\n中央篮球场,5名不良女生近距离包围PYONA。PYONA明显紧张、警戒,但没有提前摆英雄战斗姿势。\n\n领头者从正面走近,看着她说:“어디 가려고?”\n下一瞬间没有缓慢蓄力,领头者突然朝PYONA腹部打出一记短、重、直接的拳击。\n必须清楚看见:\nFIST → REAL ABDOMEN CONTACT → CLOTHING COMPRESSION → BODY FOLD.\n\nPYONA眼神瞬间失焦,眉头紧皱,嘴唇微张,呼吸被硬生生打断。上身猛地折起,踉跄后退1–2步,鞋底摩擦木地板,然后真正失去平衡。\n侧臀先落地,一只手随后重重撑住木地板。\n必须完整表现:\nHIT → BODY FOLD → STUMBLE → LOSS OF BALANCE → HARD FALL.\n禁止被打后马上恢复。\n周围女生立刻爆发真实嘲笑。有人捂嘴笑,有人和同伴交换眼神后大笑,有人低头指着她笑,领头者站着轻蔑看她。不要5人机械同步笑。\n\n低机位清楚拍到PYONA的脸。她一手按住腹部,一手撑地,急促喘息。\n表情自然变化:\n疼痛 → 狼狈 → 屈辱 → 压住愤怒 → 眼神逐渐变冷。\n她没有挥手施法。\n她撑地的手掌突然压紧,一条腿收回,肩、腰、髋同时准备低位旋转。\n周围薄水痕快速贴向她的支撑手、腿和鞋底。\n【00:07–00:11 — LOW WATER SPIN SWEEP / 超高速原地圆形扫腿】\n这是第一反击,也是本片最重要动作之一。\n两名仍在嘲笑PYONA的不良女生已经站到她近距离,一名位于正前偏左,一名位于正前偏右。第三名正在稍后位置靠近。两名近身敌人的脚踝与小腿必须明确处于PYONA真实扫腿范围内。\n镜头必须先清楚建立:\n倒在地上的PYONA正脸或3/4正面脸 + 她撑地的一只手 + 准备伸直的扫腿 + 两名敌人的腿部位置。\nPYONA仍处于刚刚摔倒的低位姿势。\n她绝对不要向前移动、不要扑向敌人、不要滑行。\n她一只手猛地、牢牢撑住木地板,支撑手的位置基本固定。\n身体重心压得极低,髋部接近木地板。\n一条腿收紧辅助身体形成转轴,另一条腿迅速完全伸直,保持在脚踝至小腿高度。\n\n下一瞬间:\nEXPLOSIVE LOW CIRCULAR LEG SWEEP.\nPYONA以固定的撑地手和低位髋部为旋转中心,肩、腰、髋同时猛烈爆发发力,在原来的倒地位置突然完成一次极快、极凶狠的低位圆形扫腿。\n\nNO FORWARD TRAVEL.\nNO SLIDING FORWARD.\nNO TACKLE.\nNO CHARGING INTO THE ENEMY.\nBODY CENTER REMAINS ALMOST IN PLACE.\n\n她伸直的腿像一根高速旋转的横杆一样,紧贴木地板上方,以极快圆弧扫过周围敌人的脚踝和小腿。\n\n透明水流紧紧贴着PYONA的扫腿、鞋底与腿部圆形运动轨迹同步高速旋转,只用于增强她的旋转速度、横向冲击力和扫腿力量。\n真正让敌人倒下的必须首先是PYONA自己的腿部直接接触。\n\n第一名敌人:\nPYONA伸直的腿高速、结实地撞中她的脚踝与小腿。\n支撑腿立即被强行横向扫走。\n敌人没有时间慢慢反应,身体轴线瞬间崩溃,整个人立刻重重向侧面摔到木地板。\nPYONA完全不停顿。\n\n利用同一次高速原地旋转,她伸直的腿继续横扫第二名敌人的小腿下段。\n扫腿真实命中,同时紧贴PYONA腿部旋转的透明水流猛烈掠过第二名敌人的另一只支撑脚。\n她的双脚迅速失去稳定,身体被强力掀离原来的直立轴线,紧接着重重摔倒。\n第三名靠后的敌人正在逼近,但没有处于PYONA腿部直接攻击距离。\n她受到高速扩散的低位水流、前方两名同伴突然摔倒以及空间变化影响,被迫急退并踉跄,但禁止无缘无故自动摔倒。\n\n核心扫腿动作必须极快。\n\n从PYONA髋部开始爆发旋转,到连续扫中两名敌人,真正的圆形扫腿核心动作必须在约0.8–1.0秒内完成。\n\n剩余时间只用于:\n敌人靠近 → PYONA建立低位支撑姿势 → 两次真实命中后的快速摔地反应。\n必须明确表现:\nFALLEN LOW POSITION\n→ ONE HAND HARD PLANT\n→ ONE LEG FULLY EXTENDED\n→ EXPLOSIVE HIP ROTATION\n→ FAST IN-PLACE CIRCULAR SWEEP\n→ FIRST REAL LEG CONTACT\n→ IMMEDIATE HARD FALL\n→ CONTINUOUS ROTATION\n→ SECOND REAL LEG CONTACT\n→ SECOND HARD FALL.\nThe sweep is sudden, violent, explosive and fully committed.\nThe enemies are not gently pushed.\nTheir support legs are forcefully swept out from under them.\nThey fall immediately because their physical base is removed.\n\n绝对禁止:\nslow sliding,\nslide tackle,\nforward crawling,\nforward body travel,\nslow spinning,\nbreakdance performance,\ndance-like rotation,\ncareful sweep,\nsoft contact,\nenemies falling before leg contact,\nenemies gently sitting down,\nPYONA traveling across the floor during the sweep.\n周围笑声瞬间全部停止。\n【00:11–00:15 — HYDRO STEP / 强攻第三人】\n另一名敌人惊怒大喊:“잡아!” 并直接冲上来挥拳。\n\nPYONA没有慢慢起身。她支撑手和脚底水分瞬间向后爆开,HYDRO STEP把她从低位快速推起并直接向敌人切入。\n对方拳头擦过PYONA脸侧,PYONA头部有真实小幅偏转,但不后退。\n\n她把水压推进产生的速度直接转化为强力 SHOULDER CRASH,肩部结实撞中对方上身,使其明显后退。\n\n紧跟一记短而重的BODY KNEE准确击中腹部。\nHYDRO STEP → SHOULDER CRASH → KNEE.\n动作连续、快速、凶狠,无等待。\n\n【00:15–00:18 — WATER GUARD / 硬接反击】\n另一名敌人立刻从正面打出重拳,同时旁边还有人逼近。\nPYONA抬起前臂,WATER GUARD瞬间形成高速旋转的透明厚水膜。\n\n拳头必须真实撞入水膜。\nSPLASH.\n水猛烈炸开,PYONA的前臂也因冲击向后震动半拍,但水膜把拳路强行推偏。\nPYONA马上贴入空档,一记短而重的肘击准确撞中敌人上身。\n不要漂亮停顿。\n不要摆Pose。\n马上进入下一威胁。\n\n【00:18–00:23 — FACE WATER CANNON】\n一名敌人从正面高速逼近,准备再次攻击。\n\n不要让PYONA站着慢慢聚水。\n不要长时间蓄力。\n\nPYONA快速抬掌。地板水痕、散落水滴和空气湿气几乎瞬间汇聚到掌前。\n\nFACE WATER CANNON.\n一股短促、猛烈、集中的透明高压水柱直接正面轰向敌人脸部与上胸。\n必须看清:\nINSTANT WATER GATHER → VIOLENT FORWARD WATER JET → DIRECT FACE / HEAD / UPPER-CHEST IMPACT.\n水炮强力撞中脸部,对方头部猛然后仰,眼睛本能闭紧,头发与校服瞬间被冲向后方,身体连续后退并短暂失去方向感。\n不是漂亮喷泉。\n不是轻轻泼水。\n必须像强力高压水流突然正面轰中。\n\nPYONA立即向前压迫,不站着看结果。\n\n【00:23–00:26 — RING WATER SHOCKWAVE / 环形水波震退】\n剩余几名女生从不同方向同时重新逼近PYONA。\n\n禁止生成静态水结界。\n禁止透明球形护盾。\n\n敌人真正快速进入近距离时,PYONA猛地压低重心并将力量向地面释放。\n周围水分瞬间被拉向她脚下,随后:\nRING WATER SHOCKWAVE.\n以PYONA为中心,一圈强烈、透明、具有重量的环形水压波突然沿木地板和低位空间向四周爆炸式扩散。\n\n不是防护罩。\n这是向外猛烈释放的水压冲击。\n\n正在逼近的敌人必须发生强烈物理反应:\n一人上身被水压正面推退数步;\n一人重心被掀向后方;\n一人与侧面的同伴猛烈撞在一起;\n另一人脚下打滑、膝盖几乎着地。\n所有反应必须发生在水波真正接触身体之后。\n领头者没有完全倒下。她强行顶住第一波冲击,调整脚步后继续正面扑向PYONA。\n\n这自然建立最终1对1攻击线。\n【00:26–00:30 — HYDRAULIC PALM / 最终高潮】\n领头者强行冲过残余水流,正面高速接近并挥出强力拳击。\n\nPYONA不从远距离发射魔法。\n\n她主动向前踏入真正攻击距离,身体偏转,让领头者拳头从脸侧擦过。\n\n同时右手周围水分高速压缩。\nPYONA右掌必须先真实、重重地撞入领头者上身中央。\n\n先看见:\nPALM PHYSICAL CONTACT → CLOTHING / BODY COMPRESSION.\n0.1–0.2秒 micro slow motion:\nWATER COMPRESSION\n→ dense cavitation bubbles\n→ HYDRAULIC COLLAPSE.\nTIME SNAP.\nHYDRAULIC PALM爆发。\n强烈透明水压从实际掌部接触点瞬间向前爆开。领头者整个上身被猛烈震退,双脚失去稳定,在体育馆木地板上高速向后滑出,大片水雾和碎裂水滴向外爆散,沉重冲击声在体育馆内形成强烈回音。\n最后一名敌人立刻从侧后方扑向PYONA,不给她休息。\nPYONA利用地面水流瞬间干扰她的前脚,使冲刺节奏短暂断裂。紧接极短HYDRO STEP转身贴入。\n另一只手掌重重按中对方肩胸线。\nSHORT HYDRAULIC PRESSURE PALM.\n短距离水压再次从接触点爆开,对方立即被推倒并沿木地板滑出。\nPYONA不庆祝、不欣赏水、不摆英雄Pose。\n她仍然急促喘息,浅粉蓝短发明显因战斗变得稍微凌乱,脸侧和image1中的服装表面残留真实水滴。\n她立即转身保持战斗姿态,快速扫描体育馆。\n\nCUT WHILE TENSION IS STILL ACTIVE.\n【TARGET LOCK】\n所有攻击必须先存在明确目标和正确距离:\nVISIBLE ENEMY → CORRECT RANGE → ATTACK → PHYSICAL CONTACT / WATER CONTACT → IMMEDIATE REACTION.\nLOW WATER SPIN SWEEP必须看见PYONA的真实腿扫中敌人下盘。\n敌人绝不能在没有受力原因时自己跌倒。\nSHOULDER CRASH、KNEE、ELBOW必须真实接触。\nFACE WATER CANNON必须清楚正面击中敌人脸部/上胸。\nRING WATER SHOCKWAVE必须先接触靠近的敌人,再把她们强力震退。\nHYDRAULIC PALM必须先真实掌部接触,之后才发生水压爆发。\n【摄影】\n第一镜头必须正面或3/4正面看清PYONA的脸和5人包围关系,禁止背影开场。\nPYONA倒地后摄影机立刻降低到接近木地板的高度,同时捕捉她的疼痛表情、周围女生嘲笑和敌人的腿部位置。\n\nLOW WATER SPIN SWEEP这一个动作的摄影机不要高速绕着PYONA旋转,也不要跟着她向前移动。使用低机位、稍宽的侧前方视角,在PYONA扫腿核心动作的0.8–1.0秒内保持稳定清晰,让同一画面能够读到:\nPYONA固定撑地手 + 低位髋部旋转 + 伸直扫腿 + 第一名敌人腿部被命中 + 第二名敌人随后被扫中。\n不要用慢动作表现这次扫腿。\nHYDRO STEP使用快速跟拍。\nWATER GUARD中近景拍清拳头撞入水膜。\nFACE WATER CANNON必须看见水从PYONA掌前直接轰中敌人脸部。\nRING WATER SHOCKWAVE使用稍宽镜头,同时看见PYONA、围攻者和环形水压向外爆开。\n最后HYDRAULIC PALM进入强烈中近景,优先展示身体接触、衣料压缩、水压爆发和敌人反应。\nACTION READABILITY > PHYSICAL IMPACT > WATER POWER > CAMERA CHAOS.\n【绝对禁止】\n禁止第一镜头只拍PYONA背影。\n禁止重新觉醒。\n禁止PYONA研究自己的水能力。\n禁止开场未完整摔倒就反击。\n禁止LOW WATER SPIN SWEEP变成:\nslow slide、\nslide tackle、\nforward crawl、\nforward travel、\nslow spin、\nbreakdance、\ndance move、\nslow-motion spinning attack。\n禁止PYONA在扫腿时向敌人方向滑过去。\n禁止PYONA身体中心在扫腿过程中明显向前移动。\n禁止轻轻碰腿后敌人才慢慢倒下。\n禁止敌人在没有明确腿部接触的情况下自动摔倒。\n禁止PYONA轻轻挥手后敌人自动摔倒。\n禁止任何谨慎、轻柔、慢吞吞的格斗。\n禁止敌人排队。\n禁止敌人受击后没有明显身体反应。\n禁止18秒站着长时间聚水。\n禁止FACE WATER CANNON像轻柔喷水。\n禁止23秒生成静态水结界或保护罩。\n禁止巨大海啸、水龙、魔法阵、激光、能量球、瞬移。\n禁止攻击篮球架、器材或空气。\n禁止游戏CG人物、廉价动漫特效、AI塑料皮肤。\n禁止英雄Pose收尾。\n核心目标:\n开场必须清楚看见PYONA的脸。她被正面重拳击中腹部后真实、完整地摔倒,并被周围女生大声嘲笑。\n第一反击必须严格表现为原地低位圆形扫腿,而不是任何形式的滑行或冲刺。\nPYONA仍然倒在原来的位置,一只手牢牢撑地,以该支撑点和低位髋部为轴,一条腿完全伸直,在约0.8–1.0秒内完成爆发式高速圆形横扫。她的身体中心基本保持原位,真正移动的是高速旋转的腿。腿先真实扫中第一名敌人的脚踝/小腿,使其支撑腿瞬间失效并重重摔倒;同一次旋转立即继续扫中第二名敌人,使其同样失去下盘并重摔。\n水只能贴着PYONA真实扫腿轨迹增强速度、冲击和横向力量,绝不能代替腿部接触自动把人打倒。\n除此之外,后续动作保持原有结构不变:\nHydro Step高速突进 → Water Guard硬接攻击 → Face Water Cannon正面强力轰击 → Ring Water Shockwave把多人向外猛烈震退 → Hydraulic Palm以真实掌部接触结合极高水压完成高潮。\n\n整场动作必须强硬、快速、危险、毫不克制,绝不能呈现谨慎、温柔或慢吞吞的动作感觉。",
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"category": "combat-choreography",
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"sourceId": "seedance",
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"credit": "@pyona_ai",
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"sourceUrl": "https://x.com/pyona_ai/status/2091862645720879213"
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},
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{
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"id": "seedance:seedance-a-cinematic-realistic-short-film-of-a-young-east-asian-woman-with-wavy-shoulde-ddc8b7fe7d78",
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"title": "通勤女性疲惫而匆忙的一天",
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"description": "",
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"image": "https://media.goodcase.ai/cases/290e496c487d.jpg",
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"mode": "video",
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"prompt": "A cinematic, realistic short film of a young East Asian woman with wavy shoulder-length dark hair living a rushed, exhausted daily routine. Muted earthy tones, slightly grainy 35mm film look, natural lighting, handheld camera, quiet and melancholic mood.\n\nShot sequence:\n- Close-up of a smartphone on a worn marble nightstand showing 06:50 AM.\n- She jolts awake in floral pajamas, eyes wide, messy hair.\n- Washing her face in a dim tiled bathroom, wet hair hanging down.\n- Dark empty hallway.\n- Reaching into a crowded fridge for a container.\n- Eating a sandwich while throwing on a green-and-maroon hoodie.\n- Putting on grey New Balance sneakers.\n- Walking down a dim hallway with a beige backpack.\n- Crowded subway car with motion blur.\n- Standing on the train looking at her phone.\n- Walking up a long tiled subway staircase.\n- Changing into a white button-down shirt.\n- Working late on a laptop in an open office.\n- Close-up of a messy spreadsheet.\n- Wide shot of a dark empty office at night; she is the last one there.\n- Walking out through the empty office.\n- Collapsing onto her bed exhausted.\n- Sleeping on her side in pajamas.\n- Final black screen: “18:50 AM”.\n\nStyle: grounded documentary feel, natural skin texture, lived-in spaces, 16:9, 24fps, cinematic color grade.",
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||
"sourceId": "seedance",
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||
"credit": "@noorlewisx",
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||
"sourceUrl": "https://x.com/noorlewisx/status/2101902128986075593"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-30-second-photorealistic-aaa-third-person-open-world-action-adventure-11af79ce7deb",
|
||
"title": "女冒险家逃离山村地下遗迹",
|
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"description": "游戏 UI 直播",
|
||
"image": "https://media.goodcase.ai/cases/4c2b92488a70.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second photorealistic AAA third-person open-world action-adventure gameplay video, 16 : 9, resembling real playable Unreal Engine 5 footage, not a cinematic trailer.\nYoung Korean female adventurer, mid-20s, exact same face, low dark ponytail, athletic build, dark teal jacket, black shirt, brown cargo pants, rugged boots, gloves, backpack, climbing rope and metal compass bracelet throughout.\nUse a normal player-controlled third-person camera behind and slightly above her, with authentic movement, realistic physics, shadows, materials, animation and environmental interaction.\nShe enters a storm-damaged mountain village filled with abandoned houses, muddy streets, broken bridges, vehicles and hanging power cables. HUD: “SEARCH THE ABANDONED VILLAGE.”\nShe explores, jumps across a broken walkway, climbs a rooftop and reaches an old radio tower while stamina visibly decreases. HUD: “FIND A WAY TO THE RADIO TOWER.”\nShe discovers a locked generator room, reconnects a loose cable and restores power, activating an ancient mechanism beneath the village. HUD: “INVESTIGATE THE HIDDEN PASSAGE.”\nShe descends into a massive underground ruin containing rotating platforms, metal chains and a gigantic sealed doorway, then activates the mechanism to open it.\nA massive stone-and-metal guardian awakens. She draws her blade as the HUD changes to “DEFEAT THE RUIN GUARDIAN”, with an enemy health bar and lock-on indicator.\nThe guardian attacks → she dodges → activates her magnetic bracelet → pulls away damaged armor → a glowing weak point appears → she strikes it with her blade → the boss health decreases.\nThe guardian destroys the chamber, water bursts through the walls, and she escapes across collapsing platforms, jumps over debris and climbs toward the surface. HUD: “ESCAPE THE FLOODED RUINS.”\nShe reaches a mountain overlook above the village and sees a gigantic ancient sky fortress suspended between distant mountains. HUD: “MISSION COMPLETE: ESCAPED THE RUINS”, followed by “NEW OBJECTIVE: INVESTIGATE THE SKY FORTRESS.”\nPhotorealistic Korea UE5-quality gameplay, realistic destruction and water physics, functional minimal HUD, natural player-controlled camera movement, strict character and equipment consistency, no cinematic trailer look, no mobile-game graphics, no anime, no cartoon, no gore, no subtitles, no logos, no watermark.",
|
||
"category": "game-ui-livestream",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2101516770255270041"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-seedance-2-5-on-de41ac4699ab",
|
||
"title": "韩国校园操场舞蹈表演",
|
||
"description": "",
|
||
"image": "/inspiration-thumbs/seedance/seedance-seedance-2-5-on-de41ac4699ab.webp",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 on @TapNow_AI \n\nPrompt\n\nPROTAGONIST: Use @[Image 1](image_1) as the exact performer identity reference. Preserve her facial features, hairstyle, skin tone, and natural body proportions throughout.\nAUDIO / PERFORMANCE MASTER: Use @[Video 1](video_1) as the absolute audio, vocal, rhythm, and performance reference at its original playback speed. Every dance accent, body groove, facial reaction, camera acceleration, crowd response, and transition must respond naturally to the actual beat structure. Whenever vocals occur, the protagonist performs precise frame-accurate lip-sync with convincing phoneme articulation, syllable timing, rap cadence, breaths, pauses, and expression. During instrumental passages, she stops articulating lyrics naturally while continuing the choreography.\nENVIRONMENT / DAYLIGHT CORE: Typical details baked in: multi-story school building, paved schoolyard (운동장), benches and trees, students in recognizable Korean uniforms (blazers/vests, skirts or slacks, some in PE kits), phones",
|
||
"sourceId": "seedance",
|
||
"credit": "@sipteaandcoffee",
|
||
"sourceUrl": "https://x.com/sipteaandcoffee/status/2100615995127959764"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-the-drama-continued-and-the-tension-kept-rising-1952e2660beb",
|
||
"title": "雨夜咖啡馆的背叛对峙",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/cases/c73ec96625e2.jpg",
|
||
"mode": "video",
|
||
"prompt": "The drama continued and the tension kept rising \n\nSeedance 2.5\n\nPrompt 👇\n\nCreate a 30-second, 1080p ultra-realistic emotional live-action scene about a young woman confronting another woman who is involved with her boyfriend. Focus on authentic human emotion, escalating tension, realistic facial expressions and believable body language. No melodrama or theatrical acting.\n\nMAIN CHARACTER\n\nYoung Korean woman in her early 20s, naturally beautiful, realistic skin texture, minimal makeup, long black hair loosely styled, wearing a fitted pastel-pink top, casual denim shorts and simple sneakers. Maintain exact facial identity, hairstyle, outfit and proportions throughout.\n\nLOCATION\n\nA quiet modern café during a rainy evening. Warm interior lighting, rain-covered windows, wooden tables, soft background conversations and a few customers.\n\nSCENE\n\nShe enters the café and immediately notices her boyfriend sitting closely with another young woman near the window.\n\nShe stops.\n\nHer expression changes from confusion to disbelief. She walks toward them slowly, trying to control her emotions.\n\nShe looks directly at the other woman and says firmly:\n\n“Please leave him alone. He's my boyfriend.”\n\nThe other woman looks uncomfortable and tries to respond.\n\nThe girlfriend becomes more emotional and raises her voice:\n\n“You knew he was with me. Why are you doing this?”\n\nShe points toward the café entrance and says through anger and hurt:\n\n“Just leave. Please.”\n\nHer boyfriend tries to interrupt and calm her down.\n\nShe turns toward him briefly, then looks back at the other woman. Her anger suddenly begins turning into sadness.\n\nHer voice starts trembling.\n\n“I don't even understand why you would do this to me…”\n\nShe tries to hold herself together, takes a shaky breath, and suddenly bursts into tears.\n\nShow the emotional breaking point naturally: trembling lips, tears streaming down her cheeks, shaky breathing and her trying unsuccessfully to wipe them away.\n\nShe quietly says:\n\n“I trusted him… and I trusted you.”\n\nShe looks down, covers her face for a moment and cries uncontrollably.\n\nThe café becomes noticeably quiet around her.\n\nShe takes a breath, wipes her tears, turns around and walks toward the door while still crying.\n\nThe camera stays behind as she leaves the café.\n\nCAMERA / VISUAL STYLE\n\nHandheld cinematic live-action camera, subtle natural movement. Medium shots during the confrontation, gradually moving into intimate close-ups as her emotions intensify. Realistic eyes, tears, trembling lips, skin pores and natural facial movement. Rain reflections through the windows, shallow depth of field, realistic motion blur, 24fps, photorealistic.\n\nEMOTIONAL DIRECTION\n\nSuspicion → realization → confrontation → anger → shouting → emotional exhaustion → tears → heartbreak.\n\nThe shouting should feel spontaneous rather than scripted. Her anger gradually collapses into genuine sadness. The final crying should feel raw, uncomfortable and completely human—not beautiful or glamorous.\n\nAUDIO\n\nRain against windows, café ambience, footsteps, cups and quiet conversations. No background music. No narration. Natural dialogue with interruptions, pauses, shaky breathing and changing vocal intensity.\n\nCONTINUITY / REALISM\n\nMaintain exact character identity, clothing, hairstyle and café layout. Tears remain physically consistent once they appear. No disappearing people or objects, no duplicated characters, no sudden emotional changes.\n\nNEGATIVE: plastic skin, fake tears, exaggerated acting, cartoon expressions, melodrama, unrealistic shouting, physical violence, distorted faces, extra fingers, identity drift, outfit changes, CGI look, subtitles, watermark.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2096604916014023117"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-4baf2c6b5a8c",
|
||
"title": "海滩上水獭为海龟叠石塔",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-made-with-seedance-2-5-4baf2c6b5a8c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a 30-second cute, whimsical 3D animated short film set on a beautiful sunny beach. A tiny adorable sea turtle with a soft mint-green shell sits peacefully on the warm sand with its eyes closed. The ocean, blue sky, fluffy clouds, and sparkling beach create a dreamy, heartwarming atmosphere.\n\nA small, fluffy brown otter approaches the turtle curiously and playfully interacts with it. The otter gently picks up smooth beach stones and begins carefully stacking them one by one on top of the turtle’s shell/head, creating an increasingly tall and funny tower of stones. The turtle remains calm and peaceful throughout, occasionally reacting with subtle cute facial expressions.\n\nAs the stone tower grows taller, the otter becomes increasingly excited and proud of its creation. The turtle stays perfectly still, balancing the tower. Eventually, the otter gets so excited that it loses balance and tumbles forward onto the sand. The turtle looks at the fallen otter with a slightly annoyed but adorable expression while the tower of stones remains standing.\n\nEnd with a wide cinematic shot of the tiny turtle sitting beside the tall stack of smooth stones while the otter lies playfully on the sand. Cute comedic timing, expressive characters, soft rounded shapes, detailed fur, realistic sand and ocean textures, warm sunlight, gentle shadows, charming Pixar-like 3D animation, cinematic camera movement, shallow depth of field, high-quality character animation, wholesome and funny mood, smooth motion, vertical 9:16 composition, ultra-detailed 3D render, 4K quality.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2095823249968148533"
|
||
},
|
||
{
|
||
"id": "seedance:ciri-ai-seedance-ai-516d7626ef5d",
|
||
"title": "首尔秋日咖啡馆翻车Vlog",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/c8aa498478f8.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic personal home-video showing a young Korean woman attempting to film an \"aesthetic\" café vlog for her social media and everything comically not going to plan. No reference image.\nMAIN SUBJECT\nYoung Korean woman in her early 20s, trendy and put-together look, dewy makeup, confident expression that keeps cracking into laughter.\nStraight black hair with curtain bangs, small gold hoop earrings, soft pink lip tint.\nWearing an oversized cream sweater, a plaid mini skirt, chunky white sneakers, and a small quilted shoulder bag she keeps adjusting for the \"shot.\"\nMaintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video.\nSETTING\nA charming autumn café street in Seoul on a crisp, sunny afternoon.\nA cozy corner café with outdoor seating, string lights, a chalkboard menu, falling ginkgo leaves, a latte art station visible through the window, a bicycle propped against a brick wall, pedestrians occasionally walking through frame, and a small tree dropping leaves onto the sidewalk table. Warm, golden, Pinterest-looking — until it isn't.\nCAMERA / VISUAL AESTHETIC\nRaw personal footage, filmed by her friend who keeps trying (and failing) to make it look cinematic, strong handheld vlog shake throughout.\nThe video oscillates between deliberately \"aesthetic\" attempted shots — slow pans, artful angles, soft focus — and sudden chaotic handheld jolts when things go wrong. Autofocus hunts comically between her face and the latte. Camera tilts and overcorrects. Exposure blows out when it swings toward the sun. Mild motion blur during quick recoveries. Slightly warm, oversaturated color grade like a try-hard Instagram filter that keeps slipping back to raw reality.\nNo stabilization, no real cinematic polish — the \"aesthetic\" is aspirational, the execution is not.\n00:00–00:05 — THE PERFECT LATTE SHOT (ATTEMPT)\nShe sits at the outdoor table, carefully positioning a latte with foam art, trying to casually \"candid\" sip it for the camera.\nThe camera does a slow artful pan down toward the cup — then a leaf falls directly into it with a soft plop.\nShe freezes, staring at the ruined latte art, deadpan.\n00:05–00:10 — REACTION\nShe looks up at the camera, unimpressed, leaf still floating in the foam.\n\"...Are you kidding me right now.\"\nThe friend behind the camera bursts out laughing, shaking the frame violently.\n00:10–00:15 — THE \"CANDID\" WALK\nShe gets up to attempt a slow-motion aesthetic walk past the café window, hair flowing, sunglasses going on in one smooth motion — sunglasses immediately get caught in her hair.\nShe stops mid-stride, wincing, trying to untangle them one-handed while still smiling for the camera.\nThe camera zooms in awkwardly close on the tangled sunglasses, then yanks back out.\n00:15–00:20 — BICYCLE MISHAP\nShe leans against the parked bicycle for a \"casual candid lean\" pose, one hand in her pocket.\nThe bicycle kickstand gives way and it slowly tips sideways, taking her balance with it.\nShe stumbles but catches herself, laughing hard, one hand up defensively toward the lens.\n\"Okay, delete that, delete that!\"\n00:20–00:25 — GINKGO LEAF CHAOS\nShe tries to recreate a \"leaves falling around me\" cinematic moment by tossing a handful of gathered ginkgo leaves into the air above her head.\nA gust of wind blows them straight back into her face instead.\nShe spits out a leaf, blinking, completely unbothered and giggling.\nThe camera shakes as the operator nearly drops it laughing.\n00:25–00:30 — FINAL MOMENT\nShe gives up on the aesthetic altogether, plops back down at the café table, and grabs the leaf-ruined latte anyway, taking a defiant sip through the foam.\nShe looks dead into the camera, deadpan, leaf still stuck to her sweater.\n\"This is the content. This is it. Post this one.\"\nShe gives an exaggerated thumbs up as the frame shakes with the friend's laughter, and the footage cuts abruptly to black.\nAUDIO\nNatural location sound only:\nCafé ambience, cup clinking, leaves rustling, wind gusts, bicycle clattering, footsteps, her friend's audible laughter throughout, fabric rustling, and handheld camera noise.\nNo music. No narration. No artificial sound effects.\nSpoken lines: \"...Are you kidding me right now.\" / \"Okay, delete that, delete that!\" / \"This is the content. This is it. Post this one.\"\nFINAL FEEL\nA self-aware, comedic behind-the-scenes of someone trying to film an aesthetic vlog and getting completely humbled by reality at every turn — warm, golden autumn light paired with genuine, unscripted chaos and laughter.\nNo posed perfection sustained for more than a few seconds before something goes wrong. No exaggerated slapstick acting — the comedy comes from real reactions, real mishaps, and the gap between the \"vision\" and what actually happens on camera.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
|
||
"sourceUrl": "https://x.com/Ciri_ai/status/2094706780114952303"
|
||
},
|
||
{
|
||
"id": "seedance:missdelulu9-seedance-ai-cc2834a3dc87",
|
||
"title": "女孩被萌犬追成街头跑酷",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/media/poster/missdelulu9-seedance-ai-cc2834a3dc87.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second realistic smartphone video in 16:9 aspect ratio.\n\nStyle: authentic Gen-Z Indonesian comedy, spontaneous iPhone home-video footage, natural daylight.\n\nSHOT 1- 0:00–0:02\nA girl casually walks along a small Indonesian residential street. She suddenly notices a medium-sized pet dog ahead and stops. Her relaxed expression instantly turns nervous.\n\nSHOT 2-0:02–0:04\nQuick handheld pan from the girl to the dog and back. She slowly steps backward and says: “Uh... don't come closer, okay...” The dog looks curious and harmless.\n\nSHOT 3-0:04–0:06\nThe dog playfully runs a few steps toward her. She panics: “AAAAA RUN!” The camera operator reacts and moves backward.\n\nSHOT 4-0:06–0:08\nShe suddenly runs away, looking back over her shoulder. The iPhone camera follows while running, creating natural shaky footage. Her white fitted T-shirt, light-blue short denim shorts, and white low-profile slippers move naturally.\n\nSHOT 5-0:08–0:10\nSide close-up while she runs. She looks back and screams: “BRO, IT'S FOLLOWING ME!” The camera shakes as the friend behind the camera laughs.\n\nSHOT 6-0:10–0:13\nThe camera widens as she runs toward her friend, waving her hands: “DON'T LAUGH! HELP ME, BRO!” The dog follows playfully without attacking, biting, or touching her.\n\nSHOT 7- 0:13–0:15\nShe reaches a safe spot, bends over briefly to catch her breath, then looks at the camera with an annoyed and embarrassed expression: “I was literally just passing by, why did that turn into cardio?!” The friend bursts out laughing. Abrupt cut.\n\nCAMERA & REALISM\n\nAmateur one-handed iPhone recording. Natural handheld shake, imperfect framing, slight tilt, occasional autofocus shifts, automatic exposure changes, realistic motion blur, natural smartphone colors, subtle digital sharpening and compression. Environmental details remain visible. No cinematic look.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@MissDelulu9",
|
||
"sourceUrl": "https://x.com/MissDelulu9/status/2092578120591446348"
|
||
},
|
||
{
|
||
"id": "seedance:aqib-786ai-seedance-ai-9fcb27bab8b2",
|
||
"title": "韩国青年夏日街区的一天",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/aqib-786ai-seedance-ai-9fcb27bab8b2.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary day in the life of a young Korean man. No reference image.\n\nMAIN SUBJECT\n\nYoung Korean man in his early 20s, naturally attractive, realistic skin texture, minimal grooming, relaxed and slightly sleepy expression.\n\nMedium-length naturally messy black hair, subtle stubble, a few loose strands falling across his forehead.\n\nWearing an oversized faded charcoal T-shirt, loose olive trousers, worn sneakers, and a simple silver watch.\n\nMaintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video.\n\nSETTING\n\nA quiet older residential neighborhood during a warm summer afternoon.\n\nSmall apartment buildings, narrow concrete alleys, rooftop terraces, neighborhood laundries, corner shops, parked bicycles, potted plants, utility wires, concrete staircases, trees providing patches of shade, and ordinary people going about their day.\n\nEverything should feel lived-in and authentic.\n\nCAMERA / VISUAL AESTHETIC\n\nRaw personal footage casually recorded by a friend.\n\nHandheld camera with natural shake, imperfect framing, occasional partial crops, autofocus hunting, exposure shifts between sunlight and shade, mild motion blur, soft image detail, subtle digital noise, slightly faded colors, and natural camera imperfections.\n\nThe camera operator walks with him and reacts naturally.\n\nNo stabilization, no cinematic camera movements, no dramatic lighting, no slow motion, no polished commercial appearance.\n\nThe footage should feel accidentally beautiful rather than deliberately cinematic.\n\n⸻\n\n00:00–00:05 — LEAVING HOME\n\nHe steps out of his apartment carrying a small reusable shopping bag.\n\nHe locks the door, checks his pockets for his keys and phone, then starts walking downstairs.\n\nThe camera follows behind him.\n\nHe briefly looks back at the camera and gives a sleepy half-smile.\n\n⸻\n\n00:05–00:10 — MORNING ERRAND\n\nHe walks through a quiet neighborhood alley toward a small local grocery shop.\n\nHe passes parked bicycles and people watering plants outside their homes.\n\nHe stops at a roadside fruit stand and picks up a couple of oranges, inspecting them casually before placing them into his bag.\n\nThe camera briefly focuses on the fruit before returning to his face.\n\n⸻\n\n00:10–00:15 — SMALL BREAK\n\nHe sits on a low concrete wall outside the shop.\n\nHe opens a cold bottled drink and takes a few sips.\n\nA breeze moves his hair.\n\nHe watches people passing by without saying anything.\n\nThe camera stays slightly shaky and imperfectly framed, as if his friend is simply sitting nearby filming him.\n\n⸻\n\n00:15–00:20 — WALKING HOME\n\nHe gets up and continues walking.\n\nA bicycle passes behind him.\n\nHe notices a stray cat sitting beside a wall, crouches down and gently pets it.\n\nThe cat walks away.\n\nHe laughs quietly and stands back up.\n\nThe camera operator accidentally cuts off part of his head while moving closer, then quickly reframes him.\n\n⸻\n\n00:20–00:25 — ROOFTOP\n\nHe returns home and walks onto a small rooftop.\n\nHe places the shopping bag beside an old chair.\n\nHe leans against the railing and looks across the neighborhood.\n\nThe afternoon sunlight falls naturally across his face.\n\nHe runs his hand through his messy hair and quietly watches the distant buildings.\n\n⸻\n\n00:25–00:30 — FINAL MOMENT\n\nHe notices the camera still recording.\n\nHe looks directly into the lens and gives a tiny amused smile.\n\nHe casually says:\n\n“You’re still recording?”\n\nHe shakes his head and walks toward the camera.\n\nThe camera moves backward slightly as he approaches.\n\nThe recording abruptly cuts to black before he reaches the camera.\n\n⸻\n\nAUDIO\n\nNatural location sound only:\n\nFootsteps, distant traffic, bicycles, birds, wind, neighborhood conversations, shop sounds, bottle opening, fabric movement, doors closing, and subtle handheld camera noise.\n\nNo music.\n\nNo narration.\n\nNo artificial sound effects.\n\nOnly the single spoken line: “You’re still recording?”\n\n⸻\n\nFINAL FEEL\n\nThe entire video should feel like a completely ordinary day that somehow became a beautiful memory.\n\nQuiet, masculine, youthful, intimate, warm, slightly nostalgic, and spontaneous.\n\nNo dramatic events.\n\nNo exaggerated acting.\n\nNo model poses.\n\nNo cinematic hero shots.\n\nThe realism should come from tiny imperfections, casual body language, natural expressions, ordinary surroundings, imperfect camera operation, and moments that feel completely unplanned.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Aqib__786Ai",
|
||
"sourceUrl": "https://x.com/Aqib__786Ai/status/2092122339463090626"
|
||
},
|
||
{
|
||
"id": "seedance:case-f6a1af7d22b1",
|
||
"title": "硬核卡特尔藏身处动作场景",
|
||
"description": "一段电影感十足的孤胆英雄动作序列,讲述了一位身经百战的硬汉在卡特尔藏身处杀出重围的故事。",
|
||
"image": "https://media.goodcase.ai/cases/9cbd731bf706.jpg",
|
||
"mode": "video",
|
||
"prompt": "Hero = a rugged battle-hardened man around 35, weathered face, dark stubble, a brow cut, a dirty white tank-top vest, worn dark trousers and boots, dirt and grime. Fierce, exhausted, unbroken. Appearance only.\n\nGang1 = a squad of rugged cartel henchmen in dirty casual clothes, unshaven and mean, armed with machetes. Appearance only.\n\nGang2 = cartel enforcers in dark tailored suits, disciplined and armed with blades. Appearance only.\n\nBoss = a cartel boss around 45, sharp cold face, slicked-back greying hair, a trimmed beard, an immaculate white suit with a dark shirt. Powerful and menacing. Appearance only.\n\nBuilding = a rundown abandoned cartel hideout at dusk — a grimy derelict concrete building, a battered entrance door, a dim gritty ground floor with peeling walls, bare bulbs, debris and a staircase at the back, and a moody upper floor with tall grimy windows and shafts of dim light. Desaturated gritty grey-brown palette. Environment only.\n\nSCENE: a gritty one-man-army action sequence. A rugged exhausted man in a dirty white vest kicks in the door of an abandoned cartel hideout and fights his way through a machete-armed gang on the ground floor, then climbs to the upper floor where suited enforcers and their white-suited boss wait. He takes down the enforcers and defeats the boss in a final duel, standing victorious. Intense, raw, cinematic martial-arts action.\n\nTECHNICAL: 16:9, cinematic gritty desaturated grey action grade, dynamic handheld fight camera, low moody light, dust and haze, fine film grain, photorealistic raw action quality.\n\nCUTS:\nCUT 1 (0-5s): The man walks up to the grimy building at dusk, shouts \"Come out!\", and kicks the door in — storming into the dim ground floor where machete-armed henchmen ready their weapons.\nCUT 2 (5-12s): The fight erupts — brutal fast hand-to-hand combat, he dodges machete swings, disarms and takes down the whole squad one by one across the gritty room, using pillars and furniture. Dynamic changing angles.\nCUT 3 (12-17s): The room cleared, he strides to the staircase and climbs to the upper floor — where a squad of suited enforcers and the white-suited boss behind them are waiting. A tense standoff.\nCUT 4 (17-24s): The enforcers attack; he fights them down in fast fierce combat until only the boss remains. The two face off across the light-shafted room, breathing hard.\nCUT 5 (24-30s): The final duel — hero and boss clash in an intense one-on-one, trading heavy blows, until the hero lands a decisive final blow and the boss drops to the floor, beaten. The hero stands over him, victorious, in a shaft of dim light. Epic final hero frame. END.\n\nRULES: References are appearance only, do not recreate. Keep the hero's face and white vest, and the boss's white suit, consistent acro",
|
||
"category": "combat-choreography",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@The_Kremlinn",
|
||
"sourceUrl": "https://x.com/The_Kremlinn/status/2095083714120229230"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-exactly-30-seconds-of-photorealistic-live-action-japanese-travel-memorie-4c285efc3fa2",
|
||
"title": "男友视角的关西MiniDV旅行回忆",
|
||
"description": "复古伪纪录",
|
||
"image": "/inspiration-thumbs/seedance/seedance-create-exactly-30-seconds-of-photorealistic-live-action-japanese-travel-memorie-4.webp",
|
||
"mode": "video",
|
||
"prompt": "Create exactly 30 seconds of photorealistic live-action Japanese travel memories, edited with quick hard cuts, seen through an affectionate adult boyfriend's first-person handheld consumer camcorder. This is a MULTI-SCENE MONTAGE, NOT one continuous take. Begin with a frightening cinematic near-miss at a suburban railway platform, then move immediately into warm, playful, intimate everyday travel. The emotional arc is alarm → relief → affectionate curiosity → golden-hour quiet → joyful night → tender laughter. No disaster imagery. No dramatic movie grading. Output ultrawide 21:9, requested 1080p, high-bitrate encode, with deliberately authentic early-2000s MiniDV aesthetics baked into the image. Use the full wide frame, no 4:3 pillarboxes.\n\nSAME ADULT HEROINE IN EVERY SHOT:\nSAME ADULT HEROINE IN EVERY SHOT:\nA very beautiful young adult Korean woman, age 25–28, with luminous fair warm-toned skin and realistic pores, expressive dark-brown eyes, softly sculpted youthful cheeks, naturally beautiful full rose-pink lips with a subtle satin finish, natural understated Korean makeup, and a warm spontaneous smile. Preserve her facial geometry, body proportions and identity across every cut, without idealized plastic smoothing. Thin dark-metal oval prescription glasses with clear lenses, eyes always readable. Long, naturally dark-brown to soft-black hair, smooth and healthy with subtle natural movement; no blonde hair, no bangs.\n\nOne consistent modern Korean Gen Z outfit: an elegant loose ivory ankle-length A-line dress with full-length sleeves and a high neckline, subtle delicate embroidery, paired with a lightweight oversized beige cardigan jacket, clean cream sneakers, and a small structured taupe crossbody bag. Fabric remains naturally flowing, fully opaque and modest during movement. Glasses, hairstyle, outfit and bag remain identical throughout. Contemporary Korean styling, youthful, effortlessly elegant and understated. No spaghetti straps, revealing neckline, exposed midriff, or body-hugging styling. There is no supplied reference image: establish this original Korean heroine from these text details and maintain her exact identity. Never morph into another woman, change her ethnicity, facial features, hairstyle, or body proportions.\n\nMINIDV STYLE LOCK:\nFeels like a cherished home-video cassette recorded around 2003, not polished cinema pretending to be vintage. Gentle optical softness, low contrast, softly washed highlights, warm natural skin, fine luma noise, mild color bleed, subtle consumer-camera edge enhancement, restrained DV compression texture, slightly faded blues and greens, soft halation, occasional exposure pumping when moving between shade and sunlight.\n\nReal handheld wide-angle proximity, uncentered composition, brief autofocus searching that settles on her face. Noticeable motion smear on fast pans and night lights, but keep expressions legible. No heavy glitch overlays, fake VHS tracking bars, film burns between scenes, timestamps, captions, subtitles, logos, or excessive chromatic aberration. Noon feels airy, sunset feels honey-gold, night feels softly smeared and imperfect. Do not use green-noir grading or glossy blockbuster teal-orange.\n\nPOV AND EDIT RULES:\nThe camera operator is her adult boyfriend, mostly unseen, occasionally one anatomically correct forearm or hand enters. She repeatedly checks where he is, leans toward him, looks back, shares a discovery, and smiles directly into the lens. Small natural gestures, no fashion posing, no slow-motion beauty commercial. Hold each simple action long enough to read. Hard cuts between locations, no morphing transitions.\n\nGeography evokes a remembered Kansai day through Uji and Nara, with ordinary bookshops and shopping streets between famous places. Late spring or early summer green foliage; no contradictory autumn leaves, snow or cherry blossoms. Do not squeeze in extra landmarks or relocate Mount Fuji into Nara.\n\nEXACT 30-SECOND EDIT:\n\n00.00–04.00 — SUBURBAN PLATFORM, DANGER THEN RELIEF\nOpen with danger already readable: she has distractedly stepped too near the platform edge while peering down the line, one hand shading her eyes. She remains on the platform, never on the rails. An approaching maroon-and-cream commuter train is already visible behind her and rapidly grows larger.\n\nFrom first-person POV, one boyfriend hand reaches to her upper arm; upon contact, the arm immediately retracts in ONE continuous movement, pulling her backward toward the lens and behind the tactile safety strip. She visibly moves back one or two quick steps; camera operator steps back naturally with her. Only once she is clear does the train rush past behind her.\n\nIts wind flutters her overshirt and dress hem, never lifts or removes her hijab or exposes her body. Her eyes widen behind glasses, lips part with a brief startled gasp, then relief begins in her expression. No contact with the train, injuries, lingering on the edge, or repeated pulling motion. Believable distances and train direction; staged fictional action with a clearly successful rescue. Keep one continuous shot for this opening.\n\n04.00–06.00 — SUNNY GRASS\nAbrupt warm hard cut: first-person handholding as she guides the viewer along a grassy path. She turns toward the camera with a relieved bright laugh. Sunlight catches her ivory sleeves and navy floral hijab pin; green grass drifts softly behind. One hand linked naturally with the operator, no duplicate fingers.\n\n06.00–07.50 — OLD BOOKSHOP\nShoot through a gap between shelves of well-used Japanese books. She playfully bends into the gap from the far side, notices the lens, gives a small conspiratorial smile. Dusty window light, crowded wooden shelves, autofocus briefly catches book spines before her eyes. Avoid legible invented titles.\n\n07.50–09.00 — QUIET STREET CROSSING\nLow, casual waist-to-shoe framing of her walking across an ordinary Japanese zebra crossing on a pedestrian signal. Ivory dress hem sways over trainers. Tilt just enough to glimpse her looking back. No fetishized body framing; modest everyday clothing detail and footsteps are the focus.\n\n09.00–10.50 — NARROW LANE\nShe walks ahead between traditional wooden storefronts, potted plants and hanging fabric curtains. Her eyes glance sideways first, then she turns her face back to find the camera, smiling softly. Overhead cables and bicycles at the side establish lived-in Japan; no staged crowd.\n\n10.50–12.50 — UJI RIVERSIDE, ADDED RESEARCHED SCENE\nAt the scenic Uji River in Kyoto Prefecture, film her by a pedestrian riverbank with the historic bridge in the background. Begin with sunlight moving on water, tilt casually to her leaning lightly on the safe railing. A breeze moves her cuff; she points out the view, then looks at the operator rather than posing for the landscape. Keep her face central to the memory, river sound underneath.\n\n12.50–14.00 — UJI MATCHA, ADDED RESEARCHED SCENE\nClose handheld view of her holding a simple matcha soft-serve outside a small tea shop. She takes a tiny taste, raises her eyebrows appreciatively, then offers the cone toward the lens with a playful smile. Rich natural tea-green against ivory fabric; mild sunlight overexposure, soft storefront background. No visible brand text.\n\n14.00–15.50 — SMALL RAMEN SHOP\nClose-up of steaming vegetarian mushroom-and-vegetable ramen on a wooden counter or small table, then a quick natural focus pull to her sitting opposite, smiling through wisps of steam. Cozy lamps, spoon and bowl sounds, genuine restaurant ambience. No pork slices or alcohol props. Camera remains handheld, not a glossy food advertisement.\n\n15.50–17.00 — MANGA SHOP\nShe draws one manga volume from a shelf, opens it and lowers her eyes with a curious smile. Brief close shot of hands and page texture; no readable dialogue or famous copyrighted character emphasis. Maintain same glasses and floral pin.\n\n17.00–18.50 — NARA PARK DEER\nBoyfriend POV offers one designated deer cracker, held flat and released gently to a deer in Nara Park. The woman is softly out of focus a few steps behind on green grass, laughing at the deer's polite approach. No grabbing antlers, hugging or chasing wildlife. Mild camera wobble as the deer approaches.\n\n18.50–20.00 — QUIET READING\nSitting on a park bench, she flips a manga page. Close details of her hands, gold botanical embroidery and lace cuff, then tilt to her peaceful face behind her glasses. Rustle of paper, leaves and distant birds. Natural, modest, unposed.\n\n20.00–22.50 — UKIMIDO PAVILION, ADDED RESEARCHED SCENE\nNara Park's hexagonal wooden Ukimido pavilion with its cypress-bark roof on Sagiike Pond, reached by a wooden bridge. From the public bridge, she pauses safely by the railing and turns back toward the camera; warm light and green trees reflect in still water. Start wide enough to read the actual pavilion silhouette, then walk a little closer as she extends her hand toward the viewer. Quiet water, wooden footfalls, no temple ritual invented. Intimate location memory rather than a drone tourism shot.\n\n22.50–24.50 — GOLDEN-HOUR MEADOW\nIn Nara's grassy park with deer grazing at a respectful distance, honey-gold backlight edges her hijab and sleeves. She turns gently toward the camera, dress fabric swaying with the evening breeze. A small genuine smile, peaceful eye contact, slight exposure bloom. No spinning near deer, no flying fabric revealing skin.\n\n24.50–27.00 — LIVELY NIGHT SHOPPING STREET\nBlue-hour-to-night hard cut. Warm shop lanterns, illuminated signs and pedestrians in a Kansai shopping street. She suddenly jogs lightly several steps ahead, then looks back laughing, waiting for the operator. He follows; handheld camera movement leaves convincing soft DV light streaks. No vehicles in her running path; stay in a pedestrian area. Preserve facial readability between movement smears.\n\n27.00–28.00 — TACTILE MEMORY INSERT\nOne brief close handheld detail of her hand adjusting her embroidered cuff beside her taupe bag, ivory skirt hanging naturally; warm shop light blooms softly off the stitching. A casual recorded detail, not an erotic crop.\n28.00–30.00 — CAMCORDER MEMORY ENDING\nA second small silver early-2000s consumer camcorder is held into the foreground by the operator's free hand, its side LCD flipped outward. Current POV remains on the original recording camera; make this a clearly separate physical device, not an impossible view of itself.\n\nThe second camcorder points toward the woman; its LCD shows the same woman in the same pose at the same moment, synchronized without a duplicate person standing nearby. She notices that he is still filming, briefly gives a playful tiny pout with her naturally rose-toned lips, then breaks into a real warm laugh looking directly at him. Frame drifts toward a bright shop lamp and highlights bloom to soft white over the final fraction of a second. End on warmth, not alarm.\n\nAUDIO:\nReal synchronized location sound ONLY, no background music, no soundtrack, no narration, no scripted dialogue.\n\nOpening: rolling rail clatter, approaching train rush, wind blast, a single surprised gasp, shoes stepping back.\n\nThen light footsteps, grass and breeze, natural soft laughter, book pages, distant shop ambience, river water, ice-cream wrapper rustle if present, ramen bowls and chopsticks, park birds, deer footsteps, wooden bridge creaks, evening breeze, night crowd and distant vehicles.\n\nAudio hard-cuts naturally with each location; subtle room-tone tails are acceptable. Finish with her authentic laugh. No artificial whooshes between edits or dramatic suspense score.\n\nFINAL QUALITY RULES:\nExactly one stable adult heroine, full modest coverage, consistent hijab and glasses, anatomically natural hands, no face drift or changing ethnicity, no glossy skin filter. Requested high-bitrate file must preserve intentional MiniDV texture rather than remove it. The viewer should feel these are precious imperfect memories from a real day together, not a compilation of polished commercial travel footage.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@oggii_0",
|
||
"sourceUrl": "https://x.com/oggii_0/status/2099002039141626186"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-30882311d898",
|
||
"title": "公鸡激流营救三只小鸡",
|
||
"description": "宠物与动物",
|
||
"image": "https://media.goodcase.ai/cases/deaf63c43f9d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a cinematic, ultra-realistic 30-second fantasy adventure scene set in a misty mountain forest with a powerful rushing river, tall pine trees, rocky cliffs, and a dramatic overcast sky.\n\nBegin with an atmospheric establishing shot of a wooden bridge and a raging river flowing through the forest. A small wooden boat appears on the turbulent water, carrying three adorable fluffy yellow baby chicks. The boat rocks and moves rapidly with the current.\n\nA funny, brave rooster suddenly appears, standing on a log in the middle of the rushing river. He spreads his wings and struggles against the strong current, then grabs a thick rope attached to the wooden boat and tries to pull and guide it toward safety.\n\nShow dynamic close-ups of the rooster gripping the rope, his feathers moving naturally in the wind and water spray, while the frightened baby chicks huddle together inside the boat. Use dramatic cinematic camera movements, including tracking shots, low-angle shots, close-ups, and wide aerial views.\n\nThe boat passes beneath a large stone bridge and eventually reaches the riverbank. The rooster leads the chicks safely onto the grassy forest floor. Suddenly, a mysterious rugged man appears in the background near an old red pickup truck, watching them from a distance.\n\nIn the final moments, the baby chicks run toward a small dark hole in the ground and disappear inside. The rooster and the mysterious man remain in the background, creating a humorous but mysterious cliffhanger.\n\nStyle: photorealistic cinematic fantasy, high-end animated movie quality, realistic fur and feathers, physically accurate water and splashes, natural forest atmosphere, volumetric mist, dramatic lighting, detailed environments, expressive character animation, realistic motion, cinematic depth of field, smooth camera movement, immersive storytelling, 4K, film-quality visuals, no text, no subtitles, no watermark.",
|
||
"category": "pet-animal",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2097272507518587145"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-made-with-seedance-2-5-d2d9acfaedfc",
|
||
"title": "巨翼守护者护幼大战灰狼",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/cases/af3b3dd1180b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt 👇 \nCreate a 60-second cinematic 3D animated fantasy short film set in a lush, magical forest beside a powerful waterfall.\n\nOpening shot: A large, strange but adorable bird-like fantasy creature with a rounded body, long reddish-brown wings, a small expressive face, and a funny beak-like mouth rests near a shallow stream. The creature looks alert and slightly confused. Warm morning sunlight filters through the trees, creating soft golden rays and atmospheric mist.\n\nCut to the waterfall: several tiny fluffy golden baby creatures are carried playfully through the rushing water. Show dynamic water splashes, mist, droplets, and dramatic cinematic camera movement as they tumble safely through the stream.\n\nThe large winged creature notices them and moves toward the water, spreading its enormous wings. Use a low-angle cinematic shot to emphasize its size and expressive body language.\n\nTransition into a peaceful forest floor covered with wet leaves, moss, small branches, and shallow flowing water. A group of tiny fluffy yellow baby creatures run, stumble, tumble, and play together. Their movements are cute, energetic, innocent, and comedic. Include close-up shots of their curious faces, tiny feet, fluffy feathers, and exaggerated expressions.\n\nOne baby creature crawls through a hollow log while another follows behind. The others gather around and playfully interact with each other. Use smooth tracking shots, low camera angles, macro close-ups, and shallow depth of field.\n\nThe large winged creature flies low through the forest, wings spread wide, then lands dramatically near the babies. The landing creates a gentle burst of leaves and water droplets. The babies look up at it with surprised and curious expressions.\n\nSuddenly, a large wild gray wolf appears from the forest. The atmosphere becomes tense. The wolf slowly approaches the group of tiny creatures, growling and showing its teeth. The babies become frightened and gather together.\n\nThe large winged guardian creature immediately steps between the wolf and the babies, spreading its huge wings protectively. Create a dramatic face-off between the guardian and the wolf. Use cinematic close-ups, intense eye contact, slow camera movement, atmospheric fog, flying leaves, and dramatic natural lighting.\n\nThe wolf lunges forward, but the guardian protects the babies and forces the wolf back. The babies stay close together behind the guardian. After a tense confrontation, the wolf retreats into the forest.\n\nEnd with a wide cinematic shot of the peaceful forest, waterfall, stream, and warm sunlight. The guardian stands protectively beside the tiny creatures while they gather around it. The mood changes from suspenseful to warm, emotional, and heartwarming.\n\nVisual style: high-end cinematic 3D animation, ultra-detailed fluffy characters, realistic fur and feather textures, expressive faces, natural environmental lighting, volumetric sun rays, realistic water physics, atmospheric mist, soft depth of field, cinematic color grading, smooth character animation, dynamic camera movement, dramatic storytelling, realistic shadows, subtle film grain, premium animated-movie quality, 4K, widescreen composition, emotionally expressive and visually immersive.",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zarnab_with_Ai",
|
||
"sourceUrl": "https://x.com/Zarnab_with_Ai/status/2096566193058693197"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-woman-a-young-east-asian-woman-around-25-soft-elegant-features-shoulder-len-d36bebfcc8e6",
|
||
"title": "雨夜街灯下的未完告别",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-woman-a-young-east-asian-woman-around-25-soft-elegant-features-shoulder-len-d36bebfcc8e6.jpg",
|
||
"mode": "video",
|
||
"prompt": "Woman = a young East Asian woman around 25, soft elegant features, shoulder-length dark hair, a gentle emotional face, wearing a cozy beige coat and a scarf. Tender and heartfelt. Appearance only.\n\nMan = a young East Asian man around 27, soft handsome features, neat dark hair, wearing a dark wool coat. Quietly emotional, restrained. Appearance only.\n\nSreet = a quiet city street at night in light rain, rendered photorealistically — glistening wet pavement, warm glowing streetlights and shop signs, soft bokeh of city lights, a moody romantic atmosphere, umbrellas and reflections. Warm-and-cool cinematic palette. Environment only.\n\nSCENE: a tender, emotional romantic short scene. On a rainy night street, a young woman and man stand facing each other under the glow of streetlights, sharing a bittersweet almost-goodbye moment with a small dialogue exchange. Soft, heartfelt, cinematic emotion.\n\nTECHNICAL: 16:9, soft cinematic romantic style, warm-and-cool color grade, shallow depth of field with dreamy bokeh, gentle slow camera movement, rain and glistening reflections, soft romantic lighting, photorealistic, emotional cinematic quality.\n\nCUTS:\nCUT 1 (0-5s): Close on the woman under a streetlight in the light rain, eyes glistening with emotion, looking up at the man. Softly, she says: \"So this is really goodbye?\" Tender and vulnerable.\nCUT 2 (5-10s): Cut to the man, rain in his hair, holding back emotion as he looks at her. Quietly, he answers: \"It doesn't have to be.\" A held, charged pause between them.\nCUT 3 (10-15s): A wider two-shot — they stand close under the glowing streetlights and rain, the moment suspended, she gives a small tearful smile as he gently reaches for her hand. Warm bittersweet final beat, city bokeh behind them.\n\nRULES: References are appearance only, do not recreate. Keep both characters consistent across every cut. Clear natural lip-sync on the two dialogue lines. Soft, emotional, romantic mood throughout. Sound design: gentle rain, a soft emotional piano score, quiet ambient city sounds, the two lines spoken tenderly. Warm bittersweet final frame, cinematic and clean.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@Weeleey6",
|
||
"sourceUrl": "https://x.com/Weeleey6/status/2095902275898126648"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-pov-your-favorite-song-starts-playing-in-public-96262a9d8e86",
|
||
"title": "街头偶遇最爱歌曲的瞬间",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-pov-your-favorite-song-starts-playing-in-public-96262a9d8e86.jpg",
|
||
"mode": "video",
|
||
"prompt": "POV — Your Favorite Song Starts Playing in Public\n\nA young man walks through a busy city sidewalk when he suddenly hears his favorite song playing from a nearby café. He recognizes it instantly, slows down, smiles, and starts subtly vibing to the rhythm while pretending to keep walking normally.\n\nThe entire sequence follows realistic human behavior and accurate physics, including natural walking biomechanics, weight distribution, gravity, inertia, momentum, friction, foot-to-ground contact, realistic pedestrian movement, clothing dynamics, hair movement, and natural interactions between people and the environment.\n\nUltra-realistic visuals, cinematic documentary style, natural late-afternoon lighting, realistic skin and clothing textures, smooth stabilized tracking, subtle handheld camera motion, realistic depth of field, natural focus pulls, physically accurate shadows and reflections, consistent character identity, authentic urban environment, natural colors, subtle film grain, and 4K cinematic quality.\n\nWould you be able to resist vibing to your favorite song in public? \n\n#Seedance25 #WaveSpeedAI #AIVideo #CinematicAI #AIStorytelling #DailyLife #POV #Relatable #MusicLovers #GenerativeAI",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithZeeshi",
|
||
"sourceUrl": "https://x.com/AIwithZeeshi/status/2095374122674991259"
|
||
},
|
||
{
|
||
"id": "seedance:qaistudio-seedance-ai-72dab559610b",
|
||
"title": "健身房更衣室训练前准备",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/qaistudio-seedance-ai-72dab559610b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Subject: Person from Image1. Face and hairstyle must match Image1 completely; do not transform into a different person. Ignore Image1’s outfit, background, pose, and bottom text. Casual black gym outfit: fitted tank + leggings/shorts, hair tied back. Keep facial features sharp even with low image quality. 16:9 horizontal.\n\nSetting: Gym locker room with full-length mirror, lockers, and gym bag on bench. No legible text, signage, locker numbers, or branding.\n\nTimeline:\n\n- 0–4s: Walks to mirror, props phone against locker/bag, checks reflection, adjusts tank straps.\n- 4–8s: Sits, ties and double-knots shoelaces, stands and lightly bounces to test shoes.\n- 8–11s: Takes earbuds from bag, inserts and adjusts them.\n- 11–14s: Faces mirror, rolls shoulders, nods at reflection and quietly says, “okay... let’s get it.”\n- 14–17s: Arm swings/stretching, briefly glances at camera.\n- 17–19s: Picks up phone, turns toward door and walks off confidently; freeze mid-stride.\n\nCamera/Style: Old iPhone everyday-video look, standard 1x lens, static/propped angle, loose 1–1.5s cuts. Harsh fluorescent locker-room lighting, slightly cool/green tint, faint mirror glare. Heavy noise and compression artifacts throughout. Natural skin texture, pores, flyaways, and oil sheen. No grading, cinematic/film look, beauty filter, CG texture, fisheye, 0.5x, barrel distortion, vignette, or lens edges. No scene skipping or consolidated cuts.\n\nSound: No BGM. Locker-room echo, distant locker clanks, shoelace tightening, earbud-case click, faint gym noise outside, and close/muffled natural voice.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@QAiStudio",
|
||
"sourceUrl": "https://x.com/QAiStudio/status/2093565477192917480"
|
||
},
|
||
{
|
||
"id": "seedance:saniaspeaks-seedance-ai-575658372136",
|
||
"title": "午夜电梯里的镜像追猎",
|
||
"description": "恐怖悬疑",
|
||
"image": "/inspiration-thumbs/seedance/saniaspeaks-seedance-ai-575658372136.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a highly realistic cinematic horror sequence set inside a quiet apartment building late at night. A young woman enters an empty elevator alone, wearing simple casual clothes, with natural realistic facial features and subtle nervous expressions. The elevator moves strangely, stopping at several floors. Every time the doors open, the exact same long, empty apartment corridor appears outside, dimly lit by flickering ceiling lights. She becomes increasingly confused and frightened, repeatedly pressing the elevator buttons and looking down the corridor.\nOn the final stop, the elevator doors slowly slide open. At the far end of the corridor stands another young woman who looks exactly identical to her, motionless and staring directly at her. The atmosphere becomes completely silent. The woman inside the elevator slowly steps forward, unable to understand what she is seeing. The identical woman suddenly tilts her head at an unnatural angle and takes one slow step toward her.\nWithout warning, the corridor woman violently charges toward her with extremely fast, unnatural movement. The original woman screams and tries to retreat into the elevator, but the other woman tackles her and both fall to the floor. The corridor woman grabs her and aggressively drags her backward across the floor while the original woman desperately tries to hold onto the elevator doorway. The elevator lights flicker rapidly, casting harsh moving shadows across both faces.\nThe original woman manages to reach one hand toward the elevator control panel, desperately trying to press the door-close button. The corridor woman suddenly grabs her wrist and pulls her away. The elevator doors begin closing by themselves, slowly separating the two women. The original woman reaches toward the narrowing gap in panic while the identical woman stares at her with an eerie, emotionless expression.\n\nThe doors finally slam shut.\n\nCut to a completely empty corridor. No one is visible. A smartphone lies on the floor where the struggle happened, its screen still glowing and displaying 2:13 AM. The hallway lights flicker once, then everything goes completely dark.\n\nUltra-photorealistic live-action horror, realistic human movement, believable apartment building textures, natural skin detail, subtle handheld camera movement, cinematic low-light exposure, practical fluorescent lighting, deep shadows, atmospheric tension, realistic motion blur, disturbing but non-gory horror, no supernatural visual effects, no text overlays, no subtitles, no cartoon appearance.",
|
||
"category": "horror-suspense",
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2091483449815126134"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-a4aa7d6b0191",
|
||
"title": "怀旧高中 Vlog",
|
||
"description": "一个高度详细的视频提示词,用于创作具有真实感、家庭录像风格的 Vlog,主角为一名日本…",
|
||
"image": "https://media.goodcase.ai/media/poster/vlog-a4aa7d6b0191.jpg",
|
||
"mode": "video",
|
||
"prompt": "かわいい日本人の女子高校生の、なんでもない学校の1日を、同級生の親友が撮ったVlog風個人ホームビデオとして作成せよ。超現実的。約10個の短いショット(各2〜3秒)のハードカットのモンタージュで構成する。各ショットはすべて別の場所・別の瞬間で、1ショット=1つの小さな出来事。トランジション効果やフェードは使わない。撮っているのはいちばん仲のいい親友なので、彼女は完全にリラックスしていて、カメラに笑いかけ、物を見せ、話しかける(言葉は聞き取れない)。ポーズや演技ではなく、親友にだけ見せる素の表情。 メイン被写体 全ショットを通じて同じ日本人の女子高校生。目を引く完璧な美人ではなく、笑った瞬間がいちばんかわいい、話しかけやすい親しみのある顔立ち。 現実的な肌の質感、ノーメイク、頬にほんの少し赤み。笑うと目が三日月になり、八重歯が少しのぞく。 黒髪のゆるいボブで、右の耳の上を小さな銀のヘアピンで留めている。 白い半袖の開襟シャツ、えんじ色のリボン、グレーの膝丈プリーツスカート、白いソックス、上履き(校外では白いスニーカー)、肩掛けのスクールバッグ。 顔、体型、髪型、制服、持ち物を最初から最後まで完全に一貫させる。 ロケーション 夏の朝から夕方の、ごく普通の公立高校。昇降口、窓際の席のある教室、廊下、購買、中庭、放課後の夕日が差す教室、校門。生活感のある本物の学校。他の生徒は背景に自然な程度。広告、認識できるブランドはなし。 カメラ / ビジュアルスタイル 全ショット共通:親友が構える手持ちの古い民生用デジタルカメラ。自然な揺れ、不完全なフレーミング、時折のオートフォーカス変更、露出のゆらぎ、柔らかい画像ディテール、軽いモーションブラー、微妙なデジタルノイズ、少し抑えた色、不完全なホワイトバランス。スタビライズ、ジンバル、ドローン、スローモーション、映画的照明、商業カラーグレーディングはなし。 ショットリスト(順番通り、各2〜3秒、すべてハードカット) 1. 休み時間。前の席の椅子に後ろ向きに座り、身振りをつけて何か喋る(聞こえない)。 2. 購買でパンを2つ買い、1つをレンズに差し出す。 3. 昼休みの中庭のベンチ。パンをかじりながら、木漏れ日に目を細める。 4. 廊下で笑いすぎて壁にもたれ、目じりを指で拭う。 5. 掃除の時間。ほうきを持ったままふざけたポーズをして、廊下の先の気配に気づき、慌ててまじめに掃きだす。 6. 水道で手を洗い、濡れた指先でカメラに水滴を飛ばすまねをして笑う。 7. 放課後、夕日の教室。机に伏せてうたた寝しているところを撮られ、起きて照れ笑い。 8. 黒板の隅に小さな落書きを描いて振り返り、八重歯を見せてにっと笑い、すぐ消す。 9. 昇降口でスニーカーに履き替えながら、何か喋って笑う。 10. 夕焼けの校門で振り返り、両手で大きく手を振る。その途中、録画は突然ブラックアウトに切り替わる。フェードアウトなし。 物理的リアリズム 全ショットで信ぴょう性のある現実世界の物理を維持。手、指、足、制服、髪、パン、ほうき、ノート、スクールバッグは自然に振る舞う。余分な指、融合した手、重複した手足、歪んだ解剖学、浮遊物、消える物体、突然の変形はなし。足は床と地面に適切に繋がったまま。ショット間で被写体を一貫させ、光は朝→昼→夕焼けへ自然に進む。 オーディオ 自然な環境音のみ。ショットごとに環境音も切り替わる。遠くのチャイム、上履きの音、教室のざわめき、購買の喧騒、セミの声、ほうきの音、遠くの部活の掛け声、言葉として聞き取れない話し声と笑い声。音楽なし。ナレーションなし。人工的な音響効果なし。 最終的な雰囲気 12個の何気ない瞬間を並べただけなのに、あとで見返すとエモいと感じる映像。商業作品ではない。ファッション映画ではない。ミュージックビデオではない。同じクラスの親友のカメラにだけ残っている、なんでもないのに二度と戻らない学校の1日の記録。屈託がなく、青春の途中で、懐かしく、温かく、即興的で、深く人間的。カメラがたまたまそこにあったような感じを優先。",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@aiehon_aya",
|
||
"sourceUrl": "https://x.com/aiehon_aya/status/2092733830801109291"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-seedance-2-5-on-d581d036c3b0",
|
||
"title": "雾竹林上空的仙侠双剑对决",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/75e268e42386.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 on @atlas_cloud_ai \n\nPrompt ⬇️\n\nCLIP 1 — BLADES ABOVE THE BAMBOO | 15 SECONDS | 16:9\n\nCINEMATIC PHOTOREALISTIC LIVE ACTION CHINESE XIANXIA WUXIA\nACTION MODE: WEAPON + VOID-STEP | CONTROL MODE: GUIDED-DENSE | NO DIALOGUE\n\nREFERENCE ASSIGNMENT — KEEP THIS ORDER\n\n@\"Image 2\" (image_2)female_swordsman_sheet_v1.png — sole identity, face, hair ornament, ivory-and-coral embroidered costume, proportions and sword reference for the female swordsman. Ignore sheet panels, text and poses.\n\n@\"Image 1\" (image_1)male_swordsman_sheet_v2.png — sole identity, face, long hair, dark ink-patterned costume, proportions and sword reference for the male swordsman. Ignore sheet panels and poses.\n\n@\"Image 3\" (image_3)bamboo_canopy_spatial_wide_v1.png — sole location, lighting, atmosphere, depth and landmark reference. Preserve the three tall bamboo stalks on screen-left and the pale broken trunk on screen-right.\n\n@\"Image 4\" (image_4)female_orb_loaded_hand_pose_v5.png — exact hand configuration and final insert composition only: palm visible, thumb and middle fingertip touching around one small orb, index extended and remaining fingers elegantly separated. Do not use it as the opening frame.\n\nSCENE INTENT\n\nA breathtaking aerial sword duel above a misty bamboo forest. Two equally dangerous swordsmen launch from opposite bamboo stalks, collide at impossible speed, and turn gravity into a weapon. After a brutal mid-air exchange, the woman uses her one void-step to reverse the fight, then deliberately creates distance to prepare a new tactic.\n\nEnd on her hand loading a single warm-gold spirit orb before release.\n\nCHARACTERS / COMBAT\n\nThe woman fights with narrow, precise cuts, late evasions and elegant redirection. The man attacks with powerful committed arcs, using every landing and recoil to accelerate again. Their ivory-and-coral and dark ink-patterned silhouettes remain distinct.\n\nWORLD / PHYSICS\n\nOne continuous aerial combat corridor above the same misty bamboo canopy. Woman begins on the bowed tip of the left three-stalk cluster; man begins on the pale broken trunk at screen-right. The forest floor remains far below.\n\nExactly two fighters, two swords, one void-step each. Bamboo bends under actual foot load and rebounds. Gravity remains visible between contacts. No glowing platforms or hovering.\n\n---\n\nACTION SPINE\n\n0.0–3.0s — THE COLLISION\n\nOpen with a breathtaking lateral aerial wide: both fighters launch simultaneously from opposite bamboo stalks, the canopy dropping away beneath them.\n\nThe woman dives diagonally with a precise downward cut. The man rockets upward with a powerful ascending guard. Their swords collide in a violent burst of sparks.\n\nThe impact instantly throws them into opposite spinning falls.\n\n3.0–6.0s — BLADE STORM\n\nThe camera dives with them.\n\nThe man recovers first and cuts horizontally through her falling path. She folds beneath the blade, rotates around its pressure and answers with a lightning-fast thrust toward his ribs.\n\nHe knocks it aside and continues the same momentum into a second descending cut. She catches it for a split second, then releases, using the force to accelerate her fall.\n\nNo static posing. Every contact redirects momentum.\n\n6.0–9.0s — VOID-STEP COUNTER\n\nThe woman touches a swaying bamboo tip and redirects laterally.\n\nThe man drops past her, then performs one weight-bearing void-step: his free knee lifts, one sole presses against an invisible point, his body compresses, and he launches upward into a new diagonal arc.\n\nHis robe falls for a fraction before snapping behind him.\n\nHe reaches her with a rising slash. She rolls over the blade line, and their swords scrape in passing.\n\n9.0–12.0s — THE REVERSAL\n\nThe sword scrape sends the woman toward the left bamboo cluster while the man carries forward.\n\nBefore touching bamboo, she performs her one void-step.\n\nHer falling foot accepts weight on an invisible point. She compresses and drives into a tight curved arc around his exposed side.",
|
||
"sourceId": "seedance",
|
||
"credit": "@HustleXR",
|
||
"sourceUrl": "https://x.com/HustleXR/status/2096600750705213461"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-15-second-fast-paced-high-end-huda-beauty-cosmetics-advertisement-fea-22da35548b45",
|
||
"title": "红发模特演绎勃艮第腮红广告",
|
||
"description": "产品广告分镜",
|
||
"image": "https://media.goodcase.ai/cases/fb4e26bda95e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second fast-paced, high-end Huda Beauty cosmetics advertisement featuring the same red-haired female model from the provided facial reference.\n\nCHARACTER LOCK: Preserve her exact facial features, face shape, green eyes, copper-red hair, skin tone, natural lashes, lips, and overall appearance throughout every shot. Keep her identity completely consistent.\n\nWARDROBE LOCK: She wears the burgundy/maroon strapless floral jacquard mini dress from the wardrobe reference. The dress has a structured strapless bodice, fitted waist, rich burgundy floral texture, and an asymmetrical flowing handkerchief-style hem with sheer fabric panels. No changes to the dress.\n\nPRODUCT LOCK — EXTREME ACCURACY: Use the Huda Beauty Blush Filter Palette shown in the product reference. It is a compact rose/mauve-pink rectangular palette with four square blush pans: a shimmering light pink, warm terracotta/peach, deeper warm brown-coral, and muted rosy pink embossed with the Huda Beauty logo. Preserve the exact compact shape, proportions, colors, pan arrangement, embossed design, and packaging appearance. Do not invent or redesign the product.\n\nVISUAL STYLE: Premium beauty TV commercial, glamorous studio production, rich burgundy and dusty-rose environment, dramatic beauty lighting, glossy highlights, controlled shadows, sophisticated color grading, crisp 4K detail, luxury cosmetics campaign aesthetic.\n\nSHOT 1 — 0:00–0:03\n\nExtreme macro hero shot of the closed Huda Beauty palette resting on a glossy burgundy studio surface. A dramatic spotlight sweeps across the compact, revealing its reflective rose-pink packaging. The lid elegantly opens with a quick cinematic motion.\n\nSHOT 2 — 0:03–0:06\n\nRapid macro sequence of the four blush shades. Camera glides across each pan, capturing powder texture and shimmer. A makeup brush softly touches the blush, creating a tiny cloud of powder. Quick snap transitions between shades.\n\nSHOT 3 — 0:06–0:09\n\nCut to the model wearing the burgundy floral strapless dress. Tight beauty close-up as she applies the blush to her cheek with a fluffy brush. Show the brush sweeping naturally across her cheekbone, instantly creating a warm rosy flush. Dramatic side lighting emphasizes her cheek glow.\n\nSHOT 4 — 0:09–0:12\n\nFast fashion-beauty sequence. Model turns toward camera, her copper-red hair moving naturally. Quick close-up of her glowing cheeks → confident eye contact → subtle playful smile. Camera performs a smooth, elegant orbit around her face.\n\nSHOT 5 — 0:12–0:15\n\nFinal hero product shot. The open palette stands upright beside its packaging on a glossy burgundy pedestal. The model's hand enters frame and places the palette elegantly beside her. Camera pushes rapidly toward the four shades as the lighting catches the shimmer.\n\nEDITING: Fast-paced TV commercial rhythm, 1–3 second shots, snap cuts, whip transitions, speed ramps, macro inserts, seamless match cuts, energetic but luxurious.\n\nLIGHTING: Professional studio beauty lighting, strong key light, soft frontal fill, dramatic rim light, controlled specular highlights, subtle burgundy reflections.\n\nFINAL FEEL: Playful, glamorous, feminine, expensive, editorial, instantly eye-catching. The product must remain the hero while the model provides the fashion/luxury beauty appeal.",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@sophiaparkerr_",
|
||
"sourceUrl": "https://x.com/sophiaparkerr_/status/2095862309285421150"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-30-seconds-16-9-ultra-photorealistic-live-action-39bfaec91181",
|
||
"title": "韩国女生的宁静晨间日常",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-30-seconds-16-9-ultra-photorealistic-live-action-39bfaec91181.jpg",
|
||
"mode": "video",
|
||
"prompt": "30 seconds | 16:9 | Ultra-photorealistic live-action\n\nCreate a natural Korean morning-routine day-in-the-life video featuring one young Korean woman waking up \nand easing into her quiet morning at home.\n\nUse the reference image as the EXACT starting frame — she is lying in bed, just waking up. Use the \nreference image for her exact facial identity, hairstyle, skin tone, and body proportions. Keep her \nappearance consistent throughout the entire video. The video begins from this reference pose and moves \nforward naturally.\n\nOUTFIT: Soft cream/white cotton loungewear or a light pajama set to start; she stays in comfortable \nloungewear throughout (no wardrobe change). Minimal or no jewelry. Hair natural and slightly tousled \nfrom sleep at the start, settling as the morning goes on.\n\nTIME & LIGHTING: Soft early-morning summer sunlight, gradually warming as the morning progresses. Gentle, \nconsistent natural light, shadows, color temperature, and time of day across every scene.\n\n00–05s — Waking up (starts from reference image)\nThe video opens on the exact reference pose — she is lying in bed, eyes just opening, waking up slowly. \nSoft morning light filters through sheer curtains onto the bed. She stirs gently, blinks, and slowly \nsits up, stretching her arms with a soft, sleepy motion. Her hair is naturally tousled.\nShe rubs her eyes, looks softly toward the window, and quietly says:\n\"Morning already…\"\n\n05–11s — Out of bed\nShe swings her legs off the bed and stands, stretching gently. She pads across the room and opens the \ncurtains — bright morning light floods in. She looks out the window for a moment at the quiet neighborhood \noutside (rooftops, trees, soft sky). Natural, unhurried movement.\n\n11–17s — Washing up\nShe walks to the bathroom sink. She turns on the faucet and splashes cool water on her face, then pats \nit dry with a soft towel. Water droplets fall naturally. She looks at herself briefly in the mirror, \ntucks her hair behind her ear, and takes a slow breath. Fresh and calm.\n\n17–23s — Making breakfast / morning drink\nShe moves to the kitchen. She fills a kettle and sets it to boil, then takes a mug and a tea bag (or \npour-over coffee) from the counter. Steam rises as she pours the hot water — the liquid swirls naturally \nin the mug. She sets a simple breakfast on a small plate (toast, fruit, or a pastry). Gentle, homey \nmorning movements.\n\n23–30s — Quiet morning moment\nShe sits by the window with her warm mug and breakfast, both hands wrapped around the cup. She takes a \nslow first sip, pauses, and smiles softly.\nShe looks out at the morning light and quietly says:\n\"Perfect start.\"\nThe camera slowly drifts backward, capturing the cozy bedroom/kitchen, the open window, gentle curtain \nmovement, soft morning light, and the calm start-of-day atmosphere.\nCut naturally at the end.\n\nCAMERA STYLE: Documentary lifestyle footage with smooth handheld movement. Natural tracking shots, \noccasional subtle camera sway, realistic focus transitions, restrained depth of field, natural lens \nbehavior, and authentic perspective. Avoid overly cinematic shots or commercial advertising aesthetics.\n\nAUDIO: Real environmental audio only — soft morning ambience, birdsong outside, sheets rustling, a gentle \nyawn, curtains sliding open, water running, towel patting, kettle boiling, water pouring into a mug, a \nspoon clinking, breathing, and natural sipping sounds. No background music.\n\nPHYSICAL REALISM: The bedsheets shift and drape naturally as she wakes and rises. Her stretching, standing, \nand walking feel spontaneous and physically accurate. Water flows and droplets fall naturally. The kettle \nsteams and the liquid pours with realistic fluid dynamics. Hands maintain believable grip and pressure. \nAll body movements — waking, stretching, walking, washing, pouring, sitting, sipping — should feel natural \nand unforced.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@ChillaiKalan__",
|
||
"sourceUrl": "https://x.com/ChillaiKalan__/status/2095812367527616536"
|
||
},
|
||
{
|
||
"id": "seedance:saniaspeaks-seedance-ai-69dfe9e3c10e",
|
||
"title": "韩国女孩首次火车旅行自拍日志",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/5e1da749b1cf.jpg",
|
||
"mode": "video",
|
||
"prompt": "Ultra-realistic casual smartphone travel vlog of one consistent young Korean woman in her early 20s taking a train journey for the first time, speaking natural fluent English with accurate lip synchronization. Everything is filmed by her own hand on a real smartphone and must feel like an authentic personal social-media vlog, never cinematic or professionally filmed. Use mostly arm-length selfie footage with occasional natural switches to the rear camera, including slight hand shakes, awkward framing, walking jolts, autofocus hunting, exposure changes, motion blur, fingers near the lens, realistic train vibrations, window reflections, and authentic phone-camera quality. She starts at a busy station platform and excitedly says, “Okay guys, I’m taking the train today! Let’s go!” while showing the arriving train, then boards saying, “I made it!” She finds her window seat and says, “And I got a window seat!” As the train starts moving, she films outside and says, “We’re moving!” She casually shows a snack and drink, takes a bite, and says, “Everything tastes better on a train.” She then films beautiful passing scenery of trees, small towns, and distant mountains, quietly saying, “This view is so beautiful.” Finally, back in selfie mode with the moving scenery behind her, she smiles and says, “I think train journeys might be my new favorite thing. See you guys next time. Bye!” before waving and lowering the phone. Include realistic station announcements, train sounds, footsteps, passenger conversations, blinking, breathing, and spontaneous reactions. The same woman must remain perfectly consistent throughout, with no identity changes or duplicate people.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2094635608849166589"
|
||
},
|
||
{
|
||
"id": "seedance:ciri-ai-seedance-ai-6f0712601492",
|
||
"title": "河畔梦幻野餐的翻车现场",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/e2df355937a7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second, 1080p ultra-realistic personal home-video of a young Korean woman trying to recreate a dreamy Pinterest photo, with reality ruining every single attempt. No reference image.\n\nMAIN SUBJECT\n\nYoung Korean woman in her early 20s, effortlessly trendy look, soft dewy makeup, expression that shifts between aspirational-serene and increasingly done-with-it.\n\nLong black hair styled in soft waves, a flower clip pinning one side back, delicate gold necklace.\n\nWearing a flowy white sundress, a cream cardigan draped over her shoulders, strappy sandals, carrying a small woven picnic basket as a prop.\n\nMaintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video.\n\n**SETTING**\n\nA grassy riverside park on a windy, bright afternoon — the kind of spot that looks perfect in a photo and chaotic in person.\n\nA picnic blanket laid out unevenly on slightly bumpy grass, a thermos and a plate of fruit balanced precariously, wildflowers scattered nearby, ducks on the water in the background, other picnicking families and joggers occasionally passing through frame, a tree with low branches, and intermittent gusts of wind rolling across the open field.\n\n**CAMERA / VISUAL AESTHETIC**\n\nRaw personal footage filmed by her friend on a phone, oscillating between attempted \"aesthetic\" cinematic framing (slow pans, soft golden-hour-style angles) and sudden handheld chaos when things go wrong.\n\nAutofocus hunts between her and the fluttering blanket. Camera overcorrects and wobbles when she moves suddenly. Mild motion blur during wind gusts and quick recoveries. Slightly warm, oversaturated \"Pinterest filter\" color grade that keeps slipping back to flat reality mid-shot. Visible digital noise, natural sun flare that occasionally blows out the frame.\n\nNo stabilization, no real cinematic polish — the aspiration is aesthetic, the execution is not.\n\n---\n\n**00:00–00:05 — THE SETUP SHOT (ATTEMPT)**\n\nShe kneels gracefully by the picnic blanket, arranging the fruit plate just so, trying to look candidly absorbed in it.\n\nThe camera does a slow artful pan across the \"perfect\" spread — then a gust of wind flips the paper plate clean off the blanket.\n\nShe freezes, hand still hovering mid-air, watching it tumble away.\n\n**00:05–00:10 — REACTION**\n\nShe stares after the plate, deadpan, not even chasing it.\n\n*\"...Okay, we'll pretend that didn't happen.\"*\n\nHer friend behind the camera laughs, frame jolting as they try to film both her and the runaway plate at once.\n\n**00:10–00:15 — THE FLOWER CROWN MOMENT**\n\nShe sits back down and tries to casually place a small wildflower behind her ear for a \"candid nature\" shot, tilting her head serenely toward the light.\n\nA bee, clearly interested in the flower, buzzes directly at her face.\n\nShe yelps, swatting wildly, completely abandoning the serene pose.\n\nThe camera whip-pans trying to follow the chaos, briefly blurring.\n\n**00:15–00:20 — THE WINDBLOWN HAIR SHOT**\n\nShe stands up to attempt a slow-motion \"hair flowing in the wind\" walk toward the water, cardigan billowing dramatically behind her.\n\nThe wind gusts too hard — her hair whips completely across her face, and the cardigan blows up over her head, blinding her mid-step.\n\nShe stumbles slightly, laughing from underneath the fabric, arms flailing to find the opening.\n\n**00:20–00:25 — THE THERMOS DISASTER**\n\nShe sits back down and tries a \"pouring tea thoughtfully\" shot, tilting the thermos elegantly — the lid isn't fully on, and it spills straight down the front of her white dress.\n\nShe looks down at the spreading stain in silence for a beat, completely unbothered by this point.\n\nHer friend, off-camera, losing it: *\"That's — that's going to stain—\"*\n\n**00:25–00:30 — FINAL MOMENT**\n\nShe gives up entirely, flops backward onto the picnic blanket, stained dress, wind-wrecked hair, flower crooked, staring straight up into the camera as her friend leans over her.\n\n*\"This is the photo. This is the one we're posting.\"*\n\nShe gives a flat, exhausted thumbs up from the ground as the frame shakes with her friend's laughter, and the footage cuts abruptly to black.\n\n---\n\n**AUDIO**\n\nNatural location sound only:\n\nWind gusting, fabric flapping, birds and distant duck sounds, grass rustling, thermos lid clattering, tea splashing, her friend's genuine off-camera laughter throughout, footsteps on grass, and handheld camera noise.\n\nNo music. No narration. No artificial sound effects.\n\nSpoken lines: *\"...Okay, we'll pretend that didn't happen.\"* / *\"That's — that's going to stain—\"* (friend) / *\"This is the photo. This is the one we're posting.\"*\n\n**FINAL FEEL**\n\nBright, breezy, self-aware comedy built on the universal gap between a curated Pinterest fantasy and messy outdoor reality — golden light, real wind, real mishaps, real laughter.\n\nNo posed perfection sustained for more than a few seconds before nature ruins it. No exaggerated slapstick — the comedy comes from genuine reactions to genuinely uncooperative wind, bees, and gravity.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
|
||
"sourceUrl": "https://x.com/Ciri_ai/status/2093569691830899091"
|
||
},
|
||
{
|
||
"id": "seedance:migrok293703-seedance-ai-feecd249fd30",
|
||
"title": "Seedance 中文 prompt 角色剧情:地牢中的薰衣草",
|
||
"description": "More Lavender. Generated with Seedance 2.5 …",
|
||
"image": "/inspiration-thumbs/seedance/migrok293703-seedance-ai-feecd249fd30.webp",
|
||
"mode": "video",
|
||
"prompt": "场景1:薰衣草被囚禁在地牢牢房中,背靠着墙站着。沉重的锁链将他的双臂高高举过头顶,露出两个腋窝。薰衣草看起来愤怒而桀骜不驯,他用力拉扯着锁链,愤怒地环顾四周,用日语咆哮着说他们会后悔的。场景2:从薰衣草身后的墙壁上缓缓伸出两条机械臂,每条机械臂的末端都长着一只戴着白手套的手。薰衣草注意到身后的动静,一脸困惑和不安,用日语问道:{现在怎么办?} 场景3:两只戴着白手套的手向薰衣草裸露的腋窝靠近。一只手伸进一个腋窝,另一只手伸进另一个腋窝。它们开始用轻柔、流畅、连贯的手指动作挠薰衣草的腋窝。滑稽的挠痒音效响起。薰衣草立刻咧嘴一笑,发出闷闷的笑声,因为他非常怕痒。(滑稽的挠痒音效)场景4:薰衣草上半身的特写镜头。两只戴着手套的手继续挠他裸露的腋窝。薰衣草紧紧闭上眼睛,咧嘴大笑,发出闷闷的笑声,稍微扭动身体想躲开戴着手套的手,但他逃不掉,戴着手套的手继续挠着薰衣草的腋窝。他用咯咯笑着的语气用日语说:“停下来!”然后又轻声笑了起来。(滑稽的挠痒音效继续)场景5:两只机械臂继续挠了一会儿腋窝后,突然停了下来,稍微拉开了距离,但仍然靠近薰衣草。薰衣草咯咯笑了几声,然后稍微恢复了镇定,希望挠痒已经结束了,他叹了口气,用日语如释重负地说:“终于停了。”场景6:机械臂的手从薰衣草的腋窝向下移到他的肚子上,薰衣草带着一丝担忧看着它们移动。两只戴着白手套的手开始用轻柔、流畅、连贯的指法挠薰衣草的肚子。薰衣草又开始轻声咯咯地笑,用他那独特的日语笑声说道:“哦,别挠那里!”然后又开始咯咯地笑,笑声越来越大。(滑稽的挠痒音效持续)场景6:薰衣草在牢房里的正面全貌。两只戴着白手套的手继续挠他的肚子,他咯咯地笑着,微微扭动着上半身,但无法逃脱。他咧嘴笑着,闭着眼睛,无力地挣扎着想要挣脱锁链,而戴着手套的手则继续挠他的肚子。总共有两条机械臂,也正好有两只戴着白手套的手。它们从薰衣草身后伸出来。首先,两只手挠薰衣草裸露的腋窝,然后向下移动,挠他的肚子。挠腋窝时要集中在腋窝的凹陷处,不要挠到肋骨、胸部或侧腰。手指的动作要轻柔、流畅、连贯。在所有挠痒痒的场景中使用滑稽、有趣的挠痒痒音效。语音为日语。",
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"category": "meme-comedy",
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"sourceId": "seedance",
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"credit": "@migrok293703",
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"sourceUrl": "https://x.com/migrok293703/status/2089765662193316149"
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},
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{
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"id": "seedance:liyue-ai-seedance-ai-dd263958ed42",
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"title": "Seedance 2.5 男友视角手机实拍感情侣短片",
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"description": "用我做的Seedance 2.5导演Skill, 将提示词优化了一下。 目前效果更加自…",
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"image": "https://media.goodcase.ai/media/poster/liyue-ai-seedance-ai-dd263958ed42.jpg",
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"mode": "video",
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"prompt": "时长:20秒\n画幅:9:16竖屏\n风格:情侣POV手持手机实拍感(Boyfriend POV),夏日户外自然光,一镜到底、绝对无剪辑,真实手机随手记录质感。\n角色:主角 \n\n【人物参考锁定】\n上传的图片 {{Mixed 1}} 是女主角唯一、完整的人物视觉参考。\n\n从第一帧到最后一帧,严格保持参考图中的:\n\n人物身份\n脸部五官\n脸型\n肤色\n年龄感\n发型\n发色\n身高\n体型\n身体比例\n服装\n鞋履\n整体人物气质。\n\n不得自行改变或重新设计人物服装,不增加参考图中不存在的饰品。\n\n正面、四分之三侧面、低头、抬头、说话、笑、走近镜头以及手部靠近面部时,始终保持同一张脸、同一个身体比例和同一套服装。\n\n不要继承参考图的背景、构图、姿势、文字和原始光线。\n\n【整体表演原则】\n\n女主角不是在表演短剧,也不知道男友准备说情话。\n\n她只是被男友临时叫住、随手拍摄。\n\n所有反应必须像真实人在日常聊天中自然发生:\n\n先听见\n→ 短暂停顿并理解\n→ 表情开始变化\n→ 身体随后产生反应\n→ 前一个表情留下少量余韵\n→ 再进入下一个状态。\n\n表情变化不能像切换表情包。\n\n不要逐条、机械地控制眉毛、眼睛、鼻子和嘴。\n\n面部可以出现轻微不对称、没有完全完成的笑、自然眨眼、短暂走神、吞咽、换气和视线回避。\n\n她主要看向手机后面的男友,而不是始终精准盯住手机镜头。\n\n台词之间保留真实的理解时间、呼吸和没有说话的小停顿。\n\n害羞不依赖明显脸红表现。\n\n不要生成突然出现的红色双颊、均匀腮红、粉色滤镜或夸张发热效果。\n\n如果自然光和情绪使面部出现颜色变化,只允许非常轻微、缓慢、不均匀的肤色升温,也可以完全不出现明显红晕。\n\n害羞主要通过:\n\n视线短暂移开\n嘴角压不住\n说话速度变慢\n手部短暂停顿\n身体轻微侧开\n不敢持续看男友\n\n来表现。\n\n【机位与景别原则】\n\n男友手持手机,以第一人称视角拍摄女主角。\n\n男友本人始终不进入画面,只保留近距离画外声音。\n\n两人最初保持约1.8–2米的正常聊天距离。女主角走近时,男友自然后退半步,使最近距离仍保持约1.2–1.5米,不形成压迫式贴脸拍摄。\n\n全片以全身和上半身景别为主。\n\n绝不出现脸部填满画面的大特写。\n\n起手:\n\n全身中景,女主角完整出现在画面中,头顶、脚下地面和身后的树都清楚可见。\n\n中段:\n\n腰部以上的上半身景别,头顶持续保留明显空间。\n\n最近处:\n\n胸口以上的半身近景,头顶、颈部、双肩和部分胸口仍完整保留在画面内,上下左右都有余量。\n\n景别变化只能由拍摄者和女主角的真实走动、轻微抬手和自然调整构图产生。\n\n禁止数字变焦、突然推近、镜头跳位和任何隐形剪辑。\n\n手机保持正常1×主摄视角,不使用超广角面部畸变,不使用长焦偷拍质感。\n\n镜头全程带轻微手持微晃和拍摄者呼吸造成的小幅上下起伏。\n\n男友说话或笑时,手机可以出现极轻微同步抖动。\n\n跟随人物走近时允许出现一次短暂、轻微的自动对焦迟疑,随后自然恢复清晰。\n\n不使用稳定器,不进行电影式运镜。\n\n【环境】\n\n夏日午后的树荫小路。\n\n女主角站在斑驳树影里,身后是一排绿树和被阳光晒亮的路面。\n\n使用真实手机景深。\n\n由于人物与背景存在距离,远处树叶和路面可以自然稍微柔化,但不能形成夸张的奶油虚化、人工光斑或人像模式边缘错误。\n\n树叶被微风吹动。\n\n斑驳树影缓慢扫过地面和人物服装,偶尔轻轻经过脸部,但不能遮住主要表情。\n\n保留真实皮肤纹理、毛孔、细小面部起伏和自然肤色差异。\n\n全程无字幕、无滤镜、无美颜、无磨皮、无特效、无背景音乐。\n\n——————\n\n【00:00–00:04|全身中景·突然被叫住】\n\n这只是同一连续镜头的第一个表演阶段,不切镜。\n\n起手保持全身中景。\n\n女主角稍微侧背对镜头,站在树荫下,低头随手整理袖口或查看手里的小东西。\n\n重心自然落在一条腿上,另一条腿放松。\n\n她没有提前看镜头,也没有摆好拍照姿势。\n\n画外男声距离很近,带少量真实手机麦克风质感,像临时起意一样随口说:\n\n“诶,看这儿——笑一个。”\n\n她听见声音后延迟半拍。\n\n先轻轻“嗯?”一声,再抬起头,把视线从手里转到手机后面的男友。\n\n她没有立刻露出夸张惊讶。\n\n只是稍微停一下,像是在确认“现在拍吗”。\n\n她想配合着笑,但这个笑不太自然:\n\n嘴角只轻轻抬起一点,停留不到一秒。\n\n眼神仍带着刚被叫住的迟疑,短暂看开一下,再回到男友方向。\n\n下巴略微收紧。\n\n手里整理袖口的动作停住,不知道是否应该摆姿势。\n\n她保持这个勉强配合的浅笑,轻声问:\n\n“……这样?”\n\n语气不确定,尾音轻微上扬。\n\n问完后嘴角自然松下来一些,不要突然完全变脸。\n\n【00:04–00:07|上半身·被说中旧事】\n\n全程不切镜。\n\n男友向前自然走一步,同时略微抬高手机。\n\n画面从全身中景自然变成腰部以上的上半身景别,头顶保持充足余量。\n\n画外男声带着忍笑的口吻说:\n\n“跟你第一次见我妈那天一样。”\n\n她先出现一个很短的理解停顿。\n\n原本没有完全消失的浅笑仍留在嘴角。\n\n眼神先停住,像是在回想这句话是什么意思。\n\n随后她意识到男友在取笑自己。\n\n她抬眼看向男友,身体向前靠小半步,语速自然变快:\n\n“那能一样吗!我那是紧张!”\n\n语气是熟人之间被揭旧事后的辩解,音量稍微提高,但不尖叫。\n\n她可以下意识抬起一只手解释一下,动作做到一半又觉得没必要,顺势放下来。\n\n表情以“有点急、又知道对方在逗自己”为主。\n\n不要突然瞪大眼睛,不要强制脸颊变红,不要演成真正生气。\n\n【00:07–00:10|上半身·自己忍不住笑】\n\n上一句说完后,她本来还想维持认真辩解的样子。\n\n她先抿住嘴,努力不笑。\n\n短暂停顿后,一点笑意从嘴角漏出来。\n\n她从鼻子里轻轻笑出一声,随后才真正笑起来。\n\n整个笑的程度保持日常、克制,不是夸张爆笑。\n\n笑声可以带一点断续换气。\n\n她稍微低头、肩膀跟着笑轻轻动两下。\n\n一只手下意识抬到嘴边,但没有完全遮住脸。\n\n她侧开一点视线,像是不想让男友看到自己已经绷不住。\n\n停留片刻后,她重新看向男友,仍带着笑说:\n\n“……你还提这个!”\n\n台词有一点含混,因为笑意还没有完全退去。\n\n说完,她伸手朝手机方向做一个很轻的虚拍动作。\n\n手掌只从画面边缘经过,不覆盖整个镜头,也不真正碰撞手机。\n\n男友本能地避让一下。\n\n画面随之产生一次短促、幅度很小的自然晃动,随后重新回到她身上。\n\n【00:10–00:12|上半身·笑意慢慢停下】\n\n全程保持同一镜头。\n\n画外男声忽然把笑意收住,语气听起来像真的发现了什么:\n\n“诶,别动,你嘴角有东西。”\n\n她的笑意不能瞬间消失。\n\n她先停住正在说话的动作。\n\n残留的笑声变成一小口呼气。\n\n抬在嘴边的手慢慢放低。\n\n眼神从放松变成疑惑。\n\n她看着手机后面的男友,停顿一下,像是在判断他是不是又在开玩笑。\n\n嘴角仍保留一点刚才笑过的痕迹。\n\n她轻声问:\n\n“啊?”\n\n表情是笑意未退和轻微担心同时存在,不要突然变成高度紧张或惊恐。\n\n【00:12–00:15|走近·半身近景·简单自检】\n\n她朝镜头自然走近一步。\n\n男友本能地向后退半步,并略微调整手机角度。\n\n景别自然变成胸口以上的半身近景。\n\n头顶、颈部、两侧肩膀和部分胸口仍然完整留在画面里。\n\n绝不让脸填满画面。\n\n她走近时自动对焦出现一次很短的迟疑,随后重新落在她脸上。\n\n她边靠近边问:\n\n“哪儿啊?”\n\n她把手机当成临时镜子。\n\n下巴稍微收住,眼睛看向镜头附近。\n\n她抬起一只手,只在一侧嘴角轻轻擦一下。\n\n擦完后低头看一眼指尖。\n\n随后轻轻抿一下嘴唇,再抬眼看男友,等待答案。\n\n不要连续加入过多检查动作。\n\n不要同时生成反复擦嘴、舔嘴角、鼓腮、左右抿嘴和快速转眼。\n\n动作保持简单、真实,像一个人真的在确认嘴角是否沾了东西。\n\n【00:15–00:17|听懂情话·短暂停顿】\n\n画外男声放慢一点,声音柔和,带着藏不住的笑意:\n\n“……沾了一点可爱。”\n\n她听完后出现约0.6–0.8秒的真实停顿。\n\n停顿不是完全僵硬,也不是整张脸突然没有表情。\n\n她擦嘴角的手停在半空一瞬间。\n\n眼睛仍看着男友,轻轻眨一次。\n\n随后视线短暂移向旁边,像是确认自己是不是听到了这么俗的一句话。\n\n嘴角很轻地动一下,但她立刻压住。\n\n她从鼻子里慢慢呼出一口气。\n\n整个反应应该像“被突如其来的土味情话逗到,同时有一点不好意思”,而不是遭到惊吓或瞬间脸红。\n\n【00:17–00:18.5|很短的假嗔】\n\n她把停在嘴边的手放下来。\n\n先侧眼看男友一下。\n\n轻轻“啧”一声。\n\n头略微偏开,身体向后退小半步。\n\n景别自然回到完整上半身。\n\n她可以用很轻的语气说:\n\n“你真的很无聊诶……”\n\n语气里已经带着压不住的笑,听起来并不生气。\n\n假嗔只持续很短时间。\n\n不要用力皱鼻子,不要把眼睛眯成夸张细缝,不要突然耸肩或做漫画式嫌弃表情。\n\n【00:18.5–00:20|自然害羞收尾】\n\n她说完后不再刻意表演害羞。\n\n嘴角先压住一下,随后还是慢慢露出一个自然、不完全对称的笑。\n\n她不太好意思继续直视男友。\n\n视线先落到旁边地面,停顿很短,再重新抬起看他一眼。\n\n她可以抬手轻轻碰一下自己的脸侧或把被风吹动的头发别到耳后,但不要整只手掌盖住脸。\n\n肩膀自然放松。\n\n身体轻微侧开,保持四分之三面对镜头。\n\n她用声音稍微放轻、带一点无奈笑意的语气说:\n\n“你真的……很烦诶。”\n\n“烦”并不是真生气,而是情侣之间被逗笑后的口是心非。\n\n说完后,她低头笑一下。\n\n随后又抬眼偷看手机后面的男友。\n\n目光碰上后,她没有继续说话,只是把笑压在嘴角,轻轻呼出一口气。\n\n画面停在上半身景别里:\n\n她稍微侧身,手停在脸侧或耳边,带着一个真实、克制、还没有完全放开的笑看向男友。\n\n不要定格成静态照片。\n\n最后一刻仍保留轻微呼吸、自然眨眼、树叶晃动和手机手持微动。\n\n【声音设计】\n\n全程只使用真实手机同期声。\n\n保留:\n\n近距离男友画外声音\n女主角自然说话声\n两人的轻微呼吸\n女主角压不住的短促笑声\n树叶被风吹动的沙沙声\n非常轻的远处环境声\n偶尔轻微的手机麦克风风噪。\n\n男友声音始终来自镜头后方,不出现画外旁白式录音棚质感。\n\n女主角台词与嘴型自然同步。\n\n说话时允许出现轻微吞字、停顿和带笑气息,不要逐字播音。\n\n无字幕。\n\n无背景音乐。\n\n无音效强化。\n\n【最终强制约束】\n\n全片必须是真正连续的一镜到底。\n\n所有时间段只是同一镜头中的连续表演阶段,不代表切镜。\n\n不能通过人物遮挡镜头制造隐藏转场。\n\n不能突然改变机位、光线、背景、人物距离或时间。\n\n景别顺序保持:\n\n全身中景\n→ 腰部以上上半身\n→ 胸口以上半身近景\n→ 完整上半身结尾。\n\n最近景别仍必须完整保留头顶、双肩、颈部和部分胸口。\n\n绝不出现脸部填满画面的大特写。\n\n严格保持 {{Mixed 1}} 的身份、五官、脸型、发型、发色、体型、服装和气质。\n\n人物的表情必须连续、克制、有理解和反应时间。\n\n禁止:\n\n突然爆红的脸颊\n均匀粉色腮红\n害羞特效\n美颜磨皮\n塑料皮肤\n五官抽搐\n机械式表情切换\n夸张瞪眼\n夸张皱鼻\n动漫式月牙眼\n短视频式撒娇表演\n过度摇头晃脑\n每句台词都配一个手势\n无原因大笑\n脸部比例变化\n换脸\n换装\n多余手指\n手掌遮满镜头\n背景跳变\n数字变焦\n镜头瞬移\n隐形剪辑\n人像模式边缘错误。\n\n真实感优先于“每条细节都精确执行”。\n\n如果某个微表情无法自然完成,可以减少动作,但不能用更夸张的表情代替。",
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"category": "character-reference-lock",
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"sourceId": "seedance",
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"credit": "@liyue_ai",
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"sourceUrl": "https://x.com/liyue_ai/status/2088956829590266002"
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},
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{
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"id": "seedance:seedance-create-a-30-second-1080p-ultra-realistic-personal-home-video-showing-an-ordina-15e6e9903657",
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"title": "首尔雪巷里的冬日清晨",
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"description": "手持 UGC Vlog",
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"image": "https://media.goodcase.ai/media/poster/seedance-create-a-30-second-1080p-ultra-realistic-personal-home-video-showing-an-ordina-15e6e9903657.jpg",
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"mode": "video",
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"prompt": "Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary winter morning in the life of a young Korean woman. No reference image.**\n\n**MAIN SUBJECT**\n\nYoung Korean woman in her early 20s, naturally pretty, realistic skin texture, minimal makeup, bright and energetic personality.\n\nWavy dark brown hair worn loose past her shoulders, a thick knit beanie pushed back slightly on her head. Wearing a puffy navy winter coat over a cream turtleneck, straight-leg jeans, white sneakers and a striped scarf loosely wrapped around her neck.\n\nMaintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video.\n\n**SETTING**\n\nA quiet residential neighborhood in northern Seoul during a cold winter morning. Narrow snow-dusted streets, low brick houses, steam rising from a street-corner odeng stand, parked delivery scooters covered in frost, tangled power lines against a pale sky, a small stationery shop with a hand-painted sign, and thin patches of old snow lining the curbs.\n\nEverything should feel lived-in, ordinary and peaceful. No tourist attractions, advertisements, recognizable brands or commercial activity.\n\n**CAMERA / VISUAL AESTHETIC**\n\nRaw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder.\n\nStrong handheld shake, imperfect framing, autofocus hunting, exposure shifts, occasional motion blur, faded colors, soft digital detail, mild noise, accidental zooms and natural camera imperfections.\n\nNo stabilization, drone footage, gimbal movement, dramatic lighting or polished commercial cinematography.\n\n**— LEAVING THE HOUSE**\n\nShe steps out of a gate, breath visible in the cold air. She tugs her beanie down over her ears and looks toward the camera, laughing and shivering dramatically.\n\nShe rubs her gloved hands together as she starts walking down the frosty street.\n\n**— ODENG STAND STOP**\n\nShe stops at a small steaming street stand and buys a cup of hot odeng broth.\n\nShe blows on it carefully, takes a sip, and sighs in relief at the warmth.\n\nShe notices her friend filming and holds the cup toward the camera, grinning and saying something teasing before taking another sip.\n\n**— WALKING THROUGH THE NEIGHBORHOOD**\n\nShe continues down the street, boots crunching softly on old snow.\n\nShe passes a delivery worker loading boxes onto a scooter and gives a small wave; he nods back.\n\nShe pauses to peek into the window of the small stationery shop, fogging the glass slightly with her breath.\n\n**— SMALL ACCIDENT**\n\nShe steps onto a thin icy patch on the pavement and slips slightly, arms flailing for balance before catching herself on a nearby railing.\n\nShe freezes for a second, wide-eyed, then bursts out laughing at herself.\n\nShe looks at the camera, still catching her breath, and says:\n\n\"Ya, geochyeo!\" *(\"Hey, watch it!\")*\n\n**— QUIET MOMENT**\n\nShe reaches a small bus stop bench and sits down, wrapping both hands around the cup.\n\nShe watches her breath fog in the cold air, tilting her head back slightly to look at the pale winter sky.\n\nA light gust blows loose snow off a nearby rooftop. She pulls her scarf up over her nose and smiles behind it.\n\n**— FINAL MOMENT**\n\nShe stands up, finishes the last sip, and tosses the cup in a bin before continuing to walk.\n\nAfter a few steps, she turns back toward the camera, cheeks pink from the cold, and says:\n\n\"Ppalli wa!\" *(\"Hurry up and come!\")*\n\nShe keeps walking down the quiet snowy lane, breath trailing behind her, while the camera follows.\n\nShe turns a corner past the frosted scooters and the recording abruptly cuts to black.\n\n**AUDIO**\n\nNatural location sound only: crunching snow, distant scooter engines, steam hissing from the odeng stand, footsteps, faint wind, a shop bell, muffled conversations and subtle camera-handling noise.\n\nNo music. No narration. No artificial sound effects.\n\nOnly the two spoken lines specified above.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@oggii_0",
|
||
"sourceUrl": "https://x.com/oggii_0/status/2095764656694702168"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithminal-seedance-ai-3c0cb08ecc8b",
|
||
"title": "地震废墟中阻挡飞石的女子",
|
||
"description": "电影感叙事短片",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithminal-seedance-ai-3c0cb08ecc8b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Ultra-realistic cinematic disaster scene in a modern city, a brave young woman in a dark brown coat stands in the foreground with one hand raised, facing massive chunks of concrete and debris floating through the air after a devastating earthquake. Damaged skyscrapers, city buses, shattered glass, dust clouds, dramatic golden-hour sunlight, volumetric lighting, intense atmosphere, realistic textures, dynamic composition, shallow depth of field, 8K photorealism, cinematic color grading, high-detail movie still, vertical.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithMinal",
|
||
"sourceUrl": "https://x.com/AIwithMinal/status/2094297733175902349"
|
||
},
|
||
{
|
||
"id": "seedance:saniaspeaks-seedance-ai-454a426d305e",
|
||
"title": "韩国女孩的动物园初体验",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/saniaspeaks-seedance-ai-454a426d305e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Made with seedance 2.5\n\nPrompt\nExtremely realistic smartphone travel vlog featuring one Korean woman in her early 20s visiting a modern zoo for the first time. The entire video must look like genuine footage casually recorded on a real smartphone by a friend and occasionally by herself, with imperfect handheld framing, natural phone-camera shake, realistic autofocus hunting, automatic exposure adjustments, slight motion blur, natural walking jolts, realistic skin pores, individual hair strands, authentic daylight, real shadows, natural reflections and physically accurate movement. No cinematic camera, no gimbal, no drone, no beauty filter, no artificial sharpness, no slow motion, no commercial look, no staged animal behavior.\n\nCharacter: Same Korean woman throughout the entire video, petite oval face, brown eyes, natural coral lips, realistic fair skin, long black hair, natural makeup. She must remain perfectly consistent with no face morphing, identity drift, duplicate person or sudden changes.\n\n0:00–0:04 — Zoo Arrival\nShe walks through the zoo entrance holding her smartphone in selfie mode. Real visitors naturally pass behind her. She smiles with genuine excitement and says in Korean: “안녕하세요! 오늘 동물원에 왔어요!” She briefly turns the phone toward the zoo pathway.\n\n0:04–0:08 — Panda Encounter\nShe reaches the panda enclosure and quietly reacts when she sees a panda eating bamboo. She turns the phone toward the panda, then back toward herself. The panda behaves naturally and does not look directly at the camera. She softly says: “와… 너무 귀여워.”\n\n0:08–0:12 — Giraffe Feeding\nAt a designated feeding area, she carefully holds a small piece of approved food. A giraffe naturally approaches and takes it from her hand. She laughs genuinely and instinctively pulls her hand back slightly. Keep the animal's movement realistic and anatomically accurate.\n\n0:12–0:15 — Monkey Surprise\nShe walks past the monkey enclosure while filming. A monkey suddenly moves closer to the glass, surprising her. She takes a small step back, laughs naturally and says: “어? 너무 가까워!” Other visitors continue behaving naturally in the background.\n\n0:15–0:18 — Outfit Change\nHard cut exactly at 0:15. Same woman, now wearing a light beige cardigan, white top, dark brown trousers, small crossbody bag and simple sneakers. She is walking through another zoo section. The outfit change must be clean and instantaneous while her face and identity remain identical.\n\n0:18–0:21 — Elephant Encounter\nShe stops at the elephant enclosure. An elephant naturally moves its trunk while eating. She watches quietly with a genuine fascinated expression, then briefly looks toward the phone camera.\n\n0:21–0:24 — Penguin Area\nShe crouches naturally beside the viewing glass while penguins swim underwater. One penguin swims quickly past the glass. She smiles and follows it with her eyes. Capture realistic reflections on the glass and natural indoor zoo lighting.\n\n0:24–0:27 — Walking & Snack\nShe walks along a zoo pathway while holding a small ice cream. She takes one bite while continuing to walk, smiles naturally, and briefly shows the ice cream to the camera. Background visitors, trees, signs and distant animal sounds remain naturally active.\n\n0:27–0:30 — Goodbye\nShe stops outside near the zoo exit in late-afternoon light. In selfie mode, she smiles naturally, slightly tired but happy after the day, waves toward the phone and says: “오늘 정말 재밌었어요! 다음에 또 올게요. 안녕!” She lowers the phone naturally, ending the recording.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2093313802104439062"
|
||
},
|
||
{
|
||
"id": "seedance:kingofdairyque-seedance-ai-d37a2e5fa395",
|
||
"title": "屋顶训练室女子晚间健身",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/ac0d4f78ea21.jpg",
|
||
"mode": "video",
|
||
"prompt": "30-second photorealistic handheld fitness vlog, 16:9. One adult woman appears throughout. Use Image1 only for her face and hairstyle. She wears a completely different outfit: a loose high-neck cream athletic sweatshirt, dark navy full-length training pants, and clean white training shoes. Modest, opaque, full upper-body coverage.\n\nLocation: a small rooftop training studio during early evening. Concrete walls, large windows, exercise mat, kettlebell, resistance bands, wooden box, water bottle and soft sunset light. No other people.\n\n00–05s:\nShe enters the studio, places her bag down and begins warming up with controlled arm circles, side steps and light stretches. Handheld camera follows naturally.\n\n05–10s:\nShe moves to a rowing machine and completes several strong, controlled strokes. Camera shifts between a side view and a closer shot of her focused expression. Natural breathing and machine sounds.\n\n10–15s:\nShe steps onto an exercise mat and performs alternating reverse lunges followed by controlled knee drives. Her pace gradually increases while maintaining realistic form.\n\n15–20s:\nShe picks up a medium kettlebell and performs controlled suitcase carries across the room, switching hands halfway through. Camera tracks beside her with subtle handheld movement.\n\n20–25s:\nShe moves to a wooden plyometric box and performs several controlled step-ups. Her breathing becomes heavier and a light sheen of sweat appears naturally around her hairline.\n\n25–30s:\nShe slows down, sits on the edge of the mat, drinks water and catches her breath. She looks toward the camera with a small satisfied smile, wipes her forehead with a towel, then reaches for her bag.\n\nAudio:\nOnly natural live sound: footsteps, breathing, fabric movement, rowing-machine sounds, shoes contacting the floor, kettlebell movement, water bottle sounds and distant city ambience. No music.\n\nNegative:\nNo other people, no revealing clothing, no cleavage emphasis, no sexualized framing, no outfit changes, no face drift, no body distortion, no CGI look, no beauty filter, no subtitles, no text, no logos, no watermark.Made with Seedance 2.5\n\nPrompt:\n\n30-second photorealistic handheld fitness vlog, 16:9. One adult woman appears throughout. Use Image1 only for her face and hairstyle. She wears a completely different outfit: a loose high-neck cream athletic sweatshirt, dark navy full-length training pants, and clean white training shoes. Modest, opaque, full upper-body coverage.\n\nLocation: a small rooftop training studio during early evening. Concrete walls, large windows, exercise mat, kettlebell, resistance bands, wooden box, water bottle and soft sunset light. No other people.\n\n00–05s:\nShe enters the studio, places her bag down and begins warming up with controlled arm circles, side steps and light stretches. Handheld camera follows naturally.\n\n05–10s:\nShe moves to a rowing machine and completes several strong, controlled strokes. Camera shifts between a side view and a closer shot of her focused expression. Natural breathing and machine sounds.\n\n10–15s:\nShe steps onto an exercise mat and performs alternating reverse lunges followed by controlled knee drives. Her pace gradually increases while maintaining realistic form.\n\n15–20s:\nShe picks up a medium kettlebell and performs controlled suitcase carries across the room, switching hands halfway through. Camera tracks beside her with subtle handheld movement.\n\n20–25s:\nShe moves to a wooden plyometric box and performs several controlled step-ups. Her breathing becomes heavier and a light sheen of sweat appears naturally around her hairline.\n\n25–30s:\nShe slows down, sits on the edge of the mat, drinks water and catches her breath. She looks toward the camera with a small satisfied smile, wipes her forehead with a towel, then reaches for her bag.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@kingofdairyque",
|
||
"sourceUrl": "https://x.com/kingofdairyque/status/2089951161789092255"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-created-with-seedance-2-5-on-rezona-lab-0a707a78155e",
|
||
"title": "浴袍奶奶驾驶武装警用直升机逃亡",
|
||
"description": "梗图喜剧",
|
||
"image": "/inspiration-thumbs/seedance/seedance-created-with-seedance-2-5-on-rezona-lab-0a707a78155e.webp",
|
||
"mode": "video",
|
||
"prompt": "Created with Seedance 2.5 on Rezona Lab \n\n@rezona_ai \n\nPrompt 👇\n\nGenerate a continuous 30-second raw live USA television news helicopter coverage of the ongoing aftermath of a stolen police helicopter incident. Core subject is the same overweight elderly woman in a floral bathrobe, now confidently piloting the stolen police helicopter across the city, who discovers the aircraft is somehow armed with rockets and begins using them with GTA-videogame-player logic — firing at absurd non-human targets while police pursue helplessly below. Style is unpolished live TV news helicopter footage only: continuous single high-altitude shot with aggressive tracking, natural organic shake, realistic physics with comedic timing, bright daylight, no cinematic grading, no slow motion, no film look. Tone is unintentionally hilarious live news chaos — the humor comes from a grandma treating a police helicopter like a video game, with spectacular but harmless property destruction. Nobody is ever injured on screen.\n\n阶段一\n开始时:Distant high news-helicopter view tracking the stolen police helicopter flying unsteadily but confidently over city rooftops. The elderly woman in the floral bathrobe is visible in the pilot seat, bathrobe sleeve resting out the window. A dozen police cars stream along the streets far below, sirens flashing, uselessly following her shadow.\n主要事件:She experimentally flips switches in the cockpit — the helicopter's landing lights flash, then the PA siren whoops once, then suddenly a rocket fires accidentally with a bright plume, streaking away and blowing up an empty billboard advertising a retirement home. The billboard collapses in a shower of debris onto an empty parking lot.\n结束时:Smoke rising from the destroyed billboard, the helicopter wobbling from the recoil, police cars below screeching to a stop in disbelief.\n\n阶段二\n承接上一阶段:Same continuous distant helicopter tracking shot, same woman, same stolen police helicopter over the city.\n主要事件:Realizing what the button does, she leans into it with visible delight. She banks the helicopter in a wide clumsy arc and deliberately fires two rockets at a row of porta-potties staged in an empty construction site — they erupt in a geyser of blue liquid and debris, raining harmlessly over empty dirt. Construction workers far off to the side throw their helmets down and run in circles.\n结束时:Blue mist settling over the empty construction site, the helicopter completing its wobbly arc, police below rerouting frantically.\n\n阶段三\n承接上一阶段:Continuous same high-angle news helicopter framing, identities and aircraft unchanged.\n主要事件:Police deploy a spike-strip truck and a drone to intercept. She out-flies the drone by accident — her erratic piloting is impossible to predict — and the drone crashes into a fountain. She then fires a rocket at an abandoned condemned parking garage scheduled for demolition (a huge \"DEMOLITION SITE — KEEP CLEAR\" banner visible); the garage pancakes down in a perfect controlled-style collapse, dust billowing outward, accidentally doing the demolition crew's job. The demolition crew, watching from their safe distance, slow-clap.\n结束时:Dust cloud rolling across the empty demolition zone, the demolition foreman checking his clipboard confused, the helicopter hovering proudly above.\n\n阶段四\n承接上一阶段:Identical continuous helicopter shot, no cut, same aircraft and pilot.\n主要事件:A police negotiation helicopter rises to hover at a careful distance, an officer with a megaphone pleading. She responds by firing her last rocket straight up into the sky like a celebration firework — it detonates high above in a harmless starburst, showering sparks like a fireworks show. The negotiation helicopter backs away slowly, the megaphone officer lowering his megaphone in defeat. Below, an entire intersection of stopped drivers exits their cars to film with phones.\n主要事件结束时:The firework starburst fading in the sky, crowds filming from below, the police helicopter retreating, her helicopter doing a small proud wiggle.\n\n阶段五\n承接上一阶段:Same continuous distant high-altitude news helicopter tracking, same identity and aircraft.\n主要事件:Out of rockets, she shrugs visibly through the cockpit glass, pats the helicopter's dashboard like a loyal horse, and flies toward the setting sun over the harbor at full speed. Police boats join the chase in the water below, spraying wakes, equally hopeless. Her floral bathrobe sleeve gives one final wave out the window — the signature taunt.\n结束时:The stolen helicopter shrinking into the golden horizon over the water, a fleet of useless police boats and cars gridlocked below, the news helicopter holding its distant tracking shot as the escape completes.\n\n保持一致:Maintain the exact same overweight elderly woman in the same floral bathrobe, the same stolen marked police helicopter, continuous single distant high-altitude helicopter camera with natural live-news shake and aggressive tracking, the same bright daylight shifting toward golden hour in the final stage, realistic aircraft and explosion physics with comedic timing (humor from absurd contrast and GTA-player logic, not cartoon physics), and zero cuts for the entire 30 seconds. All rocket targets are explicitly empty, abandoned, or inanimate — no people are ever near the explosions and nobody is injured. No cinematic camera work, no slow motion, no dramatic color grade.\n\nAudio: heavy continuous helicopter rotor from both aircraft, rocket launch whooshes and echoing booms, debris clatter, the PA siren whoop, distant police sirens below, the drone buzzing then splashing into the fountain, the garage collapse rumble, the firework detonation crackle, faint crowd cheering and phone-camera chatter from street level, boat engines in the harbor, wind. No music. No subtitles. No voice-over.",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2095804336328872106"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-create-a-short-anime-style-food-video-showing-the-step-by-step-preparation-of-g-43cc46c1e778",
|
||
"title": "烤肉串与冰镇石榴饮的制作",
|
||
"description": "过程变身蒙太奇",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-create-a-short-anime-style-food-video-showing-the-step-by-step-preparation-of-g-43cc46c1e778.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a short anime-style food video showing the step-by-step preparation of grilled meat skewers and a fresh pomegranate drink: a chef slices raw red meat into uniform cubes, seasons them with spices, then opens a ripe pomegranate and squeezes its juice and seeds into a bowl. Pour the juice into a tall glass with ice and sparkling mixer, then garnish with mint. Grill the seasoned meat cubes on skewers with peppers and onions, plate the juicy kebabs with fresh parsley, and present them beautifully beside the chilled pomegranate drink.",
|
||
"category": "process-transformation-montage",
|
||
"sourceId": "seedance",
|
||
"credit": "@aiwithlumi",
|
||
"sourceUrl": "https://x.com/aiwithlumi/status/2095496077764100446"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithsynthia-seedance-ai-ab4f303de473",
|
||
"title": "耳机少女的日本漫游",
|
||
"description": "旅行城市漫步",
|
||
"image": "https://media.goodcase.ai/cases/4f40686a84a0.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a photorealistic cinematic travel music video of a young Japanese woman exploring Japan. Use the uploaded image as her exact identity reference and maintain the same face, hair, skin tone and proportions throughout. She wears white wired earphones in every shot.\n\nShe begins in a quiet Tokyo neighborhood wearing a red Adidas track jacket, listening to music while walking and checking her phone.\n\nHard cut to a traditional Japanese shrine where she changes into a forest-green Adidas outfit. She walks through red torii gates, climbs stone steps, touches a wish plaque and smiles at the camera.\n\nCut to a bamboo forest and mountain viewpoint. She briefly spins, whipping her hair naturally as misty mountains appear behind her.\n\nHard cut to a black Adidas outfit as she crosses a traditional wooden bridge and explores a lantern-lit Japanese street. Show quick atmospheric shots of koi, incense smoke, temples and misty mountains.\n\nShe meets a female friend in a Tokyo plaza. They laugh, dance together and move naturally to the music.\n\nEnd with a bold yellow “JAPAN” title over the dancing scene.\n\nStyle: Premium travel music video, photorealistic live-action, 35mm/50mm cinematic look, subtle film grain, natural skin, realistic hair and clothing movement, handheld camera, warm Japanese colors, cool mountain mist, natural motion blur, 24fps, hard cuts only.\n\nAudio: Upbeat Japanese-inspired electronic music mixed with natural street, shrine, bamboo, water and city ambience. No dialogue.\n\nNegative: No CGI look, plastic skin, identity drift, distorted anatomy, extra limbs, warped architecture, random text, subtitles or watermark.",
|
||
"category": "travel-city-walk",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2094640515895460285"
|
||
},
|
||
{
|
||
"id": "seedance:techhalla-seedance-ai-81e09066a66b",
|
||
"title": "街头唱歌男施展超能力变装",
|
||
"description": "梗图喜剧",
|
||
"image": "https://media.goodcase.ai/media/poster/techhalla-seedance-ai-81e09066a66b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 almighty prompt is below 👇\n\nA 2000s studio-comedy film shot, 16:9, 35mm, moderate film grain, bright American daylight, tracking camera at chest height following a man along a city sidewalk. Smooth dolly/track with him, no handheld phone, no gimbal whip, no drone, no cuts. The camera stays with him the whole 30 seconds, medium-wide, the street readable behind him.\n\nIMAGE REFERENCES\n\n[image_ref] is the opening frame AND the identity lock: the bald man with the thick dark beard, open grey plaid flannel over a white t-shirt, mid-stride on this exact sunlit sidewalk. Keep his exact face, bald scalp, beard, body. Keep this street: Sherman Brothers shop, cafe table, stone steps and arched doorway, red fire hydrant, American flag, storefronts. Start on this composition, then the camera travels with him down the block. Do not redesign his face.\n\nHe sings out loud, diegetic, the lyrics \"I've got the power\" in a loud off-key enthusiastic voice, the whole walk. No extra score under it. Street air, footsteps, then the gags.\n\nTIMELINE\n\n0-4s: [Tracking medium-wide, opening on image_1] He is already walking, already singing, mouth wide, chest out, a little strut. The camera slides with him. Daylight, grain. He is having the time of his life.\n\n4-8s: [Tracking, he twists his torso toward the hydrant without stopping] He points two fingers at the red fire hydrant on the sidewalk. The hydrant cap blows and three hard jets of water blast out in different directions, high, violent, real water physics, mist in the sun. He keeps walking and singing, does not look back for long. Camera stays on him, hydrant geysers in the background.\n\n8-13s: [Tracking, still singing] He keeps the strut. Water still arcing behind him. Pedestrians flinch at the spray. He grins, points at the sky on a lyric, never breaks stride.\n\n13-18s: [Tracking as he passes a woman coming the other way] A woman in a knee-length dress walks toward him. As they cross, a sudden gust hits only her: the hem lifts a little, Marilyn sidewalk-vent style but modest, a brief flip then it drops. She grabs the fabric, startled. He keeps walking, still singing, a tiny glance, no contact. Camera never leaves him.\n\n18-23s: [Tracking slows as he reaches a shop window] He stops in front of a big storefront glass, still humming. Leans in. We see him and his reflection clearly: bald head, beard, plaid, white tee. He studies himself, tilts his chin.\n\n23-28s: [Held on him and the reflection] In the glass and on his body at the same time, the clothes change in one continuous morph: the flannel and tee become a sharp white open-collar suit, jacket, tailored trousers, a gold chain. No cut, no flash, the fabric rewrites itself. He checks the new look in the window, pleased, shoulders back.\n\n28-30s: [Medium, still on him] He licks the tip of his index finger, taps it to his hip, and a little puff of white steam hisses off the fabric like a hot iron being quenched. He mouths the last \"power,\" smug. Clip ends on that beat. Camera never cut.\n\nAUDIO\n\nHis live singing of \"I've got the power\" the whole way, a bit pitchy, full of himself. Hydrant blast and falling water. Dress flutter. A soft whoosh on the clothes change. A tiny sizzle and steam hiss on the hip. City air, footsteps, one woman gasp. No extra music bed. No commentator. 2000s film production sound, not a phone video.\n\nSTYLE & QUALITY\n\nLooks like a real early-2000s movie production still that started moving: 35mm grain, anamorphic-adjacent daylight, stable faces, real water, real wind on fabric, real cloth morph, real steam. Continuous take. No morphing of the face, no extra people popping in, no text, no logos, no watermark, no phone look, no CGI sheen.\n\nThe ref image is exactly the first frame. Enjoy! 😎",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@techhalla",
|
||
"sourceUrl": "https://x.com/techhalla/status/2094570657929363710"
|
||
},
|
||
{
|
||
"id": "seedance:strength04-x-seedance-ai-80b7f396e81c",
|
||
"title": "夏日追赶冰淇淋车",
|
||
"description": "复古伪纪录",
|
||
"image": "https://media.goodcase.ai/media/poster/strength04-x-seedance-ai-80b7f396e81c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 on @openart_ai \n\nPrompt - Main Subject: Young American woman, early 20s, cropped tank top over denim shorts, hair in a high ponytail, sunglasses pushed up, playful excited personality.\nLocation - Quiet suburban street, warm summer afternoon. Parked cars along the curb, tall shade trees, a colorful ice cream truck parked ahead, kids' chalk drawings on the sidewalk. No heavy traffic.\nVisual Style: Ultra-realistic documentary realism, nostalgic playful feeling, bright warm summer light.\nCamera Style: Early 2000s DV camcorder, handheld with running shake, autofocus hunting between her and the truck, faded warm tones, soft grain. No stabilization.\nTimeline (30 sec):\n00:00–00:03 → She hears the ice cream truck jingle, then perks up excitedly.\n00:03–00:06 → She jogs down the sidewalk, calling out \"wait, wait!\"\n00:06–00:09 → She catches up, breathless, laughing at herself.\n00:09–00:12 → She turns to camera saying \"I will run for ice cream, no shame,\" grinning.\n00:12–00:15 → She orders at the truck window, digging through her pocket for cash.\n00:15–00:18 → She receives a colorful popsicle, examining it happily.\n00:18–00:21 → She takes a big bite, then winces at the cold, laughing.\n00:21–00:24 → She walks back down the sidewalk, enjoying the treat slowly.\n00:24–00:27 → A drop starts melting down her hand; she quickly licks it off, giggling.\n00:27–00:30 → She looks at camera saying \"okay, worth the sprint,\" smiling as it fades.\nAudio:\nIce cream truck jingle fading, footsteps, distant birds, faint traffic. Her dialogue as noted above. No added music.\nGoal: A nostalgic, joyful summer chase moment playful, warm, believable.",
|
||
"category": "retro-found-footage",
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2094344709565296640"
|
||
},
|
||
{
|
||
"id": "seedance:ciri-ai-seedance-ai-8a682520c2fe",
|
||
"title": "首尔清晨铁道旁的女孩",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/f25e7ef53c4e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Main Subject: young korean woman <<<image_1>>>, naturally attractive, realistic skin, minimal makeup, long dark hair loosely tied back. Wearing an oversized faded blue sweatshirt, loose beige pants, white sneakers, and a thin silver necklace. Preserve her exact identity, facial features, hairstyle, and appearance throughout.\n\nLocation: Quiet Seoul neighborhood just before sunrise. Narrow residential streets, old apartment buildings, utility poles, parked cars, tangled overhead wires, small shops with shutters still closed, and an elevated railway visible beyond the rooftops. Cool early-morning haze slowly turning warm as the sun rises.\n\nStyle: Ultra-realistic early-2000s Sony MiniDV home video. Candid, quiet and completely unstaged. Handheld shake, imperfect framing, autofocus hunting, exposure shifts, faded colors, soft contrast, DV compression, slight motion blur and low-level microphone noise. No stabilization or modern cinematic movement.\n\n00:00–00:03: She walks quietly through the nearly empty neighborhood, hands tucked into her sweatshirt pockets. The camera follows several steps behind, occasionally drifting toward the empty street.\n\n00:03–00:06: She reaches a small pedestrian overlook near the elevated railway and leans against the railing. She looks tired but peaceful, watching the tracks below.\n\n00:06–00:09: The distant sound of a train grows louder. She turns toward the tracks and waits. The camera struggles to focus in the dim morning light.\n\n00:09–00:12: The first train suddenly rushes past. The camera shakes from the operator's reaction, briefly losing her behind the moving train. Morning light reflects across the windows.\n\n00:12–00:15: She looks back toward the camera with a sleepy little smile, then turns toward the brightening skyline. The camera slowly drifts toward the railway and hazy rooftops as the recording ends.\n\nAudio: Natural morning ambience only—distant train sounds, railway vibrations, birds, footsteps, faint traffic, wind, electrical hum and a few distant voices. No music, narration, or added effects.\n\nGoal: Make it feel like a forgotten MiniDV recording from an ordinary morning in Seoul. Quiet, intimate, slightly lonely but comforting, with the nostalgia coming from the mundane setting, early-morning atmosphere, and imperfect home-video camera rather than cinematic staging.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
|
||
"sourceUrl": "https://x.com/Ciri_ai/status/2091403033817272690"
|
||
},
|
||
{
|
||
"id": "seedance:aimikoda-seedance-ai-3e98e88a068f",
|
||
"title": "废弃工厂里想要飞翔的机器人与机械狗",
|
||
"description": "独居在海边废弃工厂的机器人和机械狗,瞥见飞行英雄后用手工花朵颜料重新装扮自己,但始终没…",
|
||
"image": "/inspiration-thumbs/seedance/aimikoda-seedance-ai-3e98e88a068f.webp",
|
||
"mode": "video",
|
||
"prompt": "A tender cinematic short follows a Robot and Robot Dog whose glimpse of a flying hero inspires them to reinvent themselves with handmade flower pigments.\n\n@[Image 1] defines the complete referenced appearances and proportions of Robot and Robot Dog; ignore its neutral background and turnaround duplicates, and keep one of each. @[Image 2] defines the Abandoned Facility's interior architecture, glazing, wet concrete, and cold coastal daylight; preserve its layout and densely clutter the floors and recesses with scavenged furniture, rusted racks, tangled cables, pipes, tools, barrels, crates, buckets, bottles, and machinery. @[Image 3] defines the same facility's coastal-cliff exterior and ocean-facing massing from one side. @[Image 4] defines its exterior from the opposite side; reconcile both views as one unchanged building and preserve the rocky mountain paths and sea geography.\n\nPhotoreal cinematic sci-fi with worn tactile materials and restrained emotion. Cold blue-gray light and wet concrete dominate; the television, flowers, pigments, and final paint introduce vivid red and golden yellow. Use 24-35 mm environmental framing with brief close inserts for emotion and process; preserve geography and screen direction. Begin lyrical and intimate, accelerate into concise montage cuts, then release into a proud low-angle orbit.\n\n0-7 seconds: From behind swaying ceiling cables, a slow push reveals Robot and Dog sitting close amid the salvage, watching an old CRT television hanging from chains; on screen, recognizable Iron Man in red-and-gold armor rockets upward through clouds, casting a warm flicker across them. Hold as Robot turns from the flight to Dog, Dog leans closer and tilts its head toward him, and both settle into quietly excited forward postures; cut when Iron Man raises one fist.\n\n7-10 seconds: At 7 seconds, match cut the rising fist to Robot pushing open the facility door and entering the mountain wind with Dog beside him; a measured exterior crane reveals the cliff building, ocean below, and accessible uphill route, carrying the upward vector into the landscape.\n\n10-16 seconds: Accelerate through three purposeful hard cuts as they search the rocky slope: a low track follows Dog locating vivid red and yellow wildflowers; a close insert holds as Robot gathers both colors without crushing them; a wider profile shows Robot opening the existing chest panel as shallow storage, placing the intact flowers inside, closing it without altering its structure, then turning downhill with Dog.\n\n16-23 seconds: Hard location cut to the same interior. Robot removes the intact flowers and sorts them by color into separate sides of one dented divided bucket. A tight rhythmic process montage shows him crushing each color, adding small pours of clear liquid from salvaged bottles, and stirring until separate thick red and golden-yellow pigments form. Dog watches near the rim but safely clear, making small curious head movements; end as a brush draws through both pigments without fully blending them.\n\n23-30 seconds: At 23 seconds, the spinning red-gold brush fills the lens and makes a circular match cut forward in time to the exterior plateau. Robot and Dog retain their exact structures but now carry imperfect handmade red and golden-yellow paint patches: uneven brushstrokes, drips, missed areas, and exposed original material. Low front 3/4 view: Robot leans into a heroic takeoff pose with one fist raised high and the other pulled back while grounded; Dog plants all four feet, lifts its head, and holds a proud companion stance. Make one smooth 180-degree orbit, keeping the horizon level as cliffs and ocean rotate behind them; a brief warm break in the clouds catches the wet paint. Hold the final half-second as they glance at each other without dropping the pose.\n\nNo dialogue. No subtitles. Keep crisp rain, ocean rumble, CRT buzz, muffled television flight whoosh, metal servos, footsteps, flower plucks, crushing, pours, and stirring. Restrained felt piano and low strings begin fragile, gain quick soft percussion through the process montage, then open into warm brass and strings for the final orbit; leave ocean wind and one small Dog servo chirp in the final beat.\n\nKeep exactly one Robot and one Robot Dog, with stable scale, proportions, structure, wear, and materials. Flowers remain intact from collection to chest to bucket; both pigments remain separate and become the only new surface colors after the explicit time cut. Preserve facility topology, coastal geography, weather, and causal order. Their original bodies remain visible, acquire no armor parts or thrusters, and never fly.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@aimikoda",
|
||
"sourceUrl": "https://x.com/aimikoda/status/2089697506296737930"
|
||
},
|
||
{
|
||
"id": "seedance:case-2c7bcef707d4",
|
||
"title": "火凤凰与水龙之战",
|
||
"description": "一场史诗级的元素对决,在古老遗迹中展现火凤凰与水龙的激战,包含详细的镜头与特效说明。",
|
||
"image": "https://media.goodcase.ai/cases/422cca8431b5.jpg",
|
||
"mode": "video",
|
||
"prompt": "15s cinematic photorealistic action video, 5 shots, 16:9. ARRI ALEXA 65, 35mm anamorphic, film grain, rich contrast, natural bokeh, volumetric god rays, realistic smoke, dust, sparks, fire, water, hair and cloth physics. No text, logos, UI or watermark.\n\nEnvironment: Abandoned ancient temple ruins, broken pillars, rubble, burning temple, heavy smoke, sparks, dramatic sunset. Keep architecture, damage, lighting and atmosphere consistent.\n\nWoman 1 – Fire: Short pink hair, red horns, deep red/gold ornate battle outfit, chains, black belt, tassels, platform boots. Lock face, body and outfit perfectly.\n\nWoman 2 – Water: Long navy-black hair with straight bangs, deep blue-silver flowing battle robe, transparent layers, decorative belt, silver ornaments, tassels and boots. Lock face, body and outfit perfectly.\n\n0–2.5s: Wide tracking circle. Fighters clash aggressively. Fire woman attacks with flame punches/kicks; water woman dodges and counters with water whips. Fire and water collide into steam explosions.\n\n2.5–6s: Tight tracking shot. Close-range brutal exchange. Fire elbow + knee; water blocks with a water shield and counters with a pressurized palm, sending her across rubble.\n\n6–9.5s: Low-angle tracking. Both charge and leap. Water woman launches spinning water spheres; fire woman breaks through with explosive flames and close-range attacks.\n\n9.5–12.5s: Medium-wide push-in. Water woman summons a massive serpentine water dragon. Fire woman releases a majestic flame phoenix. Both charge toward each other.\n\n12.5–15s: Epic wide pull-back/crane up. Dragon and phoenix collide, creating a huge explosion of steam, fire, water, light and debris. Shockwave, sparks and droplets fill the frame; energy slowly dissipates.\n\nAudio: Cinematic orchestral-electronic score, heavy percussion, rising strings, synths, impacts, whooshes, water, fire, steam, dragon roar and phoenix cry.\n\nSmooth cinematic camera only, no handheld shake or unnecessary cuts. Perfect character consistency and realistic elemental physics.",
|
||
"category": "combat-choreography",
|
||
"tags": ["Seedance 2.0"],
|
||
"sourceId": "seedance",
|
||
"credit": "@noorlewisx",
|
||
"sourceUrl": "https://x.com/noorlewisx/status/2095039305555263672"
|
||
},
|
||
{
|
||
"id": "seedance:case-e7dccea90d44",
|
||
"title": "森林野餐动画场景",
|
||
"description": "一个宁静的动画风格河畔森林野餐提示词,包含采集食材、篝火煮鱼汤等内容,营造出斑驳阳光下…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-e7dccea90d44.jpg",
|
||
"mode": "video",
|
||
"prompt": "宁静的动画风河边森林野炊场景,新鲜食材直接从自然采集。\n\n手从清澈溪流捞出银鱼,采摘洗净青菜叶,砧板上切鱼片和蔬菜。\n\n篝火上的铁锅里撒香料,放入鱼、青菜和蘑菇,在陶土锅里炖成浓郁热汤。\n\n在木桌上盛饭,配一杯新鲜椰汁,头顶撒下温暖的树影斑驳阳光。\n\n电影级动画画画风、鲜艳色彩、柔和自然光线、超细节、宁静氛围、4K",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@0xluffy_eth",
|
||
"sourceUrl": "https://x.com/0xluffy_eth/status/2079374857159270882"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithzeeshi-seedance-ai-bf6c6f533942",
|
||
"title": "宠物主与爱犬的一日陪伴",
|
||
"description": "宠物与动物",
|
||
"image": "https://media.goodcase.ai/cases/ab5b6fe37905.jpg",
|
||
"mode": "video",
|
||
"prompt": "A Pet Owner’s Daily Routine\n\nA pet owner starts the morning by waking up and greeting their golden-brown dog with gentle affection. The routine continues with feeding the dog, taking it for a morning walk, working together from home, and ending the day with a fun game of fetch in the backyard during golden hour.\n\nEvery scene follows realistic human and animal behavior with accurate physics, including gravity, inertia, momentum, friction, collisions, leash tension, realistic object weight, natural fur movement, cloth dynamics, and anatomically correct human and canine biomechanics.\n\nUltra-realistic visuals, cinematic documentary style, natural lighting, realistic skin and fur, smooth camera movement, subtle handheld motion, realistic depth of field, natural focus pulls, physically accurate shadows, consistent character identity, detailed environments, natural colors, subtle film grain, and 4K cinematic quality.\n\nCould you keep up with this daily routine? 🐾\n\n#Seedance25 #WaveSpeedAI #AIVideo #CinematicAI #AIStorytelling #PetRoutine #DogLovers #PetOwner #DogLife #GenerativeAI",
|
||
"category": "pet-animal",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithZeeshi",
|
||
"sourceUrl": "https://x.com/AIwithZeeshi/status/2094663938491187561"
|
||
},
|
||
{
|
||
"id": "seedance:rovvmut-seedance-ai-228f58be0ecb",
|
||
"title": "Seedance 2.5 参考图人物超写实自拍视频",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/rovvmut-seedance-ai-228f58be0ecb.jpg",
|
||
"mode": "video",
|
||
"prompt": "Ultra-realistic 15-second selfie video of the exact woman from the reference image (precise facial structure, skin tone, hair, features, expression locked 1:1 — zero identity drift).\nSetting: inside a luxury mansion living room. Marble columns, ornate white ceiling with detailed molding, large crystal chandelier, soft grey walls, elegant grey couch visible behind her. Background remains completely identical and static the entire time — no scene change, no camera movement beyond natural handheld micro-sway.\nCamera: selfie mode, held close to her face, slightly wide lens (≈24-28mm equivalent). Natural indoor daylight coming from the front/side, soft and flattering. Extremely crisp focus on her face with shallow depth of field; background gently falls off. Handheld natural motion only.\n\nAction sequence (strict timeline):\n0.0–3.5s\nShe looks into the lens, warm genuine smile, and speaks clearly:\n“Simbaaaa... simba come here... I'm making a video for Instagram, they wanna see you... good boy...”\n3.5–7.0s\nFrom behind the couch, a large fully realistic adult male lion slowly walks into frame. Soft, deliberate paw steps on the floor. Tail swaying gently. He sniffs the air as he approaches. He moves toward her right shoulder.\n7.0–9.5s\nShe notices the lion over her shoulder, turns her head slightly, and laughs nervously while still holding the phone steady.\n9.5–13.5s\nThe lion rubs his massive head against her cheek and neck exactly like a giant affectionate cat. Soft low growl/snort. Then he gently licks her face with a large realistic tongue.\nShe laughs genuinely and says:\n“Aww good boy...”\n13.5–15.0s\nShe continues smiling and laughing lightly as the lion stays close, nuzzling. Hold on the intimate interaction.\nExtreme realism requirements:\nVisible skin pores, fine facial hairs, natural micro-texture, subtle stubble if present in reference, realistic subsurface scattering and soft shadows on skin.\nLion: dense individual fur strands, accurate mane and body spots, realistic whiskers, wet black nose, detailed eyes, authentic tongue texture and saliva sheen when licking.\nNatural physics on fur movement, weight, and contact.\nPerfect facial consistency of the woman throughout - no morphing, no warping, no age/skin change.\n\nTechnical & style:\nUltra-sharp 8K detail, 64K micro-detail rendering, clean natural color grading, cinematic yet documentary realism, zero flicker, zero temporal warping, zero face distortion. Soft natural indoor light only.\nReference image locked for character identity.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@rovvmut_",
|
||
"sourceUrl": "https://x.com/rovvmut_/status/2088872188321636593"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-3f70c2f28d22",
|
||
"title": "Seedance 2.5 生成暴雨港口灾难电影序列",
|
||
"description": "作者用 Seedance 2.5 生成 30 秒好莱坞式灾难序列,以六个分镜串联暴雨港…",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-2-5-3f70c2f28d22.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere.\n\nMain character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination.\n\nScene 1 — 0–5 seconds:\nOpen with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement.\n\nScene 2 — 5–10 seconds:\nCut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting.\n\nScene 3 — 10–15 seconds:\nShe suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective.\n\nScene 4 — 15–21 seconds:\nShe gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction.\n\nScene 5 — 21–25 seconds:\nShe reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting.\n\nScene 6 — 25–30 seconds:\nSuddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht.\n\nVisual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality.\n\nCamera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots.\n\nSound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.",
|
||
"category": "timeline-shot-script",
|
||
"tags": ["灾难电影", "暴雨港口", "多镜头叙事", "水体物理"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Noor_ul_ain43",
|
||
"sourceUrl": "https://x.com/Noor_ul_ain43/status/2087774014957850843"
|
||
},
|
||
{
|
||
"id": "seedance:strength04-x-seedance-ai-be4ae9f1e375",
|
||
"title": "香辣薯片高能产品广告分镜",
|
||
"description": "分镜表转视频",
|
||
"image": "https://media.goodcase.ai/media/poster/strength04-x-seedance-ai-be4ae9f1e375.jpg",
|
||
"mode": "video",
|
||
"prompt": "Nano Banana 2 × Seedance 2.5 \n\nPrompt b- TITLE:\nPremium Spicy Potato Chips Product Commercial Storyboard\n\nFORMAT:\n• Single-page premium storyboard\n• 3:4 Portrait ratio\n• Gourmet snack advertising campaign\n• 8 cinematic product-focused scenes\n• Product remains the main hero\n• Premium advertising agency presentation\n\nHEADER:\n• Bold modern typography\n• Information cards:\n - Duration: 20 Seconds\n - Style: High-Energy Food Commercial\n - Product: Spicy Potato Chips\n - Audio: Crunch ASMR + Fast Beat\n• Why This Style Works section\n• Deep red, orange and cream aesthetic\n• Minimal chili and spice decorative elements\n\nSTORYBOARD:\n1. Premium chips packet standing dramatically on a dark surface\n2. Packet opening with chips bursting upward\n3. Extreme macro of crispy ridged chip texture\n4. Red chili seasoning falling onto chips in slow motion\n5. Chips rotating through a dramatic spice cloud\n6. One chip snapping with tiny crumbs flying outward\n7. Full bowl of seasoned chips beside the hero packet\n8. Final product packshot with chips and dramatic seasoning splash\n\nEVERY PANEL:\n• Scene number\n• Duration badge\n• Camera direction\n• Visual\n• Action\n• Product detail\n\nCAMERA:\nExtreme macro, high-speed photography, slow-motion seasoning, dynamic push-in, controlled food splash, dramatic hero framing.\n\nSTYLE:\nUltra-realistic snack commercial, detailed crispy texture, realistic seasoning particles, sharp packaging details, dramatic studio lighting, premium food photography, 8K.\n\n@itsPolloAI #PolloAl #Pollomarketingstudio",
|
||
"category": "storyboard-grid-to-video",
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2094298786122379298"
|
||
},
|
||
{
|
||
"id": "seedance:zyrellix-seedance-ai-e2b9d262ff6b",
|
||
"title": "银发骑手霓虹公路突围",
|
||
"description": "汽车与载具",
|
||
"image": "/inspiration-thumbs/seedance/zyrellix-seedance-ai-e2b9d262ff6b.webp",
|
||
"mode": "video",
|
||
"prompt": "High-octane 3D animated cinematic action scene. A young female protagonist with short silver-white hair and aviator goggles on her forehead, wearing a sleek black leather suit with glowing blue neon accents and a long dark coat flowing behind her. She rides a high-speed futuristic sci-fi motorcycle featuring glowing magenta-pink neon wheels and cyan chassis accents. She speeds down a wet, overcast highway littered with abandoned cars, pursued by a massive horde of aggressive zombies. Dynamic camera angles capture her drifting around corners emitting bright sparks, shooting a handgun at leaping zombies with slow-motion bullet-time effects, and performing a massive mid-air stunt jump over the crowd. Moody cinematic lighting, dark color grading with vibrant pink and cyan neon contrast, overcast daylight, photorealistic textures, action movie aesthetic, 8k resolution, hyper-detailed.",
|
||
"category": "car-vehicle",
|
||
"sourceId": "seedance",
|
||
"credit": "@Zyrellix",
|
||
"sourceUrl": "https://x.com/Zyrellix/status/2093340253755232681"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-is-the-only-reference-for-the-main-character-1c1e9dd8e18b",
|
||
"title": "辣妹叼着吐司慌乱飞行通勤",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/15ff3e55b62d.jpg",
|
||
"mode": "video",
|
||
"prompt": "@image1 is the ONLY reference for the main character. It defines her identity — preserve her exact face, makeup, and voluminous dark-brown spiral-curl hair in every shot — and it defines the design of her outfit: sheer light-blue off-shoulder top, long light-blue scarf, silver star necklace, white lace ruffled miniskirt, white lace tights, dalmatian-print leg warmers with blue bows, chunky black-and-white platform shoes. WHEN she wears this outfit is set only by the wardrobe timeline below. Do not use the sheet's white studio background, panel layout, or neutral standing poses. The same single woman appears throughout — no identity drift, no second copy of her.\n\nWARDROBE TIMELINE: 0–2 sec — rumpled plain pajamas, curls extra messy from sleep, no accessories. 2–6 sec — she dresses during the mirror timelapse described below. From 6 sec to the end — the exact complete outfit from @Image 1, unchanged.\n\nCreate a chaotic 30-second Japanese live-action comedy video. Fast and physical, no dead time, rapid cuts and dynamic camera movement. All dialogue is Japanese only, and only she speaks — no other on-screen mouth ever syncs to any voice. Her voice is cute, high-pitched and bright.\n\nSTYLE: Warm faded early-digital handheld footage with low-saturation color, soft focus, mild noise, slightly blown highlights and candid movement. No timestamp, date stamp or UI overlays. Not modern crisp digital. Speed changes exist ONLY in the two designated timelapse segments (2–6 sec and 20–23 sec); no slow motion anywhere, no speed ramps anywhere else.\n\nFLIGHT RULES: Her flight is played as physical and live-action. Every takeoff has a visible crouch, recoil and downdraft that shoves nearby objects; wind constantly drags her scarf, skirt and curls; landings carry real impact through her legs. She flies clumsily, like a new driver. No glowing aura, no energy effects, no cape, no superhero costume, no named superhero reference.\n\nSOUND: Playful upbeat Japanese gyaru dance-pop begins at the first frame and continues throughout. Sync cuts, the alarm clock, wardrobe snaps, the takeoff downdraft, whipping wind, flapping laundry, crow caws, train rumble, drone buzz, rain patter, landing impact and her footsteps to the beat. No silent sections.\n\nSETTING: A small messy Japanese bedroom with a bed, an alarm clock, a full-length mirror and clothes piled around; a slice of toast on a plate by the door. Outside: a Japanese residential street with laundry lines hung with white sheets, power lines, then a downtown district of office buildings, an elevated commuter train line, one small delivery drone, one crow, one small grey rain cloud, and a station square with ordinary Japanese pedestrians whose faces and outfits all differ. Japanese signage stays in the background.\n\n00:00–00:02 — WAKE-UP\nExtreme close-up of her eye snapping open under messy curls. She bolts upright in bed, grabs the alarm clock, stares at it and gasps. She kicks the blanket off. 00:02–00:06 — DRESSING TIMELAPSE\nLocked-off camera facing the full-length mirror. The room and the mirror frame stay pin-sharp and completely motionless — nothing in the background moves. Only she moves, in fast-forward with slight motion trails: pajamas off, top on, skirt on, scarf thrown, leg warmers yanked up, shoes buckled, necklace on, bag slung across. At 5.5 seconds the speed snaps back to normal with no ramp: she stands fully dressed in the exact @Image 1 outfit, jams the slice of toast in her mouth and strikes a quick check pose.\n\n00:06–00:08 — TAKEOFF\nOn the front step she crouches deep, then launches vertically like a rocket, toast still in her mouth, mumbling through it: 「いってきま〜す!」 The downdraft knocks over a potted plant and sets the laundry flapping.\n\n00:08–00:11 — LOW-ALTITUDE OBSTACLES",
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"sourceId": "seedance",
|
||
"credit": "@im_shahid7",
|
||
"sourceUrl": "https://x.com/im_shahid7/status/2096105857402699891"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-cinematic-19-second-commercial-ad-for-a-luxury-perfume-142bf48ed0d2",
|
||
"title": "暗蓝香水瓶雾光广告",
|
||
"description": "产品广告分镜",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-cinematic-19-second-commercial-ad-for-a-luxury-perfume-142bf48ed0d2.jpg",
|
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"mode": "video",
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||
"prompt": "Cinematic 19-second commercial ad for a luxury perfume. The video starts in pitch darkness, slowly revealing a dark blue glass perfume bottle with a round silver metallic cap resting on dark folded leather, labeled \"BLUE BY ISHQ EAU DE PARFUM 50 ML\". Dynamic lighting shifts with sharp rim highlights outlining the bottle. A fine mist spray fills the air with delicate water particles illuminated by a spotlight behind the bottle. The camera transitions through dramatic angles: a close-up tilt shot of the label, macro water drops splashing dynamically around the glass base, a close-up of a finger pressing the metallic nozzle spraying a fine fragrance mist in slow motion, and a smooth rotating camera motion. High-end moody aesthetic, dramatic music beat sync, 8k resolution, ultra-realistic product commercial photography.",
|
||
"category": "product-commercial-shotlist",
|
||
"sourceId": "seedance",
|
||
"credit": "@juliaevee",
|
||
"sourceUrl": "https://x.com/juliaevee/status/2095745759027028252"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-she-s-spending-the-evening-with-her-favorite-friends-3a0cab11c8a5",
|
||
"title": "韩国女孩与好友欢乐聚会的一天",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-she-s-spending-the-evening-with-her-favorite-friends-3a0cab11c8a5.jpg",
|
||
"mode": "video",
|
||
"prompt": "She's spending the evening with her favorite friends.\n\nCreated with seedance 2.5\n\nPrompt ↓\nCreate a 30-second 16:9 ultra-realistic casual smartphone lifestyle vlog featuring one young Korean woman going out to meet her friends, spending a fun time together, and then returning home.\nThe entire video must look like genuine personal footage casually recorded on a real handheld smartphone. Mostly she films herself in selfie mode, with a few natural clips filmed by one of her friends. Use imperfect framing, subtle hand shake, realistic smartphone autofocus, automatic exposure changes, slight motion blur, walking jolts, natural background sounds and authentic real-world physics. No cinematic shots, no drone, no gimbal, no beauty filters, no commercial look.\n\nCharacter: The same Korean woman throughout the entire video, petite oval face, brown eyes, natural coral lips, realistic fair skin and long black hair. Maintain perfect character consistency with no face morphing, identity drift or duplicate people. She speaks naturally in Korean with accurate lip synchronization.\n\nSTORY — A DAY OUT WITH FRIENDS\n\n0:00–0:04 — Leaving Home\nShe stands outside her home holding her phone in selfie mode, looking excited and ready to go out. She says naturally in Korean:\n\n“오늘 친구들이랑 만나러 가요!”\n\nShe smiles, starts walking, and the phone shakes slightly with her steps.\n\n0:04–0:08 — Meeting Her Friends\nShe arrives at a lively meeting spot and spots her friends waiting for her. Still holding her phone, she excitedly walks toward them. They naturally greet each other, smile, wave and share a quick friendly hug.\n\nShe laughs and says:\n\n“드디어 만났다!”\n\n0:08–0:12 — Walking Together\nOne of her friends casually films with a smartphone while the group walks together, laughing and talking naturally. The footage feels spontaneous, slightly imperfect and genuinely recorded by a friend.\n\n0:12–0:16 — Food and Fun\nThey sit together at a casual café or restaurant. She records short clips of the food, then turns the phone toward herself and her friends while they laugh together and enjoy their meal.\n\n0:16–0:20 — Fun Activity Together\nThe friends do a simple fun activity together, such as visiting an arcade, taking funny photo booth pictures, or playing a casual game. They laugh naturally and react spontaneously.\n\n0:20–0:24 — Happy Group Moment\nShe records herself with all her friends gathered around. Everyone waves or makes playful expressions toward the phone camera. Keep the interaction natural and not posed like a professional photoshoot.\n\n0:24–0:27 — Saying Goodbye\nThe friends say goodbye outside. They wave and casually hug before going in different directions. She watches them leave and smiles warmly.\n\n0:27–0:30 — Back Home\nHard cut to her arriving back home. In selfie mode, looking happily tired after the day, she says:\n\n“오늘 진짜 너무 재밌었어요. 이제 집에 왔어요!”\n\nShe smiles, waves at the camera and says:\n\n“안녕!”\n\nShe naturally lowers the phone to end the vlog.\n\nCRITICAL REALISM REQUIREMENTS: Prioritize genuine smartphone vlog footage: arm-length selfie framing, natural switches between front and rear cameras, occasional imperfect composition, autofocus delays, exposure fluctuations, subtle hand shake, realistic walking movement, spontaneous laughter, natural blinking and breathing, authentic conversations and background activity. Friends should behave naturally like real friends, not actors posing for a commercial. The final result must look like a genuine personal day-out vlog recorded casually on a smartphone.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2095106155978596773"
|
||
},
|
||
{
|
||
"id": "seedance:strength04-x-seedance-ai-89d154123b94",
|
||
"title": "欧洲老城的春日清晨",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/media/poster/strength04-x-seedance-ai-89d154123b94.jpg",
|
||
"mode": "video",
|
||
"prompt": "Seedance 2.5 on @wavespeed_ai \n\nPrompt - Create a 30-second, 1080p ultra-realistic documentary-style personal home video showing an ordinary spring morning in the life of a young European man. The footage should feel spontaneous, intimate, imperfect, and genuinely observed rather than performed.\nMAIN SUBJECT\nThe same young man in his mid-20s throughout the entire video.\nNaturally handsome, realistic skin texture, relaxed sleepy expression, light stubble.\nHe has short wavy light-brown hair, slightly tousled from sleep.\nHe wears an open denim jacket over a plain white T-shirt, straight dark jeans, worn leather boots, and a thin brown leather bracelet.\nKeep his face, identity, body proportions, hairstyle, and clothing completely consistent from beginning to end.\nLOCATION\nA quiet cobblestone old-town street in early spring morning. Pastel-colored buildings, wrought-iron balconies, a small bakery with steam on its windows, scattered pigeons, a stone fountain, and soft morning mist.\nThe street should feel authentic and lived-in. No crowds, tourist attractions, advertisements, or recognizable brands.\nCAMERA / VISUAL STYLE\nAuthentic casual personal-video footage from an older consumer digital camera, handheld by a friend walking nearby.\nNatural camera shake, imperfect framing, autofocus adjusting to morning mist and soft light, soft detail, mild motion blur, subtle digital noise, slightly muted pastel colors, imperfect white balance.\nNo stabilization, gimbal movement, drone shots, cinematic lighting, slow motion, or polished color grading.\n00:00–00:05 — OUTSIDE THE BAKERY\nHe stands outside a small bakery, breathing in the smell of fresh bread, holding a warm paper bag.\nHe glances at the camera, smiles sleepily, and takes a small bite of pastry.\n00:05–00:10 — WALKING THE COBBLESTONE STREET\nHe walks slowly across uneven cobblestones, one hand in his jacket pocket.\nThe camera follows a few steps behind, wobbling slightly on the uneven stones.\n00:10–00:14 — SMALL EVERYDAY MOMENT\nHe notices pigeons near the fountain and gently claps his hands, scattering them briefly.\nHe laughs quietly as they resettle a few feet away.\n00:14–00:19 — FOUNTAIN PAUSE\nHe sits on the edge of the stone fountain, finishing his pastry.\nHe dips his fingers in the water briefly and shakes them dry, smiling.\nFaint distant church bells are heard.\n00:19–00:23 — SUDDEN LIGHT BREEZE\nA light spring breeze scatters flower petals from a nearby tree across the street.\nHe looks up, mildly amused, and brushes a petal off his shoulder.\n00:23–00:27 — QUIET MOMENT\nHe stands near a pastel-colored wall, morning light catching the mist behind him.\nHe looks toward the camera and gives a small, genuine, half-awake smile.\n00:27–00:30 — WALKING AWAY\nHe turns and walks down the misty street, hands back in his pockets.\nHe glances back once, gives a small nod, and continues walking.\nAt approximately 00:29, the recording abruptly cuts to black mid-motion. No fade-out.\nPHYSICAL REALISM\nMaintain believable physics for the pastry bag, water droplets, pigeons, petals, and his footing on cobblestones throughout. No distorted anatomy, floating objects, or sudden transformations.\nAUDIO\nNatural environmental audio only: footsteps on cobblestone, distant church bells, pigeons, wind, fountain water, faint bakery sounds. No music, no narration, no artificial sound effects.\nFINAL FEEL\nQuiet, masculine, youthful, nostalgic, soft, unhurried, and deeply human a forgotten personal recording of an ordinary spring morning in an old European town.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2093317303916237120"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithaliya-seedance-ai-cf398f743859",
|
||
"title": "黄超跑穿行迪拜天际线",
|
||
"description": "汽车与载具",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithaliya-seedance-ai-cf398f743859.jpg",
|
||
"mode": "video",
|
||
"prompt": "What a ride! \n\nMade by using GPT Image 2 + Seedance 2.0 on @FishCreativeHQ \n\nPrompt\n\nreference_handling: \"Image generation strictly for driver facial and wardrobe styling reference only — calm, composed features silver wristwatch on left wrist Image strictly for sports car styling and cabin reference only — low, wide Italian wedge-shaped body + bright yellow paint + strongly geometric body lines + hexagonal front intake + Y-shaped LED headlights + gloss black multi-spoke wheels + black leather cabin with orange stitching + left-hand-drive cabin (driver seat on left) + across this sequence the driver-side window (left side of car) is rolled down only for the cockpit reveal shot, all other windows remain as-is throughout. Image strictly for spire architectural geometry, Dubai downtown skyline, and warm hazy midday atmosphere reference only — tapered glass-and-steel spire that widens progressively toward the base + dense glass high-rise skyline below + wide multi-lane boulevard. Do not reproduce any specific camera angle, composition, or caption elements from the reference images\"\n\nstyle: \"REAL AERIAL + AUTOMOTIVE CINEMATOGRAPHY PLATE — not CGI rendering, not game-engine rendering, not an animated/illustrated look.\"\n\nvisual_feel: \"Strong overhead midday light + warm hazy atmosphere softening the horizon. Color strictly natural and true-to-life — not oversaturated, not faded, not washed out. Continuous soft haze and atmospheric layering from spire tip down to street level. Every camera move, whether aerial or ground-tracking, strictly gimbal-level smooth — absolutely no handheld feel, no shake, no roll or tilt, even during the FPV-paced dive segment or the accelerating side-pass segments. 16:9 frame + no stylized film-grain treatment, aiming for genuine cinematography texture across every shot\"\n\nduration: \"30 seconds (8-shot sequence)\"\n\naspect_ratio: \"16:9\"\n\ncharacter_modeling:\n\ndriver_suited_woman: base: \" appearance and wardrobe strictly per Image generation reference. Present in the car throughout the sequence, but the face is strictly clearly visible only during the 0:20–0:21 cockpit reveal shot — in every other shot the face is strictly not shown or not resolvable, whether by camera position, angle, or framing\" wardrobe: silver wristwatch on left wrist . complete, with no wrinkling, misalignment, or missing pieces throughout\" presence: \"In shots where the driver is not the subject (0:01–0:19, 0:22–0:30), the driver strictly remains seated in the left-side driving position, present but strictly not resolved facially due to camera side, distance, or angle. During the 0:20–0:21 cockpit reveal shot only, the face and posture are strictly fully clear — visibility achieved via a right-side cockpit camera position looking across the cabin, with natural light and open sightline entering through the already-lowered driver-side window (left side of car) forming an angled depth-of-view channel — strictly NOT via looking directly through a window immediately adjacent to the camera\"\n\nsports_car_yellow: identity: \"Low, wide Italian wedge-shaped supercar + bright yellow paint + strongly geometric body + hexagonal front intake + Y-shaped LED headlights + gloss black multi-spoke wheels + black leather cabin with orange stitching + left-hand-drive cabin, driver seat on left — appearance strictly per image2 reference. Strictly only this one car appears across all 8 shots + doors strictly closed throughout + strictly only the driver-side window (left side of car) is rolled down, and only for the 0:20–0:21 cockpit shot + all other windows strictly remain closed/unchanged throughout + left-hand-drive position strictly remains on the left side of the car in every shot — not mirrored, not flipped, regardless of which side the camera is on\" physics: \"In every shot showing the car in motion, tires strictly show real, visible load deformation on turns + suspension strictly compresses and rebounds continuously with road surface undulation + body strictly shows slight roll and pitch matching cornering or acceleration — strictly not a rigid-glide, zero-deformation model feel. The car strictly stays lane-centered along the boulevard's true path — strictly no crossing lines, no drifting, no hugging the curb\"\n\nenvironment_spire_and_skyline: setting_lock: \"Tapered glass-and-steel spire structure — body progressively widens toward the base + spire tip is the sequence's starting point + below is Dubai downtown's dense glass high-rise skyline and wide multi-lane boulevard + warm hazy midday light, architectural geometry, skyline, and atmosphere strictly per image3 reference. Shot 1 (0:01–0:12) strictly covers the spire exterior and the high-altitude-to-street transition. Shots 2–8 (0:12–0:30) strictly take place entirely at street level, on or beside the boulevard, with the skyline visible as background context only\"\n\ncinematic_storyboard:\n\nshot_1_spire_descent_0_01_0_12: camera: \"Continuous aerial dive — the same FPV-paced descent arc as the master establishing move: 0:01–0:02 camera approaches and briefly hovers directly above the spire tip, gimbal strictly steady, no roll or tilt. 0:02–0:12 camera descends along one continuous curved arc, vertical speed component smoothly decaying while horizontal speed component smoothly increasing, no perceptible docking point or speed jump. As the arc resolves near street level, the camera settles into a position that spotlights the yellow car on the right side of frame — car held in the right third of the composition as the shot closes. Lens strictly 35–50mm cine prime throughout, no zoom, no digital zoom, straight architectural lines keep true perspective.\" action: \"Spire tip and city grid fill the frame at the open, then dissolve into recognizable streets and blocks as the dive continues. The yellow car appears as a small point mid-descent and grows continuously larger, coming to rest spotlighted on the right side of frame by 0:12, driving forward along the boulevard, wheels rotating forward, no reverse.\" lighting: \"Strong overhead midday light at the spire tip with long shadows; as the descent continues, glass-facade and ground reflections shift continuously and smoothly with the changing angle — no abrupt lens-flare flicker.\" vfx: \"Ground detail and color progressively sharpen through the descent, no sudden clarity jump. Ground shadows strictly limited to the car's own cast shadow — no operator or camera-rig shadow anywhere in frame.\" sfx: \"High-altitude wind roar at the open, fading continuously into rising engine sound and city ambience as the car comes into view. No music, no voiceover, no captions.\"\n\nshot_2_side_pass_0_12_0_15: camera: \"Hard cut to a static lateral profile position — camera holds a fixed side-view framing of the car, 35–50mm cine prime, gimbal-locked, no handheld sway. As the car accelerates, the camera lets it pull ahead and overtake past the camera's position, exiting frame screen-right.\" action: \"Car holds briefly in profile, then accelerates hard — visible squat of the rear suspension under acceleration, tires gripping without slip, body pitching slightly rearward under load — before overtaking and leaving frame past the camera.\" lighting: \"Even natural daylight, sun still overhead-midday, car's yellow paint reading true and saturated against the boulevard背景, no flat frontal wash.\" vfx: \"Real suspension compression and rebound as the car surges forward. No motion blur artifacts beyond natural shutter response; no CG float.\" sfx: \"Engine note rises sharply with the acceleration, a clean Doppler pass as the car overtakes the camera position; no music.\"\n\nshot_3_center_mirror_0_15_0_17: camera: \"Hard cut to an interior point-of-view through the car's center rear-view mirror — camera framed as if looking through the mirror glass from just behind/above the driver's eyeline, mirror surface visibly framing the receding view.\" action: \"Through the mirror, the boulevard and the Dubai skyline recede behind the car as it continues forward at speed; slight natural mirror-glass vignette at the frame edge.\" lighting: \"Cabin interior in soft ambient light, mirror glass reflecting the bright exterior daylight and skyline without glare washing out the reflected image.\" vfx: \"Mirror reflection stays optically clean and stable — no double image, no warping; road and skyline motion in the reflection reads as physically continuous with forward travel.\" sfx: \"Muffled cabin-interior tone to engine and wind noise (heard as if from inside the car); no music, no dialogue.\"\n\nshot_4_front_view_0_18_0_19: camera: \"Hard cut to a nose-on front view of the car — camera positioned directly ahead on the boulevard, framing the grille, headlights, and hood centered in frame, lens 35–50mm cine prime, static or minimal push, gimbal-steady.\" action: \"Car approaches head-on at a steady, controlled speed, Y-shaped LED headlights and hexagonal intake clearly readable, wheels visibly rotating forward.\" lighting: \"Overhead midday sun catches the hood and windshield with clean natural highlights, no artificial front-fill look.\" vfx: \"Subtle heat-haze shimmer off the hot asphalt ahead of the car for realism; no CG gloss on the paint.\" sfx: \"Engine sound growing louder as the car closes distance toward camera; no music.\"\n\nshot_5_cockpit_reveal_0_20_0_21: camera: \"Hard cut to a right-side cockpit angle — camera positioned to the right-front of the car, sightline crossing through the windshield and, aided by the already-lowered driver-side (left) window, resolving the driver clearly inside the cabin. This is the sequence's only driver-reveal shot.\" action: \"Driver's face and posture are fully visible — one hand resting lightly on the wheel, eyes on the road ahead, expression calm and composed, natural unstiff posture. Car maintains the same forward direction and steady speed with no lens or vehicle behavior change during the shot.\" lighting: \"Even natural daylight, light falling cleanly across the yellow paint, windshield, and driver's face; windshield reflection kept light enough not to obscure visibility.\" vfx: \"Windshield glass stays transparent and reflection-light, no glare occlusion of the driver.\" sfx: \"Steady engine hum plus faint city ambience; strictly no dramatic sound swell or music entering at the reveal moment.\"\n\nshot_6_straight_road_rear_3_4_0_22_0_24: camera: \"Hard cut to a rear-bumper 3/4 angle — camera positioned low and behind, off to one side, framing the car driving away down a straight stretch of boulevard, lens 35–50mm cine prime, gimbal-smooth tracking that holds pace with the car.\" action: \"Car drives straight down the boulevard at a steady cruising speed, lane-centered, taillights and rear three-quarter bodywork clearly visible, wheels rotating forward, no drift or lane departure.\" lighting: \"Overhead midday sun, road surface and rear bodywork evenly lit, skyline visible in soft haze in the background.\" vfx: \"Light heat-shimmer off the straight road surface; ground shadow strictly limited to the car's own cast shadow.\" sfx: \"Steady, sustained engine tone at cruising speed plus ambient city sound; no music.\"\n\nshot_7_side_pass_0_25_0_28: camera: \"Hard cut back to a static lateral profile position, mirroring shot 2's setup — camera holds the side view of the car, gimbal-locked, no handheld sway.\" action: \"Car holds briefly in profile again, then accelerates a second time and overtakes past the camera, exiting frame — same physical behavior as the first side-pass (visible suspension squat, tire grip, body pitch).\" lighting: \"Consistent overhead midday daylight, same natural exposure as shot 2 for continuity.\" vfx: \"Real suspension compression and rebound under acceleration; clean natural motion, no CG float.\" sfx: \"Engine note rising sharply into the pass, clean Doppler effect as the car overtakes camera; no music.\"\n\nshot_8_static_3_4_close_0_29_0_30: camera: \"Hard cut to a static, locked-off 3/4 angle — camera fixed in position, no movement, gimbal-perfect stillness, framing a 3/4 view of the boulevard as the car enters and exits frame to close the sequence.\" action: \"Car drives through the static frame at a steady speed and exits, completing the sequence; wheels rotating forward, no reverse, no lingering hold after exit.\" lighting: \"Same consistent overhead midday daylight and natural color grade as the rest of the sequence, no shift in exposure for the closing shot.\" vfx: \"Ground shadow strictly limited to the car's own cast shadow; no operator or rig shadow in frame.\" sfx: \"Engine sound passing through and fading as the car exits frame; no music, no voiceover, no captions at any point in the closing shot.\"\n\nproduction_notes:\n\nmulti_shot_cut_lock: \"This sequence is strictly 8 distinct shots joined by hard cuts at the following points: 0:12, 0:15, 0:18, 0:20, 0:22, 0:25, 0:29 — strictly no smooth transitions, no cross-dissolves, no whip-pans between shots, no morphing between camera setups. Each shot is a clean cut to a new fixed or moving camera setup as specified; only shot 1 (0:01–0:12) is itself one continuous unbroken aerial move. Across every cut, the following must remain continuous: the car's identity and paint color, the boulevard geography and skyline, the direction of travel, the lighting direction and quality, and the absence of music/dialogue/captions.\"\n\ngimbal_stabilization_lock: \"Every shot, aerial or ground-based, strictly holds gimbal-level smoothness — absolutely no handheld shake, no roll, no tilt, no high-frequency jitter, in any of the 8 shots, including the accelerating side-pass shots.\"\n\noptics_lock: \"Every ground/tracking shot strictly uses a 35–50mm cinema prime feel (Sony Cine prime lens character), unchanged within each shot — strictly no zoom in, no zoom out, no digital zoom of any kind in any shot. Straight lines of buildings and roads strictly retain true perspective — strictly no wide-angle distortion, no fisheye curvature.\"\n\nforward_motion_lock: \"In every shot, the car strictly drives forward — nose pointed in the direction of travel except where explicitly framed nose-on toward camera (shot 4), and never reversing. Wheels strictly rotate continuously in the direction of travel, reverse rotation strictly forbidden in any shot.\"\n\nvehicle_structural_identity_lock: \"Strictly only this one car appears across all 8 shots — a second car of the same or different model is strictly forbidden. Doors strictly remain closed in every shot. Left-hand-drive layout strictly remains unchanged across all 8 shots — driver's seat strictly on the left side of the car in every shot, never mirrored or flipped regardless of camera side. The driver-side (left) window is strictly rolled down only during shot 5 (cockpit reveal, 0:20–0:21); in every other shot all windows strictly remain closed/unchanged.\"\n\ndriver_appearance_window_lock: \"The driver's face is strictly clearly visible only during shot 5 (0:20–0:21) — in shots 1–4 and 6–8 the face is strictly not resolved, whether due to distance, angle, motion, or framing. During shot 5, visibility is strictly achieved via the right-side cockpit camera angle through the windshield, aided by the already-lowered driver-side window — strictly NOT via a window directly facing the camera.\"\n\nno_operator_shadow_lock: \"In every shot, the ground strictly shows only the car's own cast shadow — strictly no human-shaped shadow, camera-operator silhouette, photographer's figure, or rig shadow cast anywhere in any of the 8 shots. The aerial shot (shot 1) is strictly pure drone photography with no physical rig or ground-crew trace; the ground shots (2–8) are strictly framed with no visible operator, crew, or equipment in frame.\"\n\naudio_lock: \"Sound throughout the sequence is strictly authentic diegetic sound only — wind, engine, and city ambience, shifting naturally shot to shot — strictly no background music or score of any kind, including any hidden musical layer, in any of the 8 shots + strictly no voiceover or dialogue of any kind + strictly no captions or on-screen text of any kind at any point.\"\n\ncritical_constraint: \"8 hard-cut shots across 30 seconds, cut points strictly at 0:12, 0:15, 0:18, 0:20, 0:22, 0:25, 0:29 — strictly no dissolves or blended transitions. Shot 1 is one continuous uncut aerial descent from the spire tip to street level, ending with the car spotlighted screen-right. Shots 2 and 7 are matching static side-profile setups where the car accelerates and passes the camera. Shot 5 is the sequence's only driver-face reveal, via the right-side cockpit angle through the windshield with the driver-side window down — strictly not visible in any other shot. The car is strictly the same single yellow LHD supercar throughout, doors closed except for the driver-side window during shot 5, always driving forward, wheels never reversing. All camera work is strictly gimbal-smooth with a 35–50mm cine-prime feel, no zoom, no distortion, no handheld shake in any shot. Ground shadows throughout strictly show only the car's own shadow, no operator or rig trace. Audio is strictly diegetic only — no music, no voiceover, no captions, throughout the entire 30 seconds.\"\n\navoid: \"dissolves, cross-fades, morphs, or whip-pans between shots — cuts must be hard cuts only, any shot other than shot 5 showing the driver's face clearly, the driver-side window rolled down in any shot other than shot 5, the passenger-side or any other window rolled down at any point, a second car appearing in any shot, car doors opening in any shot, the car reversing or wheels rotating backward in any shot, mirrored or flipped left-hand-drive layout, driver's seat appearing on the right side of the car, human-shaped shadow, camera-operator silhouette, or rig shadow in any of the 8 shots, camera shake, handheld feel, roll, tilt, or high-frequency jitter in any shot, zoom in, zoom out, digital zoom, wide-angle distortion, fisheye distortion, or curved building/road lines in any shot, smooth continuous single-take treatment of the whole 30 seconds (the sequence is strictly multi-shot with hard cuts, not one unbroken take beyond shot 1), background music, score, melody, hidden musical layer, voiceover, dialogue, narration, captions, or on-screen text at any point, CGI-rendered look, game-engine feel, plasticky car-paint gloss, static hovering with no sense of gravity\"\n\nanimation_style: \"Shot 1 plays out as one continuous real-time aerial move; shots 2–8 are each a distinct, clean hard-cut setup, every shot internally in real time with no speed ramping — the sense of pace across the sequence comes from the editing rhythm of the cuts, not from slow motion or time manipulation within any single shot\"",
|
||
"category": "car-vehicle",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithAliya",
|
||
"sourceUrl": "https://x.com/AIwithAliya/status/2093022598187954484"
|
||
},
|
||
{
|
||
"id": "seedance:aimikoda-seedance-ai-9b2a6b435fbd",
|
||
"title": "风暴虚空神社桥上的一镜到底突围",
|
||
"description": "中文长 prompt,把动漫版动作戏改写成真人实拍风格:少女借四块持续下坠的石板突围怪…",
|
||
"image": "/inspiration-thumbs/seedance/aimikoda-seedance-ai-9b2a6b435fbd.webp",
|
||
"mode": "video",
|
||
"prompt": "一部真人实拍奇幻动作电影从铃音在风暴虚空中的破碎神社桥上遭到围猎开始,她借四块持续下坠的石板高速突围,摄影机在真实时间内紧贴她的动量完成一镜到底。仅使用 @[character ref] 确定成片中铃音的人物身份、服装、右手护臂与武士刀;忽略参考图的背景、文字、排版、姿势和构图,不让它定义环境、动作、镜头或敌人。\n\nC2、C5、C6、C8、C10是五个彼此独立的剃刀爪兽,每只都有六条肢体、钴蓝色躯壳、浅色腹部与修长前爪。C3、C4、C7、C9是四个彼此独立的剃刀翼兽,每只都身形纤细、躯体钴蓝、双翼青绿、尾端紫色分叉、眼睛黄色。所有编号始终对应同一只生物,不互换、不复制、不融合;被斩开的身体块和断肢仍属于原编号。\n\n整体采用完全写实的真人电影质感:真实演员比例与皮肤、织物和长发的物理响应,可信的重量、抓地、碰撞、惯性与自由落体;怪物以高端实体特效结合无缝生物视效呈现,肌肉、甲壳、翼膜和爪部受力清楚。破碎神社桥、鸟居和始终只有四块的坠落石板悬在雷暴虚空中,珊瑚红侧光与钴蓝风暴背光交错,尘土、碎石和湿冷空气形成深层空间。全程只用一支固定20mm虚拟电影镜头,保持超广角近远尺度、深焦和自然运动模糊;景别变化只来自连续可达的跟随、下潜、上升和包绕轨迹,焦距与摄影机实体连续性不变。\n\n每次斩击都必须产生可见、真实的实体切割。刀刃先在接触点破开甲壳,再沿同一切线连续穿过组织,身体或肢体随即彻底分离;不能只留下光痕、浅表伤口或让刀身无阻力穿模。断肢与身体块保留受击前的线速度、角速度、重量和重力轨迹,彼此碰撞后继续翻落,不消失、不复原、不重新连接。剃刀爪兽的断口喷出荧光青绿色主液流与钴蓝色黏稠液滴;剃刀翼兽的断口喷出珠光紫罗兰色主液流与青蓝色轻薄液滴。所有生物流体均为非红色,珊瑚红只属于刀刃光效。\n\n动作以正常播放速度保持原有的极高速与高密度,不因时长增加而拉慢。采用专业动画格斗般的短促压缩蓄力、瞬时爆发回弹、擦身斩击和不间断惯性贯穿,但所有身体运动、落点与碰撞都符合真人特技和生物力学。摄影机从不安定停驻;每个可读动作阶段只突出一个正在攻击或躲避的目标,其他生物仍沿已建立的背景轨迹运动。无剪辑、无定格、无慢动作、无撞击停帧、无复位、无传送,也不用前景遮挡伪装剪辑。\n\n0-3秒:第一帧中,第一块石板上的铃音赤裸左脚占满前景,C2从右上方沿清晰斜线扑杀;摄影机立刻贴地流入低机位侧面全身构图,她在其腾空挥爪下方爆发回弹,以一次水平斩同时截断两只领先长前爪并横切胸腹。两只断爪、上半身和下半身在同一连续画面中彻底分离,带着青绿色主液流与钴蓝液滴按原冲量翻离。\n\n3-6秒:镜头不停顿地包绕至低机位后方3/4全身构图,铃音右脚掠过第二块石板,C3从右上方收翼俯冲;摄影机沿她的下落弧线钻到下方并抵达贴地正面3/4构图,同一次回弹继续上升,刀刃从C3腹侧进入,切断一侧翼根并将躯干斜分成两块。脱落翅膀与两段身体分别旋落,紫罗兰主液流和青蓝液滴沿俯冲方向甩出。\n\n6-9秒:镜头随动势升至高机位侧面,铃音左脚尖擦过第三块石板,借瞬间摩擦加速腰部旋转;C4以攻击性的S形航线横切她的通道,她用一次交叉斩从近侧翼根贯穿胸部,使整片翅膀连同一侧躯干被斜切分离。各部分沿不同角速度飞向画面左后方,断面与刀路完全一致。\n\n9-14秒:镜头沿原路径降到她身后的后方3/4构图,铃音右脚触及第四块石板的垂直侧面;沿石壁疾跑的C5用两只运动中的长前爪夹住刀身,这个夹持只存在于一瞬。镜头随她滚转滑入紧侧面,她以接触扭矩把刀锋从夹持点旋出,连续切断两只前爪关节并剖开胸部,断爪和被分开的胸腹块脱离石面,喷出青绿色与钴蓝色体液后向外翻落。\n\n14-17秒:摄影机从同一位置贴着第四块石板下缘滑到低机位侧面,倒挂的C6松爪扑出;铃音延续上一段身体弧线,以一次斩击横穿其浅色腹部,切断下方一对肢体并把腹腔分成两个不等大的身体块。所有分离部分因自身扑击惯性继续坠离,甲壳碎片和非红色液滴从真实断面向后喷散。\n\n17-20秒:镜头以前向交接动作升至高机位正面3/4,C7收翼后以喙部领先做螺旋俯冲;铃音从螺旋轴旁掠过,刀锋沿头部至躯干纵向贯穿,把喙、头部和身体切成左右两半。两半仍保留相反的螺旋角动量,带着紫罗兰与青蓝体液分离旋落;铃音继续朝右下方坠向更多生物,镜头不作停顿。\n\n20-24秒:从上一阶段的相机位置和运动矢量直接续接。C8从右下方一根正在坠落的断裂鸟居横梁上蹬出,向左上方截击;铃音用右手护臂拨偏其领先前爪,把反冲转成侧向滚转,再以上挑斩截断该前肢,并从腹部至肩部把身体斜劈成两个大块。两块身体向左下方分离翻落,较大的背甲半身保持可见。\n\n24-27秒:铃音左脚短暂踏过仍在翻落的C8背甲半身,借其残余下坠动量向右上方回弹;此时唯一的主动目标C9从左上方折翼俯冲封住路线。摄影机沿双方交会轴下潜,刀锋以一次紧凑对角斩切断C9一侧翼根并将躯干分成两块;翅膀与身体块带着紫罗兰和青蓝液体沿各自轨迹分离,铃音重新转入右下方坠落。\n\n27-30秒:始终与第四块石板保持相近落速的C10从其下侧松爪扑来,以两只长前爪合拢下降通道;铃音在爪隙中收身穿过,用右手护臂将一爪拨离中线,同时以短促反向斩截断另一只前爪并横断胸腹。断爪、上半身和下半身彻底分离并喷出青绿与钴蓝体液。摄影机随铃音越过这些碎块继续下坠,最后一帧保持她朝右下方高速离开,破碎鸟居下方仍有更多剃刀兽远景轮廓正在上冲,形成开放式持续战斗,不结束动能。\n\n上述构图只是连续高速运动中各经过一次的瞬时取景状态,严格按时间顺序出现;它们之间由身体惯性、落体轨迹、接触反冲和摄影机可达路径连接。铃音始终只有一人,武士刀与右手护臂始终归她所有且结构不变。每次切割从接触到甲壳破裂、刀刃贯穿、断面形成和部件分离都在同一连续镜头内清楚发生;所有断肢、身体块、甲壳碎片和体液保持物理连续性,直到按既有轨迹退出画面。\n\n武士刀始终带有贴着刃口的珊瑚色边缘尾迹,不形成远程剑波。每次实体切割只产生一道符合物种颜色的主液流、少量同色液滴与一簇青色甲壳碎片,全部从真实断面出发并随源速度运动;主喷流在下一次斩击前散开,液滴可短暂附着于坠落碎块。\n\n声音为稀疏断拍脉冲配乐,持续的风暴狂风与远雷打底;石板断裂、赤足触石、衣料抽动、翼膜骤响、利爪刮石、护臂格挡、刀刃切开甲壳与韧性组织、断肢撞击碎石、不同颜色体液飞溅和怪物嘶叫精确跟随动作,所有撞击尾音迅速衰减以维持同样的速度感。无对白。",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@aimikoda",
|
||
"sourceUrl": "https://x.com/aimikoda/status/2089388854180512094"
|
||
},
|
||
{
|
||
"id": "seedance:mayaaicreator-seedance-ai-701e2e12eda3",
|
||
"title": "Seedance 戴上耳机瞬间入戏的窗台少女短片",
|
||
"description": "打斗编排",
|
||
"image": "https://media.goodcase.ai/media/poster/mayaaicreator-seedance-ai-701e2e12eda3.jpg",
|
||
"mode": "video",
|
||
"prompt": "A young East Asian woman with a short bob haircut sits on a wide windowsill in a messy Brooklyn-style apartment bedroom. She wears a black long-sleeve top, red collared shirt with a dark tie, gray cargo pants with a light blue sweater tied around her waist, pink-and-red arm sleeves, bright white socks, and teal sneakers. Purple over-ear headphones rest around her neck. The room is cluttered with anime posters (including Dragon Ball), comic books, a Monster Energy can, Funko Pops, clothes scattered on the floor, and a bed to the right. Outside the large open window is a cloudy New York City skyline of red-brick buildings.\nShe looks at the camera with a slight smile, puts the headphones on, leans back, then suddenly swings out the window on a thin white web line. Dynamic tracking shots follow her web-slinging through the streets of New York: she flies between brick apartment buildings with fire escapes, over busy intersections filled with yellow taxis and pedestrians, past corner stores and traffic lights, diving and twisting acrobatically. The camera moves with her — low angles looking up, high angles looking down, fast motion blur on the city.\nShe lands on a rooftop, stands with arms outstretched in triumph, hair blowing, looking out over the golden-hour skyline. The view includes water towers, dense rooftops, the East River, and the distant One World Trade Center glowing in the soft sunset light. Cinematic, realistic live-action style, vibrant colors, energetic movement, inspired by superhero web-slinging sequences.",
|
||
"category": "combat-choreography",
|
||
"sourceId": "seedance",
|
||
"credit": "@MayaAiCreator",
|
||
"sourceUrl": "https://x.com/MayaAiCreator/status/2089326041105915906"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-vlog-8056757985cc",
|
||
"title": "Seedance 2.5 日本夏日祭浴衣自拍 vlog",
|
||
"description": "自拍视角 30 秒:浴衣少女夜逛夏日祭,买章鱼烧、玩捞物游戏、看烟花,收尾对镜头挥手告…",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-2-5-vlog-8056757985cc.jpg",
|
||
"mode": "video",
|
||
"prompt": "A 30-second photorealistic smartphone travel vlog. A young Japanese woman wearing a pastel yukata explores a traditional Japanese summer festival at night. She films herself in selfie mode with natural handheld movement, realistic phone camera quality, and authentic ambient sounds. She walks through lantern-lit streets, buys fresh takoyaki and smiles after taking a bite, plays a traditional festival game and wins a small plush toy, then watches a spectacular fireworks display with the crowd, capturing her genuine excitement. She ends the vlog by waving at the camera and saying, \"Thanks for coming with me. See you next time. Bye!\" The video should feel natural, cinematic, and realistic with consistent appearance, smooth human motion, and authentic festival atmosphere.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["x", "seedance-2.5", "vlog"],
|
||
"sourceId": "seedance",
|
||
"credit": "@im_shahid7",
|
||
"sourceUrl": "https://x.com/im_shahid7/status/2087407192031068528"
|
||
},
|
||
{
|
||
"id": "seedance:2000-minidv-5cceb6310905",
|
||
"title": "2000 年代 MiniDV 汉江骑行",
|
||
"description": "为 Seedance 2.0 设计的综合性多场景提示词,旨在模仿 2004 年怀旧的手…",
|
||
"image": "https://media.goodcase.ai/media/poster/2000-minidv-5cceb6310905.jpg",
|
||
"mode": "video",
|
||
"prompt": "Main Subject: Young Korean woman, 22, natural appearance, shoulder-length dark brown hair tied in a loose ponytail with wispy bangs. Wearing a light blue oversized hoodie, black cycling shorts, white sneakers, and a small grey crossbody bag.\n\nMinimal makeup, realistic skin texture, warm personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout.\n\nLocation: Quiet bicycle path beside the Han River during a sunny spring afternoon. Cherry trees, green grass, wooden benches, cyclists, joggers, gentle river breeze, distant city skyline, peaceful atmosphere.\n\nVisual Style: Ultra-realistic documentary realism. Genuine candid behavior, natural body language, authentic everyday life.\n\nCamera Style: Early-2000s Sony MiniDV camcorder. Heavy handheld shake, imperfect framing, autofocus hunting, exposure pumping, faded colours, soft contrast, slight motion blur, DV compression artifacts, no stabilization.\n\n00:00–00:03\nShe unlocks a silver city bicycle beside a wooden bench, smiling as wind moves loose strands of hair. Camera briefly focuses on the handlebars before correcting.\n\n00:03–00:06\nShe rides slowly along the riverside path. The camera jogs behind, shaking naturally while struggling to keep her centred.\n\n00:06–00:09\nShe stops beside the river, parking the bike. Resting both hands on the handlebars, she quietly watches the water while cherry blossom petals drift past.\n\n00:09–00:12\nShe drinks from a small bottled water, brushes hair behind her ear, and laughs softly after noticing the camera.\n\n00:12–00:15\nShe gets back on the bicycle, waves casually toward the camcorder, and rides away as the operator lowers the camera. Recording cuts abruptly to black.\n\nAudio: Natural ambience only—birds, bicycle wheels, wind, distant conversations, footsteps, leaves rustling, flowing river, occasional bicycle bell. No music or narration.\n\nGoal: A forgotten MiniDV home video from 2004 capturing a peaceful afternoon bicycle ride along the Han River, warm, imperfect, nostalgic, and completely believable.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@ZephyraLeigh",
|
||
"sourceUrl": "https://x.com/ZephyraLeigh/status/2081195428922708039"
|
||
},
|
||
{
|
||
"id": "seedance:case-30f9477f562c",
|
||
"title": "动画海盗动作序列",
|
||
"description": "一个风格化的 2D 动画提示词,用于表现暴风雨中大帆船上的高强度海盗战斗序列,包含多个…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-30f9477f562c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Premium stylized 2D animated pirate action sequence, bold black ink-outline comic-animation style, flat cel-shaded coloring with dramatic high-contrast lighting, matching a high-end animated game-cinematic look. 15 seconds, fast-cut action-trailer pacing across 12 rapid scenes. Reference: THE CREW (@img1) — CAPTAIN, THE QUARTERMASTER, THE OLD NAVIGATOR — matching each character's exact face, outfit, and design throughout. Location: their own weathered galleon deck, at stormy dusk under bright overcast grey-white daylight (NOT pitch-black night — the storm clouds and rain are dramatic but the scene stays clearly lit throughout), in a torrential storm, under boarding attack from a rival pirate ship.\n\n(0:00–0:01.2) A rival pirate ship looms alongside through fog and rain, a cannon flash bursting bright against the pale overcast storm sky. Wide static low-angle shot.\n\n(0:01.2–0:02.2) THE OLD NAVIGATOR wrenches the ship's wheel hard, rain streaming down his weathered face, the deck tilting as a cannonball splashes close off the bow. Close handheld shot with subtle shake.\n\n(0:02.2–0:03.2) Grappling hooks fly through the rain-streaked air and bite into the deck railing with sharp metallic impacts. Fast tracking shot following a hook mid-flight.\n\n(0:03.2–0:04.2) Rival boarders swing across on ropes between the ships, clearly lit against the bright grey storm sky with a lightning flash adding a brief highlight. Wide low-angle composition, figures fully visible rather than in silhouette.\n\n(0:04.2–0:05.4) THE QUARTERMASTER draws his knife in one fluid, practiced motion, his scarred face clearly lit by the bright overcast daylight, feathers in his bandana whipping in the wind. Fast whip-pan into a tight close-up.\n\n(0:05.4–0:06.6) A sharp, fast knife-fight exchange between the Quartermaster and a boarding pirate — blades flash, coat fabric tears, rain sprays off with the impact of each parry. Tight handheld mid-shot with quick internal cuts.\n\n(0:06.6–0:07.6) THE CAPTAIN strides forward through the surrounding chaos, drawing his cutlass with calm, deliberate confidence, utterly unshaken by the fighting around him. Slow-motion push-in, a deliberate contrast to the frantic energy around him.\n\n(0:07.6–0:08.8) The rival ship's captain steps forward to meet him. The surrounding fight blurs into soft-focus background as a clean, symmetric one-on-one composition forms between the two captains. Wide symmetric two-shot.\n\n(0:08.8–0:10.2) Their blades clash — sparks burst off crossed steel, lit starkly by a cannon-fire flash from the background. Close dynamic shot with a slight dutch-angle tilt, fast cutting energy.\n\n(0:10.2–0:11.4) THE OLD NAVIGATOR, still gripping the wheel, ducks a swinging boom overhead and steadies the ship through a crashing wave, entirely unshaken. Side tracking shot.\n\n(0:11.4–0:13) THE CAPTAIN lands a decisive final strike, disarming the rival captain — his blade spins away and clatters to the deck. Slow-motion close-up on the disarming moment, rain frozen mid-splash.\n\n(0:13–0:15) THE CREW stands victorious as the rival boarders retreat, the Captain plants his cutlass point-down into the deck, all three crew members — Captain, Quartermaster, and Navigator — framed together in a triumphant hero composition, lightning flashing dramatically behind them. Wide pull-back crane shot, rising to reveal the full scene.\n\nOverall: premium stylized 2D/cel-shaded animated quality throughout, bold consistent ink-outline linework and flat shadow blocking across every scene, rapid trailer-style cutting with a deliberately varied camera move per scene, storm-and-cannon-fire lighting as a recurring dramatic beat, all three crew members clearly distinguishable and in-character throughout. 16:9 or 9:16 (pick one), no on-screen text, no watermark.",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@itsshara_ai",
|
||
"sourceUrl": "https://x.com/itsshara_ai/status/2079565454436426187"
|
||
},
|
||
{
|
||
"id": "seedance:case-b723c4e1858e",
|
||
"title": "高端口红美妆广告",
|
||
"description": "一个 8 秒的高端 UGC 口红广告项目,包含美妆镜头、产品微距特写以及展现奢华护肤美…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-b723c4e1858e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, pearl choker, bracelets, rings, and outfit consistency throughout every shot. Replace the jeans with a stylish pleated grey mini skirt while keeping the same top and accessories. Maintain perfect facial consistency and realistic hand anatomy.\n\nCreate an 8-second premium UGC lipstick commercial with elegant beauty cinematography. Warm blush-pink studio background, soft diffused lighting, luxury skincare aesthetic, shallow depth of field, cinematic commercial color grading, photorealistic 4K HDR.\n\nShot 1: Medium beauty shot. She looks directly into the camera while holding a luxury lipstick beside her face with a confident smile.\n\nShot 2: Cinematic macro close-up of the lipstick rotating slowly in her hand. Metallic reflections shimmer across the premium packaging.\n\nShot 3: Close-up as she naturally applies the lipstick to her lower lip while looking into a mirror just outside the frame.\n\nShot 4: Extreme macro of glossy lips. She gently taps her lower lip with her fingertip to blend the product, revealing smooth hydrated texture and natural shine.\n\nShot 5: Side-profile beauty shot. She smiles softly while holding the lipstick near her chin as her hair moves gently from a soft breeze.\n\nShot 6: Full-body shot. Wearing the white fitted sleeveless top and grey pleated mini skirt, she confidently walks toward the camera through a minimalist luxury studio while holding the lipstick naturally.\n\nShot 7: Beauty close-up. She slightly tilts her head, raises the lipstick beside her cheek, and smiles confidently as soft golden highlights illuminate her face.\n\nShot 8: Hero ending. Elegant close-up of her face beside the lipstick. She lowers the lipstick slightly, maintains eye contact with the camera, gives a subtle confident smile, and the camera slowly pushes in before fading out.\n\nStyle: Premium UGC beauty commercial, luxury K-beauty aesthetic, realistic skin texture, glossy lips, elegant natural expressions, cinematic handheld and gimbal movements, macro beauty shots, soft bokeh, commercial-grade lighting, photorealistic, ultra-detailed, 4K HDR, 24fps.\n\nNegative Prompt: No text, no subtitles, no logos, no watermarks, no kissing, no duplicate people, no distorted hands, no deformed lips, no low resolution, no AI artifacts, no cartoon style, no exaggerated makeup, no extra fingers, no flickering, no oversaturated colors.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2077621815598592445"
|
||
},
|
||
{
|
||
"id": "seedance:mrdejie-seedance-ai-79dd031828c7",
|
||
"title": "圣诞老人健身逆袭变肌肉猛男",
|
||
"description": "过程变身蒙太奇",
|
||
"image": "https://media.goodcase.ai/media/poster/mrdejie-seedance-ai-79dd031828c7.jpg",
|
||
"mode": "video",
|
||
"prompt": "THE HUNK SANTA 🎅\n\nEver wonder how Santa will look if he became serious in his fitness journey?\nThe new Santa is ready to serve us with his muscles...\nI mean with his presents 🎁!\nHappy \"ber\" months, everyone!\n\nMade with Seedance 2.5, only on @capcutapp.\n\nPrompt👇\nPhotorealistic 36-second Santa diet-to-reveal video at the North Pole. Cozy Christmas cabin: wooden walls, fireplace, lights, tree, snow outside. Funny and sincere. Start as classic chubby Santa. From CUT 8 onward use @(reference image) as the exact fit muscular Santa. Never show the chubby version after the time skip. No on-screen text, no subtitles, no watermark.\n\n0–2s: Chubby Santa wakes up in bed, sleepy, then sits up.\n2–5s: At the mirror he holds his big belly, shocked.\n5–8s: At a full holiday table he looks happy at the roasted chicken, then pushes it aside and eats vegetable salad with a fork.\n8–11s: He jogs in the snow outside his cabin, heavy but determined.\n11–13s: Shadow boxing in the yard.\n13–15s: Inside, he lifts dumbbells by the Christmas tree.\n15–17s: Push-ups on the rug in front of the fireplace.\n17–20s: Time skip. Low camera. Only fit legs and black boots walk to the door. Face hidden.\n20–22s: Same low shot. He steps outside and closes the cabin door. Face still hidden.\n22–25s: Sleigh packed with gifts. Rudolph and the other reindeer see him and jaw-drop in shock.\n25–28s: Slow tilt from his boots up to his face. Reveal muscular Santa, exact @(reference image).\n28–33s: Fast funny bodybuilder sequence, 5 poses: double biceps, side chest, back double biceps, one-arm flex, most-muscular. Reindeer keep staring.\n33–36s: He drops the pose, says \"Oh, sorry.\" Reindeer laugh. Santa says \"Let's find and reward the Nice kids.\"",
|
||
"category": "process-transformation-montage",
|
||
"sourceId": "seedance",
|
||
"credit": "@mrdejie",
|
||
"sourceUrl": "https://x.com/mrdejie/status/2094622082474852770"
|
||
},
|
||
{
|
||
"id": "seedance:heyfatema-seedance-ai-b3b41609bc87",
|
||
"title": "创业披萨店从清晨到火热营业",
|
||
"description": "过程变身蒙太奇",
|
||
"image": "/inspiration-thumbs/seedance/heyfatema-seedance-ai-b3b41609bc87.webp",
|
||
"mode": "video",
|
||
"prompt": "This isn’t pizza—it’s a cinematic story.\n\nWatch passion rise, bake, and explode.\n\nMade by using GPT Image 2 + Seedance 2.0 on @openart_ai\n\nPrompt 👇\n\nA warm, energetic 15-second ultra-realistic food commercial opens wide on a sunlit neighborhood pizza storefront with glowing signage as a young entrepreneur-chef in a black tee and tan apron unlocks the door and steps into the morning light, a gentle dolly in catching the first excited smile; cut to a tight overhead macro glide across a wooden prep table loaded with fresh mozzarella, tomatoes, basil, mushrooms, pepperoni, onions, and colorful vegetables as clean hands wash and organize the ingredients; cut to a medium anamorphic arc around the dough station as the chef kneads and stretches the dough with growing confidence, flour lifting through warm amber light against stainless counters and the stone oven beyond; cut tighter with a low close-up dolly toward the oven mouth as the pizza slides into orange flame, cheese bubbling and crust turning golden in intense heat; finish with a rising wide reveal from the active counter and branded pizza box handoff to a busy thriving shop, customers gathering, staff moving fast, and the storefront glowing with success in warm amber, tomato red, and basil green commercial polish.",
|
||
"category": "process-transformation-montage",
|
||
"sourceId": "seedance",
|
||
"credit": "@heyfatema",
|
||
"sourceUrl": "https://x.com/heyfatema/status/2093288705448685975"
|
||
},
|
||
{
|
||
"id": "seedance:cupang1997-seedance-ai-ab735378c9e2",
|
||
"title": "莉娅清晨从露台走向乡间小路",
|
||
"description": "手持 UGC Vlog",
|
||
"image": "https://media.goodcase.ai/cases/3220eff0165d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Reference mode:\nUse karakter sheet - location 1 - location 2 (image)\n\n# Seedance 2.5 — Lia Morning Village Home Video — 30 Seconds FORMAT: Seedance 2.5 image-reference-to-video. Duration: exactly 30 seconds. Aspect ratio: 16:9. Photorealistic animated video from still-image references, rendered as believable live-action documentary footage rather than cartoon or CGI. Two continuous documentary scenes with only one intentional hard cut at approximately 17.5 seconds. REFERENCE ROLES: * gambar 1 = strict identity and appearance reference for LIA. Preserve Lia as the exact same adult woman throughout the entire video: same facial structure, eyes, nose, lips, skin tone, freckles/skin details, body proportions, tied-back dark brown hairstyle with naturally loose strands, earrings, white fitted top, brown patterned wrap skirt/sarong, and white sandals. Do not redesign or beautify her. * gambar 2 = strict environment and architectural reference for SCENE 1 only. Preserve the modest Indonesian house facade, open tiled front terrace, roof shape, terracotta roof feeling, columns, doors, windows, front yard, trees, plants, overhead electrical cables, scale, and spatial layout. Do not copy any character identity from this image. * gambar 3 = strict environment and composition reference for SCENE 2 only. Preserve the narrow asphalt village road, rice-field surroundings, village rooftops, utility lamp poles, tropical vegetation, distant green hill, open blue morning sky, and rural Indonesian spatial feeling. Do not copy character identity from this image. GLOBAL CHARACTER LOCK: Lia must remain visually identical to gambar 1 in both locations. Same face, body proportions, hairstyle, outfit, accessories, skin texture, and footwear. Her clothes should behave like real cotton and woven fabric, slightly worn and everyday rather than glossy or fashion-perfect. Lia's personality is relaxed and naturally playful. When she talks she becomes noticeably more excited and expressive: bright eyes, quick eyebrow lifts, small head tilts, spontaneous smiles and teasing expressions. Natural Indonesian speech with a light authentic Javanese-Indonesian accent, lively and conversational, never theatrical or caricatured. CAMERAMAN: The cameraman is always physically behind the camera and NEVER appears on screen, in reflections, windows, shadows, or background. His voice is recorded naturally from directly behind the camcorder. When the cameraman speaks, Lia does not lip-sync his dialogue. Lia only reacts with natural eye movement, a small smile, breathing, or subtle head movement. Only Lia's own spoken lines animate Lia's lips. VISUAL STYLE: Ultra-realistic documentary realism. Genuine candid behavior. Unscripted everyday slice-of-life feeling. Natural imperfect body language. Deep environmental authenticity of a rural Indonesian morning. The result should feel like a forgotten family home video recorded in Indonesia in the early 2000s: warm, mundane, affectionate, slightly funny, imperfect and deeply believable. Output may be high-resolution / 8K master quality, but the acquisition aesthetic must strongly emulate an early-2000s consumer DV camcorder: warm slightly faded colors, soft contrast, mild sensor noise, subtle digital compression, limited highlight latitude, natural motion blur, very mild rolling shutter, slightly imperfect white balance, no glossy modern HDR, no modern cinematic color grade, no beauty filter, no excessively shallow depth of field. HUMAN-OPERATED CAMERA: Camera movement must feel physically operated by a real friend holding a consumer camcorder. Use: subtle hand tremor, natural breathing drift, slightly imperfect horizon, small delayed reframing, occasional lens breathing, brief autofocus searching caused by subject movement, minor exposure pumping when moving between shade and bright sunlight. Every camera imperfection must have a physical reason. No gimbal stabilization. No drone. No orbit. No crane. No perfect tracking. No dramatic cinematic push-ins. No stylized speed ramp. No artificial cinematic camera choreography. SCENE 1 — TERRACE MORNING, based on gambar 2 00:00–00:02.8 Begin immediately with Lia already seated casually on the front terrace of the house from gambar 2. Use a loose eye-level medium-wide three-quarter shot, as if the cameraman is standing several steps in front of the terrace. Lia sits relaxed on the existing porch seating, shoulders loose, one foot slightly forward. Her LEFT hand naturally holds a simple glass cup of dark morning coffee. Her RIGHT hand holds one lit cigarette between index and middle finger. Keep object ownership consistent: coffee always remains in the left hand until she puts it down, cigarette remains in the right hand until she extinguishes it. A thin natural stream of cigarette smoke rises and bends with the morning air. Lia briefly takes a small sip of coffee, lowers the glass, casually looks toward the cameraman behind the lens and gives a tiny amused smile. Camera is not perfectly centered and slowly drifts a few centimeters while the operator settles his grip. Tropical morning sunlight illuminates the yard while Lia remains partially under terrace shade. Moving leaves create soft shifting dappled shadows. Exposure reacts slightly to the bright yard behind her. 00:02.8–00:04.5 CAMERAMAN speaks from behind the camera, playful and casually surprised: \"widiihh lia santai amat\" The cameraman remains completely off-screen. While listening, Lia keeps her lips closed except for a tiny amused smile. She glances toward the lens/operator, lightly raises her eyebrows and relaxes the cigarette hand near her knee. 00:04.5–00:09.7 LIA answers, conversational and excited with a natural light Javanese-Indonesian accent: \"iya mas pagi hari itu wajib ngopi dan udud kalau ga bisa pusing loh\" Accurate Indonesian lip sync ONLY for Lia. She speaks while sitting naturally rather than performing for camera. Small head movement, lively eyebrows, natural blinking, relaxed shoulders. She gestures once gently with the cigarette hand without waving it excessively. Smoke responds naturally to the movement. Toward the end of the sentence she gives a teasing half-smile. After finishing the spoken line, she takes a tiny relaxed breath; do not make her drink while her mouth is actively speaking. The camera operator makes a very small late correction to keep her face centered. Autofocus briefly breathes, then settles back on Lia. 00:09.7–00:11.5 CAMERAMAN asks from behind the camera: \"habis udud mau kemana lia?\" Lia remains silent while he speaks. No Lia lip-sync. She tilts her head slightly, looks amused and shifts her weight forward as if preparing to get up. 00:11.5–00:14.5 LIA answers with growing excitement and a playful inviting expression: \"ayo ikut aku mancing mas mauu?\" Accurate lip sync. On \"mauu?\" she lifts her eyebrows, smiles toward the cameraman and leans forward slightly, inviting him to follow. Keep the delivery spontaneous, like talking to a real friend, not presenting to an audience. 00:14.5–00:17.5 Dialogue pauses. Lia naturally completes the current activity before leaving. First she places the coffee glass down with her LEFT hand on the nearby terrace surface. Then she taps the cigarette once and extinguishes the cigarette completely in a small simple ashtray using her RIGHT hand. The cigarette state changes from LIT to EXTINGUISHED only after visible contact with the ashtray. After this moment there is no new cigarette smoke. She plants both sandal-covered feet firmly, shifts her weight forward, stands with believable human balance, straightens her skirt naturally and takes her first step away. Realistic cloth movement and hair secondary motion. Foley: soft glass contact, small ashtray tap, woven skirt rustle, sandal movement. CUT LOGIC: At approximately 00:17.5, make ONE simple hard cut after Lia has fully stood and started leaving. No transition effect. No dissolve. No montage. SCENE 2 — VILLAGE ROAD WALK, based on gambar 3 00:17.5–00:21.7 Hard cut directly to Lia already walking along the narrow asphalt village road from gambar 3. Camera follows approximately 2–3 meters BEHIND Lia at natural walking height. Medium-wide rear follow framing shows Lia's full walking movement and enough environment to clearly recognize the road, fields, utility poles, rooftops, tropical vegetation and distant green hill. The cameraman walks behind her, producing gentle vertical footstep bob, mild hand tremor and slightly imperfect framing. Lia walks at an unhurried natural pace. Real heel-to-toe steps. No sliding feet. Her patterned woven skirt reacts naturally to each stride. Her tied-back hair and loose strands respond subtly to the breeze. The cameraman occasionally falls a fraction behind, then naturally catches up. Do not turn this into a smooth professional tracking shot. 00:21.7–00:24.2 Without stopping completely, Lia slows slightly and turns her head and upper torso back over her shoulder toward the cameraman. The movement begins with her eyes, then head, then shoulders. Her lower body continues moving forward slowly. Because she unexpectedly turns back, the camera reacts a little late. Framing briefly drifts off-center and autofocus searches for her face for a fraction of a second before locking. LIA speaks toward the cameraman with teasing curiosity: \"mas mau tau aku kemana?\" Accurate natural lip sync. Excited light Javanese-Indonesian delivery. Playful half-smile. 00:24.2–00:25.4 CAMERAMAN responds from behind the camera: \"kemana tuuuuh\" He remains completely off-screen. Lia's mouth stops speaking while his line is heard. She keeps looking back with a mischievous expression, suppressing a laugh. Camera continues physically walking behind her with natural small shake. 00:25.4–00:29.2 LIA gives the punchline: \"aku mau cari om om loh mas eee\" She delivers it playfully and excitedly, building toward the final \"eee\". Accurate Indonesian lip sync. Immediately after finishing \"eee\", she bursts into a genuine spontaneous laugh. Her shoulders bounce naturally from laughter. She briefly squints, smiles widely and turns her face partly forward again while still chuckling. The laugh feels uncontrolled and candid, not like scripted acting. The cameraman reacts physically by momentarily losing perfect framing while continuing to walk. The camera dips slightly and catches up again. Do not add any new spoken words. 00:29.2–00:30.0 Lia is still walking and laughing softly. She begins turning her attention forward again while the cameraman follows. The framing drifts slightly toward one side because the operator is walking and laughing/reacting behind the camera. End imperfectly: the recording abruptly cuts to black MID-MOTION at exactly 30 seconds, without a polished ending, fade-out, pose, title or outro. ENVIRONMENTAL AUTHENTICITY: The environment must feel alive but never distract from Lia. SCENE 1 background: subtle tropical leaves moving in morning air, occasional distant motorbike passing outside the main foreground, one distant resident casually sweeping with a traditional broom when composition permits, small household plants moving, occasional water drip, overhead electrical cables, terracotta roofing, weathered concrete, real glass and ceramic surfaces, one cat may briefly react or cross far in the background only if naturally integrated. SCENE 2 background: rice and grasses moving gently in the breeze, distant village activity, occasional far motorbike, subtle birds, coconut or tropical foliage moving, utility poles remaining stable, no crowds, no staged extras. Background activity must continue independently of Lia as if the village exists beyond the scene. LIGHTING: Natural tropical morning light only. SCENE 1: bright morning yard with softer shade beneath the house terrace. Dappled foliage shadows shift subtly. Consumer camcorder exposure pumps very slightly when framing includes more bright yard or shaded Lia. SCENE 2: strong but natural morning daylight matching gambar 3. No artificial key light. No rim-light setup. No cinematic backlighting. Exposure may briefly adjust when Lia's face turns from forward light to backward-facing light. PHYSICAL MATERIAL DETAIL: Real skin texture with pores and tiny imperfections. No plastic skin. White cotton top moves subtly with breathing. Patterned woven skirt has visible fabric weight and folds. Sandals flex naturally at the feet. Concrete and tiled terrace retain worn real-world texture. Coffee is contained inside a real glass with believable reflections. Cigarette paper, ember and ash behave realistically before extinction. Terracotta roofing, asphalt, dry grass and green vegetation retain physically believable texture. AUDIO: Zero music. Zero narration. No voice-over other than the naturally recorded off-screen cameraman dialogue. No added soundtrack. Use authentic layered location sound. SCENE 1 close layer: Lia's clothing rustle, subtle breathing, glass touching the porch/table, small cigarette and ashtray contact, sandals shifting. Medium layer: broom brushing ground, occasional water drip, leaves rustling. Far layer: rooster crow, distant motorcycle, soft rural morning ambience. SCENE 2 close layer: Lia's sandal footsteps on asphalt, woven skirt swish, breathing and genuine laughter. Medium layer: grass and leaves moving in the breeze. Far layer: occasional rooster, distant motorcycle, birds and rural village ambience. Dialogue must remain clearly intelligible but retain realistic camcorder microphone perspective. The cameraman's voice should sound close to the microphone because he is holding the camera. Lia's voice becomes slightly more spatially distant during the rear-follow scene while remaining clear. MOTION QUALITY: Natural human-scale acceleration and deceleration. Stable foot contact. Correct left/right limb ownership. Real body weight and balance. Natural hip and shoulder counter-motion while walking. Believable hair and cloth secondary motion. No floating. No rubber limbs. No foot sliding. No teleporting. No sudden speed changes. CONTINUITY: Lia remains the exact same person from gambar 1 throughout both scenes. Same: face, skin, hair, hairstyle, body proportions, earrings, white top, brown patterned wrap skirt, white sandals. SCENE 1 prop continuity: coffee = left hand until placed down. cigarette = right hand until visibly extinguished. After Lia leaves the terrace: coffee remains behind at the house. cigarette remains extinguished at the house. Neither object appears in Lia's hands on the road. SCENE 2 begins only after the intentional hard cut. Do not visually morph gambar 2 into gambar 3. NEGATIVE CONSTRAINTS: No identity drift or face redesign. No hairstyle change. No wardrobe change. No changing Lia's body proportions. No beauty filter or plastic skin. No duplicate Lia. No cameraman visible anywhere. No random foreground characters interacting with Lia. No incorrect speaker lip-sync. Lia's lips stay silent during cameraman dialogue. No extra dialogue. No subtitles. No captions. No watermark. No logos. No duplicate coffee glass. No switching coffee between hands. No duplicate cigarette. No switching cigarette between hands. No cigarette magically relighting after extinction. No cigarette smoke during the road scene. No random location morphing. No unexplained teleportation. No random jump cuts. Only one intentional hard cut between the terrace and road scenes. No gimbal stabilization. No cinematic orbit. No drone shot. No glossy cinematic grading. No modern HDR look. No dramatic lens flare. No artificial slow motion. No speed ramps. No background music. No narrator. FINAL GOAL: A believable forgotten early-2000s Indonesian home video — candid, imperfect, funny, warm and unscripted. It should feel as though a real friend casually picked up a consumer DV camcorder one tropical morning, found Lia drinking coffee and smoking on her terrace, chatted with her spontaneously, then followed her down a village road while she jokingly teased the cameraman. The viewer should feel that life in the environment continues naturally whether or not the camera is recording.",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@Cupang1997",
|
||
"sourceUrl": "https://x.com/Cupang1997/status/2091438364545446209"
|
||
},
|
||
{
|
||
"id": "seedance:case-429309e40d97",
|
||
"title": "建筑空间改造延时摄影",
|
||
"description": "一段精准的视频提示词,用于制作无缝衔接的建筑改造动画,展示从毛坯混凝土房间到奢华室内空…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-429309e40d97.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second seamless architectural space renovation animation.\n\nThe camera remains completely fixed in the exact same position, angle, focal length, perspective, and composition throughout the entire video. No camera push-in, pull-out, panning, rotation, zoom, handheld shake, or reframing. Room dimensions, walls, windows, doors, ceiling height, and structural layout remain completely unchanged throughout the transformation.\n\n0–3 seconds:\nThe scene begins as a rough, unfinished interior with exposed cement walls, raw concrete flooring, exposed ceiling, visible construction materials, and an empty space. Dust settles naturally while the environment remains static. The floor installation begins, gradually spreading from left to right until the entire concrete floor transforms into premium microcement or elegant large-format light grey tiles.\n\n3–6 seconds:\nWalls and ceiling begin transforming simultaneously. Rough cement walls smoothly become perfectly finished creamy-white walls. Wood veneer panels, decorative wall mouldings, built-in storage cabinets, TV feature walls, suspended ceiling structures, recessed lighting channels, and hidden LED strip lighting appear naturally in their correct architectural positions as though installed by invisible craftsmen.\n\n6–9 seconds:\nElectrical fixtures, doors, window frames, skirting boards, switches, sockets, and architectural details complete themselves with realistic construction logic. Ambient lighting gradually powers on, filling the room with soft, warm illumination while maintaining a natural daylight balance.\n\n9–12 seconds:\nFurniture and soft furnishings assemble sequentially. Luxury sofas, coffee tables, dining furniture, rugs, curtains, indoor plants, decorative artwork, lighting fixtures, books, cushions, and decorative accessories naturally move into place piece by piece, resembling a real construction and interior installation time-lapse.\n\n12–15 seconds:\nThe renovation reaches its final premium interior design. Every object settles perfectly into position while the lighting subtly adjusts to create a luxurious atmosphere. The completed room remains perfectly still for the final second, allowing viewers to appreciate the finished transformation.\n\nOverall style:\nUltra-realistic architectural visualization, photorealistic materials, premium luxury interior design portfolio quality, realistic construction time-lapse, physically accurate lighting, smooth seamless transitions, natural installation logic, cinematic realism, highly detailed textures, clean modern luxury aesthetic, 8K quality.\n\nNegative prompt:\nPeople, workers, text, logos, watermarks, camera movement, zoom, panning, rotation, handheld shake, changing room dimensions, structural deformation, floating objects, object misalignment, duplicate furniture, unrealistic assembly, blurry, low quality, flickering, artifacts, oversaturated colors, distorted perspective.",
|
||
"category": "process-transformation-montage",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Naiknelofar788",
|
||
"sourceUrl": "https://x.com/Naiknelofar788/status/2081371164728041980"
|
||
},
|
||
{
|
||
"id": "seedance:case-3bdeb046587d",
|
||
"title": "电影感晨间健身日常",
|
||
"description": "一个 15 秒的电影感 GRWM 视频提示词,用于户外晨间健身,并保持参考角色的身份一…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-3bdeb046587d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Using the attached character reference, create a 15-second ultra-realistic cinematic GRWM (Get Ready With Me) video featuring the exact same young Korean East Asian woman with consistent facial features, hairstyle, glowing skin, body proportions, and identity throughout the sequence. She wears a white fitted athletic crop top, high-waisted red leggings, white running sneakers, a lightweight smartwatch, and a high ponytail throughout the outdoor workout.\n\nThe video opens with her peacefully waking up in a bright modern bedroom as soft sunrise light streams through the curtains. She smiles, stretches naturally, washes her face, brushes her teeth, completes a quick skincare routine, and changes into her white crop top and red leggings. She ties her hair into a neat high ponytail, fastens her smartwatch, laces her sneakers, picks up a yoga mat, reusable water bottle, and wireless earbuds, then heads outside.\n\nShe steps onto a lush green lawn surrounded by blooming flowers and tall trees glowing in the golden morning light. She begins with gentle stretching, yoga poses, squats, lunges, planks, push-ups, jumping jacks, and light jogging across the grass. Cinematic tracking shots capture realistic hair movement, natural breathing, and dew sparkling beneath her shoes. Macro shots highlight her smartwatch tracking heart rate, shoes brushing fresh grass, hands reaching toward the sky, and sunlight illuminating her face.\n\nAfter finishing her workout, she drinks water, sits cross-legged on the yoga mat for mindful breathing, smiles peacefully, then returns home. She prepares a fresh strawberry smoothie in a modern kitchen, pours it into a glass, walks to a sunlit window, notices the camera, smiles warmly, raises the smoothie toward the viewer in a friendly toast, and enjoys the peaceful morning as the camera slowly pulls back.\n\nUse smooth cinematic transitions, seamless match cuts, gentle handheld and gimbal camera movement, shallow depth of field, premium lifestyle cinematography, realistic skin texture, natural hair physics, physically accurate sunrise lighting, warm golden-hour atmosphere, glossy commercial-quality color grading, 4K HDR, 16:9, with natural ambient audio only (birds chirping, gentle breeze, rustling leaves, footsteps on grass, breathing, water bottle opening, smoothie blending), no background music, subtitles, logos, watermarks, or on-screen text.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2081222954659234074"
|
||
},
|
||
{
|
||
"id": "seedance:case-cbb9868317f8",
|
||
"title": "芒果汁商业广告",
|
||
"description": "一份全面的提示词,用于制作 20 秒的高端芒果汁商业广告,呈现热带夏季美学、逼真的产品…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-cbb9868317f8.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, pearl choker, bracelets, rings, and facial consistency throughout every shot. Replace the jeans with a stylish white pleated mini skirt while keeping the fitted white sleeveless crop top. Maintain realistic hand anatomy and natural expressions.\n\nCreate a premium 20-second mango juice commercial with a bright tropical summer aesthetic. The hero product is a realistic branded mango juice bottle with a vibrant orange label featuring fresh mango illustrations, green leaf accents, and a modern fruit juice logo. The bottle design remains identical in every shot.\n\nThe video opens with the girl already on screen, smiling warmly while holding a fresh ripe mango beside her face. She playfully tosses the mango upward, catches it, and it seamlessly transforms into the branded mango juice bottle. She smiles confidently and says, \"Taste summer in every sip.\"\n\nCinematic macro shots highlight the premium bottle covered in sparkling condensation. Fresh mango cubes, juice splashes, and golden droplets burst around the bottle as sunlight reflects beautifully across the label.\n\nShe takes a refreshing sip before walking through a vibrant tropical fruit market wearing her white crop top and pleated mini skirt. Smooth tracking shots capture her browsing colorful fruit stalls, smiling at vendors, and naturally carrying the branded juice bottle.\n\nThe scene transitions to a lush mango orchard where she picks ripe mangoes straight from the trees while holding a basket of fresh fruit. She sits beneath the trees with friends enjoying a picnic, laughing together as everyone drinks from the same branded mango juice bottles.\n\nThe final golden-hour scene shows her standing in the orchard with the sunset behind her. She extends the chilled mango juice bottle toward the camera with a bright smile and says,\n\n\"Pure mango. Pure happiness.\"\n\nThe camera slowly pulls back, revealing glowing mango trees, warm sunset light, and friends celebrating together.\n\nStyle: Premium beverage advertising, luxury commercial cinematography, ultra-realistic fruit textures, realistic liquid physics, cinematic handheld and gimbal movements, shallow depth of field, vibrant tropical colors, glossy product photography, photorealistic 4K HDR, premium brand campaign quality, 16:9 widescreen.\n\nNegative Prompt: No text overlays, no subtitles, no watermarks, no distorted hands, no duplicate people, no deformed bottle, no AI artifacts, no blurry label, no low resolution, no cartoon style, no flickering, no oversaturated colors.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2080520939989811413"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-f3651857750b",
|
||
"title": "Seedance 2.5 生成马尔代夫骑行纪录片长镜头",
|
||
"description": "作者用 Seedance 2.5 生成马尔代夫度假村骑行的 18 秒纪实跟拍,以两秒一…",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-2-5-f3651857750b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Gritty Ciné Vérité, handheld tracking shot, 35mm natural grain, soft tropical daylight, real documentary energy, subtle camera shake and breathing, Maldives luxury island resort, turquoise water and white sand everywhere.\n\nshot locked on a beautiful young woman with sun-kissed skin, long flowing dark hair, wearing a minimal black high-cut swimsuit and light sandals, riding a simple white beach bicycle at casual pace. She pedals naturally, relaxed posture, soft smile, hair and swimsuit fabric moving with the wind and motion.\n\nTIMELINE\n\n0-2s: [Wide tracking] She rides out from a wooden villa path. A staff member in white uniform waves as he passes with a tray of drinks. Two tourists in colourful wraps walk past laughing.\n\n2-4s: Path opens to a lagoon boardwalk. A giant tortoise slowly crosses right in front of her front wheel; she slows, steers around it smoothly. Parrot flies low across frame squawking.\n\n4-6s: [Dynamic tracking] She accelerates past a small open restaurant. Waiters carry plates, a couple of guests turn and smile at her. In the water to the left a manta ray leaps high, splashing hard.\n\n6-8s: She rides onto a sandy path between palms. Two more giant tortoises amble across. A whale breaches far in the lagoon, sending a tall spray of water into the air.\n\n8-10s: [Tracking] She passes a group of tourists taking selfies; one points excitedly at the water. Another manta ray jumps closer, almost parallel to her. Staff member on a golf cart slows to let her pass.\n\n10-12s: [Side tracking] Path curves along the water’s edge. A large whale surfaces and rolls, fin cutting the surface. Bright green and red parrots land on a nearby railing then take off again.\n\n12-14s: [Tracking] She rides through a shaded garden area. A family of tourists steps aside smiling. Another giant tortoise is right on the path; she carefully steers around it while a third manta ray jumps in the background.\n\n14-16s: Open beach path. Two staff members on bicycles pass going the opposite direction, nodding. A whale dives, tail fluke rising high. Parrots fly in a small flock over her head.\n\n16-18s: [Continuous tracking] She continues along the shoreline. More tourists walk past with snorkel gear. Final manta ray jumps dramatically close to the path. She keeps pedalling, wind in her hair, natural and effortless.\n\nPhotorealistic, heavy natural film grain, sharp skin and fabric detail, realistic water physics and animal movement, coherent continuous motion, stable character identity, true cinéma vérité documentary look",
|
||
"category": "timeline-shot-script",
|
||
"tags": ["马尔代夫", "骑行跟拍", "纪实摄影", "时间线提示词"],
|
||
"sourceId": "seedance",
|
||
"credit": "@techhalla",
|
||
"sourceUrl": "https://x.com/techhalla/status/2088099038839316601"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-vlog-30-3b85f315bb08",
|
||
"title": "Seedance 2.5 真实骑行 Vlog:运动相机+前摄+跟拍混剪 30 秒",
|
||
"description": "30 秒竖屏真实骑行 vlog:运动相机、手机前摄、伴随车跟拍三种机位混剪,4K ph…",
|
||
"image": "/inspiration-thumbs/seedance/seedance-2-5-vlog-30-3b85f315bb08.webp",
|
||
"mode": "video",
|
||
"prompt": "确实是跟真的一样一样的😄\n\n30 秒更完整的叙事,Seedance 2.5 又将真实感提升了一个档次🎬\n\nSeedance 2.5 prompt 👇\n\n【风格】真实骑行 vlog(Authentic Cycling Vlog),运动相机 + 手机前摄 + 伴随车跟拍混剪,4K 真实摄影(Photorealistic),阴天柔光,皮肤有汗光与真实毛孔,无美颜无磨皮,竖屏 9:16\n\n【时长】30秒\n\n【场景】雨后山区盘山公路,路面湿滑泛着一层亮光,路侧金属护栏,远处山峦挂着流动的云雾,路边草木上挂着水珠\n\n【角色】骑行者(女性,白色公路头盔,蓝色镜面骑行眼镜,深灰色短袖骑行服(胸前城市街景印花、拉链到底、领口下方夹着黑色运动相机遥控器)、酒红色骑行短裤(侧缝两道白色缝线)、粉色运动手表,黑色碳纤维公路车、黑色刀圈轮组)\n\n【眼镜规则】只有全速骑行的镜头(镜头2、镜头5、镜头6)戴着眼镜;停车和自拍的镜头(镜头1、镜头3、镜头4、镜头7、镜头8)眼镜一律架在头盔前额上,整张脸和眼睛完全露出\n\n【全局约束】全程同一套骑行服与头盔,不换装;汗量随时间递增,不可倒退;行进中双手必须都在车把或手机上,不出现第三只手;不出现其他骑行者抢镜\n\n[00:00-00:04] 镜头1:低角度起步(Ground-level Low Angle)\n\n贴地极低机位,画面下缘是湿漉漉的沥青路面。她单脚撑地停在路边,眼镜架在头盔前额,脸完全露出来,低头看了眼镜头笑了一下。\n\n动作:她双手抬起把眼镜拉到眼睛上戴好,随后双手落回车把,脚扣\"咔\"地扣进踏板,曲柄转动,链条上链,前轮碾过一小片积水,水线甩向镜头两侧。\n\n镜头随车轮向前轻微跟移,湿路面被轮胎压出一道深色湿痕。\n\n音效:脚扣扣合的咔哒声、链条上链、轮胎压水的沙沙声。\n\n[00:04-00:08] 镜头2:侧面伴随跟拍(Car-to-car Side Tracking)\n\n正侧方伴随机位与她等速并行,全身入画。她压低上半身双手握下把,背部拉平,膝盖上下抽动,蓝色镜面眼镜戴在眼睛上。\n\n背景的护栏和云雾山体在她身后横向快速拉过,形成速度线。\n\n细节:额角渗出第一层汗,骑行服背部中缝出现一小块深色汗渍。\n\n[00:08-00:12] 镜头3:路边停车自拍(Front Camera Selfie POV)\n\n手机前置摄像头视角,画面轻微广角畸变。她已经停在路边单脚撑地,先用双手把眼镜推回头盔前额,露出整张脸和眼睛,再拿起手机举在斜前方。\n\n动作:她冲镜头咧嘴笑,喘着气对镜头说了句什么,说话时肩膀随呼吸起伏,另一只手扶着车把稳住车,接着用举手机的那只手把镜头转向前方,扫过弯道和云雾山景,再转回自己脸上。\n\n细节:额头和鼻尖有明显汗光,眼睛清晰可见,鬓角碎发被汗黏在脸上,风把耳边的碎发往后吹。画面有真实手持抖动和风噪爆音。\n\n[00:12-00:16] 镜头4:360全景环绕(360 Action Cam / Invisible Selfie Stick)\n\n模仿360全景运动相机效果,轻微鱼眼畸变,自拍杆被完全抹除。她仍在路边停着,双脚撑地跨在车上,眼镜架在头盔前额。镜头悬在她斜上方约一米处,围着她和车缓慢转一整圈。\n\n画面依次转过:她的正脸和头盔顶、身后的湿路面和护栏、车尾和后轮、路侧的云雾山谷、再回到正脸。\n\n动作:转到正脸时她抬头看镜头,笑着抬手做了个\"往前走\"的手势,另一只手扶着车把。\n\n细节:手臂皮肤上有细密汗珠,手表带内侧一圈汗渍。\n\n[00:16-00:20] 镜头5:爬坡喘息特写(Handheld Close-up / Uphill)\n\n侧面近景,只拍她的脸和肩膀,背景是缓慢后退的山体和护栏。坡度明显,她重新戴上了眼镜,踩踏频率变慢变重。\n\n动作:她咬着牙站起来摇车,双手死死握住车把,上半身左右摆动,嘴张开大口吸气,颈侧血管随呼吸起伏。一滴汗从太阳穴滑到下颌,被风甩飞。\n\n细节:整件骑行服前胸和后背已经湿透变成深色,紧贴身体,头盔带上有一圈汗渍,镜面眼镜下缘起了一层薄雾。\n\n[00:20-00:23] 镜头6:下坡第一视角(Handlebar POV / First-person)\n\n车把固定机位,第一人称视角。画面能看到黑色车把、缠着的把带、码表屏幕和她握把的双手。\n\n动作:车头快速冲下弯道,视线随身体压弯向左倾斜,路侧护栏和树木在画面两侧飞速掠过,前轮压过一小段积水溅起水花。她的手指按下刹车把,速度略降后再次放开。\n\n风噪骤然放大,画面因高速产生轻微抖动和边缘模糊。\n\n[00:23-00:27] 镜头7:终点擦汗(Static Medium Shot)\n\n固定机位中景。她把车靠在护栏上,跨下车,摘下头盔单手拎着,眼镜随头盔一起摘下来挂在手指上,另一只手把汗湿的刘海往后一捋,头发湿成一缕缕黏在额头上。\n\n动作:她放下头盔,双手拿起水壶仰头灌了一大口,水从嘴角流下脖子,用手背抹了一下下巴,然后长长呼出一口气,肩膀垮下来。\n\n细节:脱头盔后头顶有明显压痕,脸颊通红发亮,眼睛周围有被眼镜压出的浅印,颈侧和锁骨有汗流下来的亮线。\n\n[00:27-00:30] 镜头8:收尾比耶(Low Angle Pull-back)\n\n低角度仰拍,她重新戴回头盔,眼镜架在头盔前额,整张脸露出来。她站在车旁,一只手扶着车座,另一只手举到脸侧比耶,冲镜头笑,还带着喘。身后是整片流动的云雾山谷和湿亮的盘山公路。\n\n镜头缓缓向后下方拉远,人和车缩到画面下三分之一,山雾在她身后慢慢向上翻涌。\n\n音效:全程链条声、变速器咔哒声、轮胎压水声、真实的粗重呼吸声与风噪,背景无音乐,最后两秒只留下风声和喘息声。",
|
||
"category": "timeline-shot-script",
|
||
"tags": ["vlog", "vertical-video", "structured-prompt", "multi-camera"],
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2086014766846275817"
|
||
},
|
||
{
|
||
"id": "seedance:case-1f7a27e4c448",
|
||
"title": "夏季饮品商业电影感短片",
|
||
"description": "一款专为 Seedance 2.0 设计的高端电影感饮品广告提示词,包含角色参考锁定及…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-1f7a27e4c448.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, skin tone, body proportions, and natural expressions throughout. She wears a white fitted crop top, emerald green pleated mini skirt, white sneakers, silver jewelry, and sunglasses resting on her head. Bright summer afternoon, colorful downtown plaza with murals, fountains, palm trees, and skate park. Premium commercial cinematography, vibrant green-and-white Sprite-inspired color palette, photorealistic 4K HDR, 16:9.\nThe video opens with her smiling confidently at the camera while balancing an ice-cold Sprite can on her palm. She flips the can into the air, catches it effortlessly, and pops it open with a crisp \"pssst!\" A cinematic macro shot captures sparkling fizz, crushed ice, lime slices, and condensation glistening in the sunlight as she takes a refreshing sip.\nInstantly energized, she laughs while running through dancing fountains, playfully chases floating bubbles, then joins friends at a skate park where she briefly rides a skateboard and celebrates together. Dynamic handheld tracking shots capture genuine smiles, splashing water, and carefree summer energy.\nThe final hero shot shows her stepping toward the camera, holding the chilled Sprite can close to the lens as the fountain sparkles behind her. She smiles and says,\n\"Stay cool. Stay fresh.\"\nNatural ambient audio only: can opening, fizzy bubbles, splashing fountain water, skateboard wheels, footsteps, laughter, birds, gentle breeze, and city ambience. No background music, no subtitles, no logos, no watermarks, and no on-screen text (except the Sprite branding on the can). Premium beverage advertising, realistic liquid physics, cinematic handheld and gimbal movement, shallow depth of field, vibrant summer storytelling.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2081383131668701519"
|
||
},
|
||
{
|
||
"id": "seedance:pov-vlog-c94d5709daa4",
|
||
"title": "复古日式 POV Vlog",
|
||
"description": "一款为 Seedance 2.0 设计的 21 世纪初 MiniDV 摄像机怀旧风提示…",
|
||
"image": "https://media.goodcase.ai/media/poster/pov-vlog-c94d5709daa4.jpg",
|
||
"mode": "video",
|
||
"prompt": "POV MiniDV camcorder vlog filmed entirely by the main character herself. The camcorder is never visible. Authentic early-2000s DV tape aesthetic with soft analog blur, subtle tape grain, faint tape hiss, slight colour bleed, blooming highlights, autofocus hunting, exposure breathing, muted contrast, imperfect white balance, realistic skin texture, natural motion blur, handheld shake, crooked framing, delayed focus, accidental head crops, awkward zooms, and genuine human camera movement. Documentary style, not cinematic perfection.\n\nMain Character:\nThe same recurring fictional Japanese woman for every episode. Early 20s, very fair porcelain skin, naturally beautiful, long dark brown-black hair in a loose ponytail with soft face-framing strands, expressive brown eyes, natural makeup, slim petite build, oversized cream hoodie, black leggings, white sneakers, warm smile, playful and slightly clumsy personality.\n\nLocation:\nQuiet Japanese neighbourhood during golden hour, tree-lined sidewalks, small local café, soft evening sunlight, peaceful atmosphere.\n\nScene 1 (0–2s)\nHandheld selfie while leaving home.\n\"Okay... today's mission is simple. One iced coffee... then straight home.\"\n\nScene 2 (2–5s)\nWalking down the street. She notices a fluffy dog, crouches to pet it, laughs.\n\"...No, stay focused... coffee first.\"\n\nScene 3 (5–8s)\nCamera propped on the café counter. She reaches for her pocket to pay and suddenly freezes.\n\"...Wait... where's my wallet?\"\n\nScene 4 (8–11s)\nQuick panic. She checks another hoodie pocket, finds it instantly, bursts into genuine laughter.\n\"Never mind... false alarm!\"\n\nScene 5 (11–15s)\nWalking outside with the iced coffee during golden hour. Takes the first sip, smiles at the camera.\n\"Mission accomplished... see you in tomorrow's chaos.\"\n\nAudio:\nNo background music. Only authentic ambient sounds: birds, footsteps, distant traffic, café ambience, doors opening, soft wind, clothing movement, breathing, laughter, and natural voice.\n\nOverall feeling:\nCozy, wholesome, funny, spontaneous, highly realistic, authentic camcorder diary, social-media-friendly pacing, emotionally warm, subtly humorous, and designed to feel like viewers are spending 15 seconds with a real person rather than watching a scripted video.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@SimplyAnnisa",
|
||
"sourceUrl": "https://x.com/SimplyAnnisa/status/2081342566524486102"
|
||
},
|
||
{
|
||
"id": "seedance:mrdejie-seedance-ai-6f5e8c48fb86",
|
||
"title": "少女穿越变幻世界的连续冒险",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/cases/3f03bbbc0734.jpg",
|
||
"mode": "video",
|
||
"prompt": "20 shots in 30seconds.\nYes! you can do that much with Seedance 2.5!\n\nMade on @lovart_ai \n\nPrompt 👇\nCreate a 30-second cinematic continuous one-shot where both the world and the character are constantly moving. The transformation must never feel like a girl simply walking while backgrounds change. Her body, momentum, balance, position, and reactions should actively cause or motivate each transition. No cuts, no fades, no dissolves. The camera may whip, orbit, dive, roll, pass behind objects, move overhead, go low to the ground, rush toward her, or briefly lose sight of her behind foreground elements, but it must remain one physically continuous shot.\n\nCharacter: A realistic Japanese girl in her early 20s. Natural features, long dark hair, athletic and expressive. Casual modern clothes that stay readable as they get wet, dusty, torn, and transformed by each world. Photoreal, not anime.\n\nStart in a bright Candy World. Giant lollipops, frosting hills, candy-cane trees, and sugar dust in the air. The girl hears a rumble and spins around. The camera rushes backward in front of her as she runs toward a gigantic painting of a lava cake. She skids to a stop. Molten chocolate lava suddenly explodes out of the canvas. She dives sideways as real lava-cake flood crashes across the candy floor. The camera drops almost to floor level with the rushing chocolate. She grabs a giant candy bench to stop herself. The bench stretches beneath her hands and becomes a fallen log. The camera swings around her. She is suddenly in the Year of the Dinosaurs, hanging from a tree as a massive dinosaur charges past. She pulls herself up, runs, jumps over a sliding boulder, ducks beneath a swinging vine, then grabs a giant leaf. The camera rises with the leaf. The leaf wraps around her. She tears through it and tumbles onto a paper world. The same leaf is now a huge sheet of folded paper. She rolls across paper mountains, pushes herself up, and immediately begins running as paper buildings unfold around her. The camera races sideways with her. Paper edges whip past the lens and transform into glass. The paper city becomes a modern skyscraper corridor. She runs across glossy floors as windows race past. She loses her footing near an open shaft and falls. The camera dives with her. The glass walls become rough stone. She lands hard inside a prehistoric BC cave. Torches flicker. She crawls forward, then sprints as the cave opens onto an ancient battlefield. Spears and banners rush past. She drops flat as riders leap over her. From ground level a giant war banner falls toward the lens. She grabs its edge. The wind yanks her upward. For a moment she is lifted completely off the ground. As the camera rotates with her, the banner becomes the feathers of a gigantic bird. She is suddenly riding on the big bird’s back high in the sky. She holds on as it banks through clouds. The bird dives. She slips, grabs a talon, then drops. The camera falls with her. She plunges into an underground river. Now underwater, her momentum continues naturally. She swims with the current through a dark cavern, then breaks the surface onto an abandoned island. Skeletons lie scattered across the sand and rocks. She stands, panting, then steps on a glass shard. The island shrinks around her. The camera pulls back as the whole island is revealed inside a giant glass bottle. She is trapped inside the bottle. The bottle tips. She slides, slams against the glass, and the glass becomes a dusty window. She crashes through it into a creepy house. Creaking floors, peeling wallpaper, long hallways. She runs. A door slams open. The house corridors fill with a zombie world. She dodges reaching hands, leaps over fallen furniture, and bursts through a classroom door. She is suddenly in a school classroom. Desks scatter as she sprints across them and jumps through an open window. The camera follows her through the window. She does not land in a yard. She lands on the top of a building. Wind slams her. She runs across the rooftop, then slips off the edge. The camera dives beside her. She hits water. Now underwater again. She swims upward toward a bright shape. When she breaks the surface, she is pulling herself into a pilot’s cockpit of a flying plane. Instruments shake. She grabs the controls, then the plane punches through clouds into a dense forest. The cockpit becomes tree branches. She tumbles through leaves, rolls across moss, and slams onto a mattress.\n\nInstantly she is sitting upright in bed. Morning. Silence. The camera is now extremely close to her face. She gasps awake. For the first time in the entire film, everything becomes completely still. Her bedroom is ordinary. She looks around. She touches the mattress. Checks her hands. Relieved, she lies back down. Then something drips onto her forehead. She looks up. The ceiling above her bed is gently rippling like candy glaze mixed with water. A large shadow slowly moves across it. Her expression changes from relief to disbelief. Then the entire bed suddenly tilts. She grabs the mattress as her alarm clock, pillow, lamp, and furniture begin sliding toward one side of the room. End exactly as she begins sliding out of bed, suggesting that waking up was only another stage of the transformation.\n\nThe action should feel choreographed like a physical adventure. The girl must run, sprint, skid, dive, fall, climb, hang, swing, crawl, jump, roll, swim, land, sit, get thrown through spaces, and briefly become weightless. Her position within the frame should constantly change: close-up, full-body, profile, silhouette, overhead, low-angle, behind her, directly in front of her, underwater, upside down, falling beside her, and orbiting around her.\n\nTransitions should be triggered by her actions. When she grabs something, it becomes something else. When she falls, the next world catches her. When she jumps through an opening, that opening becomes another location. When an object crosses the camera, it transforms while hiding part of the environment.\n\nUse physical match transitions such as:\ncandy bench → dinosaur-era log\ngiant leaf → paper sheet\npaper edges → skyscraper glass\nfalling shaft → BC cave stone\nwar banner → giant bird feathers\nbird dive → underground river\nisland sand → bottle glass\nbottle glass → creepy house window\nhouse door → zombie world\nzombie corridor → classroom\nclassroom window → rooftop\nrooftop fall → underwater\nwater surface → pilot cockpit\ncockpit / clouds → forest branches\nforest ground → bedroom mattress\n\nThe camera movement itself should help generate transitions. A whip-pan can turn one moving object into another. A 360-degree orbit can reveal a completely transformed environment by the time it completes. Passing behind fabric, pillars, people, waves, vehicles, doors, or the girl’s body can briefly obscure parts of the frame while the transformation happens continuously.\n\nDespite the speed, every transformation must remain visually understandable. The result should feel less like a transformation montage and more like one impossible 30-second physical journey in which the girl is being chased, thrown, carried, dropped, and pulled through realities that continuously grow out of one another.\n\nTone: exhilarating, mysterious, playful, cinematic, photoreal, large-scale, dreamlike, and full of wonder.",
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||
"sourceId": "seedance",
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||
"credit": "@mrdejie",
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||
"sourceUrl": "https://x.com/mrdejie/status/2093183799400288336"
|
||
},
|
||
{
|
||
"id": "seedance:im-shahid7-seedance-ai-398c9aa37acf",
|
||
"title": "街头球场变向突破暴扣",
|
||
"description": "运动极限",
|
||
"image": "https://media.goodcase.ai/cases/54d3a5538fe4.jpg",
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"mode": "video",
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"prompt": "REI: A player wearing a deep red and white jacket with beige cargo pants.
TREY: A player wearing an oversized white and teal jacket with loose cargo pants.
THE COURT: An empty urban street basketball court.\nStyle & Atmosphere\nA dynamic presentation in a semi-flat editorial illustration style — bold, heavy brushstrokes, angular geometric rendering, blocks of color, and desaturated neutral concrete tones accented with rich deep red and teal. Warm sunlight shines diagonally from the left, creating clear light-and-shadow contrast with visible, delicate brush textures.\nNarrative Overview\nREI challenges TREY on the empty court and leaves him behind with a crossover move.\nDynamic Description\nA steady push-in shot, medium close-up — REI takes large strides across the cracked asphalt from the left side of the frame and aggressively throws the basketball into TREY's chest. TREY, standing on the right beside the wrapped basketball hoop structure, catches the ball against his chest.\nHard cut to a low-angle, horizontal stabilized tracking shot, medium shot — TREY dribbles low while REI mirrors him closely with intense defensive pressure. The two slide from left to right along the faded free-throw arc. Sneakers screech against the ground as dust rises.\nA whip-pan follows the basketball into an intimate handheld shot — REI performs a sharp crossover, rapidly switching the ball right, left, and right again. TREY's lead foot slips and he stumbles for half a beat. REI tears past his side and drives toward the basket.\nStatic Description\nAn empty urban street basketball court with a faded free-throw area painted onto cracked asphalt. On the right stands an old basketball hoop with a damaged net attached to a wrapped steel pole. Tall concrete walls, chain-link fencing, urban apartment buildings, and rooftop water tanks fill the background beneath a bright blue sky. Warm sunlight from the left casts shadows toward the right.\nAudio\nREI says: “Show me what you got.”\nSound Effects\nThe sound of a basketball hitting a chest, sharp sneaker squeaks, and distant low urban ambience.\n\nSecond Scene\nREI: A player wearing a deep red and white jacket with beige cargo pants.
TREY: A player wearing an oversized white and teal jacket with loose cargo pants.
THE COURT: An empty urban street basketball court.\nStyle & Atmosphere\nThe same semi-flat editorial illustration style — bold brushstrokes, angular geometric rendering, blocks of color, muted neutral concrete tones accented by saturated deep red and teal, warm sunlight coming diagonally from the left, strong light-and-shadow contrast, and visible fine brush textures.\nNarrative Overview\nREI breaks through, dunks over TREY, and then shows off while his opponent is on his knees.\nDynamic Description\nHandheld tracking shot, medium shot — REI gathers the ball while moving and explosively drives from left to right toward the basket on the right. TREY is half a step behind, lunging to defend, while motion trails emphasize their speed.\nHard cut to a three-quarter side stabilized tracking shot that cranes upward — REI jumps into the air and violently slams the ball through the damaged net. The warm low-angle sunlight bursts into a glowing halo behind the backboard. The rim shakes from the impact. The camera always remains beside the basket and is never positioned directly underneath it.\nQuick cut to a locked low-angle shot — the basketball drops onto the cracked asphalt and bounces once. TREY is on both knees at the base of the wrapped steel pole, head lowered and shoulders slumped.",
|
||
"category": "sports-extreme",
|
||
"sourceId": "seedance",
|
||
"credit": "@im_shahid7",
|
||
"sourceUrl": "https://x.com/im_shahid7/status/2092933907218092451"
|
||
},
|
||
{
|
||
"id": "seedance:liyue-ai-seedance-ai-10c1ac4f1c20",
|
||
"title": "纸飞机飞越老城四季",
|
||
"description": "Seedance 2.5这场景切换有点丝滑啊, 做了一个小短片:给长大后的我。 主题:…",
|
||
"image": "https://media.goodcase.ai/media/poster/liyue-ai-seedance-ai-10c1ac4f1c20.jpg",
|
||
"mode": "video",
|
||
"prompt": "生成一支15秒、16:9、720p的写实电影质感奇幻短片。全片以同一架米白色手折纸飞机为唯一主角,纸张纹理、折痕、尺寸和飞行方向始终一致。采用一镜到底的低空跟随镜头,镜头位于纸飞机后侧约半米,平稳向前移动,不突然切镜,不穿模。\n\n0至3.5秒,清晨的老城区春日街道,樱花花瓣随微风掠过,纸飞机从一扇打开的教室窗户飞出,镜头立即跟上。柔和晨光,空气清透,只听见风声、远处鸟鸣和很轻的钢琴前奏。\n\n3.5至7秒,纸飞机从一棵近景树冠后掠过,遮挡完成自然转场。街道进入盛夏午后,绿荫浓密,短暂阵雨落下,纸面沾上少量水珠但不破损、不变形。镜头保持相同距离和运动方向,雨声与钢琴节奏略微增强。\n\n7至10.5秒,纸飞机贴近一辆驶过的旧公交车,利用车身遮挡转入深秋黄昏。金黄色落叶沿同一风向卷起,夕阳从画面右侧照亮纸飞机折痕。它短暂下坠后重新被气流托起,动作符合空气阻力,不瞬移。\n\n10.5至15秒,纸飞机穿过一团近景白雾,街道进入安静冬夜,屋檐和路面覆有薄雪。镜头逐渐绕到纸飞机侧前方,露出巷口一名约八岁、穿深蓝棉衣的男孩。他抬手接住纸飞机,低头看见机翼内侧有一行稚嫩铅笔字「给长大后的我」。男孩停顿一秒,抬头望向纸飞机飞来的方向,钢琴只留下一个尾音,画面自然停住。\n\n四季必须发生在同一条街道和同一飞行路径上,建筑空间、屏幕方向和镜头轴线连续。纸飞机全程只有一架,不改变颜色、材质、折法和大小。季节变化只通过遮挡转场、光线、植被、天气与环境声完成。禁止额外纸飞机、人物突然出现或消失、文字乱码、纸张融化、镜头跳切、画面闪烁、平台水印、字幕、旁白和多余对白。",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@liyue_ai",
|
||
"sourceUrl": "https://x.com/liyue_ai/status/2092147008895426977"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-3b9beb9a46d4",
|
||
"title": "Seedance 电影级分手表演提示词",
|
||
"description": "一份为 Seedance 2.5 设计的 15 秒结构化视频提示词,旨在呈现情感细腻的…",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-3b9beb9a46d4.jpg",
|
||
"mode": "video",
|
||
"prompt": "## 一、镜头核心 - 成片时长:约 15 秒。 - 推荐画幅:16:9。原文件是 9:16 教程排版,但其中的人物表演画面本身接近横向 16:9。 - 镜头形式:第三人称、正面越肩构图、一镜到底,不切正反打。 - 景别变化:从近景/胸上景开始,结尾因女主后撤自然变为稍松的中近景。 - 情绪路径:紧张准备 → 听见熟悉问候 → 短暂动摇 → 苦笑掩饰 → 决绝宣告 → 克制退场。 - 核心表演链:刺激(门开、听见男声)→ 理解停顿 → 无意识反应(闭眼、吸气)→ 主动选择(抬眼、苦笑)→ 台词(“WE'RE DONE.”)→ 残留情绪(仍不舍但拉开距离)。 ## 二、人物与场景 ### 女主 参考上传图片 {{Mixed 1}} 外表柔软、干净,真实皮肤质感,不过度磨皮。她来这里之前已经做过决定,但真正见到男主时仍会动摇;表演不是愤怒,而是压住痛苦后的告别。 ### 男主 只以镜头右前方的深色失焦肩部、头部轮廓出现,不露脸、不抢焦、不进入清晰景深。声音温和、亲昵,尚未意识到女主是来结束关系的。 ### 场景与氛围 住宅门口或临近庭院的入口,背景可见柔化的绿色植物、浅灰路面和几颗暖色圆形散景。整体是傍晚前后的自然光感:人物左前方约 45° 的柔和冷白主光,背景带少量暖金色轮廓光。空间安静,空气似乎刚下过雨或带着潮湿感。氛围温柔、克制、疏离,不做强烈戏剧化灯光。 > 说明:焦段与灯光参数是根据画面反推的复拍建议,并非原视频元数据。建议使用全画幅等效 70–100mm 中长焦、较浅景深;焦点始终锁定女主双眼。 ## 三、15 秒连续表演脚本 ### 0.0–0.8 秒|门开,人物被揭示 画面先被男主深色、严重失焦的身体轮廓大面积遮住。门打开后,男主略微向镜头右侧移动,女主从遮挡后被揭示,站在门外,正对男主。机位保持稳定,不突然推拉。 女主没有立刻抬头。她下巴轻收,视线停在男主胸口或门槛附近,嘴唇自然分开一点。身体看似安静,但肩颈带着轻微僵硬,像已经在门外排练过很多次。 声音:轻微开门声、衣料摩擦、安静的户外底噪。 ### 0.8–3.2 秒|用呼吸压住情绪 女主缓慢吸气,动作很小:胸口与锁骨区域轻微抬起,肩膀先绷紧一点,再缓慢落下。她的目光仍向下,眼睑逐渐闭合,闭眼时间略长于正常眨眼。 不要立刻流泪,不要夸张皱眉。只保留两个可见信号:呼吸变深、唇角轻微发紧。她试图把即将失控的情绪压回去。 镜头:固定近景,浅景深,男主虚化轮廓留在画面右侧作为关系压力。 ### 3.2–5.4 秒|听见熟悉的问候 男主画外音自然地说:“Hey, what's up, baby?” 语气轻松、带一点笑意,像平常迎接她一样。 女主先保持闭眼约半秒,让声音真正落进身体。随后喉咙轻轻吞咽,眉心只出现很浅的紧张,不抬头、不回答。她缓慢呼出刚才那口气,嘴唇微动,却没有形成语言。 表演重点:反应必须发生在听见台词之后;熟悉的亲昵让她短暂动摇,但没有改变决定。 ### 5.4–7.5 秒|抬眼,对视,短暂动摇 女主先睁眼,再抬视线,最后才微微抬起下巴,动作分三层完成。焦点从男主胸口缓慢移到男主眼睛。眼神由散乱转为清晰,眼底有湿润感,但泪水不掉落。 她与男主对视后停住。鼻息稍乱,嘴唇轻轻抿合,面部仍然保持克制。镜头不要推进,让观众主动观察她的变化。 ### 7.5–9.3 秒|苦笑成为最后一道防线 女主嘴角极轻地向一侧抬起,形成一个不完整、略不对称的苦笑。笑意只停留在嘴角,没有进入眼睛。她仍望着男主,像在确认自己熟悉的人还在,却也确认这段关系已经无法继续。 苦笑持续不到两秒,随后慢慢消失。消失后不要立刻变成冷脸,仍保留一点不舍和受伤,让悲伤与决心同时存在。 ### 9.3–10.6 秒|宣告结束 女主保持眼神接触,以很轻、很清晰、没有怒气的声音说:“We're done.” 说话前留一个短促吸气;“We're”仍带着残余的温柔,“done”落下时眼神变得更稳定。嘴部动作自然,不刻意咬字,不大幅摇头。台词结束后双唇轻合,停顿半秒。 声音:保留真实呼吸和轻微环境声;不需要煽情配乐,不需要额外字幕。 ### 10.6–13.4 秒|让沉默完成切割 女主继续看着男主,不马上离开。她的表情逐渐回到近乎平静,眼睛仍有水光,下巴轻轻收紧。身体重心开始从前脚转向后脚,显示她准备离开,但上半身还有一点不愿拉开距离的迟疑。 镜头保持停留,不切男主反应。男主仍只是右侧虚焦前景,让观众只能从女主脸上感受这句话的重量。 ### 13.4–15.1 秒|后撤,关系距离被具象化 女主缓慢向后退一至两小步,眼神最初仍留在男主脸上。她的身体在画面中自然变小,景别由近景松到中近景;肩膀放松、站姿重新变直,表情从痛苦转为疏离而坚定。 最后定格状态:女主与男主之间的距离已经被拉开,她没有转身逃跑,也没有情绪崩溃,只用平静的后撤完成告别。焦点仍锁在她脸上,背景与男主保持柔和虚化。 ## 四、摄影执行要点 - 机位在男主肩后、接近女主眼睛高度,男主位于画面右侧前景,女主居中略偏左。 - 始终遵守同一条视线轴,不跳轴、不突然切换主观视角。 - 主要使用固定机位或极轻微的稳定呼吸感;结尾的景别变化来自女主后撤,不用明显变焦。 - 对焦点始终在女主眼睛;男主轮廓、庭院背景和灯光散景保持失焦。 - 曝光保护女主肤色与浅金发丝,避免高光溢出;保留真实皮肤纹理、细小不对称和自然眨眼。 - 每个情绪段只保留 1–3 个可见信号,避免眉毛、眼睛、鼻翼、嘴角同时机械运动。 ## 五、连续性与禁止项 - 女主身份、发型、耳环、项链、灰色翻领针织上衣、体型和年龄感全程一致。 - 男主始终不露脸、不抢焦,不突然变成清晰人物,也不与女主发生肢体接触。 - 不新增眼泪滚落、歇斯底里哭泣、愤怒瞪眼、突然大笑或夸张摇头。 - 不使用正反打、快速推镜、环绕镜头、突然变焦或多机位切换。 - 不改变光线方向、背景空间、两人站位轴线和女主视线高度。 - 不继承原教程视频顶部的参考图、底部滚动文字、平台水印和排版黑边;只复刻其中人物表演画面的镜头与情绪逻辑。",
|
||
"category": "dialogue-performance-beats",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@liyue_ai",
|
||
"sourceUrl": "https://x.com/liyue_ai/status/2090378405288300626"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-d68024212dfc",
|
||
"title": "Seedance 2.5 生成菠萝披萨突袭执法记录仪长镜头",
|
||
"description": "作者用 Seedance 2.5 生成 30 秒连续执法记录仪视角突袭短片,四阶段串联…",
|
||
"image": "/inspiration-thumbs/seedance/seedance-2-5-d68024212dfc.webp",
|
||
"mode": "video",
|
||
"prompt": "【生成目标】\nGenerate a continuous 30-second single-take bodycam video. Core subject is an FBI tactical agent’s first-person POV during a high-risk residential raid. Main event is a real-time dynamic entry and room-clearing operation that ends with the discovery of an active pineapple-on-pizza production line inside a dirty kitchen.\n\n【阶段一 0-6s】\n开始时:Night exterior, rundown two-story house on a neglected urban street under sparse sodium streetlights. Bodycam is chest-mounted on the point agent, slight wide-angle distortion, natural handheld micro-shake. Three other FBI agents in full dark tactical gear with visible FBI patches are stacked tight against the wall beside a weathered front door. Agent’s gloved hands are visible at the bottom of frame holding a ballistic shield and the door-breaching tool.\n主要事件:Loud verbal announcement “FBI! Search warrant!” followed by immediate forced entry. Door is driven open with a single controlled ram strike; the team surges inside in a tight stack.\n结束时:Bodycam crosses the threshold into a dim, cluttered living room. Doorframe still visible at the edges of frame.\n\n【阶段二 6-15s】\n承接上一阶段:Same continuous bodycam POV, same agents, same identity and gear. No cuts.\n主要事件:Fast room clearing through the living area and short hallway. Several disheveled, pale, thin individuals (junkie appearance) are scattered on sofas, floor and against walls. Agents issue clear commands “Hands where I can see them! Get down!” while moving past. Two suspects are already being secured on the floor with hands behind their backs; plastic restraints are applied. Bodycam advances steadily, scanning left and right, flashlight beam briefly cutting across dirty walls and scattered trash.\n结束时:Bodycam reaches the kitchen doorway. Harsh fluorescent kitchen light is now visible ahead.\n\n【阶段三 15-24s】\n承接上一阶段:Unbroken first-person movement into the kitchen. Same agents remaining in formation behind and to the sides.\n主要事件:Kitchen is brightly lit by overhead fluorescents and under-cabinet lights yet extremely dirty. Thick white flour covers every counter surface, the floor, the fronts of cabinets and the clothing of the people inside. Four individuals stand at a large central work table and along the counters, actively slicing fresh pineapple rings with knives and placing the slices onto raw pizza dough bases. Flour dust hangs in the air. Agents flood the room, weapons low but ready, shouting “Nobody move! Hands up! Step away from the table!”\n结束时:All four kitchen workers have raised empty hands. Flour-covered pizza dough and cut pineapple pieces remain clearly visible on the table directly in front of the bodycam.\n\n【阶段四 24-30s】\n承接上一阶段:Same continuous bodycam, same lighting and spatial layout.\n主要事件:Agents begin securing the kitchen workers one by one, guiding their hands behind their backs and applying restraints. Bodycam slowly pans across the work surface, lingering on the flour-dusted dough, the open cans of pineapple, the knives, and the half-assembled pineapple pizzas. Radio chatter is audible in the background confirming “Kitchen clear, subjects in custody.”\n结束时:Final frame holds on a close view of a flour-covered hand being restrained next to a pizza topped with fresh pineapple slices. Bodycam remains steady but still shows natural micro-movement.\n\n【视觉风格与摄影】\nAuthentic real-world bodycam footage only. Continuous single take, no cuts, no slow-motion, no cinematic grading. Slight wide-angle lens distortion, natural motion blur on rapid movement, realistic handheld sway and vertical bob from walking. Exterior is low-key sodium-vapor night lighting with visible grain; interior is harsh, uneven fluorescent practical lighting that keeps everything clearly visible yet still gritty and dirty. Clothing, faces, and environments stay consistent and photorealistic throughout.\n\n【音频】\nNo music. No subtitles.\nLanguage: American English.\nClear radio and verbal commands in natural American law-enforcement cadence:\n{FBI! Search warrant!}\n{Hands where I can see them! Get down!}\n{Nobody move! Hands up!}\n{Kitchen clear, subjects in custody.}\nRealistic ambience only: heavy breathing, boot steps on dirty floors, door impact, plastic restraint zip sounds, distant radio static, kitchen ambient noise of knives on cutting boards and flour being disturbed. Keep all dialogue, footsteps and room tone natural and continuous.\n\n【保持一致】\nSingle continuous first-person bodycam POV of one FBI agent for the entire 30 seconds. Agent count, tactical gear, house layout, lighting direction and the exact number of kitchen workers remain stable. No violence, no blood, no weapons discharged. The only “contraband” activity is the preparation of pineapple pizza under a layer of flour.",
|
||
"category": "pov-continuous-take",
|
||
"tags": ["执法记录仪", "连续长镜头", "菠萝披萨", "分阶段提示词"],
|
||
"sourceId": "seedance",
|
||
"credit": "@techhalla",
|
||
"sourceUrl": "https://x.com/techhalla/status/2088036921184223468"
|
||
},
|
||
{
|
||
"id": "seedance:case-146e12082f4d",
|
||
"title": "智能手表产品生活方式广告",
|
||
"description": "一份高端智能手表生活方式广告提示词,以一位年轻女性在各种日常场景中的表现为特色,具有极…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-146e12082f4d.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an ultra-realistic premium smartwatch commercial featuring the same young Korean woman throughout the entire sequence. Maintain identical facial features, shoulder-length soft ash-brown wavy hair, glowing glass skin, natural makeup, and body proportions in every shot. She wears a fitted white athletic crop top, high-waisted beige tennis skirt, white sneakers, delicate gold hoop earrings, and a premium silver smartwatch on her wrist. Bright summer morning, luxury lifestyle aesthetic, premium commercial cinematography, ultra-realistic storytelling.\n\nThe video opens with the young Korean woman already in frame, smiling naturally toward the camera while walking through a beautiful tree-lined city street. As she approaches the camera, she gracefully raises her wrist toward the lens, revealing the premium smartwatch catching the warm morning sunlight. She gently taps the display, and the screen instantly lights up with an elegant animation. She smiles confidently and says, \"Let's make today count.\"\n\nA cinematic macro hero shot showcases the smartwatch from every angle. Close-ups reveal the premium metal frame, crystal-clear display, rotating crown, textured strap, elegant reflections, and beautifully animated watch face as sunlight glides across the polished surface.\n\nShe continues her morning jog through peaceful parks while the smartwatch tracks her pace, heart rate, calories, and distance. Smooth tracking shots capture her checking workout progress, receiving encouraging fitness notifications, and smiling naturally as she enjoys the run.\n\nThe scene transitions to a stylish café where she effortlessly pays for her coffee using the smartwatch. Cinematic close-ups highlight the contactless payment animation, subtle wrist gestures, and premium design.\n\nLater she walks through vibrant city streets, using the smartwatch for navigation, controlling her music, reading messages, checking the weather, and setting reminders. Natural lifestyle moments show her confidently interacting with the watch without ever reaching for her phone.\n\nGolden hour arrives as she relaxes on a rooftop overlooking the city skyline. She raises her wrist toward the sunset, and the smartwatch display transitions into a beautiful golden watch face. Macro shots emphasize the premium craftsmanship, slim profile, sapphire glass reflections, and luxury finish.\n\nThe final cinematic hero shot shows her smiling warmly toward the camera while gently holding her wrist forward, making the smartwatch the focal point. The camera slowly circles around her before pulling back to reveal the glowing city skyline bathed in golden evening light.\n\nNatural ambient audio only: birds chirping, footsteps, gentle breeze, smartwatch tap sounds, subtle notification chimes, café ambience, coffee machine sounds, city ambience, leaves rustling. No background music, no subtitles, no logos, no watermarks, and no on-screen text.\n\nStyle: Premium luxury smartwatch advertisement, ultra-realistic commercial cinematography, smooth handheld and gimbal camera movement, cinematic push-ins, elegant orbit shots, realistic skin texture, physically accurate lighting, shallow depth of field, luxury lifestyle aesthetic, photorealistic product reflections, 4K HDR, 24fps, 16:9 widescreen.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2080519081959276735"
|
||
},
|
||
{
|
||
"id": "seedance:aiwithminal-seedance-ai-5612b068051f",
|
||
"title": "雨夜车窗上的指尖",
|
||
"description": "",
|
||
"image": "https://media.goodcase.ai/media/poster/aiwithminal-seedance-ai-5612b068051f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic close-up of a delicate feminine hand gently touching a rain-covered car window, tiny raindrops and water trails visible on the glass, blurred city lights glowing in blue, red, and white tones outside, dreamy nighttime atmosphere, emotional and melancholic mood, shallow depth of field, creamy bokeh, soft ambient lighting, realistic skin texture, cinematic color grading, ultra-realistic photography, 85mm lens, f/1.8, HDR, highly detailed, vertical 9:16 composition.",
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithMinal",
|
||
"sourceUrl": "https://x.com/AIwithMinal/status/2093560634822762971"
|
||
},
|
||
{
|
||
"id": "seedance:mayaaicreator-seedance-ai-99e38c199ba8",
|
||
"title": "黏土定格迷你能多益咖啡馆",
|
||
"description": "定格动画节奏",
|
||
"image": "https://media.goodcase.ai/cases/6ba4b46a24b8.jpg",
|
||
"mode": "video",
|
||
"prompt": "A prompt to recreate this stop-motion claymation style AI video:\nSeedance 2.0. \nStyle & Aesthetics\n3D stop-motion claymation style, plasticine texture with visible soft fingerprint smudges, warm soft-box lighting, cozy pastel brown, cream, and warm wooden tones. Miniature diorama scale, tilt-shift depth of field, playful frame-by-frame animation feel.\nScene Sequence & Action\nScene 1 (Base Construction): A minimalist clay base and street tile platform build themselves layer by layer on a beige studio backdrop. Streetlamps and small potted plants pop up around the corners.\nScene 2 (Structure & Branding): A small cafe building forms with brown walls and a striped awning. A large clay Nutella jar drops smoothly onto the top, transforming into the main \"Nutella\" illuminated store logo and roof structure.\nScene 3 (Interior Details): A close-up pan inside showing a miniature espresso machine, shelves lined with mini Nutella jars, and a counter featuring a stack of pancakes topped with chocolate spread, a croissant, and a coffee cup.\nScene 4 (Character Animation): Cute, chibi-style clay characters enter. A young boy and girl sit outside at a tiny wooden table. The boy uses a small knife to spread smooth, glossy Nutella over a stack of fluffy pancakes.\nScene 5 (Final Reveal): Camera zooms out to reveal the full animated diorama: a vibrant, bustling miniature Nutella cafe with outdoor seating, streetlamps glowing, and multiple adorable characters enjoying their treats.\nTechnical Camera & Lighting\nSmooth isometric and eye-level camera transitions, macro lens perspective, warm interior glow mixed with soft ambient studio lighting, high-detail clay texture rendering, 4k resolution, 24fps stop-motion rhythm",
|
||
"category": "stop-motion-cadence",
|
||
"sourceId": "seedance",
|
||
"credit": "@MayaAiCreator",
|
||
"sourceUrl": "https://x.com/MayaAiCreator/status/2091397686104588650"
|
||
},
|
||
{
|
||
"id": "seedance:seharshinwari-seedance-ai-ce8e8937181f",
|
||
"title": "道士少女与巨人的山路追车",
|
||
"description": "3D 卡通",
|
||
"image": "https://media.goodcase.ai/media/poster/seharshinwari-seedance-ai-ce8e8937181f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second cinematic animated short featuring two original fantasy characters: a young female Taoist warrior and her gigantic reluctant giant partner.\nVisual style: high-end Western animated feature film, stylized realism, expressive characters, cinematic lighting, detailed environments, polished 3D animation, natural physics, expressive facial animation, comedic timing, dynamic cinematic camera movement.\nKeep the character designs completely consistent throughout the entire video.\nScene 1, 0-5s: The New Target\nBegin with a quiet atmospheric mountain landscape.\nA gentle mountain breeze passes through the frame. The camera slowly tilts downward, revealing the top of a large woven bamboo conical hat [from the reference image]\nThe girl's long dark hair moves naturally in the wind beneath the hat. The camera continues slowly downward until her face [from the reference image] is revealed.\nShe looks completely calm and slightly annoyed.\nShe picks up the phone and says in a casual, matter-of-fact voice:\n\"He's the new target? Got it.\"\nShe rolls her eyes.\nSubtle wind, distant birds, soft mountain ambience, cinematic silence before the dialogue.\nScene 2, 5-11s: The Reluctant Partner\nCut to a dramatic wide shot.\nThe female Taoist stands on the edge of a huge mountain cliff [from the reference image]. Vast mountains, mist and clouds stretch into the distance.\nBehind her, the gigantic blue-gray stone-skinned giant [from the reference image] is crouching on the ground, taking a rest. His enormous body towers over the landscape.\nShe casually turns toward him and says:\n\"Time to work.\"\nThe giant slowly raises his head with an exhausted expression.\nHe looks deeply annoyed.\n\"I haven't rested enough yet!\"\nHis voice is deep and powerful, but his expression should feel more like an exhausted coworker complaining about overtime than an angry monster.\nThe Taoist remains completely unfazed.\nScene 3, 11-23s: The Car Argument\nCut to the Taoist walking confidently toward a rugged vintage open-top convertible [from the reference image] parked nearby.\nShe gets into the driver's seat, starts the engine and casually says:\n\"Come on, come on. Let's go.\"\nThe giant stands behind the vehicle, looking at the tiny car with disbelief.\nHe complains:\n\"Why do YOU get to drive while I have to run again?\"\nThe Taoist looks back at him without sympathy.\n\"Then build a car big enough for you.\"\nShe immediately turns forward and drives away.\nThe giant stands frozen for a beat.\nThe vehicle disappears down the mountain road, leaving a small cloud of exhaust and dust drifting directly into his face.\nHe slowly wipes the dust from his face with an irritated expression.\nComedic timing, exaggerated facial animation, but grounded physical movement.\nScene 4, 23-30s: The Road Trip\nCut to a beautiful cinematic mountain highway.\nThe Taoist drives the tiny open-top convertible through the winding road.\nFar behind her, the gigantic stone-skinned giant is running after the car.\nHis enormous footsteps shake small pieces of dust from the road.\nThe camera pulls progressively wider, revealing the absurd scale difference between them.\nThe Taoist casually drives ahead, completely relaxed.\nThe giant runs behind her, visibly exhausted and still complaining.\nEnd on a wide cinematic shot of the tiny car and enormous giant traveling together through the vast mountain landscape.\nThe final feeling should be: two completely mismatched partners who somehow work perfectly together.\nCamera language: slow atmospheric opening, dramatic reveal, fast comedic cuts in the middle, energetic tracking shot at the end.\nSound design: mountain wind, subtle birds, footsteps, engine ignition, gravel and tire sounds, giant footsteps, dust, natural environmental ambience. Dialogue should be crisp and clearly synchronized with lip movement.\nNo superhero references, no existing copyrighted characters, no green superhero appearance, no logos, no text overlays.\n#Seedance25 #HIXAI",
|
||
"category": "3d-cartoon",
|
||
"sourceId": "seedance",
|
||
"credit": "@SeharShinwari",
|
||
"sourceUrl": "https://x.com/SeharShinwari/status/2090046273952915887"
|
||
},
|
||
{
|
||
"id": "seedance:johnagi168-seedance-ai-556a7495c74b",
|
||
"title": "Seedance 2.5 健身女孩训练 vlog 短片",
|
||
"description": "健身女孩 vlog 视频📺 Seedance 2.5 prompt 👇 【风格】真…",
|
||
"image": "https://media.goodcase.ai/cases/35da6d19164d.jpg",
|
||
"mode": "video",
|
||
"prompt": "健身女孩 vlog 视频📺\n\nSeedance 2.5 prompt 👇\n\n【风格】真人写实健身房训练短片(Photorealistic Fitness Video),高密度卡点剪辑(Beat-synced Rapid Cuts),运动广告质感,真实力量与器械物理反馈,4K高清,自然皮肤、汗水与布料纹理\n【时长】12秒\n【比例】9:16竖屏\n【场景】现代商业健身房,黑灰色力量器械、深色橡胶地面、大面积墙镜、黑色天花板与连续白色线性灯带;背景仅有少量虚化健身者,不抢镜\n【角色】单女主@图片1;脸型、五官和身材比例严格参考图片。深色长发扎成自然低丸子头,两侧留少量碎发;穿深炭灰色长袖修身短款亨利领运动上衣、灰色高腰修身运动裤、白色罗纹中筒袜、米白色厚底运动鞋\n【声音】无对白、无字幕;节奏清晰的运动电子音乐,杠铃片碰撞声、器械滑轨声、呼吸声与跑步机脚步声精准踩点\n\n[00:00-00:02.25] 镜头1:杠铃硬拉·由局部推进人物(Deadlift Reveal)\n第一帧直接使用低机位特写:女主双手正握杠铃,双脚约与髋同宽,米白色运动鞋稳稳踩在黑色橡胶地面上,杠铃两侧安装相同尺寸的黑色重量片。\n\n女主保持背部自然平直,双脚压住地面,杠铃紧贴小腿向上移动。镜头沿杠铃杆由下向上跟拍(Vertical Tracking),依次经过双手、灰色高腰运动裤、深炭灰色短款上衣,最终来到女主面部。\n\n她通过腿部和髋部同时发力站直,杠铃沿小腿和大腿近距离上升;到达最高点时身体直立、肩膀自然下沉,不夸张后仰。\n\n切面部近景:女主目光集中看向前方,嘴唇微张,短促呼出一口气;额头和脸颊带有少量真实运动汗水。\n\n杠铃在最高点短暂停留,重量片产生轻微晃动,配合一声低沉的金属碰撞。\n\n[00:02.25-00:03.33] 镜头2:第二次硬拉·完整动作(Full Deadlift)\n硬切至侧后方全身中景,女主与完整杠铃同时入画。\n\n女主先向后推髋并弯曲膝盖,身体下降,双手稳定握住杠铃;随后双脚发力,杠铃离开地面,沿着小腿和大腿平稳上升。\n\n完整表现:\n\n向后推髋并降低身体;\n双手握紧杠铃;\n杠铃离开地面;\n杠铃贴近双腿上升;\n女主站直;\n杠铃在大腿前方短暂停顿。\n\n女主全程保持身体稳定,目光向前,头部不随杠铃上下晃动。\n\n[00:03.33-00:04.08] 镜头3:硬拉力量特写(Power Close-up)\n切换至低角度侧后方近景。\n\n女主开始下一次硬拉。镜头重点表现杠铃贴近腿部向上移动、运动裤布料随着肌肉发力产生轻微拉伸,以及重量片受到惯性影响产生的短促震动。\n\n女主站直的一刻精准踩中音乐重拍,随后立即硬切至下一项训练。\n\n[00:04.08-00:05.29] 镜头4:杠铃臀推(Barbell Hip Thrust)\n女主上背部靠在平板训练凳边缘,双脚踩稳地面,膝盖弯曲;一根带有保护垫的杠铃横放在髋部。\n\n低机位侧拍:女主从髋部较低的位置开始,双脚向下发力,把髋部和杠铃稳定推高。\n\n到达最高点时,肩膀、髋部与膝盖形成稳定斜线。髋部短暂停顿,随后控制杠铃缓慢下降。\n\n在约1.2秒内完成一次清楚的臀推动作,不能快速弹跳,不能过度拱腰。双手始终自然扶住杠铃保护垫。\n\n[00:05.29-00:06.70] 镜头5:倒蹬机第一角度(Leg Press)\n女主坐进倾斜式倒蹬机,背部和头部贴住黑色靠垫,双手握住座椅两侧把手。\n\n侧面中景:双脚约与肩同宽踩在踏板中央,米白色厚底运动鞋和白色中筒袜清晰可见。\n\n女主先控制踏板下降,双膝向身体靠近;到达舒适深度后立即反向发力,把踏板平稳推远。\n\n双腿接近伸直时保留轻微弯曲,不完全锁死膝盖。完成一次完整的“屈膝下降→双脚发力→踏板上升”,器械滑轨产生真实机械声。\n\n[00:06.70-00:08.45] 镜头6:倒蹬机连续训练(Leg Press Rhythm)\n切换到更低、更靠近脚部的侧面机位。\n\n女主继续完成两次节奏清楚的倒蹬:\n\n第一次以中等速度下降和推出;\n第二次随着音乐加快,下降稍快、推出更加有力。\n\n镜头重点表现膝盖屈伸、鞋底压住踏板和倾斜滑轨移动。女主的臀部、背部与头部始终贴住靠垫,不能离开座椅。\n\n最后一次推出后,双腿在安全范围内保持约0.2秒,音乐短暂停顿,随即切换到跑步机。\n\n[00:08.45-00:09.50] 镜头7:跑步机脚步卡点(Treadmill Footwork)\n跑步机履带超近特写。\n\n米白色厚底运动鞋交替落在快速向后移动的黑色履带上,白色罗纹中筒袜和灰色运动裤裤脚清晰可见。\n\n左右脚按照音乐节拍连续落地,鞋底每次接触履带后迅速蹬离;其中一个瞬间双脚短暂同时离开履带,形成自然的跑步悬空状态。\n\n镜头贴近履带低角度跟拍(Low-angle Tracking),表现真实脚步冲击、鞋底压缩和履带运动。\n\n[00:09.50-00:10.67] 镜头8:跑步中的面部特写(Running Close-up)\n镜头从跑步鞋快速向上摇至女主上半身与面部。\n\n女主保持稳定跑步节奏,双臂在身体两侧自然前后摆动,肩膀放松;短款上衣和运动裤随着跑动产生细微自然褶皱。\n\n切面部近景:几缕碎发随着跑动轻轻摆动,女主目光看向前方,嘴唇微张、呼吸稍快,脸颊带有少量真实汗水。\n\n动作保持自然克制,不看镜头,不摆拍。\n\n[00:10.67-00:12.00] 镜头9:训练结束·镜前自拍(Mirror Selfie)\n快速硬切至健身房镜前自拍。\n\n女主站在镜子正前方,身体略微侧向镜面,一只手在胸前举着手机拍摄;手机位置低于眼睛,不完全遮住脸。\n\n另一只手向镜子举起大拇指。女主先轻轻抿嘴,随后露出克制满意的微笑,肩膀放松,胸口随着训练后的呼吸轻微起伏。\n\n镜头由上半身缓慢拉远至大腿位置,展示深炭灰色长袖短款上衣、灰色高腰运动裤和自然低丸子头造型。\n\n最后0.4秒保持竖起大拇指的姿势,女主通过镜面看向手机屏幕,定格结束。\n\n【动作与连续性要求】\n训练顺序固定:杠铃硬拉→杠铃臀推→倒蹬机→跑步机→镜前自拍。\n杠铃硬拉必须让杠铃贴近小腿和大腿上升,不能变成深蹲、杠铃划船或挺举。\n臀推必须由髋部带动杠铃上下移动,不能生成成卧推。\n倒蹬必须让踏板沿倾斜滑轨运动,人物身体不能在器械上滑动。\n跑步机履带持续向后运动,女主身体保持在跑步机中央。\n每次切换器械使用音乐重拍硬切,不使用烟雾、粒子或身体变形转场。\n\n【负面约束】\n不要第二名主要角色,不要教练辅助,不要复制女主。\n不要人物换脸、发型改变、服装变色或上下装漂移。\n不要多余手臂、多余腿、多余手指、双脚粘连或关节反向弯曲。\n不要杠铃穿过身体、重量片改变数量、器械变形或踏板漂浮。\n不要严重弓背、膝盖内扣、臀推过度拱腰或倒蹬完全锁死膝盖。\n不要让运动动作失去负重感,不要慢吞吞摆拍。\n不要复杂镜面重复人物,不要镜中出现额外女主或错误动作。\n不要对白、字幕、标题、健身数据贴纸、Logo、水印或乱码文字。\n不要动漫、卡通、塑料CG皮肤、过度磨皮或夸张汗水特效。",
|
||
"category": "handheld-ugc-vlog",
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2089622062369243210"
|
||
},
|
||
{
|
||
"id": "seedance:16mm-vlog-c8cfec0d8310",
|
||
"title": "复古 16mm 健身有氧 Vlog",
|
||
"description": "一个电影感提示词,用于创作怀旧的 21 世纪初风格健身 Vlog,主角为韩国偶像,强调…",
|
||
"image": "/inspiration-thumbs/seedance/16mm-vlog-c8cfec0d8310.webp",
|
||
"mode": "video",
|
||
"prompt": "DV 16mm handheld tape camcorder POV by CHASE, who occasionally props the camera on a treadmill console or nearby bench. Natural hand shake, crooked framing, delayed autofocus, clumsy zooms, imperfect framing; camcorder never visible. Soft vintage tape quality with subtle noise, slight blur, muted colors, realistic skin tones, gentle bloom around gym lights, authentic early-2000s camcorder aesthetic. Tone: energetic but exhausted cardio challenge vlog with authentic reactions and playful humor. CHASE: Korean idol in her 20s with a long black ponytail, light post-workout sweat, expressive eyes, slim athletic build, wearing a modest long-sleeve athletic top, loose joggers, white sneakers, towel around her neck. Setting: modern indoor gym with treadmills, rowing machines, mirrors, and soft evening lighting. Shots: (1) Selfie before stepping onto the treadmill: “Let's see if I can survive twenty minutes.” (2) Camera on the treadmill console while she jogs naturally. (3) Handheld close-up breathing heavily: “Why does it feel faster every minute?” (4) Macro shot of her finger pressing the stop button. (5) Walking slowly off the treadmill, laughing while wiping sweat from her forehead. (6) Drinks water and takes a deep breath. (7) Gives the camera a tired thumbs-up: “Cardio officially defeated me today.” (8) Picks up her gym bag, smiles warmly, waves goodbye, and says, “See you next time!”",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@saniaspeaks_",
|
||
"sourceUrl": "https://x.com/saniaspeaks_/status/2080999754859991152"
|
||
},
|
||
{
|
||
"id": "seedance:starbucks-739b454ab5c1",
|
||
"title": "吉卜力风格 Starbucks 广告",
|
||
"description": "一个温馨愉悦的 2D 动画风格 Starbucks 咖啡广告提示词,融合了吉卜力美学、…",
|
||
"image": "https://media.goodcase.ai/media/poster/starbucks-739b454ab5c1.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 35-second anime/Ghibli-inspired 2D commercial for Starbucks Bottled Coffee featuring a young man enjoying a bright morning in the city. He picks up a Starbucks Caffè Latte from a convenience store, takes a refreshing sip, then works and socializes with friends in a cozy café while using his laptop and notebook. Warm sunlight, soft colors, expressive character animation, and upbeat acoustic music create a cheerful, inspiring atmosphere. End with a close-up of the Starbucks Caffè Latte bottles.",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@noorwithwifi",
|
||
"sourceUrl": "https://x.com/noorwithwifi/status/2080914390782779861"
|
||
},
|
||
{
|
||
"id": "seedance:3d-f194855e4246",
|
||
"title": "3D 烘焙动画序列",
|
||
"description": "这是一个为 Seedance 2.0 设计的综合提示词,旨在将视觉故事板转化为一段 1…",
|
||
"image": "https://media.goodcase.ai/media/poster/3d-f194855e4246.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the uploaded storyboard image as a visual reference only. Create a single 10-second cinematic 3D animation by recreating every storyboard panel in sequence. Do NOT animate the storyboard page itself. Rebuild every scene as a real animated environment while keeping the exact same girl, outfit, hairstyle, facial features, kitchen, colors, lighting, props, and overall style from the storyboard.\n\n0.00–1.25s: The girl happily waves at the camera and points toward the cupcake ingredients on the table.\n\n1.25–2.50s: She pours flour into a clear glass bowl. Soft flour particles float naturally.\n\n2.50–3.75s: She gently whisks the cupcake batter while smiling.\n\n3.75–5.00s: Extreme close-up of creamy batter being poured into colorful cupcake liners.\n\n5.00–6.25s: She sprinkles rainbow sprinkles over the cupcake batter.\n\n6.25–7.50s: Top-down shot of the cupcake tray as she carefully places it into the oven.\n\n7.50–8.75s: Inside the oven, the cupcakes rise into fluffy golden cupcakes with warm glowing light.\n\n8.75–10.00s: She removes the cupcakes, proudly presents them to the camera, smiles brightly, and gives a cute thumbs-up.\n\nStyle: Pixar-quality 3D animation, ultra-cute, cozy bakery kitchen, warm golden lighting, soft pastel colors, cinematic depth of field, smooth camera movements, realistic hand movements, natural facial expressions, seamless transitions, high detail, 4K look.\n\nCamera: Follow the storyboard camera angles exactly (wide shot, medium shot, close-up, extreme close-up, top-down, close-up, wide shot).\n\nImportant: Treat the uploaded storyboard only as a reference. Never animate the storyboard page itself. Recreate every scene from scratch in full 3D animation. Do not show storyboard borders or text.",
|
||
"category": "storyboard-grid-to-video",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@HaniaAi12",
|
||
"sourceUrl": "https://x.com/HaniaAi12/status/2076979039747920309"
|
||
},
|
||
{
|
||
"id": "seedance:ugc-34764467dea1",
|
||
"title": "高端热带饮品 UGC 广告",
|
||
"description": "一份详细的多场景视频提示词,用于高端热带饮品广告,展示了一位女性在海滩上的场景,包含电…",
|
||
"image": "https://media.goodcase.ai/media/poster/ugc-34764467dea1.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a premium UGC-style tropical beverage commercial featuring a beautiful young woman with long wavy dark hair, glowing sun-kissed skin, and a fresh natural look. Tropical beach with crystal-clear turquoise water, white sand, swaying palm trees, bright summer sunshine, cinematic handheld camera, ultra-realistic lifestyle photography.\n\nThe video opens with the woman smiling directly into the camera while holding an ice-cold tropical sparkling drink beside her face. She playfully rotates the chilled can in her hand as condensation glistens under the bright sunlight. Ocean waves roll gently behind her while the breeze naturally moves her hair.\n\nShe walks barefoot along the shoreline carrying the drink, smiling and looking back toward the camera. Close-up shots capture her footprints in the sand as waves gently wash over her feet.\n\nShe pops the can open with a satisfying crisp fizz. Cinematic macro shots reveal sparkling bubbles, cold vapor, and water droplets exploding into the air. The sparkling drink pours elegantly into a glass filled with crystal-clear ice cubes as floating lemon slices, strawberries, mint leaves, and sparkling bubbles surround the glass in slow motion.\n\nShe relaxes on a beach towel beneath a colorful umbrella, takes a long refreshing sip, closes her eyes, and smiles while enjoying the ocean breeze. Warm sunlight reflects across the chilled can and her glowing skin.\n\nThe scene transitions to her playfully running into the shallow waves while holding the drink. Water splashes around her legs as she laughs naturally. Slow-motion tracking shots capture sparkling droplets flying through the air.\n\nAs golden hour approaches, she sits on a wooden beach swing facing the ocean, gently swinging while enjoying another refreshing sip. The sunset creates warm reflections across the water and the aluminum can.\n\nThe product becomes the focus as the chilled can floats among splashing water, crystal-clear ice cubes, floating strawberries, lemon slices, mint leaves, and shimmering droplets. The camera slowly circles around the product with premium commercial lighting.\n\nThe final sequence shows the woman standing at the shoreline during sunset, smiling toward the camera as she raises the chilled drink for one final refreshing sip. She then walks barefoot along the beach with the can in her hand while the camera slowly pulls back to reveal the glowing tropical coastline under the golden sky.\n\nStyle: premium UGC beverage commercial, luxury tropical lifestyle, realistic commercial cinematography, cinematic handheld and drone shots, macro product photography, vibrant tropical colors, realistic water physics, sparkling condensation, shallow depth of field, photorealistic, commercial-quality visuals, 4K HDR, 16:9 widescreen.\n\nNegative Prompt: No text, no captions, no subtitles, no logos, no product labels, no watermarks, no UI elements, no duplicate people, no cartoon style, no distorted anatomy.",
|
||
"category": "ugc-creator-review",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2076908363913613653"
|
||
},
|
||
{
|
||
"id": "seedance:madmax-series-seedance-ai-88cc4e931e9a",
|
||
"title": "红帆船勇士对抗漩涡巨人",
|
||
"description": "史诗奇幻科幻",
|
||
"image": "https://media.goodcase.ai/media/poster/madmax-series-seedance-ai-88cc4e931e9a.jpg",
|
||
"mode": "video",
|
||
"prompt": "MAIN WARRIOR 是一名完全原创、无法对应任何现成人物的明确成年男性,约四十多至五十岁,高大、极其强壮,weathered olive skin,肩长深色湿发,浓密深色胡须夹杂灰丝,眉骨深刻,面部有污垢、汗水与疲惫痕迹。穿原创 antiqued-bronze cuirass,腹部只有非标志性雕塑甲片、圆钝分层肩甲、深色皮革裙甲、青铜护臂、厚重战靴与低饱和 dark-crimson cloak;不戴头盔。脸、胡须、污迹、盔甲、披风和身体比例全程完全一致。 LUMINOUS WOMAN 是明确成年女性,二十多至三十多岁,medium olive skin,齐肩湿黑发,athletic-curved体型;穿原创 ivory 与 sand-colored draped costume,包含完全不透明贴身内层、编织腰部结构和长半透明布片。服装始终安全贴合、解剖稳定,脸、头发、服装与体型全程不变。 COLOSSAL CREATURE 是原创非IP巨型人形生物,巨大尺度,秃头、灰褐色拉伸皮肤、可见肋骨与锁骨、两只 muted-red 发光眼、细长骨性下颌、不规则尖牙、极长双臂、巨大有明确关节的双手和树干粗细的双腿;皮肤是肉质革状,不是树皮。体型、两眼、肢体数量和尺度全程稳定。 所有人物与生物完全独立,身份、脸、肢体、衣物、武器必须始终清晰,绝不融合、换脸、多肢体、共享手脚或比例漂移。船员、shepherd-warriors、 captive defender 与两名axe fighters全部是彼此不同的明确成年人。羊群始终保持同一群淡色羊。 风格:精确20.00秒,横向原生16:9,24fps,photoreal VFX-enhanced live-action mythological fantasy trailer,必须像真实摄影成人演员、真实布料和实际盔甲,与写实海洋、船体和巨型生物VFX无缝合成;允许高端fantasy concept-art与prestige game-cinematic审美影响,但绝不能变成anime、插画、cel shading、2.5D或统一glossy CG。摄影模拟ARRI Alexa 35、35mm Cooke anamorphic,冷teal/blue对暖amber,bronze高光、dark-crimson accents、克制bloom与halation、细organic grain、轻微vignette。动作自然时间,约180度快门,只有高速身体、羊、船体冲击、前景遮挡有真实方向blur。 镜头规则:一个连续镜头,无剪切、无跳切、无黑场剪辑、无蒙太奇。摄影机必须通过墙面、烟雾、船帆、人物身体、白色曝光bloom、水花与黑暗前景遮挡,在一个连续空间化电影镜头中依次进入所有视觉段落。优先侧面与背侧观察,不做英雄定格,不做干净宣传构图。 0.00-1.78秒:从MAIN WARRIOR中长景开始,他站在深teal-blue墙前,左侧profile,双臂沉重下垂,crimson cloak挂在肩后。眼睛先转,随后下巴、颈部和上躯干跟随,腿保持扎地;最终几乎正对镜头,形成疲惫、敌意的直接凝视。upper-left硬光在screen-right墙面投下清楚影子。约1.42-1.54秒短暂用白色曝光bloom扫过人物与墙面,但不是剪切,姿态不改变。 1.78-3.48秒:白bloom扩张并化成海面高光,摄影机连续进入极高俯视dark teal海洋。窄木船带一面dark-red矩形帆,沿巨大whirlpool外缘受旋流侧拉,白色wake弯曲,右侧浪撞charcoal悬崖。镜头下降靠近船体后被红帆遮挡,帆布擦镜转回MAIN WARRIOR极近脸部;他低头、呼吸、眉头收紧,湿发成束贴额,浅景深背景仍为teal。 3.48-5.03秒:摄影机被他的肩部带回船上,从至少六名成年船员后方沿湿甲板前看。船体剧烈pitch,众人屈膝抓栏杆,右前景大个船员宽站稳。水花和红布扫镜后自然显出LUMINOUS WOMAN全身站在blue-white fog中,背后强白源形成径向光束。她髋部缓慢转移重心,一脚微向前,肩部反向平衡,一手放松长ivory布片,布料延迟飘动。约4.95-5.03秒让一块极暗前景布料完全遮镜两帧,但摄影机仍持续运动,绝不变成编辑黑场。 5.03-7.80秒:暗布掠开回到船甲板低侧角。船猛然倾斜,一名helmeted man落到一膝一手后在湿木板滑动,另一人右侧摔倒,其他人抓住bulwark;水冲过中右甲板。摄影机贴地穿过脚与水花,armor boots与裸小腿 stagger,木spar沿船体滑动。随后一道白色浪花曝光遮镜,连续转入MAIN WARRIOR正面中长景,他僵硬站立、浅呼吸、直视前方,约5.92-6.05秒出现短白overexposure illumination。镜头继续从他肩侧移出,再被蓝白fog包围,LUMINOUS WOMAN完成一次清楚向前迈步:脚落地、膝髋转移重量、躯干跟上,湿发和ivory train延迟摆动。 7.80-10.82秒:她的长布料扫过镜头,转成amber尘雾外景。数名成年shepherd-warriors与淡色羊群从低位宽景朝镜头跑来,脚步、羊蹄、尘土全部自然高速。近镜一只羊短暂遮挡,遮挡退开时摄影机高抬回到whirlpool,红帆船更靠近旋涡唇,白泡沫旋入黑暗中心。海雾擦镜后再次出现女人三分之二全身,她完成一次头与躯干连续转身,头先到方向,湿黑发在背光中水平甩开,ivory train围腿延迟旋转。 10.82-13.57秒:白布边缘化成smoky amber wasteland。COLOSSAL CREATURE从暗处俯身,一只巨大开放手掌朝镜头伸来,五指各自关节稳定;lower-right是一名正常体型成年helmeted defender。巨手横扫并牢牢包住其躯干,不穿透盔甲,将其完全提离地面,双腿弯曲后悬空摆动。巨人把他向张开的嘴方向带近,但在任何bite或伤害前摄影机沿巨臂滑到其巨大下腿。两名不同成年axe fighters一左一右,以双手长柄武器攻击同一条肉质巨腿:右侧先髋转击ankle,近镜一只深色羊横穿遮挡,随后左侧fighter举起武器下劈,右侧收回再击lower shin。动作有脚底接地、肩髋旋转和尘土后果,无血、无切断。摄影机迅速后撤露出正好六名成年survivors朝镜头奔跑,巨人在烟后推进,淡色羊在右后方跑,小火在左中闪烁。 13.57-16.36秒:一块极暗烟尘完全遮住镜头约两帧但摄影机不停,随后从上方看见LUMINOUS WOMAN,她巨大的ivory skirt在blue-white floor上形成花状螺旋,斜光切出明暗褶皱。她单臂支撑,另一臂向后,缓慢抬下巴直视上方摄影机,裙摆外缘仍继续波动。白色高光逐渐扩张并转成更近的站立中景,她略后仰,双手在腰后握住拖布,呼吸一次,眼睛短暂下垂再回到镜头。 16.36-20.00秒:蓝白雾转为teal墙面,完整全身MAIN WARRIOR重新出现,双脚肩宽、双臂下垂、cloak不对称垂落,只有呼吸与细布料运动。摄影机绕到其右侧profile,留出前方空teal空间;他咬紧下颌、眼睛做一次微小调整。随后摄影机沿侧后弧线转向前方,他突然把头与上肩转向镜头,脚与下身仍完全稳定;湿发、胡须和肩甲产生短促真实方向blur。动作停住后摄影机持续快速推进,从上躯干一路逼到极近脸部,清楚显示毛孔、汗、嵌入皱褶的灰尘、湿发束和灰胡须细节。20.00秒精确结束在活着、持续呼吸、没有眨眼的敌意凝视上,无淡出、无冻结、无标题。 声音:只有现场音效,无任何音乐、无人声对白、无旁白。战士段有近距离呼吸、甲片皮革细响和空间低风;海洋段有浪涛、whirlpool低频吸力、船体呻吟、索具绷紧、帆布抽响、甲板撞击和水冲声;羊群段有尘土脚步、羊蹄与非语言动物声;巨人段有深呼吸、远低吼、巨大脚步和地面共振;两次ankle攻击有清楚但非血腥的金属撞击肉质低响。最后推进只保留贴近战士的呼吸、甲胄细响与远处空气低鸣,20.00秒声音同步停止。 强制限制:严格保持MAIN WARRIOR与LUMINOUS WOMAN为同两名成年人;warrior脸、污垢、胡须、发型、盔甲和crimson cloak不变;woman湿黑发和ivory costume不变;crew、captive与axe fighters始终是不同成年人;红帆船、whirlpool地理、船体材质、羊群与giant anatomy全程稳定;giant只用一只手抓一名captive躯干,captive严格两臂两腿;ankle段严格两名fighter、两件长柄武器、一条巨腿;无咬伤、无血、无gore、无logo、无水印、无字幕、无文字;动作必须有重量、惯性、反冲、布料跟随、环境反应与真实重力。",
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"category": "epic-fantasy-scifi",
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"sourceId": "seedance",
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"credit": "@MadMax_Series",
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"sourceUrl": "https://x.com/MadMax_Series/status/2093000650938335426"
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},
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{
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"id": "seedance:abulu8-seedance-ai-fe02d3785b12",
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"title": "无声手语之恋",
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"description": "电影感叙事短片",
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"image": "https://media.goodcase.ai/media/poster/abulu8-seedance-ai-fe02d3785b12.jpg",
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"mode": "video",
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"prompt": "Spent a lot of time with Velvet Skies 🌌❤️, incorporating every scene, and shots tried to get those emotions without speaking... \n\nSeedance 2.0 in @higgsfield_ai \n\n👇 Whole prompt package; you can just replace the character. \n\nPACKAGE 1 · 15s · 16:9 · 2 refs · 7 shots, 6 cuts\n\nSCENE A wordless romantic montage in the register of a mid-1990s Japanese television drama. Part one: a quiet office worker notices a woman, and starts teaching himself sign language.\n\nACTIVE REFERENCES Match faces and identity to the references; wardrobe is specified per shot below and overrides the reference clothing. @Romeo — the man. Early twenties, mid-length wavy black hair to the jaw, calm face, faint closed-lip smile. @Juliet — the woman. Early twenties, long loose black hair past the shoulders, warm open smile, thin gold chain, small gold hoops. Hands in every insert match the hands of the matching reference — same size, proportion and skin tone.\n\nFORMAT Seven shots, 15s, six HARD CUTS, no fades. Every shot the same length. Cuts only at the specified points; the camera does not cut on its own. Only ever moves forward — never loops or reverses.\n\nFRAMING NOTES 47° = neutral human perspective; 29° = tight medium, background softly compressed; 18° = close-up, background melted; 12° = detail insert. Locked within each segment, no drift.\n\n0-2.1s SHOT 1 — 47°, framed 2m behind him at 1.5m, static. Open-plan office, soft cool overcast light from a window screen-left. @Romeo at x50 y50 seen from behind at a desk in a white dress shirt, visible at 0.0s. No empty frame. He turns his head left into profile and holds. A colleague crosses the far background screen-right carrying a folder. HARD CUT.\n\n2.1-4.3s SHOT 2 — 18°, framed 0.8m from his face at 1.5m, static. @Romeo at x50 y45 in tight profile, filling the frame, office softness behind. He looks off screen-left with quiet intensity, eyes steady, jaw set, lips closed. HARD CUT.\n\n4.3-6.4s SHOT 3 — 47°, framed 3m out at 1.5m, static. Dimmer office light, deeper shadows. @Juliet at x55 y50 steps in through a doorway in a dark wool coat, flustered, raising one hand to push her hair back off her face. Her coat swings and settles. HARD CUT.\n\n6.4-8.6s SHOT 4 — 29°, framed 2.5m out at 1.5m, static. @Juliet at x45 y50 stands nearer the lens and thrown soft, back three-quarters to camera. @Romeo at x58 y48 stands behind her, sharp and in focus, in a white dress shirt, watching her intently without moving. HARD CUT.\n\n8.6-10.7s SHOT 5 — 29°, framed 1.5m out at 1.5m, static. A bright window blows out behind him, rimming his hair and shoulders. @Romeo at x50 y50 lowers his eyes and looks down, thoughtful, almost shy, the faintest smile at one corner. HARD CUT.\n\n10.7-12.9s SHOT 6 — 12°, framed 0.4m from his hands at 1.2m, static. @Romeo's hands hold a slim beginner's Japanese sign-language book, its cover showing simple line diagrams of hand shapes and Japanese lettering, a brown leather strap watch on the left wrist. His thumb moves down the page. HARD CUT.\n\n12.9-15.0s SHOT 7 — 47°, framed 3m out at 1.4m, static. Outdoors, late golden sun through trees. @Romeo at x35 y55 in the near foreground, thrown soft, now in a sage-green shirt over a white tee, the book open in his hands. @Juliet at x68 y50 sharp in the background in a cream knit top and rust skirt, smiling at him. A cyclist passes on the path behind her screen-left.\n\nPERFORMANCE Nobody speaks. Lips stay closed and still in every shot. No dialogue, no voiceover, no offscreen voices, no subtitles, no on-screen text. Emotion carried entirely by eyes, small smiles and hand movement.\n\nPHYSICS Real weight and follow-through. His hair lags behind the head turn and settles. The coat swings on her stride. Her hair falls back against her hand. Book pages have thickness and bend.\n\nLIGHTING Shots 1-2: soft cool overcast window light as key, dim office fill. Shot 3: lower key, deeper shadow, more contrast. Shots 4-6: bright window behind as backlight with soft bounce into the faces. Shot 7: low golden sun as backlight, warm bounce, long shadows.\n\nSTYLE Photoreal live action shot on colour negative film: fine grain, low contrast, gentle highlight roll-off, soft warm cast with faintly cool shadows, mild halation on bright edges, shallow natural depth of field, natural skin tones, no digital sharpening. The unhurried framing of a mid-1990s television drama. 16:9.\n\nAUDIO Ambience only, recorded clean for scoring in post — quiet office room tone, keyboards, a distant phone, footsteps, birds and wind outdoors. No music, no dialogue.\n\nPOSITIVE LOCKS Faces, hands, hair and jewellery identical across all seven shots. Only these two people are ever in focus; background figures stay anonymous and unfocused, and every one keeps moving. Every shot is static and real time.\n\nPACKAGE 2 · 15s · 16:9 · 2 refs · 7 shots, 6 cuts\n\nSCENE A wordless romantic montage in the register of a mid-1990s Japanese television drama. Part two: the same couple, from a golden afternoon into night.\n\nACTIVE REFERENCES Match faces and identity to the references; wardrobe is specified below and overrides the reference clothing. @Romeo — the man. Early twenties, mid-length wavy black hair to the jaw, calm face, faint closed-lip smile. Throughout: sage-green shirt over a white tee, brown leather strap watch on the left wrist. @Juliet — the woman. Early twenties, long loose black hair past the shoulders, warm open smile, thin gold chain, small gold hoops. Throughout: cream knit top and rust-brown skirt. Hands in every insert match the hands of the matching reference — same size, proportion and skin tone.\n\nFORMAT Seven shots, 15s, six HARD CUTS, no fades. Every shot the same length. Cuts only at the specified points; the camera does not cut on its own. Only ever moves forward — never loops or reverses.\n\nFRAMING NOTES 84° = wide establish; 29° = tight medium, background softly compressed; 18° = close-up, background melted; 12° = detail insert. Locked within each segment, no drift.\n\n0-2.1s SHOT 1 — 18°, framed 1m from her face at 1.5m, static. Outdoors, late golden sun. @Juliet at x50 y45 fills the frame, visible at 0.0s, golden backlight through her hair. No empty frame. She smiles wide and warm, one hand rising near her cheek, fingers open and relaxed. HARD CUT.\n\n2.1-4.3s SHOT 2 — 29°, framed 1.5m out at 1.5m, static. Same golden light. @Romeo at x50 y50 lowers his eyes and looks down, then smiles gently to himself, shoulders easing. HARD CUT.\n\n4.3-6.4s SHOT 3 — 18°, framed 1m from his face at 1.5m, static. @Romeo at x50 y48 lifts the beginner's sign-language book and holds it across the lower half of his face, covering mouth and nose, only his eyes above the edge, still smiling. HARD CUT.\n\n6.4-8.6s SHOT 4 — 84°, framed 5m out at 1.0m, static. A wide green park in flat bright daylight, trees behind. @Romeo at x42 y62 and @Juliet at x56 y62 sit facing each other on the grass, both with hands raised at chest height, copying the same sign back and forth and laughing silently. A jogger crosses the far background screen-right. HARD CUT.\n\n8.6-10.7s SHOT 5 — 29°, framed 1.5m out at 1.6m, static. Night. @Juliet at x50 y50 tilts her face up toward city lights, warm bokeh filling the background, her hands lifted near her chin in a small soft gesture. Traffic streaks far behind her. HARD CUT.\n\n10.7-12.9s SHOT 6 — 18°, framed 1m from his face at 1.5m, static. Night. @Romeo at x50 y48 in profile, warm street lamps and shop signs melted into bokeh behind him. He raises both hands into frame and signs, lips closed and still, eyes on her off screen-right. A couple crosses the far pavement behind him. HARD CUT.\n\n12.9-15.0s SHOT 7 — 12°, framed 0.5m from their hands at 1.0m, static. Night. Heavy golden bokeh from city lights fills the whole background. Their hands meet at x50 y58 in the lower centre of frame — his fingers close gently around hers, skin creasing under soft pressure, and stay.\n\nPERFORMANCE Nobody speaks. Lips stay closed and still in every shot. No dialogue, no voiceover, no offscreen voices, no subtitles, no on-screen text. Emotion carried entirely by eyes, small smiles and hand movement.\n\nPHYSICS Real weight and follow-through. Her hair lifts and settles as she tilts her head. Book pages have thickness and bend. Fingers move with real joint articulation in every sign. Soft visible pressure where their hands meet.\n\nLIGHTING Shots 1-3: low golden sun as backlight, warm bounce into the faces, long shadows. Shot 4: flat bright open daylight. Shots 5-7: no key on the faces, only warm city bokeh and street lamps behind, faces lit by soft ambient spill.\n\nSTYLE Photoreal live action shot on colour negative film: fine grain, low contrast, gentle highlight roll-off, soft warm cast with faintly cool shadows, mild halation on bright edges, shallow natural depth of field, natural skin tones, no digital sharpening. The unhurried framing of a mid-1990s television drama. 16:9.\n\nAUDIO Ambience only, recorded clean for scoring in post — birds and wind in the park, distant children, evening traffic, faint city hum at night. No music, no dialogue.\n\nPOSITIVE LOCKS Faces, hands, hair, wardrobe and jewellery identical across all seven shots and matching part one. Only these two people are ever in focus; background figures stay anonymous and unfocused, and every one keeps moving. Every shot is static and real time.\n\nPACKAGE 3 · 15s · 16:9 · 2 refs · 7 shots, 6 cuts\n\nSCENE A wordless romantic montage in the register of a mid-1990s Japanese television drama. Part three: a night together, then a quiet evening indoors.\n\nACTIVE REFERENCES Match faces and identity to the references; wardrobe is specified below and overrides the reference clothing. @Romeo — the man. Early twenties, mid-length wavy black hair to the jaw, calm face, faint closed-lip smile. Throughout: sage-green shirt over a white tee, brown leather strap watch on the left wrist. @Juliet — the woman. Early twenties, long loose black hair past the shoulders, warm open smile, thin gold chain, small gold hoops. Throughout: cream knit top and rust-brown skirt. Hands in every insert match the hands of the matching reference — same size, proportion and skin tone.\n\nFORMAT Seven shots, 15s, six HARD CUTS, no fades. Every shot the same length. Cuts only at the specified points; the camera does not cut on its own. Only ever moves forward — never loops or reverses.\n\nFRAMING NOTES 84° = wide establish; 29° = tight medium, background softly compressed; 18° = close-up, background melted; 12° = detail insert. Locked within each segment, no drift.\n\n0-2.1s SHOT 1 — 12°, framed 0.6m from their hands at 1.0m, static. Night, heavy warm bokeh from city lights filling the background. Their joined hands at x50 y55, visible at 0.0s, his fingers laced through hers. No empty frame. Her thumb moves slowly across the back of his hand. HARD CUT.\n\n2.1-4.3s SHOT 2 — 18°, framed 1m from his face at 1.5m, static. Night, warm bokeh behind. @Romeo at x50 y48 fills the frame, a soft smile spreading, eyes shining and steady on her off screen-right. HARD CUT.\n\n4.3-6.4s SHOT 3 — 18°, framed 1m from her face at 1.5m, static. Night, matching warm bokeh, matching framing. @Juliet at x50 y48 tilts her face slightly upward, lips parting into a gentle smile, eyes soft and unguarded. HARD CUT.\n\n6.4-8.6s SHOT 4 — 84°, framed 8m out at 1.6m, static. A vast illuminated tree of thousands of warm fairy lights fills the upper frame. @Romeo at x46 y66 and @Juliet at x54 y66 stand small below it, hand in hand, backs three-quarters to camera, looking up. Two visitors cross the far background screen-left. HARD CUT.\n\n8.6-10.7s SHOT 5 — 29°, framed 1.5m out at 1.2m, static. Indoors at night, a single warm table lamp screen-right as the only source. @Romeo at x50 y50 sits at a low table, cheek resting in his palm, elbow down, smiling softly to himself. HARD CUT.\n\n10.7-12.9s SHOT 6 — 29°, framed 1.5m out at 1.2m, static. Same lamp light, same room. @Juliet at x50 y50 sits looking down at a single folded sheet of writing paper held in both hands, reading, a smile building as she reads. HARD CUT.\n\n12.9-15.0s SHOT 7 — 18°, framed 1m from her face at 1.2m, static. @Juliet at x50 y48 lifts the sheet of paper and holds it across the lower half of her face, playful, only her eyes above the edge, crinkled with the smile behind it.\n\nPERFORMANCE Nobody speaks. Lips stay closed and still in every shot. No dialogue, no voiceover, no offscreen voices, no subtitles, no on-screen text. Emotion carried entirely by eyes, small smiles and hand movement.\n\nPHYSICS Real weight and follow-through. Soft visible pressure where their hands meet, skin creasing under the grip. Her hair shifts and settles as she tilts her head. The paper has real weight and bends slightly as she lifts it.\n\nLIGHTING Shots 1-4: no key on the faces, only warm city bokeh and fairy lights behind, faces lit by soft ambient spill. Shots 5-7: a single warm tungsten table lamp as key from screen-right, deep soft falloff into the room, everything beyond the table in shadow.\n\nSTYLE Photoreal live action shot on colour negative film: fine grain, low contrast, gentle highlight roll-off, soft warm cast with faintly cool shadows, mild halation on bright edges, shallow natural depth of field, natural skin tones, no digital sharpening. The unhurried framing of a mid-1990s television drama. 16:9.\n\nAUDIO Ambience only, recorded clean for scoring in post — faint city hum and distant traffic at night, quiet room tone indoors, paper rustling. No music, no dialogue.\n\nPOSITIVE LOCKS Faces, hands, hair, wardrobe and jewellery identical across all seven shots and matching parts one and two. Only these two people are ever in focus; background figures stay anonymous and unfocused, and every one keeps moving. Every shot is static and real time.\n\nPACKAGE 4 · 15s · 16:9 · 2 refs · 7 shots, 6 cuts\n\nSCENE A wordless romantic montage in the register of a mid-1990s Japanese television drama. Part four: a bright winter together, and a happy ending.\n\nACTIVE REFERENCES Match faces and identity to the references; wardrobe is specified below and overrides the reference clothing. @Romeo — the man. Early twenties, mid-length wavy black hair to the jaw, calm face. Throughout: a cream cable-knit sweater, brown leather strap watch on the left wrist. @Juliet — the woman. Early twenties, long loose black hair past the shoulders, warm open smile, small gold hoops. Throughout: a dark wool coat over a cream knit top, with a soft rust-red wool scarf. Hands in every insert match the hands of the matching reference — same size, proportion and skin tone.\n\nFORMAT Seven shots, 15s, six HARD CUTS, no fades. Shot 4 runs 3.0s; every other shot runs 2.0s. Cuts only at the specified points; the camera does not cut on its own. Only ever moves forward — never loops or reverses.\n\nFRAMING NOTES 47° = neutral human perspective; 29° = tight medium, background softly compressed; 18° = close-up, background melted. Locked within each segment, no drift.\n\n0-2.0s SHOT 1 — 18°, framed 1m from his face at 1.5m, static. Outdoors, bright flat winter daylight, bare trees melted behind. @Romeo at x50 y48 fills the frame, visible at 0.0s, in the cream sweater. No empty frame. He breaks into a wide open smile, eyes creasing, breath faintly visible in the cold. HARD CUT.\n\n2.0-4.0s SHOT 2 — 18°, framed 1m from her face at 1.5m, static. Matching daylight, matching framing. @Juliet at x50 y48 in the coat and rust-red scarf laughs freely with her eyes closed, head tipping back a little, hair moving. HARD CUT.\n\n4.0-6.0s SHOT 3 — 18°, framed 0.7m from her face at 1.5m, static. Same light, closer. @Juliet at x50 y48 opens her eyes and settles into a quieter smile, softer and more serious, looking directly off screen-left at him. HARD CUT.\n\n6.0-9.0s SHOT 4 — 29°, framed 1.2m out at 1.6m, static. Night, warm city bokeh filling the background. @Romeo at x44 y48 and @Juliet at x56 y48 stand close, foreheads resting together, eyes closed, breath visible between them. They hold there. Then she tilts her chin up, he leans down, and they kiss softly — unhurried, lips closed, one of his hands rising to the side of her face. They stay in it as the shot ends. HARD CUT.\n\n9.0-11.0s SHOT 5 — 47°, framed 2.5m out at 1.5m, static. Indoors, a warm celebration, string lights and candlelight. @Romeo at x44 y50 and @Juliet at x56 y50 stand together laughing, coat and scarf off, she in the cream knit. Three friends stand close around them within arm's reach, each raising a glass and turning to them. HARD CUT.\n\n11.0-13.0s SHOT 6 — 47°, framed 3m out at 1.2m, static. Outdoors, bright open daylight, grass and bare trees. @Romeo at x44 y58 and @Juliet at x56 y58 sit together on the grass, coat and scarf back on, both smiling. She holds the string of a blue dolphin-shaped foil balloon that drifts above them. A dog walker passes the far background screen-right. HARD CUT.\n\n13.0-15.0s SHOT 7 — 29°, framed 1.5m out at 1.3m, static. Same daylight, same grass. @Romeo at x44 y52 lifts the blue dolphin balloon in front of @Juliet's face at x56 y52, hiding it for a beat. She pushes it aside with one hand and both break into open laughter.\n\nPERFORMANCE Nobody speaks. Lips stay closed and still in every shot; laughter is silent and physical, in the eyes, cheeks and shoulders. The kiss in shot 4 is the only mouth movement in the piece. No dialogue, no voiceover, no offscreen voices, no subtitles, no on-screen text.\n\nPHYSICS Real weight and follow-through. Her hair swings and settles when her head tips back. The scarf shifts against her neck. The foil balloon has almost no weight — it lags, drifts and bobs on its string with every movement, never falling straight.\n\nLIGHTING Shots 1-3: bright flat overcast winter daylight, soft and shadowless on the faces. Shot 4: no key, only warm city bokeh behind and soft ambient spill. Shot 5: warm string lights and candles as practicals, low and golden. Shots 6-7: bright open daylight, warm and clean.\n\nSTYLE Photoreal live action shot on colour negative film: fine grain, low contrast, gentle highlight roll-off, soft warm cast with faintly cool shadows, mild halation on bright edges, shallow natural depth of field, natural skin tones, no digital sharpening. The unhurried framing of a mid-1990s television drama. 16:9.\n\nAUDIO Ambience only, recorded clean for scoring in post — cold wind and distant birds outdoors, faint city hum at night, warm room murmur and glassware at the celebration. No music, no dialogue.\n\nPOSITIVE LOCKS Faces, hands, hair and jewellery identical across all seven shots and matching parts one to three. @Romeo stays frame-left and @Juliet frame-right in every two-person shot. Only these two are ever in focus; everyone else stays anonymous and unfocused, and every one keeps moving. Every shot is static and real time.",
|
||
"category": "cinematic-narrative-short",
|
||
"sourceId": "seedance",
|
||
"credit": "@abulu8",
|
||
"sourceUrl": "https://x.com/abulu8/status/2092917994251075961"
|
||
},
|
||
{
|
||
"id": "seedance:ugc-f1f4b662e370",
|
||
"title": "时尚 UGC 广告",
|
||
"description": "一个用户生成内容(UGC)风格的时尚广告提示词,用于展示优雅的裙装,要求呈现自然的动态…",
|
||
"image": "/inspiration-thumbs/seedance/ugc-f1f4b662e370.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second vertical (9:16) UGC-style fashion advertisement that feels authentic, premium, and social-media ready.\n\nThe model is wearing the EXACT dress shown in the attached reference image. Do not redesign, modify, recolor, simplify, or reinterpret the dress in any way. Maintain identical embroidery, fabric, silhouette, neckline, sleeves, dupatta, borders, patterns, proportions, textures, embellishments, and overall craftsmanship throughout the entire video.\n\nA confident young woman stands in a bright, modern home with soft natural morning light. She gently showcases the dress while smiling warmly as if recommending it to a friend. Her hair is long, healthy, shiny, and naturally bouncy.\n\nShe speaks directly to the camera:\n\"I've finally found a dress that feels as beautiful as it looks. The craftsmanship is stunning, the fabric feels luxurious, and every detail looks incredibly premium. It's elegant, comfortable, and honestly makes me feel confident every time I wear it. If you're looking for a timeless outfit, you have to try this!\"\n\nStoryboard:\n\nScene 1:\nClose-up of the dress in her hand as she introduces it by gently showcasing the embroidery, fabric texture, and premium craftsmanship.\n\nScene 2:\nShe gently spreads the dupatta and lightly runs her hand across the embroidery, showing the intricate detailing and luxurious fabric movement.\n\nScene 3:\nBeauty shots of her wearing the dress while walking naturally, adjusting the dupatta, lightly twirling, and showcasing realistic fabric flow, elegant movement, and premium embroidery from different angles.\n\nScene 4:\nAfter styling herself, she confidently flips her silky, glossy hair while smiling at the camera, allowing the dress to flow naturally as she turns.\n\nScene 5:\nFinal hero shot holding the dupatta beside her while showcasing the complete outfit against a clean, premium interior background. She smiles and says,\n\"Highly recommend!\"\n\nThe video should have realistic smartphone camera quality, natural handheld movement, genuine facial expressions, smooth transitions, accurate lip sync, premium visibility of the dress throughout, and a polished yet authentic UGC aesthetic. The dress remains perfectly identical to the attached reference image, with every embroidery detail, color, fabric texture, silhouette, and design element consistently visible in every shot.",
|
||
"category": "ugc-creator-review",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Diplomeme",
|
||
"sourceUrl": "https://x.com/Diplomeme/status/2079455816772649210"
|
||
},
|
||
{
|
||
"id": "seedance:case-5c32e2bac894",
|
||
"title": "故障艺术风格多维度人脸变形",
|
||
"description": "一种实验性的故障风格提示词,通过有节奏的跳剪,在 3D CG、真人实拍、动画和像素艺术…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-5c32e2bac894.jpg",
|
||
"mode": "video",
|
||
"prompt": "ストップモーションのようなリズミカルな接近の後、顔の造形が変わることも厭わず、3DCG・実写・2000年代アニメ・ドット絵などの全く異なる次元(2D⇔3D)を激しく往復するグリッチ映像。最後はブラウザクラッシャー的な画面崩壊で終わる。映像コンセプト:滑らかなカメラ移動を完全に排除し、「パッ!パッ!パッ!」というリズムでカメラが段階的に顔へ接近(ジャンプカット)する。接近後、少女の顔は「元の顔立ち」を保つ必要はない。画面全体を巻き込んで、立体的な3DCG、生々しい実写、2000年代風のアニメ美少女、平面的なレトロドット絵といった「全く異なる絵柄と次元(2D⇔3D)」へと、ハードカットで何度も激しくすり替わり(往復し)続ける。カメラと編集方針:【超重要:滑らかな変化やズームインは絶対NG。コマ撮りのようなジャンプカットでの接近と、別次元の絵柄への「完全な切り替え」によって構成すること。】0.0〜3.0秒:【ストップモーション接近】1枚目の映像からスタート。カメラが滑らかに近づくのではなく、0.5秒間隔の一定のリズムで「パッ!パッ!パッ!パッ!」と段階的に顔へ向かってジャンプカットして迫っていく。各カットが切り替わる瞬間、強烈な色収差(RGBズレ)のノイズが走る。3.0〜8.0秒:【次元崩壊・絵柄の完全すり替え】顔のドアップ状態に到達。ここから、顔の造形が変わることも構わず、映像のレンダリングスタイル自体が0.5秒〜1秒単位でバチバチと切り替わり(往復し)続ける。「立体ポリゴン的な3DCG」→「超高精細な実写の人間」→「2000年代風のセル画アニメの美少女キャラクター(2D)」→「真っ平らなレトロドット絵(2D)」というように、3Dと2Dの次元を跨いだ全く別の絵柄へと、フラッシュを伴って強制的にすり替わる。8.0〜10.0秒:【ブラクラ的崩壊エンド】激しい絵柄の往復が処理限界を超え、映像が完全に崩壊する。顔の映像を下敷きにして、その上に「大量のエラーウィンドウ」「異なる映像表現の動画パネル」「極彩色のブロックノイズ」がブラクラ(ブラウザクラッシャー)のように多層レイヤーで無秩序にポップアップし続ける。画面全体がバグ動画コラージュで完全に埋め尽くされ、元の映像の形を一切留めないカオス的崩壊画面となる制約:中盤の絵柄の変化において、「元の顔のシルエットを保とうとする滑らかな変化」は絶対に不要。造形が変わってもよいので、「立体(3D)」と「平面(2D)」、そして「実写」「2000年代アニメ」という、次元の異なるレンダリングスタイルへの『完全なハードカット(すり替え)』を何度も激しく繰り返すこと。",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Ushizaru_LAB",
|
||
"sourceUrl": "https://x.com/Ushizaru_LAB/status/2081258810405175362"
|
||
},
|
||
{
|
||
"id": "seedance:case-887d0484c2ce",
|
||
"title": "可口可乐时尚转场广告",
|
||
"description": "一份全面的视频生成提示词,用于制作多场景可口可乐商业广告,包含拼贴风格图形和富有节奏感…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-887d0484c2ce.jpg",
|
||
"mode": "video",
|
||
"prompt": "【风格】潮流饮料变装广告(Fashion Transition Ad),竖屏9:16,真实摄影(Photorealistic)+ 平面抠像拼贴风(Cutout Collage Graphic),丝滑卡点变装,8K超清,可乐红#E61A27/纯黑/纯白三色体系\n【时长】15秒\n【场景】开场为纯白摄影棚背景;第2秒起切换为可乐红纯色背景+画面中央巨大白色曲线可乐瓶形抠像框(经典弧线瓶身剪影),背景压一层深红色\"COLA\"斜体大字;全程无真实品牌logo\n【角色】主角@图片1(保持参考图容貌与发型;开场穿黑色插肩长袖+黑色阔腿短裤;各段变装均为红黑白配色)\n\n[00:00-00:02] 镜头1:拧盖卡点(White Studio Open)\n纯白背景中景:主角@图片1手持无标识可乐瓶(深棕色汽水+红色瓶标),双臂交叉做两次卡点拧盖动作,第三拍\"啵\"一声拧开瓶盖,气泡嘶声升起。\n音效:两声节拍音、瓶盖\"啵\"、碳酸气泡嘶嘶声。\n\n[00:02-00:03] 镜头2:一口切世界(Snap Transition)\n她仰头喝一口,吞咽瞬间背景\"啪\"地整体切换:可乐红背景+白色瓶形抠像框罩住全身,深红\"COLA\"斜体字横贯背景。\n音效:吞咽声+重低音\"咚\"一声定格。\n\n[00:03-00:07] 镜头3:变装1·街头节奏(Transition Pop / Floating Props)\n瞬切变装:反戴红色棒球帽、头架白色墨镜、黑色马甲叠穿红色背心、白底黑波点裤袜+黑色短裤、红色厚底鞋,手持可乐瓶。\n她在瓶形框内做轻快跳跃舞步:单脚跳、扭胯、举瓶摆拍。\n周围漂浮红白配色道具:磁带随身听、拍立得相机、头戴耳机、采样器,白色3D立体字\"气泡拉满\"分布四角。\n音效:卡点节拍+道具飞入的\"咻咻\"声。\n\n[00:07-00:10] 镜头4:变装2·活力当下(Kick Jump Pose)\n瞬切变装:白色棒球帽、白T印红色图案、红黑外套系在腰间、黑色短裤、红色高帮帆布鞋。\n她做踢腿跳跃定格姿态,随后落地转身摆胯。\n漂浮道具换成:红色帆布鞋、白色鸭舌帽、红白相机、墨镜,3D立体字换为\"痛快当夏\"。\n音效:节拍延续+跳跃落地\"砰\"。\n\n[00:10-00:13] 镜头5:变装3·夏日漂浮(Floating Summer)\n瞬切变装:白色一字肩短上衣、红白条纹短裤、赤足,身体呈漂浮泳姿斜躺在瓶形框中,手持可乐瓶。\n周围漂浮:红白条纹泳圈、小黄鸭、红色人字拖、白色网兜包,3D立体字\"离开地心引力\"。\n音效:节拍转轻盈+水泡\"咕噜\"声。\n\n[00:13-00:15] 镜头6:产品海报收尾(End Card)\n瞬切至海报画面:红黑斜切双色背景,中央一瓶无标识可乐瓶特写(深棕汽水、红瓶标、白色\"COLA\"字样),瓶身挂着细密水珠。\n白色斜体大字从两侧弹入:\"可乐爽人瓶\",下方一行小字\"#爽出你的痛快#\"。\n画面定格,不淡出。\n音效:最后一记重音+气泡嘶声收尾。",
|
||
"category": "music-beat-sync-mv",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2079810430252331482"
|
||
},
|
||
{
|
||
"id": "seedance:case-6152b0808b14",
|
||
"title": "黏土动画猫咪世界大变身",
|
||
"description": "一个充满奇思妙想的动画提示词:一只顽皮的黏土猫咪每走一步,都能将灰色的世界变成充满活力…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-6152b0808b14.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a whimsical, cinematic claymation-style animation of a playful black-and-white cat transforming a grayscale world into a vibrant paradise. As the cat flips, runs, and lands, each step splashes rainbow paint and colorful confetti, bringing grass, flowers, rivers, trees, houses, mountains, and the sky to life. The camera follows with smooth dynamic movements, revealing a charming floating island filled with smiling celestial characters, lush vegetation, and colorful details. End with the cat proudly holding a red flower in a fully transformed, cheerful miniature world. Pixar-quality lighting, handcrafted clay textures, smooth animation, vibrant colors, and magical storytelling.",
|
||
"category": "3d-cartoon",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@noorwithwifi",
|
||
"sourceUrl": "https://x.com/noorwithwifi/status/2078535850745626926"
|
||
},
|
||
{
|
||
"id": "seedance:johnagi168-seedance-ai-140908f952bd",
|
||
"title": "Seedance 2.5 十二秒连续换装的穿搭博主短片",
|
||
"description": "穿搭博主在线教学👨🏫 12 秒换了多少套衣服呢❓ 像以前这样一天视频从拍摄换装再…",
|
||
"image": "https://media.goodcase.ai/cases/c9256a6537c2.jpg",
|
||
"mode": "video",
|
||
"prompt": "穿搭博主在线教学👨🏫\n\n12 秒换了多少套衣服呢❓\n\n像以前这样一天视频从拍摄换装再到剪辑最起码要大半天以上时间,现在仅需一张人物参考图➕提示词几分钟就能够搞定🤝\n\nSeedance 2.5 prompt 👇\n\n【风格】真实穿搭卡点短视频(Photorealistic Fashion Lookbook),节拍匹配剪辑(Beat-Synced Match Cuts),固定手机机位,4K超清,自然皮肤与真实布料质感,无塑料感\n\n【时长】12秒\n\n【比例】9:16竖屏\n\n【场景】简洁室内试衣空间:画面左侧三分之一是浅灰青色竖向半透明窗帘,右侧三分之二是浅米棕色木纹墙板,地面铺深蓝色短绒地毯;柔和均匀的室内顶光与正面补光,无明显硬阴影\n\n【角色】主角 @ ;仅参考人物五官、肤色、发型和身材比例,不继承参考图服装。全片始终是同一人物,脸部、发型、身高和身材完全一致\n\n【全局镜头规则】\n\n固定全身机位(Locked-Off Full Body Shot),标准焦段,人物从头顶到鞋底完整入镜,始终站在画面中央同一个位置;镜头不推拉、不摇移。\n\n所有换装均为踩鼓点的瞬间硬切(Beat-Synced Jump Cut),禁止魔法变装。切换前后头部、肩膀、腰胯和双脚位置精准对齐,只改变服装、配饰和轻微站姿。\n\n人物始终平静、自信地直视镜头;只做插兜、扶包带、轻微歪头、转肩、转换腿部重心等克制动作,不走动、不跳舞。\n\n顶部中央显示两行简洁无衬线标签:英文大字、中文小字;基础文字为白色,具体颜色名称使用对应颜色,并带细小深色阴影。不要底部字幕。\n\n[00:00-00:02.17] 镜头1:第一秒记住配色法则(Hook / Locked-Off Shot)\n\n人物穿黑色无袖高领修身短上衣、深蓝色低腰宽松阔腿牛仔裤、深棕色露趾凉鞋。\n\n00:00-00:00.80:人物以三分之二侧身出现,立即转向镜头并站定,一只手轻触腰侧。\n\n顶部文字:\n\n“remember”\n\n“请记住”\n\n英文女性画外音,不做口型:“Remember,”\n\n00:00.80-00:02.17:人物正面直视镜头,一只手插进口袋,另一只手自然垂下。\n\n顶部文字:\n\n“blue jeans +”\n\n“深蓝色牛仔裤”\n\n画外音继续:“blue jeans go well with”\n\n[00:02.17-00:04.33] 镜头2:深蓝牛仔裤四连搭(Rapid Match Cuts)\n\n同一条深蓝低腰阔腿牛仔裤保持不变,每次换装都在重鼓点瞬间硬切。\n\n00:02.17-00:02.60:切成红色修身短袖纽扣上衣;右手插兜。\n\n顶部:“blue jeans + red / 深蓝牛仔裤+红色”\n\n画外音:“red,”\n\n00:02.60-00:03.17:切成白色修身图案T恤、黑色鸭舌帽和黑色单肩包;一手扶包带、一手插兜。\n\n顶部:“blue jeans + white / 深蓝牛仔裤+白色”\n\n画外音:“white,”\n\n00:03.17-00:03.77:切成黑色修身露肩短上衣,胸前是简洁白色抽象字母图案,搭配黑色手提包;肩膀轻微转向镜头。\n\n顶部:“blue jeans + black / 深蓝牛仔裤+黑色”\n\n画外音:“black,”\n\n00:03.77-00:04.33:切成巧克力棕色修身露肩短上衣和棕色小肩包;一手插兜,身体重心偏向另一条腿。\n\n顶部:“blue jeans + brown / 深蓝牛仔裤+棕色”\n\n画外音:“and brown.”\n\n[00:04.33-00:08.90] 镜头3:浅蓝牛仔裤柔和彩色搭配(Color Progression)\n\n00:04.33鼓点硬切:裤装换成浅蓝色低腰宽松破洞阔腿牛仔裤,搭配黑色无袖高领修身短上衣和黑色腰带。人物双臂短暂垂下后,一手插兜。\n\n顶部:“light blue jeans + / 浅蓝色牛仔裤”\n\n画外音:“Light blue jeans go well with”\n\n00:05.67-00:06.40:切成婴儿粉色细条纹运动短袖上衣,胸前有白色数字3,搭配白色腰带和黑白运动鞋。\n\n顶部:“light blue jeans + baby pink / 浅蓝牛仔裤+婴儿粉”\n\n画外音:“baby pink,”\n\n00:06.40-00:07.30:切成奶油黄色与白色细条纹修身T恤,搭配黑色单肩包;一手扶包带、一手插兜。\n\n顶部:“light blue jeans + butter yellow / 浅蓝牛仔裤+奶油黄”\n\n画外音:“butter yellow,”\n\n00:07.30-00:08.27:切成低饱和湖蓝色修身图案T恤,领口和袖口带浅色滚边;人物轻微歪头。\n\n顶部:“light blue jeans + turquoise / 浅蓝牛仔裤+湖蓝色”\n\n画外音:“turquoise,”\n\n00:08.27-00:08.90:切成米色修身图案T恤和棕色棒球帽;一手插兜,帽檐略微压低。\n\n顶部:“light blue jeans + beige / 浅蓝牛仔裤+米色”\n\n画外音:“and beige.”\n\n[00:08.90-00:12.00] 镜头4:白色牛仔裤压轴三连(Final Color Hits)\n\n00:08.90鼓点硬切:裤装换成白色低腰宽松阔腿牛仔裤,搭配黑色无袖高领修身短上衣和深棕色露趾凉鞋。人物正面站定,手臂自然垂下。\n\n顶部:“white jeans + / 白色牛仔裤”\n\n画外音:“White jeans go well with”\n\n00:10.07-00:10.67:切成蓝白色细格纹长袖衬衫,袖口卷到手肘,搭配黑色单肩包;一手扶包、一手插兜。\n\n顶部:“white jeans + blue / 白色牛仔裤+蓝色”\n\n画外音:“blue,”\n\n00:10.67-00:11.30:切成纯藏蓝色修身短袖上衣;人物轻微转换腰胯重心,目光保持平静。\n\n顶部:“white jeans + navy / 白色牛仔裤+藏蓝色”\n\n画外音:“navy,”\n\n00:11.30-00:12.00:最后一个重鼓点切成酒红色方领无袖修身上衣,面料带细小白色波点,搭配酒红色腰带;人物右手插兜,抬起下巴直视镜头,最后0.3秒保持定格(Final Hold)。\n\n顶部:“white jeans + red / 白色牛仔裤+红色”\n\n画外音:“and red.”\n\n音乐在最后一个鼓点干净收束,画面直接切黑。\n\n【声音】\n\n轻快时尚电子流行音乐(Upbeat Fashion Pop),鼓点清晰,每一次服装硬切精准落在重拍上。\n\n女性英文画外音清晰、自然、稍快;不做人物口型,不使用中文朗读,不保留环境杂音。\n\n【真实质感】\n\n真实手机固定机位拍摄;人物皮肤保留自然纹理,发丝清晰;牛仔面料具有真实厚度、洗水纹理、破洞毛边和重力垂坠;衣物、包带、腰带、帽子和鞋子与身体正确接触。\n\n【负面约束】\n\n不要其他人物、分身、换脸、五官漂移、年龄变化、发型变化、身材变化;不要人物站位漂移、背景跳动、镜头运动、推拉摇移、裁掉头部或鞋子;不要衣服融化、生长、穿模、叠穿残留,不要烟雾、闪光、旋转、遮挡或魔法转场;不要包带粘连、帽子漂浮、腰带扭曲、鞋子跳变、手脚畸形、多余肢体;不要卡通感、动漫感、塑料皮肤、过度磨皮、夸张表情或舞蹈;不要底部字幕、中文画外音、乱码文字、错误颜色标签、水印和无关品牌标志。",
|
||
"category": "fashion-lookbook",
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2089251003514102060"
|
||
},
|
||
{
|
||
"id": "seedance:fpv-def15f90bf27",
|
||
"title": "太空飞船驾驶舱 FPV 太空航行",
|
||
"description": "一段沉浸式第一人称太空飞船驾驶舱视角视频提示词,展现了在小行星带和行星系统中进行的高速…",
|
||
"image": "https://media.goodcase.ai/media/poster/fpv-def15f90bf27.jpg",
|
||
"mode": "video",
|
||
"prompt": "Immersive first-person spaceship cockpit perspective, no visible pilot, no HUD, no interface, only the view through the canopy. The spacecraft launches into deep space with overwhelming acceleration, immediately performing violent high-G maneuvers. The camera dives through a dense asteroid field at impossible speed, snap-rolling between spinning boulders, knife-edging through razor-thin gaps, then slingshotting around a colossal ringed planet only meters above its atmosphere. It instantly transitions into a corkscrew climb through the wreckage of an ancient megastructure orbiting a dying star, weaving through gigantic rotating space stations, shattered capital ships, and kilometer-wide debris fields. Every movement is unpredictable,rapid S-turns, barrel rolls, split-S reversals, vertical dives toward black holes before pulling away at the last instant, power loops around luminous neutron stars, wall-hugging passes along enormous alien megastructures, and gravity-assisted slingshots around planets. The spacecraft flies through glowing wormholes, crystalline nebulae, collapsing stars, and colossal cosmic rings stretching for thousands of kilometers. Giant planets fill the entire sky, binary suns ignite the horizon, lightning storms rage inside colorful nebula clouds, and impossible alien architecture floats silently through space. The final acceleration becomes relentless as the ship races through an immense rotating Dyson sphere, threads the center of gigantic energy rings, narrowly avoids collapsing fragments of planets, and enters a tunnel of distorted spacetime where galaxies stretch into brilliant rivers of light before exploding into an infinite cosmic panorama filled with countless stars and celestial giants. Continuous first-person flight, no cuts, relentless acceleration, extreme high-speed FPV, aggressive banking, rapid direction changes, barrel rolls, corkscrews, split-S maneuvers, knife-edge turns, gravity slingshots, realistic inertia, cinematic motion blur, volumetric cosmic dust, dynamic lighting, hyper-detailed space environments, breathtaking sci-fi spectacle, blockbuster VFX, IMAX quality.",
|
||
"category": "pov-continuous-take",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@LudovicCreator",
|
||
"sourceUrl": "https://x.com/LudovicCreator/status/2080593896451473497"
|
||
},
|
||
{
|
||
"id": "seedance:case-398be18644ee",
|
||
"title": "混乱早晨动画短片",
|
||
"description": "一个关于一名男子混乱早晨日常的幽默动画短片叙事提示词,最终发现这一切只是一场噩梦。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-398be18644ee.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a humorous animated short showing a chaotic morning where a man oversleeps, wakes up in panic, rushes through his routine, grabs a quick breakfast, gets ready in a hurry, and runs through a rainy city trying to catch the bus. After arriving at work, he faces a stressful moment with his boss, only to suddenly fall backward and reveal it was all a nightmare. Use expressive characters, fast-paced action, exaggerated emotions, and a playful cartoon style.",
|
||
"category": "meme-comedy",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@noorwithwifi",
|
||
"sourceUrl": "https://x.com/noorwithwifi/status/2080354151750668360"
|
||
},
|
||
{
|
||
"id": "seedance:case-fecae6e34928",
|
||
"title": "吉卜力工作室风格牛角面包烘焙坊",
|
||
"description": "这是一个为 Seedance 2.0 设计的电影级动画风格视频提示词,旨在呈现吉卜力风…",
|
||
"image": "/inspiration-thumbs/seedance/case-fecae6e34928.webp",
|
||
"mode": "video",
|
||
"prompt": "Anime visual reference sheet, Studio Ghibli art style, clean cream white background. Bold clean outlines, cel shading, pure 2D anime illustration. FOOD: Raw butter block, cold and pale yellow. Laminated dough with visible layered strata. Rolled out dough sheet, pale gold. Folded dough triangle, uncurled. Shaped croissant crescents on a tray, unbaked and pale. Egg wash brushed golden over dough. Finished croissant, deep golden brown, flaky shattered layers, steam rising, a torn piece showing honeycomb interior. TOOLS: Wooden rolling pin, bench scraper, pastry brush, proofing tray, oven interior glowing warm gold. COLOR PALETTE: Butter yellow #F4D58D, dough pale gold #EFDDB5, baked crust gold-brown #C68E3F, deep golden brown #8B5A2B, egg wash sheen #E8B84B, steam white #FAF8F3, shadow brown #4A2F1B. Bold anime outlines, cel shading, Ghibli bakery illustration style, multiple reference panels clearly labeled. Anime bakery short film, Ghibli pastry aesthetic, warm golden morning light, flour dust drifting in sunbeams, cozy bakery kitchen, 16:9. A series of rapid close-up macro shots: hands placing a cold butter block onto rolled dough, dough being folded over the butter and sealed at the edges, rolling pin pressing and elongating the dough in long even strokes, dough being folded into thirds in one smooth motion, rolling pin flattening the dough again into a long sheet, dough being rolled up tightly into a spiral, dough cut into triangles with a sharp knife, fingers rolling a triangle from base to tip into a crescent shape, shaped croissants being placed on a tray in a neat row, pastry brush sweeping golden egg wash across the surface, tray sliding into a warm glowing oven, close-up of croissants slowly puffing and browning under heat, layers visibly separating and flaking as they bake, croissants pulled from the oven golden and steaming, extreme close-up of a croissant being torn in half revealing airy honeycomb layers, steam curling up from the warm interior. Each shot lasts under one second, cinematic food film pacing, hyper-detailed anime illustration, warm amber and buttery gold tones throughout.",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Ciri_ai",
|
||
"sourceUrl": "https://x.com/Ciri_ai/status/2080302214640468225"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-ugc-69e79f387106",
|
||
"title": "Seedance 2.5 太阳镜UGC测评口播视频",
|
||
"description": "Seedance 2.5 生成的太阳镜UGC测评口播视频,女主角在卧室开箱、试戴并对镜…",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-2-5-ugc-69e79f387106.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions.\nCreate an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality.\nThe video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, \"I genuinely wasn't expecting to love these this much.\" She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, \"The packaging already feels incredibly premium.\"\nShe rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, \"The finish feels amazing, and they're incredibly lightweight.\"\nShe puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, \"Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight.\"\nShe turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face.\nLooking directly into the camera, she smiles warmly and says, \"Definitely one of my favorite accessories this year.\" The camera slowly pushes in on the sunglasses before fading out.\nUltra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text.",
|
||
"category": "ugc-creator-review",
|
||
"tags": ["x", "seedance-2.5", "ugc", "product-review"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithkhan",
|
||
"sourceUrl": "https://x.com/AIwithkhan/status/2084608509837275231"
|
||
},
|
||
{
|
||
"id": "seedance:case-9cb44af49d8a",
|
||
"title": "高端生活方式口红商业广告视频",
|
||
"description": "一份详细的视频生成提示词,用于制作高端口红广告。视频以一位身处豪华公寓的女性为主角,侧…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-9cb44af49d8a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Premium lifestyle lipstick commercial, 8 seconds, bright luxury apartment, natural afternoon lighting, soft cinematic shadows, realistic beauty campaign. The video opens with the woman standing beside a full-length mirror, smiling into the camera while holding a lipstick. She twists it open and applies it naturally before checking the result in the mirror. Macro shots showcase the lipstick gliding smoothly across her lips and the glossy finish. She picks up her sunglasses and handbag, then confidently walks toward the apartment door. Before leaving, she turns back toward the camera, lifts the lipstick beside her cheek with a playful smile, and the camera slowly pushes in for the final beauty shot. Photorealistic lifestyle advertisement, premium beauty cinematography, shallow depth of field, luxury lighting, glossy lips, elegant camera movement, 4K HDR.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIwithSynthia",
|
||
"sourceUrl": "https://x.com/AIwithSynthia/status/2081032248179220680"
|
||
},
|
||
{
|
||
"id": "seedance:case-f5315418af5f",
|
||
"title": "股市崩盘新闻直播",
|
||
"description": "一份高度详细的直播风格提示词,用于营造实时新闻报道氛围,包含记者细节、场景设置及电影级…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-f5315418af5f.jpg",
|
||
"mode": "video",
|
||
"prompt": "BROADCAST TYPE: Live business news report covering a sudden stock market crash during trading hours.\n\nON-AIR REPORTER: Female journalist, early 30s. Sharp blazer, earpiece, handheld mic with financial network logo. Composed but visibly tense.\n\nLIVE BROADCAST TIME: 11:20 AM. Bright daylight, glass-walled trading floor visible behind glass partition.\n\nREPORT LOCATION: Outside a stock exchange building. Digital ticker boards flashing red numbers. Traders visible through windows, gesturing anxiously. Passersby stopping to check phones.\n\nBROADCAST CAMERA: Steady tripod-mounted main shot with a secondary handheld cutaway camera. Occasional quick zoom to ticker board numbers dropping. Reflections of red digital numbers on glass.\n\nLIVE SEGMENTS:\nOpening: Reporter explains the sudden index drop and market panic.\nUpdate: Camera cuts to trading floor screens showing plunging graphs.\nEyewitness Moment: A trader stepping outside briefly comments on the chaos.\nSituation Change: Ticker shows a fresh plunge, reporter reacts live to the number.\nClosing: Reporter signs off, noting market will be watched closely into afternoon.\n\nLIVE AUDIO: Muffled trading floor shouting, city traffic, notification pings from nearby phones, reporter's controlled voice, no music.\n\nBROADCAST REALISM: Genuine tension, traders ignoring camera, real-time number changes driving reactions, natural interruptions from passersby glancing at screens.",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2080895772531581198"
|
||
},
|
||
{
|
||
"id": "seedance:case-80317051f9f3",
|
||
"title": "网红奢华别墅探店",
|
||
"description": "一份详尽的多镜头视频提示词,模拟 iPhone 16 Pro 拍摄效果,展示一位女性网…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-80317051f9f3.jpg",
|
||
"mode": "video",
|
||
"prompt": "Raw vertical iPhone footage style, real mobile phone recording shot on iPhone 16 Pro, natural bright daylight on a private clifftop, strong sun, endless horizon views, handheld with natural shake and micro movements, authentic phone camera look, no cinematic emulation, no film grain, no photorealism, looks exactly like a real influencer video posted on Instagram, natural vibrant colors.\n\n[IMAGE REFERENCES]\n\nNo reference images provided. Generate a fully consistent female influencer: mid 20s, attractive, energetic Dragon Ball fan vibe, tanned skin, long dark hair in a high ponytail, wearing a stylish casual-luxury outfit with subtle yellow and green accents, very expressive and excited when showing details.\n\n[TIMELINE SECOND BY SECOND]\n\n0-3s: [Handheld phone shot, natural shake] The influencer walks toward a modern luxury villa built on a private clifftop with 360º views. The villa has a distinctive rounded yellow and white design. Parked outside is a small, quirky luxury car in bright yellow. She points at it smiling: \"Look at this. They actually made the car real.\"\n\n3-6s: [Quick cut to main living area] She enters the bright open-plan living space. The entire back wall is glass with insane views of the sea and horizon. She gestures at the minimalist but warm interior and says: \"Everything is designed so you feel like you're floating above the world.\"\n\n6-9s: [Quick cut to garden terrace] She walks out onto a large circular terrace with perfectly cut grass and a small garden area. There’s a big round stone table in the center. She runs her hand over it and says: \"This is where you sit and watch the clouds go by for hours.\"\n\n9-12s: [Quick cut inside special room] She enters a round meditation-style room with floor-to-ceiling curved windows. The light fills the entire space. She turns slowly and says with a smile: \"This room… you can literally see the whole world from here. No exaggeration.\"\n\n12-15s: [Quick cut to edge of terrace] She stands at the very edge of the terrace, wind in her hair, with nothing but open sky and sea behind her. She looks at the camera and says: \"Private clifftop villa. Feels like your own little planet. Would you live here?\"\n\n[STYLE & QUALITY BOOSTERS]\n\nReal iPhone 16 Pro footage look, natural bright daylight, authentic mobile camera movement and slight shake, natural vibrant colors, coherent physics, stable character, real phone video quality, no film look, no artifacts, looks like genuine Instagram Reel footage shot on location.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@techhalla",
|
||
"sourceUrl": "https://x.com/techhalla/status/2077516915195736088"
|
||
},
|
||
{
|
||
"id": "seedance:asmr-b99180475dc6",
|
||
"title": "动漫花卉书签 ASMR",
|
||
"description": "一段吉卜力风格的动漫 ASMR 场景,展示了手工制作精致压花书签的过程。",
|
||
"image": "https://media.goodcase.ai/media/poster/asmr-b99180475dc6.jpg",
|
||
"mode": "video",
|
||
"prompt": "ASMR anime scene of hands creating a pressed-flower bookmark on a warm wooden desk delicate petals are arranged, laminated, trimmed, and finished with a gold ribbon the translucent bookmark glows in sunlight beside a vintage book ghibli-inspired, dreamy, nostalgic, detailed hand-drawn style",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@noorwithwifi",
|
||
"sourceUrl": "https://x.com/noorwithwifi/status/2076415711375970372"
|
||
},
|
||
{
|
||
"id": "seedance:johnagi168-seedance-ai-6289b5b000a0",
|
||
"title": "Seedance 2.5 抖音风机车炫酷转场竖屏短片",
|
||
"description": "抖音爆款炫酷机车转场视频🎬 Seedance 2.5 prompt 👇 Durat…",
|
||
"image": "/inspiration-thumbs/seedance/johnagi168-seedance-ai-6289b5b000a0.webp",
|
||
"mode": "video",
|
||
"prompt": "抖音爆款炫酷机车转场视频🎬\n\nSeedance 2.5 prompt 👇\n\nDuration: 10 seconds\nAspect ratio: 9:16 vertical\nOverall style: 超写实都市夜骑短片(Photorealistic Urban Night Ride),强冲击动作匹配转场(Impact Match Cut),速度渐变(Speed Ramp),低机位追车,高速运动模糊,4K电影质感\nCharacters: 男主@图片1、女主@图片2;严格保持两张参考图的面部、发型、体型和人物身份一致\nWardrobe: 男主穿黑色修身外套、黑色长裤、白色运动鞋;女主穿黑色长袖修身短裙、黑色及膝长靴,长发自然披散\nScene: 城市江边夜间公路,红色灯光覆盖的高层建筑群、金色传统建筑、跨江大桥、蓝白护栏与高速后移的城市灯光\nMotorcycle: 黑色运动型街车,少量红色装饰线,明亮白色前灯、红色尾灯、宽大真实轮胎;无品牌标志\nAudio: 无对白、无字幕;强节奏电子音乐、冲刺脚步声、低频撞击转场声、发动机爆发声、高速风噪和换挡声\n\nSHOT 1|极速抱人转摩托(00:00-01:00)\n\nSubject:\n女主在江边等待,男主高速冲入,一把抱起女主,两人借惯性冲出画面,瞬间转场为摩托车高速驶出。\n\nAction:\n\n00:00-00:12:\n固定全身镜头。女主独自站在画面中央偏右,只出现约0.12秒;夜风吹动她的长发,远处红色城市建筑明亮清晰。\n\n00:12-00:35:\n音乐突然重击。男主从画面左后方高速斜冲进来,速度非常快,身体带有强烈方向性运动模糊,黑色外套被风向后拉直。\n\n摄影机迅速向右甩动(Fast Whip Pan),产生短促而强烈的速度拖影。男主不能减速、不能停步、不能慢慢靠近。\n\n00:35-00:55:\n男主冲到女主身前的瞬间,双臂直接环住她的腰,一把将她抱离地面。\n\n女主受到冲刺惯性带动,双脚立即离地,双臂本能抱住男主肩颈,长发和双腿同时向画面左后方甩起。\n\n男主抱住女主后一步不停,继续以原本速度向画面右前方猛冲。动作不是原地拥抱,也不是站稳后再抱,而是“高速冲入过程中直接抱走”。\n\n抱起瞬间加入两帧真实镜头震动(Impact Camera Shake)和一声低沉“轰”。\n\n00:55-00:75:\n男主抱着女主几乎贴着摄影机高速掠过。男主黑色肩背、女主飞扬的黑色长发和裙摆迅速填满整个镜头。\n\n两人冲向画面右侧并完全出画。黑色衣服遮满镜头时,不能停顿,不能淡出。\n\n00:75-01:00:\n遮满镜头的黑色衣服直接动作匹配硬切成黑色摩托车的车头与整流罩。\n\n摩托车前灯猛然亮起,前轮从画面左下方贴着镜头高速冲向右前方;发动机声音瞬间爆发,车身掠过镜头产生强烈风压和动态模糊。\n\n摄影机立刻甩向右侧追上摩托车,揭示男主已经坐在前方驾驶,女主已经坐在后座。摩托车的移动方向与上一镜头两人冲出画面的方向完全一致。\n\nEnvironment:\n同一片城市江边夜景,通过黑色遮挡和运动方向保持空间连续。\n\nCamera:\n固定全身镜头→高速甩镜→贴镜遮挡→低机位摩托车冲镜→快速追车。整段必须在一秒内完成。\n\nStyle:\n第一秒就是最大视觉钩子,动作短、快、重,不使用慢动作。\n\nConstraints:\n男主必须先抱住女主,女主双脚明确离地,两人才一起冲出画面;不能让女主自己跳起,不能让两人停在画面中间。\n\nSHOT 2|黑红摩托高速夜骑(01:00-06:10)\n\nSubject:\n男主驾驶黑红摩托车,女主坐在后座,在红色城市天际线与跨江大桥之间高速穿行。\n\nAction:\n\n01:00-01:55:\n超低机位贴地追拍(Ground-level Tracking)。镜头距离前轮非常近,轮胎高速旋转,白色道路标线快速从车轮下方掠过。\n\n摄影机顺着车身向上拉开:男主穿全黑服装并戴黑色全盔,身体前倾、双手牢牢握住车把;女主坐在后座,双腿稳定放在两侧脚踏上,一只手抱住男主腰部。\n\n摩托车快速升挡,发动机音调明显提高。\n\n01:55-02:80:\n切侧面并行追车镜头。摩托车高速驶过金色传统建筑和蓝色高楼,人物保持清晰,背景灯光形成横向速度光带。\n\n女主从男主肩后探出身体,看向并行摄影机,先朝镜头挥手,再在脸侧做出俏皮手势。\n\n男主始终看向前方,不回头,不松开车把。\n\n02:80-03:55:\n镜头突然降低至后轮旁边,紧贴黑红车身高速移动。后轮旋转、链条运动、悬挂轻微压缩,红色车身线条从镜头前方掠过。\n\n摩托车从桥梁灯光下方冲出,摄影机快速上升成广角侧拍。红色高楼群在两人身后占据整个背景。\n\n03:55-04:60:\n女主坐稳后短暂张开双臂,迎着风抬头;随后双手举过头顶,合成一个清楚的爱心形状。\n\n摄影机围绕摩托车从左侧快速移动至左前方(Fast Arc Tracking),车灯、红色建筑和蓝白护栏形成强烈纵深。\n\n摩托车保持高速直线行驶,不翘头、不漂移。\n\n04:60-05:45:\n正面低机位跟拍。摩托车从远处快速逼近,明亮前灯正对镜头,轮胎几乎贴近摄影车。\n\n男主轻微压低身体,完成一次清晰换挡;摩托车再次加速,车身向前窜出。\n\n女主结束爱心动作,一只手重新抱住男主,另一只手伸向摄影机,手掌越来越大并快速遮住整个镜头。\n\n05:45-06:10:\n女主的黑色袖口和手掌完全遮满镜头,触发第二次硬切。\n\n遮挡移开后,男女主已经同时戴上造型一致的黑色全盔。两顶头盔都有完整面罩,面罩从额头位置完整下拉,盖住眼睛、鼻子和嘴部;城市红光清晰映在面罩表面。\n\nCamera:\n轮胎超近景→侧向追车→后轮贴拍→快速弧形环绕→正面低机位逼近→手掌遮镜。\n\nStyle:\n镜头保持速度感和机械重量,背景灯光拉丝但车身与人物清晰。\n\nConstraints:\n摩托车始终是同一辆黑红运动街车;男主始终驾驶,女主始终坐在后座。\n\nSHOT 3|双人全盔压轴追车(06:10-10:00)\n\nSubject:\n男女主都戴完整黑色全盔,深色面罩下拉,骑着黑红摩托车完成更酷、更高速的夜间追车收尾。\n\nAction:\n\n06:10-07:05:\n黑场遮挡切到正面追车镜头。摩托车前灯刺破夜色,高速向镜头逼近。\n\n男主戴黑色全盔,深色面罩完全下拉,身体低伏控制车把;女主同样戴黑色全盔,完整面罩下拉,头部从男主肩侧探出。\n\n两顶头盔必须各自完整覆盖头部,不能只出现半顶头盔,不能缺少下巴保护结构,不能把面罩变成眼镜。\n\n07:05-08:00:\n摄影车向侧面移动,切换成贴近摩托车的低机位侧拍。\n\n摩托车进入一段平缓弯道,男主与车身进行小幅度同步倾斜,轮胎始终贴住地面;女主身体紧贴男主,双臂环住他的腰部,头盔轻靠在男主肩后。\n\n红色高楼、桥梁灯带和护栏在背景中快速向后扫过。\n\n08:00-08:80:\n镜头从前轮沿着车身快速滑向两人。女主短暂松开一只手,朝镜头做出V形手势,黑色头盔面罩反射出红色霓虹。\n\n男主保持双手控制车把,低头加速。发动机声随音乐重拍再次提高。\n\n女主完成手势后立刻重新抱住男主,不能长时间松手。\n\n08:80-09:45:\n摄影机降到摩托车右后轮位置。摩托车从镜头前方高速掠过,排气声、风声和轮胎声形成最强烈的速度爆点。\n\n镜头快速切到后方追拍:红色尾灯位于画面中央,两人的黑色全盔轮廓在红色城市灯光下清晰可见。\n\n09:45-10:00:\n摩托车驶入红色建筑群与桥梁形成的城市纵深。女主紧紧抱住男主,头盔靠在他肩后;男主保持低伏驾驶姿势。\n\n摄影机略微降低速度,让摩托车迅速拉开距离。最后定格在黑红摩托车、红色尾灯、两顶完整黑色全盔和城市夜景组成的背影画面。\n\nAudio:\n持续发动机轰鸣、换挡声、轮胎摩擦声、高速风声;结尾以一次低沉发动机拉转和电子音乐重拍收束。\n\nCamera:\n正面低机位追车→贴身侧拍→沿车身滑动→后轮超近景→后方高速拉远。\n\nStyle:\n冷黑车身与红色城市灯光形成强烈对比,画面硬朗、快速、具有真实追车片质感。\n\nConstraints:\n06:10之后男女主必须始终佩戴完整黑色全盔,面罩全部下拉,不能在后续镜头消失、掀起或变成半盔。\n\n---",
|
||
"category": "car-vehicle",
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2089727243471696233"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-k-pop-87e2d00e2fe8",
|
||
"title": "Seedance 2.5 涩谷街头K-pop舞蹈同步字幕",
|
||
"description": "Seedance 2.5 生成的涩谷街头K-pop快闪翻跳视频,四名舞者依次变换菱形、…",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-2-5-k-pop-87e2d00e2fe8.jpg",
|
||
"mode": "video",
|
||
"prompt": "30-SECOND K-POP PUBLIC DANCE COVER — SHIBUYA, TOKYO (with synced typography)\nGenerate a 30-second horizontal 4:3 realistic live-action K-pop girl group public dance cover video, using the provided first frame as the exact visual starting point, with retro bold-typography captions appearing in sync with the choreography, styled like halftone poster-text overlays (bold condensed display font, high-contrast color against the scene, subtle grain texture matching the background).\nTYPOGRAPHY STYLE\nFont: bold condensed display, poster-style\nPlacement: upper third or side margin, never covering faces or hands\nAnimation: quick fade/slide-in synced to the beat, holds for its duration, clean fade-out before the next line\nColor: high-contrast against Tokyo evening tones (cream/gold/white lettering with soft drop shadow)\nOne line active on screen at a time\nSCENE & LOCATION\nShibuya street, Tokyo, Japan, natural evening light, authentic public dance-cover environment — kanji/hiragana/katakana shop signs, convenience stores, cafés, boutiques, vending machines, parked bicycles, overhead wires, glass reflections, soft neon beginning to glow, blurred distant pedestrians. No recognizable logos or brand signage.\nFRAME & CAMERA\nHorizontal 4:3, fixed frontal camera, eye-level, ~5 meters distance, full-body framing, stable documentary style. Subtle push-in only during RINA's highlight, then returns to full frame. No cuts, rotation, extreme zooms, or handheld shake.\nCHARACTERS — EXACTLY 4 DANCERS\nRINA (center): long straight black hair, babypink cropped racing jacket, ivory crop top, charcoal cargo shorts, brown ankle boots\nYERI (left): light brown high ponytail, light blue cropped knit jacket, beige camisole, faded black wide-leg jeans, cream sneakers\nSOO (right): silver-grey hair, navy off-shoulder top, rose-gold waist chain, charcoal pleated skirt, black platform shoes\nMINA (back): dark reddish-brown curly hair, olive bomber jacket, grey crop tee, navy straight-leg pants, off-white platform sneakers\nNo fifth dancer, no duplicates, no overlapping bodies, no identity swaps.\nTIMELINE WITH SYNCED TYPOGRAPHY\n0–6s — OPENING DIAMOND\nRINA center-front, YERI front-left, SOO front-right, MINA back-center. Hand opening, side steps, shoulder rhythms, crossed-arm accents, face-framing gestures, hip accents.\nCaption: \"SAME STREET, NEW BEAT\" — fades in at 1s, holds to 5s, fades out.\n6–10s — RINA HIGHLIGHT\nRINA: chest pop, head tilt, direct eye contact, finger point to camera. Others restrained, framing her. Subtle push-in then return.\nCaption: \"ALL EYES, ONE GIRL\"* — appears exactly as RINA points at camera (6.5s), holds through push-in, fades by 9.5s.\n10–14s — DIAMOND → HORIZONTAL LINE\nSmooth half-step transitions, MINA steps out from behind RINA into full visibility. Wrist flicks, arm sweeps, hip accents, toe taps once stabilized.\nCaption: \"SHIFT THE SHAPE\" — slides in as formation begins moving (10s), fades out once line stabilizes (13.5s).\n14–19s — HORIZONTAL LINE CHORUS\nHeel-toe shuffles, knee bounces, chest pops, shoulder rhythms, toe taps. SOO performs controlled body-wave highlight on the right.\nCaption: \"WAVE IT OUT\" — appears as SOO's body-wave begins (15s), fades before formation shifts (18.5s).\n19–23s — RETURN TO DIAMOND + RIPPLE\nDiamond reforms, MINA repositions opposite RINA, fully visible. YERI initiates ripple body wave: YERI → RINA → SOO → MINA.\nCaption: \"RIPPLE THROUGH\" — timed to appear exactly as the ripple starts at YERI (20s), fades as it reaches MINA (22.5s).\n23–27s — FINAL CHORUS\nUpward arm points, hip accents, shoulder rhythms, toe taps, chest pops, rising energy, natural hair/clothing movement.\nCaption: \"TURN IT UP\" — appears on the first upward arm point (23.5s), fades before final transition (26.5s).\n27–30s — FINAL V FORMATION + FREEZE\nRINA front-middle, YERI back-left, SOO back-right, MINA mid-back-right. Coordinated freeze pose, symmetrical arm lines, feet planted, completely still for the final second.\nCaption: \"FREEZE FRAME\" — slides in as the freeze locks (28s), holds steady and crisp through the final loop-ready frame (30s) — no fade-out, ends on screen.\nVISUAL STYLE\nRealistic live-action street photography — genuine skin texture, individual hair strands, realistic clothing materials, accurate body proportions, natural shadows, evening illumination, storefront reflections, documentary cinematic composition. Typography sits as a poster-style overlay layer, not baked into the environment — legible, clean, and non-intrusive to the dancers.\nSTRICT NEGATIVE REQUIREMENTS\nNo anime, cartoon, 3D/CGI look, stage lights, studio set, extra dancers, duplicated people, overlapping bodies, distorted anatomy/hands/feet, teleportation, sudden formation changes, rapid camera movement, camera rotation, extreme zoom, watermarks, subtitles unrelated to the timed captions, or recognizable copyrighted logos/signage. Captions must stay legible and never obscure faces or hands.\nFINAL OUTPUT\n30 seconds, horizontal 4:3, realistic live-action K-pop public dance cover, Shibuya street, Tokyo, exactly 4 consistent dancers, full-body frontal camera, three formations, synchronized choreography with six timed typography captions matching each beat, stable camera, natural evening lighting, c",
|
||
"category": "music-beat-sync-mv",
|
||
"tags": ["x", "seedance-2.5", "capcut", "paid-partnership"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Just_sharon7",
|
||
"sourceUrl": "https://x.com/Just_sharon7/status/2086067758970851614"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-ugc-7de9338ecfc9",
|
||
"title": "Seedance 2.5 咖啡机竖屏UGC广告",
|
||
"description": "Seedance 2.5 生成的竖屏咖啡机UGC广告,创作者从开箱、注水磨豆到出品试饮…",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-2-5-ugc-7de9338ecfc9.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 30-second vertical AI UGC product commercial (9:16) for a premium coffee machine.\nStyle: Ultra-realistic, cinematic, social-media UGC, premium lifestyle, 4K HDR, natural lighting, smooth handheld camera, realistic human motion, luxury color grading.\nScene 1 (0–5s)\nA creator walks into a modern kitchen holding a coffee mug and says, \"I finally tried this coffee machine.\"\nScene 2 (5–10s)\nClose-up shots of opening the coffee bean container, adding beans, filling water, and pressing the power button. Natural hand movements and satisfying button clicks.\nScene 3 (10–17s)\nMacro shots of coffee grinding, rich crema forming, steam rising, and coffee slowly pouring into a glass cup. Beautiful golden morning sunlight.\nScene 4 (17–23s)\nThe creator takes the first sip, smiles naturally, and says, \"This honestly tastes amazing.\"\nScene 5 (23–27s)\nPremium product showcase with smooth orbit shots, close-ups of the controls, metallic finish, and elegant kitchen background.\nScene 6 (27–30s)\nHero shot of the coffee machine beside a fresh cup of coffee with soft cinematic lighting. End with the creator holding the cup and smiling at the camera.\nRequirements:\nVertical 9:16, 30 seconds, AI UGC style, realistic creator vibe, premium product advertising, natural expressions, realistic hands, smooth camera movement, clean transitions, cinematic quality, no logos or watermarks.",
|
||
"category": "ugc-creator-review",
|
||
"tags": ["x", "seedance-2.5", "wavespeedai", "ugc-ad"],
|
||
"sourceId": "seedance",
|
||
"credit": "@SadiaMalik182",
|
||
"sourceUrl": "https://x.com/SadiaMalik182/status/2085947010293883115"
|
||
},
|
||
{
|
||
"id": "seedance:case-d346cb88c88e",
|
||
"title": "超写实韩国河畔纪录片提示词",
|
||
"description": "一套多场景视频提示词,旨在模拟 2000 年代中期手持摄像机拍摄的影像,记录一名年轻男…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-d346cb88c88e.jpg",
|
||
"mode": "video",
|
||
"prompt": "Main subject: Young Korean man, early 20s, natural everyday appearance, oversized cream knit sweater with sleeves slightly covering his hands, relaxed dark olive cargo pants, white worn sneakers, simple silver bracelet on left wrist, medium-length black hair with soft natural waves. Realistic skin texture, minimal styling, calm and thoughtful personality. Maintain identical face, hairstyle, clothing, body proportions, and appearance throughout the entire video.\n\nLocation: Quiet Korean riverside walking path after a light rain. Wet stone pavement reflecting soft daylight, wooden benches, willow trees, bicycle lane, shallow puddles, small bridge in the distance, green riverbank, gentle breeze moving leaves. Peaceful environment with no crowds, shops, advertisements, or tourist activity.\n\nVisual Style: Hyper-realistic documentary footage. Ordinary daily life with spontaneous human behavior. Natural movement, subtle facial expressions, believable environmental interaction. Nothing staged or cinematic.\n\nCamera Style: Mid-2000s MiniDV handheld camcorder. Friend casually filming. Constant handheld shake, imperfect framing, slow autofocus hunting, exposure fluctuations from cloudy skies, occasional rolling shutter, soft image quality, mild digital compression, slight color fading, visible sensor grain, subtle motion blur. No stabilization, no cinematic tracking, no modern grading.\n\n00:00–00:02\nThe recording starts unexpectedly while he stands beside a puddle looking at the reflections. He lightly nudges the water with his sneaker, creating ripples. Camera briefly loses focus.\n\n00:02–00:04\nHe walks along the riverside path carrying a transparent umbrella even though the rain has stopped. The camera trails behind while struggling to keep him centered.\n\n00:04–00:06\nHe pauses beside a wooden railing, watching ducks glide across the river. Wind moves his hair naturally while autofocus shifts between the railing and his face.\n\n00:06–00:08\nHe notices a small fallen maple leaf stuck on his sweater, laughs quietly, removes it, and lets it drift away. The camera zooms slightly by accident before correcting.\n\n00:08–00:10\nPassing beneath willow branches, he reaches up and brushes the hanging leaves with his fingertips while continuing to walk. Sunlight briefly breaks through clouds, causing exposure pumping.\n\n00:10–00:12\nHe sits on a damp wooden bench sipping from a small convenience-store coffee cup. He glances toward the camera with a relaxed smile before looking back at the river.\n\n00:12–00:15\nAs he walks away toward the bridge, he casually turns over his shoulder, gives a small wave, and quietly says, “Gaja.” The operator lowers the camcorder too early, cutting off the top of the frame before the recording abruptly ends.\n\nAudio: Natural ambience only. Light wind, distant flowing river, birds, bicycle passing occasionally, soft footsteps on wet pavement, leaves rustling, ducks splashing, faint city ambience far away. No music, narration, Foley, or cinematic sound effects.\n\nGoal: A forgotten MiniDV home video from the mid-2000s capturing an ordinary afternoon after rain in Korea, intimate, imperfect, nostalgic, and completely authentic.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@iamrealsnow",
|
||
"sourceUrl": "https://x.com/iamrealsnow/status/2080938085081403765"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-0-181cb461432f",
|
||
"title": "Seedance 2.0 可乐商业广告视频",
|
||
"description": "一份为 Seedance 2.0 编写的综合性多场景视频提示词,旨在创作一支高能量的商…",
|
||
"image": "https://media.goodcase.ai/media/poster/seedance-2-0-181cb461432f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Referencing the face, hairstyle, and body proportions of image_1 — this exact young Asian woman with shoulder-length black hair with bangs, delicate features, and slender figure must remain 100% identical across all outfit changes. Face never changes. 9:16 vertical, 15 seconds, high-saturation commercial style: photo-realistic character on flat graphic animation backgrounds, red-black-white color palette.\n\n[0–1.7s] Pure white studio background. Full-body 35mm shot. Character wears simple grey-black outfit, faces camera, holds a transparent plastic cola bottle filled with deep-brown carbonated liquid, red label, red cap. She leans in and twists the cap open with effort.\n\n[1.7–2.2s] Cap pops off with a burst — dense bubbles rush upward, cold mist sprays out. Her face shows delighted surprise. A red flash wipes the frame.\n\n[2.2–3.5s] Background instantly transforms: deep crimson flat-design. A giant matte-black cola bottle silhouette dominates center frame. Character shrinks and stands inside the silhouette, tilts head back to drink. Bold red and black geometric shapes slide rapidly behind her.\n\n[3.5–4s] A giant condensation-covered cola bottle sweeps horizontally across the full frame at high speed with motion blur — TRANSITION 1.\n\n[4–6s] Bottle clears. OUTFIT 1 — sporty sweet: red-black cropped top, black shorts, red cap, black sneakers. Same face. She raises one leg, holds cola bottle, energetic jump pose. Floating props: red headphones, black camera, ice cubes, red bottle caps.\n\n[6–8s] Cola bubbles explode across frame — TRANSITION 2. OUTFIT 2 — street casual: black oversized tee with red graphic, black wide shorts, red jacket tied at waist, red-black sneakers. Same face. She spins, lands, turns back to camera and raises cola bottle with cool confidence.\n\n[8–10s] Giant red bottle cap spins into frame — TRANSITION 3. OUTFIT 3 — hot athletic: red off-shoulder crop top, black high-waist shorts, red-black wristbands, black ankle boots. Same face. She leaps sideways mid-air, one hand drinking from cola. Floating: skewers, straws, ice cubes, cola bubbles.\n\n[10–12s] Dark brown cola liquid splashes across body — TRANSITION 4. OUTFIT 4 — cool summer: black cropped top with red trim, red-black shorts, light summer shoes. Same face. Hair gently blown by air current. She floats sideways, holds cola bottle. Floating: red-black swim ring, sunglasses, walkman, small tote bag.\n\n[12–13s] A giant ice-frosted cola bottle rises fast from bottom of frame. Character shrinks, floats beside the bottle. Red-black accessories explode outward in a shockwave. Background: deep red and black diagonal geometric blocks.\n\n[13–15s] Cut to product close-up: cola bottle front view, transparent body filled with deep-brown carbonated liquid, dense fine bubbles rising continuously, real condensation droplets coating the glass, red label with clean white 'COLA' text only. Black ice cubes and red bottle cap float around it. Character peeks from behind the bottle, smiling warmly, raises the cola joyfully, and says with accurate lip-sync: '啊——爽!'\n\nCamera: fixed frontal composition throughout, 35mm full-body for character shots, 50mm product close-up for final. All outfit transitions use in-frame occlusion only — bottle sweep, bubble burst, cap spin, liquid splash — never direct cut. All action beats hit heavy bass downbeats. Character face, hairstyle, and body proportions are identical in every shot. No subtitles. No music. Sound: bottle pop 'bō', carbonation hiss, ice clink, bubble fizz, bass drum hit on each transition beat, brief whoosh on each change, final Chinese line lip-synced precisely.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2079547623917195490"
|
||
},
|
||
{
|
||
"id": "seedance:case-de248f679b06",
|
||
"title": "黑板火柴人空手道对决",
|
||
"description": "一份详细的 2D 动画提示词,描述了火柴人在黑板上从互赠花朵到展开激烈空手道对决的场景。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-de248f679b06.jpg",
|
||
"mode": "video",
|
||
"prompt": "15-second 2D animated video. Camera is completely steady and static the entire time. On the large green chalkboard in a elementary classroom, two simple white chalk stick figures are drawn facing each other (male on the left, female on the right with a ponytail). Sequence: 0–5 seconds: The male stick figure (left) reaches behind his back and pulls out a white chalk-drawn flower. He gently offers the flower to the female stick figure. Small white chalk hearts appear around them. The female stick figure becomes shy and kilig, covering her face slightly with one hand while little hearts float up. All hearts and effects stay strictly inside the green chalkboard. 5–7 seconds: Sudden pause. Both stick figures freeze for a moment. 7–15 seconds: They suddenly drop into intense karate fighting stances. The two stick figures start a very intense chalk-drawn karate fight — fast punches, high kicks, spins, and dramatic poses. White chalk motion lines, impact stars, and dust effects appear with every hit. All motion lines, stars, dust, and graphic effects remain completely inside the green chalkboard and never go outside the board edges. Everything stays as white chalk drawings on the green board. The classroom background, desks, chairs, and posters remain completely still and unchanged. No camera movement. Clean 2D animation style, simple chalk line art, white chalk only, highly detailed motion, 15 seconds. Negative prompt: 3D, realistic people, moving camera, colored chalk, effects going outside the board, changing background, blurry, low quality",
|
||
"category": "meme-comedy",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@mrdejie",
|
||
"sourceUrl": "https://x.com/mrdejie/status/2079463899305476233"
|
||
},
|
||
{
|
||
"id": "seedance:case-69e5879cc5a7",
|
||
"title": "定格动画:狼群袭击序列",
|
||
"description": "这是一个为 Seedance 2.0 设计的写实定格动画提示词,描述了暴风雪中残酷的狼…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-69e5879cc5a7.jpg",
|
||
"mode": "video",
|
||
"prompt": "Style: STOP-MOTION ANIMATION — stepped, frame-by-frame motion brought to a HAND-PAINTED 2D look, a moving oil painting, NOT clay, NOT puppets, NOT 3D. True 12fps, ANIMATED ON TWOS: 12 distinct hand-painted drawings per second, each pose held two frames then snapping to the next, never gliding — even at full gallop the action steps pose to pose with the strobing cadence of hand-drawn animation. Constant painterly BOIL. NO smooth interpolation, NO motion blur, NO morphing, real frame-by-frame animation not AI slop. Style from <<<image_1>>>, the wolves from <<<image_2>>>, RIDER 1 from <<<image_3>>> riding HIS horse from <<<image_4>>> — the same lead rider and the same horse as one consistent pair throughout, never another horse, never another man. The dusk snowfield from <<<image_5>>>. Blizzard haze and blowing snow drift SMOOTHLY; figures, horses, wolves and drawn snow-spray effects step on twos with secondary action. DIRECTOR'S NOTES: 1/ THE SCENE — full-gallop chase in the dusk blizzard, brutal and fast. RIDER 1, the lead rider, chases a sprinting wolf, leans low off the saddle in the manner of a kok-boru player reaching for the ulak, seizes the wolf by the scruff — and the wolf twists and savages his arm. A second wolf hits him from his blind side. He is torn from the saddle at full speed and the pack swarms him. Savage, dynamic, with REAL PHYSICS and a visible causal chain — every wound has its on-screen cause. 2/ REAL PHYSICS AND CAUSALITY — the horse (<<<image_4>>>) gallops with true four-beat weight; RIDER 1 hangs low off the side of the saddle, one hand braced, reaching down; the wolf is a heavy animal — when seized it twists its WHOLE body mid-stride, and that twisting weight plus the clamping bite WRENCHES the rider off balance; the bite is shown on screen: jaws clamp and crush onto his forearm, tearing sleeve and flesh, dark blood — cause before effect, always; the second wolf launches from his blind side and slams full-body into his chest like a missile; torn from the saddle at gallop speed he hits the snow HARD and TUMBLES with momentum, rolling over and over, loose powder snow bursting around each impact (drawn snow-spray effects on twos), the riderless horse galloping on; the pack converges as a fast dark stream and swarms over him, a savage thrashing dark mass. 3/ BRUTALITY STAGED, NOT LINGERED — the violence is fast, hard and physical: the crunching bite, the dark blood across the snow, the swarming pack. Show the savagery through motion, dark mass and sound, not slow anatomical detail. 4/ AGGRESSIVE HANDHELD CHASE CAMERA — racing alongside at gallop, violently jolting with the speed, whipped by wind, jerky corrections, the horizon tilting and never level; on the fall a hard DUTCH TILT as the world goes over with him. Never gimbal-smooth, never tripod-locked. 5/ SECONDARY ACTION on twos — RIDER 1's chapan skirts and fur hat whipping with follow-through, the horse's mane and tail streaming, the wolves' fur rippling along their backs, harness swinging, breath-vapor of horse and man tearing off in the wind, snow bursting from hooves as drawn powder on twos. 6/ LIGHT — deep dusk in a blizzard, dim cold blue-grey storm light, soft, no rays, no beams, no god rays, the figures dark masses against the pale snow. Correct neutral white balance, NOT a blue filter, muted desaturated; the blood a dark muted red, stark on the snow but never glossy, never bright. SHOT 1 — FULL-GALLOP TRACKING, ~35mm, aggressive handheld racing alongside. COMPOSITION: RIDER 1 on his horse a large dark mass driving in from the RIGHT third, the sprinting wolf low ahead of him on the LEFT third, both tearing diagonally through the frame left-and-deeper — the diagonal of the chase as the line of dynamics; the pale storm-lit snowfield from <<<image_5>>> streaking past as negative space. RIDER 1 drops LOW off the side of the saddle in a kok-boru lean, one hand braced on the saddle, the other arm stretching down for the wolf's scruff, his chapan and the horse's mane whipping on twos, hooves throwing bursts of powder. He bares his teeth, hoarse over the wind, lips on twos: \"Ustadym!..\" His fist closes on the wolf's scruff — HARD CUT to SHOT 2 — CLOSE DYNAMIC, ~50mm, aggressive handheld slammed in tight: the wolf, seized, TWISTS its whole heavy body mid-stride in one violent stepped motion — and its jaws clamp CRUSHING onto RIDER 1's forearm, on screen, tearing through sleeve and flesh, dark blood whipping across the snow and the wolf's muzzle. His raw scream tears over the wind. The wolf's twisting weight and the bite WRENCH him sideways off his balance, his body dragged half out of the saddle, his fur hat ripping away with follow-through. Cause and effect brutal and readable, all stepping on twos. HARD CUT to SHOT 3 — MEDIUM WIDE with a hard DUTCH TILT, ~35mm, aggressive handheld: from his blind side a SECOND wolf launches — a dark missile — and slams full-body into his chest. Torn from the saddle at gallop speed RIDER 1 hits the snow HARD and TUMBLES, rolling over and over with real momentum, powder snow bursting at each impact as drawn effects on twos, the horizon tilted and reeling, his riderless horse (<<<image_4>>>) galloping on into the storm. And then the pack pours in — a fast dark stream of wolves from <<<image_2>>> out of the storm, varied coats, converging from all sides and SWARMING over him, a savage thrashing dark mass on the pale snow, dark blood spreading, snow scattering, his cries swallowed by the blizzard and the snarling. The dark mass of the pack traps and frames him. Hold one brutal beat in the howling wind. End. Audio: NO MUSIC — the roar of the blizzard, pounding gallop, the wolf's snarl and the wet crunch of the bite, the rider's raw scream, the heavy tumbling impacts, the converging snarls of the pack, the wind swallowing everything. No subtitles. Natural diegetic sound only, absolutely no music. Constraints: stop-motion stepped cadence on twos at 12fps with painterly boil even at full gallop, every action stepping pose to pose never gliding, NO smooth interpolation NO motion blur NO morphing, blizzard haze smooth while all figures animals and drawn snow-spray effects step on twos, hand-painted oil look from <<<image_1>>> not photoreal not 3D not glossy, three shots with hard cuts — full-gallop tracking with the kok-boru lean and the grab \"Ustadym!..\", close dynamic of the twisting wolf and the crushing on-screen bite with dark blood and the scream, dutch-tilted wide of the second wolf's full-body slam the hard tumbling fall at speed and the pack swarming him as a savage dark mass — RIDER 1 from <<<image_3>>> and his horse from <<<image_4>>> the SAME consistent pair in every shot never swapped, REAL PHYSICS AND VISIBLE CAUSALITY every wound caused on screen the wolf's twisting weight wrenching the rider the bite before the blood the slam before the fall the momentum carrying the tumble, AGGRESSIVE HANDHELD racing jolting wind-whipped horizon never level hard dutch tilt on the fall never gimbal-smooth, SECONDARY ACTION on twos chapan hat mane tail wolf fur harness breath-vapor all whipping with follow-through, wolves from <<<image_2>>> varied in coat tone size and stride never mirrored never cloned, deep dusk blizzard dim cold storm light soft no rays no beams, correct neutral white balance not a blue filter muted desaturated dark muted blood never bright never glossy, brutality fast hard and physical staged through motion dark mass and sound not lingering gore, spoken Kazakh in Latin transliteration pronounced as written, NO MUSIC only storm hooves snarls and screams.",
|
||
"category": "stop-motion-cadence",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@eyishazyer",
|
||
"sourceUrl": "https://x.com/eyishazyer/status/2078437832604123625"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-8a3e0b49e77b",
|
||
"title": "手持式护肤 Vlog 摄像机美学",
|
||
"description": "这是一个为 Seedance 2.0 设计的详细分镜提示词,旨在生成一段具有手持迷你 …",
|
||
"image": "/inspiration-thumbs/seedance/vlog-8a3e0b49e77b.webp",
|
||
"mode": "video",
|
||
"prompt": "CAMERA / LOOK: Handheld mini DV camcorder footage filmed by the subject herself. Slight hand shake, occasional focus hunting, imperfect framing, natural zoom adjustments, soft tape-like image quality, subtle grain, realistic auto-exposure shifts from bathroom vanity lighting. Natural skin tones, mild motion blur, authentic consumer camcorder aesthetic.\nSTYLE: Cozy skincare vlog with gentle ASMR elements. Relaxed pacing, minimal dialogue, candid moments. Focus on satisfying sounds: bottle caps popping, cotton pad taps, water splashing, jar lids twisting, soft patting sounds.\nSUBJECT: Young woman in her early 20s, hair wrapped in a soft headband, oversized robe, no makeup, relaxed expression. Calm, unwinding energy before bed.\nSETTING: Small bathroom vanity area at night. Warm vanity lights, neatly arranged skincare bottles, mirror, soft quiet atmosphere.\nSTORYBOARD:\n→ (2s, propped medium shot) Places camera on the vanity shelf, sits down. \"Time for my nighttime routine.\"\n→ (2s, overhead shot) Pours cleanser onto palms, lathers gently.\n→ (2s, close-up) Splashes face with water, pats dry with a towel.\n→ (2s, handheld shot) Holds up a toner bottle, pours onto a cotton pad. \"This one's been my favorite lately.\"\n→ (2s, detail shot) Applies serum with gentle patting motions. No dialogue.\n→ (2s, medium shot) Twists open a moisturizer jar, scoops a small amount. \"Almost done.\"\n→ (2s, macro shot) Applies lip balm, sets it back on the shelf.\n→ (2s, propped shot) Brushes hair gently in front of the mirror.\n→ (2s, warm ending shot) Looks at reflection, relaxed smile. \"Ready for bed now.\"\n→ (1.5s, final shot) Turns toward camera, reaches for the lens. \"Goodnight.\" Hand covers lens as recording ends.\nAUDIO NOTES: Natural bathroom ambience bottle caps, water splashing, patting sounds should be clearly audible. Dialogue quiet and casual, almost a whisper.\nREALISM NOTES: Authentic body language, natural blinking, genuine soft smiles, occasional pauses, imperfect framing, focus breathing, warm dim lighting. Should resemble a genuine personal skincare vlog on a consumer camcorder, not a commercial production.",
|
||
"category": "retro-found-footage",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2077333945687925044"
|
||
},
|
||
{
|
||
"id": "seedance:case-8bdac964f9d4",
|
||
"title": "海岛微缩模型港口城市蒙太奇",
|
||
"description": "一个专业的视频生成提示词,用于创建高端、细节丰富的海岛港口城市微缩模型,包含电影级光影…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-8bdac964f9d4.jpg",
|
||
"mode": "video",
|
||
"prompt": "[CONDITION DEFINITION]\n1:1スクエア、15秒、参照画像なし。広大な島全体に港町が高速で組み上がる、シネマティックな高級ミニチュア・ジオラマ形成モンタージュ。方向性は、チープな玩具ではなく、高級な手作りジオラマ、高級コレクタートイ、映画撮影用の精密模型のような質感。可愛らしさ、整理された美しさ、模型ならではの楽しさを残しつつ、島全体が大きく広がる壮大感を出す。明るくクリアな昼光、青い海、白い波、赤・青・白の屋根、木の桟橋、石の岸壁、灯台、橋、運河、丘の上の街並み、複数の港区画を見せる。主役は人物ではなく、巨大な港島ジオラマそのもの。文字、ロゴ、透かし、字幕は不要。\n\n[SHOT/FLOW]\n0.0〜3.0秒:\n広角の高い俯瞰ショットから開始する。小さな箱庭ではなく、青い海に囲まれた大きな島全体を見せる。何もない島の地形に、海岸線、湾、防波堤、崖、丘、港口、運河、複数の岸壁、橋、主要道路、段差のある街区の輪郭が高速で現れ、まず島と港の大きな骨格が一気に完成する。最初から外海、湾、丘、港の広がりを見せ、こじんまりした印象を避ける。\n3.0〜6.5秒:\nカメラは広角を保ったまま、ゆるやかに下降しながら港側へ前進する。木の桟橋、石畳、階段、手すり、倉庫、漁具小屋、運河沿いの建物、赤・青・白の屋根の家並み、丘へ続く細い道が、カチッとはまるようにテンポよく組み上がる。寄りすぎず、常に港・丘・外海の奥行きが見える構図にする。\n6.5〜10.0秒:\n自然な場面転換を入れ、港の中距離ショットへ移る。複数の桟橋、小舟、帆船、係留ロープ、木箱、小型クレーン、街灯、旗、橋、運河、岸壁の石の継ぎ目、桟橋の板などの細部が連続して完成する。ここは形成の快感を最も強く見せる場面だが、小物の寄りだけにせず、広い港区画全体が一気に密度を増していくように見せる。\n10.0〜12.5秒:\n灯台、丘の上の街並み、複数の港区画、外海へ続く湾を見せる。灯台が完成し、屋根、窓、橋、街灯、船、旗が最後の仕上げとして整い、広大な港島ジオラマが完成形に近づく。ここで島全体のスケール感をもう一度強く見せる。\n12.5〜15.0秒:\n完成した港島に命が宿る。水面がきらめき、小舟が少し揺れ、旗とロープが風になびき、灯台の光がゆっくり回り、窓や街灯が小さく点灯する。最後は広角で大きく引いた壮大な全景。港, 丘, 灯台, 複数の桟橋, 外海まで含めて, 大きな高級ジオラマ島が可愛らしく息づき始めた余韻で締める。\n\n[CAMERA/EDITING]\nカメラは広角を重視し、島全体の広がりを常に感じさせる。開始は高い俯瞰、次に下降前進、港沿いの近接通過、灯台まわりの軽い回り込み、最後は大きく引いた全景。15秒内に2〜3回の自然な場面転換を入れる。寄りカットは入れてよいが、寄りすぎて小さな玩具だけに見えないようにする。前景・中景・遠景を重ね、港、丘、灯台、外海が同時に見える構図を作る。テンポは速く、形成の快感を重視する。単調な直線移動や長い静止は避ける。\n\n[SOUND]\nBGMあり、効果音あり。BGMは明るく爽快で、少し冒険感のあるシネマティックな音楽。高級ジオラマが完成していく高揚感を支えるが、派手すぎない。効果音は小さな組み立て音、木や石がはまる音、軽いクリック音、水音、波のさざめき、ロープや旗の音、船のきしみ、遠いカモメ、灯台の小さな機械音。セリフなし、ナレーションなし。\n\n[NEGATIVE]\n小さすぎる島、こじんまりした箱庭、安い玩具感、チープなプラスチック感、雑なクラフト感、狭い港、数軒だけの町、スケールのない構図、暗い曇天、濁った海、実物大の巨大人間、人物主役化、文字、ロゴ、透かし、字幕、単調な直線カメラ、完成後に完全静止するだけのラストを避ける。",
|
||
"category": "process-transformation-montage",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@ai_lifehack55",
|
||
"sourceUrl": "https://x.com/ai_lifehack55/status/2076503632988561413"
|
||
},
|
||
{
|
||
"id": "seedance:k-pop-vlog-01673e48bc3c",
|
||
"title": "K-Pop 偶像后台 Vlog",
|
||
"description": "一个为 Seedance 2.0 设计的专业 4K 分镜脚本提示词,展示了 K-pop…",
|
||
"image": "https://media.goodcase.ai/media/poster/k-pop-vlog-01673e48bc3c.jpg",
|
||
"mode": "video",
|
||
"prompt": "CAMERA: Modern full-frame digital cinema camera with handheld POV by RENA, occasionally propped on the vanity. Natural handheld movement, subtle camera shake, imperfect framing, occasional delayed autofocus, gentle zoom adjustments, face occasionally cropped. Camera never visible.\n\nLOOK: Clean, high-end digital image with soft flattering vanity lighting. Subtle bloom from vanity bulbs, realistic skin texture, shallow depth of field, cinematic dynamic range, natural colors, premium mirrorless camera quality.\n\nSTYLE: Casual beauty vlog. Relaxed, chatty, slow pacing with quiet mirror moments.\n\nCHARACTER: RENA, Korean female idol in her early 20s, long straight jet-black hair with a natural center part, fair dewy skin, soft brown eyes, natural makeup with glossy coral lips. She is wearing a glamorous black K-pop stage outfit embellished with crystals and metallic details, completely covered by a professional black makeup cape draped over her shoulders, with only subtle glimpses of the sparkling stage costume visible around the neckline, sleeves, and lower body. Unseen stylist's hands occasionally enter frame to brush, section, curl, and style her hair.\n\nSETTING: A professional K-pop idol dressing room backstage before a performance, featuring a large bulb-lit vanity mirror, styling chair, hair dryers, curling irons, brushes, styling sprays, makeup products, garment racks filled with stage outfits, mirrors, and an authentic backstage atmosphere.\n\nSTORYBOARD:\n1. Camera is propped on the vanity. RENA smiles warmly and waves at the camera.\nKorean: \"안녕하세요 여러분! 오늘 헤어랑 메이크업 받으러 왔어요.\"\n\n2. Handheld close-up as the stylist gently separates and pulls sections of RENA's hair while preparing the hairstyle.\nKorean: \"준비하는 데 항상 시간이 오래 걸려요.\"\n\n3. Insert close-up of the stylist clipping and arranging her hair with professional tools.\nAmbient backstage salon sounds only.\n\n4. Camera is propped on the vanity again. RENA smiles naturally while looking into the mirror.\nKorean: \"이제 거의 다 됐어요.\"\n\n5. Handheld close-up of RENA quietly watching the stylist through the mirror, smiling softly as the finishing touches are applied.\nAmbient sounds only.\n\n6. Handheld shot as RENA uses a handheld mirror to check the back of her hairstyle from multiple angles.\nKorean: \"뒤도 한번 볼게요.\"\n\n7. Tight close-up as RENA's expression brightens after seeing the completed hairstyle.\nKorean: \"너무 마음에 들어요!\"\n\n8. Selfie shot. RENA gives a thumbs-up, waves enthusiastically at the camera, and smiles brightly.\nKorean: \"완성! 다음에 또 만나요. 안녕!\"",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AI__TSUBAKI",
|
||
"sourceUrl": "https://x.com/AI__TSUBAKI/status/2081399474971373885"
|
||
},
|
||
{
|
||
"id": "seedance:case-0287a838e662",
|
||
"title": "手绘定格动画:暴风雪场景",
|
||
"description": "这是一个为 Seedance 2.0 设计的精细定格动画提示词,旨在呈现一种手绘 2D…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-0287a838e662.jpg",
|
||
"mode": "video",
|
||
"prompt": "Style: STOP-MOTION ANIMATION — stepped, frame-by-frame motion brought to a HAND-PAINTED 2D . True 12 frames per second, ANIMATED ON TWOS: 12 distinct hand-painted drawings per second, each pose held two frames then snapping to the next, never gliding. Constant painterly BOIL — brushstrokes and outlines subtly alive frame to frame. NO smooth interpolation, NO motion blur, NO morphing, real frame-by-frame animation not AI slop. Style from <<<image_1>>>, the yurt camp from <<<image_2>>>, the wolves from <<<image_3>>> — lean steppe wolves, coal-black with cold sheen, pale eyes. THE HERDSMAN from <<<image_4>>> (on foot). RIDER 1 from <<<image_5>>> riding HIS horse from <<<image_6>>> — keep this man and this horse together as one consistent pair. RIDER 2 from <<<image_7>>> riding HIS horse from <<<image_8>>> — a second consistent pair. Never mix the riders onto each other's horses. Atmospheric motion (blowing snow, blizzard haze) moves SMOOTHLY; figures, horses and wolves step on twos with secondary action. DIRECTOR'S NOTES: 1. THE SCENE — dusk, a blizzard rising over the Kazakh yurt camp. Wolves have come down on the herds. Panic erupts: THE HERDSMAN screams the alarm, men run, RIDER 1 is the first into the saddle and the first to tear out into the storm, RIDER 2 right behind him shouting orders. 2. RISING ENERGY — the sequence builds from dread to chaos: the dark wolf shapes at the herd, then the scream, then the explosive mounting and gallop. Each shot more energy than the last. 3. RIDER 1 IS THE LEAD — give RIDER 1 a clearly readable beat: he is the first to vault into the saddle of his horse (<<<image_6>>>) and the first to spur out of the camp, leading the charge, grim and silent, his face readable for a moment so the audience will know him again. RIDER 2 mounts shouting and follows. 4. AGGRESSIVE HANDHELD — the camera is in human hands in a panic: constant restless motion, jerky corrections, vertical bounce from running steps, buffeted by wind gusts, the horizon never level, never gimbal-smooth, never tripod-locked. Raw documentary chaos. 5. REAL PHYSICS — horses wheel and rear with weight, men vault into saddles with effort, snow is kicked up by hooves and boots as bursts of loose powder (drawn snow-spray effects on twos), cloth and manes whip in the wind with follow-through. 6. SECONDARY ACTION on twos on everything: chapan skirts and fur hats whipping, horse manes and tails streaming, breath-vapor of men and horses torn off by wind, harness straps swinging. 7. LIGHT — failing dusk in a blizzard, dim cold blue-grey storm light, soft and diffuse, no rays, no beams, no god rays; one or two struggling torch flames as small warm accents whipping in the wind. Correct neutral white balance, NOT a blue filter, muted desaturated, the wolves near-black masses. SHOT 1 — WIDE, ~35mm, aggressive handheld, the yurt camp at dusk in driving snow. COMPOSITION: the pale domed yurts low across the LOWER-RIGHT third, the churning panicked herd a dark restless mass on the LEFT third — and along the far edge of the herd, low dark wolf shapes from <<<image_3>>> flowing fast between the snow-veils, barely readable, a dark current, varied in tone and stride, never mirrored, never cloned. Blizzard haze drifts smoothly, figures and animals on twos. The herd wheels and screams. Energy rising. HARD CUT to SHOT 2 — MEDIUM, ~35mm, aggressive handheld running with him: THE HERDSMAN (<<<image_4>>>) bursts between the yurts toward camera, stumbling in the snow, waving an arm, his chapan and fur hat whipping with follow-through, breath-vapor tearing away, screaming raw over the wind, lips on twos: \"Böri-i-iler!! BÖRILER!!!\" Figures scramble behind him, a torch flame struggling and whipping. Snow bursts from his boots as drawn powder on twos. HARD CUT to SHOT 3 — MEDIUM, ~50mm, aggressive handheld in the chaos, on RIDER 1: he reaches his horse (<<<image_6>>>) at a run, the horse wheeling with real weight, and VAULTS into the saddle in two hard stepped poses, grim and silent, his weathered face readable for one beat in the torch-glow — then he wrenches the horse around and spurs it, the first one driving out into the storm, snow bursting from the hooves, his chapan and the mane streaming with follow-through. Behind him RIDER 2 (<<<image_7>>>) swings up onto his own horse (<<<image_8>>>), shouting hoarse over the wind, lips on twos: \"Attardy qutqar!!\" HARD CUT to SHOT 4 — WIDE, ~35mm, aggressive handheld, the edge of the camp: RIDER 1 already a dark mass at full gallop tearing toward the UPPER-LEFT into the blizzard, leading; RIDER 2 and one or two further silhouetted riders breaking after him from the LOWER-RIGHT, hooves drumming, powder bursting, manes tails and chapans streaming on twos, the pale yurts falling behind in the snow-haze, the dark storm ahead as the negative space they ride into. Camera buffeted, horizon tilting. The hoofbeats swallowed by the wind. End. Audio: NO MUSIC — the roar of the blizzard wind, panicked horses screaming and stamping, the herdsman's raw cries, men shouting, drumming hooves fading into the storm, distant wolf snarls under the wind. No subtitles. Natural diegetic sound only, absolutely no music. Constraints: stop-motion stepped cadence on twos at 12fps with painterly boil, figures horses and wolves stepping pose to pose never gliding, NO smooth interpolation NO motion blur NO morphing, blizzard haze and blowing snow smooth while all living things and drawn snow-spray effects step on twos, hand-painted oil look from <<<image_2>>> not photoreal not 3D, four shots with hard cuts rising in energy — wide wolves-at-the-herd, medium the screaming alarm \"Böriler!!\" from THE HERDSMAN <<<image_4>>>, medium RIDER 1 <<<image_5>>> vaulting onto his horse <<<image_6>>> grim and silent his face readable one beat and spurring out FIRST while RIDER 2 <<<image_7>>> mounts his horse <<<image_8>>> shouting \"Attardy qutqar!!\", wide the riders tearing out into the storm RIDER 1 leading — each rider stays on his own horse the pairs never mixed, AGGRESSIVE HANDHELD constant restless jerky motion vertical bounce wind-buffeted horizon never level never gimbal-smooth, REAL PHYSICS horses wheeling and rearing with weight men vaulting with effort snow kicked as loose powder bursts, SECONDARY ACTION on twos chapans fur hats manes tails harness breath-vapor all whipping with follow-through, dusk blizzard dim cold storm light soft no rays no beams torch flames as small warm whipping accents, correct neutral white balance not a blue filter muted desaturated, wolves from <<<image_3>>> varied never mirrored never cloned, spoken Kazakh in Latin transliteration pronounced as written not Russian-accented, NO MUSIC only storm and voices.",
|
||
"category": "stop-motion-cadence",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@piotrbinkowski",
|
||
"sourceUrl": "https://x.com/piotrbinkowski/status/2078515110855753844"
|
||
},
|
||
{
|
||
"id": "seedance:johnagi168-seedance-ai-8424f361fbe0",
|
||
"title": "夜街橡胶脸搞怪变形",
|
||
"description": "可爱鬼😊 最近这种特效也是挺火的🔥 Seedance 2.5 prompt ⬇️ …",
|
||
"image": "https://media.goodcase.ai/cases/54892944a233.jpg",
|
||
"mode": "video",
|
||
"prompt": "可爱鬼😊\n\n最近这种特效也是挺火的🔥\n\nSeedance 2.5 prompt ⬇️\n\n【风格】抖音爆款搞怪变脸短视频(Viral Funny Elastic Face FX),真人实景,夸张橡胶级物理形变特效,4K超清画质,夜景人像打光,画面纯净无任何水印文字\n【时长】10秒\n【场景】夜晚城市街头,背景是暖黄色路灯与整齐的行道树,柏油路面有微弱反光\n【角色】主角@图片1(身穿黑色大方领紧身长袖上衣,黑色长发自然垂落)\n\n[00:00-00:02] 镜头1:橡胶大嘴拉扯与回弹(Rubber Mouth Stretch)\n机位:中近景,手持自拍微仰视视角,镜头随呼吸轻微晃动。\n动作:主角双手食指插进嘴角向两侧极度拉扯开,嘴巴像弹性橡胶一样被拉扯得巨大无比,吐出长舌头做搞怪鬼脸;双手松开后,嘴巴瞬间像弹簧一样恢复原状,主角歪头对着镜头微笑并轻快挥手。\n特效:主角原本面部的超夸张物理弹性拉伸与回弹(Elastic Face Deformation),保持真人五官材质与肤质,无卡通替换。\n\n[00:02-00:05] 镜头2:拍头变身大头娃娃(Giant Head Morphing)\n机位:中近景,镜头中心平稳锁定在头部。\n动作:主角双手抬起轻拍头部上方两侧。\n特效:在手掌拍下的瞬间,主角原本的头部瞬间极度膨胀变大成“大头小子”造型,眼睛瞪大成凸起白眼珠,双颊鼓成圆球形嘟嘴,脖子与身体保持原样;随后双手放下,头部瞬间平滑缩回正常真人大小。\n\n[00:05-00:07] 镜头3:提发纵向拉长脸部(Vertical Face Pull)\n机位:中景,平稳手持视角。\n动作:主角双手抓住头顶两撮头发向上快速提拉。\n特效:在拉扯动作下,主角原有人脸被纵向极度拉长,五官随之拉伸变形为纵向椭圆大眼与“O”型嘴;双手松开时面部瞬间平滑收缩复原,主角低头腼腆眯眼甜笑。\n\n[00:07-00:10] 镜头4:爪子咆哮与侧身定格(Playful Growl & Freeze)\n机位:中景,镜头随动作有微小顿挫推镜感,最后平移定格。\n动作:主角面部和身体保持完全正常的真人状态、无任何形变特效;双手抬至脸侧张开成“怪兽爪”姿态,仰头张嘴大笑做出“嗷呜”咆哮动作;随后身体向侧面微倾,收起双手,嘴角带笑侧身回眸直视镜头定格。\n音效:配搞怪音效与清脆卡点音效。",
|
||
"category": "meme-comedy",
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2091182791467684197"
|
||
},
|
||
{
|
||
"id": "seedance:johnagi168-seedance-ai-d704aa5a63ac",
|
||
"title": "Seedance 2.5 一张照片让自己飞天的科幻史诗短片",
|
||
"description": "中国人能飞✈️ 想飞吗?只需输入自己的照片,加上下面的提示词,你也能飞✈️😄 See…",
|
||
"image": "https://media.goodcase.ai/cases/db7139cf93f2.jpg",
|
||
"mode": "video",
|
||
"prompt": "中国人能飞✈️\n\n想飞吗?只需输入自己的照片,加上下面的提示词,你也能飞✈️😄\n\nSeedance 2.5 prompt 👇\n\n【风格】科幻史诗真人电影(Sci-fi Epic Live-Action),ARRI Alexa 35 机身 + Panavision Ultra Vintage 变形宽银幕镜头(Anamorphic),2.39:1 宽银幕画幅,Tiffen Black Pro-Mist 1/4 柔光镜,Kodak 250D 胶片质感、可见但细腻的颗粒,高光边缘带红橙渗色光晕(Halation),180°快门角自然运动模糊,暗部保留细节不死黑,8K超清,真实摄影(Photorealistic),无动漫感、无CG塑料感\n\n【时长】30秒\n\n【场景】从地球荒原一路上升,穿雷暴云 → 平流层 → 近地轨道 → 月球 → 小行星带 → 太阳表面\n\n【角色】主角(全片同一人,服装与外形完全以参考图为准)\n\n[00:00-00:02] 镜头1:负手而立(85mm 长焦 / Slow Dolly In)\n\n广角远景:主角@图片1背对镜头站在枯黄草原上,双手背在身后,一动不动。天顶被一整片巨大的乳状积云压满,远处地平线只有一条明亮的逆光带。\n\n画面:风吹得草浪成片倒伏,逆光把草叶边缘描出一圈毛茸茸的金边。\n\n机位:85mm 长焦压缩空间,镜头缓慢向前推进。\n\n[00:02-00:04] 镜头2:起飞冲击(40mm / Speed Ramp + Whip Tilt Up)\n\n0.3秒慢动作:主角@图片1脚下一圈环形冲击波贴地扩散出去,方圆几十米的草被压平成一个同心圆,碎草和沙尘垂直腾起。\n\n随即切全速:他猛然垂直升空,画面只剩他的腿从上方出画。镜头急速上摇跟随,被气浪震了一下(Camera Shake),穿过尘土冲进云层。\n\n[00:04-00:07] 镜头3:雷暴云中心(40mm)\n\n主角@图片1缩成一个小黑点在云柱中垂直上升,负手姿态没有改变。四周云里的蓝白色闪电一道道炸开,每次闪把周围的云照亮一瞬,他的剪影在亮起的云幕上被压成一个黑点。\n\n机位:跟随上升,云层向画面下方飞速倒退,变形镜头把画面边缘轻微拉长。\n\n[00:07-00:09] 镜头4:冲出云顶(50mm / Backlit Emergence)\n\n主角@图片1逆光穿出金色云层,身后的云被撞出一个漏斗形的空洞,暖金色光晕从他背后爆开。\n\n画面:强逆光在他轮廓外缘烧出一圈红橙色渗色光晕(Halation),高光被柔光镜化开但不过曝。\n\n[00:09-00:13] 镜头5:平流层360°环绕(50mm / Full 360° Orbit)\n\n画面:主角@图片1在云海上方静止悬停,双手垂在身侧一动不动,全程不转身。天空上半部已是深棕黑的临近太空,下方是被夕阳染成金色的积云海。\n\n机位(00:09-00:12):50mm 镜头从他背后起,绕着他匀速环绕一整圈——依次经过他的侧面、正面、另一侧,最后转回他的背后。环绕全程机位与他的距离保持不变,他在画面里的大小也不变。\n\n机位(00:12-00:13):镜头停在他背后不动,他从这个背面视角猛然加速垂直上升,瞬间缩成一个小点飞离画面,只剩空荡荡的金色云海。\n\n节奏:这一段要慢,是全片的呼吸点。\n\n[00:13-00:15] 镜头6:地球轨道冲刺(40mm / Side Tracking + Vapor Cone)\n\n硬切超近景:主角@图片1俯冲飞行姿态,身体水平前倾、手臂前伸,衣物被气流抽打得剧烈变形,布料褶皱清晰。背景是地球弧面和一整个台风漩涡云系。\n\n特效:他身体周围炸开一圈白色音爆云环。\n\n机位:侧后方跟拍,广角镜头把地球弧线拉得更弯,他向前飞离,两秒内缩成一个小黑点。\n\n[00:15-00:17] 镜头7:奔月(40mm / Speed Trails + Star Streaks)\n\n地球表面高速掠过化成放射状拉丝,切进黑色太空:主角@图片1拖出放射状速度线冲向远处的月球,背景的星星被拉成一道道细线。月球在画面中快速变大,冷白的月光在镜头里横向拉出一条蓝色变形光条。\n\n[00:17-00:19] 镜头8:月面掠地(40mm / Low Skim)\n\n主角@图片1从画面左侧入画,右侧是月球大特写,环形坑的边缘被侧光切出硬边。他俯冲向月面贴地极速掠行,月面从下方飞速倒退成放射状运动模糊,身后拉出一条长长的尘迹。\n\n[00:19-00:21] 镜头9:落月(50mm / Impact + Dust Settle)\n\n主角@图片1砸向月面,接触瞬间画面白闪一帧,一圈环形冲击波把月尘推出去铺成一张圆盘,镜头被震了一下。\n\n尘埃在低重力下缓慢沉降后,他站在环形坑正中,双手垂在身侧一动不动,天上挂着一颗巨大的星球。\n\n光:无大气散射的硬光,只有一个光源,影子内部纯黑没有任何补光。\n\n机位:缓慢拉远并下摇。\n\n[00:21-00:23] 镜头10:蹬地起飞(100mm 特写 → 广角 / Low-gravity Launch)\n\n100mm 特写:主角@图片1的脚踩在布满裂缝的月壤上,投出一道又长又硬的黑影,浅景深把远处的坑壁化开。月壤颗粒质感清晰。\n\n0.3秒慢动作后切全速:他猛然蹬地起飞,月尘炸成一根冲天的垂直喷射柱,柱体在低重力下缓慢向外扩散、久久不落。随后切太空:他的背影剪影在月球弧线上方,快速缩成一个光点。\n\n[00:23-00:24] 镜头11:掠过橙色行星(85mm / Wide Pass)\n\n切一颗橙黄色行星的弧面,厚大气层边缘泛出一圈辉光。主角@图片1化成一个小黑点从行星上方高速掠过,长焦压缩让行星显得巨大而人几乎看不见。\n\n[00:24-00:27] 镜头12:撞穿小行星带(40mm / Behind-the-back Tracking)\n\n画面:主角@图片1的背影锁在画面正中,身体前倾、双臂后掠,在密集的小行星之间高速穿梭、贴身擦过。几块小行星被撞碎,碎屑向四周甩出去。\n\n机位:第三人称背后跟拍,镜头始终锁在他背后不动。小行星向画面两侧飞掠形成强烈的放射状运动模糊,变形镜头把边缘的岩块拉成长条,每次撞击镜头轻微震一下。\n\n[00:27-00:29] 镜头13:太阳出现(40mm / Anamorphic Flare + Crash Zoom)\n\n冲出小行星带,前方黑暗中出现一个带光晕的火点,横向的宽银幕镜头光晕贯穿整个画面。\n\n机位:镜头急速推进,太阳在两秒内从一个点长到充满画面,边缘的日珥翻卷着甩出去。\n\n[00:29-00:30] 镜头14:抵达(85mm / Continuous Push In)\n\n主角@图片1的小剪影背对镜头,悬停在充满整个画面的太阳圆盘正中,只剩一个纯黑的轮廓。\n\n光:过曝的橙白高光从他身体边缘溢出来,在轮廓外烧出一圈红橙渗色光晕,胶片颗粒在高光区变得明显。\n\n机位:镜头持续推进直至定格。\n\n音效:风吹草声 → 一记闷雷般的起跳冲击 → 雷暴轰鸣 → 破空声 → 真空静默(只剩低频轰鸣)→ 小行星碎裂的闷响 → 太阳表面的低频翻滚。",
|
||
"category": "epic-fantasy-scifi",
|
||
"sourceId": "seedance",
|
||
"credit": "@johnAGI168",
|
||
"sourceUrl": "https://x.com/johnAGI168/status/2088977887638516207"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-065189cb9adb",
|
||
"title": "电影感滑翔伞旅行 Vlog",
|
||
"description": "一份详细的电影感视频提示词,用于拍摄一位东亚女性在热带海岸线上空进行滑翔伞运动的旅行 …",
|
||
"image": "/inspiration-thumbs/seedance/vlog-065189cb9adb.webp",
|
||
"mode": "video",
|
||
"prompt": "Ultra-realistic live-action cinematic travel vlog, absolutely NO CGI, NO animation, NO game graphics, NO artificial visual effects. A young East Asian woman with long layered maroon hair, wearing the EXACT SAME professional paragliding outfit throughout both videos: matte white certified paragliding helmet, navy blue lightweight windproof paragliding jacket with subtle reflective details, black moisture-wicking performance base layer, black certified tandem paragliding harness with properly secured leg straps and chest buckle, black stretch outdoor pants, gray high-ankle hiking boots with strong ankle support, lightweight black paragliding gloves, sport sunglasses tucked into the jacket collar. Location: a real tropical coastal mountain paragliding launch site with lush green cliffs overlooking turquoise ocean, white sandy beaches, and distant mountain ranges under bright morning sunlight. Montage sequence: • Walking confidently toward the launch area while smiling naturally at the vlog camera. • Close-up tightening the helmet strap and checking the harness buckles. • Instructor performing a final safety check as she laughs and gives a thumbs-up. • Holding the brake toggles correctly while facing the wind. • Running naturally down the grassy launch slope. • The wing inflates smoothly overhead and both feet lift naturally from the ground. • Ending with a breathtaking wide shot as she glides away above the coastline. Natural handheld vlog camera mixed with cinematic tracking shots, realistic wind interaction, authentic paragliding procedures, practical lighting, ARRI Alexa 35, ARRI Signature Prime lenses, subtle film grain, warm cinematic color grading, documentary realism, realistic physics.",
|
||
"category": "pov-continuous-take",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Goodmanprotocol",
|
||
"sourceUrl": "https://x.com/Goodmanprotocol/status/2081028788771815678"
|
||
},
|
||
{
|
||
"id": "seedance:case-1b3b8865bca8",
|
||
"title": "冰封星球要塞之战",
|
||
"description": "一个史诗级的科幻战斗提示词,描述了昆虫外星人对冰封星球上悬崖要塞的突袭。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-1b3b8865bca8.jpg",
|
||
"mode": "video",
|
||
"prompt": "A massive human fortress built into the cliffs of a frozen planet faces a final assault from an endless ocean of armored insectoid aliens advancing across the ice beneath a violent magnetic storm, defensive cannons rotating into position as thousands of infantry soldiers line the walls and prepare to fire; the battle begins with synchronized railgun blasts ripping through the front ranks, missiles streaking overhead and enormous creatures using smaller bodies as bridges across defensive trenches, while flying aliens dive through lightning and crash into watchtowers; a gigantic siege beast covered in crystalline armor charges through the main gate, scattering tanks and soldiers, then climbs the fortress wall as defenders fire point-blank into its glowing joints; the fortress commander runs along a collapsing battlement, jumps onto a rotating cannon platform and manually redirects the weapon toward a deep fracture beneath the enemy swarm, but the siege beast tears the cannon loose just as it fires; start with a majestic ultra-wide panorama showing the impossible scale of the invasion, push rapidly through the storm toward the fortress, combine sweeping crane movements with visceral ground-level combat and dramatic low-angle shots of the siege beast, use a brief slow-motion moment as lightning strikes the cannon, icy blue ambient lighting contrasted with red emergency lights and orange explosions, dense snowfall, vapor clouds, electrical arcs and shattered ice, desperate mythic last-stand atmosphere, ending with the cannon blast splitting the frozen battlefield from horizon to horizon, swallowing the entire swarm into a glowing abyss while the ruined fortress remains standing above the collapsing ice.",
|
||
"category": "epic-fantasy-scifi",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@CharaspowerAI",
|
||
"sourceUrl": "https://x.com/CharaspowerAI/status/2080669361237303417"
|
||
},
|
||
{
|
||
"id": "seedance:vfx-47bf458a20a3",
|
||
"title": "神话战士电影级 VFX 展示",
|
||
"description": "一个史诗般的 3D 动画提示词,展示了金色的迦楼罗式战士与天界女神的战斗,呈现了先进的…",
|
||
"image": "https://media.goodcase.ai/media/poster/vfx-47bf458a20a3.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an epic cinematic 3D animation/VFX camera showcase featuring a golden Garuda-like mythical warrior battling a celestial masked goddess above floating islands and glowing clouds. Demonstrate a sequence of cinematic camera techniques including extreme wide aerial shots, low-angle monster introductions, tracking circles, dynamic orbits, spirals, close-ups, and fast action angles as both characters unleash fiery orange and cyan energy attacks that culminate in a colossal mid-air beam clash and shockwave explosion. Display a 16-panel storyboard reference grid along the bottom of the screen labeled with each camera move and lens focal length, with the active camera technique highlighted by a glowing white border as the sequence progresses.",
|
||
"category": "epic-fantasy-scifi",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@noorwithwifi",
|
||
"sourceUrl": "https://x.com/noorwithwifi/status/2079150941648150607"
|
||
},
|
||
{
|
||
"id": "seedance:case-58e736edb65c",
|
||
"title": "写实男性网红故事板",
|
||
"description": "一套全面的多场景视频提示词,旨在确保角色在不同地点和服装下的连贯性,并包含快速剪辑和手…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-58e736edb65c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Character Consistency: The subject is the young male influencer from the reference image @Image 1. In every time period and from every angle, the face shape, facial features, and skin tone must match @Image 1 exactly. Do not alter or distort the face.\n\nOutfit: In every scene, wear stylish and luxurious black casual, streetwear, or suit outfits. Do not wear the outfit from the character reference sheet. Completely change the outfit and hairstyle for each segment.\n\nFormat: 9:16 vertical.\n\nCamera / Style: Fast editing rhythm with cuts every 0.5 to 1 second. iPhone handheld vertical shooting texture. Mix digital zoom in, zoom out, and tilt up, with natural camera shake. Include autofocus hunting, indoor and outdoor lighting exposure changes, and image quality degradation during zoom adjustments. Preserve real skin texture including pores, beard shadow, flyaway hairs, and natural skin oil. Do not use beauty filters, excessive skin retouching, CGI textures, or cinematic color grading. Do not merge cuts or omit scenes. Do not insert on screen text.\n\nSound: Trendy hip hop or R&B background music mixed with natural environmental sounds such as street noise, footsteps, and everyday ambient sounds.\n\n---\n\nM-01. Hongdae Busking Street & Tattoo Shop Tour\n\n0 to 2 seconds: [Hongdae Walking Street] A low angle shot holding a selfie stick high above while quickly spinning to capture both yourself and the crowd in the middle of a busy busking street.\n\n2 to 4 seconds: [Tattoo Shop Waiting Room] A tight shot pointing at the tattoo designs hanging on the wall with your finger, followed by a quick transition to your face looking at the camera while lightly biting your lip with a slightly nervous expression.\n\n4 to 6 seconds: [Tattoo Workstation] A forearm shot rolling up the sleeve of an oversized black T shirt, rapidly cross edited with a shot of your face smiling while enduring the pain.\n\n6 to 8 seconds: [In Front of the Shop Mirror] A tight shot checking the linework of the newly completed tattoo in the mirror, followed by your face making eye contact with the camera through the mirror and nodding with satisfaction.\n\n8 to 10 seconds: [Hongdae Alley] A close up taking one bite of a street waffle, then blowing on it because it is hot while smiling at the camera.\n\n10 to 12 seconds: [Select Shop Hallway] A handheld tracking shot from behind as you walk slowly with a shopping bag over one shoulder. The screen naturally shakes in sync with your footsteps.\n\n12 to 15 seconds: [Hongdae Station Entrance] In front of the station exit, playfully extend your fiste toward the camera in a fist bump pose. End with a front facing full body shot frozen on the final frame.",
|
||
"category": "fashion-lookbook",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Shorelyn_",
|
||
"sourceUrl": "https://x.com/Shorelyn_/status/2079066277650600170"
|
||
},
|
||
{
|
||
"id": "seedance:case-b157d9c072bc",
|
||
"title": "无线耳机产品评测",
|
||
"description": "一个商业风格的视频提示词,适用于年轻创作者评测无线耳机,结合了自然的互动与精致的产品特…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-b157d9c072bc.jpg",
|
||
"mode": "video",
|
||
"prompt": "A young creator walks into a bright living room holding a pair of sleek wireless earbuds still inside their charging case. Looking directly into the camera, they smile and say, 'These have honestly become my everyday essential.' They open the case, put the earbuds in, and instantly transition into a quick montage of working on a laptop, making coffee, and taking a short walk outside while music plays. Close-up shots highlight the earbuds' premium design and secure fit. The creator finishes by holding the charging case toward the camera and says, 'Great sound, all-day comfort, and I barely need to recharge them.' End with a clean product hero shot on a table and on-screen text: 'Upgrade your everyday audio.' Natural facial expressions, smooth handheld camera movement, cinematic depth of field, authentic UGC feel, high-quality audio, realistic lighting, premium commercial quality.",
|
||
"category": "ugc-creator-review",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Goodmanprotocol",
|
||
"sourceUrl": "https://x.com/Goodmanprotocol/status/2078490755958780363"
|
||
},
|
||
{
|
||
"id": "seedance:case-179a06586ce5",
|
||
"title": "电影感酸种面包烘焙延时摄影",
|
||
"description": "一份详细的多镜头视频提示词,用于生成专业的酸种面包烘焙延时摄影,包含揉面、发酵和烘焙的…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-179a06586ce5.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic 10-sec sourdough recipe timelapse. \nHands + ingredients only, NO faces. \nWarm natural kitchen lighting throughout.\n\n[0:00-0:02] Overhead: Hands mixing flour and water \nin silver bowl, flour clouds puffing, shaggy dough forming.\n\n[0:02-0:04] Side shot: Hands kneading smooth dough \non floured wooden board, rhythmic push-fold motion.\n\n[0:04-0:05.5] Overhead timelapse: Dough rising in \nclear glass bowl on marble counter, doubling in size.\n\n[0:05.5-0:07] Close-up: Blade scoring confident slash \nacross round dough boule, surface opening cleanly.\n\n[0:07-0:08.5] Oven interior: Loaf baking on rack, \nwarm amber glow, steam rising, crust turning golden.\n\n[0:08.5-0:10] Slow push-in: Baked boule on wire rack, \nsteam rising, rustic ear crack, cinematic beauty shot.\n\nSTYLE: Warm film tones, smooth dissolve cuts, \nslow push-ins, no shaky cam, wrists/hands only, \nsoft window light from left, 9:16 widescreen.",
|
||
"category": "process-transformation-montage",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Caden_Flux",
|
||
"sourceUrl": "https://x.com/Caden_Flux/status/2070862852735594771"
|
||
},
|
||
{
|
||
"id": "seedance:case-f7e7c1862f38",
|
||
"title": "武术巷战场景",
|
||
"description": "一个充满动感与写实风格的动作提示词,描述了一位运动型女性在阳光明媚的韩国城市小巷中,利…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-f7e7c1862f38.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic Korean action sequence in a narrow sunlit urban alleyway lined with brick buildings, air conditioning units, wooden pallets, and a prominent GS25 convenience store. A young athletic woman with long blonde hair tied in a high ponytail wears a form-fitting pink long-sleeve athletic crop top with a deep square neckline and matching fitted pink athletic leggings paired with clean pink athletic sneakers. Her face, neck, and upper chest have a light sheen of sweat, emphasizing that she has just finished training, while her expression remains calm, focused, and determined. She faces a group of aggressive young men wearing black tracksuits and hoodies. Without hesitation, she charges forward using precise, powerful martial arts techniques with lightning-fast punches, spinning kicks, elbow strikes, knee attacks, sweeps, and perfectly executed throws, taking down each attacker one by one with fluid, realistic choreography. The handheld camera follows closely through the narrow alley with dynamic movement, subtle camera shake, realistic motion blur, and rapid perspective shifts that heighten the intensity of every impact. Bodies crash onto the pavement as the fight escalates with cinematic momentum. In the background, three Korean schoolgirls in neat school uniforms stand near the GS25 entrance, watching the confrontation in stunned silence. Bright natural daylight casts crisp shadows across the brick walls and stacked wooden pallets, highlighting dust, debris, and realistic environmental details. The sequence concludes as the final attacker collapses beside the stacked pallets. The woman pauses, calmly adjusts her fighting stance, straightens her pink athletic crop top, and confidently walks away down the sunlit alley. Hyper-realistic live-action style, Korean action film aesthetic, high-energy choreography, sharp facial detail, physically accurate movement, cinematic handheld camera work, natural lighting, realistic textures, and feature-film quality.",
|
||
"category": "combat-choreography",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@KeorUnreal",
|
||
"sourceUrl": "https://x.com/KeorUnreal/status/2081477878349246776"
|
||
},
|
||
{
|
||
"id": "seedance:ugc-6f13437e4b40",
|
||
"title": "高端巧克力棒 UGC 广告提示词",
|
||
"description": "一份适用于巧克力棒广告的 UGC 风格宣传视频提示词,场景设定在黄金时刻温馨的家庭办公…",
|
||
"image": "/inspiration-thumbs/seedance/ugc-6f13437e4b40.webp",
|
||
"mode": "video",
|
||
"prompt": "premium UGC-style bitbyte ad showing a young professional taking a relaxing break from work in a warm golden-hour home office, naturally enjoying a bitbyte with realistic chocolate and wafer details, ending with the message: “Have a Break. Grab Your bitbyte.”",
|
||
"category": "ugc-creator-review",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@abs_uiux",
|
||
"sourceUrl": "https://x.com/abs_uiux/status/2080969538032611779"
|
||
},
|
||
{
|
||
"id": "seedance:case-21aab321f762",
|
||
"title": "黏土风格海盗鸭冒险",
|
||
"description": "这是一个充满趣味且可爱的 Seedance 2 提示词,用于生成皮克斯风格的 3D 黏…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-21aab321f762.jpg",
|
||
"mode": "video",
|
||
"prompt": "A clay pirate captain duck with a tiny hat, wooden sword, eye patch and dramatic pose\nSails across a bathtub ocean, battling giant soap waves and riding a sponge ship toward a rubber duck treasure island\nBathroom fantasy world with bubbles, towels as cliffs and warm light reflecting on water\n3D clay , Pixar-style playful adventure, soft clay textures, rounded props, dynamic camera glide over water, bright cheerful atmosphere, ending with the duck discovering a golden bath plug treasure.",
|
||
"category": "3d-cartoon",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@CharaspowerAI",
|
||
"sourceUrl": "https://x.com/CharaspowerAI/status/2078072313686184334"
|
||
},
|
||
{
|
||
"id": "seedance:case-50ba683413ff",
|
||
"title": "定格动画扑克牌艺术短片",
|
||
"description": "一个为 Seedance 2.0 设计的实验性艺术短片提示词,展示了深红色背景上手绘扑…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-50ba683413ff.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create an 8 second square 1:1 experimental art film featuring a small stack of handmade playing cards placed in the exact center of a deep crimson red textured surface. Use a perfectly locked top down overhead camera with a clean, symmetrical composition. The frame should feel balanced and minimal, with the deck centered and enough negative space around it. No camera movement, no hands, and no surrounding objects.\n\nThe cards are warm off white with slightly uneven handmade edges, softly bent corners, subtle paper fibers, realistic thickness, delicate contact shadows, and a faint shadow beneath the deck. The background is a rich dark red textured surface, resembling paper, fabric, or velvet, with soft studio lighting, a gentle vignette, and darker edges.\n\nAnimate the top card using rapid rhythmic stop-motion jump cuts. Replace the card approximately every three frames, creating around eight sharp transformations per second. Each new card should remain briefly frozen before instantly changing into another design. Add extremely subtle deck wobble, tiny positional shifts, slight changes in rotation, natural paper vibration, and occasional one frame motion smears during transitions.\n\nEach card contains a different bold editorial illustration created only with black, white, and vivid scarlet-red ink. Cycle through surreal minimalist artwork such as: horse riders, galloping horses, elegant female silhouettes, dancers, abstract human faces, expressive eyes, red lips, flowers, fashion portraits, masked figures, brush painted bodies, geometric facial fragments, mysterious black shadows, and poetic botanical symbols.\n\nUse rough ink strokes, screen printed textures, imperfect paint edges, dry brush marks, vintage European graphic design, contemporary fashion branding, handmade collage aesthetics, and refined artistic playing card composition. Include small abstract playing card rank and suit markings in opposite corners, but no readable sentences, logos, captions, or watermarks.\n\nKeep the white deck consistently centered while only the illustration, card markings, slight card shape, and tiny rotation change. Synchronize every transformation to a fast sequence of crisp mechanical clicks, card tapping sounds, and minimalist percussion. Build a hypnotic rhythm that becomes slightly more intense toward the end.\n\nFinish on a clean card featuring a graceful black human silhouette with one strong red accent. Hold the final image sharply for a brief moment before ending with a direct cut.\n\nVisual quality: premium studio photography, realistic paper texture, sharp graphic details, deep red and black contrast, soft cinematic shadows, polished art direction, subtle film grain, high end editorial branding film, smooth 24 fps output while preserving the deliberate 8 fps stop motion transformation rhythm.\n\nAvoid: moving camera, zooming, human hands, floating cards, cards flying away, messy background, colorful rainbow palette, blue or green tones, readable words, distorted card stacks, melting paper, excessive 3D effects, smooth morphing between illustrations, cartoon animation, subtitles, or watermark.",
|
||
"category": "stop-motion-cadence",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@bmx_ai13",
|
||
"sourceUrl": "https://x.com/bmx_ai13/status/2077208527840391188"
|
||
},
|
||
{
|
||
"id": "seedance:case-348681e51fdd",
|
||
"title": "电影感抹茶茶道",
|
||
"description": "一份关于传统抹茶茶道的详细 2D 动画序列提示词,利用项目和角色参考以实现一致的构图与…",
|
||
"image": "https://media.goodcase.ai/cases/4f0337074c6c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use @ [storyboard ref] only for each P## panel's staging, framing, blocking, screen positions, and direction. Ignore line-sketch artifacts; written beats, references, and global fields define final content.\nUse @ [character ref] only for Zeyn's final identity, hair, ornaments, earrings, and flowing black wardrobe.\nDo not transfer Zeyn's reference-controlled features or wardrobe to C2.\nC2 is a slim adult guest with tied dark hair and a plain indigo kimono.\nLOOK + WORLD: Refined cinematic 2D anime, inked contours and watercolor in a rustic tatami chashitsu; hearth and kettle behind Zeyn's left, tokonoma back-right. Amber black-red-gold light with matcha green, natural 50mm depth, thin steam.\nACTION + CAMERA: Exact hands and pauses; insert cuts rise through pour and whisk, then breathe at offering and sip. Controlled pushes and locked details preserve the left-right axis; stillness punctuates.\nVFX SYSTEM: Translucent kettle steam and one matcha droplet emerge from their sources and fade naturally.\nSOUND: No music; kettle simmer, silk folds, bamboo on ceramic, brisk whisking, soft bowl contact.\nBEATS:\nP01: Profile ECU, push: Zeyn draws the red silk fukusa from her black sleeve and opens it with one crisp, weighted snap.\nP02: High front 3/4 CU, locked: her fingers fold the cloth into exact triangles without disturbing her long sleeves.\nP03: Top-down CU, locked: the fukusa crosses the lacquer natsume lid once, leaving the container centered and closed.\nP04: Low profile ECU, track: she encloses the bamboo chashaku shaft in the cloth and draws it cleanly through.\nP05: High OTS MS, tilt: she lifts the hishaku from the fixed kettle and pours hot water into the single chawan; steam opens briefly.\nP06: Profile CU, locked: she settles the chasen tips into the hot water, gently flexing and softening the bamboo tines.\nP07: Front 3/4 CU, pan: she empties the bowl into the kensui, then wipes the same chawan interior once with the white chakin.\nP08: Profile ECU, push: the chashaku lifts one measured scoop of vivid matcha from the natsume toward the waiting bowl.\nP09: Top-down ECU, locked: a second measured scoop lands beside the first, forming two small green mounds at center.\nP10: Low front 3/4 CU, tilt: a thin hishaku stream joins the powder while amber light catches the rising steam.\nP11: High OTS CU, push: Zeyn drives the chasen in a quick wrist-led W rhythm, sleeves steady while the liquid accelerates.\nP12: Top-down ECU, locked: fine even foam spreads across the surface as the whisk slows near the center.\nP13: Profile ECU, push: she lifts the chasen vertically; one green droplet hangs, falls into the foam, and disappears.\nP14: Front 3/4 MS, track: Zeyn turns the chawan's decorated front toward C2 and slides it across the tatami boundary with both hands.\nP15: High OTS CU, locked:",
|
||
"tags": ["Seedance 2.5"],
|
||
"sourceId": "seedance",
|
||
"credit": "@itsphotogptai",
|
||
"sourceUrl": "https://x.com/itsphotogptai/status/2089672910520910279"
|
||
},
|
||
{
|
||
"id": "seedance:case-d30f8318a084",
|
||
"title": "夜间追逐电影级镜头",
|
||
"description": "一段快节奏的夜间电影级追逐片段,包含极致特写和富有节奏感的摄影闪光效果。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-d30f8318a084.jpg",
|
||
"mode": "video",
|
||
"prompt": "Open on an extreme close up of his face reflected in a rain covered bus stop glass panel, breathing hard while distant city lights distort behind him. Without warning, a passing bus completely wipes the frame, and when it clears he is already sprinting full speed down the opposite side of the street. Camera whips across traffic barriers and catches him only partially framed, creating the feeling the operator almost loses him. A flickering overhead streetlight briefly freezes his silhouette in three harsh photographic flashes synchronized to the beat. On the final flash, smash cut to a low rear chase shot as he disappears down a narrow fluorescent underground entrance.",
|
||
"category": "combat-choreography",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@bmx_ai13",
|
||
"sourceUrl": "https://x.com/bmx_ai13/status/2081091640857702427"
|
||
},
|
||
{
|
||
"id": "seedance:case-1a9a2c659866",
|
||
"title": "赛博朋克赛博之刃战斗",
|
||
"description": "一个为 Seedance 2.0 设计的电影级战斗提示词,主角是一位身处反乌托邦工业城…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-1a9a2c659866.jpg",
|
||
"mode": "video",
|
||
"prompt": "Ultra cinematic dystopian cyberpunk combat sequence, 7 seconds.\n\nA platinum silver-haired young man wearing a long black futuristic coat with a white skeletal spine design fights inside a ruined industrial city at night. He wields a glowing black-and-red cyber blade. Faceless armored enemies surround him in smoke and flickering red emergency light.\n\n0.0–1.0s\nLow-angle close-up. He quickly draws the cyber blade from behind his coat. The blade activates with sharp red energy running along its edge. Wind moves his silver hair and long coat.\n\n1.0–2.3s\nHe dashes forward with explosive speed and performs one clean horizontal slash through the first masked enemy. The enemy instantly dissolves into black digital particles, red sparks, and glitch fragments. No blood.\n\n2.3–3.7s\nWithout stopping, he spins, ducks under an attack, and cuts diagonally through two approaching enemies. Both bodies break apart into ash-like pixels and luminous fragments before touching the ground.\n\n3.7–5.1s\nTracking side shot. He runs along a broken concrete wall, pushes off, and performs an aerial rotating slash through another enemy. The enemy vanishes in a circular burst of digital dust.\n\n5.1–6.2s\nHe lands in a low crouch. The long coat sweeps across the wet ground. Remaining particles drift behind him while the cyber blade leaves a fading red light trail.\n\n6.2–7.0s\nHero close-up. He slowly rises and turns his face toward the camera, calm and emotionless. The cyber blade powers down as the final enemy disintegrates in the background. Red light flickers, then cut to black.\n\nVisual style: ultra realistic, dark sci-fi action film, post-apocalyptic cyberpunk, luxury fashion editorial, ruined concrete architecture, wet reflective ground, heavy smoke, floating ash, red emergency lights, black and cold gray palette, sharp red accents, 35mm anamorphic lens, dynamic tracking camera, controlled handheld motion, realistic cloth physics, fast precise combat, cinematic motion blur, volumetric lighting, film grain, high detail.\n\nCombat style: fluid sword choreography, efficient tactical movement, parkour-inspired footwork, precise controlled strikes, continuous momentum, no exaggerated superhero poses.\n\nEnemy destruction effect: enemies dissolve immediately into black particles, red sparks, digital glitch fragments, holographic dust, and fading geometric pixels, no corpses remaining.\n\nNegative prompt: blood, gore, wounds, severed limbs, visible injury, slow clumsy movement, anime, cartoon, videogame graphics, oversized sword, magic fantasy sword, crowded frame, duplicated enemies, distorted anatomy, extra limbs, floating character, smiling, text, subtitles, watermark, brand logos.",
|
||
"category": "combat-choreography",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@luxaios",
|
||
"sourceUrl": "https://x.com/luxaios/status/2080628740955218120"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-f1696dad13bc",
|
||
"title": "Seedance 2.5 悬崖翼装跳伞环海一镜到底",
|
||
"description": "Seedance 2.5 生成的悬崖翼装跳伞一镜到底视频,角色跳崖开伞后贴海面高速穿梭…",
|
||
"image": "/inspiration-thumbs/seedance/seedance-2-5-f1696dad13bc.webp",
|
||
"mode": "video",
|
||
"prompt": "[STYLE + CAMERA + ATMOSPHERE] Gritty, raw handheld 35mm film aesthetic with natural film grain. Harsh direct sunlight creating high-contrast shadows over a dramatic coastal cliff and open ocean. Continuous single-take handheld tracking shot (3rd-person / over-the-shoulder) with no cuts. Atmosphere: high-altitude wind, realistic coastal cliff and ocean physics, sudden wingsuit deployment. Audio: heavy rhythmic breathing, intense wind howl, fabric snap of wingsuit opening, high-speed air rush over open water, near-miss whooshes past yachts, soft landing roll on sand, distant ocean waves and beach ambient noise, final bite sounds.\n[IMAGE REFERENCES] Use the provided Hoshino character sheet as the single strict visual reference for the male character. Exact face, black hair, dark brown eyes, lean athletic build (178 cm), gold earrings, and overall facial structure locked from the reference. Outfit: modern high-performance cliff-jumping wingsuit — sleek, form-fitting design in matte charcoal black with sharp white paneling and subtle gold zipper accents (matching his minimalist aesthetic). The wingsuit is worn from the start with a matching technical backpack. Body proportions, posture, and face remain fully locked to the Hoshino reference.\n[TIMELINE SECOND BY SECOND] 0-3s: [Handheld medium] Hoshino stands on the edge of a high rocky cliff overlooking the open ocean, wearing his charcoal-and-white wingsuit and technical backpack. He looks straight into the camera with calm, confident intensity, then turns and launches into a clear, controlled forward somersault in slow motion as he leaves the cliff edge.\n3-5s: [Continuous freefall] He completes the somersault and falls head-first toward the sea. At exactly 1.5 seconds into the fall he fully deploys the wingsuit with a sharp snap. The wing membranes inflate and he levels out into a smooth glide.\n5-12s: [High-speed tracking] Camera stays locked behind him as he rockets at full speed just above the ocean surface along the coastline. He weaves tightly past sheer cliff faces, banking hard left and right, turquoise water and rocky walls streaking past at extreme velocity.\n12-18s: [Low-level chaos] He drops lower, flying just above the water. He almost collides with a large luxury yacht that suddenly turns, banks hard to avoid it, then narrowly misses a smaller motor yacht. He dips under a yacht’s outstretched boom and threads between two more vessels.\n18-23s: [Water-level action] Still flying extremely low over the sea, he dodges a startled seabird that dives across his path, skims past a group of people on a nearby yacht who scatter in surprise, and banks sharply to avoid an open yacht swim platform. The camera stays locked behind him through every near-miss.\n23-26s: [Landing] He flares the wingsuit hard, touches down with both feet on the soft beach sand and immediately rolls forward to kill the speed. He stands up, peels off the wingsuit in one fluid motion and drops it on the sand beside him, revealing a clean fitted white undershirt underneath.\n26-28s: [Beach level] He walks a few steps still wearing the backpack and stops right in front of a classic beachside hot-dog cart. The vendor hands him a steaming hot dog fresh off the grill.\n28-30s: [Close continuous] He turns, looks directly into the camera, takes a big bite of the hot dog and chews with a calm, satisfied expression as the shot holds.\n[STYLE & QUALITY BOOSTERS] Photorealistic 8K, ultra-detailed textures, cinematic lighting, perfect motion blur, high dynamic range, coherent physics (fabric, air, wingsuit membranes, impact, roll, near-misses with yachts, water spray), stable character locked to the Hoshino reference, realistic ocean reflections, cliff rock textures and wind, no artifacts, movie-level stability, pure single continuous take.",
|
||
"category": "pov-continuous-take",
|
||
"tags": ["x", "seedance-2.5", "capcut", "one-shot"],
|
||
"sourceId": "seedance",
|
||
"credit": "@mrdejie",
|
||
"sourceUrl": "https://x.com/mrdejie/status/2085996752809927146"
|
||
},
|
||
{
|
||
"id": "seedance:case-4306bf4e075c",
|
||
"title": "凤凰骑士变身序列",
|
||
"description": "一段详细的魔法变身序列电影级提示词,尽管文中将其归功于其他模型。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-4306bf4e075c.jpg",
|
||
"mode": "video",
|
||
"prompt": "Full magical transformation sequence: a molten phoenix knight floating in a dark volcanic void as glowing embers rise from below and thick smoke coils around them in slow ceremonial waves ,sparks attach to the body, igniting gold-red hair, forging radiant winged armor, tracing molten feather markings across the skin, and forming a burning longsword from compressed flame as phoenix wings unfold behind them. A circular lava-forged ritual seal opens beneath their feet with orange cracks spreading outward, the camera pushes through smoke layers in a slow heroic spiral, each ember burst synced to a rising drum hit, ending in a wings-spread blade-raised signature pose held inside a firestorm starburst. Stock-footage grandeur, played sincere\n\nMade in @LumaLabsAI #LumaCPP",
|
||
"category": "epic-fantasy-scifi",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@LudovicCreator",
|
||
"sourceUrl": "https://x.com/LudovicCreator/status/2081092171428401560"
|
||
},
|
||
{
|
||
"id": "seedance:case-b1405ee458d3",
|
||
"title": "废墟之桥上的史诗骑士之战",
|
||
"description": "一个史诗奇幻战斗场景的电影级视频提示词,讲述了一位久经沙场的骑士在雷雨中,于一座即将坍…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-b1405ee458d3.jpg",
|
||
"mode": "video",
|
||
"prompt": "A battle-worn knight in blackened plate armor stands alone on a ruined stone bridge above a bottomless canyon as an army of orcs, trolls and armored war beasts charges through a thunderstorm, the knight lowers a massive glowing sword, sprints into the first ranks, cuts through shields, slides beneath a giant’s axe and climbs onto the creature’s back while lightning tears across the sky; the bridge begins collapsing under the weight of the army, forcing the knight to leap between falling sections, drive the sword into the giant’s skull and release a wave of blue magical energy through the ancient stones; begin with an immense ultra-wide aerial view of the bridge and approaching army, descend into a low-angle tracking shot beside the knight, transition into brutal handheld combat, sharp telephoto impacts and brief slow motion during the final leap, cold moonlight mixed with orange fire, rain, sparks, flying rubble and volumetric mist, desperate mythic atmosphere, ending with the bridge exploding into glowing fragments beneath the invading army while the knight lands safely on the opposite cliff, silhouetted against a colossal lightning strike.",
|
||
"category": "combat-choreography",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@CharaspowerAI",
|
||
"sourceUrl": "https://x.com/CharaspowerAI/status/2081031751598535092"
|
||
},
|
||
{
|
||
"id": "seedance:case-ce63bf146d4e",
|
||
"title": "日式动画风格麻婆豆腐烹饪过程",
|
||
"description": "一份用于制作 15 秒 2D 手绘动画视频的详细提示词,展示了具有专业动画品质的麻婆豆…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-ce63bf146d4e.jpg",
|
||
"mode": "video",
|
||
"prompt": "15秒の日本製2D手描きアニメ料理動画、12シーン、テキストのみで生成(参照画像・絵コンテ画像なし)。\n\n画風:クリーンなフルカラーの日本製2D手描きアニメ料理アニメーション。柔らかい鉛筆風の線、優しいセル塗り、温かい手描き背景、コンロの炎の温かい光を感じる居心地のよい家庭のキッチン、料理が読み取りやすい温かい光、道具と食材の下に見える影、豊かな湯気のアニメーション、赤いラー油ととろみのついたソースのツヤのあるハイライト、自然な手の動きのタイミング、安定した手と器具。\n\n主役:中華鍋で作る麻婆豆腐の調理工程。色の物語は一方向のみ——白い豆腐から、ツヤのある赤褐色の煮えるソースへ。映るのは手・食材・道具のみ。顔、食事シーン、人物のリアクションは出さない。\n\nシーン構成(各シーンの主アクションは1つ。豆腐の角は最後まで鋭いまま、崩れたり元に戻ったりしない):\n1(0.00–1.25)クローズアップ:開いた手のひらに絹豆腐をのせ、包丁が慎重に均等なさいの目に切っていく。刃はゆっくり、手は安定して安全に。静かで精密な工程カット。\n2(1.25–2.50)俯瞰:手のひらから豆腐がそっとまな板へ滑り、白いきれいな列に整う。\n3(2.50–3.75)横からのミディアム:熱した中華鍋で豚ひき肉がジュウジュウと炒められ、お玉でほぐされてパラパラになり、脂が透明になる。\n4(3.75–5.00)クローズアップの見せ場:豆板醤と豆鼓がひき肉に触れた瞬間、深い赤の辣油が鍋全体に花開くように広がる。一方向の鮮烈な色の爆発。\n5(5.00–6.25)斜め45度:みじん切りのにんにく・生姜・刻みねぎを混ぜ込む。すべてが赤い油の中で光る。\n6(6.25–7.50)横から:ボウルからスープを注ぐと赤褐色の液面が上がり、小さな泡を立てて煮え始める。\n7(7.50–8.75)俯瞰:白い豆腐がまな板から煮える赤いソースへそっと滑り込む。角は無傷のまま、柔らかく浮かぶ。\n8(8.75–10.00)クローズアップ:お玉の背が豆腐をゆっくり丁寧に押し、ひとつも崩さずにソースを絡めていく。\n9(10.00–11.25)クローズアップの見せ場:水溶き片栗粉を回し入れると、ソースが目に見えてとろみを増し、ツヤを帯びて豆腐一つ一つを包む。質感が変わる気持ちいい瞬間。\n10(11.25–12.50)横からのクローズアップの見せ場:とろみのついたツヤのある表面で、大きくゆったりした泡がふくらんではゆっくり弾け、湯気が揺らめきながら立ちのぼる。無音でも「グツグツ」が聞こえる画。\n11(12.50–13.75)斜め45度:仕上げにラー油を輪を描くように回しかけ、挽いた花椒をひとつまみ散らす。粒がツヤのあるソースの上に落ち着く。\n12(13.75–15.00)俯瞰:完成した麻婆豆腐が中華鍋の中で静かに煮えている——ツヤのある赤褐色のソースの中に白い角の立った豆腐が透け、湯気が立ち、刻みねぎの緑が映える。劇的なスローモーションや過剰なズームはなしの、短く美しく温かい自然なテンポの最終カット。\n\nカメラ:人がコンロの周りを動くように、シーンごとに距離・角度・高さを変える——豆腐カットは寄り、鍋仕事は横から、仕上げは俯瞰。1シーン内ではカメラは落ち着いたまま。完成品はシーン12まで見せない。\n\n物理的連続性:中華鍋・お玉・まな板・豆腐の大きさをシーン間で一貫させる。食材の連続性を保つ。豆腐は煮ても崩れず、増えず、元に戻らない。ソースの色は濃くなる一方向のみで薄く戻らない。湯気は常に上へ。重力と液体の流れを現実的に。レシピとして自然な順序。突然の状態変化なし。\n\n禁止事項:冒頭の完成品、完成皿の繰り返し、タイトル文字、キャプション、字幕、ロゴ、透かし、読めるラベル、実写、フォトリアル、3DCG、クレイアニメ、プラスチック玩具風、ゲームレンダー、超リアル料理写真、AIモーフィング、ちらつき、歪んだ手、余分な指、浮いた器具、浮いた食材、崩れた豆腐の復元、不可能な包丁の動き、逆方向の切断、消える中華鍋、形の変わる鍋、脈絡のない食材、加熱後に現れる生の食材、逆行する調理順、薄く戻るソースの色、最終シーン前の完成品公開、散らかった背景、顔、食べるキャラクター、人物のリアクション、ひと口食べる人物、会話、ナレーション、BGM。",
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"category": "anime-style-lock",
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"tags": ["Seedance 2.0", "human-reviewed"],
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"sourceId": "seedance",
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"credit": "@ozuozuai99",
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"sourceUrl": "https://x.com/ozuozuai99/status/2078854293818622124"
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},
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{
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"id": "seedance:case-b079faa80f0f",
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"title": "定格油画动画",
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"description": "一个独特的提示词,用于创作具有油画风格的 2D 定格动画效果,描绘了雪崖上的一场戏剧性…",
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"image": "https://media.goodcase.ai/media/poster/case-b079faa80f0f.jpg",
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"mode": "video",
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"prompt": "Style: STOP-MOTION ANIMATION — stepped, frame-by-frame motion brought to a HAND-PAINTED 2D look, a moving oil painting, NOT clay, NOT puppets, NOT 3D. True 12 frames per second, ANIMATED ON TWOS: 12 distinct hand-painted drawings per second, each pose held two frames then snapping to the next, never gliding. Constant painterly BOIL — brushstrokes and outlines subtly alive frame to frame. NO smooth interpolation, NO motion blur, NO morphing, real frame-by-frame animation not AI slop. Style from @[Image 1](image_1), ANA from @[Image 2](image_2), UMAI from @[Image 3](image_3), THE WOLVES from @[Image 4](image_4) — lean steppe wolves, coal-black with cold sheen, pale eyes, the snowy cliff from @[Image 5](image_5). THE INFANT is not a separate reference — render from description: a tightly swaddled baby wrapped in a thick DARK BLUE wool blanket, PRESSED AGAINST ANA'S CHEST in one arm as she clings to the cliff, only a small dark-blue bundle, face barely visible, stirring faintly; NOT a second active child. Heavy weather: drifting FOG, falling and blowing SNOW, gusting WIND. Atmospheric motion (fog, falling and blowing snow, wind-haze, breath-vapor) moves SMOOTHLY; figures, falling rock, wolves and drawn snow-spray step on twos.\n\nDIRECTOR'S NOTES:\n1. THE SCENE — the catastrophe, the heart of the whole story, and it MUST READ through a precise CHAIN OF CAUSE AND EFFECT, with composition and camera telling the cruel story. As ANA climbs one-armed with her infant, her foot dislodges a rock slab; the slab falls toward little UMAI below; and a WOLF leaps and SHOVES UMAI clear WITH ITS BODY an instant before the slab hits — the wolf SAVES her. Then the pack streams in and carries UMAI away. The wolves do not attack — the first saves her, the pack takes her. This reversal is everything.\n2. THE CAUSAL CHAIN — stage each link on screen, cause before effect, on twos: (a) ANA's foot comes down on a ledge high on the cliff, the ledge CRACKS and BREAKS under her weight; (b) a heavy SLAB breaks loose and FALLS straight down toward UMAI — the falling rock the through-line; (c) UMAI stands directly below, looking up; (d) from the side a WOLF LAUNCHES and SLAMS its shoulder and body into UMAI — NOT its jaws, NOT a bite — knocking her sideways clear; (e) the slab CRASHES into the snow exactly where she stood, a burst of powder snow on twos; (f) UMAI tumbles unhurt among the wolves. Every cause visible.\n3. THE WOLF SAVES WITH ITS BODY — CRITICAL: the first wolf strikes UMAI with its shoulder/flank, a SHOVE, mouth NOT on her, no bite, no seize — a rescue read as a body-slam. For one instant it LOOKS like an attack — then the rock smashes the empty snow and we understand. Play the shock-reversal.\n4. THE PACK TAKES HER — the pack pours in as a fast dark stream from @[Image 4](image_4), varied coats, and SWEEPS UMAI up among them, NOT tearing her, carrying her in the current as they stream away into fog and blizzard. She is small in the dark flowing mass, swept away into the white. The beginning of her life among them.\n5. ANA ABOVE SEES AND SCREAMS — high on the cliff, helpless, clinging one-armed with her baby, she SEES and reaches out and SCREAMS her daughter's name. FACIAL ACTING: her held composure SHATTERS — her face breaks open, eyes blown wide in horror, mouth tearing open, all the controlled tenderness from before exploding into raw terror, on twos as snapping held poses of a face coming apart.\n6. CAMERA LAW (angle and height tell the cruelty) — SHOT 1 high WITH ANA then a hard VERTIGO TILT DOWN following the falling rock — the height is the cruel mechanism, she is the unwitting cause from above. SHOT 2 LOW at UMAI's level or below — we share the child's helplessness, the rock and the wolf bearing down on us. SHOT 4 the BIG-VERSUS-SMALL angle — ANA tiny and powerless high on the vast cliff, the storm dwarfing her, never powerful, only helpless. Aggressive dynamic handheld throughout, the horizon reeling on the scream, never gimbal-smooth, never tripod-locked.\n7. COMPOSITION LAW (the frame tells the story — RUPTURE, the opposite of the vow's affinity) — LINE: the cruel CROSS of forces in the save — the VERTICAL line of doom (the falling rock from above) intersected by the HORIZONTAL line of salvation (the wolf from the side); their crossing on the tiny child IS the story. The pack's flow a DIAGONAL line of dynamics sweeping her off. The vertical gap between mother above and child below now PERMANENT and vast. SHAPE: the angular rock and angular lunging wolf (both read as threat) converging on the small rounded child. TONE: dark masses (rock, wolf, pack) on pale snow and fog, the child the focal point. MOVEMENT: contrast and high intensity — fast violent vertical fall, horizontal slam, diagonal sweep, against the slow helpless reach. CONTRAST & AFFINITY: maximum CONTRAST and PEAK visual intensity — the rupture the vow's affinity has been saving for. SPACE: deep vertical, the cruel distance.\n8. FRAMED INK STAGING (read as masses) — FRAME-TRAP the small child between the falling rock above and the lunging wolf from the side, two dark angular masses closing on her. CONCEAL: fog half-swallows the catastrophe, and swallows UMAI as the pack carries her into the white. CAMERA HEIGHT: low and helpless at the child; tiny and powerless at the mother. LARGE VS SMALL: the small child and small distant mother against the vast cliff, the storm, the dark flowing pack.\n9. WEATHER — FOG, SNOW, WIND, all smooth: low drifting fog across ground and cliff base, thick snow blown sideways in gusts, gusting wind dragging fog and snow and tearing breath-vapor, the catastrophe half-veiled and swallowed by the storm.\n10. SECONDARY ACTION on twos — ANA's and UMAI's clothes hair and breath-vapor whipping, the wolves' fur rippling, the dark-blue swaddled bundle shifting, snow bursting from the rock's impact and the wolves' running as drawn powder on twos; fog and blowing snow smooth.\n11. LIGHT — cold grey stormlight in fog and snow, flat soft directionless, no sun, no rays, no beams, no god rays, faces readable. Correct neutral white balance, NOT a blue filter, muted desaturated, snow soft storm-grey white, fog pale grey; nearly BLOODLESS — a rescue not a mauling, any blood dark muted and minimal.\n\nSHOT 1 — ON THE CLIFF, ~50mm, aggressive handheld, high on the rock face in fog and blowing snow. COMPOSITION: ANA climbing one-armed in the UPPER frame, the dark-blue swaddled infant pressed to her chest, her boot reaching for a ledge — framed HIGH WITH HER so we feel the drop below. Her foot comes down — the ledge CRACKS and BREAKS away on twos, a SLAB breaking loose. Hard VERTIGO TILT DOWN following the slab as it FALLS down the cliff through the fog toward the tiny figure far below — the vertical line of doom, the height the cruel mechanism. Cut on the falling rock.\n\nHARD CUT to SHOT 2 — BELOW THE CLIFF, ~35mm, aggressive handheld, framed LOW at UMAI's level. COMPOSITION (the cross of forces): little UMAI small in frame looking up, fog and snow blowing past — the SLAB falling INTO frame from the TOP straight down at her (vertical line of doom) — and from the SIDE a WOLF LAUNCHES and SLAMS its shoulder and body into her (horizontal line of salvation), the two lines crossing on the tiny child, knocking her sideways clear (jaws NOT on her, a shove not a bite) — and the slab CRASHES into the snow exactly where she stood, a burst of powder on twos. For one beat the two dark angular masses closing on her read as ATTACK — then the empty crater shows the wolf saved her. UMAI tumbles unhurt among arriving wolves. Real weight and impact, all on twos.\n\nHARD CUT to SHOT 3 — BELOW, WIDE, ~35mm, aggressive handheld. COMPOSITION (the diagonal sweep): the pack pours in, a fast dark stream of wolves from @[Image 4](image_4) with varied coats, and SWEEPS UMAI up among them, carrying her in the current along a strong DIAGONAL line of dynamics streaming away across the snow into fog and blizzard, UMAI a small shape swallowed into the dark flowing mass, the pale foggy white ahead the negative space she vanishes into. Snow bursting from their running on twos. She is gone into the white.\n\nHARD CUT to SHOT 4 — ANA ON THE CLIFF, ~50mm, aggressive handheld, horizon reeling. COMPOSITION (big-versus-small, the cruel permanent distance): ANA TINY and helpless high on the vast rock face clinging one-armed with her dark-blue swaddled infant, the enormous cold cliff and pale fog and storm dwarfing her, the dark stream of wolves carrying UMAI away far below at the very bottom of frame — the tall vertical distance between them now permanent and unbridgeable, dominant negative space of loss. She SEES it, her face SHATTERING on twos — eyes blown wide, mouth tearing open, composure exploding — reaches out her free hand toward the vanishing pack, a line of dynamics that cannot connect, and SCREAMS into the storm, lips on twos:\n\"UMAI!!! U-MA-AI!!!\"\nHer cry torn away by the wind. Below, the dark stream of wolves and her daughter disappear into fog and falling snow. Hold on her tiny helpless figure and the empty white where UMAI was. End.\n\nAudio: NO MUSIC — the roar of the gusting blizzard, the CRACK and grinding break of the rock, the heavy CRASH of the slab into snow, the wolf's impact, the rushing of the pack, ANA's raw tearing scream swallowed by the wind. No subtitles. Natural diegetic sound only, absolutely no music.\n\nConstraints: stop-motion stepped cadence on twos at 12fps with painterly boil, figures falling rock and wolves stepping pose to pose never gliding, NO smooth interpolation NO motion blur NO morphing, fog falling-and-blowing snow and wind-haze smooth while figures rock wolves and drawn snow-spray step on twos, hand-painted oil look from @[Image 1](image_1) not photoreal not 3D, THE INFANT rendered from description a small DARK BLUE swaddled bundle PRESSED AGAINST ANA'S CHEST in one arm as she clings to the cliff face barely visible stirring faintly NOT a second active child, THE CATASTROPHE READ THROUGH A PRECISE CAUSAL CHAIN cause before effect — ANA's foot breaks the ledge the slab falls straight down toward UMAI a wolf LAUNCHES and SLAMS UMAI clear WITH ITS BODY NOT ITS JAWS the slab crashes into the empty snow UMAI tumbles unhurt the pack streams in and SWEEPS HER UP carrying her away, THE FIRST WOLF SAVES HER WITH A BODY-SLAM NOT A BITE mouth never on her a rescue that for one instant looks like an attack until the rock hits empty snow, THE PACK CARRIES HER NOT TEARS HER swept in the dark flowing current vanishing into fog and white the beginning of her life among wolves, ANA ABOVE SEES AND SCREAMS her face SHATTERING eyes blown wide mouth tearing open composure exploding reaching out and crying \"UMAI!!!\", CAMERA LAW angle and height tell the cruelty SHOT 1 high with ANA then a hard VERTIGO TILT DOWN following the falling rock the height the cruel mechanism SHOT 2 LOW at UMAI's level sharing the child's helplessness SHOT 4 BIG-VERSUS-SMALL ANA tiny and powerless high on the vast cliff the storm dwarfing her never powerful only helpless aggressive dynamic handheld horizon reeling on the scream never gimbal-smooth, COMPOSITION LAW RUPTURE and PEAK intensity the cruel CROSS of forces the VERTICAL line of the falling rock intersected by the HORIZONTAL line of the wolf's save crossing on the tiny child the pack a DIAGONAL line of dynamics sweeping her off the vertical gap between mother above and child below now permanent and vast angular rock and angular wolf converging on the small rounded child dark masses on pale snow and fog maximum contrast the rupture the vow's affinity was saving for, FRAMED INK STAGING frame-trap the small child between the falling rock above and the lunging wolf from the side two dark angular masses closing conceal-fog swallowing the catastrophe and UMAI camera height low and helpless at the child tiny and powerless at the mother large-vs-small against the vast cliff storm and pack, four shots with hard cuts — (1) cliff foot breaks ledge vertigo TILT DOWN following the slab through fog cut on the rock, (2) below LOW the cross of forces slab from above wolf's body-slam from the side shoving UMAI clear slab crashing into empty snow the shock-reversal, (3) below the diagonal sweep the pack carrying UMAI away into fog, (4) ANA tiny big-versus-small seeing and screaming \"UMAI!!!\" the wolves and daughter vanishing into the white — characters ANA @[Image 2](image_2) UMAI @[Image 3](image_3) wolves @[Image 4](image_4) cliff @[Image 5](image_5) faces readable never black voids, REAL PHYSICS AND WEIGHT in the breaking rock the slab the body-slam the tumble the impact, HEAVY WEATHER drifting FOG thick blown SNOW gusting WIND all smooth the catastrophe half-veiled, nearly BLOODLESS a rescue not a mauling any blood dark muted minimal, SECONDARY ACTION on twos clothes hair breath-vapor dark-blue swaddled bundle wolf fur whipping snow bursting from impact and running with follow-through, cold grey fog-and-snow stormlight flat soft no rays no beams faces readable correct neutral white balance not a blue filter muted desaturated, wolves from @[Image 4](image_4) varied never mirrored never cloned, spoken Kazakh in Latin transliteration pronounced as written not Russian-accented, NO MUSIC only storm rock-crash and the scream.",
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"category": "stop-motion-cadence",
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"tags": ["Seedance 2.0", "human-reviewed"],
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"sourceId": "seedance",
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"credit": "@ai_animer",
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"sourceUrl": "https://x.com/ai_animer/status/2078023536992735573"
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},
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{
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"id": "seedance:seedance-2-5-ui-228cf63ce8ff",
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"title": "Seedance 2.5 蜘蛛反英雄游戏角色选择UI动画",
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"description": "Seedance 2.5 生成的游戏角色选择界面动画,锁定卡片轮播、技能树等UI布局不…",
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"image": "https://media.goodcase.ai/media/poster/seedance-2-5-ui-228cf63ce8ff.jpg",
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"mode": "video",
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"prompt": "title: \"Spider Roster — Character Select Showcase\"\nreference_handling: \"@image1 is the LOCKED SCENE COMPOSITION — replicate its exact game-menu layout in every frame: top nav bar (HOME / CHARACTERS / LOADOUTS / SETTINGS / PROFILE) with CHARACTERS highlighted teal, currency counters top-right, horizontal character-card carousel on the left half, LOADOUT icon row and SKILL TREE node graph bottom-left, SELECT / CUSTOMIZE / BACK buttons bottom-right, and the full-body 3D character standing on a glossy white showroom floor on the right half. @image2, @image3, @image4, @image5, @image6 are STRICTLY character design references — silhouette, armor geometry, color, emblem, materials ONLY. DO NOT reproduce their reference poses. DO NOT show any character standing flat-frontal with arms hanging limp at the sides. DO NOT reproduce the isolated cream/white empty backdrop from the character references — every character stands inside the game UI on the reflective floor. DO NOT place loose crystals, rubble blocks, or scattered debris props on the floor. Poses are dictated by the storyboard below.\"\nstyle: \"Stylized AAA game menu render. Faceted low-poly painterly hero models, Arcane-adjacent gouache shading, clean flat-white UI chrome. Crisp 4K.\"\nvisual_feel: \"Locked, stable, showroom-clean. Smooth free-flowing character motion with weight and follow-through. Soft floor reflections, gentle bloom on emissive emblems, fine paper grain on armor plates.\"\nduration: \"20 seconds\"\ncharacter_modeling:\nui_screen:\nbase: \"Game character-select interface matching @image1. Cool near-white background, faint vertical light streaks behind the character stage.\"\nfeatures: \"Five rounded rectangular character cards in a horizontal row on the left. The centered card is enlarged, elevated, white, with a downward pointer tab. Flanking cards are smaller, semi-transparent, and clipped at frame edge. Active card shows character portrait, NAME in bold black caps, class subtitle, and four stat rows: ARMOR / MOBILITY / HEALTH / POWER with colored values.\"\nbehavior: \"The card row slides horizontally to bring the next character to center. Cards scale up on centering, scale down on leaving. Skill-tree nodes pulse once per swap. UI chrome, nav bar, and buttons NEVER move, warp, or reflow.\"\nchaos:\nbase: \"Spider-vigilante matching @image6 for design only.\"\nfeatures: \"Cracked bone-white skull mask, glowing violet slit eyes, coral-red open coat, navy-and-red webbed bodysuit with a red spider emblem, cream sash knotted at the waist, chunky violet hex-tech gauntlets with glowing white hexagon and dot faces, orange skull kneepad, bandage-wrapped sandals.\"\nmovement_in_this_scene: \"Loose, cocky, gambler energy. He never stands still — weight shifts, shoulders roll. NEVER shown with one foot propped on a stone block.\"\nscrap:\nbase: \"Spider-vigilante matching @image4 for design only.\"\nfeatures: \"Pointed coral-pink hood-mask with a red spider face marking and black eye slits, layered violet scrap-cloth poncho with a red spider decal on the shoulder, burnt-orange wrapped tunic, crossed lavender strap harness, bandaged forearms and shins, a heavy violet six-barrel rotary cannon mounted on the right arm.\"\nmovement_in_this_scene: \"Grounded, heavy, scavenger swagger. NEVER shown with the cannon lowered and idle at his side.\"\narcane:\nbase: \"Spider-enforcer matching @image2 for design only.\"\nfeatures: \"Angular lavender crystal armor with hairline gold fracture-web etching, sharp faceted hood over a dark deep-violet face with glowing white-violet eyes, oversized star-shaped crystal pauldrons, a blazing amber-gold spider emblem on the chest, deep maroon tabard, jagged crystal greaves.\"\npower_this_scene: \"Loose violet crystal shards materialize from thin air and orbit his hand, then align and hover.\"\nmovement_in_this_scene: \"Controlled, ceremonial, unhurried. NEVER shown in the flat frontal deity-display stance from the reference.\"\npyre:\nbase: \"Spider-enforcer matching @image5 for design only.\"\nfeatures: \"Lilac faceted plate armor covered in fine white rune script, spiked pauldrons and vambraces, a smooth insect-like helm with pale orange lenses, a molten orange-gold spider emblem burning through the chest plate, live flame licking from the helm crest and neck seam, dark maroon underlayer.\"\npower_this_scene: \"Flame intensity rises and falls with his motion — brightest at the peak of a strike, guttering low when he settles.\"\nmovement_in_this_scene: \"Explosive and martial. NEVER shown standing symmetrically with both arms hanging down.\"\nshard:\nbase: \"Spider-vigilante matching @image3 for design only.\"\nfeatures: \"Dark charcoal-violet mask with large pale-pink lenses and thin web lines, black webbed bodysuit with a glowing violet spider emblem on the chest, the entire outer suit rendered as pale lavender-white crystalline fragments mid-dissolve, the left arm fully disintegrated into billowing violet particle flame, magenta gloved fingertips.\"\npower_this_scene: \"His body scatters into drifting shard particles and reassembles a short distance away.\"\nmovement_in_this_scene: \"Weightless, drifting, unstable. NEVER shown standing upright with both feet planted flat.\"\ncinematic_storyboard:\n00_04_chaos:\ncamera: \"Static locked-off full-screen UI. Hold.\"\naction: \"The card row is already settled on the CHAOS card, centered and enlarged, reading CHAOS / SPIDER-VIGILANTE with ARMOR HIGH, MOBILITY HIGH, HEALTH LOW, POWER MAX. On the stage, CHAOS flicks a glowing white hex-die off his right gauntlet, catches it blind behind his back with the left, then snaps both gauntlets up into a crossed X in front of his mask. The hex faces flare white. He rolls one shoulder, tilts his head, and drops into a loose one-hip idle sway, coat swinging.\"\nlighting: \"Even soft showroom key. Violet gauntlet glow spills onto his chest and mask.\"\nsfx: \"Two soft ceramic die-clicks. A low hex-charge hum on the flare.\"\n04_08_scrap:\ncamera: \"Imperceptible slow push-in toward the character stage.\"\naction: \"The card row shuttles one step left. The SCRAP card scales up to center, stats resolving to ARMOR MED, MOBILITY MED, HEALTH HIGH, POWER HIGH. SCRAP drops into a wide braced stance, plants his left foot, and spins up the rotary cannon — the six barrels rotate faster and faster, venting a puff of violet exhaust. He swings the arm in a slow horizontal sweep across the stage, then shoulders the cannon, rolls his neck once, and settles with the barrel resting high and the poncho still swaying.\"\nlighting: \"Soft key with a warm violet muzzle-glow kicking off his hood and strap harness.\"\nsfx: \"Card shuttle click-clack. Mechanical barrel spin-up whir. A soft pressure vent hiss.\"\n08_12_arcane:\ncamera: \"Locked-off full-screen UI. Hold.\"\naction: \"The card row shuttles left again. The ARCANE card centers, stats resolving to ARMOR HIGH, MOBILITY HIGH, HEALTH MED, POWER HIGH. ARCANE lifts his right hand palm-up. Seven violet crystal shards fade into existence and begin orbiting his fingers. He closes the hand into a fist and drives it down onto the floor — a ring of light travels outward across the reflective surface, the shards freeze in place mid-air, and the gold spider on his chest flares white-hot. He rises to a tall three-quarter stance, tabard settling, shards still hanging suspended around him.\"\nlighting: \"Cool key. Amber chest-emblem bounce warms his jaw. Violet rimlight from the orbiting shards.\"\nvfx: \"Shards materialize as flat painterly facets, never photoreal glass.\"\nsfx: \"Card shuttle click-clack. Crystalline chimes. A single deep resonant thud on the fist plant.\"\n12_16_pyre:\ncamera: \"Slow subtle arc to the right around the character stage.\"\naction: \"The card row shuttles left. The PYRE card centers, stats resolving to ARMOR HIGH, MOBILITY HIGH, HEALTH MED, POWER HIGH. PYRE drops to one knee and slams a palm flat to the floor — a column of orange flame erupts upward from the spider emblem burning through his chest plate. He sweeps his forearm in a wide burning arc, the fire trailing behind it in a smeared painterly ribbon, then rises into a bladed side-on guard, one fist cocked at the hip, flame guttering low at his helm crest.\"\nlighting: \"Warm orange firelight washes his lilac plates and throws a moving glow across the floor.\"\nvfx: \"Flame renders as stylized flat-shaped fire, not volumetric smoke.\"\nsfx: \"Card shuttle click-clack. A muted whoosh on the eruption. Low ember crackle underneath.\"\n16_20_shard:\ncamera: \"Slow, controlled pull-back to frame the full interface. Hold.\"\naction: \"The card row shuttles one final step left. The SHARD card centers, stats resolving to ARMOR MED, MOBILITY HIGH, HEALTH MED, POWER MAX. SHARD's body scatters into a burst of pale crystalline fragments and reassembles a full step to the right, landing low with two fingertips touching the floor. Violet particle flame pours off his dissolved left arm and drifts upward. He rises slowly, half-turns his masked head toward the lens, and holds — fragments still peeling off his shoulders and evaporating. The SELECT button pulses teal once. Hold on the frame.\"\nlighting: \"Cool white key. Violet particle glow underlights his chest emblem and mask lenses.\"\nvfx: \"Dissolve reads as flat painted shard shapes drifting off the silhouette, not smoke or embers.\"\nsfx: \"Card shuttle click-clack. A soft glass-scatter sweep on the teleport. One clean UI chime on the SELECT pulse.\"\nproduction_notes:\naudio_design: \"Continuous low-tempo electronic menu loop underneath — soft synth pad, sparse pulse, no drums. Every card swap carries a short mechanical shuttle click-clack, like a rolling detent. Character sound effects stay restrained and diegetic: no impact booms, no orchestral hits, no risers. Music never swells; it holds one steady bed for all 20 seconds.\"\nlighting: \"Flat, even, high-key showroom lighting on the character stage throughout. Only each character's own emissive effects change the light. UI panels stay unaffected by character lighting.\"\ncritical_constraint: \"@image1's interface layout is fixed for all 20 seconds — nav bar, currency counters, LOADOUT row, SKILL TREE graph, and SELECT / CUSTOMIZE / BACK buttons never shift position or change size. ONLY the card carousel slides and only the stage character changes. Each character stands in the same floor position, roughly centered in the right half. Character reference images supply design ONLY — no character is ever shown in the flat frontal arms-down reference pose, and no reference-image background props, crystals, rubble, or empty cream backdrop appear on the stage.\"\navoid: \"Jitter, bent or distorted limbs, temporal flicker, identity drift between shots, chaotic composition, character frozen in reference-image pose, warping or garbled UI text, UI elements drifting or reflowing, camera shake.\"",
|
||
"category": "character-reference-lock",
|
||
"tags": ["x", "seedance-2.5", "game-ui"],
|
||
"sourceId": "seedance",
|
||
"credit": "@pratishhhhh",
|
||
"sourceUrl": "https://x.com/pratishhhhh/status/2085679073632882880"
|
||
},
|
||
{
|
||
"id": "seedance:case-f46706b10233",
|
||
"title": "消散的绳索吊桥峡谷",
|
||
"description": "一个超现实场景:一位旅行者穿过深不见底的峡谷,身后的绳索吊桥随之消散。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-f46706b10233.jpg",
|
||
"mode": "video",
|
||
"prompt": "0-3 sec:\nA vast canyon with no visible bottom. A rope bridge spans the gap, wooden planks suspended on frayed ropes. A lone traveler steps onto the first plank.\n\n3-6 sec:\nThe traveler takes a step. Behind them, the plank they left dissolves into mist. The ropes unravel silently. The bridge shortens. No return possible.\n\n6-9 sec:\nMore steps. Each plank crumbles after use. The traveler glances back. Nothing but empty air. They grip the rope rail tighter. The end grows closer.\n\n9-12 sec:\nThe traveler runs now. Planks dissolve faster. The bridge disintegrates behind them in a cascading wave. The far edge approaches. One final leap.\n\n12-15 sec:\nThe traveler lands on solid ground. They turn. The entire bridge is gone. Only the two rope stumps remain, swaying over the void. Fade to black.\n\nSound: Wood creak, plank snap, rope fray, running footsteps, landing thud, silence.",
|
||
"category": "horror-suspense",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@zyvaoz",
|
||
"sourceUrl": "https://x.com/zyvaoz/status/2081398750996746385"
|
||
},
|
||
{
|
||
"id": "seedance:case-a9ab0266f96a",
|
||
"title": "电影级未来感动漫剑术对决",
|
||
"description": "一个针对未来城市背景的极度详尽动漫战斗提示词,涵盖了镜头角度、角色一致性以及节奏感十足…",
|
||
"image": "/inspiration-thumbs/seedance/case-a9ab0266f96a.webp",
|
||
"mode": "video",
|
||
"prompt": "高品質アニメ映像。高密度3Dトゥーン/セルルックによる、近未来学園都市型・映画的アクションRPGの高速剣戟。劇場版クラスのキーアニメーション、上質なコンポジット、透明感のある照明、密度の高い背景美術。@1は冷静で圧倒的な格上、@2は速度と手数で挑む挑戦者。攻撃、弾き、反力による反撃、最大衝突を切れ目なくつなぐ。【参照画像と人物固定】@1参照画像と**@2参照画像を、それぞれ別人として読み取る。参照画像は顔、目の形、虹彩色、髪型、髪色、衣装、装飾、体格、シルエット、雰囲気、キャラクターカラー、既存武器意匠の維持だけに使う。参照画像の背景、部屋、家具、文字、分割レイアウト、ポーズ、構図、画角、フレーミングは再現しない。二人は全編でそれぞれ同じ一人、same person、same character identity。表情、視線、口元、姿勢、呼吸、自然な髪と衣装の揺れだけ変化してよい。顔の平均化、特徴混合、髪色交換、衣装交換、武器交換、別人化、クローン化、分身、余計な人物の追加は禁止。参照画像から各人物の主色、補助色、差し色、素材感、装飾モチーフ、世界観を抽出し、以後@1固有色、@2固有色**として使う。色は二人の間で交換しない。背景、小物、発光誘導線、床反射、空気、蒸気、照明、エフェクトは、固定された舞台構造を維持したまま、二人の衣装・装飾・性格・世界観へ調和するよう再設計する。ただし戦闘の流れ、位置関係、接触点、カメラ順序は変更しない。【画風固定】細く繊細な色付き輪郭線。顔、髪、衣装、装備に明快な二段から三段のセルシェーディングと透明感のある中間影。参照画像の固有色を澄んだ高彩度で使い、瞳と髪に多層ハイライト。顔、髪束、刺繍、装飾、金属、宝石、武器装具まで高密度。布、革、金属、宝石、濡れた床、ガラスを異なる反射と粗さで描き分ける。各人物の固有色をキーライトと影色に使い、背景は人物より一段暗く抑える。太い黒輪郭、平坦な単層セル影、簡略TVアニメ、汎用3D美少女顔、成熟化、滑らかなプラスチックCG、半写実、写実、低密度背景、くすんだ色、画風混合にしない。【舞台・雰囲気】雨上がりの近未来学園都市、夕暮れの濡れた屋上演習場。発光誘導線、床の色付き反射、高層校舎、ガラス壁、都市スカイライン、薄い蒸気。二人以外は無人。建築装飾、床紋様、手すり、照明器具、訓練設備、遠景広告の抽象模様は参照人物のモチーフへ合わせるが、文字、ロゴ、UIは出さない。【カメラ】固定横視点ではなく、@2を追う床すれすれの低い三分の四、@1の胸上の斜め前、@1の肩越し、接触点を軸にした約60度の回り込み、最終衝突へ迫る斜め低空カメラを順番に使う。カメラと背景が回り、人物を無意味に回転させない。【武器固定】二人はそれぞれ一本だけの刀を持ち、合計二本。参照画像に武器がある場合は形状、長さ、装飾、配色を維持し、刀剣でない場合はその意匠を継承した一振りの刀として再設計する。全Cutで本数、刀身、鍔、柄、鞘、房飾りの接続を固定する。手は鍔より後ろの柄だけを握る。刀身、鍔、柄を一体の武器として肩、肘、腰、支持脚から動かし、刀身や切っ先だけを回転させない。@1は弾きの瞬間だけ右手で柄を腰近くに保持し、左人差し指を使う。@2は刀を両手で保持する。【動き】Cut 1:直前クリップ末尾の**@1固有色の水平斬撃光がレンズ前を横切る瞬間から開始。光は刀の掃引面に密着した湾曲残光で、独立レーザーではない。光が抜けると、カメラは@2の左後方、床すれすれの低い三分の四位置へ接続する。@2は左足で濡れた床を蹴り、両手の刀で@1の右肩口へ右上から左下の斜め振り下ろしを放つ。水滴、髪、布が加速と逆方向へ遅れてなびく。@2固有色**の刀光がレンズを覆い、次の近距離カットへの遮蔽ワイプになる。Cut 2:@2の刀光が抜けると**@1の胸上を斜め前から映す。@1は一歩も退かず無表情。右手で刀を低く保持し、左人差し指の前へ@1固有色の薄い六角形防御面を一枚だけ形成する。@2の斬撃が防御面中央の単一接触点へ当たり、局所閃光、六角形の波紋、@2固有色の火花が同期する。@1が指と手首を数センチ外側へ弾くと、防御面全体が傾き、@2の軌道が@1の肩外側から約45度上方へ偏向される。@2**の両腕、肩、腰へ逆向きの反力が戻り、支持脚が踏み直す。カメラは逸れた軌道をウィップパンで追う。Cut 3:ウィップパンの終端で**@1の肩越しへ入る。@2は返った反力を使い、左足を軸に腰を一度だけ反転して低い返し斬り。@1は左手を柄へ戻し、刀身中央同士を一点で受け、短いヒットストップの直後に接触面を滑らせて@2の刀を上外側へ弾く。そのまま@1が懐へ踏み込み、左下から右上へ@1固有色の上昇斬りを返す。カメラは接触点を中心に約60度回り込み、欄干と床反射が大きく移動する。@2は斜め後方へ押され、空中で半回転し、右足から着地して短く滑る。@1は止まらず前進する。@2だけが押し戻される**非対称な移動。着地の水しぶきが画面下部を覆う。Cut 4:水しぶきの奥で、@1を左手前に大きく、@2を右奥に置く斜め低空構図。二人を横並びにしない。@2は滑りの終端で右足を踏み直し、停止せず右上から中央へ**@2固有色の振り下ろし。@1も前進を止めず、左下から中央へ@1固有色の上昇斬り。二人の足元と背後から、それぞれの固有色の巨大な炎状オーラが噴き上がり、床の発光亀裂、細い電光、上昇流を伴う。二色は混ざらない。二本の刀が同じ接触点へ入る一瞬だけ形を読ませ、接触後は発光へ隠す。同じ接触点を発生源として、@1の直線軌道と@2の湾曲軌道が巨大なX字を形成する。狭い白熱中心だけを純白にし、その外側に二人の固有色を残す。大面積の高彩度色面を維持し、同じ衝突核から放射状の衝撃波、同心円圧力波、垂直の炎状オーラ、体積光、電光、火花を広げる。床水、蒸気、砂塵、破片、髪、衣装が外側へ吹き飛び、色付きエフェクトが画面の大部分を占める。@1の圧力で@2の防御姿勢が崩壊する。** カメラは接触点へ短く突進し、衝撃波で少し後方へ押し戻され、数度傾く。画面全体を白くしない。【重大NG】固定横の格闘ゲーム視点、左右対称の全身構図、二人を左右端へ離す仕切り直し、同時反転、鏡写しの同時ダッシュ、長い助走、長い刀の押し合い、無意味な連続回転、独立レーザー、第三の光線、二色融合、全画面白飛び、文字、字幕、ロゴ、透かし、UI、音響生成なし。【終端】@1のエネルギーが接触点を**@2側へ押し、@2側の水煙と砂塵が後方へ膨む。@2のシルエットが斜め後方へ崩れ始め、@1**は低い重心のまま前へ力を通し続ける。巨大な二色のX字光が最大まで拡大し、人物と刀身が光へ隠れた接触の瞬間、崩壊開始を捉えたそのフレームで即カットする。アクション継続。",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@haruuraeadss",
|
||
"sourceUrl": "https://x.com/haruuraeadss/status/2081317622927577411"
|
||
},
|
||
{
|
||
"id": "seedance:case-c726edc4268d",
|
||
"title": "传奇骑士堡垒之战",
|
||
"description": "一个史诗级的奇幻提示词,描绘了一位传奇骑士在摇摇欲坠的堡垒上与巨龙和长角恶魔激战的场景…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-c726edc4268d.jpg",
|
||
"mode": "video",
|
||
"prompt": "A legendary female knight with long platinum hair, striking green eyes, athletic physique, intricately engraved black steel armor with a flowing crimson cape and a massive enchanted greatsword stands alone atop the crumbling walls of an ancient fortress overlooking a vast battlefield where tens of thousands of soldiers, cavalry and towering siege engines are locked in brutal combat, a colossal dragon suddenly bursts through the clouds breathing an ocean of fire across the battlefield as a gigantic horned demon emerges from a collapsing mountain, without hesitation she leaps from the castle wall, falling hundreds of meters before landing with earth-shattering force that sends armored warriors flying in every direction, immediately charging straight toward the demon while dodging collapsing towers and dragon fire, climbing across the creature's massive body as it tears apart the landscape before driving her glowing sword directly through its skull, triggering an enormous magical explosion that tears open the storm clouds and floods the battlefield with golden light, cinematic IMAX aerial photography, seamless FPV dive, dynamic crane shots, dramatic orbit camera, slow-motion impacts, ultra-photorealistic medieval fantasy, volumetric sunlight, practical debris, cinematic smoke, epic orchestral atmosphere, blockbuster realism, Unreal Engine 5 quality.",
|
||
"category": "epic-fantasy-scifi",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@CharaspowerAI",
|
||
"sourceUrl": "https://x.com/CharaspowerAI/status/2080306973220725206"
|
||
},
|
||
{
|
||
"id": "seedance:90-vhs-vlog-ae90c46cb606",
|
||
"title": "90 年代复古 VHS 健身 Vlog",
|
||
"description": "一份详细的多段式提示词,用于创作具有 80/90 年代怀旧风格的健身 Vlog 视频,…",
|
||
"image": "https://media.goodcase.ai/media/poster/90-vhs-vlog-ae90c46cb606.jpg",
|
||
"mode": "video",
|
||
"prompt": "80/90年代复古家用录像带风格健身 vlog。\n\nDV / VHS / 旧 DVD 质感,低清晰度,4:3 画幅,仿佛来自 80 年代末到 90 年代家用摄像机录下来的影像。整体呈现明显的复古磁带美学:轻微噪点、扫描线、磁带颗粒、轻微掉帧感、色彩偏暖且略微褪色、轻微模糊、低分辨率、边缘柔化、偶尔自动曝光漂移、延迟对焦、白平衡不稳定、灯光高光处带有柔和晕影,保留真实粗糙的老录像味道。画面像被翻录过几次的旧 DVD / 家用录像带,带一点年代感和生活气息。\n\n拍摄方式:\n\nPOV 第一人称视角,由 CHASE 自己拍摄。她偶尔手持拍摄,偶尔把摄像机随手支在跑步机控制台上或附近的小凳子上。画面自然抖动、取景不稳、构图笨拙、镜头偶尔拉近拉远不太熟练,摄像机本身永远不要出现在画面中。\n\n人物设定:\n\n一位 20多岁的亚洲女性,有韩国偶像气质。长黑色马尾,五官清秀,眼神生动,有轻微运动后的汗水,身材苗条匀称、偏运动型。穿着朴素低调的长袖运动上衣、宽松慢跑裤、白色运动鞋,脖子上搭着一条毛巾。整体状态真实,不要过度精修,不要时尚大片感,要像那个年代随手拍下来的个人健身日记。\n\n场景:\n\n现代室内健身房,但通过老录像机画质呈现出复古感。环境里有跑步机、划船机、镜子,柔和的晚间室内灯光。背景真实自然,不要过于干净商业化,要有一点生活化的杂乱和使用痕迹。\n\n整体基调:\n轻松、俏皮、真实、带一点疲惫感的有氧挑战 vlog。不是广告,不是电影,不是高质感大片,而是带有生活气息 and 幽默感的老式个人录像。人物反应自然,有真实呼吸、喘气、停顿和小表情。\n\n镜头内容:\n\n自拍开场,她站在跑步机前,对镜头说:“让我们看看我能不能撑过二十分钟。”\n摄像机被支在跑步机控制台上,她开始自然慢跑。\n\n手持近景,她一边喘气一边无奈地说:“为什么每一分钟都感觉更快了?”\n她的手指按下跑步机停止按钮的特写。\n她慢慢走下跑步机,笑着擦去额头的汗水。\n\n她拿起水瓶喝水,深深吸一口气。\n她疲惫但好笑地对着镜头竖起大拇指,说:“今天有氧运动正式把我打败了。”\n最后她拿起健身包,温暖微笑,朝镜头挥手告别,说:“下次见!”\n\n额外要求:\n\n保持老式家用录像机 / VHS / 旧 DVD 观感\n不要现代高清感,不要过锐,不要过度美颜\n保留真实汗水、呼吸、疲惫神情和自然小失误\n整体像 80/90 年代家庭健身日记录像",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@you1873118",
|
||
"sourceUrl": "https://x.com/you1873118/status/2081218658618188267"
|
||
},
|
||
{
|
||
"id": "seedance:case-e0d3b03f1aef",
|
||
"title": "汤姆·索亚粉刷篱笆场景",
|
||
"description": "一个基于叙事的提示词,旨在重现《汤姆·索亚历险记》中经典的粉刷篱笆场景,强调角色一致性…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-e0d3b03f1aef.jpg",
|
||
"mode": "video",
|
||
"prompt": "The Adventures of Tom Sawyer — Whitewashing the Fence\n\nCharacters:\n\n* Tom Sawyer — cheerful twelve-year-old boy with messy brown hair, straw hat, rolled-up sleeves.\n* Ben Rogers — energetic boy wearing suspenders and carrying an apple.\n\nScene: Sunny morning outside a wooden house in a small Missouri town. Tom slowly paints a long white fence with exaggerated concentration while Ben walks up eating an apple. Ben laughs at Tom’s punishment, but Tom calmly insists that painting such an important fence is a rare privilege. Curious, Ben eventually offers his apple just for the chance to paint a few strokes himself. Tom casually hands him the brush and relaxes in the shade, smiling as Ben eagerly does the work. No music. Pay attention to maintain spatial consistency and respect 180 degree rule in cinematography.",
|
||
"category": "dialogue-performance-beats",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@airina_xyz",
|
||
"sourceUrl": "https://x.com/airina_xyz/status/2081078057386021026"
|
||
},
|
||
{
|
||
"id": "seedance:case-95a5c01a9b87",
|
||
"title": "奥德修斯与独眼巨人的定格动画",
|
||
"description": "一个幽默的 3D 黏土动画风格提示词,描绘了奥德修斯利用一颗巨大的橄榄分散独眼巨人注意…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-95a5c01a9b87.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 3D claymation style animation of a cute caricature of Odysseus, wearing weathered bronze armor, a deep red cape, leather sandals, and windswept hair, sailing alone across a miniature stormy sea in a tiny wooden ship. A gigantic Cyclops suddenly rises from the water and reaches toward him. Odysseus calmly pulls out an enormous olive, launches it into the Cyclops’s mouth with a tiny catapult, and watches as the confused giant begins chewing happily. The storm instantly clears, the Cyclops gives him a thumbs up, and Odysseus takes a triumphant selfie with the giant in the background. Smooth expressive clay animation, epic orchestral music mixed with playful sound effects, handcrafted textures, cinematic lighting, mythological scale, absurd humor, viral energy.",
|
||
"category": "3d-cartoon",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@miilesus",
|
||
"sourceUrl": "https://x.com/miilesus/status/2080744222571848176"
|
||
},
|
||
{
|
||
"id": "seedance:case-7a9235e91c71",
|
||
"title": "定格动画:薯片堆叠",
|
||
"description": "一个定格动画提示词,描述薯片自动堆叠成品牌 Logo,随后炸裂散开的场景。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-7a9235e91c71.jpg",
|
||
"mode": "video",
|
||
"prompt": "Stop-Motion Chip Stacking — Chips stack themselves into the logo shape or brand initials, then explode apart — playful, highly shareable.",
|
||
"category": "stop-motion-cadence",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@abs_uiux",
|
||
"sourceUrl": "https://x.com/abs_uiux/status/2074744763505324502"
|
||
},
|
||
{
|
||
"id": "seedance:case-16429da4be7b",
|
||
"title": "魔幻都市奇幻战斗动画",
|
||
"description": "一个设定在雨中魔幻都市的史诗级高奇幻动漫战斗提示词。包含涉及多个魔法门和针对巨龙的射线…",
|
||
"image": "/inspiration-thumbs/seedance/case-16429da4be7b.webp",
|
||
"mode": "video",
|
||
"prompt": "高品質アニメ映像。高密度3Dトゥーン/セルルック。劇場版クラスのキーアニメーション、上質なコンポジット、透明感のある照明、密度の高い背景美術。舞台は雨に濡れた壮麗な魔法都市。映画的なハイファンタジー・アクションRPGとして描く。参照画像のキャラクターが、自身の前方に展開した主ゲートと、周囲に展開した複数の収束ゲートから連続ビームを放ち、巨大な黒竜を最後は全ゲート同時斉射でオーバーキル気味に撃破する。\n\n【参照キャラクター固定】\nソース参照画像のキャラクターを参照し、同じ人物として維持する。参照画像はキャラクターの顔、目の形、虹彩色、髪型、髪色、衣装、装飾、体格、シルエット、雰囲気、キャラクターカラーだけに使用する。参照画像そのものの背景、部屋、家具、ポーズ、画角、フレーミングは再現しない。表情、視線、口元、ポーズ、呼吸、自然な髪と衣装の揺れだけ変化してよい。特徴の混合、顔の平均化、衣装交換、別人化、クローン化、余計な人物の追加は禁止。装備品やアクセサリーは参照画像にあるものを保持し、勝手な増殖や別装備の追加をしない。攻撃は必ずキャラクター本人の掌前ゲート群から行い、腰の装備や小物から発射しない。\n【キャラ適応ルール】\n固定シーンの内容と戦闘展開は維持するが、背景の装飾、小物、魔法意匠、色味、発光色、空気感は参照キャラクターに合わせて調整する。都市の基礎構造は石造りの壮麗な魔法都市で固定しつつ、欄干意匠、魔法灯、水路、水晶柱、紋様、霧、反射色は参照キャラクターの世界観とカラーに寄せる。ビーム、ゲート、爆発、粒子、床反射も参照キャラクターの固有色を主軸に組み直す。色はキャラクターの魅力を最優先し、背景は一段暗く抑えて主役を埋もれさせない。\n\n【3Dスタイル固定】\n全編で繊細なセルルックを維持する。線は細く、顔・髪・衣装には明快な二段から三段のセルシェーディングと透明感のある中間影を入れる。瞳と髪には多層ハイライト。布、革、金属、宝石、濡れた石床、ガラス、水たまりを異なる反射と粗さで描き分ける。魔法だけは高輝度のグラフィックアニメVFX、体積光、加算発光、屈折波、方向性モーションブラーを用いる。太い黒輪郭、平坦な単層セル影、汎用的な3D顔、低密度背景、半写実、画風混合にしない。\n【主人公と敵の固定】\n主人公は画面左、敵は画面右。主人公は両脚を広げて膝を曲げ、後脚へ重心を残し、片方の掌を竜の胸へ向けて開く。もう片方の手はその腕や手首を支えてよい。掌、手首、肘、肩の接続を読ませ、ゲートで腕全体を隠しすぎない。反動は手首、肩、腰、支持脚へ連続して返り、髪、衣装、装飾が時間差で後方へなびく。敵は右側の巨大な黒い四足翼竜一体のみ。主人公の約四倍の高さ。頭は一つ、角は二本、目は二つ、脚は四本、翼は左右一対、尻尾は一本。着弾点は胸中央で固定。余分な頭、脚、翼、尻尾を作らない。\n\n【舞台とカメラ】\n舞台は雨上がりの巨大な魔法都市にある、空中へ張り出した広い石造りの魔法大通り。濡れた石板、浅い水たまり、古い亀裂、魔導金属の欄干、周囲の魔法塔、尖塔、アーチ橋、空中回廊、浮遊小塔、巨大結晶柱、魔力灯、発光水路、低い霧を配置する。これらの意匠と発光色は参照キャラクターに合わせて調整する。主人公は左、黒竜は右を維持し、主ゲート中心、各副ゲート、ビーム軸、黒竜の胸が同じ攻撃線へ収束する。カメラは顔が読める緩い近距離弧移動から始まり、ゲートの円弧がレンズを覆う遮蔽ワイプで低い後方三分の四ワイドへ移る。ビームに沿った横移動では欄干、雨粒、床紋様、水たまり反射、浮遊灯を異なる速度で流し、着弾圧で短く押し戻され、煙が開く時だけ静かに寄る。無目的な周回やランダム手ぶれにしない。\n【攻撃展開】\n開始時、主人公の掌前に主ゲートが形成される。二層から四層の不完全な同心円ゲートで、各リングは前後へ離れ、異なる速度で逆回転する。短い目盛り、放射線、電光が発射軸へ集まり、掌の光が三度脈動し、三度目でリングが圧縮される。同時に主人公の周囲にも複数の副ゲートが次々と発生する。位置は右肩上、左上後方、前方上空、脇前方、背後上空など、深度差を持って主人公を囲むように配置する。数は多いが整理され、前景・中景・後景へ分かれる。顔と両目は常に読めるよう残し、リングで完全に隠さない。\n\n最初の攻撃では主ゲートから太い高出力ビームを放つ。コア、外殻、中間層、縁の色は参照キャラクターの固有色で構成し、細い棒状にしない。直後、周囲の副ゲートが時間差で順番に発射し、黒竜の胸中央へ連続着弾する。各ビームは十分に太く、雨、霧、水滴を外側へ押し分ける。黒竜の胸鱗は押し込まれ、前爪が濡れた石床を削り、翼膜、首、尻尾へ衝撃が遅れて伝わる。床には主人公の固有色に対応した太い反射帯が走る。\n【オーバーキルと撃破】\n連続照射の後、全ゲートが最大出力へ再圧縮される。主人公は左下で踏ん張ったまま掌を固定し、周囲の全副ゲートも同じ着弾点へ狙いを合わせる。主ゲートを含む全ゲートが同一フレームで一斉斉射し、複数の極太ビームが黒竜の胸中央へ集中する。各ビームは太さ、輝度、軸を落とさず持続し、内部に圧縮波が走る。最後の圧縮波が胸へ到達した同一フレームで、全ビームを発射口から着弾点まで完全に消す。細い残光を残さない。その瞬間、胸中央に白熱核が発生し、局所的な半球状衝撃ドームが一度だけ膨張して裂ける。そこから参照キャラクターの固有色を主軸にした巨大な炎状魔力爆発が上方と左右へ立体的に噴き上がる。鋭い炎の先端、太い体積光、透明な屈折波、細い電光、外向きの速度線を深度差付きで展開する。濡れた床には発光亀裂が走り、水、蒸気、黒い鱗片、石片が外向きへ吹き飛ぶ。\n\n直後、灰煙と黒い鱗片が前景へ重なり、黒竜の全身を完全に隠す。煙の中央が裂けると、黒竜は胸の着弾点をこちらへ向けて跪いている。胸中央から主人公の固有色に対応した魔力亀裂が全身へ走り、翼端と尾先から黒い鱗が灰へほどけ、微細な発光粒子へ変わる。翼膜、翼骨、尻尾、四肢、胴、首、頭へ連続して崩壊し、最後に胸の魔力核、角、両目の光が粒子へ砕け、肉体、影、床の反射まで完全に消える。死体を残さない。終端は戦闘結果の一枚絵。前景左に主人公、後景右には黒竜がいた空の濡れた路面と、消えかける灰と発光粒子だけを残す。主人公は警戒を保ったまま掌をわずかに下げ、呼吸とともに髪と衣装が落ち着く。最後の粒子が上昇し、黒竜の影と反射が完全に消えた瞬間に切る。\n【重大な破綻防止】\n文字、字幕、ロゴ、透かし、UIなし。ビームの細線化、短時間化、途中減衰、早すぎる爆発、ビームと爆発の長い同時表示、消え残るレーザーなし。平面的で左右対称な花形爆発、同じ大きさの丸煙、全画面白飛びなし。黒竜を煙が消える前に見せない。竜の立ち直り、瞬間消失、透明化、死体残留、切断された翼や尻尾、複数尻尾なし。",
|
||
"category": "epic-fantasy-scifi",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@haruuraeadss",
|
||
"sourceUrl": "https://x.com/haruuraeadss/status/2080976327231107259"
|
||
},
|
||
{
|
||
"id": "seedance:case-24775a8dc979",
|
||
"title": "音乐视频编舞与身份设定",
|
||
"description": "一个复杂的 Seedance 2.0 视频提示词,用于制作多人音乐视频,通过图像参考来…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-24775a8dc979.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a music video; the images are exclusive appearance references and @[blackout video] is the editorial clock. Keep four distinct members, continuous choreography, and an open rightward exit.\n\nUse @[image1] only for Vocal 1's final identity and wardrobe.\nUse @[image2] only for Vocal 2's final identity and wardrobe.\nUse @[image3] only for Vocal 3's final identity and wardrobe.\nUse @[image4] only for Vocal 4's final identity and wardrobe.\nUse @[blackout video] only for vocal order, lip sync, hits and mix; add no words or voices.\nOnly four performers exist: one instance each of @[image1], @[image2], @[image3] and @[image4]; no doubles, extras, reflections, shadow figures, partial bodies or spare limbs.\n\nLOOK + WORLD: Textured hand-painted 2D anime K-pop video with silhouettes, paper grain. Cycle through a crimson tunnel, cream-coral room, blue-gray rooftop, silver workshop and matte-black moon stage; nonreflective floors, red, cream and cyan light, wide-lens depth, mist.\nACTION + CAMERA: Sharp weighted idol choreography locks to 148 BPM subdivisions. Cut on action with pose-matched set swaps and one stutter edit; rise from solo snaps through a three-cut burst into the chorus, then carry rightward without a final pose.\nVFX SYSTEM: Red-cyan light smears, tape-bloom halos and flat geometric flash panels appear only in P06, P07 and P11, never covering faces or lip sync.\nSOUND: Use @[blackout video] unchanged: four distinct female vocals, syncopated snares, 16th-note hi-hats, synth stabs, sub-bass drops and frame-drum pulse; preserve tape saturation and plate reverb.\n\nBEATS:\nP01: Low front 3/4 WS, track: exactly four performers; Vocal 1 leads in the crimson tunnel with cap taps and elbow punches while the other three dance behind her.\nP02: Dutch profile MCU, push: Vocal 2 dances alone in the cream-coral room through alternating shoulder switches.\nP03: High front 3/4 FS, crane: Vocal 3 dances alone on the rooftop and lands a fast heel-toe chain.\nP04: Ground frontal MLS, tilt: Vocal 4 dances alone in the silver workshop and drops into a wide weighted step.\nP05: Frontal WS, locked: exactly four performers form one diamond in the crimson tunnel and load crossed forearms on the selected snare.\nP06: High front 3/4 WS, pull: exactly the same four burst-cut to the cream-coral room, open their elbows and widen the diamond as coral-white panels flash, then vanish.\nP07: Low frontal WS, push: exactly the same four burst-cut to the rooftop and release into a low stance; red-cyan smears rise from four floor contacts, then dissolve.\nP08: Rear 3/4 WS, track: exactly the same four cut to the silver workshop; three torso hits break the diamond and each member enters her assigned lane.\nP09: Top-down WS, crane: exactly four complete bodies kick-cut to the matte-black moon stage, cross in one X, two front and two rear, then open into one line.\nP10: Dutch side FS, track: exactly four members travel screen right through the chorus hook; the only stutter repeats one motion slice, never people or body parts.\nP11: Low front 3/4 WS, push: exactly four members connect an arm wave, chest hit and stomp beneath the full moon; its tape-bloom halo swells clear of faces, then settles.\nP12: Front 3/4 WS, pull: exactly the same four turn clockwise and dance screen right as the world cools into a moon-blue horizon; cut in motion, no final pose.",
|
||
"category": "music-beat-sync-mv",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@aimikoda",
|
||
"sourceUrl": "https://x.com/aimikoda/status/2079968108303818827"
|
||
},
|
||
{
|
||
"id": "seedance:case-778d0c927488",
|
||
"title": "从蓝图到房屋的延时摄影变换",
|
||
"description": "一个复杂的建筑延时摄影提示词,将 2D 平面图和外观参考图转换为完全渲染、家具齐全的 …",
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"image": "https://media.goodcase.ai/media/poster/case-778d0c927488.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use both attached images as strict reference material. The floor plan defines the exact room layout, dimensions, window placement, door locations, garage position, bathrooms, kitchen, living room, and bedroom. The exterior reference defines the exact architectural style, brick facade, roof shape, front entrance, and garage door. Throughout the transformation, the interior layout must remain perfectly consistent with the blueprint. No rooms may change position, size, or orientation.\n\nThe video begins with a perfectly flat, top-down 2D architectural blueprint floating on a clean white background. Thin blueprint lines glow softly. The camera slowly descends toward the plan.\n\nAs the camera gently tilts from overhead into an isometric perspective, the blueprint begins transforming into reality through an elegant architectural timelapse. Walls rise vertically from the floor lines exactly where they exist in the blueprint. Interior partitions emerge first, followed by exterior brick walls. Window openings and doors appear in their precise blueprint locations.\n\nThe foundation becomes textured concrete. Wooden flooring spreads naturally through the living room, bedroom, and kitchen exactly matching the plan. Bathroom tiles gradually replace the blueprint markings. Kitchen counters, cabinets, island, sink, appliances, and fixtures assemble piece by piece exactly according to the blueprint. Bathroom fixtures, bathtub, toilet, vanity, and shower appear in their designated locations. The bedroom forms with the bed centered exactly where shown. The living room sofa, coffee table, rug, and television materialize exactly matching the furniture arrangement from the blueprint. The garage forms around the parked car in the correct position.\n\nThe roof structure grows over the house while maintaining the exterior silhouette from the reference image. Red brick textures spread across the exterior walls. Windows become reflective glass. The front entrance, garage door, landscaping, pathway, and surrounding lawn emerge organically. Sunlight gradually fills every room as if the home is coming alive.\n\nThe transformation is smooth, continuous, and realistic, like watching months of construction compressed into seconds. Dust particles, tiny construction details, framing, roofing, drywall, painting, flooring, furnishing, and landscaping all appear in rapid but elegant timelapse.\n\nThe final shot reveals the completed fully rendered house from a three-quarter aerial angle. The camera slowly circles a few degrees while sunlight reflects off the windows. Warm interior lighting glows naturally through the windows, emphasizing that every room perfectly matches the original floor plan.\n\nCamera: Smooth cinematic movement beginning as a top-down blueprint, gradually tilting into an isometric angle and finishing with a slow cinematic orbit around the completed house. No abrupt cuts.\n\nAudio: Soft relaxing jazz with brushed drums, upright bass, warm piano, and mellow saxophone. Gentle construction ambience during the timelapse—wood assembling, subtle hammering, concrete settling, glass placement, light wind, birds near the end. No dialogue. No narration. No subtitles.",
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||
"category": "process-transformation-montage",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@craftian_keskin",
|
||
"sourceUrl": "https://x.com/craftian_keskin/status/2075669026508853393"
|
||
},
|
||
{
|
||
"id": "seedance:case-779580528a24",
|
||
"title": "夜间动漫风格涂鸦隧道场景",
|
||
"description": "一个充满氛围感的动漫风格视频提示词,描绘了布满鲜艳涂鸦的黑暗地下街道隧道,呈现出湿润的…",
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||
"image": "https://media.goodcase.ai/media/poster/case-779580528a24.jpg",
|
||
"mode": "video",
|
||
"prompt": "Cinematic anime short film clip, 15 seconds. Underground street tunnel at night, long dark corridor, walls completely covered in colorful graffiti tags, wet glistening asphalt reflecting dim tunnel lights, raw illegal underground energy, nobody around.\n\nCHARACTER: Rex, light brown skin, sharp angular face, short messy black Caesar cut with fade, dark cold intense eyes, black leather jacket, white tee, dark joggers, gold chain.\n\nCAR: Nissan Skyline R34, wide body kit, lowered, matte finish covered in layers of graffiti tags in white red and green spray paint, worn and chipped, aggressive and raw.\n\n[0:00-0:01] HOOK — Extreme close up ignition key turning. Engine roars to life instantly.\n\n[0:01-0:02] Rex's cold eyes in rearview mirror. Gear shift grabbed. Slams into first.\n\n[0:02-0:13] MONTAGE — Ultra fast cuts every half second synced hard to heavy bass beat. Rotate constantly between: front wide shot of car launching forward — low angle tires screeching wet asphalt water spraying — speedometer needle jumping — side angle car flying through tunnel — graffiti walls blurring — exhaust flames shooting out — overhead angle car from above — close up Rex jaw tight stone cold — gear shift slamming — headlights cutting darkness — rear angle tail lights — close up Rex eyes never blinking — inside car dashboard shaking — bumper level shot tunnel rushing past — speedometer maxed out — every angle every second something different never the same shot twice.\n\n[0:13-0:15] Car vanishes into darkness. Tail lights fade. Silence. Cut to black. Text: ZERO TO SIXTY.\n\nCinematic cel-shaded 3D anime, semi-realistic CGI, hand-painted textures, Unreal Engine quality, dark moody tunnel lighting, neon reflections on wet asphalt, film grain, heavy bass music with engine roar and tire screech layered throughout, ultra fast cutting rhythm, premium anime film quality",
|
||
"category": "car-vehicle",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@TechieBySA",
|
||
"sourceUrl": "https://x.com/TechieBySA/status/2081354591925305667"
|
||
},
|
||
{
|
||
"id": "seedance:case-5c6186d655a1",
|
||
"title": "暗黑奇幻动漫召唤仪式",
|
||
"description": "一个详细的暗黑奇幻提示词,用于制作高预算动漫场景,包含一名女性召唤师和两只从魔法阵中现…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-5c6186d655a1.jpg",
|
||
"mode": "video",
|
||
"prompt": "【映像仕様】\n10秒、16:9、横長フルスクリーン。\n\n総制作費10億円規模の劇場版ダークファンタジーアニメ。\n音楽なし、効果音のみ。\n字幕なし、文字なし、ロゴなし。\n\n高品質な日本のダークファンタジーアニメ。2Dセルアニメーションを基調に、魔法エフェクト、発光、粒子、幽体表現のみ高密度なデジタルコンポジットを使用する。\n\n暗黒空間をベースに、青、蒼、シアン、青白、群青、紫、黒を中心とした限定配色。\n\n強い発光、硬い影、青色と紫色のリムライト、空気中を漂う微細な魔力粒子、薄い霧、空気遠近感。\n\n【キャラクター】\n\n生成時に添付する参照画像の女性キャラクターを忠実に再現する。\n\n顔、髪型、髪色、衣装、体格、年齢感を全カットで一貫して維持する。\n\n女性は冷静で感情を抑えた表情だが、瞳には敵へ立ち向かう明確な意志と緊張感がある。\n\n彼女は常に前方に存在する敵を見据えている。\n\n魔法を制御している間も、魔法陣だけを見続けるのではなく、その先にいる敵へ視線を向ける。\n\n全カットで左右の手指は正常な5本指。指、腕、顔、人体構造を崩さない。\n\n【敵の見せ方】\n\n彼女たちが対峙する強大な敵は、画面右奥方向または進行方向の先に存在している。\n\n敵の全身や正体は明確に映さない。\n\n彼女の視線、敵側から吹く強風、地面の微振動、空気の歪み、霧や粒子が押し返される現象、低い衝撃波、暗闇の奥から差し込む不穏な逆光によって、巨大な敵が存在することを表現する。\n\n女性と幻獣二体は、すべて同じ方向の敵を見据える。\n\n召喚後にその場で待機するのではなく、女性と幻獣二体が共に敵へ立ち向かおうとする流れを明確に描く。\n\n【魔法陣の重要指定】\n\n使用する魔法表現は円形の魔法陣のみ。\n\n魔法陣の数は必ず二つ。三つ以上に増やさない。\n\n二つの魔法陣は、すべてのカットで必ず女性の前方に配置する。\n\n頭上、真後ろ、女性を取り囲む位置には出現させない。\n\n女性の前方左側に青い魔法陣、前方右側に紫色の魔法陣を配置する。\n\nそれぞれが独立した召喚術式として起動する。\n\n魔法陣は半透明の円環状または薄い円盤状。\n\n古代文字、幾何学模様、複数の同心円、紋章、回転する円環によって構成する。\n\n機械的なUIではなく、古代の召喚儀式のような神秘的で荘厳な印象にする。\n\n青い魔法陣は青、シアン、青白の光を放つ。\n\n紫色の魔法陣は紫、青紫、薄紫の光を放つ。\n\n【召喚演出の重要指定】\n\n幻獣は最初から完成した全身で突然出現させない。\n\n二つの魔法陣から、最初に幻獣の手、前脚、足、爪など、体の一部だけを幽体化した状態で出現させる。\n\n幽体化した部位は半透明で、内部に青または紫の光が流れている。\n\n魔法陣から勢いよく飛び出さない。\n\n水面の下から巨大な存在が浮上するように、静かに、重く、不気味に、じわりと前方へ浮き出る。\n\n短いカットの中でも、速い突進ではなく、ゆっくりした動きの一瞬を切り取ったように見せる。\n\n幽体化した部位が出現する動作は次の実体化カットへ連続し、カットをまたいで滑らかに全身の実体化へつながる。\n\n青い魔法陣から、青系の幻獣を一体召喚する。\n\n紫色の魔法陣から、紫系の幻獣を一体召喚する。\n\n幻獣は必ず二体のみ。\n\n二体は女性の前方左右に召喚される。\n\n召喚直後は幻獣二体が女性より前に立つ。\n\nその後、二体の幻獣の間から女性が堂々と歩いて前へ出て、三者の先頭に立つ。\n\n女性は守られて後ろに隠れるのではなく、自ら敵に立ち向かう指揮者として描く。\n\n【幻獣デザイン】\n\n幻獣は二体のみ。互いに明確に異なるシルエットを持つ。\n\n一体目は、青い魔法陣から召喚される青系の巨大幻獣。\n\n青黒、群青、シアンをベースカラーとした、獅子と竜を融合したような重量級の幻獣。\n\n鋭い牙、太い角、長いたてがみ、巨大な前脚、青く発光する眼を持つ。\n\n重量感のある四足歩行型。地面を踏みしめるたびに粉塵が舞う。\n\n二体目は、紫色の魔法陣から召喚される紫系の巨大幻獣。\n\n黒紫、青紫、薄紫をベースカラーとした、鳥獣と爬虫類を融合したような幻獣。\n\n長い首、鋭い顎または嘴、翼または大きな背の突起、紫色に発光する眼を持つ。\n\n青い幻獣よりも細長く鋭いシルエットにし、二体を視覚的に区別する。\n\n二体とも女性より圧倒的に巨大。\n\n置物のように静止させず、呼吸、たてがみ、翼端、尻尾、耳、爪、発光する眼を微妙に動かす。\n\n二体とも女性の支配下にあり、共通の敵に向けて臨戦態勢を取る。\n\n【演出方針】\n\n10秒の中でカットを多めに使用する。\n\n同じアングルを連続して使用しない。\n\n目元のクローズアップ、指先の極端な寄り、斜め横、煽り、魔法陣越しの主観風、地面すれすれのローアングル、斜め後方、横に近い斜めワイドを切り替える。\n\n前半は、敵を見据える緊張感と魔法操作の精密さ。\n\n中盤は、幽体化した一部が浮き出る不気味さと、巨大幻獣が実体化する迫力。\n\n後半は、二体の間から女性が前へ出る主導性と、三者が敵へ立ち向かう共闘感を見せる。\n\n髪、衣装、光、粒子、霧、魔法陣、幻獣の呼吸など、すべてのカットで何らかの動きを維持する。\n\n【0.0~10.0秒のカット構成】\n\n■カット1【0.0~0.5秒】\n\n女性の目元を捉えた極端なクローズアップ。\n\n女性は画面右奥方向にいる敵を鋭く見据える。\n\n瞳に青と紫の反射光が映り込む。\n\n敵側から吹く強い風によって前髪が揺れ、空気がわずかに震える。\n\n緊張感のある短い導入。\n\n■カット2【0.5~1.0秒】\n\n女性の手先を捉えた極端なクローズアップ。\n\n手先に青と紫の光が別々に集まる。\n\n女性の前方空中に、小さな青い円環と紫色の円環が発生し始める。\n\n手先から円形の紋様が波紋のように拡大する。\n\n背景は浅い被写界深度で暗くぼかす。\n\n■カット3【1.0~1.6秒】\n\n斜め横からのミディアムクローズアップ。\n\n女性の前方左側に青い魔法陣、前方右側に紫色の魔法陣が形成される。\n\n二つの魔法陣は彼女より前方にあり、魔法陣越しに敵側の暗闇が見える。\n\n女性は魔法陣だけではなく、その先にいる敵を見据えている。\n\n髪と衣装が敵側からの逆風で大きくなびく。\n\n■カット4【1.6~2.2秒】\n\n低い位置から女性を見上げる煽りのミディアムショット。\n\n女性が両手を操作し、前方左右の魔法陣が回転速度を上げる。\n\n青い魔法陣と紫色の魔法陣が、それぞれ独立して脈動する。\n\n古代文字、同心円、紋章が強く発光する。\n\n■カット5【2.2~2.8秒】\n\n魔法陣越しの主観風ショット。\n\n画面手前に巨大な円形紋様と回転する古代文字。\n\n彼女の前方の青い魔法陣と紫色の魔法陣を交互に短く見せる。\n\n女性は手を動かしながらも、視線は魔法陣の先にいる敵へ固定している。\n\n■カット6【2.8~3.0秒】\n\n召喚途中の幽体化カット。\n\n青い魔法陣から、青系幻獣の巨大な前脚と鉤爪の先端が半透明の霊体として、ゆっくりと浮き出始める。\n\n紫色の魔法陣から、紫系幻獣の巨大な手、足、または鋭い爪が半透明の霊体として、静かにせり出し始める。\n\n勢いよく飛び出さない。\n\n短い尺の中で、ゆっくりした出現動作の一瞬だけを切り取る。\n\n霊体の内部を青または紫の光がゆっくり流れる。\n\nこの動きは次のカットへ連続する。\n\n■カット7【3.0~3.7秒】\n\n地面付近から見上げる超ローアングル。\n\n彼女の前方の魔法陣から浮き出ていた幽体の前脚や爪が、そのままゆっくり前方へせり出しながら実体化する。\n\n半透明の霊体から、毛、鱗、角、爪を持つ重厚な実体へ変化する。\n\n続いて頭部、胴体、翼、尻尾が魔法陣を通過し、二体の巨大幻獣が完全に姿を現す。\n\n青い幻獣には青白い発光。\n\n紫の幻獣には紫色の発光。\n\n実体化の完了と同時に光量が急激に高まる。\n\n■カット8【3.7~4.3秒】\n\n地面すれすれの超ローアングル。\n\n青い幻獣と紫の幻獣の巨大な前脚が、時間差で地面へ着地する。\n\n着地の衝撃で地面が振動し、粉塵と小石が跳ね上がる。\n\n青い衝撃波と紫色の衝撃波が別々に床面を走る。\n\n二体は着地直後に頭部を敵の方向へ向ける。\n\n■カット9【4.3~5.0秒】\n\n高速ウィップパンを使用した断片的なクローズアップ。\n\n青い幻獣の牙、角、たてがみ、青く発光する眼。\n\n紫の幻獣の鋭い顎、翼端、背の突起、紫色に発光する眼。\n\n二体の全身を一度に説明的に見せず、短い断片を連続させて巨大さと獰猛さを印象づける。\n\n二体は共通の敵をにらみ、身体を低く構える。\n\n■カット10【5.0~6.0秒】\n\n斜め後方からのワイドショット。\n\n画面前方左右に二体の巨大幻獣が並び、女性は二体の後ろ中央に立っている。\n\n青い幻獣と紫の幻獣の間には、女性一人が通れる広い空間がある。\n\n二体は前方の敵へ向けて前傾姿勢を取り、中央の進路を開くように左右へ立つ。\n魔法陣は消えている。\n\n■カット11【6.0~7.0秒】\n\n二体の幻獣の間から、女性が歩いて前へ出てくる。\n\nカメラはやや低い位置から女性を正面斜めに捉える。\n\n左右に巨大な青と紫の幻獣。\n\n中央奥から女性が堂々と歩き、二体の間を通過する。\n\n女性は敵から視線を外さない。\n\n髪と衣装が風でなびき、落ち着いた歩調の中に強い意志を感じさせる。\n\n女性は二体の前へ出て、そのまま先頭に立つ。\n\n守られる人物ではなく、幻獣を率いて戦う指揮者として描く。\n\n■カット12【7.0~7.9秒】\n\n青い幻獣を斜め下から見上げるクローズアップ。\n\n青黒から群青をベースとした巨大な獅子竜型幻獣。\n\n重厚な牙、角、長いたてがみ、巨大な前脚、青く光る眼。\n\n低く唸り、敵へ向かって前脚を一歩踏み出す。\n\nたてがみが敵側からの風で激しく揺れる。\n\n■カット13【7.9~8.6秒】\n\n紫の幻獣を斜め下から見上げるクローズアップ。\n\n黒紫から青紫をベースとした鳥獣・爬虫類型幻獣。\n\n長い首、鋭い顎、翼または大きな背の突起、紫色に光る眼。\n\n翼端や背の突起を広げ、敵へ向けて身体を低く構える。\n\n紫色のリムライトが鋭いシルエットを浮かび上がらせる。\n\n■カット14【8.6~10.0秒】\n\n最後の歩くワイドショット。\n\n横に近い斜め位置から撮影した壮大なワイドショット。\n\n画面左手前から右奥方向へ抜ける、強い奥行きのある構図。\n\n女性が三者の先頭に立ち、その少し後方左右に、青い幻獣と紫の幻獣が続く。\n\n女性と幻獣二体は、画面右奥に存在する敵へ向かってゆっくり歩き出す。\n\n女性は低めの重心を保ちながら堂々と前進し、腕は戦闘に移行できる自然な構え。\n\n青い幻獣は重い足取りで床を踏みしめる。\n\n紫の幻獣は鋭い姿勢で女性の歩調に合わせる。\n\n三者が同じ敵へ向かって進む、強い結束と共闘感を見せる。\n\nカメラは横に近い斜め位置を維持しながら、三者と並行するようにゆっくり横移動する。\n\n同時に、ごくわずかにプッシュインする。\n\n女性の歩行、幻獣の重い足運び、髪、たてがみ、翼端、尻尾、霧、魔力粒子を継続的に動かす。\n\n進行方向の暗闇では、敵の圧力によって空気が歪み、青紫の光が不規則に明滅する。\n\n最後は、先頭に立つ女性と、その背後左右を固める二体の巨大幻獣を横に近い斜めから捉えたまま、戦闘開始直前の力強いチームショットで締める。\n\n【カメラ演出】\n\n序盤は目元、指先、横顔などの短いクローズアップで緊張感を高める。\n\n魔法陣の起動は、斜め横、煽り、魔法陣越しの主観風ショットで立体的に見せる。\n\n召喚途中は、幽体の一部がゆっくり浮き出る不気味な動きと、その後の実体化の速度差を使う。\n\n幻獣の着地では、地面すれすれのローアングルと限定的なカメラ振動を使用する。\n\n幻獣の全身を説明的な固定画角だけで見せず、牙、眼、前脚、翼、たてがみなどの短い寄りを挟む。\n\n最終カットは横に近い斜めからのワイドショットを長く維持する。\n\n無意味な360度回転、過剰な手ブレ、頻繁すぎるズーム、同じ画角の反復は使用しない。",
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"category": "anime-style-lock",
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"tags": ["Seedance 2.0", "human-reviewed"],
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"sourceId": "seedance",
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"credit": "@ontm0422ai",
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"sourceUrl": "https://x.com/ontm0422ai/status/2080913136178397407"
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},
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{
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"id": "seedance:case-79acf1a3e8a6",
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"title": "高质量动漫泳装视频",
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"description": "一份详细的电影级提示词,用于创作高质量的动漫视频序列,展示在豪华度假村中身着泳装的角色…",
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"image": "https://media.goodcase.ai/media/poster/case-79acf1a3e8a6.jpg",
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"mode": "video",
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||
"prompt": "高品質アニメ映像。\n\nソース参照画像のキャラクターを参照し、全編で同一人物として厳密に維持する。参照画像はキャラクターの顔、輪郭、目の形、虹彩色、髪型、髪色、髪量、衣装、装飾、体格、身体の比率、シルエット、雰囲気、キャラクターカラーの維持にのみ使用する。参照画像そのものの背景、部屋、家具、ポーズ、表情、画角、フレーミングは再現しない。表情、視線、口元、ポーズ、呼吸、自然な髪と衣装の揺れだけ変化してよい。特徴の混合、顔の平均化、髪型改変、髪色改変、衣装交換、装飾の消失、体型変更、別人化、クローン化、余計な人物の追加は禁止。\n\n全編で、参照画像のキャラクターに最も適した高品質なアニメ表現を一貫して維持する。繊細な手描きアニメ調を基本とし、線は細く、色は上品で透明感があり、肌、髪、布、装飾の塗りは柔らかく高級感のあるアニメルックにする。参照画像の雰囲気が明るいなら爽やかに、落ち着いているなら上品で静かな方向に寄せる。ただし画風自体は一貫させ、太線化、低予算TVアニメ化、半写実化、実写化、プラスチックCG化、過剰な3D感、画風混合をしない。\n\n場所は全編を通して、明るい屋外の高級リゾート空間に固定する。白い建築、青空、開放的なテラス、パラソル、遠景のヤシ、柔らかい昼の自然光を基本構成として維持する。背景は爽やかで明るく、人物が主役に見えるように軽いボケと奥行きを持たせる。場所の構造、屋外リゾートという設定、白い建築、青空、テラス、パラソル、ヤシは維持する。そのうえで、パラソル、クッション、花、テーブル小物、装飾布、反射光、背景の差し色のみを、参照画像のキャラクターカラー、衣装の配色、装飾モチーフ、性格的な雰囲気に合わせて自然に調整する。背景はキャラクターを引き立てる補助に徹し、人物より目立たせない。別の場所にはしない。\n\nこの映像は、元動画の厳密再現ではなく、同じ爽やかな空気感を保ちながら、身体を魅力的に見せるSNS映えのカメラワークへ再設計する。表情の厳密再現は不要だが、顔は全編でしっかり読めるようにする。顔、瞳、頬、口元がきちんと見える顔報酬を複数回入れる。表情はキャラクター本来の雰囲気に合わせ、自然で柔らかい視線、軽い微笑み、少しの照れ、または控えめな落ち着きのある笑みを中心にする。\n\n映像は太ももまで見える中景から始まる。キャラクターはやや三分の四方向を向き、脚、ウエスト、胸元、肩、髪の流れ、主要な衣装装飾が一度に読める構図にする。カメラは最初から少し勢いのある滑らかな前進と斜め移動で入り、太もも、ウエスト、胸元、肩、顔へ視線が流れるように、下から上へ気持ちよくなぞる。ただし顔を置き去りにせず、顔と瞳がしっかり見える時間を確保する。\n\nキャラクターは両手を下から自然に持ち上げる。手は顔を隠さず、太もも前、ウエスト前、胸元前を通りながら上がる。指先はやわらかく開き、力ませない。カメラはその動きに合わせて、少し速めのスライド、軽いプッシュイン、浅い回り込みを組み合わせ、体のライン、衣装の構造、装飾、髪の流れを次々に見せる。手がレンズ近くを通る時は軽い前景ボケを作ってもよいが、顔、瞳、頬、口元は常に読めるようにする。手で顔を長く隠さない。\n\nカメラは正面固定ではなく、キャラクターの前をなめるように左右へ素早く浅く回り込み、太もも、腰のライン、胸元の意匠、肩、首筋、横顔、流れる髪、衣装装飾をテンポよく見せる。勢いはあるが荒すぎず、上品さを保つ。ときどき少し低めの視点から見上げ、脚の長さと太ももからウエストへつながるラインをきれいに見せる。必要に応じて、太ももまで見える中景から胸上近景まで一瞬で寄り、また太ももまで戻る。カメラの速度変化でSNS映えするリズムを作る。\n\n中盤では、胸元から手、手から髪、髪から顔へ視線が流れるように構成する。髪、スカート裾、コート裾、リボン、レース、アクセサリーなど、参照画像に存在する可動要素は、身体の動きより半拍遅れてやわらかく揺れる。キャラクターは肩を少しひねり、片脚へ軽く重心を乗せ、体型と衣装シルエットが自然に美しく見える立ち方を取る。大きな芝居ではなく、ファッション映像のように洗練された身体の見せ方を優先する。中盤のどこかで胸上寄りのショットを入れ、顔と瞳を正面寄りにしっかり見せる。\n\n終盤では両腕を上に上げる流れを使ってもよいが、カメラは引いて全身を見せない。太ももまで見える中景から胸上近景の間を維持しながら、少し速めの斜め上昇、軽い回り込み、短い寄りを使って、肩、腕、胸元、ウエスト、太もも、髪の広がり、主要装飾を美しく見せる。最後は顔報酬を最優先する。カメラは自然に胸上からバストアップまで寄り、キャラクターが正面寄りにカメラを見る。最後の瞬間、キャラクターはカメラ目線で、その人物らしい自然な小さな笑顔を見せる。瞳は明るく、頬はやわらかく緩み、口元は上品に微笑む。最後はそのカメラ目線の笑顔が最も魅力的に見えた瞬間で切る。\n\n全体として、カメラは観察的に遅く動くのではなく、人物を魅力的に切り取るために、少し速めに、滑らかに、テンポよく、気持ちよく追う。爽やかで上品、少しファッションPV的で、明るく洗練されたSNS映えする映像にする。\n\n文字なし、字幕なし、ロゴなし、透かしなし、余計な人物なし、クローンなし、顔崩れなし、目の形や虹彩色の変化なし、手や腕や指の増殖なし、衣装改変なし、装飾消失なし、髪型改変なし、髪色改変なし、体型変更なし、全身引き終わりなし、顔を長く隠す手の動きなし、急停止するカメラなし、硬い棒立ちポーズなし、背景の場所変更なし、画風混合なし。",
|
||
"category": "character-reference-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@haruuraeadss",
|
||
"sourceUrl": "https://x.com/haruuraeadss/status/2080867332889399547"
|
||
},
|
||
{
|
||
"id": "seedance:case-c32e6c3bb2c5",
|
||
"title": "电影级动漫魔法剑战",
|
||
"description": "一个高细节的电影级动画提示词,用于高强度的 3D 卡通/赛璐珞风格动作 RPG 剑术对…",
|
||
"image": "/inspiration-thumbs/seedance/case-c32e6c3bb2c5.webp",
|
||
"mode": "video",
|
||
"prompt": "高品質アニメ映像。高密度3Dトゥーン/セルルックによる映画的アクションRPGの高速剣戟。劇場版クラスのキーアニメーション、上質なコンポジット、透明感のある照明、密度の高い背景美術。8秒の短尺で、浮遊刀の猛攻、防御、回避、反力、包囲、最大衝突を高密度に連結する。\n\n【参照画像と人物固定】\n@1は一人目、キャラクターAの参照画像。\n@2は二人目、キャラクターBの参照画像。\nソース参照画像のキャラクターを参照し、それぞれ同じ人物として維持する。参照画像はキャラクターの顔、目の形、虹彩色、髪型、髪色、衣装、装飾、体格、シルエット、雰囲気、キャラクターカラー、武器意匠だけに使用する。参照画像そのものの背景、部屋、家具、ポーズ、画角、フレーミング、文字、分割レイアウトは再現しない。\n二人は全編でそれぞれsame person、same character identity。表情、視線、口元、姿勢、呼吸、自然な髪と衣装の揺れだけ変化してよい。特徴混合、顔の平均化、髪色交換、衣装交換、武器交換、体格変化、別人化、クローン化、分身、追加人物を発生させない。\n\n【世界観と舞台の自動調整】\n戦闘内容、位置関係、動作、力関係、刀数、カメラ構造は固定する。背景、小物、建築様式、床材、天候、照明、色味、粒子、環境エフェクトのみ、@1と@2のキャラクターデザインに合わせて再設計する。\n\n二人の衣装、装飾、武器、素材、模様、固有色、モチーフから、両者が自然に存在できる一つの映画的戦闘舞台を新規構築する。学園都市、宮殿、神殿、庭園、幻想都市、工業施設、近未来空間などから最適な舞台を選ぶ。ただし参照画像の背景は直接コピーしない。\n\n床には反射、水滴、砂塵、雪、花弁、火の粉、魔力粒子など、世界観に適した接触表現を配置する。欄干、柱、ガラス、樹木、機械構造、魔法装置、発光線などの小物は舞台に適したものだけを使う。背景は人物より一段暗くし、顔、シルエット、刀の軌道を明瞭にする。\nキャラクターAの固有色を攻撃側のキーライト、浮遊刀のオーラ、斬撃残光へ使用する。キャラクターBの固有色を防御光、反撃残光、補助光へ使用する。両者の色は混ぜず、明確に識別できる状態を保つ。\n\n【画風固定】\n細く繊細な色付き輪郭線。顔、髪、衣装、武器に明快な二段から三段のセルシェーディングと透明感のある中間影。瞳は多層ハイライト、髪は繊細な束感、衣装は刺繍、レース、装甲、鎖、宝石、金具など、参照画像に存在するディテールを高密度に描く。\n\n布、革、金属、宝石、ガラス、床を異なる反射率と粗さで描き分ける。太い黒輪郭、平坦な単層セル影、簡略TVアニメ、汎用3D美少女顔、プラスチックCG、低密度背景、半写実、実写、くすんだ色、画風混合にしない。参照画像の画風はコピーせず、高密度3Dトゥーン/セルルックへ統一する。\n\n【武器固定】\nキャラクターAは手持ち刀一本と、身体の周囲に浮かぶ四本の浮遊刀を使用する。浮遊刀はAの上、下、左、右を囲むように配置する。キャラクターBは手持ち刀一本を使用する。映像全体の刀は合計六本に固定する。\n\n参照画像の武器が刀ではない場合も、その武器の色、素材、意匠、装飾、モチーフを継承した刀へ再設計する。\n浮遊刀は刀身、鍔、柄が接続された完全な一本の刀。攻撃時のみ明確な飛翔軌道で動き、接触または回避後はAの周囲へ戻る。増殖、消失、融合、変形、余分な刀の追加を行わない。切っ先や刀身だけを独立回転させない。手持ち刀は柄だけを握り、刀身を手で掴まない。\n\n【浮遊刀エフェクト】\n四本の浮遊刀はキャラクターAの固有色を中心とした薄い炎状、霧状、粒子状、電光状のオーラを纏う。表現形式はAの世界観に合わせるが、必ず刀身へ密着させる。移動方向へ短い尾を引き、巨大な独立レーザーや別個の光線にしない。斬撃残光は刀の掃引面に密着した湾曲残光として発生する。\n\n【力関係】\nキャラクターAは冷静に主導権を握る格上。四本の浮遊刀を時間差で操りながら、自身も手持ち刀で前進する。キャラクターBは高い剣技で猛攻を弾き、避け、受け流し、反撃を試みるが、攻撃方向が連続して変化するため徐々に押される。Aだけが前進し、Bだけが後退する非対称な移動を維持する。\n【カメラ】\n固定横視点ではなく、浮遊刀越しの斜め低角度、Bの肩越し、接触点の近距離、接触点を軸にした約60度の回り込み、最終衝突へ迫る斜め低空カメラを使用する。浮遊刀のレンズ前通過、環境粒子、床から跳ねる飛沫、刀光を短い遮蔽ワイプに使う。カメラと背景が回り、人物を無意味に回転させない。\n\n【8秒の動作構成】\nCut 1:\n四本の浮遊刀がAの上下左右に静止した状態から開始。カメラは二本の浮遊刀の間を抜ける斜め低角度で、Aの顔、上半身、装飾、手持ち刀を見せる。Aは静かに前進し、視線だけでBを捉える。直後、右上の浮遊刀が加速し、Bの左肩口へ斜めに飛ぶ。\n\nCut 2:\nBの肩越し。Bは両手の刀で最初の浮遊刀を刀身中央同士の単一接触点で外側へ弾く。金属火花、両者の固有色の魔力火花、環境粒子、反力が発生する。弾かれた刀は弧を描いてAの周囲へ戻る。続いて左下の二本目が床すれすれを走り、Bは低く沈んで紙一重で回避。左上の三本目が斜め上から降下し、Bは刀を返して受け流す。\n\nCut 3:\n環境粒子の遮蔽からAを斜め前方で映す。Aは止まらず踏み込み、手持ち刀で右下から左上へ斬り上げる。Bは後退しながら受け止める。二本の手持ち刀が一点で接触した瞬間、右下の浮遊刀がBの側面から侵入する。Bは肩を引いて避けるが、姿勢が横へ流れる。Aは接触を滑らせて解除し、さらに懐へ入る。\nCut 4:\n接触点を中心にカメラが約60度回り込む。Bは反力を利用して返し斬りを放つが、Aの浮遊刀一本が側面から接触し、Bの刀を上へ逸らす。Aは手持ち刀を左上から右下へ振り下ろす。Bは急いで受け止めるが、足元が滑り後方へ押される。残る三本の浮遊刀がBの左右と上方へ散開し、退路を狭める包囲構図を作る。\n\nCut 5:\n斜め低空カメラ。左手前に前進するA、右奥に押し込まれるB。Bは最後の反撃として踏み込む。Aも前進を止めず、左下から右上へ上昇斬りを放つ。二本の手持ち刀が中央の単一接触点で明瞭なX字を形成する。浮遊刀一本がBの刀身へ側面から追加圧力を加え、残る三本は周囲で次の斬撃姿勢を取る。\nAの攻撃色とBの防御色が別々に立ち上がり、中心の狭い白熱核の外側に巨大な二色のX字色面を形成する。放射状の衝撃波、環境粒子、蒸気、火花が広がる。Bの後ろ足が滑り、膝が沈み、両腕と肩の防御線が崩れ始める。Aは低い重心のまま前へ力を通す。X字の発光が最大まで拡大し、Bの防御崩壊が始まった瞬間に即カット。戦闘継続。\n\n【重大NG】\n固定横の格闘ゲーム視点、左右対称の全身構図、鏡写しの同時ダッシュ、長い助走、長い鍔迫り合い、無意味な連続回転は禁止。刀はAの手持ち一本+浮遊四本、Bの一本、合計六本を固定。浮遊刀の増殖、消失、融合、変形、身体への貫通、切っ先だけの独立回転は禁止。手で刀身を握らない。独立レーザー、第三の光線、二色融合、全画面白飛びなし。追加人物、文字、字幕、ロゴ、透かし、UI、音響生成なし。",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@haruuraeadss",
|
||
"sourceUrl": "https://x.com/haruuraeadss/status/2080539077603172597"
|
||
},
|
||
{
|
||
"id": "seedance:case-bf2bedc93316",
|
||
"title": "动态图生视频音乐可视化工具",
|
||
"description": "一个旨在将静态图像转换为具有动态视觉效果的专业音乐视频的提示词。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-bf2bedc93316.jpg",
|
||
"mode": "video",
|
||
"prompt": "generate an interesting music video using this image as first frame,be professional and use dynamic visuals",
|
||
"category": "music-beat-sync-mv",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@EchoraContinuum",
|
||
"sourceUrl": "https://x.com/EchoraContinuum/status/2079917613149503813"
|
||
},
|
||
{
|
||
"id": "seedance:yaml-629d172a4820",
|
||
"title": "YAML 跑酷电影级序列",
|
||
"description": "一个用于现代城市精英跑酷选手的结构化 YAML 格式提示词,包含电影级运镜和逼真的物理…",
|
||
"image": "https://media.goodcase.ai/media/poster/yaml-629d172a4820.jpg",
|
||
"mode": "video",
|
||
"prompt": "meta:\n task_type: video_generation\n style:\n camera: cinematic_dynamic\n render: AAA_animation_unreal_engine_quality\n reference_lock:\n character_appearance: strict\n style_and_art_direction: strict\n priority: cinematic_impact\n\ncinematography:\n shot_type: multi_shot_dynamic_sequence\n framing:\n - full_body_visible_during_key_actions\n camera_height: variable\n lens_look: 24mm_to_35mm\n camera_motion:\n - low_tracking_shot_following_behind\n - side_tracking_shot\n - drone_orbit\n - fpv_drone_chase\n - handheld_chase\n - crane_pull_back\n - speed_ramp\n - slow_motion_on_key_flip\n\nsubjects:\n athlete:\n type: parkour_runner\n level: elite\n attributes:\n - athletic_build\n - consistent_outfit_and_appearance_locked\n - hair_and_cloth_physics_reactive\n\nenvironment:\n location: modern_realistic_city\n floor:\n - paved_street\n - rooftop_concrete\n - metal_beams_and_pipes\n background:\n - glass_skyscrapers\n - busy_traffic\n - pedestrians\n - street_signs\n - bridges\n - construction_zones\n lighting:\n - warm_sunset_transitioning_to_blue_hour\n - volumetric_lighting\n - realistic_reflections\n\nprocess:\n - phase: sprint_launch\n timing: 0s-3s\n description:\n - explosive_believable_acceleration\n - dodge_pedestrians\n - jump_over_obstacles\n - slide_beneath_barriers\n - phase: vault_and_wall_run\n timing: 3s-6s\n description:\n - vault_over_railings\n - wall_run_across_building\n - leap_to_next_rooftop\n - believable_momentum_and_impact_recovery\n - phase: advanced_parkour_techniques\n timing: 6s-9s\n description:\n - kong_vault\n - precision_jump\n - tic_tac_wall_jump\n - front_flip\n - perfect_balance_no_floating\n - phase: rooftop_traversal\n timing: 9s-12s\n description:\n - swing_from_metal_beam\n - run_along_narrow_rooftop_edge\n - slide_under_pipes\n - long_rooftop_gap_jump\n - phase: final_leap\n timing: 12s-15s\n description:\n - reach_tallest_rooftop\n - confident_smile\n - final_cinematic_leap_toward_skyline\n - freeze_frame_ending\n\nmotion_rules:\n pacing:\n - natural_timing_with_dramatic_speed_ramps\n - uninterrupted_flow_between_phases\n physics:\n - grounded_gravity_present\n - accurate_center_of_gravity\n - natural_inertia_and_weight_shift\n - realistic_foot_placement\n - proper_landing_compression\n - cloth_simulation\n - hair_simulation\n - no_unearned_floating\n\nvisual_rules:\n style:\n - anime_photorealistic_hybrid\n - HDR_ray_tracing_reflections\n - global_illumination\n - soft_bloom\n - shallow_depth_of_field\n - filmic_color_grading\n - shinkai_inspired_lighting\n clarity:\n - body_mechanics_readable_outside_slow_motion_beats\n\naudio:\n - high_energy_cinematic_soundtrack\n - synchronized_footsteps\n - wind_rushing\n - city_ambience\n - cloth_movement_sfx\n - metal_impact_sfx\n - environmental_reverb\n - no_dialogue\n\nconstraints:\n forbidden:\n - unnatural_physics\n - outfit_change\n - multiple_characters\n - text\n - logo\n\noutput_rules:\n emphasis:\n - cinematic_spectacle\n - technical_parkour_accuracy\n - character_consistency",
|
||
"category": "sports-extreme",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@yudotanaka",
|
||
"sourceUrl": "https://x.com/yudotanaka/status/2079900274064490842"
|
||
},
|
||
{
|
||
"id": "seedance:crimson-cola-99e9ec88e937",
|
||
"title": "复古汽水广告 Crimson Cola",
|
||
"description": "一个用于复古汽水品牌的 8K 电影级广告提示词,场景从沙漠日出过渡到充满未来感的 19…",
|
||
"image": "https://media.goodcase.ai/media/poster/crimson-cola-99e9ec88e937.jpg",
|
||
"mode": "video",
|
||
"prompt": "A premium 15-second cinematic 8K commercial for a retro soda brand. Begins with a slow camera push-in on a chilled, rocket-shaped glass bottle with sparkling condensation in a sepia-toned desert sunrise. The bottle cap pops open in slow motion, releasing a burst of fizzy red carbonation and glowing crimson energy. Dynamic FPV drone sweep following the crimson energy as it transforms the barren desert into a vibrant, colorful 1950s raygun-gothic retro-futuristic city. Cheering people in vintage blue and yellow jumpsuits celebrate, a floating metallic retro robot serves drinks, and a character in a heavy dieselpunk armor suit toasts with a bottle. The camera pans up to a magnificent rocket-styled soda fountain under warm golden-hour light, ending on a hero shot of the bottle overlooking the radiant neon city. Anamorphic lens, 8K resolution, volumetric lighting, smooth camera motion, luxury advertising aesthetic.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@DjajaYerry75",
|
||
"sourceUrl": "https://x.com/DjajaYerry75/status/2080666062690140315"
|
||
},
|
||
{
|
||
"id": "seedance:vox-d5c357d5e75d",
|
||
"title": "Vox 风格历史拼贴动画",
|
||
"description": "一个用于 Seedance 的动画提示词,可将静态拼贴图像转换为具有纸张抖动和贴纸弹跳…",
|
||
"image": "https://media.goodcase.ai/media/poster/vox-d5c357d5e75d.jpg",
|
||
"mode": "video",
|
||
"prompt": "参考图作为唯一画面基础,生成 5 秒、9:16、无声图生视频。\n\n动画要求:\n\n保持 paper cutout / scrapbook / stop-motion 拼贴风\n所有元素(人物、地图、字卡、铜钱、车轨、箭头等)作为独立剪贴块运动\n动作要有:抽帧感、纸片轻微抖动、分段位移、贴纸弹跳\n\n可以加入的小动作:\n\n箭头推进、路线延伸、铜钱旋转、印章盖下、竹简展开、砝码校准、马车抽帧前进、模块逐个激活\n\n注意:\n不要整张画面乱晃\n主构图和重要文字保持稳定\n每个画面有一个“明确的小事件”,而不是纯漂浮\n\n最后:\n把 9 段视频剪在一起 → 加 AI 口播 → 字幕 → BGM\n整体节奏控制在每 4–5 秒切换一个知识点。",
|
||
"category": "stop-motion-cadence",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@MrLarus",
|
||
"sourceUrl": "https://x.com/MrLarus/status/2076610529615831169"
|
||
},
|
||
{
|
||
"id": "seedance:case-5c4dcdbf9e99",
|
||
"title": "日式动漫风格猪肉卷芦笋烹饪视频",
|
||
"description": "一份针对猪肉卷芦笋日式动漫风格烹饪视频的高度详细提示词。涵盖了视觉一致性、厨房物理效果…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-5c4dcdbf9e99.jpg",
|
||
"mode": "video",
|
||
"prompt": "# FOOD ANIME COOKING VIDEO\n\nUse the provided 12-panel anime cooking storyboard @Image1\nas direct sequential visual keyframe reference for the entire 15s animation.\nFollow the exact panel progression and cooking flow while smoothly\ninterpolating all motion between poses.\n\n## CONSISTENCY\nMaintain the SAME kitchen environment, cookware, dishware, and hand appearance\nthroughout every scene — full visual continuity across the sequence.\nExactly five pork-wrapped asparagus rolls appear through the cooking scenes;\nafter cutting, the same 5 cm bite-sized pieces stay identical in shape and glaze\nthrough the bento scenes.\n\n## STYLE\nbeautiful food anime realism, lush painterly food rendering, warm kitchen lighting,\nrealistic cooking physics, accurate culinary movement, stylized but natural steam,\nsoft cinematic depth of field, subtle film grain, smooth editorial transitions.\n\n## REALISM RULES\nno flying vegetables, no explosive effects, no dramatic splashes,\nno floating ingredients, no exaggerated anime action,\nno faces, no full bodies — hands and food only,\nall motion follows real physics,\nthe knife is always gripped by a hand, blade vertical when cutting, never floating.\n\n## FOCUS\nfood texture realism, elegant hand movement, appetizing sizzle moments,\nphysically correct steam and liquid behavior, satisfying cooking progression.\n\n## SCENE SEQUENCE\nScene 1 (0s–1.25s): Slender green asparagus spears, a tray of thin pork belly slices, and small glass bowls of soy sauce, mirin, and sugar rest on a wooden cutting board.\nCamera: slow push-in. Motion: gentle steam of ambient kitchen air, a hand enters and lightly touches the asparagus bundle.\nScene 2 (1.25s–2.5s): Hands trim the woody bottom ends off the asparagus spears with a knife on the cutting board.\nCamera: fixed. Motion: the knife presses down cleanly through the stem ends, cut pieces settle naturally on the board.\nScene 3 (2.5s–3.75s): Hands wrap one thin pork belly slice in a tight spiral around a single slender asparagus spear from bottom to top.\nCamera: slow push-in. Motion: fingers rotate the spear steadily as the pork ribbon coils around it.\nScene 4 (3.75s–5s): A row of five finished rolls on a metal tray is dusted lightly with flour from a small sieve.\nCamera: fixed. Motion: fine flour drifts down softly and settles on the rolls, the sieve taps gently.\nScene 5 (5s–6.25s): The five pale rolls are placed seam-side down into a hot oiled frying pan.\nCamera: slow push-in. Motion: a gentle sizzle begins, tiny oil bubbles form along the edges of each roll.\nScene 6 (6.25s–7.5s): Chopsticks slowly turn the five rolls in the pan, the pork surface an even golden brown.\nCamera: fixed. Motion: each roll rotates naturally under the chopsticks, faint steam rising.\nScene 7 (7.5s–8.5s): A small glass bowl pours the mixed soy-mirin-sugar sauce into the pan around the five browned rolls.\nCamera: fixed. Motion: the dark sauce streams down, spreads across the hot pan and starts to bubble.\nScene 8 (8.5s–10.5s): ★ HIGHLIGHT — the sweet soy glaze bubbles and thickens, coating each of the five rolls in a glossy caramelized sheen: glistening tare sauce, rich amber reflections, fine bubbles clinging to the pork, soft steam curling upward.\nCamera: slow push-in. Motion: the pan tilts slightly and the rolls roll gently through the reducing glaze, light glinting across the glossy surface.\nScene 9 (10.5s–11.75s): On the cutting board, one hand grips a kitchen knife with the blade held straight and vertical, edge down, while the other hand steadies a glazed roll; the knife slices crosswise into 5 cm bite-sized pieces, cut faces showing the bright-green asparagus core.\nCamera: fixed. Motion: a clean, natural downward knife stroke; the cut piece tips softly onto the board.\nScene 10 (11.75s–13s): Hands pack the 5 cm pieces upright with chopsticks into one compartment of an open wooden bento box, beside white rice with a pickled plum, rolled egg omelet, and a cherry tomato — green cross-sections facing up.\nCamera: slow push-in. Motion: each piece is placed one by one, settling snugly into the compartment.\nScene 11 (13s–14s): A spoon lightly drizzles the remaining thick glaze over the pieces in the bento box, followed by a sprinkle of white sesame seeds.\nCamera: fixed. Motion: the glaze flows slowly off the spoon, sesame seeds fall and scatter naturally over the glossy surface.\nScene 12 (14s–15s): The finished bento box, the glossy pork-wrapped asparagus pieces packed neatly beside white rice, gentle steam rising in warm light.\nCamera: slow pull-out. Motion: soft steam drifts upward, warm light catches the shiny glaze.\n\n## AUDIO\nWarm homemade-bento mood BGM: cozy lo-fi jazz, 85–90 BPM, brushed drums,\nmellow electric piano, soft upright bass — gentle and comforting, like a\nweekday morning kitchen.\nASMR cooking sounds synced to action: knife trimming taps on the wooden board,\nthe soft wrap of pork slices, fine flour sifting, oil sizzling as rolls hit the pan,\nchopsticks turning rolls, sauce pouring and bubbling as the glaze reduces,\nclean knife cuts through the glazed rolls, pieces nestling into the bento box,\nthick glaze drizzling, sesame seeds lightly scattering.\n\n## NEGATIVE\nNO SUBTITLES. NO TEXT ON SCREEN. NO CAPTIONS.\nNO OPENING TITLES. NO END TITLES. NO WATERMARKS.\nNO UI ELEMENTS. NO SPEECH BUBBLES.",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@tanabe_fragm",
|
||
"sourceUrl": "https://x.com/tanabe_fragm/status/2076508810190225846"
|
||
},
|
||
{
|
||
"id": "seedance:case-a45446378e2a",
|
||
"title": "吉卜力风格森林烹饪动画",
|
||
"description": "一份详尽的电影级提示词,用于创作一段治愈系、宫崎骏风格的动画,描绘在森林溪边烹饪鱼片豆…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-a45446378e2a.jpg",
|
||
"mode": "video",
|
||
"prompt": "Early morning; sunlight filters through the forest canopy, casting a glow over the bank of a clear stream. The scene opens with a gentle, cinematic perspective. No faces are shown—only a pair of warm, capable hands. Shot 1: Hands carry a bamboo basket to the edge of the crystal-clear stream, where the water flows gently and small fish dart about. A hand uses a bamboo net to catch a fresh, silvery fish; it flops lightly in the basket, sending droplets of water splashing and sparkling in the sunlight. The atmosphere is natural, calm, and soothing. Shot 2: Moving to a wooden table by the stream, the hands begin preparing the ingredients. The fresh fish is placed on a wooden cutting board and slowly sliced with a sharp knife, revealing the clear texture of the flesh through clean, fluid movements. Next, a block of tender white tofu is gently cut into neat, uniform cubes; the surface of the tofu appears soft and smooth. Shot 3: Tofu and fish soup is prepared in a traditional earthenware pot over a small stove at the edge of the forest. As the water begins to boil, fish slices, tofu, chopped scallions, and fresh vegetables are added. Steam rises gently, the broth turns a milky white, and the fish and tofu tumble softly within the simmering liquid. Shot 4: Finally, the camera closes in on a bowl of the freshly cooked soup. White steam drifts upward, and sunlight catches the surface of the broth; a simple wooden spoon and the bamboo basket sit nearby. The backdrop features the forest, the stream, and leaves swaying in the breeze, evoking a sense of returning to nature and finding peaceful happiness. Style Requirements: Warm, hand-drawn style reminiscent of Hayao Miyazaki’s animated films; delicate watercolor textures; soft, natural lighting; rich forest greens; a soothing, tranquil, and heartwarming atmosphere; a blend of high-quality 2D animation and 3D spatial depth; cinematic camera work; fluid, natural movement; realistic physical interactions; rich detail in the ingredients; 4K cinematic animation quality. Sound Design (Crucial): Use only natural ambient sounds—no background music, no dialogue. Sounds include: the clear sound of the flowing stream; birdsong; leaves rustling in the breeze; dripping water; the soft sounds of the knife slicing fish and tofu; the crackling of burning firewood; the bubbling of the earthenware pot; the sound of the soup simmering. The overall feel is that of a quiet documentary about forest cooking. Negative Prompt (Seedance recommends including): No real people, no human faces, no modern kitchens, no city backgrounds, no plastic tableware, no exaggerated movements, no exaggerated cartoon expressions, no background music, no subtitles, no text, no rapid cuts, no AI-induced distortions, no extra fingers, no anatomical errors, no low-quality animation.",
|
||
"category": "anime-style-lock",
|
||
"tags": ["seedance-2.5", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@AIReelofficial",
|
||
"sourceUrl": "https://x.com/AIReelofficial/status/2079531584869548309"
|
||
},
|
||
{
|
||
"id": "seedance:case-96017ad7706f",
|
||
"title": "写实风格无线耳机广告",
|
||
"description": "一份详细的 15 秒写实风格无线耳机广告分镜提示词,场景设定为城市中的女性设计师。",
|
||
"image": "/inspiration-thumbs/seedance/case-96017ad7706f.webp",
|
||
"mode": "video",
|
||
"prompt": "生成 15 秒、9:16、超写实的原创真无线耳机广告。克制、安静、城市呼吸感。\n\n主角:28 岁东亚女性平面设计师,黑色短发、自然肤色,炭灰衬衫 + 白背心 + 深色直筒裤 + 低帮帆布鞋。全片脸、发型、服装、身材必须一致。\n\n产品:雾面深灰耳机,极细暖铜金属边;扁平圆角深灰磨砂充电盒,内侧琥珀色反光。无品牌、Logo、文字、UI。\n\n0–3 秒:清晨冷蓝室内,固定中景看向靠窗工作桌;素描本、水杯、打开的耳机盒。她戴上一只耳机,拿起素描本离开。\n3–6 秒:地下通道低机位跟拍脚步,人流从两侧掠过;她轻触耳机一次,短推近耳侧,城市保持真实、模糊、流动。\n6–9 秒:暖灰印刷工作室,裁切纸张、色卡、金属尺、台灯;先拍手、纸张和耳机,再缓移至侧脸。耳机自然可见,不要硬特写。\n\n9–12 秒:雨后公交车,窗外霓虹被雨水拉成长条。通过玻璃反射拍侧脸;她把一只耳机放回盒内,另一只留在耳中。\n12–15 秒:深夜工作桌,只留小台灯。她放回另一只耳机,合上充电盒;镜头后拉,闭合耳机盒置于素描本前景,窗外夜色虚化。\n\n声音:车辆、脚步、地铁回响、纸张、裁纸器、雨滴、公交低鸣、盒盖轻响。不要背景音乐、旁白、字幕、Logo、水印、可读文字;避免耳机变形或重复、人物或服装漂移、多余手指、手部畸形、突兀转场。",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@hiapi_ai",
|
||
"sourceUrl": "https://x.com/hiapi_ai/status/2081294040415482322"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-4317b7fdff57",
|
||
"title": "京都情感旅行 Vlog 动画",
|
||
"description": "这是一个为 Seedance 2.0 设计的视频生成提示词,旨在将一系列照片快照转化为…",
|
||
"image": "https://media.goodcase.ai/media/poster/vlog-4317b7fdff57.jpg",
|
||
"mode": "video",
|
||
"prompt": "<<<image_1>>> Animate each of the 12 frames into a smooth, connected emotional vlog. Natural handheld camera movement with gentle shake. Flow the scenes naturally: sakura walk → teahouse → Philosopher’s Path → torii gate → bamboo grove → street food → temple → bicycle ride → ryokan rest → rainy umbrella → Kamo River sunset → zen garden moment. Keep the woman’s graceful presence, flowing hair, and soft expressions. Add subtle cherry blossom petals drifting, gentle wind, and authentic ambient sounds. Cinematic color grading, nostalgic film look, 24fps, vertical phone-style aspect with slight letterboxing if needed. Emotional, peaceful travel vlog atmosphere.",
|
||
"category": "storyboard-grid-to-video",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@MrDasOnX",
|
||
"sourceUrl": "https://x.com/MrDasOnX/status/2080908954079760476"
|
||
},
|
||
{
|
||
"id": "seedance:case-7aea1313f63b",
|
||
"title": "触感剪纸风格产品展示",
|
||
"description": "一个为 Seedance 2.0 设计的奢华香水产品展示提示词,采用触感剪纸定格动画风…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-7aea1313f63b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Use @image1 as the exact final hero-frame composition. Use @image2 as the strict product identity lock.\nAnimate like a premium tactile editorial paper-cut product reveal: layered cardstock pieces slide, fold, pop up, and settle with tiny stop-motion overshoot. Mostly locked camera, subtle tabletop parallax only. Physical paper shadows under every layer.\nPRODUCT LOCK: preserve the perfume bottle silhouette, white geometric lattice, aqua-blue inner body, square cap, central RAYHAAN plaque, front-facing readability, and luxury material finish from @image2.\nSHOT 1, 16:9, 6 seconds:\n0-1.2s: The Dubai paper city comes to life. Skyscrapers lift in staggered layers, small clouds slide, and aqua paper water waves shimmer forward.\n1.2-2.6s: The product folds into place. White panels flip inward, the aqua inner body slides behind the lattice, the cap drops on, and the bottle settles cleanly on the plinth.\n2.6-4.2s: Ingredients animate once around the product. Bergamot and lemon slices rotate gently, grapefruit blossoms open, Calone waves ripple, and sandalwood strips slide into a neat base.\n4.2-6s: The note cards fold in top-to-bottom: TOP “Bergamot, Lemon”, MIDDLE “Grapefruit blossom”, BASE “Calone, Sandalwood”. Preserve exact readable text. End fully settled on @image1.\nSound design: crisp paper slides, dry cardstock flicks, soft paper taps, tiny adhesive-peel folds, subtle paper-water shimmer. No music, no voiceover, no extra captions.\nConstraints: no new text, no misspellings, no duplicated labels, no warped product, no melting or liquid morphing, no CGI camera flythrough, no hands, no people, no watermark.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@thesocialalpha_",
|
||
"sourceUrl": "https://x.com/thesocialalpha_/status/2073075642996777159"
|
||
},
|
||
{
|
||
"id": "seedance:case-8f7479c32251",
|
||
"title": "屋顶追逐动作短语",
|
||
"description": "针对 Seedance 2.0 的详细动作短语,描述了一个角色在聚光灯下于屋顶边缘蹲伏…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-8f7479c32251.jpg",
|
||
"mode": "video",
|
||
"prompt": "Urban Escape Scene\n\nModels ( GPT Image-2 + Seedance 2.0)\n\nSeedance Prompts 2/3\n\nMOTION PHRASES:\n\nP01: Continuation wide. Vex crouches at the rooftop edge, spotlight sweeping over her as police close in behind.\n\nP02: She commits—launching across a rooftop gap in a full-extension jump, hair and bag whipping in the wind.\n\nP03: Hard landing on a slick roof. She catches herself in a low slide through rainwater and instantly regains control.\n\nP04: She redirects to a vertical pipe and fire-escape corner, using them to descend fast and fluidly.\n\nP05: She drops onto a slanted lower roof and slides down it, controlling speed with one hand while police appear above in pursuit.\n\nP06: Vex lands in a narrow alley at street level, absorbing the impact in a three-point landing as steam vents around her.\n\nP07: She spots her parked sleek Japanese motorcycle ahead, turns, and sprints toward it while lights flare behind her.\n\nP08: She swings onto the bike, starts it fast, and snaps into riding position as pursuing officers spill into the alley.\n\nP09: Final getaway shot. Vex rockets forward on the motorcycle, spraying water from the rear tire and blasting out of the alley as police lights chase behind. End on her accelerating into the neon-lit street.\n\nSeedance Prompts 3/3\n\nMOTION PHRASES:\n\nP01: Rear chase wide. Vex accelerates down the flooded neon street as a police cruiser gains behind her.\n\nP02: Low front three-quarter shot. She leans aggressively through a sharp turn, rear tire sliding slightly while the cruiser struggles to follow.\n\nP03: Vex cuts into a narrow market alley, threading between stacked crates and wet barriers with inches to spare.\n\nP04: She hits a makeshift ramp and launches the motorcycle over a construction divider as the pursuing cruiser brakes below.\n\nP05: Hard landing. The suspension compresses, the underside throws sparks, and Vex regains perfect control without slowing.\n\nP06: She enters an even tighter service passage, folding low over the tank and slipping through a gap too narrow for the police car.\n\nP07: The cruiser attempts the turn, clips the entrance barrier, and becomes blocked behind her. Sirens remain trapped in the distance.\n\nP08: Wide waterfront road. Vex emerges onto an open elevated route, checks behind her, and sees no police vehicles remaining on her trail.\n\nP09: Final victory shot. She accelerates toward the glowing skyline on the empty rain-slick road. The sirens fade completely as the camera holds on her taillight disappearing into the neon night.",
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"category": "combat-choreography",
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"tags": ["Seedance 2.0", "human-reviewed"],
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"sourceId": "seedance",
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"credit": "@LANDCASTER_92",
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"sourceUrl": "https://x.com/LANDCASTER_92/status/2081432738683314614"
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},
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{
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"id": "seedance:fpv-cd4a852a53ba",
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"title": "纽约 FPV 无人机飞行",
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"description": "一段关于纽约市超写实、极具电影感的无人机飞行提示词,包含复杂的 FPV 操控技巧和黄金…",
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"image": "https://media.goodcase.ai/media/poster/fpv-cd4a852a53ba.jpg",
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"mode": "video",
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"prompt": "Ultra-cinematic FPV drone flight through New York City during golden hour, hyper-realistic, seamless continuous camera movement, one uninterrupted shot, no cuts, no teleportation, aggressive speed ramp transitions, realistic inertia, dynamic acceleration and smooth deceleration. Begin with a breathtaking ultra-wide aerial establishing shot of the entire Manhattan skyline from above the harbor. The camera instantly accelerates toward Lower Manhattan, descending between skyscrapers at extreme speed. Approach One World Trade Center, smoothly slow down and perform a precise cinematic 360° orbit around the tower, then immediately accelerate through the urban canyon with intense parallax and motion blur. Continue flying at high speed above streets and between buildings toward the Statue of Liberty, rapidly decelerate and execute a smooth 360° orbit around the monument before accelerating once again across New York Harbor back toward Midtown Manhattan. Fly low above avenues and skyscrapers, racing directly into Times Square. Smoothly reduce speed for a spectacular 360° orbit around the giant LED billboards and surrounding towers, preserving fluid camera motion. Exit the orbit with an explosive speed ramp, rapidly climbing above Manhattan into a magnificent panoramic aerial view of the skyline at sunset. End with the camera continuing forward over the city as the skyline fills the frame. Ultra-smooth FPV motion, premium travel commercial, IMAX cinematic quality, HDR, 8K, volumetric sunlight, realistic reflections, atmospheric haze, high-detail architecture, natural colors, dynamic motion blur, stable horizon, seamless transitions, no people focus, no text, no logos, no glitches, no flickering, continuous cinematic flight.",
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"category": "pov-continuous-take",
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"tags": ["Seedance 2.0", "human-reviewed"],
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"sourceId": "seedance",
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"credit": "@KrevixAi",
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"sourceUrl": "https://x.com/KrevixAi/status/2081427105435255093"
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},
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{
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"id": "seedance:case-c0cf557563b7",
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||
"title": "角斗场决斗动作",
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"description": "一段关于轻盈女剑士与魁梧重甲兽人之间角斗场战斗场景的详细描述。",
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"image": "https://media.goodcase.ai/media/poster/case-c0cf557563b7.jpg",
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"mode": "video",
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"prompt": "Choreography sheet #1\n\n# STORYBOARD PROMPT — VIPER vs ORC FIGHT CHOREOGRAPHY (v1)\n\nCreate a 16:9 pencil-and-ink choreography storyboard for a duel between an agile katana swordswoman and a massive 8-foot club-wielding orc. Lock staging, and do not render bracketed labels.\n\n[HEADER]\nTitle block, top edge of sheet, clean hand-lettered style: \"ROGUE VIPER — EP3 | VIPER vs ORC — FIGHT CHOREOGRAPHY | BOARD 1 of 1 | ARRI ALEXA 35\". Panels numbered 1–12 in small ink numerals at the top-left corner of each panel frame.\n\n[BOARD]\nSingle 16:9 sheet. 12 panels in a 4-column × 3-row grid, uniform gutters, thin ruled ink panel borders. Each panel is itself framed 16:9. Every panel captures figures mid-motion — blades and club always in transit, weight always committed, feet leaving or striking the ground. The sequence opens mid-swing.\n\n[STYLE]\nGraphite pencil construction lines with ink line-over on white paper. Loose gestural draftsmanship, confident single-stroke action lines, light construction skeletons visible under the ink. Both figures are featureless mannequins — blank oval heads, no faces, no costume detail beyond silhouette. Flat line drawing throughout; shading limited to sparse hatching for ground shadows. Laban movement analysis overlays are the only color on the sheet: GOLD directional lines for the swordswoman (sudden, light, free effort — thin whip-fast arcs, dart vectors, spiral roll paths, slash trajectories with motion-order arrowheads) and RED directional lines for the orc (strong, direct, bound effort — thick blunt sweep arcs, downward crush vectors, short heavy charge lines). Everything else stays monochrome pencil/ink.\n\n[REFERENCES]\n\n@char_RV_Viper — silhouette only: slender athletic female mannequin, long hair mass, single katana, high-boot leg line. Featureless.\n@char_RV_Orc — silhouette only: 8-foot hulking mannequin, hunched armored shoulder mass, oversized two-handed club. Featureless.\n\nScale lock: orc stands roughly 1.5× the swordswoman's height and 3× her mass in every panel.\n\n[CONTINUITY]\nStaging is a bare choreography floor: a single ruled ground line and hatched contact shadows per figure — nothing else in the environment. Screen direction locked: swordswoman enters and works frame-left, orc holds frame-right; the overhead panels preserve this axis. The katana stays in the swordswoman's grip in all 12 panels; the club stays two-handed except the one-hand backhand in panel 4.\n\n[RULES]\nFive camera setups across the sequence — A: wide full-figure profile, B: low angle from floor height, C: top-down overhead, D: over-the-shoulder from behind the orc, E: close lateral tracking at torso height. Pencil/ink linework only; figures stay blank mannequins with zero facial or costume detail; color appears exclusively in the gold and red Laban lines. No sculptural volume, no rendered lighting, no finished-illustration polish, no bracketed labels on the sheet.\n\n[BEATS]\n1. (A — wide profile) Open mid-action: the orc's club is halfway through a flat horizontal swing at chest height; the swordswoman is already dropping under it into a low knee-slide, katana drawn and trailing. RED: thick horizontal sweep arc. GOLD: low forward slide vector under the arc.\n2. (A — wide profile) The club hammers the floor where she was — impact burst lines, cracked ground hatching — as she shoulder-rolls left past his planted leg. RED: steep downward crush vector with impact star. GOLD: tight spiral roll path curling around his leg line.\n\n3. (B — low angle) From floor height: she springs up inside his reach, katana slashing upward across his forearm. RED: recoil pull-back of the club haft. GOLD: rising diagonal slash arc with arrowhead.\n4. (B — low angle) The orc backhands one-armed with the club haft; she arches backward under it, blade sweeping overhead as counterweight. RED: flat backhand arc crossing the frame. GOLD: backward C-curve of her spine-line plus overhead blade arc.\n5. (C — overhead) Top-down footwork map: she circles fast to his blind side in a wide arc while he pivots heavily on planted feet, club dragging. GOLD: long smooth orbit arc with three step-ticks. RED: short stubby rotation arc at his center.\n6. (C — overhead) He hoists the club vertical for a two-handed overhead smash; she darts straight inside his stance. RED: coiled vertical wind-up spiral. GOLD: straight penetration dart to his center.\n7. (D — over the orc's shoulder) The overhead smash detonates on empty floor past her; she is mid-sidestep, katana biting across his flank. RED: full-commitment vertical crush vector with impact star. GOLD: lateral sidestep hook ending in a flank slash arc.\n8. (D — over the orc's shoulder) He staggers a half-step from the flank hit; she rebounds off the floor into a leaping strike toward his shoulder line. RED: broken stumble tick-marks. GOLD: steep launch vector, body extended, blade cocked.\n9. (E — close lateral) Mid-air she meets a rising club sweep — she blocks on the flat of the katana and the impact hurls her backward. RED: rising uppercut arc with impact star at contact. GOLD: sharp deflection kink then a long recoil vector.\n10. (A — wide profile) Full-width panel beat: she is airborne mid back-flip recovering, katana still gripped; the orc is already charging after her, club dragging a gouge line. GOLD: aerial flip loop with landing prediction dash. RED: heavy straight charge vector, low and accelerating.\n11. (B — low angle) She lands in a deep skid, blade coming to horizontal guard as the orc's charge fills the frame, club winding into a full-body 180° swing. GOLD: skid friction ticks into a coiled ready spiral. RED: massive wind-up arc wrapping behind his shoulder mass.\n12. (E — close lateral) FREEZE ON THE CLIFFHANGER: club and katana converging in mid-air, both fighters at full commitment, an instant before contact — the collision point left undrawn. RED and GOLD arcs converge on a single empty gap at frame center.\n\nChoreography Sheet #2\n\n# STORYBOARD PROMPT — VIPER vs ORC FINISHER (BOARD 2, v1)\n\nCreate a 16:9 pencil-and-ink choreography storyboard for the finish of a duel between an agile katana swordswoman and a massive 8-foot club-wielding orc. Lock staging, and do not render bracketed labels.\n\n[HEADER]\nTitle block, top edge of sheet, clean hand-lettered style: \"ROGUE VIPER — EP3 | VIPER vs ORC — FINISHER | BOARD 2 of 2 | ARRI ALEXA 35\". Panels numbered 1–12 in small ink numerals at the top-left corner of each panel frame.\n\n[BOARD]\nSingle 16:9 sheet. 12 panels in a 4-column × 3-row grid, uniform gutters, thin ruled ink panel borders. Each panel is itself framed 16:9. The sequence opens mid-collision — the exact instant the previous board froze on — and every panel captures figures mid-motion with weight committed.\n\n[STYLE]\nGraphite pencil construction lines with ink line-over on white paper. Loose gestural draftsmanship, confident single-stroke action lines, light construction skeletons visible under the ink. Both figures are featureless mannequins — blank oval heads, no faces, no costume detail beyond silhouette. Flat line drawing throughout; shading limited to sparse hatching for ground shadows. Blood appears as small contained monochrome ink-droplet spray clusters — brief spurts of a few fine droplets, drawn in the same black ink as the linework. Laban movement analysis overlays are the only color on the sheet: GOLD directional lines for the swordswoman (sudden, light, free effort — thin whip-fast arcs, dart vectors, thrust lines with motion-order arrowheads) and RED directional lines for the orc (strong, direct, bound effort — thick blunt arcs that degrade panel by panel into broken stumble ticks and collapse folds as he fails). Everything else stays monochrome pencil/ink.\n\n[REFERENCES]\n@char_RV_Viper — silhouette only: slender athletic female mannequin, long hair mass, single katana, high-boot leg line. Featureless.\n@char_RV_Orc — silhouette only: 8-foot hulking mannequin, hunched armored shoulder mass, oversized two-handed club. Featureless.\n\nScale lock: orc stands roughly 1.5× the swordswoman's height standing; once he drops to his knees his head sits level with hers.\n\n[CONTINUITY]\nStaging is a bare choreography floor: a single ruled ground line and hatched contact shadows per figure — nothing else in the environment. Screen direction locked: swordswoman works frame-left, orc holds frame-right. The katana stays in her grip through all 12 panels. The club leaves the orc's grip at panel 6 and stays on the ground thereafter. Dismemberment continuity is absolute: the orc's LEFT arm is severed mid-forearm at panel 6, and from panel 6 through panel 12 his left arm ends in a blunt stump at mid-forearm in every panel — no left hand, no left forearm below the cut, in any panel from 6 onward. His right arm stays whole throughout. The severed left forearm and hand lie on the ground where they land from panel 7 onward, visible in frame wherever the camera setup allows.\n\n[RULES]\nFive camera setups across the sequence — A: wide full-figure profile, B: low angle from floor height, C: top-down overhead, D: over-the-shoulder from behind the orc, E: close lateral tracking at torso height. Pencil/ink linework only; figures stay blank mannequins with zero facial or costume detail; color appears exclusively in the gold and red Laban lines; blood stays monochrome ink droplets, small and contained. No sculptural volume, no rendered lighting, no finished-illustration polish, no bracketed labels on the sheet.\n\n[BEATS]\n1. (E — close lateral) Open on the collision the last board froze before: katana meets club at full commitment — she angles the blade and the club glances off with a shock burst of impact lines. GOLD: sharp deflection kink redirecting the force downward. RED: thick arc breaking into a glance-off deflection.\n2. (A — wide profile) The parried swing carries the orc into deep overextension, head down, club plowing a gouge into the floor; she rides the rebound into a tight spin toward him. RED: long overshoot vector diving into the ground line. GOLD: compact spin spiral advancing frame-right.\n\n3. (C — overhead) Top-down: her spiral path cuts inside his stance to dead-center in front of his pitched-forward mass. GOLD: tightening inward spiral ending at his center line. RED: broad forward-tipped weight arc, off-balance.\n4. (B — low angle) FINISHER OPENS — from floor height: planted under his hips, she drives a rising snap kick straight up between his legs, boot line at full extension, katana swept clear in one hand; the orc jack-knifes, shoulders snapping forward and down. GOLD: short brutal vertical kick vector along her leg line. RED: body-fold arcs collapsing inward at the hips.\n5. (E — close lateral) His LEFT hand releases the club and that arm flails wide for balance, fully extended at shoulder height — the club tips out of his right hand. RED: broken stagger ticks plus a wide loose flail arc along the extended left arm. GOLD: coiled wind-up spiral at her shoulders as she loads the next cut.\n6. (A — wide profile) Full-body horizontal cut through the extended LEFT forearm — the severed left forearm and hand separate from him in mid-air alongside the falling club, a small contained spray of fine ink droplets arcing from the cut point; his left arm now ends in a blunt mid-forearm stump. GOLD: wide clean horizontal slash arc passing through the left arm line. RED: short falling vectors on the severed left forearm and dropping club.\n7. (B — low angle) The severed left forearm and the club strike the floor in the foreground; behind them the orc rears back howling, left-arm stump raised with a brief small droplet spurt flicking off it, right arm whole and clawing at the air. RED: rearing back-arch arc with tremor ticks. GOLD: low ready stance line as she stalks forward.\n8. (C — overhead) His mass spirals down — both knees crash to the floor with impact hatching; from above, his LEFT arm reads clearly as a short blunt stump ending at mid-forearm while his right arm is whole with the hand splayed on the ground; the severed left forearm lies on the floor at frame edge. She squares to face his lowered head. RED: heavy downward collapse spiral ending in twin knee impact stars. GOLD: short straight approach vector to his center.\n9. (D — over the orc's shoulder) From behind his slumped shoulder mass: she stands before his kneeling bulk, blade point rising level with his blank head, tip aimed between the eyes. His LEFT arm hangs as a blunt mid-forearm stump against his side, right arm whole. GOLD: rising aim line terminating in a hover point at his brow. RED: faint sagging droop arcs on his frame.\n10. (E — close lateral) The thrust — full extension, blade point entering between the eyes, a small contained spurt of fine droplets at the entry point; his LEFT arm still ends in the blunt stump, right arm whole and jerking once. GOLD: single straight thrust vector driven through the head line. RED: one terminal shudder tick.\n11. (D — over the orc's shoulder) Held beat: her arm at full extension, blade seated, the orc's whole silhouette slackening — shoulders dropping, his whole RIGHT arm hanging limp, his LEFT arm a blunt mid-forearm stump hanging beside it. GOLD: steady horizontal hold line. RED: limp vertical sag vectors draining down his frame.\n12. (A — wide profile) She withdraws the blade with a sharp flick — a thin trail of droplets snapping off the tip — as the orc topples backward full-length, dust burst on impact; sprawled on his back, his LEFT arm reads as a blunt mid-forearm stump and his right arm lies whole, the severed left forearm on the ground nearby; she stands over him, katana lowered at her side. GOLD: crisp flick arc off the blade tip. RED: final topple arc ending flat along the ground line.\n\nSeedance 2.0 prompt #1:\n\nSCENE CONTEXT\nInside a vast open-air gladiator arena with a polished white circular floor, a lithe swordswoman duels a hulking armored orc gladiator while packed tiered stands of spectators surround the fight. She works frame-left; he holds frame-right.\n\nACTIVE REFERENCES\n@ref_choreography — 12-panel fight board; blocking, motion paths, and camera setups only; rendered output is live-action photoreal footage.\n@loc_arena — environment and architecture: circular white stone arena floor with radial seam lines, steep tiered stands, colonnaded upper gallery, open sky above the ring. 100% matches the reference for architecture; the stands are filled to capacity with spectators in every cut.\n@char_RV_Viper — athletic female fighter, long black hair, black leather bodysuit with gold seam piping, mandarin collar, gold cobra belt buckle, thigh-high heeled boots, drop-leg twin holster harness. 100% matches the reference.\n@char_RV_Orc — green-skinned bald orc gladiator with lower tusks, gunmetal-and-bronze plated armor, massive two-handed spiked club. Stands half a body taller than the swordswoman, three times her mass. 100% matches the reference.\n@prop_katana — steel katana, black silk-wrapped hilt with gold diamond menuki, round engraved brass tsuba. 100% matches the reference.\n@prop_pistols — matte black suppressed pistols seated in black leather drop-leg thigh holsters. 100% matches the reference.\n\nLOCATION MAP\nForeground: polished white stone arena floor with radial seam lines and light scuff marks, a hard-edged pool of direct sunlight falling across the duel circle. Midground: the low white perimeter wall ringing the floor. Background: steep tiered stands packed shoulder-to-shoulder with spectators, rising to a colonnaded upper gallery; open daylight sky above the ring, haze at 80 meters depth softening the far side of the bowl. Sun sits high camera-left above the gallery rim. Operator holds the shadow side in every setup.\n\nFIRST FRAME / BLOCKING\nFirst frame opens mid-action: wide profile two-shot inside the sunlight pool — the orc frame-right halfway through a flat horizontal club swing at chest height, the swordswoman frame-left already dropping into a low knee-slide beneath the swing arc, katana drawn and trailing. Screen direction locked for the full clip: she attacks from frame-left, he holds frame-right.\n\nFORMAT MODE\nTimed multishot. Hard cuts at the stated seconds only; cuts only at the specified points, the camera does not cut on its own.\n\nOPTICS\nCUT 1: 63° wide profile. CUT 2: 84° low angle. CUT 3: 47° overhead. CUT 4: 47° over-the-shoulder. CUT 5: 29° lateral medium. CUT 6: 63° wide profile. Fixed FOV per segment, no drift mid-segment. 35mm anamorphic character, oval bokeh, fine grain.\n\nCAMERA\nWide tonal latitude, soft highlight roll-off. CUT 1 and CUT 6 locked at chest height; CUT 2 locked at floor height angled up; CUT 3 directly overhead, static, the full duel circle and packed lower rows in frame; CUT 4 anchored behind the orc's right shoulder; CUT 5 tracking laterally at torso height, matching her speed.\n\nACTION\n0.0s to 2.5s — Wide profile: the club head sweeps through at 60 km/h; she slides under it at 25 km/h; the club hammers the white floor where she was — cracks spider out along the radial seams, dust ring — as she shoulder-rolls left past his planted leg.\n2.5s HARD CUT\n2.5s to 5.0s — Low angle: she springs up inside his reach, rising diagonal slash across his armored forearm — sparks; he backhands one-armed with the club haft; she arches backward under it, blade sweeping overhead as counterweight; packed stands and open sky behind them.\n5.0s HARD CUT\n5.0s to 7.0s — Overhead: she circles fast to his blind side in a wide arc at 20 km/h while he pivots heavily on planted feet, then hoists the club vertical for a two-handed overhead smash; their shadows stretch across the sunlit white floor.\n7.0s HARD CUT\n7.0s to 9.5s — Over the orc's shoulder: the smash detonates on empty white floor — dust ring, floor cracks; she is mid-sidestep, katana biting across his flank plate with a spark trail; he staggers a half-step.\n9.5s HARD CUT\n9.5s to 12.0s — Lateral medium: she rebounds off the floor into a leaping strike toward his shoulder line; a rising club sweep meets her mid-air; she blocks on the flat of the katana and the impact hurls her backward across frame.\n12.0s HARD CUT\n12.0s to 15.0s — Wide profile: she back-flips airborne, katana still gripped, lands in a deep skid, blade snapping to horizontal guard; the orc charges at 30 km/h, club winding into a full-body swing; final frame holds at 15.0s on club and katana converging in mid-air an instant before contact.\n\nPERFORMANCE\nHer eyes stay locked on the orc through every exchange, jaw set, controlled sharp exhales; hair whips on each direction change. The orc grimaces around his tusks on the flank hit, chest heaving on the final charge.\n\nPHYSICS\nThe orc moves with visible mass — floor shudders on his steps, full-body follow-through on every swing, dust kicked from each footfall. She is light and sudden: sharp direction changes, boots skidding with friction marks on the polished stone. Sparks where steel meets armor plate; holster straps and hair react to inertia; grounded contact shadows under both fighters in the direct sun.\n\nLIGHTING\nHard direct sunlight from high camera-left above the gallery rim, 5600K, throwing a bright pool across the duel circle; cool open-sky fill from above; the stands sit one stop down in bounced light; fighters carry crisp single sun shadows plus soft sky fill.\n\nCOLOR GRADE\nSteel blue-grey palette, moderate desaturation, crushed blacks, retained midtones; the sunlit floor reads clean paper-white against cooler shaded stands; her gold seam piping and the brass tsuba catch the sun as the only warm accents.\n\nAUDIO\nDeep concussive club impacts, blade whoosh and metallic ring on armor contact, boot skids on polished stone, open-air crowd roar rising in waves that spike on each impact.\n\nSTYLE\nPhotoreal live-action, 35mm anamorphic film character, fine grain, bloodless stylized combat.\n\nOUTPUT SETTINGS\n16:9, all segments real-time speed.\n\nPOSITIVE LOCKS\nKatana stays in her grip in all six cuts. Both pistols stay seated in the thigh holsters in every cut. She works frame-left, the orc holds frame-right, in every cut. Every seat in the stands is occupied — the arena is packed to capacity in all six cuts. Same arena, same daylight, same wardrobe, same prop state across all cuts. Fighters alone on the floor; the crowd stays in the stands. Impacts read through sparks, dust, and knockback — combat stays bloodless. Rendered output is live-action footage; the choreography sheet serves as motion reference only.\n\nSeedance 2.0 prompt #2:\n\nSCENE CONTEXT\nInside a vast open-air gladiator arena with a polished white circular floor, a lithe swordswoman finishes a duel against a hulking armored orc gladiator before a capacity crowd of thousands filling every tier of the stands. She works frame-left; he holds frame-right.\n\nACTIVE REFERENCES\n@ref_choreography — 12-panel finisher board; blocking, motion paths, and camera setups only; rendered output is live-action photoreal footage.\n@loc_arena — architecture only: circular white stone arena floor with radial seam lines, steep tiered stands, colonnaded upper gallery, open sky above the ring. 100% matches the reference for structure and materials; the empty seats shown in the reference are replaced by a capacity crowd — every row of every tier filled with seated and standing spectators in every frame of every cut.\n@char_RV_Viper — athletic female fighter, long black hair, black leather bodysuit with gold seam piping, mandarin collar, gold cobra belt buckle, thigh-high heeled boots, drop-leg twin holster harness. 100% matches the reference.\n@char_RV_Orc — green-skinned bald orc gladiator with lower tusks, gunmetal-and-bronze plated armor, massive two-handed spiked club. Stands half a body taller than the swordswoman standing; kneeling, his head sits level with her shoulders. Both arms whole at the start of the clip. 100% matches the reference.\n@prop_katana — steel katana, black silk-wrapped hilt with gold diamond menuki, round engraved brass tsuba. 100% matches the reference.\n@prop_pistols — matte black suppressed pistols seated in black leather drop-leg thigh holsters. 100% matches the reference.\n\nLOCATION MAP\nForeground: polished white stone arena floor with radial seam lines, scuff marks and cracks from the earlier exchanges, a hard-edged pool of direct sunlight across the duel circle. Midground: the low white perimeter wall, spectators packed against its railing. Background: steep tiered stands filled shoulder-to-shoulder with thousands of spectators — a dense textured mass of bodies, faces, and waving arms in every row, rising to a colonnaded upper gallery with more spectators standing between the columns; open daylight sky, haze at 80 meters depth on the far side of the bowl. Sun high camera-left above the gallery rim. Operator holds the shadow side in every setup.\n\nFIRST FRAME / BLOCKING\nFirst frame opens mid-collision: lateral medium two-shot inside the sunlight pool — the orc frame-right at full swing commitment with both arms whole, the swordswoman frame-left meeting his club on the angled flat of her katana, sparks at the contact point; behind them the packed stands read as a wall of spectators from the first frame. Screen direction locked for the full clip: she works frame-left, he holds frame-right.\n\nFORMAT MODE\nTimed multishot. Hard cuts at the stated seconds only; cuts only at the specified points, the camera does not cut on its own.\n\nOPTICS\nCUT 1: 29° lateral medium. CUT 2: 84° low angle. CUT 3: 63° wide profile. CUT 4: 84° low angle. CUT 5: 47° over-the-shoulder. CUT 6: 63° wide profile. Fixed FOV per segment, no drift mid-segment. 35mm anamorphic character, oval bokeh, fine grain.\n\nCAMERA\nWide tonal latitude, soft highlight roll-off. CUT 1 tracking laterally at torso height; CUT 2 and CUT 4 locked at floor height angled up; CUT 3 and CUT 6 locked at chest height, full figures in frame with the crowded stands behind them; CUT 5 anchored behind the orc's slumped shoulder, her figure framed past it.\n\nACTION\n0.0s to 2.5s — Lateral medium: the club strikes her angled blade and glances off with a spark burst; the deflected swing carries the orc into deep overextension, head down, club plowing a gouge across the white stone; both his arms are whole in this segment; the packed crowd blurs soft behind them.\n2.5s HARD CUT\n2.5s to 5.0s — Low angle: she spins inside his stance at 25 km/h and drives a rising snap kick straight up between his legs, boot at full extension, katana swept clear in one hand; the orc jack-knifes, shoulders snapping forward and down; both his arms are still whole in this segment; filled tiers and spectators at the gallery rail rise above them against the sky.\n5.0s HARD CUT\n5.0s to 7.5s — Wide profile: his LEFT hand releases the club and that arm flails wide for balance at shoulder height; she pivots through a full-body horizontal cut that severs the extended LEFT forearm — the severed left forearm and hand fall away alongside the dropping club, a small contained spray of fine dark droplets arcing from the cut; from this instant his left arm ends in a blunt mid-forearm stump while his right arm stays whole; the crowd behind them surges to its feet.\n7.5s HARD CUT\n7.5s to 10.0s — Low angle: the severed left forearm and the club land in the foreground with dust puffs and stay on the ground; behind them the orc rears back howling with his LEFT-arm stump raised — the arm clearly ending in a blunt cut at mid-forearm with a brief small droplet spurt, his right arm whole and clawing the air — then crashes down onto both knees, floor shudder, dust ring; packed rows of spectators fill the frame edges above the perimeter wall.\n10.0s HARD CUT\n10.0s to 12.5s — Over the orc's shoulder: he kneels with his LEFT arm still ending in the blunt mid-forearm stump and his right arm whole; she stands before his kneeling bulk, blade point rising level with his brow, then drives a single straight thrust — the point enters between the eyes with a small contained spurt of fine droplets; his frame stiffens, then slackens; the crowd mass behind her holds a sudden stillness.\n12.5s HARD CUT\n12.5s to 15.0s — Wide profile: she withdraws the blade with a sharp flick, a thin trail of droplets snapping off the tip; the orc topples backward full-length, dust bursting on impact, sprawled with his LEFT arm ending in the blunt mid-forearm stump and his right arm lying whole, the severed left forearm resting on the stone nearby; final frame holds at 15.0s on her standing over him, katana lowered at her side, chest rising and falling, the packed stands erupting behind her — arms up in every row.\n\nPERFORMANCE\nHer eyes stay fixed on the orc through every beat, jaw set, movements economical and final; a single controlled exhale on the thrust; after the topple her shoulders drop half an inch as the tension releases. The orc's tusked face contorts on the kick, his howl reads through thrown-back head and corded neck, then his features go slack after the thrust.\n\nPHYSICS\nThe orc carries visible mass — the floor shudders when his knees land, dust kicks from every impact, the severed left forearm and the club fall with dead weight and settle without bounce, then stay put on the stone. She is light and precise: sharp pivots, boot friction marks on the polished stone. Blood reads as small contained sprays of fine droplets that fall and dot the white floor; sparks where steel meets armor; grounded contact shadows under both fighters in the direct sun. The crowd moves as a living mass — individual spectators shifting, leaning, rising and throwing arms up in reaction to each impact.\n\nLIGHTING\nHard direct sunlight from high camera-left above the gallery rim, 5600K, throwing a bright pool across the duel circle; cool open-sky fill from above; the packed stands sit one stop down in bounced light, crowd texture readable in the shade; fighters carry crisp single sun shadows plus soft sky fill.\n\nCOLOR GRADE\nSteel blue-grey palette, moderate desaturation, crushed blacks, retained midtones; the sunlit floor reads clean paper-white against the cooler shaded mass of the crowd; her gold seam piping and the brass tsuba catch the sun as the only warm accents; the droplet spatter reads as dark specks on the white stone.\n\nAUDIO\nSparks and metallic ring on the deflection, a deep concussive thud on the kick, one clean blade hiss on the severing cut, the orc's roar dropping to a choked grunt on the thrust, the full-length body slam on the topple; the crowd of thousands roars in waves that spike on each impact, drops to a collective gasp on the thrust, then erupts to a sustained peak as he falls.\n\nSTYLE\nPhotoreal live-action, 35mm anamorphic film character, fine grain, stylized contained violence.\n\nOUTPUT SETTINGS\n16:9, all segments real-time speed.\n\nPOSITIVE LOCKS\nDISMEMBERMENT CONTINUITY — HARD LOCK: the orc has both arms whole in CUT 1 and CUT 2 only. His LEFT forearm is severed at the 5.0s–7.5s cut. From that instant through the end of the clip — every frame of CUT 3 after the cut, and all of CUT 4, CUT 5 and CUT 6 — his left arm ends in a blunt stump at mid-forearm with no hand and no forearm below the cut, visible in frame in each of those cuts. His right arm stays whole and intact for the entire clip. The severed left forearm and hand remain lying on the arena floor from the moment they land through the final frame.\nKatana stays in her grip in all six cuts. Both pistols stay seated in the thigh holsters in every cut. She works frame-left, the orc holds frame-right, in every cut. The club leaves his grip in CUT 3 and stays on the floor from then on. Every seat in every tier holds a spectator — the arena is packed to capacity, crowd visible in the background of all six cuts, spectators standing at the gallery rail. Same arena, same daylight, same wardrobe across all cuts. Blood stays as small contained droplet sprays. Rendered output is live-action footage; the choreography sheet serves as motion reference only.",
|
||
"category": "combat-choreography",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@viperstudios4",
|
||
"sourceUrl": "https://x.com/viperstudios4/status/2081137523536109682"
|
||
},
|
||
{
|
||
"id": "seedance:case-579dd9bdd240",
|
||
"title": "史诗冰雪奇幻:泰坦觉醒",
|
||
"description": "一个宏大的电影级提示词,描绘了冰雪泰坦在冰封山谷中挣脱冰川束缚的震撼场景。",
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"image": "/inspiration-thumbs/seedance/case-579dd9bdd240.webp",
|
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"mode": "video",
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||
"prompt": "SCENE CONTEXT\nRIMEBORN. In a frozen valley of an original ice-fantasy world, a mountain-sized titan of layered ice and stone tears itself free from a millennia-old glacier as an army of armored wardens scrambles across the frozen field below, a war-horn ripping across the plain. Timed multishot, five hard cuts across 10 seconds, one shared valley, one titan, one army throughout.\n\nACTIVE REFERENCES\n@titan: mountain-sized ice-and-stone colossus, humanoid silhouette, body built of fractured basalt slabs seamed by ancient blue ice, ice-plated shoulders and back crusted a meter thick with hoarfrost, joints and eye-sockets and rib-seams glowing with pale-cyan runes carved deep into the stone. Original design. 100% matches the reference.\n@wardens: armored foot-soldiers in weathered dark steel plate over black padded gambesons, snow-crusted fur mantles at the shoulders, long spears and rimed shields, no faction crest or logo. Original design. 100% matches the reference.\n@warhorn: a curled black bone horn as long as a warden is tall, bound in leather and iron rings, held at chest height by a single horn-bearer.\nSTYLE REFERENCE ONLY, not a fixed keyframe; model extends the world freely, never reproduced 1:1.\n\nLOCATION MAP\nForeground: fractured glacier surface, blue-ice slabs shot through with dark grit, powder snow drifting sideways at 20 km/h. Midground: the wardens crossing the field 200 meters below the titan, tiny against the scale, spears and shields catching the flat light. Background: the glacier wall itself, kilometers of vertical ice cracking apart around the emerging titan, snow plumes rising several hundred meters into a leaden overcast sky. Camera moves along a chest-height and then rising line down the valley floor, always with the titan camera-right or dead-center.\n\nSCALE LOCK\n@titan stands as tall as roughly two hundred wardens stacked head to toe. A single warden reads as a fingernail against the titan's shin in the establishing wide. Ice slabs shearing off the titan's shoulder each read as wide as ten wardens laid head to toe. The size gap holds identical every frame.\n\nFIRST FRAME / BLOCKING\nNon-empty opening frame: @titan is already mid-tear-out, right arm already ripping free from the glacier wall with a sheet of ice already fracturing off the shoulder, @wardens already running across the ice below, the horn-bearer already lifting @warhorn. Nothing is frozen, everything is already in motion. Rule of thirds: the titan held on the right two-thirds vertical, the horizon line on the lower third, wardens on the lower left third.\n\nFORMAT MODE\nTimed multishot, exactly FOUR HARD CUTS at 2.5s, 4.5s, 6.5s, 8.0s. The camera does not cut on its own; cuts only at the specified points.\n0.0s to 2.5s — CUT 1, real time\n2.5s HARD CUT\n2.5s to 4.5s — CUT 2, real time\n4.5s HARD CUT\n4.5s to 6.5s — CUT 3, real time\n6.5s HARD CUT\n6.5s to 8.0s — CUT 4, real time\n8.0s HARD CUT\n8.0s to 10.0s — CUT 5, real time\n\nOPTICS\nCUT 1: EWS at 84° FOV sweeping wide establishing the full valley and titan. CUT 2: MS at 29° FOV portrait compression on the titan's shoulder as ice sheets shear off. CUT 3: WS at 63° FOV low across the crevasse rim as wardens dive clear. CUT 4: MCU at 29° FOV on the horn-bearer, horn lifted to lips. CUT 5: EWS at 107° FOV super-wide rectilinear on the full glacier splintering with runes flaring. Rectilinear with anamorphic optical flares, 180° shutter motion blur, prime-lens character, no drift mid-segment.\n\nCAMERA\nHandheld throughout with 3 to 5 cm of shake, shake spiking hard on every cracking impact from the titan. CUT 1: chest-height sweep at 15 km/h left-to-right across the valley floor, catching the full scale. CUT 2: whip-in and hold at 20 meters from the shoulder, camera flinching as slabs shear past. CUT 3: low-angle at knee-height on the crevasse edge, wardens diving over the lens. CUT 4: tight on the horn-bearer, camera pressing in 30 cm as the horn sounds. CUT 5: pulled back and rising crane to 80 meters above the valley floor, wide vantage, gimbal weighty. Wide tonal latitude, soft highlight roll-off, whites hold detail without clipping.\n\nACTION\nCUT 1 — Subject: @titan tears its right arm and shoulder free from the glacier wall, basalt-and-ice mass grinding against ice, a wall of powder snow erupting behind it hundreds of meters high; @wardens sprint across the frozen field in a scattered line, spears and shields flashing. Camera: sweeping wide dolly along the valley floor at 15 km/h, shake spiking as the titan's arm lands its first step-load.\nCUT 2 — Subject: massive sheets of blue ice shear off @titan's shoulder and back, tumbling in slabs the size of buildings, hoarfrost crust exploding into powder mid-fall, runes along the shoulder flaring pale-cyan as the plates shed. Camera: whip-in, holds on the shoulder as three slabs fall past the frame, shake hard.\nCUT 3 — Subject: @wardens dive clear as a crevasse collapses under them, two soldiers throwing themselves flat and rolling as the ice gives way, spears skittering across the surface, powder snow plumes rising vertical. Camera: low-angle handheld, wardens leaping over the lens, shake violent on the collapse.\nCUT 4 — Subject: the horn-bearer lifts @warhorn to their lips and blows one long note, chest visibly expanding, breath fogging in the cold, the sound carrying across the field as other wardens turn their heads toward it. Camera: tight handheld, presses in 30 cm as the note sounds.\nCUT 5 — Subject: @titan pulls its full torso free of the glacier wall, the whole glacier splintering apart around it in a cascade of fracturing ice, runes along both arms and the ribcage flaring bright cyan at once, snow erupting in vast vertical plumes across the entire valley. Camera: pulled back to a vast super-wide, rising crane, catching the primordial scale in one held frame, HARD CUT at 10.0s.\n\nPERFORMANCE\n@titan performs with geological slowness and crushing weight — every movement loaded before it lands, joints grinding stone on stone, no theatrical flourish. @wardens read as terrified working soldiers, not heroes: eyes wide, mouths open, breath fogging hard, one soldier stumbling and being pulled up by another mid-cut. The horn-bearer reads as steady and old, jaw set, eyes tracking the titan. Pore-level realism on the horn-bearer's face: vellus hair, asymmetric moles, capillary flush from the cold, wet living eyes with catch-lights, visible breath and chest rise. Restrained and human across the army, never cartoonish. Top-tier cinematic restraint.\n\nPHYSICS\nMass and inertia carry through every movement of @titan — the arm loads before it tears free and drags the whole torso with it. Ice slabs fall with real weight, not lightweight fragments; they shatter on impact with the glacier floor, not float. Snow plumes obey the crosswind vector at 20 km/h and shear leftward across the valley. Wardens have real body weight — diving bodies land hard, not softly, and slide on the ice with correct friction. The horn's vibration reads faintly in loose snow at the horn-bearer's feet. Nothing floats. Correct contact shadows read clearly where titan meets glacier and warden meets ice.\n\nLIGHTING\nWB locked 6500K cold overcast daylight, flat and even, sun fully occluded by leaden cloud. Key is a broad diffuse top-light with no direct sun. The only emitted light in the world is the pale-cyan 5500K rune glow along @titan's joints, eye-sockets, and rib-seams, which spills onto the surrounding hoarfrost and briefly reflects in the wardens' plate on close cuts. Camera on the shadow side of the titan across all wide cuts. Faint atmospheric haze at 30% at the glacier wall, thickening into the snow plumes.\n\nCOLOR GRADE\nStark white in the snow and powder, frozen blue in the deep ice seams, near-black in the fractured basalt of the titan's core, leaden grey in the sky; every cold tone comes from real material and light bounce, not a filter. Rune cyan lives only in the carved channels — joints, eye-sockets, ribcage seams — and its spill onto immediate hoarfrost. Warden plate reads as dark weathered steel with cold reflections. Blacks stay open with detail in the basalt, highlights roll off in the snow. Color tied to source and surface, not a flat list.\n\nWARDROBE\n@wardens wear weathered dark steel plate over black padded gambesons, snow-crusted fur mantles at the shoulders, iron-rimmed shields, cold-numbed hands in gloves. Fur crusted with ice at the seams. No faction crest, no logo. The horn-bearer wears the same but with a heavier fur mantle and a leather baldric holding @warhorn.\n\nAUDIO\nNO MUSIC. SFX ONLY — diegetic sound and live audio throughout. No score, no soundtrack, no background music of any kind. CUT 1: sub-bass glacier groaning, ice cracking in long tearing sheets, wardens' plate rattling and boots crunching on ice, wind at 20 km/h. CUT 2: massive stone-on-ice grind, slabs shattering as they hit the glacier floor, rune flare with a low harmonic hum. CUT 3: sharp ice crack, powder snow whumphs, wardens' shouts and grunts, one spear clattering on ice. CUT 4: the horn's long low note, one held bass tone spreading across the valley, warden breath fogging audibly. CUT 5: a full-body glacier splintering roar, layered ice-shear, one titanic bass groan from @titan itself. No dialogue, no subtitles.\n\nSTYLE\n8K photorealistic — no 3D render, no game engine, no game-cutscene aesthetic. Naturalistic master cinematography, fine film grain, 35mm film character, crushing primordial-scale epic look, hyperdetailed ice, snow, hoarfrost, basalt, weathered steel.\n\nOUTPUT SETTINGS\n10 seconds, five cuts, 16:9, 8K ultra-high-definition, 24 fps, real-time throughout, anamorphic flare character on rune spill.\n\nPOSITIVE LOCKS\nOne shared valley, one @titan, same @wardens and @warhorn across all five cuts, identical every frame, no morphing, no drift. @titan stays mountain-sized against the wardens throughout — the scale relationship holds exactly: 200 wardens tall in every wide, one warden a fingernail against the shin. Runes stay pale cyan and stay carved into the stone, they do not migrate. Handheld shake spikes on every titan movement and every ice collapse, never smooths out. Camera stays third-person outside the army throughout the 10 seconds. Warden eyes stay natural — no eye glow; the only emitted light in the world is @titan's runes. Contact shadows read clearly where titan meets glacier and warden meets ice. Ice slabs fall with mass, never floating. Snow travels on one consistent wind vector. Clean frame throughout — no logos, no UI, no text overlays, no subtitles, no watermark, no dragons or unrelated creatures in shot.",
|
||
"category": "epic-fantasy-scifi",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@abxxai",
|
||
"sourceUrl": "https://x.com/abxxai/status/2081023473305162165"
|
||
},
|
||
{
|
||
"id": "seedance:case-d087761bf321",
|
||
"title": "奢华沙龙美妆变身",
|
||
"description": "一个用于美妆变身的高速动态商业提示词,通过匹配剪辑展现从休闲造型到迷人晚礼服的华丽转变。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-d087761bf321.jpg",
|
||
"mode": "video",
|
||
"prompt": "Ultra-realistic cinematic beauty transformation, 15s, luxury salon commercial, hyper dynamic, seamless match cuts, speed ramps. Start in a bright minimalist studio with a static front-facing shot. A messy girl in an oversized gray T-shirt and round glasses stands with untidy hair, pale skin, tired expression, no makeup. Two black-gloved hands push her backward. Match cut: she lands in a luxury salon chair inside a dark premium salon. Camera switches to first-person stylist POV. Black cape on. Hair wash, shampoo massage, conditioner, rinse, towel dry. Hair is combed, sectioned, precision cut, textured, blow-dried with volume, softly curled, smoothed, finished with oil and shine spray. Makeup: primer, foundation, concealer, powder, contour, blush, highlighter, brows, soft eyeshadow, winged eyeliner, mascara, glossy red lips. Earrings added. Cape is pulled away, revealing a luxurious red evening dress. Final hair styling. The chair rotates to showcase the hairstyle, then returns front. Final reveal: a confident glamorous woman with flawless makeup, voluminous hair, sparkling earrings and radiant skin looks directly into the camera. Premium luxury beauty ad, perfect identity consistency, realistic hands, smooth motion, cinematic lighting, shallow depth of field, ultra-detailed skin and hair, 4K, no glitches, morphing, deformation, extra fingers or camera shake.",
|
||
"category": "process-transformation-montage",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@KrevixAi",
|
||
"sourceUrl": "https://x.com/KrevixAi/status/2080960631180570913"
|
||
},
|
||
{
|
||
"id": "seedance:asmr-vlog-db7f7a2ad923",
|
||
"title": "超治愈 ASMR Vlog",
|
||
"description": "一种模仿 Mini DV 摄像机质感的低保真(lo-fi)视觉提示词,适用于自然光下的…",
|
||
"image": "https://media.goodcase.ai/media/poster/asmr-vlog-db7f7a2ad923.jpg",
|
||
"mode": "video",
|
||
"prompt": "CAMERA / LOOK: Propped Mini DV camera on a wooden deck ledge, surrounded by rising steam. Extremely smooth pan, ultra-relaxed pacing, natural soft warm sunlight through mist, calm consumer vlog framing. STYLE: Ultra-chill ASMR meditation vlog. Zero stress, monotonic deep voice, soothing water ripples, zen atmosphere. SUBJECT: Unbothered, majestic Capybara sitting submerged up to its neck in a steaming wooden hot tub, with a yellow Yuzu citrus fruit balanced perfectly on its flat head. SETTING: Outdoor Japanese hot spring (Onsen) tub surrounded by smooth stones, bamboo stalks, rising steam mist, soft morning sunbeams. STORYBOARD: → (2s, static medium shot) Capybara sitting in steam, looking directly into lens. \"Welcome. Breathe in peace. Breathe out drama.\" → (1.5s, detail shot) Yuzu fruit wobbles slightly on head, but capybara remains motionless. Soft water ripple ASMR. → (1.5s, close-up) Takes slow, deep breath in through nose, nostrils expanding gently. Deep exhalation sound into microphone. → (2s, medium shot) A yellow rubber duck drifts into frame and bumps into capybara's cheek. Capybara doesn't even flinch. \"Accept the duck. Become the duck.\" → (1.5s, macro detail shot) Takes a slow bite of a bamboo leaf floating by. Soft leaf crunch ASMR sound. → (1.5s, low angle shot) A small sparrow alights on his head right next to the fruit. \"New subscriber just dropped. Welcome, bird.\" → (1.5s, close-up) Ear twitches once to shake off a drop of condensation. Soft water droplet splash sound. → (1.5s, medium shot) Sinks 1 inch deeper into warm water, eyelids dropping halfway. \"Stress is optional. Water is warm.\" → (1s, warm ending shot) Looks at camera with ultimate tranquility. \"Stay unbothered, my friends.\" → (1s, final shot) Steam rises, enveloping lens smoothly until screen fades to warm white mist. AUDIO NOTES: Soothing water trickling, deep slow breathing, soft leaf crunching, ultra-calm monotonic baritone voice synced smoothly to jaw movement. REALISM & COMEDY NOTES: Photorealistic Capybara coarse fur texture with water droplets, steady calm expression, hilarious comedic contrast between extreme zen energy and absurd head balance.",
|
||
"category": "pet-animal",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@sebatheepan",
|
||
"sourceUrl": "https://x.com/sebatheepan/status/2080942778293313949"
|
||
},
|
||
{
|
||
"id": "seedance:case-3ab1709b8447",
|
||
"title": "现代舞室音乐视频",
|
||
"description": "一段 10 秒音乐视频的电影感提示词,场景设定在霓虹灯闪烁的暗调舞室中,包含持续的动态…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-3ab1709b8447.jpg",
|
||
"mode": "video",
|
||
"prompt": "生成视频:一部电影般的 10 秒音乐视频,拍摄于一个黑暗的现代舞蹈工作室,带有光滑的灰色反光地板、黑色墙壁和水平霓虹灯管。连续的动态摄像机运动,主要为中景和特写,绝不拉得太宽。女主角始终在移动,没有冻结或静态姿势。\n\n主要角色:20岁年轻东亚女性,凌乱的中长波浪黑发,前额刘海部分遮住脸庞,冷白皮,黑色眼睛,丰满光泽的嘴唇。她穿着白色真丝吊带连衣裙。她全程在唱歌,唇部同步清晰精确,嘴巴积极动作,强烈的感情表达。\n\n歌词:“ねえ、君は名前の入った箱をしまっているんだね / ベッド脇の引き出しの中に / ポラロイド写真やチケットの半券を / 赤いものの下に詰め込んで / 君はただ一つだけを持っていくんじゃなくて / 最後の残り火のすべてをさらっていく / そして、それぞれの秘められた心に / 小さな指の跡を残していくんだ”。\n\n0-2s:紧凑的中近景。她上身向后倾斜,头部侧倾,热情地唱歌,唇部同步强烈,头发垂落到脸上,身体弓起,一只手滑过胸膛。\n\n2-4s:摄像机缓慢推进并环绕。她从深弓姿势中恢复,躯干仍向前弯曲,双手放在大腿上,抬起头直视摄像机,同时以激进的唇部同步唱歌。三位外貌不同的男舞者(不同种族、发型和体型),穿着黑色背心和黑色宽松裤,已经靠近她周围,以低张力的姿势与她一同移动。另外两个男舞者在画面边缘可见,正在接近。\n\n4-6s:中近景。她向下蹲低,身体仍持续运动,头发摆动,激烈地唱歌,嘴巴动作清晰,头部锐利转动,眼睛锁定摄像机。男舞者保持靠近,他们的手在共同移动时轻轻触碰她。\n\n6-8s:中景,伴随缓慢的摄像机漂移。精确的五位外貌完全不同的男舞者,全都穿着黑色背心和黑色宽松裤,在地板上以密集交织的阵型紧紧包围她。她位于中心,身体仍在移动,上身上升和转移,以强烈的唇部同步唱歌。五位男舞者都与她微妙地移动,从不静态。男舞者绝不完全遮挡她的身体。\n\n8-10s:动态中景。五位多样化的男舞者将她举到空中,进入一个有力的深后弯姿势。她的身体完全伸展并弓起,头部向后甩,仍以清晰的唇部同步唱歌。他们托举着她,轻轻地随着节拍上下摇动。摄像机从她弓起身体的清晰侧视图开始,平滑过渡到她脸部的正面视图。结尾时,他们平滑地将她降落到脚上;她落地后立即继续唱歌,五位男舞者保持低姿势围绕在她周围。男舞者绝不完全遮挡她。\n\n高端时尚舞蹈能量,汗湿的皮肤,锐利的时机,女主角连续流畅的运动,每一帧都优先确保准确的唇部同步。\n\n规则:无手部变形,无身体扭曲,干净稳定的解剖结构,手指和手部在整个视频中保持一致和自然。,16:9",
|
||
"category": "music-beat-sync-mv",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@PixelAigc",
|
||
"sourceUrl": "https://x.com/PixelAigc/status/2078846287500439682"
|
||
},
|
||
{
|
||
"id": "seedance:case-571927740e2f",
|
||
"title": "写实风格中国辣条商业广告",
|
||
"description": "一个旨在利用特定图像参考来保持模特和场景一致性,从而创作专业零食广告的提示词。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-571927740e2f.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second photorealistic Chinese latiao commercial using @image1 only as a visual reference for the adult female model, study room, snack package, rooftop gathering, food appearance, and scene progression. Convert it into continuous full-screen live-action footage. Do not reproduce the storyboard grid, numbers, timecodes, headings, captions, borders, or graphic overlays.\n\nA young Chinese woman studies alone late at night in a cozy bedroom. She looks tired, then notices a red-and-white package of latiao beside her books. Her expression brightens as she picks it up and says in Mandarin:\n\n「差点忘了,还有这个!」\n\nShow a premium macro shot of her opening the package, revealing glossy orange-red spicy snack sticks coated with chili oil, sesame, and subtle chili flakes. She takes one natural bite and says:\n\n「又香又辣,越嚼越带劲!」\n\nHer mood becomes brighter as she continues organizing her notes. Transition to a city rooftop at sunset, where she shares the latiao with four clearly adult Chinese friends. She says:\n\n「好吃的,当然要一起分享!」\n\nThe friends bring their snack sticks together like a playful toast and say:\n\n「辣得开心!」\n\nEnd with a cinematic macro shot of the glossy latiao arranged on a black plate, followed by a premium product hero shot of the red-and-white package beside the snack. Final Mandarin narration:\n\n「辣得对味,快乐加倍。」",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@kentdhani",
|
||
"sourceUrl": "https://x.com/kentdhani/status/2080945278392406294"
|
||
},
|
||
{
|
||
"id": "seedance:dj-0f7bed87d7ec",
|
||
"title": "动漫 DJ 女孩俱乐部表演",
|
||
"description": "这是为 Seedance 2.0 编写的高技术视频提示词,旨在创作一个动漫风格的俱乐部…",
|
||
"image": "https://media.goodcase.ai/media/poster/dj-0f7bed87d7ec.jpg",
|
||
"mode": "video",
|
||
"prompt": "anime style、10秒、one-take、カットなし。少女を主役として同一人物を厳密に維持する。淡い金髪の長いツインテール、赤いリボン、ややダークな瞳、白と紺のセーラー服、胸元の赤いリボン、首にかけた黒いヘッドホン。場所はクラブ内部のDJブース。巨大なウーファーと縦積みスピーカーが背後にそびえ、奥には観客のシルエット。赤、青、紫、黄緑のスポットライトが煙を切り裂き、明るいパーティーの熱気を作る。全編を一貫したスタイル、完璧な視覚的統一感で描く。塗りは光沢なしのマットなベタ塗りを基本にしつつ、線画はわずかにちらつき・揺らぎがあり、陰影は揺れるハッチング、画材のかすれを感じる半スケッチ調、伝統的な画材風の質感で統一する。カメラはfisheye lens、斜め上から少し見下ろす handheld。0.0s-2.5s、左右に大きく揺れながら前後に規則的に弾み、ビートに身を委ねる感覚でdolly in。少女は右手でターンテーブルをスクラッチし、左手でフェーダーとノブを刻む。肩、腰、膝でリズムを取り、上半身をしなやかにくねらせる。2.5s-5.5s、カメラは彼女の正面から少し右へ流れ、前後に周回するような滑らかな半円運動。風が吹き抜けるようにツインテールとリボンが跳ね、彼女は手を上げ、非言語的な手のダンスで音を操る。5.5s-7.5s、指先が首元、肩、腕をなぞる流れを見せ、カメラはその手を追ってclose-upし、遠近法の強い魚眼で指の軌跡を強調する。7.5s-10.0s、重低音の盛り上がりでカメラが上下しつつ後方へ引き、再び前へ寄る。少女は一瞬だけ視聴者へ向けて手で短いジェスチャーを見せ、その直後にカメラを見上げる。最後はスクラッチを決め、体を弾ませながら笑みに近い高揚感で締める。音声は歌なし。EDM寄りのテックハウス、重いキック、深いベース、スクラッチ音、フロアの歓声のみ。全体にダイナミックで不安定だが、動きは滑らかで優雅、洗練された流れを保つ。",
|
||
"category": "music-beat-sync-mv",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Yuupapa_free",
|
||
"sourceUrl": "https://x.com/Yuupapa_free/status/2080550617043587535"
|
||
},
|
||
{
|
||
"id": "seedance:case-b8e777843103",
|
||
"title": "多元宇宙维度传送门坠落",
|
||
"description": "一个复杂的多重传送门旅程提示词,讲述了一个角色坠入不同维度的过程,从写实人类转变为动画…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-b8e777843103.jpg",
|
||
"mode": "video",
|
||
"prompt": "STYLE\nUltra-realistic cinematic adventure, live-action quality, blockbuster filmmaking, photorealistic, seamless visual transitions, grounded physics, natural daylight, HDR, immersive storytelling.\n\nCHARACTER\nA handsome young adult male with short dark hair, athletic build, wearing a black jacket over a gray T-shirt, dark jeans, and sneakers. Natural facial expressions and believable reactions.\n\nCAMERA\nShot on an ARRI Alexa 65 with anamorphic lenses. Smooth cinematic tracking, aerial camera movements, realistic motion blur, shallow depth of field, seamless transitions.\n\nLIGHTING\nBright natural daylight with physically accurate sunlight, realistic shadows and atmospheric haze.\n\nTIMELINE\n\n0.0–4.0s | Scene 1\nReal life like realistic style, natural lighting, The man standing on the rooftop of a tall building overlooking a busy modern city. A massive glowing dimensional portal suddenly opens high in the sky beyond the rooftop in front of him. The camera smoothly circles behind him into an over-the-shoulder view. Curious, he begins running toward the mysterious phenomenon. As he reaches it, gravity suddenly shifts, lifting him off the rooftop and pulling him into the portal. He immediately enters a continuous high-speed freefall through an endless sky. His expression changes from curiosity to complete shock. 4.0–8.0s | Scene 2, Still falling with realistic body movement and accurate wind interaction, a glowing portal appears below him. He passes smoothly through it without interruption. Instantly, the entire environment transforms into a vibrant animated city. Buildings, streets, vehicles, people, and even the character become high-quality animation while preserving his hairstyle, facial features, and clothing design. He looks at his animated hands and outfit in amazement while continuing to fall naturally. Another glowing portal appears below.\n8.0–12.0s | Scene 3\nHe falls through the next portal in one seamless motion. The world instantly transforms into a detailed voxel-style universe with block-built cities, roads, trees, clouds, vehicles, and people. His appearance changes into the same voxel style while keeping the same exact outfit and proportions. He continues falling with believable physics, examining his transformed body before spotting another portal beneath him.\n12.0–16.0s | Scene 4\nPassing through the next portal, everything transforms into a realistic futuristic sci-fi metropolis with advanced architecture, hovering vehicles, holographic displays, and cutting-edge technology. His clothing naturally changes into a sleek high-tech suit matching the environment, still his face and hands visible as the same character . Still falling continuously, he looks at his futuristic gloves and suit with disbelief while another glowing portal forms below.\n16.0–20.0s | Scene 5\nHe enters the final portal in one perfectly smooth transition. The environment transforms into a beautiful pastel-colored world with soft dreamy lighting, elegant architecture, colorful trees, and peaceful surroundings. His original casual outfit returns, reimagined in the same pastel artistic style. Still falling naturally, he looks at his hands, clothing, and surroundings in astonishment as life in every world continues normally, unaware of his journey. The sequence ends with him continuing his descent toward the vibrant landscape.\nDIRECTOR NOTES\nMaintain one continuous freefall throughout the entire sequence with accurate gravity, momentum, and natural body movement. Every portal transition should be fluid with no cuts or visual jumps. Each world should instantly transform around the character while preserving continuity. The character's appearance should adapt to each world's style while remaining instantly recognizable. Prioritize cinematic realism, believable reactions, and seamless world transitions.",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@NababUddin2",
|
||
"sourceUrl": "https://x.com/NababUddin2/status/2079428121133240602"
|
||
},
|
||
{
|
||
"id": "seedance:case-749c98da9b7d",
|
||
"title": "皮克斯风格奶昔故事板动画",
|
||
"description": "一个用于生成皮克斯风格奶昔商业广告信息图故事板的详细提示词,具有鲜艳的色彩和 3D 渲…",
|
||
"image": "/inspiration-thumbs/seedance/case-749c98da9b7d.webp",
|
||
"mode": "video",
|
||
"prompt": "Create a crisp, clean infographic storyboard poster for THE MILKSHAKE MAKER. Wide 16:9 layout, white background, black borders, bold black typography, premium Pixar 3D stylized rendering, bright vivid colors — creamy vanilla white, vivid red cherry, pure white whipped cream, chrome counter shine, warm diner neon glow, checkered floor red and white. Top header: THE MILKSHAKE MAKER TOTAL VIDEO TIME: 12 SECONDS 8 SHOTS · THICK · CREAMY · CLASSIC DINER Legend icons: ACTION, HEAT, TIME HINT, INGREDIENT Same Pixar-style young male soda jerk throughout — warm friendly smile, white paper hat, red bow tie, classic American diner setting, chrome counter, red vinyl stools, checkered floor, neon sign glowing in the window, warm afternoon light. 8 panels: Panel 1 — THE OPENER: Wide action shot. Soda jerk tosses the metal blender cup up with one hand and locks it firmly onto the mixer base with a confident flick of his wrist — motion frozen mid-action, his focused smile visible. Chrome counter, red vinyl stools and checkered floor visible around him. Different from the standing-and-presenting energy — this is action from frame one. Panel 2 — THE SCOOP: Close-up. Ice cream scoop digging deep into a tub of creamy vanilla ice cream — thick generous scoops lifted out and dropped into the metal blender cup one after another. Panel 3 — THE MILK: Wide medium with him fully visible. Soda jerk tilts a glass milk bottle, pouring a thick steady stream into the blender cup over the ice cream — his face focused, posture leaning slightly forward. Character back in frame. Panel 4 — THE BLEND: Dramatic close-up. Blender spinning at full speed — the milkshake swirling and churning vigorously inside the cup, a visible vortex forming, becoming completely smooth and impossibly thick. Panel 5 — THE POUR: Overhead locked shot looking straight down into the tall glass as the thick milkshake pours in from above — swirling and settling as it fills, the surface forming a slow spiral. Completely different angle from any other panel in the series. Panel 6 — THE CREAM: Wide medium with him fully visible. Soda jerk piping whipped cream in a tall perfect swirl on top of the milkshake — his hand steady and precise, face focused with concentration, the cream building higher with each pass. Panel 7 — THE CHERRY: Close-up dramatic, low side angle. A single bright red cherry falling from above into frame, about to land on the whipped cream peak — captured mid-fall at a completely different angle from the cream panel before it. Panel 8 — THE SIP: Wide warm shot, completely different setting energy from panel 1. Customer seated at the counter wraps both hands around the tall glass, leans in and takes the first sip through the straw — eyes closing in pure satisfaction, whipped cream on their nose. Soda jerk watching proudly from behind the counter, arms crossed, warm smile. Diner neon glowing softly behind them both. Footer: VIDEO FLOW: 8 shots × ~1.5s = 12 seconds. First scoop to first sip. CAMERA TIPS: wide action shot for the opener, close-up for the scoop, wide medium with him visible for the milk pour, dramatic close-up for the blend, overhead locked for the pour, wide medium with him visible for the whipped cream, close-up low side angle for the cherry, wide warm for the first sip LIGHT & STYLE: warm diner afternoon light, creamy vanilla white, vivid red cherry, pure white whipped cream, chrome counter shine, checkered floor, Pixar vivid warm colors throughout SODA JERK NOTES: one soda jerk, one glass, one perfect milkshake. Thick, creamy, and classic diner done right.",
|
||
"category": "storyboard-grid-to-video",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@gptproto",
|
||
"sourceUrl": "https://x.com/gptproto/status/2071501518679998922"
|
||
},
|
||
{
|
||
"id": "seedance:case-72e571e9353d",
|
||
"title": "韩式烤肉烹饪流程",
|
||
"description": "一个复杂的 Seedance 2.0 提示词,可将 9 步烹饪项目转化为厨师无缝衔接的…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-72e571e9353d.jpg",
|
||
"mode": "video",
|
||
"prompt": "CRITICAL INSTRUCTION: The reference image contains a 9-step chronological cooking storyboard for a Korean BBQ Platter. Animate the chef seamlessly through these exact 9 steps in order. Start at Step 1 (Slice marinated galbi beef ribs), flow into Step 2 (Heat stone grill pan with oil), then Step 3 (Grill galbi strips). Continue through Step 4 (Add pork belly to grill), Step 5 (Flip meats to caramelize), Step 6 (Arrange banchan side dishes), Step 7 (Build ssam lettuce wrap), Step 8 (Cut grilled meat with scissors), finishing on Step 9 (Full BBQ spread hero shot). Prioritize the strict sequence of actions.\nNo music. No subtitle.\nLocation: Traditional Korean BBQ restaurant with stone tabletop grill.\n15 seconds, 16:9, realistic, cinematic, smoky, appetizing, natural camera movement.",
|
||
"category": "process-transformation-montage",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Strength04_X",
|
||
"sourceUrl": "https://x.com/Strength04_X/status/2070471862522695793"
|
||
},
|
||
{
|
||
"id": "seedance:3d-cg-seedance-2-5-2453b4b4307a",
|
||
"title": "御剑修仙者战穷奇:3D CG 仙侠特效战斗场面(Seedance 2.5)",
|
||
"description": "同一篇横评文章第三个场景:修仙武者御剑战穷奇巨兽,3D CG 高精度建模仙侠特效战斗,…",
|
||
"image": "https://media.goodcase.ai/cases/c5e8fdb6d69a.jpg",
|
||
"mode": "video",
|
||
"prompt": "人设修仙武者:年轻男性,身姿挺拔,气质清冷出尘、仙风道骨;御剑飞行双脚踏着巨剑剑身上,处于战斗施法状态,先后单手结印、双手结印。足下巨剑:宽大厚重,剑身泛寒光,可一分为五,在修仙武者脚下呈扇形展开。巨型妖兽:穷奇外形的庞然巨兽,体型如小山般巨大,四足粗壮、巨爪如柱;处于发狂肆虐状态,四爪先后被锁、挣扎咆哮。场景玄幻仙侠架空世界,一片人迹罕至的荒山野地作为主要空间环境参考,开阔荒原,远处连绵荒山轮廓,偶有碎石与低矮枯木。战斗后期巨兽头顶上空汇聚雷云。画面风格3D CG 高精度建模动画,国漫精品剧集质感;玄幻仙侠题材,写实 CG 建模与毛发皮肤细节,仙术法阵与雷霆特效能量感强烈;宏大战斗场面调度,史诗感。影调开阔荒原大场景、宏大空间纵深;主发光源来自法术能量:巨剑分身寒光、金色法阵明亮金辉自地面向上映照巨兽身型、白紫色雷霆爆裂闪光;雷云汇聚后环境被云层阴影笼罩、明暗对比加剧,法阵金光与雷光交替勾勒妖兽与武者的轮廓;妖兽挣扎时尘土飞扬、暗部细节增多。视觉参考参考国漫《灵笼》《凡人修仙传》CG 剧集视觉质感:高精度角色建模、材质与光影写实、仙术特效的能量流动与光效层次、大场景运镜调度。全局约束无字幕、禁止生成字幕。分镜1,0s-2s,大远景,固定镜头,高机位轻微俯拍,从年轻修仙武者身后拍摄,武者脚踏巨剑剑身御剑悬停在空中位于画面的左上角,镜头视线聚焦下方的荒原野地:一头穷奇外形的巨型妖兽正在荒地上发狂肆虐,挥动巨爪拍碎地面、仰头咆哮,扬起大片尘土碎石;音效:妖兽低沉咆哮、爪击地面的闷响、碎石飞溅声。分镜2,2s-4s,中近景,固定镜头,聚焦悬停空中的武者上半身近景,武者目光一凝,随即抬手单手结印,口唇快速念出咒语「分则能成!」;音效:低沉咒语吟诵声。分镜3,4s-5s,切换武者脚下巨剑特写,固定镜头,脚下的巨剑剑身泛起光纹、嗡鸣震动,随即一分为五,在修仙武者脚下呈扇形展开,巨剑本体仍位于武者脚下;音效:剑身震颤金属嗡鸣。分镜4,5s-8s,大远景→妖兽四只巨爪的局部中景,荷兰角,快速跟拍,镜头紧密跟随四把分身巨剑的飞射轨迹跟拍。四把分身巨剑如流光般疾速飞射而下,分别命中妖兽四只巨爪,击中瞬间化作虚灵形态的灵光锁链缠绕锁紧四爪;妖兽四爪被锁、挣扎甩动却无法挣脱,仰头怒吼;音效:剑气破空声、锁链缠绕铮鸣、妖兽挣扎怒吼、地面震颤闷响。分镜5,8s-10s,特写,固定镜头,聚焦武者胸前结印的双手。高空中的武者双手抬起、十指交叠快速多次结印,法力凝聚的微光在掌间亮起,随即放声暴喝;对白:修仙武者(怒喝):「雷光咒!」;音效:灵力汇聚的低沉嗡鸣、武者暴喝声、妖兽持续咆哮。分镜6,10s-11s,全景,仰拍后拉。妖兽脚下的地面骤然亮起一个与它身型投影同样巨大的金色法阵,符文旋转展开、金光上涌,将挣扎的妖兽笼罩其中;音效:法阵启动的深沉轰鸣、能量流动的嗡嗡声。分镜7,11s-15s,大远景,仰拍。妖兽头顶上空乌云迅速汇聚,雷云翻滚、电光在云层中窜动,天色骤然压暗;一道巨大白紫色雷霆从乌云中迸发,自天而降击中巨兽身体,法阵金光与雷光同时爆发,妖兽身形被耀眼光芒吞没、剧烈震颤;音效:雷云翻滚闷响、电流滋啦声、雷霆炸裂巨响、轰鸣回响、大地震动。全局配乐:纯音乐 + 无词吟唱0s-2s:琵琶轮指 + 二胡紧张颤音长音,低音提琴拨弦脉冲;旋律短促、小二度游移(不安定感),音量中等、密度低2s-4s:琵琶扫弦 + 古筝十六分音符急奏,堂鼓+小钹进入密集节奏层,弦乐群齐奏推高4s-5s:大鼓滚奏渐密,铜管短促强音(\"锁\"的动作感),低频持续音垫底;妖兽咆哮处配乐主动让位——音量降、减旋律密度,给咆哮音效留空间5s-8s:只留低频持续音 + 箫孤音。打击乐静默、旋律消失8s-10s:古筝泛音 + 弦乐长音渐强,无词女声\"啊——\"进入(非歌词);和声从暗小调切向明亮大三和弦的临时离调10s-11s:大鼓滚奏 + 定音鼓渐强,弦乐密集颤音,30-60Hz 低频持续轰鸣;旋律线消失,只剩节奏与和声爬升;11s-15s:大鼓+定音鼓+镲片同击,唢呐/铜管齐奏强音,琵琶古筝最高密度扫弦;雷光爆闪处配乐让位 0.3s 给雷声音效;结尾快速衰减至低频余震 + 箫尾音",
|
||
"category": "combat-choreography",
|
||
"tags": ["wechat", "seedance", "video-prompt"],
|
||
"sourceId": "seedance",
|
||
"credit": "袋鼠帝",
|
||
"sourceUrl": "https://mp.weixin.qq.com/s?__biz=MzkwMzE4NjU5NA==&mid=2247519871&idx=1&sn=6c800d0dfcb8afb69c418751cdfd0d3b&gc=scene-3dcg-battle"
|
||
},
|
||
{
|
||
"id": "seedance:seedance-2-5-8d136b59e95a",
|
||
"title": "出租车分手戏:仿真人微表情连续情绪演变视频(Seedance 2.5)",
|
||
"description": "公众号《横测H3、Seedance系列,结果有点意外...(附7个超高质量提示词)》第…",
|
||
"image": "https://media.goodcase.ai/cases/c63cbb62b439.jpg",
|
||
"mode": "video",
|
||
"prompt": "人设女性:年轻漂亮,长发披肩,坐在出租车后排。角色状态:与男友分手告别,表面强撑微笑、内心悲伤压抑,最终情绪崩溃嚎啕大哭。场景出租车内部的后排车厢作为空间环境参考,前排副驾驶空位(前景局部失焦虚化);侧车窗与后车窗均被雨水打湿;车窗外为城市街道夜景、霓虹灯光、淅淅沥沥的小雨。画面风格真人实拍质感的青春恋爱电视剧,现代都市写实服化道,细腻情感戏审美,情绪戏节奏克制。影调车内整体偏暗,窗外城市夜景与霓虹灯光透过雨打车窗,在车内形成流动的彩色光斑与明暗切片,勾勒女性面部轮廓与长发边缘;车窗玻璃上雨珠反光;夜景冷调为主,霓虹光斑冷暖交织。全局约束无字幕、禁止生成字幕。画面内容分镜 1,0s-6s,车内中景,固定机位,摄像机位于前排副驾驶位置朝后方拍摄;前景左下方为副驾驶空座椅背局部(失焦虚化),女性位于画面右侧三分线位置。她侧着脸望向右侧车窗外,轻咬下唇,微笑着与窗外人道别,窗外站着一名身穿灰色夹克黑色牛仔裤的男性,透过车窗只能看见男性的局部身体:对白:女性(轻咬下唇,微笑):「就这样,不用送了。」随后她转头面向镜头,对前排司机说:对白:女性:「司机,开车。」说完她不经意地带出一声压抑的细微啜泣,随即轻轻舒了一口气,脸上仍保持着刚才的微笑。出租车随即启动,车身轻微震动一下,车辆起步向前开动,窗外男性朝着车窗挥手再见(局部入画),男性与窗外雨幕与霓虹灯光快速向后掠过。音效:淅沥雨声打在车顶与车窗,城市夜晚低缓的环境底噪;对白期间人声清晰突出;一声压抑的细微啜泣;轻舒气声;发动机启动声与车身轻微震动;轮胎碾过湿路面的起步声。分镜 2,6s-15s,切换车内后排近景,手持拍摄,轻微仰拍,镜头随行驶中的车身轻微晃动;焦点在女性肩部以上正面,她背后隔着被雨打湿而模糊的后车窗,城市街景与霓虹灯光逐渐远去。一开始女性脸上仍带着微笑,没有皱眉也没有哭,慢慢地她开始轻微皱起眉头,小幅摇了摇头,像是反悔刚才说出口的话;接着她的嘴角微微下压,抿紧双唇,眼眶开始泛红;她稍稍仰起头试图忍住,眼神有些游离地瞥向旁边车窗外;接着她终于再也压抑不住 —— 嘴角明显下垂,眉毛内收收紧,鼻子开始抽搐,眼神黯淡,眼眶湿润,泪水开始流出;然后她垂下头、微微蜷缩着肩膀,随即猛然仰头,嚎啕大哭,一边哭一边抬手擦去脸上止不住的泪水。整段为逞强微笑→压抑情绪→悲伤外泄→情绪大爆发的连续情绪变化,一镜到底。音效:雨声持续;行驶中发动机低鸣与轮胎碾过湿路面的沙沙声;呼吸渐重、吸鼻声;压抑啜泣转为放声大哭;手背擦拭泪水的摩擦声与衣料声。全局配乐雨夜分手情绪戏(15s 配乐轨,无歌词)0-6s 无BGM,只保留对白和环境声;6-8s 微笑→轻微皱眉 | 钢琴单音/两音动机从雨声里渗出,极弱 pad 垫底,像回忆浮上来;8-10s 摇头反悔→抿唇→眼眶泛红 | 钢琴变叹息式下行音型,大提琴长音进入;10-12s 仰头忍泪→眼神游离 | 小提琴组加入,和声加厚,钢琴分解和弦铺开;12-13.5s 嘴角下压→鼻翼抽动→泪落 | 情绪临界:弦乐揉弦+力度加强,钢琴和弦加重;13.5-15s 垂头蜷缩→仰头嚎啕大哭 | 段落峰值:弦乐齐奏主题,钢琴八度重音。",
|
||
"category": "dialogue-performance-beats",
|
||
"tags": ["wechat", "seedance", "video-prompt"],
|
||
"sourceId": "seedance",
|
||
"credit": "袋鼠帝",
|
||
"sourceUrl": "https://mp.weixin.qq.com/s?__biz=MzkwMzE4NjU5NA==&mid=2247519871&idx=1&sn=6c800d0dfcb8afb69c418751cdfd0d3b&gc=scene-taxi-breakup"
|
||
},
|
||
{
|
||
"id": "seedance:doc2-biscuit-ad",
|
||
"title": "水果饼干电商广告",
|
||
"description": "水果饼干电商广告短片,四种口味饼干与对应水果按几何阵列排列,高潮处饼干掰开慢动作展现果…",
|
||
"image": "https://media.goodcase.ai/supabase-legacy/case-media/carl-posters/doc2-biscuit-ad.jpg",
|
||
"mode": "video",
|
||
"prompt": "Bright, colorful commercial-ad style, with fruit biscuits as the hero, featuring four flavors - strawberry, apple, grape, and orange. \nThe biscuits and their matching fruits are arranged in a strongly ordered geometric array, the overall image clean, high-end, and strongly rhythmic. The opening quickly establishes visual focus with fruit, the music's downbeat cutting in. Then the different-flavor biscuits line up neatly, cut to close-up. In the climax segment, a biscuit is snapped in half, instantly entering slow motion, the fruit filling bursting open, crumbs flying, the juicy feel and grain impact magnified and showcased. A horizontal array forms a rhythmic parabolic toss, highlighting the orderly beauty and product richness. Then it quickly returns to fast-paced editing. At the end, the English text \"One bite of crispness, a heart full of delight\" cuts in rapidly word by word, paired with strongly rhythmic text motion and a product freeze, finally closing with a brand feel, the biscuits and fruit radiating outward, referencing, the image full of a young, energetic, delicious, share-worthy ad atmosphere.",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["电商广告", "产品广告", "英文提示语"],
|
||
"sourceId": "seedance",
|
||
"credit": "卡尔",
|
||
"sourceUrl": "https://x.com/aiwarts?gc=doc2-biscuit-ad"
|
||
},
|
||
{
|
||
"id": "seedance:doc2-biscuit-to-icecream-swap",
|
||
"title": "饼干广告局部编辑:无缝替换成雪糕",
|
||
"description": "基于原饼干广告视频做局部编辑的案例,保持镜头运动、光影与音频完全不变,仅将画面中四种饼…",
|
||
"image": "https://media.goodcase.ai/supabase-legacy/case-media/carl-posters/doc2-biscuit-to-icecream-swap.jpg",
|
||
"mode": "video",
|
||
"prompt": "基于视频【@原视频】做局部编辑修改,保持原视频中水果的种类、形状、颜色、细节、位置、时间静止效果、运动效果、镜头运动、环绕轨迹、构图、光影氛围、画面质感、音频内容与整体节奏全部不变,只进行以下唯一精准修改:删除原视频中出现的所有【饼干】,包括【饼干】的形状、纹理、颜色、阴影与运动残影。在原【饼干】完全相同的空间位置、大小比例、冻结时刻和运动轨迹上,替换为【草莓味雪糕@草莓味图、苹果味雪糕@苹果味图、葡萄味雪糕@葡萄味图、橙子味雪糕@橙子味图】。【雪糕】严格参考瓶型、瓶盖、标签、色彩、材质、反光、包装细节与整体外观;掰碎的慢动作阶段,【雪糕】中间有粘稠果酱,雪糕碎屑飞溅。除“饼干替换为雪糕”外,其他所有画面音频内容必须全部保持原样;不要删除或新增帽子、服装、人物、台词、音效、文字、LOGO或水印。",
|
||
"category": "product-commercial-shotlist",
|
||
"tags": ["电商广告", "局部编辑", "产品替换", "以视频为参考", "ref-to-video"],
|
||
"sourceId": "seedance",
|
||
"credit": "卡尔",
|
||
"sourceUrl": "https://mp.weixin.qq.com/s/bNtxe27sQfGVig40VCAd_Q?goodcase=doc2-biscuit-to-icecream-swap"
|
||
},
|
||
{
|
||
"id": "seedance:doc2-spiderman-transform",
|
||
"title": "变身蜘蛛侠:单人照片生成超英变身长镜头",
|
||
"description": "单人照片生成的超级英雄变身长镜头视频,男主从窗台跃出后连续两次甩蛛丝完成钟摆式摆荡,蹬…",
|
||
"image": "/inspiration-thumbs/seedance/doc2-spiderman-transform.webp",
|
||
"mode": "video",
|
||
"prompt": "视频prompt:时间段:0-1.8秒 画面:年轻亚洲男主佩戴银色头戴式耳机,身穿灰色连帽棒球服、深色长裤,正面坐在打开的窗台上。他突然向后仰,头肩先下沉,双腿越过窗框,直接倒出窗外,不做完整后空翻。运镜:稳定对称的中大全景;男主后倒时,摄影机迅速前推并向下俯冲,穿过窗口跟随人物。 时间段:1.8-3.2秒 画面:窗台距离街道不高,男主短暂下坠,湿润街道与车辆迅速放大。他将身体调整为斜向前方,抬手朝建筑高处射出蛛丝。蛛丝瞬间绷紧,将下坠转化为向前摆荡,与耳机没有任何连接。运镜:贴近人物俯冲,通过短促甩镜进入手腕近景;蛛丝绷紧后沿牵引方向加速,转为贴近街面的追拍。 时间段:3.2-5.7秒 画面:男主沿街道完成一次流畅的钟摆式摆荡,从车辆上方低空掠过。身体顺着惯性自然延伸,衣服和头发受到气流吹动。到达最低点后迅速加速,随后松开蛛丝向前滑行,全程不翻转。运镜:摄影机在侧后方低空追随,沿摆荡弧线先下降再抬升,车辆和路灯快速掠过前景。 时间段:5.7-8秒 画面:顺着惯性向前方(类似物抛物线逻辑)至身体微微下降时,男主立刻再次抬手朝另一侧建筑高处射出蛛丝,蛛丝再次瞬间绷紧,(画面微自然加速)将下坠转化为向前摆荡,与耳机没有任何连接。运镜:贴近人物侧面平移快速跟拍,通过短促甩镜进入手腕近景;蛛丝绷紧后沿牵引方向加速,转为贴近街面的追拍。。 时间段:8~10.3秒 画面:男主贴近建筑外墙滑行,双脚依次踩上墙面和金属消防梯,完成两次快速蹬墙,随后跃向街道。动作具有明确受力与反弹,不进行空翻。运镜:贴近墙面侧向追拍,短暂靠近鞋底落点,再跟随人物向下移动。 时间段:10.3-12.8秒 画面:镜头先呈现湿润人行道的低机位空镜,男主的影子掠入,随后双脚从画面上方落下。棕色靴子落地并溅起少量水花,膝盖自然缓冲,男主立即起身向前奔跑。运镜:落地前保持贴地固定机位;双脚触地后镜头轻微震动,迅速向上摇摄,再转为低机位侧后方追拍。 时间段:12.8-17秒 画面:男主继续奔跑,一辆黄色出租车从镜头前方驶过并短暂遮挡。车辆移开后,男主已经来到道路另一侧,踩住低矮护栏向前跃起,同时射出第3道蛛丝,蛛丝迅速绷紧,男主连接蛛丝的手用力一拉,整个身体被迅速牵引向建筑屋顶,双脚再次踩上墙面,完成两次快速蹬墙,随后跃向建筑楼顶。运镜:低机位追拍,利用出租车完成遮挡;随后侧向跟随男主跃起并向上仰拍,利用建筑墙面掠过衔接屋顶。 时间段:17-19.2秒 画面:男主落在屋顶水洼旁,以低位蹲姿缓冲,一只手触碰水面,产生克制的水花与涟漪。他缓慢起身,先看向摄影机,再平静地望向远处城市。运镜:从低位中景平稳上升并轻微前推至中近景;男主转头时镜头停止移动。 时间段:19.2-20.8秒 画面:男主转身面向纽约天际线。摄影机移动至侧后方并拉远,由人物中近景扩大为屋顶大全景,远处高楼与尖顶摩天楼进入画面,最后停留半秒并自然淡出。运镜:稳定后拉并轻微横移,最后固定机位停留。",
|
||
"category": "combat-choreography",
|
||
"tags": ["超级英雄变身", "图生视频", "长镜头", "画布节点生图生视频"],
|
||
"sourceId": "seedance",
|
||
"credit": "卡尔",
|
||
"sourceUrl": "https://x.com/aiwarts?gc=doc2-spiderman-transform"
|
||
},
|
||
{
|
||
"id": "seedance:doc2-time-freeze-park",
|
||
"title": "游乐园时间静止:假牙恶作剧",
|
||
"description": "欧洲电影风格的游乐园时间静止短片,男孩鼓掌后让全场定格,在静止的人群间穿行完成三组恶作…",
|
||
"image": "https://media.goodcase.ai/supabase-legacy/case-media/carl-posters/doc2-time-freeze-park.jpg",
|
||
"mode": "video",
|
||
"prompt": "生成一段欧洲电影风格短片,大约24秒,主角是一个帅气的美国少年男孩,卷发,真实欧洲电影感,位于2020年代美国游乐场。\n0-4s:中景固定镜头,聚焦主角上半身:主角站在夏日游乐园入口的遮阳棚下,抬起双手放到胸前,手掌即将合拢做出鼓掌动作,身后的过山车载满游客向上爬升,周围游客笑着跑过,明黄色的日光把整个场景照得通透明亮,2秒时切换整个夏日游乐园的动态画面停留0.5秒后切回男主。\n4-6s:镜头快速甩动横扫全景:主角双掌拍合的瞬间,切换回整个夏日游乐园的画面但所有动静完全冻结,正在过山车上欢呼的游客定格在半空,跑跳的小孩悬步在空中,上升的彩色气球停留在蓝天白云之间,正在喷的喷泉水珠全部定在半空中,整个喧闹的游乐园瞬间变成明亮夏日下的完全静止世界。\n6-9s:低角度跟拍镜头跟随主角脚步快速移动:主角在静止的游客空隙里快速穿行,动作流畅速度明显快于正常现实世界。\n9-13s:近景特写固定镜头对准老人面部和手部:白发老人定格在仰头打喷嚏的状态,假牙从嘴边掉落到半空,主角伸手稳稳接住假牙,轻轻放回老人的嘴里,调整到贴合位置,还顺手帮他把快要滑掉的太阳帽往上扶了扶。\n13-17s:中景固定镜头对准定格的情侣:男生和女生面对面定格,准备凑过去咬对方手里的棉花糖,主角伸手把两支超大彩色棉花糖互换位置,轻轻放到对方嘴边的位置,还调整了一下角度防止糖丝飘散\n17-21s:低角度特写镜头对准路人脚面:戴有线耳机的年轻路人定格在单脚抬起准备往激流勇进项目跑的状态,主角蹲下身,专注地把他两只鞋的鞋带两两系成一个结实的蝴蝶结,动作快速完成后起身拍了拍手上沾的沙砾。\n21-24s:中景推进镜头回到主角正面:主角做完所有恶作剧动作,后退几步站在摩天轮下方的草坪空旷处,活动了一下手腕,抬手抹了抹额角的汗,再次抬起双手放到胸前,准备做出鼓掌动作恢复时间,脸上露出轻松满意的笑意。",
|
||
"category": "time-freeze-rewind",
|
||
"tags": ["时间静止", "剧情短片", "一镜到底", "2.0/2.5对比"],
|
||
"sourceId": "seedance",
|
||
"credit": "卡尔",
|
||
"sourceUrl": "https://x.com/aiwarts?gc=doc2-time-freeze-park"
|
||
},
|
||
{
|
||
"id": "seedance:doc3-game-realtime-magnetriot",
|
||
"title": "游戏实机展示《Magnet Riot》主菜单到冲刺",
|
||
"description": "赛博朋克游戏《Magnet Riot》实机展示视频,角色NIX在主菜单点击CONTIN…",
|
||
"image": "https://media.goodcase.ai/supabase-legacy/case-media/carl-posters/doc3-game-realtime-magnetriot.jpg",
|
||
"mode": "video",
|
||
"prompt": "角色参考图1,UI风格参考图2。高角度俯拍,NIX盘腿坐在电光青色涂鸦地面,抬头看向镜头。右侧显示菜单:START NEW RUN、CONTINUE(高亮)、GEAR、SETTINGS,左上角显示NIX / LEVEL 19。光标点击CONTINUE,镜头推近右脚,MAG-STEP LOADOUT面板滑入,选项由GRIND MODE切换至WALL-RUN。鞋底装甲分开,活塞伸展,磁力轨道旋转锁定,黄色线圈与青色能量依次亮起。镜头绕至左侧,KINETIC MODS网格出现,快速切换SOLE、COIL、HEEL、GAUNTLET。磁力鞋和右臂手甲逐段拆解重组,新线圈、推进器和抓钩模块吸附安装,露出导轨与线路,迸发橙色火花。点击LOCK CONFIG,UI收缩成贴纸飞散。NIX单膝起身,手甲上膛,磁力鞋展开。SYNCING进度条填充至100%,青色空间变暗,城市以扫描线逐层加载。立体涂鸦都市、悬浮轨道、广告牌、车流、无人机和列车显现。镜头转为第三人称,HUD与任务RACE THE STATIC LINE—420M出现。NIX冲刺发射抓钩,腾空翻转,切换滑轨模式落上悬空轨道,带着黄色火花高速滑入城市。",
|
||
"category": "game-ui-livestream",
|
||
"tags": ["游戏实机", "UI联想生成", "角色动作", "赛博朋克"],
|
||
"sourceId": "seedance",
|
||
"credit": "卡尔",
|
||
"sourceUrl": "https://x.com/aiwarts?gc=doc3-game-realtime-magnetriot"
|
||
},
|
||
{
|
||
"id": "seedance:doc3-kpop-mv-real-person",
|
||
"title": "真人拼贴杂志风 K-pop 女团 MV",
|
||
"description": "真人拼贴杂志风K-pop女团MV,锁定参考图中三位固定成员的脸型与服装,全程真实开口对…",
|
||
"image": "https://media.goodcase.ai/supabase-legacy/case-media/carl-posters/doc3-kpop-mv-real-person.jpg",
|
||
"mode": "video",
|
||
"prompt": "以参考图中的三位成年女性为固定女团成员,生成15秒、16:9的真实KPOP女团MV。三人全程自然开口演唱,嘴唇与歌曲英文歌词同步,具有真实下颌、呼吸和演唱表情,不要闭嘴摆拍。严格保持三人的脸、发型、身材和粉黑银服装一致。\n模仿参考视频的快节奏硬切、鱼眼近景、闪光灯、人物定格、拖影、分屏和时尚杂志拼贴。主色为芭比粉、黑、奶油白和镜面银。将“PINK LIGHT”“ONE TOUCH”“TURN IT ON”“BASS RUSH”“LIP GLOSS”“SWITCH IT UP”“CHROME HEART”“NO BRAKES”“HEARTBEAT”“DETONATE”直接做成超大动态歌词,随演唱逐词出现,遮挡人物或超出画框,粗体与超窄字体混排,拼写清晰准确。禁止AI脸、换脸、闭嘴、人物融合、畸形手指、乱码、额外人物、水印和缓慢转场。",
|
||
"category": "music-beat-sync-mv",
|
||
"tags": ["K-pop MV", "真人一致性", "拼贴风格", "动态歌词"],
|
||
"sourceId": "seedance",
|
||
"credit": "卡尔",
|
||
"sourceUrl": "https://x.com/aiwarts?gc=doc3-kpop-mv-real-person"
|
||
},
|
||
{
|
||
"id": "seedance:doc3-retro-collage-title",
|
||
"title": "美式拼贴风科幻动画电影片头《NEON OVERDRIVE》",
|
||
"description": "美式拼贴风科幻动画电影片头《NEON OVERDRIVE》,讲述快递少女与声波精灵穿越…",
|
||
"image": "https://media.goodcase.ai/supabase-legacy/case-media/carl-posters/doc3-retro-collage-title.jpg",
|
||
"mode": "video",
|
||
"prompt": "生成一支15秒16:9横版原创科幻冒险动画电影片头,片名《NEON OVERDRIVE》。磁悬浮快递少女NOVA REY与声波精灵BIX携带“黎明唱片”,穿越由音乐频率驱动、不断折叠分裂的平行都市,赶往天空电台。整体采用复古日系动画片头、硬边剪影、漫画印刷拼贴、非对称分屏、网点颗粒、套色偏移、纸张撕边、速度线和强烈几何色块,主色为电光青、酸性黄、珊瑚橙、洋红、深靛蓝与黑色。氛围青春、酷、自由、灵动,不悬疑、不犯罪。黑底定位线先出现,画格、人物、唱片、轮鞋火花与城市建筑跟随鼓点撞入;建筑翻转、街道折叠,角色连续穿越并撞破画格。英文署名依次出现“A FILM BY ELIAS NORTH”“STARRING MIRA VALE”“MUSIC BY JUNO MERCER”,最后定格“NEON OVERDRIVE”与“ネオン・オーバードライブ”,每条文字仅出现一次。转场使用唱片遮罩、长影擦屏、巨大字母遮罩、边框重组和色块硬切,不要柔和溶解。BGM使用合成器贝斯、切分鼓点、琶音、电吉他与短促铜管,结尾唱片急停并重击定格。不要蜘蛛、蛛网、超级英雄制服、现有角色、真人写实、三维卡通、中文或乱码。",
|
||
"category": "anime-style-lock",
|
||
"tags": ["创意片头", "动画", "拼贴风格", "单节点生成"],
|
||
"sourceId": "seedance",
|
||
"credit": "卡尔",
|
||
"sourceUrl": "https://x.com/aiwarts?gc=doc3-retro-collage-title"
|
||
},
|
||
{
|
||
"id": "seedance:doc3-ui-motion-sonora",
|
||
"title": "SONORA 耳机官网 UI/UX 动效视频",
|
||
"description": "SONORA 头戴耳机官网UI/UX动效视频,页面以黑灰暖白配色与超大粗体字排版,单页…",
|
||
"image": "https://media.goodcase.ai/supabase-legacy/case-media/carl-posters/doc3-ui-motion-sonora.jpg",
|
||
"mode": "video",
|
||
"prompt": "一个高端 SONORA 头戴式耳机官网 UI/UX 动效视频,核心展示图片1中的白色耳机。页面采用黑、灰、暖白配色,以倾斜的超大粗体文字张扬排版,背景融合动态光影、碳纤维、声学网布与声波纹理。视频以单页面、一镜到底的方式流畅向下滚动,顶部导航固定,耳机通过 sticky 效果稳定缩放并移动至右侧,左侧依次出现降噪、音质、续航等卖点。鼠标悬停时,仅局部按钮或卡片产生放大、颜色反转与弹性反馈。全程保持耳机造型、暖白配色及“SONORA”字标一致,禁止页面跳转、布局变化、产品变形、镜头切换和乱码。16:9,4K,高级运动科技官网质感。",
|
||
"category": "game-ui-livestream",
|
||
"tags": ["UI动效", "网页动效", "产品官网", "文字稳定性"],
|
||
"sourceId": "seedance",
|
||
"credit": "卡尔",
|
||
"sourceUrl": "https://x.com/aiwarts?gc=doc3-ui-motion-sonora"
|
||
},
|
||
{
|
||
"id": "seedance:case-a845e1418b39",
|
||
"title": "昭和时代复古客厅场景",
|
||
"description": "一个叙事性提示词,描绘了昭和时代祖孙共处的怀旧场景,重点在于人物互动与对话。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-a845e1418b39.jpg",
|
||
"mode": "video",
|
||
"prompt": "居間でテレビを観ていた祖母が立ち上がり振り返って孫たちを見る、祖母が孫たちに「アンタたち、オフロ入ってきなさい!」と優しく声をかける、幼い姉妹たちが明るく「はぁ〜い!」と返事をし、脱いだ下駄を並べ裸足で居間へ上がっていく、年の離れた紫色の浴衣を着た姉がバケツを片付けながら幼い姉妹に「足ふきなさい!」と声をかける",
|
||
"category": "dialogue-performance-beats",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@SanShiroH_X",
|
||
"sourceUrl": "https://x.com/SanShiroH_X/status/2081189582553657528"
|
||
},
|
||
{
|
||
"id": "seedance:case-251215797a14",
|
||
"title": "硬核科幻动漫剪辑",
|
||
"description": "一段为角色 Kael Drayn 制作的超快节奏动漫动作剪辑,呈现硬核科幻美学与可变帧…",
|
||
"image": "/inspiration-thumbs/seedance/case-251215797a14.webp",
|
||
"mode": "video",
|
||
"prompt": "KAEL DRAYN @[Image] — \"Frontier Justice\" | Action Sequence. 15-second montage, hyper-kinetic rhythmic editing, variable frame\nrates.\n\nArt Direction & Vibe: Premium key art. Unified style: high-end gritty sci-fi\nanime render, sharp graphic linework, cinematic spatial lighting. Setting:\nlawless outer-rim outpost, dusty streets, rusted corrugated metal, harsh desert\nsun.\n\nColor Discipline: Suppressed palette: sun-bleached beige, dry ochre, rusted\niron, muted olive. Accents: his terra-cotta skin/markings, searing crimson enemy\nblaster bolts, and the blinding neon-green of his plasma sword. High contrast;\nthe plasma blade casts stark green rim-light on kicking dust. Atmosphere:\nblowing sand, heat distortion, flying sparks, kinetic motion blur.\n\nThe Character: Locked design (match reference): KAEL DRAYN, Outer Rim Sentinel.\nPatterned alien head-tails, dark facial markings, calm focused eyes. Earth-toned\ntactical gear, draped olive cowl, utility belts, combat boots. Wields a\nmechanical hilt emitting a neon-green plasma blade. Demeanor: disciplined,\nprecise, unshakeable — zero wasted movement amidst chaos.\n\nShot Design: Rotate combat grammar. Macros (thumb igniting hilt, green blade\nmelting a crimson blaster bolt, tactical boot pivoting in sand) to wide\nacrobatic leaping strikes. Hard diagonals, dirty over-the-shoulder perspectives,\ndynamic low-angle hero framing. Lighting: blistering harsh daylight, intense\nneon-green ambient glow during strikes. 3 environmental combat frames: a\nscorching blast-mark on an adobe wall, sliced metal debris falling, wind\nsweeping dust over footprints.\n\nStory Arc: Open on tense stillness. Omens: shifting shadows, a mercenary's\nweapon clicking. Introduce in defense: mechanical hilt snaps up, blade ignites,\ntight macro framing of rapid blaster deflection. Escalate through the\ncounter-attack: Kael fluidly advances through the crossfire, a blur of leaping\nstrikes and spinning green light trails carving through the dust. Resolve\nclimactic frame: Kael in a grounded low stance, sword sheathed, cowl blowing in\nthe wind, completely unbothered amidst fallen adversaries. High-velocity\nwhip-pans between beats; kinetic precision.",
|
||
"category": "combat-choreography",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@itsPixieVerse",
|
||
"sourceUrl": "https://x.com/itsPixieVerse/status/2081161446671651074"
|
||
},
|
||
{
|
||
"id": "seedance:asmr-eb8937adce5b",
|
||
"title": "奢华美妆护肤 ASMR",
|
||
"description": "一个创意提示词,用于生成带有傲娇 ASMR 个性的高维护奢华美妆与护肤流程,呈现复古摄…",
|
||
"image": "https://media.goodcase.ai/media/poster/asmr-eb8937adce5b.jpg",
|
||
"mode": "video",
|
||
"prompt": "High-maintenance luxury beauty/skincare routine with sassy, condescending ASMR elements- seedance 2.0 prompt\n\nCAMERA / LOOK: Propped iPhone/Mini DV camcorder footage on a sleek vanity mirror stand. Soft diffuse lighting, delicate lens flare, gentle zoom adjustments, subtle tape grain, polished high-end aesthetic. STYLE: High-maintenance luxury beauty/skincare routine with sassy, condescending ASMR elements. Paws delicately patting bottles, slow blinks, arrogant pauses. SUBJECT: Fluffy white Persian cat with a flat smushed face, emerald green eyes, wearing a tiny silk hair wrap. Smug, unimpressed expression, regal demeanor. SETTING: Marble bathroom vanity with expensive serum glass bottles, jade roller, plush velvet towel, warm vanity light bulbs. STORYBOARD: → (2s, medium shot) Adjusts camera angle with one claw. \"Good morning to everyone except my human who woke me up 3 minutes early.\" → (1.5s, detail shot) Taps a glass serum bottle with front paw. Crisp clinking glass ASMR sound. → (1.5s, close-up) Slowly pushes serum bottle off the counter while maintaining eye contact with camera. Loud shatter/thud sound below. \"Oops. Gravity works. Moving on.\" → (2s, detail macro shot) Softly licks back of paw and wipes ear in slow motion. Soft grooming ASMR sound. → (1.5s, close-up) Gazes into mirror, tilting head. \"Skin is glowing, pores are non-existent. You're welcome.\" → (1.5s, medium handheld shot) Uses jade roller on forehead using tiny paw. \"Reducing puffiness from sleeping 18 hours instead of 19.\" → (1.5s, macro detail shot) Sniffs a tub of catnip cream, letting out a delicate sneezed 'achoo'. → (1.5s, medium shot) Sits tall, smoothing chest fur with arrogant posture. \"If you can't afford this routine, just say that.\" → (1s, ending shot) Slow blinks condescendingly into lens. \"Don't forget to subscribe. Or don't. I don't care.\" → (1s, final shot) Swats camera violently off vanity counter. Video cuts to static grid. AUDIO NOTES: Glass bottle clinking, soft licking/grooming sounds, heavy purring sub-bass, arrogant posh voice with refined lip movements. REALISM & COMEDY NOTES: Photorealistic white Persian fur physics, subtle whisker twitches, natural cat slow-blinks, hysterical condescending tone paired with classic cat chaotic behavior (knocking things off tables).",
|
||
"category": "pet-animal",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@sebatheepan",
|
||
"sourceUrl": "https://x.com/sebatheepan/status/2080999511195828239"
|
||
},
|
||
{
|
||
"id": "seedance:case-50692082320d",
|
||
"title": "暗黑超现实镜面反射恐怖短片",
|
||
"description": "一个复杂的电影级视频提示词,呈现了一场关于男人与其感知反射影像的心理恐怖场景。镜头从对…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-50692082320d.jpg",
|
||
"mode": "video",
|
||
"prompt": "@referance image As first frame. A sharply dressed man in a dark blazer and black shirt stands facing a tall ornate mirror in complete darkness. His reflection stares back — but the reflection smiles while he does not.\n0–2s: Medium shot, symmetrical composition — the man on the left, his reflection on the right. Camera holds perfectly still. A cold overhead spotlight illuminates only him and the mirror. His expression is stone-cold. His reflection slowly tilts its head and grins wider. In a deep voice with metallic reverb: \"You're not me.\" The reflection mouths the words simultaneously but slightly delayed. A dissonant string tone swells underneath.\n2–5s: On the bass hit, he punches the mirror. Time shifts to extreme slow motion at the moment of impact. The glass cracks in a radial spiderweb pattern from his fist outward. Each crack emits a thin line of white light. Macro detail: his knuckles pressing into the fracture point, glass beginning to separate, light bleeding through. The shards start to lift outward toward the camera, each one containing a different version of his reflection — one laughing, one screaming, one calm, one looking away. Bass reverberates with a metallic distortion.\n5–9s: The music drives forward. He steps through the broken mirror frame into a mirrored void — infinite reflections of himself stretching in every direction. Camera pulls back into an extreme wide shot revealing thousands of copies. He walks forward, each copy mirroring his movement but one beat delayed, creating a cascading wave effect. Camera tracks alongside him in a smooth lateral dolly. The copies begin diverging — some stop walking, some turn to face him, some dissolve into particles. He keeps walking, unflinching.\n9–12s: The music reaches maximum intensity. He stops. Every copy stops. He turns to face the camera directly. Every copy turns to face him. Silence. Then on the final beat, every copy shatters simultaneously into mirror fragments that fly toward the camera. He remains standing, untouched, as thousands of reflective shards stream past the lens. Final frame: him alone in darkness, no mirror, no copies. One last shard floats past — in it, the smiling reflection winks. Hard cut to black.\nCinematic texture, film grain, anamorphic lens flare, shallow depth of field. Lighting: cold overhead spot, white light through glass cracks, infinite reflections multiplying light sources. Audio: dissonant strings, metallic voice reverb, glass impact, slow-motion crack propagation, cascading footstep echoes, silence-to-shatter, massive final impact. 4K Ultra HD. Maintain consistency.",
|
||
"category": "horror-suspense",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Nexustechai1",
|
||
"sourceUrl": "https://x.com/Nexustechai1/status/2081527386508611807"
|
||
},
|
||
{
|
||
"id": "seedance:case-19957ff473b6",
|
||
"title": "童年玩具对话提示词",
|
||
"description": "一段视频提示词,描述了朋友们在酒吧里讨论童年时期男孩和女孩玩具之间差异的对话。",
|
||
"image": "https://media.goodcase.ai/media/poster/case-19957ff473b6.jpg",
|
||
"mode": "video",
|
||
"prompt": "主体:两个男人和一个女人,他们是朋友\n场景:一家酒吧,他们三个人围坐在一张桌子上喝茶\n这里,其中一个男人A说:\n“说一个有意思的事”\n女人说:“什么事?”\n男人B对男人A说:“你说”\n男人A说:“小的时候,男孩子都喜欢电动玩具,女孩子都喜欢娃娃”\n女人说:“是啊”\n男人A说:“等到长大后,好像就反过来了”\n女人楞了一下,突然反应过来,不好意思地笑了。\n男人B看一下男人A说:“哈,还真是这样”",
|
||
"category": "dialogue-performance-beats",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@PixelAigc",
|
||
"sourceUrl": "https://x.com/PixelAigc/status/2081047344850845750"
|
||
},
|
||
{
|
||
"id": "seedance:case-3d49f00e65c0",
|
||
"title": "可爱兔兔厨师动漫烹饪",
|
||
"description": "一段令人愉悦的第一人称视角动漫烹饪视频提示词,包含一只小兔子助手和一位厨师在温馨的粉彩…",
|
||
"image": "https://media.goodcase.ai/media/poster/case-3d49f00e65c0.jpg",
|
||
"mode": "video",
|
||
"prompt": "Create a 15-second Ultra HD 4K anime cooking show POV video inspired exactly by the provided cute omelet recipe image.\n\nSTYLE:\nPremium Japanese kawaii anime cooking commercial. Pastel pink/cream chibi kitchen, warm soft lighting, cozy magical breakfast mood, highly detailed food animation.\n\nPOV:\nFirst-person chef perspective. Only show cute female hands and arms (no face, head, or body). Delicate hands with pastel pink nails and frilly chef sleeves. Pink checkered countertop, cinematic camera movement, macro food shots, shallow depth of field.\n\nRECIPE:\nFollow the reference omelet recipe:\nCrack 3 eggs, add 2 tbsp milk, salt and pepper, whisk fluffy. Melt butter in pan, pour eggs, add cheese, mushrooms, red tomatoes, and green herbs. Fold into a golden fluffy omelet and garnish with herbs.\n\nFOOD:\nMake it extremely delicious: soft airy egg texture, melted cheese stretch, glossy mushrooms, juicy tomatoes, fresh herbs, gentle steam, satisfying cooking sounds.\n\nBUNNY HELPER:\nAdd a tiny fluffy white anime bunny chef wearing a mini chef hat and apron. Cute, clumsy, playful helper:\ntries carrying ingredients, drops a mushroom then fixes it, struggles with a spoon, helps sprinkle herbs, gives a tiny thumbs-up, happily hops beside the finished omelet. Cute mascot style, not realistic.\n\nSEQUENCE:\n0-5s: Female hands start cooking, crack eggs, bunny joins excitedly.\n5-10s: Whisk eggs, butter melts, omelet cooks with fillings and close-up sizzling shots.\n10-15s: Hands fold omelet, bunny celebrates, final hero shot of beautiful fluffy omelet with cozy sparkles.\n\nQUALITY:\n4K UHD 3840x2160, 24fps cinematic animation, smooth hand movement, premium anime rendering, crisp textures, beautiful lighting, cinematic depth of field.\n\nMOOD:\nFluffy • Savory • Cute • Playful • Heartwarming • Cozy.\n\nNEGATIVE:\nNo face, no full body, no realistic human, no scary bunny, no dark mood, no burnt food, no wrong ingredients, no extra fingers, no deformed hands, no distorted bunny, no text, no watermark, no blur.",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@Jiade05",
|
||
"sourceUrl": "https://x.com/Jiade05/status/2080643134011412961"
|
||
},
|
||
{
|
||
"id": "seedance:90-f704a9d8555b",
|
||
"title": "90 年代迪士尼风格森林动画",
|
||
"description": "一个多场景视频提示词,用于创作 90 年代迪士尼风格的手绘动画,主角为森林中的浣熊和乌…",
|
||
"image": "https://media.goodcase.ai/media/poster/90-f704a9d8555b.jpg",
|
||
"mode": "video",
|
||
"prompt": "Classic 1990s Disney-style hand-drawn animation, colorful forest, expressive animal faces, exaggerated physical comedy, smooth cinematic motion, family-friendly humor. Scene 1 — 0–3s: A mischievous raccoon spots a picnic basket hanging from a tree. He stands on a sleepy turtle’s curved shell, stretching upward and saying, “Stay still!” Scene 2 — 3–6s: A tiny butterfly lands on the turtle’s nose. The turtle’s eyes cross, his cheeks puff up, and he desperately tries not to sneeze. The raccoon wobbles above him. Scene 3 — 6–10s: The turtle releases a huge sneeze and pulls into his shell. The shell suddenly rolls forward like a wheel, carrying the terrified raccoon around the pond as he shouts, “Wrong way!” Scene 4 — 10–13s: The shell hits a tree root, launching the raccoon through the air and directly into the hanging picnic basket. Food and fruit explode everywhere. Scene 5 — 13–15s: The raccoon lands face-first in a cream pie. The turtle calmly catches a falling sandwich, takes a bite, and asks, “Did we get it?” The raccoon silently gives him a cream-covered thumbs-up. Fast pacing, clear visual storytelling, natural character motion, playful sound effects, no subtitles, no watermark.",
|
||
"category": "anime-style-lock",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@samaote",
|
||
"sourceUrl": "https://x.com/samaote/status/2080638821557731785"
|
||
},
|
||
{
|
||
"id": "seedance:vlog-2d9d2fcaef84",
|
||
"title": "日本夏日祭典自拍 Vlog",
|
||
"description": "一个精致的多镜头视频提示词,用于创作一段逼真的 9:16 手持自拍 Vlog,记录一名…",
|
||
"image": "/inspiration-thumbs/seedance/vlog-2d9d2fcaef84.webp",
|
||
"mode": "video",
|
||
"prompt": "STYLE: Handheld selfie vlog — arm's-length front camera, eyes locked to lens, natural micro-shake, bright airy festive tone. One continuous handheld take (no hard cuts); keep the young woman's face perfectly consistent across all shots, same happi robe/hair/smile/makeup. ~8s total. Aspect 9:16 vertical UGC. Color: warm golden sunset glow from festival lighting, lifted shadows, soft skin bloom from paper lanterns, energetic red-orange festival mood. Camera energy stays casual, intimate, and celebratory throughout. === (1) SHOT-BY-SHOT EFFECTS TIMELINE === SHOT 1 (00:00-00:02) — ARM'S-LENGTH FESTIVAL HELLO • EFFECT: handheld motion blur (subtle) + speed ramp (decel into eye-contact) • VISUAL: Young woman's face fills frame at arm's length in the bustling summer festival setting, wearing a bright red-white happi robe and festival headpiece, catching the lens with an energetic open-mouthed laugh; warm golden paper lantern glow and blurred festival crowd bokeh in the soft-focus background. • CAMERA: high-ish front-facing selfie angle (~10-15° down), handheld with organic micro-shake mimicking the movement of the mikoshi (portable shrine) swaying beneath, ~24mm wide phone-style lens, subtle push-in as the arm draws the phone closer. • SPEED: opens ~110% then decelerates to 100% as eyes settle on lens. • TRANSITION: natural handheld drift as the phone tilts down into Shot 2 (no cut). SHOT 2 (00:02-00:04) — JAPANESE CHANT BEAT (SIGNATURE) • EFFECT: SIGNATURE VISUAL EFFECT — intimate handheld eye-contact talk with live lip-sync to Japanese chanting, stacked with breathing rack focus (festival crowd softens into bokeh) + gentle golden ambient bloom from surrounding lanterns. • VISUAL: Woman's face speaks in Japanese: \"わっしょい!わっしょい!\" (\"Wassoi! Wassoi!\") with accurate lip-sync to the traditional festival cry, beaming smile, authentic celebratory energy; natural hand gestures (raising fist in festival rhythm) enter frame edge. • CAMERA: chest-up selfie framing in the heart of the festival, ~26mm, constant micro-jitter matching the rhythmic sway of the mikoshi; soft reframe to recenter the face; rack focus pulls the festival crowd and lanterns into creamy bokeh, keeping the face crisp. • SPEED: 100% real-time for honest lip-sync. • TRANSITION: quick handheld whip as the phone swings down to reveal the mikoshi action (motion-blur smear, no cut). SHOT 3 (00:04-00:06) — SHOW-AND-TELL (MIKOSHI & FESTIVAL) • EFFECT: digital zoom (scale-in ~115%) + motion blur + warm light leak from festival lanterns streaking the frame • VISUAL: Phone swings down to show the ornate wooden mikoshi (portable shrine) on the woman's shoulders, intricately carved gold details and crimson drapes catching lamplight; thick festival crowd in happi robes surround her, chanting and dancing; festival stalls with yatai (food carts) and red paper lanterns (chochin) strung overhead glow in the background; waves of heat shimmer rise from the throng; energetic, hot summer-festival atmosphere peaks here. • CAMERA: arm extends to capture the full scene, brief pull-back then digital push-in onto the mikoshi's decorative details and the swaying crowd, ~24mm, lively handheld sway; strong rhythmic shake on the downward swing matching the \"wassoi\" cadence. • SPEED: micro speed ramp — accel on the swing, settle to 100% on the reveal of the mikoshi. • TRANSITION: phone arcs back up to face on a quick handheld pan (motion blur), no cut. SHOT 4 (00:06-00:08) — CELEBRATION SIGN-OFF • EFFECT: speed ramp (decel) + soft golden bloom + slow-motion accent (~25%) on a final laugh and wave • VISUAL: Back to the woman's face front-on, flushed from exertion and joy, genuine beaming smile, casual celebratory wave toward lens; golden festival glow enveloping the frame, soft bloom on highlights from the sea of lanterns and crowd energy; warm, joyful, unmistakably festival UGC mood resolved. • CAMERA: chest-up selfie, ~26mm, micro-shake easing down as the chanting swells, the tiniest pull-back to give air around the face. • SPEED: ramps down into a ~25% slow-motion held beat on the final wave and radiant smile. • TRANSITION: settle and gentle golden bokeh hold to end (no cut). === (2) MASTER EFFECTS INVENTORY === 1. Handheld micro-shake / motion blur — used 4x (Shots 1,2,3,4) — the constant casual UGC texture, enhanced by mikoshi rhythmic sway. 2. Speed ramp (accel/decel) — used 3x (Shots 1,3,4) — energizes the festival opening, peaks on the mikoshi reveal, and eases the celebratory sign-off. 3. Rack focus / breathing bokeh — used 1x (Shot 2) — SIGNATURE; isolates the woman's joyful face during the intimate Japanese chant beat, softening the crowd. 4. Live lip-sync talk beat (Japanese) — used 1x (Shot 2) — anchors authenticity (\"わっしょい!わっしょい!\" with accurate sync to traditional festival rhythm). 5. Digital zoom (scale-in/push-in & pull-back) — used 3x (Shots 1,3,4) — draws viewer toward face, then to mikoshi details and crowd, back to face. 6. Warm light leak / festival lantern flare — used 1x (Shot 3) — golden-orange paper-lantern sparkle from chochin and ambient glow on the high-energy show-and-tell swing. 7. Whip pan (handheld smear) — used 2x (Shots 2→3, 3→4) — cutless bridges between face chant and mikoshi reveal, maintaining handheld continuity. 8. Soft bloom / golden highlight glow — used 4x (all shots) — warm festival lantern-lit evening signature tone throughout. 9. Slow-motion accent (~25%) — used 1x (Shot 4) — savors the final celebratory wave and triumphant smile. === (3) EFFECTS DENSITY MAP === • 00:00-00:02 (Shot 1) — MEDIUM DENSITY: handheld blur + decel ramp + push-in + warm golden bloom establish the festive selfie feel without overload; festival chants audible in the background. • 00:02-00:04 (Shot 2) — LOW DENSITY: deliberately intimate for the SIGNATURE Japanese chant beat — only rack focus + golden bloom over the lip-sync, letting the traditional \"wassoi\" cry and genuine joy carry. • 00:04-00:06 (Shot 3) — HIGH DENSITY: digital zoom + motion blur + warm light leak + whip-pan swing + crowd energy stacked for the peak festive show-and-tell reveal of the intricately carved wooden mikoshi with crimson drapes and glowing chochin lanterns surrounding the celebrating throng. • 00:06-00:08 (Shot 4) — MEDIUM-to-LOW DENSITY: decel ramp resolves into a ~25% slow-mo golden-bloom-soaked celebratory sign-off, winding the peak energy into a warm held smile. === (4) ENERGY ARC === • ACT 1 — HOOK (00:00-00:02): immediate arm's-length eye-contact with the joyful woman's face in the bustling festival setting; warm push-in and a celebratory decel grab attention in the first second. • ACT 2 — DEVELOPMENT / SIGNATURE (00:02-00:06): intimate Japanese chant beat (\"わっしょい!わっしょい!\") with signature breathing rack focus and golden bokeh (low-density trust moment celebrating tradition), then a high-density whip-and-zoom reveal of the ornate wooden mikoshi on her shoulders draped in crimson, surrounded by cheering happi-robed festival-goers, glowing red chochin paper lanterns overhead, and yatai stalls — the contrast spike that captures the full festive heat and energy. • ACT 3 — RESOLVE (00:06-00:08): camera returns to the woman's beaming face, energy decelerates into a ~25% slow-motion golden-bloom-lit celebratory wave and held smile — warm, joyful, conclusive, and unmistakably authentic festival UGC; the arc fully resolves on a radiant, triumph-filled final frame bathed in festival lantern light.",
|
||
"category": "handheld-ugc-vlog",
|
||
"tags": ["Seedance 2.0", "human-reviewed"],
|
||
"sourceId": "seedance",
|
||
"credit": "@NorthImage",
|
||
"sourceUrl": "https://x.com/NorthImage/status/2078070232137297951"
|
||
}
|
||
]
|
||
}
|